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    Have You Seen Her
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    Have You Seen Her
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    Have You Seen Her
    Audiobook9 hours

    Have You Seen Her

    Written by Lisa Hall

    Narrated by Kristin Atherton

    4/5

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    About this audiobook

    ‘A classic twisting mystery from queen of suspense Lisa Hall … the epilogue delivers a wild twist … the bond between Anna and Laurel the perfect anchor for the dark investigation’ WOMAN’S OWN

    ‘Brilliantly plotted…a gripping read’ Alice Feeney

    Bonfire Night. A missing girl.

    Anna only takes her eyes off Laurel for a second. She thought Laurel was following her mum through the crowds. But in a heartbeat, Laurel is gone.

    Laurel’s parents are frantic. As is Anna, their nanny. But as the hours pass, and Laurel isn’t found, suspicion grows.

    Someone knows what happened to Laurel. And they’re not telling.

    Have You Seen Her is the breath-taking new thriller with a killer twist from bestseller Lisa Hall.

    Praise for Have You Seen Her:

    ‘A classic twisting mystery from queen of suspense Lisa Hall … the epilogue delivers a wild twist … the bond between Anna and Laurel the perfect anchor for the dark investigation’ WOMAN’S OWN

    ‘Brilliantly plotted…a gripping read’ Alice Feeney

    ‘Relentlessly pacy and brilliantly written, Have You Seen Her is a tense, believable nightmare that you won’t be able to put down’ Phoebe Morgan

    ‘I tore through this to find out what happened. Twisty, giddy and brilliant. Dramatic from the outset & doesn't let up’ Vicky Newham

    ‘Couldn't put down Have You Seen Her… A breathlessly tense and unsettling page-turner that had me guessing right until the last paragraph!’ Roz Watkins

    ‘a total tension filled thriller that had me racing ahead to find out what happened next…simply one of those books you can't put down, and can't bear to be parted from’ Lisa Cutts

    ‘SENSATIONAL. Easiest 5 stars I've given in a long time. This WILL be a bestseller, it is utterly unputdownable’ Read and Rated

    Praise for Lisa Hall:

    ‘A dark, compelling read that demands to be read in one sitting.’ Sam Carrington

    ‘Compelling, addictive… brilliant!’ B A Paris

    LanguageEnglish
    PublisherHarperCollins Publishers
    Release dateApr 4, 2019
    ISBN9780008278441

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    Reviews for Have You Seen Her

    4/5

    71 ratings39 reviews

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    • 4/5
      A fearsome and intense novella about a young man struggling with himself. One of Roth's stronger works that I've read so far.
    • 5/5
      Well written. First Roth book I have read. I will now want to read another. The travails of Marcus Messner remind me somewhat of my own growth and development, especially, the somewhat tortured relationship with his father.
    • 3/5
      This book can be read in one sitting but I just finish it now because I got this thing called school. I finally got the time.

      Without reading any reviews, I thought the book will be about war. It is about the life of Marcus Messner, a son of kosher butcher, during the time of war. Messner is a guy who does not yield to anyone or anything...until the end. If this trait is a strength or a weakness, you may be the judge. He lives a monotonous life and he wants it to be that way. He wouldn't like to adapt to changes and leave anything that disturbs him. And when he needs to step up, he doubts himself.

