The Paris Review

Staff Picks: Horses, Heaney, and Hypebeasts

Still from Věra Chytilová’s Daisies. Courtesy of Brooklyn Academy of Music.

You’ve probably seen , Věra Chytilová’s dizzying 1966 masterpiece, especially if you were a young woman in the early aughts browsing LiveJournal or Tumblr, where screenshots of its two heroines dancing, throwing food, and declaring themselves “spoiled” abounded. But it’s difficult to find the rest of Chytilová’s films. Over the years, I’ve seen only two: the aforementioned and 1963’s , available via the Criterion Collection. That’s why I’m excited to spend the next few days essentially living inside the Brooklyn Academy of Music for their series “.” What does a teen horror movie–meets–metaphor

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