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Lord Jim
Lord Jim
Lord Jim
Audiobook13 hours

Lord Jim

Written by Joseph Conrad

Narrated by Gene Engene

Rating: 3.5 out of 5 stars

3.5/5

()

About this audiobook

This adventure story of the south seas is one of Conrad’s best known works. Jim is a young man who has chosen a career with the Merchant Marines. Early on he is tested by the sea and found wanting. His ship founders on the high seas and sinks. Disregarding the passengers, Jim, and the rest of the crew manage to escape in lifeboats. The passengers die with the ship. Haunted by his one act of cowardice Jim wanders from port to port in search of self-respect. He manages to redeem himself and earn the title of Lord Jim in a dangerous and exciting fashion. Like all of Conrad’s stories it begins a little slow but as the story unfolds the action builds to an exciting conclusion.
LanguageEnglish
Release dateMar 9, 2015
ISBN9781614536956
Author

Joseph Conrad

Polish-born Joseph Conrad is regarded as a highly influential author, and his works are seen as a precursor to modernist literature. His often tragic insight into the human condition in novels such as Heart of Darkness and The Secret Agent is unrivalled by his contemporaries.

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Reviews for Lord Jim

Rating: 3.7138890214285714 out of 5 stars
3.5/5

1,260 ratings54 reviews

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  • Rating: 4 out of 5 stars
    4/5
    Classic tale of one man's redemption the "hard" way
  • Rating: 1 out of 5 stars
    1/5
    I read 10/45 chapters and in two words: boring, monotonous! Tis the story of the sea and a ship sinking or not and the inquest and it was just awful! Conrad is excessively verbose, I could not ascertain a plot, and slogging through this has already killed too many brain cells. 1 star. I know it's a classic, but really!
  • Rating: 3 out of 5 stars
    3/5
    Intrigerend en meeslepend. Qua constructie duidelijke tweedeling: incident met de Patria en leven in PatusanCentraal: gewetensconflict van Jim en hoe hij dat probeerde recht te zetten door elders ?goed? te doen en grootheid te bereikenOp achtergrond ook imperialisme-kolonialisme debat: niet zo heel duidelijk wel standpunt Conrad inneemt (zeker niet politiek); wel cultureel: nefaste invloed van westerse inmenging op locale cultuur, maar die wordt zeker niet als model gesteld
  • Rating: 1 out of 5 stars
    1/5
    I read 10/45 chapters and in two words: boring, monotonous! Tis the story of the sea and a ship sinking or not and the inquest and it was just awful! Conrad is excessively verbose, I could not ascertain a plot, and slogging through this has already killed too many brain cells. 1 star. I know it's a classic, but really!
  • Rating: 5 out of 5 stars
    5/5
    Read as I revisit Conrad from front to back. This is the culmination of his early novels - many familiar threads from the works up to this one, right up to the long Marlowe monologue. Conrad's ambivalence to race, especially compared to the time he was writing, stands out to the modern reader.
  • Rating: 3 out of 5 stars
    3/5
    Lord Jim is a tale of honor lost and regained — a sort of adventure on the high seas with unsavory pirates and official Inquiries and almond-eyed damsels in distress. The narrator turns over the meaning of honor as he describes Jim's life, alternately sympathizing and feeling aversion, and never coming to a judgment, about Jim in particular and about honor in general. Jewel's misery and appeals to fight are challenges to this particular brand of honor (although since she's female and non-white, and this is 1900, her challenge is pretty feeble).Jim has a stubborn insistence in his own redemption by sticking it out. He seems to regard answering for his actions as both the most excruciating punishment and the only way to live with himself. While the external drama regarding society's official judgment of him plays out, he is concerned only with the personal — explaining himself to one sympathetic listener, appearing every day at the Inquiry, answering to Doramin.