      I see myself in him somehow. Like him, I don't really give a shit on how people will see me as long as I go on with my own thing. I also do not like being controlled. I don't mind being alone. I am a person with wrong choices. However, I don't want to be Marcus in the end part because he became really oblivious and indifferent.
    • 3/5
      Another beautifully written novel that left me cold. What am I to take from this? That the 50s were so oppressive that dying in Korea is the only reasonable end for a bright, ambitious, intellectually active teenager? By the end I wondered if it was one of those novels where the whole thing is a joke and I didn't get it.
    • 4/5
      Roth is always good but sometimes he's really awesome and this is one of those times. It doesn't matterif you went to college in the 50s and 60s or just graduated, you'll get the characters and remember atime just when.There are a lot of political and social commentaries underlying this plot, but you won't feel lectured -like Marcus Messner, the main character, often does. Roth tells Marcus' story from New Jersey native toOhio college student transplant in tandem with the history and culture of 1951 and the Korean War. Itmight be fiction, but you won't feel that's what you're reading.
    • 5/5
      I have read between one third and one half of Philip Roth's novels and Indignation rates among the best of them. Roth is at his best when his obligatory web of lust, Newark, onanism, beautiful Goyim, and half-hearted resistance to WASP culture is constrained by broader and deeper purposes rather than when it is allowed to roam free. Indignation is an instance where Roth has properly constrained his old standards and worked them into something of a backdoor homage to the stoicism of earlier generations of Americans.Roth's Marcus Messner is hoisted by his own petard in large part because he is unwilling to take the lessons of the butcher shop (where he grew up working) out into the Goyish world as such. The even-keeled, studious, well-mannered A student can disembowel a chicken without a second thought but is unable to sit through compulsory chapel service at his mildly stuffy midwestern college.Righteous anger overwhelms Marcus Messner and Roth gives us every reason to empathize with him...but Roth's genius move here is that he leaves us little time to wallow with Marcus in the warm bath of the conscious victim of wrongdoing. Instead, we come to see that Marcus's anger is not only exaggerated but a threat to his own well being. To respond to every injustice one suffers by summoning an army is to take on an insufferable existence. Thus, it's better to choose the important battles and learn to live with a certain amount of injustice in one's life. Purity is overrated, especially when the quest for purity leads, as it ever-so-often does, to oblivion. In large part the lesson of Roth's novel is not new, but it's one that must be hammered home again and again and who better than Roth, certainly no poster-child for restraint, to do so?I also think there is a subtle but no less burning sense of anger operative in these pages . Roth occupies that generation too young to have fought in WWII but too old to have been involved in the 1960s. He has, in many, instances, presented the legacy of the 1960s in a less than positive light. Part of the Faustian bargain of the 1950s was conformity for security; doing and behaving as one must rather than as one wishes. This is was the exchange Marcus Messner was unwilling to make and one that Roth has always been ambivalent about. But never down right negative. Roth's is an internal critique of mid-century American society. He accepts most of its major premises but also sees the absurdities for what they are; by pointing to them he hopes to improve upon the vision, to add a greater degree of internal coherence to a particular vision of American society. He is angry here because he participated in the Faustian exchange only to have the protest movements, the external critiques, the singular destructiveness of the baby out with the bath water mindset of the boomers effectively eviscerate the society he attempted to grudgingly conform to.
    • 5/5
      Well, this is just brilliant. On the surface a first-person Bildungsroman, this is a multi-faceted novel with the Korean War as a backdrop. Don't be duped, this is not about war, but about human weakness and how the minutiae of our lives can have far-reaching consequences. Heart-wrenching at times, this novella takes you down what seems a well-trodden road, until it reaches a denouement that leaves you reassessing all that's been, possibly even your attitude to life.Its climactic twist ranks alongside the memorable conclusions to Schlink's The Reader, McEwan's Atonement, Barnes' The Sense of an Ending. All short poignant novels which sow impressions that only grow on you.
    • 5/5
