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    Julius Caesar: A Fully-Dramatized Audio Production From Folger Theatre
    Julius Caesar: A Fully-Dramatized Audio Production From Folger Theatre
    Julius Caesar: A Fully-Dramatized Audio Production From Folger Theatre
    Audiobook2 hours

    Julius Caesar: A Fully-Dramatized Audio Production From Folger Theatre

    Written by William Shakespeare

    Narrated by Full Cast Dramatization

    4.5/5

    ()

    About this audiobook

    The Folger Shakespeare Library, home to the world’s largest Shakespeare collection, brings Julius Caesar to life with this new full-length, full-cast dramatic recording of its definitive Folger Edition.

    Shakespeare may have written Julius Caesar as the first of his plays to be performed at the Globe, in 1599. For it, he turned to a key event in Roman history: Caesar’s death at the hands of friends and fellow politicians. Renaissance writers disagreed over the assassination, seeing Brutus, a leading conspirator, as either hero or villain. Shakespeare's play keeps this debate alive.

    This new unabridged audio recording of the well-respected edition of Shakespeare’s classic—expertly produced by the Folger Theatre—is perfect for students, teachers, and the everyday listener.
    LanguageEnglish
    PublisherSimon & Schuster Audio
    Release dateFeb 24, 2015
    ISBN9781442381520
    Julius Caesar: A Fully-Dramatized Audio Production From Folger Theatre
    Author

    William Shakespeare

    William Shakespeare was born in Stratford-upon-Avon, Warwickshire, in 1564. The date of his birth is not known but is traditionally 23 April, St George's Day. Aged 18, he married a Stratford farmer's daughter, Anne Hathaway. They had three children. Around 1585 William joined an acting troupe on tour in Stratford from London, and thereafter spent much of his life in the capital. A member of the leading theatre group in London, the Chamberlain's Men, which built the Globe Theatre and frequently performed in front of Queen Elizabeth I, Shakespeare wrote 36 plays and much poetry besides. He died in 1616.

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    Reviews for Julius Caesar

    4.5/5

    86 ratings14 reviews

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    • 4/5
      Incredibly bloody, even by modern standards.

      1 person found this helpful

    • 5/5
      Well performed and dramatized by professional actors. Recording and staging well done.
    • 5/5
      This was great! Without the playwright/script in front of you, it may be hard to follow. However, this helped so much in my literature course (where I did have the full script). It allowed me to imagine the play in front of me, more than I could imagine it if I was reading it to myself. The voice actors were so good!
    • 3/5
      A violent and bloody tragedy, that may well have been a dark comedy in its time.
    • 4/5
      This revenge play might not be one of Shakespeare's best crafted plays from a literary perspective, but it has its merits from a theatrical point of view- namely, two of his best villians. In particular, Tamora is for my money Shakespeare's best role for a woman after Lady MacBeth. Of course he can hardly be blamed for not writing more great roles "for women," as he didn't write *anything* for them- there were no actresses and the women would be played by young boys, not seasoned, mature performers. However, from the perspective of a modern woman whose appreciation of a play can be swayed by how much she would want to be in it, it is hard not to read this gore-fest and think how much fun it could be.
    • 4/5
      I know it's not his best, and it's not as much fun as Tamburlaine, the Marlowe play Shakespeare was ripping off, but I have a soft spot for it.
    • 3/5
      I had tried delving into the Divine Comedy, but it just wasn't doing it for me after the first handful of cantos in Inferno. "I need something more violent right now," thought I. So I decided to read Titus, which I somehow never read (though I heart the movie intensely). Dang! Why isn't Lavinia as held up as Ophelia? She doesn't even have her own little Wikipedia page. I always thought of Ophelia as kind of a bleeding heart, and here is Lavinia, fighting to get her family to comprehend her, overcoming her wounds to see her rapists punished and then suiciding by father (or whatever you call it, despite how Titus puts it, she's willing and unable to commit the act herself) once revenge is carried out.This is now in my top three Shakespeare plays (Richard III and Julius Caesar being the others). It's got some weird shit going on, if you don't mind the colloquial vagueness of that. It was nice reading ol' Shakey again, I haven't really delved into his stuff since that advanced class years ago sort of wore me out on it.
    • 5/5
      A gruesome look at the Roman conquest of the Goths. Revenge, crueltly, loyalty-it's all considered in this early Shakespeare play. It is (as with all his work) best viewed, too-the Anthony Hopkins movie version, Titus, is amazing. Have the play at hand to read, because sometimes it helps.
    • 4/5
      A little hard to tell the characters apart by voice alone. Otherwise, the play is timely and top notch. I just want a short written guide.
    • 5/5
      This voice acted plays are amazing! I really love Cassius here, it's just as dramatic as it should be. I love it
    • 5/5
      Excellent rendition! The acting and voices were very good! Great!
    • 5/5
      Loved it, enjoyed the performance as well. Definately recommend it
    • 3/5
      My reaction to much of this book was, "Wow, this is Shakespeare?" "Titus Andronicus" is simply brutal... and definitely the most violent play of Shakespeare's that I've ever read. There is a hardly a scene that goes by that someone isn't murdered, raped or dismembered. The play, at its heart, is a tale of revenue in its most violent form.As such, this isn't one of my favorite plays... there isn't much subtle or playful here. But it also managed to keep my attention, as I wondered how Shakespeare was going to top the prior scene with something even more horrible. Overall, I found it interesting and much darker than a typical Shakespearean tragedy.
    • 4/5
      I recently sat down with Titus as part of my undergraduate degree and found it thoroughly enjoyable in a gruesome kind of a way. Shakespeare's understanding of how drama works is in full evidence, and although it all smacks a bit of Marlowe's work, the young Shakespeare still produced a play that is shocking and dark, but that also has moments of odd compassion. It reminded me of humanitie's unfortunate habit of destroying itself in the name of perpetual concepts like love, honor, and dignity. Violence is part of the human condition, and that is why I think the play still speaks to us today.