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    Andersen's Fairy Tales, Volume 1
    Unavailable
    Andersen's Fairy Tales, Volume 1
    Unavailable
    Andersen's Fairy Tales, Volume 1
    Audiobook6 hours

    Andersen's Fairy Tales, Volume 1

    Written by Hans Christian Andersen

    Narrated by Emma Fenney, Phil Gigante and Erin Yuen

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    About this audiobook

    Hans Christian Andersen's fairy tales, which have been translated into more than 125 languages, have become culturally embedded in the West's collective consciousness. Readily accessible by children, they present lessons of virtue and resilience in the face of adversity that appeal to mature listeners as well. This collection of 18 tales includes "The Emperor's New Clothes", "The Princess and the Pea", and "The Snow Queen".

    LanguageEnglish
    PublisherDreamscape Media Audio
    Release dateApr 24, 2018
    ISBN9781974900978
    Author

    Hans Christian Andersen

    Hans Christian Andersen was born in Odense, Denmark, in 1805. He endured a lonely, impoverished childhood consoled by little more than his own imagination. He escaped to a theatre life in Copenhagen aged 14 where the support of a powerful patron enabled him to complete his scant education, and to write. His poetry, novels and travel books became hugely popular. But it was his Fairy Tales, the first children's stories of their kind, published in instalments from 1835 until the time of his death in 1875, that have immortalised him. Translated into more than 100 languages and adapted to every kind of media, they have made Andersen the most important children's writer in history.

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    Reviews for Andersen's Fairy Tales, Volume 1

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    • 4/5
      Children's fairy tales but not what has been watered down and added with cutesy animals. Not as graphic as some versions of the old tales, but a good collection of the tales from this master storyteller.
    • 4/5
      I love fairy tales and these are some of the best and are great classics.
    • 4/5
      Rated: B+Wonderful tales told with a child-like perspective. Many of Disney's classics owe a debt to Andersen.
    • 5/5
      Six-word review, nth reread of 1923 edition:Beloved childhood treasure still enchants me.
    • 4/5
      Hans Christian Andersen's fairy tales are world renowned. Endlessly inventive and quirky, they've sparked countless adaptations and retellings, from Disney animated films to stage plays to choral works to short stories. Some of the tales are better known than others, like "The Little Mermaid," "The Emperor's New Clothes," "The Little Match Girl," and "The Steadfast Tin Soldier." Others are less well known (and some understandably so!), like "The Marsh King's Daughter," "The Wood Nymph," "The Red Shoes," and "The Shadow," to name a few.I was struck by the harshness of some of the stories. I knew going in that Andersen's imagination was informed by a culture very different from our sanitized, politically correct world, back when children knew all about life's grimmer realities. But it's still a bit of a shock. Most of the stories don't end on an entirely happy note. Beyond "Thumbelina" I'm hard pressed to remember any that do, actually.Many of the stories deal with the theme of not being content with your position in life, like the pine tree that wasn't happy in the forest and then had one night of splendor as a Christmas tree before being tossed away to die, or the nymph who traded her natural lifespan for a day as a human. Mortality lurks everywhere in these stories, bittersweet around the edges. The china shepherdess and her china chimney-sweep lover are faithful to one another "until they break." In one story, a man's shadow eventually breaks free of him and arranges his execution... chilling. Always death is peering around the corner; always the good things are tinged with a sense of impermanence.But despite the dark themes, there is a pervasive humor throughout the stories that I found entirely engaging. Much of it comes from personifying household items, like a kitchen pot or gentleman's necktie and poking fun at the absurdity of human vanity. Relationships come in for their fair share of gentle mockery, too ? Stork Father and Stork Mother have some amusing insights on one another, and Andersen isn't above wry observations in the narrative.As a Christian, I found the theological aspect of the stories fascinating. Sometimes Andersen gets it right and it's biblical and beautiful ? and other times (well, most of the time) his conception of a works-based salvation ruins everything. "The Little Mermaid" was particularly bad in this regard; she's told she can gain an immortal soul if she does good deeds for three hundred years. The three hundred years' span just seemed so arbitrary, I laughed out loud. Maybe this conception of earned salvation is another reason why most of the stories end so sadly...I listened to this on audiobook from Listening Library and was familiar with the readers, Kate Reading and Robert Whitfield, from other audio productions. Both performed these stories admirably (even the tedious ones), alternating back and forth between tales. Though some of the stories dragged out, others were delightful, and I found the unpredictability an enjoyable listening experience. I've read that Tina Nunnally's translation from the Danish is the most accurate to date, and though I can't speak to that, the stories certainly do possess a distinctive tone that one hopes is Andersen's. I'm glad I picked this up, even if just to know these iconic stories as they were originally imagined.