TIME

New survey brings women into the action of Abstract Expressionism

The Seasons (1957)

IN THE LATE 1940S AND early ’50s, when Abstract Expressionism first erupted, life wasn’t easy for those who adopted it as their practice. Red-baiting Congress members denounced it as a communist plot. Wary museums refused to show it. And just about nobody was buying it. But to be a woman working in AbEx—to use the short-hand term—required dealing with other kinds of marginalization, condescension and worse. Postwar abstraction

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