  • Rating: 3 out of 5 stars
    3/5
    "Lordy lord," what to say about Lord Jim? In an era of short Tik Tok videos, Instagram feeds, and limited character Tweets, this novel, published on the cusp of the 20th Century, is a bit of a slog, at least at first as the reader slowly gets acclimatized to the denser sentences, weightier themes, slower pace, and stylistic narrative convention. It was choppy waters for me, and I put the book down on page 30 or so, only to give it another try after reading that it is considered one of the best 100 novels of its time. I'm glad I did because the book has its rewards if you put in the time, patience, and concentration. The story of Jim is told by Marlow, an older English seaman himself who encounters Jim at his trial, befriends him, and then helps him get on his feet again after facing official censure. Marlow's perspective and feelings towards Jim are ambivalent and Marlow's long tale, told to an audience of fellow seamen, is supplemented by other characters who at some point cross paths with Jim: his shipmates, the judges, employers, and ultimately the denizens of Patusan, including Jewel his wife, and Captain Brown and his men who intrude upon his rule in the book's final chapters. Critics praise Conrad for innovating the narrative voice of the novel beyond the first-person "I" perspective or the all-knowing, God-like, author's voice. But in Lord Jim this choice, perhaps intentional, distances Jim from the reader. He is and remains something of a mysterious cipher, and his inarticulate stammers do not help you get to know him better. But perhaps that is the point. He doesn't quite know himself. The novel grapples with existential and moral questions about man's highest aspirations and Platonic ideals, embodied by English "codes of conduct" and the crass realities of Darwinistic survival instincts personified by human emotions such as fear and panic. Conrad does not provide many answers to Marlow's obsession with the tale of Lord Jim and the existential questions it raises. Jim, ever a little elusive and mysterious, even to Jewel, is finally told by Marlow the secret reason why she should believe Jim when he says he will not leave, as other Westerners have, to return to his home. "He is not good enough." Then Marlow follows that with an even greater truth. "None of us is good enough." And I believe, that is the crux of this tale and perhaps one of the few concrete conclusions proffered.
  • Rating: 3 out of 5 stars
    3/5
    I think I was much too young when I read it. I'd seen the movie with Peter O'Toole and I thought I could tackle it, but I was only about 15. I understood the parts about guilt and horror but not much else. I'd still recommend it, but wait until you are at least college age!
  • Rating: 4 out of 5 stars
    4/5
    A story of guilt and the search for redemption. The Jim of the novel is a young man who has taken a position as a seaman to learn the trade. Jim makes a decision which causes him great torment and leaves him searching for redemption and peace from the torment of guilt. Conrad is a great author but requires the readers full attention.
  • Rating: 3 out of 5 stars
    3/5
    Joseph Conrad has a well deserved reputation as a fine writer, but as one goes back and re-reads books publish 120+ years ago, the age starts to show.Lord Jim is about "honour" - the honour of a different era. The protagonist acts dishonourably, and the book tells of his battle to live with himself. I found his personal battles a little wearing. The book is written in an unusual style. The majority of the book is related to the reader in the form of a conversation in which one character tells a group of listeners the story as he knows it. This leads to every papragraph being in inverted commas, and when the telling tells of conversations, there are nested inverted commas, sometimes multiple nests! It's a little clunky, and can be a little distracting as the reader tries to work exactly who is speaking at the time. And toward the climax of the plot, Conrad goes through contortions to maintain the eyewitness telling of events which took place in a remote location with few survivors to tell the story.But, I'm glad I read the book; I still marvel at Conrad's fluency in language acquired as an adult; and I'll be back to read more of him.
