Your Duck Is My Duck: Stories
Written by Deborah Eisenberg
Narrated by Deborah Eisenberg, Shawn Wallace, Julianne Moore and Josh Hamilton
3.5/5
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About this audiobook
A much-anticipated collection of brilliantly observant short stories from one of the great American masters of the form, performed by a remarkable cast: Deborah Eisenberg, Julianne Moore, Josh Hamilton, and Wallace Shawn.
At times raucously hilarious, at times charming and delightful, at times as solemn and mysterious as a pond at midnight, Deborah Eisenberg’s stories gently compel us to confront the most disturbing truths about ourselves—from our intimate lives as lovers, parents, and children, to our equally troubling roles as citizens on a violent, terrifying planet.
Each of the six stories in Your Duck is My Duck, her first collection since 2006, has the heft and complexity of a novel. With her own inexorable but utterly unpredictable logic and her almost uncanny ability to conjure the strange states of mind and emotion that constitute our daily consciousness, Eisenberg pulls us as if by gossamer threads through her characters—a tormented woman whose face determines her destiny; a group of film actors shocked to read a book about their past; a privileged young man who unexpectedly falls into a love affair with a human rights worker caught up in an all-consuming quest that he doesn't understand.
In Eisenberg’s world, the forces of money, sex, and power cannot be escaped, and the force of history, whether confronted or denied, cannot be evaded. No one writes better about time, tragedy and grief, and the indifferent but beautiful universe around us.
Deborah Eisenberg
Deborah Eisenberg is the author of several previous collections of stories. The recipient of a Whiting Writers' Award and a Guggenheim fellowship, she lives in New York City and teaches at the University of Virginia.
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Reviews for Your Duck Is My Duck
38 ratings3 reviews
- Rating: 3 out of 5 stars3/5Eh. Alternates between touching and profound, or vapid and diffuse.
- Rating: 3 out of 5 stars3/5The six stories collected here range from dystopian horror to elegiac memorial to quirky social forensics. Most involve extended families, some non-traditional, weariness at the state of the world, and, often, incomprehension. For me, the collection was front-loaded with the best of the stories at the start of the book. I especially liked the title story, “Your Duck is My Duck,” in which the protagonist is very much at sea when drawn into opulent but distasteful surroundings. Her sideways look at things is charming. “Taj Mahal” contrasts multiple views of a milieu, focussing on a clutch of actors and the director who helped make them famous. It has lovely shifting perspectives and just enough ennui to captivate but not so much as to irritate. “Cross Off and Move On” is a retrospective of an extended family filled with misperceptions and well-preserved bile. Again, the protagonist has a unusual take on her situation that holds the reader’s attention.At their best these stories are very good indeed. But the book as a whole suffers from the inclusion of weaker stories that seem to be just filling it out.Gently recommended.
- Rating: 4 out of 5 stars4/5Deborah Eisenberg is a favorite short story writer of mine, and while this wasn't my top favorite collection of hers there was plenty here to like. Her wonderfully knotty plots and un-pin-downable relationships, and the language is, as ever, really unexpected and full of delights. Language and what it does/can do/can't do is a theme that runs through many of the stories here (and many of her stories in general, but it was thrown into particularly sharp focus in this collection). My favorites, “Cross Off and Move On" and "Recalculating," I had read in the NY Review of Books, and they felt to me to be the most fully realized of the bunch—the others had varying ratios of offbeat, marvelous writing to too much punctuation, a quirk of Eisenberg's that sometimes drives me nuts. But it's a neat collection, never boring, and definitely worth a read for anyone who likes a lot to chew on in their short fiction.