      Although verbose in places, Indignation is witty and engrossing with wonderful caricatures.I spent time in Ohio eons ago, not that far from Sherwood Anderson's old haunts, and enjoyed Philip Roth's depictions of the mythical Winesburg College. Roth lives up to his reputation with hilarious attacks on moralists, blended in with the protagonist's libido-and-ego-driven fondness for defying them. What's more, I enjoyed his clever use of the bleeding motif. Those who've read Indignation will know exactly what I mean; Marcus Messner's story is not for readers who shy from the sight of blood. Fittingly, Marcus's father is a butcher intent on controlling the son's life; quite unintentionally and indirectly, through the events depicted in the novel, he ends it. And one other little detail: Marcus is dead or near-dead at the start of the story. No, my revealing this is not a spoiler; other reviewers have, too. You'll still want to know all the history that lead to Marcus's current condition, and like me, you may be so engrossed in Indignation's plot and characterizations that you really won't care he's already a corpse. I used a somewhat similar technique when I wrote The Solomon Scandals, my Washington newspaper novel---beginning Chapter One with mention of the suicide of one of the journalists, at the Watergate. The "Why?" counts as much as, "What'll happen?"For reasons that I won't discuss here, lest I do spoil things, Indignation should especially appeal to those who came of age during the Vietnam era--even though Korea is the war of the moment.
    • 1/5
      This book was a mess. It's the story of a young, blue-collar college man, Marcus, who grows up happily working in his father's butcher shop and idolizing the old man. Then, for reasons that remain unexplained, his father succumbs to traumatic anxiety about his son's future, and ends up questioning every decision of his and Marcus's. Of course, the parental anxiety of letting go is understandable as a motive, but Marcus's father jumps far beyond the ordinary, with no explanation (and no attempt, or even seeming desire, to explain on the part of the author). To find respite from his father's infatuation, Marcus transfers to a college 500 miles from home, where he meets gentiles, homosexuals, easy, mentally tortured girls, and obnoxious fraternity guys. Yet, rather than rebelling with his newfound freedom, Marcus is wedded to his studies, and as he admits, it's all for his parents' sake (which, having detested Holden Caufield, this aspect of Marcus's personality I found quite pleasing).The characters were flat, which seemed to coincide with the lack of thematic development. Many themes were introduced, but were not fleshed out. Unfortunately, in the end, it left me wondering what was the point.While I did not enjoy this story, it is clear that Roth is an excellent writer in terms of style. The story flowed so smoothly that it felt as if I were watching a movie rather than reading a book. I am looking forward to reading another novel by Roth, hopefully one telling a better story.
    • 5/5
      Really enjoyed this book, great storyline kept me gripped until the end
    • 4/5
      It is 1951 and Marcus Messner is a smart, hard working Jewish boy who leaves his overbearing parents in Newark to attend a conservative college in Ohio. Messner is a good kid and wants to do is lose his virginity and graduate class valedictorian. However college life is not so easy for Messner and he becomes rebellious. He has roommate problems and he gets in trouble for skipping mandatory chapel. Ultimately he gets expelled and because the Korean War is going on, he gets drafted.
    • 4/5
      Not vintage Roth but better than the disappointing Exit Ghost, with flashes of his old magic. I was left indignant at what happened to the narrator, Marcus Messner, but I'm not sure the indignation planted throughout the rest of the novel was fierce enough.I do feel Roth is at his best when writing, as here, about the 1950s. Simultaneously he manages to get across the absurd hypocracies of the time with a sense that it was still a better time.A good book from a man who has written many great books.
    • 5/5
      A bombshell. I must admit, i was scared. I bought this book years ago and it stayed on my "to be read" list because i didn't like at all Deception by the same author. How wrong was i? Terribly wrong. This book, Indignation is like a high speed train rushing through your veins. Roth describes the coming of age of Marcus Messner, son of a Jewish butcher and trying to get independant, trying to do university in a catholic small town, while he comes from the already more open New York atmosphere.The backdrop of the terrible Korean war, the "indignation" on injustice, the low self esteem combined with the high intellectual powers, the mistrust, the .... everything an 18 year old sholar goes through: girls, sex, humiliation,.... it all culminates in a few furious last months.I have seldom ever read a book at the speed i did with this one, it's vivacious, it's a rush and it seems to me like one big dealing with the past. Is Roth dealing with his own past? Probably. The engagement is too high to be purely fictional. I only see now, googling on Roth's life that this book has been transformed into a movie only recently. The book is anti-religious with some beautiful quotes and statements, so that is already a little shock even in the USA of today. But the movie will need to be very hard boiled to reach the adrenaline level of the book. Let's see.A passionate and repetitive writing style make this book a top notch read. Do it.
    • 4/5
      I liked it, ends a little quick. But full of suspense.
    • 4/5
      How do you rate mediocre Roth?Indignation was a novella that focused on the life of an intelligent, Jewish, Newark butcher's son who was coming of age and trying to separate from his past at a midwestern college. There are a number of twists in the plot which make it a fast read - yet, it doesn't make you think as much as typical Roth, there are not quite as many moments when you open your mouth with the wonder of his wording. But, it is still Roth.
    • 5/5