  • Rating: 4 out of 5 stars
    4/5
    A book for everyone to read. The story is an exploration of the expression of ego in a man of action. Or it is about redemption after the awakening to sin and human weakness. At any rate it is a character study viewed through the lens of a flawed narrator, fascinating, and due to be recalled continuously after the work has been read. Jim does wrong, but after being brought to understand that, how does he choose to live? There is an exotic milieu and colourful challenges, and Conrad's marvelous prose to enjoy. The book began to influence the world in 1900.
  • Rating: 4 out of 5 stars
    4/5
    A thrilling & interesting story of an honorable but unfortunate seaman. Utilizes a surprising meta device to frame the story - the whole book is being told by a sailor at a bar.The writing was beautiful but I found it to be overly ornate & overwrought at points. Was really a slog to get through some sections. Ultimately worthwhile. Great & tragic ending!
  • Rating: 4 out of 5 stars
    4/5
    As others have noted, this could have been a bit shorter. And Conrad's habit of nesting the story within another character's narration (Marlow of Heart of Darkness) is a bit annoying. Still, there is a lot of interest in this story of a man trying to escape a terrible act of cowardice.
  • Rating: 4 out of 5 stars
    4/5
    Lord Jim by Joseph Conrad is a story that shows that the mistakes of the past will follow men and can never be fully repaired. We meet a young man named Jim, who, full of romanticized dreams joins the crew of the Patna, taking 800 pilgrims to Mecca. When the rusty old ship strikes something and is holed, Jim and the other officers abandon ship, leaving the passengers to their fate. But the ship is rescued and towed to port and while the other officers flee, Jim is left to be brought to trial. Jim tells experienced sea captain Marlow his story, in that at first he refused to leave the boat but eventually did jump overboard and saved himself. He now lives with the knowledge that he was a coward and spends his life wandering and trying to avoid his reputation but through Captain Marlow he is given a true second chance. He assigned to a post in an isolated and dangerous jungle region of Malaya. He becomes valued by the tribesmen for his bravery and is called “Lord Jim”. Unfortunately he becomes too trusting and is betrayed and his world falls apart.I found the parts of the book that Marlow narrated very difficult to get through as he is very long winded and uses three or four words when one would have done. But eventually the story pulled me in and although rather tragic, I found this story of one man seeking redemption and casting out his demons a very good read. I was certainly reminded of his Heart of Darkness, as the themes were similar and the character Marlow appears in both books. Overall I would say the more compact Heart of Darkness is the better book, but Lord Jim is certainly worth the time spent on it.
  • Rating: 5 out of 5 stars
    5/5
    Long on my list to read, I took the last three weeks to seclude myself for longer spates of time. I was captured by the exquisite descriptions nestled in unending sentences. I would be absorbed in the tale when a phrase would stop me and I would have to reread it two or three times to digest its depth.
    "You take a different view of your actions when you come to understand, when you are made to understand every day that your existence is necessary - you see, absolutely necessary - to another person."

