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    Renascence and Other Poems
    Renascence and Other Poems
    Renascence and Other Poems
    Audiobook1 hour

    Renascence and Other Poems

    Written by Edna St. Vincent Millay

    Narrated by LibriVox Community

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    About this audiobook

    The following is a recording of the first volume of poetry published by Edna St. Vincent Millay. When the author had graduated from high school, she couldn't afford to go to college. In the summer of 1912, Vincent's sister, Norma, found work as a waitress at a hotel near where they lived. One night, Norma insisted that Vincent attend a masquerade ball, given at the hotel, if only to get Vincent out of the house and to meet people. Vincent finally gave in, and while there, sang songs and recited "Renascence," the first poem in this collection. This immediately won over the support of one "Miss Dow," who would help Vincent raise enough money to attend Vassar College. From there, she would meet others and become fully entrenched in, and later a major influence on, the literary community. (According to Savage Beauty, by Nancy Milford.) (Summary by Linda Leu)
    LanguageEnglish
    PublisherLibriVox
    Release dateAug 25, 2014
    Author

    Edna St. Vincent Millay

    Edna St. Vincent Millay was born in 1892 in Rockland, Maine, the eldest of three daughters, and was encouraged by her mother to develop her talents for music and poetry. Her long poem "Renascence" won critical attention in an anthology contest in 1912 and secured for her a patron who enabled her to go to Vassar College. After graduating in 1917 she lived in Greenwich Village in New York for a few years, acting, writing satirical pieces for journals (usually under a pseudonym), and continuing to work at her poetry. She traveled in Europe throughout 1921-22 as a "foreign correspondent" for Vanity Fair. Her collection A Few Figs from Thistles (1920) gained her a reputation for hedonistic wit and cynicism, but her other collections (including the earlier Renascence and Other Poems [1917]) are without exception more seriously passionate or reflective. In 1923 she married Eugene Boissevain and -- after further travel -- embarked on a series of reading tours which helped to consolidate her nationwide renown. From 1925 onwards she lived at Steepletop, a farmstead in Austerlitz, New York, where her husband protected her from all responsibilities except her creative work. Often involved in feminist or political causes (including the Sacco-Vanzetti case of 1927), she turned to writing anti-fascist propaganda poetry in 1940 and further damaged a reputation already in decline. In her last years of her life she became more withdrawn and isolated, and her health, which had never been robust, became increasingly poor. She died in 1950.

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