      In 1951, during the second year of the Korean War, an intensely studious young man has just transferred from Newark, New Jersey to begin his sophomore year on the highly conservative campus of Winesburg College in Ohio. As the son of a kosher butcher, Marcus Messner finds that he can no longer take his father's attitude towards him. It would seem as if Marcus' father - the once-sturdy, hardworking neighborhood butcher - has become increasingly fearful for his beloved son. While Marcus' harried, long-suffering mother claims that his father's apprehension only stems from his immense love and pride in Marcus and his many accomplishments, the young man can no longer deny that his father's treatment of him has produced too much tension in their relationship.To Marcus, the once jovial and diligent store-owner seems to have changed almost overnight. His inexplicable anxiety seems to stem primarily from the man's misperceptions about the dangers of adult life, the dangers of the world, the dangers that he imagines lurks around every corner for his beloved boy. It is this eccentric behavior that finally forces Marcus to move far away from his parents; as he believes that he can no longer endure their stifling behavior. So Marcus leaves the local college where he is originally enrolled and transfers to the pastoral, illustrious and elite campus of Ohio's Winesburg College.It is in this midwestern college, where Marcus has to find his own way among the customs and constrictions of a completely different world. Philip Roth's twenty-ninth novel Indignation, is a remarkable departure from his more recent books; this is a story of inexperience, foolishness, sexual discovery, intellectual resistance, courage, personal integrity, and error. It is a powerful story told with all the inventiveness and wit that the author has at his command.I must say that I thoroughly enjoyed reading this book; although I cannot adequately explain what I liked most about the story. In my opinion, it was a easy read for me, and quite a unique story. I found myself avidly wanting to know what would happen next and how the story would eventually develop. I would certainly give this book an A+!
    • 4/5
      This was my favorite Philip Roth book of the ones I read. I cared very much about many of the characters and was very interested to see what would happen. It brought up many important issues that are still relevant today.
    • 3/5
      Philip Roth's late innings have been about as productive as any writer you could name, but you can't hit a home run every time you step to the plate. To keep that analogy going, let's call "Indignation" a clean single. It's by no means a bad novel, just a familiar one, a decidedly minor novel that's shorter and slighter than one of Roth's many blockbusters. Roth puts us back in mid-century New Jersey again, where Marcus Messner, the son of a kosher butcher, is simultaneously trying to escape the tightening grip of his father's authority and fit in to a college filled with socially conservative gentiles. Roth is usually a deliciously Dostoevskian storyteller, allowing the reader to listen in as a couple of old friends, perhaps lubricated by a couple of drinks, recount events long past. In "Indignation," he changes up this tried-and-true formula, employing a curious narrative device, which I won't reveal here, to tell his story back-to-front. This novel framing device doesn't prove particularly successful. The problem isn't that the reader learns the fate of the novel's protagonist just a few pages in. Who, after all, reads Roth for the suspense? The problem is that "Indignation's" odd set-up robs Roth's writing of a great deal of the causal, tossed-off detail that usually make it such a pleasure to read. The lack of a traditional "audience" for Roth's narrator also seems to rob "Indignation" of the sense of warm familiarity that many Roth's habitual readers have come to expect from his work. No-one could accuse "Indignation" of sloppiness or faulty construction, but it's a hard book to love, and one gets the feeling Roth could have written it in its sleep. It's feels wrong to criticize a great writer for a book that's merely okay, but I'm hoping that Phil swings for the fences his next time at bat.
    • 3/5
      This book is a good demonstration of a young man's fight for individuality against society. It's also a good demonstration of stubborn youth. Marcus Messner is trying to make his way in the world. It is 1951 and he is desperately trying to avoid being drafted during the Korean War, yet still trying to have his own life away from his over protective father. The results are disasterous for the main character. My favorite passages:"Almost from the day I entered robert treat, from the day I graduated high school to the day I entered college, my father became obsessed with the fact that I might die. " "Maybe his fear for me stemmed from a fear for himself. At the age of 50, after enjoying a lifetime of robust good health, this sturdy little man began to develop the persistent rackIng ciugh t at troubling as it was to my mother did not stop him from keeping a lit Cigarette forever at the corner of his mouth all day long. For whatever the cause, or causes fuelIng the abrupt chae in his previously benign eternal behavior he manifested his fear by hounding me day and night about my whereabouts...it was as though the father with whom I had been so close during all these years practicallt growi up at his side at the store had no idea of who or what his son was...and crazy with the frightening discovery that a little boy grows up, grows tall ove shadows his parents, and that you can't keep him then. You have to relinquish him to the world. ""I hadn't the stomach to do battle with the dean of menanymore than I had the stomach to do battle with my fathermy roommates, yet battle I did despite myself.""Cartwell was right there will always be somethingdriving you nuts, your father, your roommate, your havingto attend chapel 40 times so stop thinking about transferringto another school and concentrate on graduating as first in your class."