    It is now on my "Read" shelf, but will return in a few years to the one entitled, "Read again"
  • Rating: 4 out of 5 stars
    4/5
    As in Heart of Darkness and some of his short fiction, Conrad has a man named Marlow narrate the story to a group of contemporaries. Here we learn of Jim, an earnest and able young seaman who, at least in his own eyes, betrays the moral code he was born under, and spends the rest of his life trying to put that failure behind him and atone for it.As first mate on a ship carrying Muslim pilgrims to Mecca, Jim is on night watch when the vessel strikes something, possibly the floating remains of a wreck, and begins taking on water. In the ensuing confusion, Jim's conscience is wracked--there are clearly not enough lifeboats to save all the passengers and crew. Most of the pilgrims are asleep and unaware of the danger. Should they be alerted, or allowed to go peacefully down with the ship? What is Jim to do? The captain and other officers having already made the decision to abandon the ship, they urge Jim to join them in their lifeboat. Although he does not make a conscious decision to do so, he finds himself in the lifeboat with them, having mindlessly jumped or been pitched over the side by the violent motion of the ship. Regardless of the "facts" so vehemently demanded by the official inquiry later on, this is an outcome for which Jim can never forgive himself. Ultimately he removes himself from civilization, with the help of Marlow and his contacts, finding a sort of refuge among native people in a remote village, presumably somewhere in Indonesia, where he brings an end to a local conflict and finally seems to have escaped the shadow of his past. To the grateful inhabitants, he has become Tuan (Lord) Jim. But (no surprise) this is only a relatively happy interlude in the man's full life story.The novel is full of the descriptive passages Conrad did so well, of symbolism and philosophical musing, and of diversions from the main tale. The latter are never irrelevant, but some are more engaging than others. The reader is always getting Jim's story from at least one remove, as Marlow does not have personal knowledge of all of it himself. Nevertheless, he takes a life-long interest in Jim, feeling it is his duty to tell and interpret what he does know, to dispel rumors and assumptions among his fellow sailors, and to somehow "understand" Jim, who despite being "one of us", had repeatedly behaved otherwise. Taken down to its bones, this is a pretty simple, almost Shakespearean, tale of guilt, penance and retribution, with enough ambiguity and social commentary thrown in to make it very interesting.Reviewed February 2017
  • Rating: 3 out of 5 stars
    3/5
    Most reviewers have written of the psychological story (guilt/redemption) and plot, but I picked it up again after first reading it several decades ago, because of the setting behind the story--details of life in 19th century Southeast Asia and the Malay Archipelago. Conrad was inspired by a true story of a pilgrim ship carrying Muslim pilgrims whose crew did desert it when it appeared to be sinking on August 8, 1880. The novel's trial and much of the story takes place in Singapore and Southeast Asia -- hence an interesting read for anyone who has previously read this book but was unmindful of the incredibly evocative and realistic details of the story's scenes and people--monsoon rains, endless chirping insects, the sharpness of a Malay kris, the gentle brush of palm leaves in a breeze...and how the threat of an imminent death was so often a possibility.
  • Rating: 4 out of 5 stars
    4/5
    A young man, raised in a good family with good values, views himself as a fundamentally good person. He settles on a career at sea where his confidence, courage, and commitment help him quickly rise through the ranks to a position of considerable prestige and responsibility. On an ill-fated voyage, though, disaster strikes and, in a moment of panic, the young man’s courage deserts him in a way that imperils the lives of hundreds of passengers under his charge. Does this one action make the man a coward, either in his own mind or in the eyes of others? If so, to what lengths must he go to seek redemption for that single, critical transgression? What is the ultimate price that he must pay to restore his sense of honor?These are the questions that frame the basic story in Lord Jim, Joseph Conrad’s psychological profile of one man’s fall from grace and subsequent struggle to redeem himself. In fact, for me, the novel actually works better on the level of a character study than it does as a compelling adventure tale. To be sure, the author’s writing is beautifully rendered throughout the book and some of the descriptions of the protagonist’s exploits at sea and in the remote Malay village where he ends up are amazing. However, there are also lengthy passages in which the narrator—the same Capitan Marlow from Heart of Darkness—drones on in a way that detracts considerably from the flow of the story. So, despite its reputation as one of the great novels of the past century, what will stay with me about Lord Jim is its timeless message about human fallibility and the power of second chances.
  • Rating: 5 out of 5 stars
    5/5
    I first read this book when I was thirteen, which of course was too young. Conrad’s novel is about a young English lad full of Victorian ideals and zeal who fails his first opportunity to be a hero very badly and goes to his death when his second opportunity is ruined. I liked the first half of the novel the best, which described in the lush psychological detail I love how Jim failed, how he reacted to his failure, and how he tried to find a new place and a new purpose. I was not as pleased with the second half, where Jim turned an island backwater into a mini-Eden until a serpent entered it. Conrad tried to ground this section in realism but I couldn’t help feeling that the author was becoming as romantic as his hero. I admired his villain, a psychopath of Shakespearian proportions, but winced at the inevitable primitive girl who provides the love interest. What I loved about all was Conrad’s prose, always soothing the heart, stimulating the soul, demanding and rewarding attention. I rarely found affected or overdone.
  • Rating: 3 out of 5 stars
    3/5
    Individual characters are exquisitely, yet interminably, rendered. Descriptions of nature are vast and compelling "in the appalling and calm solitudes awaiting the breath of future creations."Lord Jim is a slow moving psychological drama with confusion: who hit the dead guy on the ship? who locked the people in? who let them out? why was Jim a coward when he was the one wholoosened the rafts overboard so people could jump in? was Captain Robinson really the same lone surviving Robinson Crusoe and could he really have eaten his fellow survivors?!?And why does Jim offer himself as a suicide sacrifice? Does that really help and protect his people? And isn't he again a coward for breaking his promise to his lover?
  • Rating: 2 out of 5 stars
    2/5
    Good lord, this book is boring. At it's core is a wonderful tale of youth, cowardice, courage and redemption, but this is brutally buried by the narrator's need to philosophize and expound on his own feelings at each twist and turn of the story, for all that he isn't even present for most of it. Conrad may have succeeded here in single-handedly popularizing the "enough about me, what do you think of me?" trope. I loved [Heart of Darkness] and began this with anticipation, but after dragging myself halfway through I gave up in disgust. I have only so many hours to live and read, after all.
  • Rating: 3 out of 5 stars
    3/5
    Way back when I was in high school, my English class had to read Lord Jim. None of us students liked it. The English teacher suggested that this was a book we should reread in middle age; we would understand better what it means to be "one of us" then. So now, in memory of this teacher, I took up the challenge and reread Lord Jim as a mature adult. I didn't like it any better the second time around. The novel's plot is simple: the maritime career of a young British man named Jim is ruined after he and his fellow crew members desert a sinking ship. Jim's shame at his own cowardice drives him ever eastward, and he finally settles on a remote Indonesian island. There the natives revere him as the white man with all the answers. Then the outside world, in the form of a motley band of robbers, intrudes. The narrative, which is told from multiple perspectives, features page-long paragraphs and sentences with multiple semi-colons, not to mention lots of French and German phrases and nineteenth-century nautical terms. At least the individual chapters are short.The declaration that Jim is "one of us" occurs in several places. The phrase means different things in different contexts, but the overarching idea is that Jim is a "romantic". However, unless I missed something, the term "romantic" remains undefined.Lord Jim is a literary classic. I am glad that I gave it another try, but I still failed to find much to appreciate in it.
  • Rating: 5 out of 5 stars
    5/5
    Lord Jim. Turn to any page in this book and you will find breathtaking descriptions of a man's demeanour or facial expressions when struggling to come to a decision. The passages on seascapes and cloud castles in the sky, hanging dark and ominous, are brilliant.The problem is, that is all there is. The wordplay is such that the story, if it can be so termed, is lost under it's weight. Metaphorically, we have a passer-by here who is asked, “Did you see anything?” The next five pages in this long book describe his face as he forms his reply. The following three pages, his clothes and the condition of his hard used shoes. After some talk of his mother who sewed seam after seam to keep from starving for a few pages, the man forms his reply: “No.” That is his only part in the book, we have just spent an evening reading about him .. .. .. and so it goes on .. .. ..To keep this review shorter than the book, I find it best to take this tome down from time to time and read a page or two to marvel at Conrad’s ability to conjure magic with words. I would love to read the whole thing from cover to cover but have only ever got half-way before losing interest. There are too many wonderful books waiting on my shelves, some by Joseph Conrad, to waste time floundering in this one.However, even if you only read the first few pages or the last, you will have to agree it is well worth five whole stars.
  • Rating: 3 out of 5 stars
    3/5
    Meh. Descriptions of scenery were overwrought. Marlow often relates incidents told to him by someone else, and occasionally the person who told him was told by a third person, yet Marlow claims to know the internal motivations of the participants. The romantic pairing was implausible, as the woman Jim falls in love with is, conveniently, the only hot chick in the jungle amongst the rest of the dirty filthy savages. Dated. Definitely does not hold up over time.
  • Rating: 4 out of 5 stars
    4/5
    Lord Jim has haunted me most of my adult life. Jim's would be heroic saga was the one assigned book that I did not read entirely. The one book for which I resorted to using Cliff notes. The horror! I royally botched the test; well at least by my standards I did. I can't explain my failure to make it through the novel. Conrad is one of my favorite writers. Whatever the reason, I have felt badly about it ever since.