    • 4/5
      I won't repeat the whole story as there are many reviews of this book. I have read many of Philip Roth's books and this one is no different. Excellant writing based on many of his themes including religion and sex. Not his best work but I really enjoyed the story in particular the great meeting between Marcus and the college Dean.
    • 3/5
      Worthy, well-written read -- but I thought the book was incomplete and left loose ends handing. Several of the characters were simply incomplete depictions, and in several places the story simply does not hang together in Roth's usual tight fashion.On the plus side, Roth offered a good exploration of the idea that a person's life can be the result of a small number of supposedly minor decisions, which in retrospect turned out to be hugely significant. Also, I appreciated the author's dabbling with the notion of how some people instinctively run away from conflict, rather than confront it. On the negative side, I was left feeling that Roth had rummaged through his catalog of partially-written stories and decided to publish it for what it was, rather than for what he could make it with additional effort.
    • 5/5
      Lots of indignation here, but not from me. Roth's protagonist, Marcus Messner, is filled with enough of his own youthful and idealistic indignation to justify the book's title. But the title word could just as easily apply to Marcus's butcher father, to the Winesburg college dean and president and a number of other minor characters, as well as to the Chinese Communist hordes swarming down through North Korea in that frigid and often nearly forgotten conflict of the fifties, which forms an ominous and omnipresent background to the story. Indignation, which is a surprisingly slight book, nearly a novella, marks a return to the kind of stories that made Roth famous over forty-some years ago. Like Good-Bye Columbus, it looks at college life and all the excitement, mysteries and sexual frustrations that accompany it. Winesburg College is, of course, an obvious nod (or perhaps eye-rolling shaking of the head) to Sherwood Anderson's classic collection of interconnected stories, Winesburg, Ohio - a book which I first read in my own college days in the sixties. I was reading Anderson, in fact, around the same time I first discovered Philip Roth, in his then-bestselling and then-scandalous novel, Portnoy's Complaint. A novel which finally put the sin of Onan right out there in the open. I thought it was about time too, as I nodded and chuckled my way through Alex's adventures with milk bottles, a slab of liver, and, finally, the Monkey. In fact, I was naive and stupid enough to adopt that book as required reading in one of the first Lit classes I taught in 1970. And I actually got away with it. I have read many other Roth books since then. My favorite is one of Roth's earliest novels, Letting Go, which I have re-read several times and would highly recommend. More recently, The Human Stain is, I think, one of Roth's best realized works, and its film version, with Sir Anthony Hopkins, is equally good. (Which makes me remember Richard Benjamin and Ali McGraw in the classic film, Good-Bye Columbus. Benjamin also brought Alex Portnoy to life on screen, an effort which was less successful.) Indignation, with its showers of semen high into the air, stained socks and the unstable but beautiful "Olivia the Expert" does indeed mark a kind of restrained return to the Portnoy days, albeit under a shadow of war and imminent death. I read this book in just two sittings. It's funny, it's disturbing, and it's immediate, despite its setting of over fifty years ago. A real page-turner, entertaining and real.
    • 4/5
      A small masterpiece. To those of you who have never read Philip Roth, now is the time to do it. You're in for a treat.
    • 4/5
      While I agree with those reviewers who suggest that this is not Roth's best work by a mile, I enjoyed "Indignation" nonetheless. In fact, I found it far more captivating than "Portnoy's Complaint," which tended to drag in spots. His new work seems more disciplined (for lack of a better word) and more focused on a telling a coherent coming of age story. Perhaps the scathing reviews in the national press lowered my expectations. But I really enjoyed this work.
    • 4/5
      The story arc was well-paced, with a couple nice twists, but the message was muddled for me. Was Roth trying to point out the futility of "indignation," through a character who essentially bounced from one offending situation to another, never to really find peace (both figurative and literal)? If so, was his message then to keep quiet and accept life as it comes? It seems that way when you look at the protagonist alone, but there was such a strong focus on the mistreatment of women and biases toward homosexuals or others who didn't fit the school's WASP-ish expectations, that how could Roth be saying it's better to shut up and put up than to stand up? I certainly don't think he is, but taking into consideration the ending, the message lacked clarity, and therefore "umph" at the end. Maybe he was trying to use the protagonist as an example of someone who should quit whining and put things behind him, when there are actual injustices going on.