    On this second reading, I found more reason to push through it, though I admit that at times I needed the impetus of a recording, a remarkably bad livrovox recording. I found the story slow going though enjoyable in a vaguely painful way. I suppose there is an immature part of my psyche that wants to understand Jim as heroic, as Conrad's answer to Billy Budd, but he simply isn't. He is the product of such adventure stories; he is a would be Billy or Quee-quegg but ultimately he lacks the moral resolve. There is no reason for me to expect this. Marlowe makes it clear from the beginning that Jim is not heroic. Yet, Marlowe sees the possibility of his being such. In the end, Marlowe is as perplexed as I am as what to make of Jim or his story. In the end Jim is much like most of us.

    Also, there were times I wish Marlowe would just shut up. He seems to drone on and on.
  • Rating: 5 out of 5 stars
    5/5
    When I finished this book, I stayed up not wanting to end the experience. I felt to a degree rarely experienced that I had been with Jim and with Marlowe. Until now I had been avoiding Conrad. I found him or thought I found him overwritten turgid, too sturm and drang but I can see now I was wrong. First there is the psychological insight. This was an amazing existential portrait and as someone has said the greatest depiction of shame in the English language. A friend of mine has maintained that the Polish not the Russian writers are the gold standard for psychological portraiture and I now concede. Here also there is the technique, this use of Marlowe to provide the portrait, this invested third party with a greater scope of understanding that Lord Jim which allows for the penetration to the levels below the surface. I must find out how often he used this because the technique is superb. I am also astonished how quickly Conrad wrote this, less than a year. It's a masterpiece to me and is now one of my favorite books. I will always be reading Conrad now that I have "discovered" him.
  • Rating: 3 out of 5 stars
    3/5
    This books was hard to get through, Joseph Conrad has a very extensive vocabulary and I found myself using the dictionary quite often. The action was very parse in it's delivery and I found Conrad rambling on about useless information which cause me to have to read some chapters multiple times. I haven't really decided on if I liked his narrator telling the story to another character, it was like a character in the book reading a book to you. I thought it was really easy to lose contact with who was speaking. I have a hard time considering that this is considered one of the 100 greatest books of all times. My assumption is that their must not be very many good books in general. However, after stating all of this, I did find the boy some what entertaining. It was separated into three distinct areas: the trial, a wandering period and the island. I did not really fully get the antagonist, Lord Jim himself, as representing the main insight of this novel or as a physiological self-examining exploration as some reviews have suggested the book explores. Not that I don't see some of that in the novel, but I saw the book as expression of the world surround Tuan Jim and how self involved and critical the world is.
  • Rating: 2 out of 5 stars
    2/5
    I struggled a lot to get through this book and I liked it less the more I read. It is a very interesting book, however, in terms of its themes and philosophy. Jim is an incredibly human character, who must live with the shame and guilt of his mistakes in a very stratified world of British seamanship and imperialism. My primary compliant is that this is a very psychological novel but the author never really gets into the main character's head.
  • Rating: 2 out of 5 stars
    2/5
    Difficult to follow. I'm currently reading an early edition, which may have a lot to do with the difficulty.
  • Rating: 4 out of 5 stars
    4/5
    LORD JIM is a novel focused on the imperial zeitgeist of the age. The age is the years between 1876 to the beginning of world war one. Europe was beaming in its nationalism, imperialism, and as well as aliances between nation states. Europe could be seen as a cage where the main event in the WWE would be held, in this corner Germany and the Hapsburgs vs. London and France. We see explorers controlling new lands and new people. We find adventures awaiting.
    So what if you don't care about the imperial age? Are you a Star Trek or Battle Star Galactica fan? One then can imagine the ocean as deep space, and the natives as aliens. I found it easier to concentrate on the plot when I imagined Jim as captain Kirk. I could understand the imperialistic superiority over native cultures, if I thought of the natives as aliens or droids.
    Conrad poses profound questions: Can a man run away from his past ruins? Or do they hunt him down till the present moment catches up with him? Is the earth big enough to hold the caper?"
    I loved the narration by Stewart Lewis on Libri Vox. He does a great job with a tricky book. I could understand Conrad's humor by Stewart Lewis's reading of the novel.
    The book overall was imperially commanding.