      It is a book that will make you think long after you finish it, asking yourself such questions, if you tend to be that type. It is dark, uncomfortable, and bleak. Not a warm fuzzies book.

      Currently available in the Kindle Lending Library if you have a Amazon Prime account (I find that decent literature is rare there, so this was "a good one.")
    • 4/5
      In the first 50 pages of his new novel, Roth breezes right along, relating the story of a young Jewish boy, son of a Newark Kosher butcher, trying to get anonymously by in his studies at a small Midwestern College (the fictional Winesburg) in the days of the Korean Conflict. Just trying to stay out of the war. Just trying to get out from under the smothering influence of his father. Suddenly, in the midst of relating what appears to be his first real sexual encounter, the narrator, Marcus Messner, reveals that he is dead. Only a memory of himself. Suddenly, I’m reading at quarter speed. An interesting turn. And the thought occurs that writing for Roth is on several levels, but preparation for death.Are all “afterlife’s” alike (Roth channeling Chekhov)? Or are they as unique as each individual? And is Judgement Day really an eternity of self-judgement? Dead long since at nineteen, these are the thoughts that Marcus returns to, over and over again. And all because of a 1951 blow-job. Well, this is Philip Roth, after all! And what we have here is Roth’s Chesil Beach. One thing leads to another, decisions beget consequences, until finally a life is in a place impossible to have predicted. Or a life is terminated.But Roth pulls us back to the story after this short interlude. though now we know that young Marcus Messner is doomed. Inexorably so, It’s only a matter of how he gets there. Given our foreknowledge, it’s easy to see each mistake as he makes it. Still, there is a certain suspense, a certain hope against the inevitable, that things will somehow work out. But no sentimentalist he. Roth takes away the suspense of not knowing for sure. But leaves the reader with the greater gift of unfolding tragedy.For Marcus, indignation is “the most beautiful word in the English language”. He’s culled the word as his personal mantra from the Chinese National Anthem.Indignation fills the hearts of all of our countrymen In times of stress, Marcus gets in touch with his indignation. And it’s his indignation that is his undoing. Indignation that in another time (”Historical Note”) have almost no consequences at all. The second great tragic irony of Roth’s slender little reminiscence piece. The reason for Marcus’ escape to a completely foreign culture (Midwestern, Protestant Ohio from Jewish Newark) was to release the binds that his father held over him. His father’s paranoia about the safety of his son so far from home. The first great irony is that his father turned out to have reason to be concerned - and that he was in some sense right after all.I could have read this book in one sitting - something that I almost never do. As it was, I split it up into two. Not only because of its brevity, but because it is so accessible as a family drama, as a coming-of-age tale (though set in a long lost landscape). Partially because of this, even before publication, the novel’s movie rights had already been snapped up. Though it may make a good movie, it most assuredly will be a different story than the book. Roth has compassion for all his characters, and leaves the reader to make their own assessments. Though we may understand where his lay, his respect for his reader is always appreciated.
    • 5/5
      I really enjoyed this book. It read more like a short story than a novel, and reminds me a lot of "Catcher in the Rye," although Marc Messner runs into more dire circumstances than Holden ever did. I'd recommend this book.
    • 3/5
      Reading Roth is a roller-coaster for me. I never know ahead of time if I am going to be captivated or compelled to throw the book across the room (a much more dangerous compulsion with the advent of ebooks).

      After reading (and absolutely hating) The Humbling, Indignation was a pleasant surprise. Roth is consistent in his way, I guess--maybe I only like certain sides of his consistency, perhaps? (I looked back to my review of The Humbling and don't think I sufficiently described how distastefully self-indulgent and salaciously silly I found it to be.)

      Enough about The Humiliation...er, Humbling. I found Indignation to be an engaging slice (you'll have to read the book to discover the appropriateness of that particular word) of a young man's struggle to make his way. And I thought the "Our Town"-ishness of the narrator's plight was handled beautifully.

      This reminded me of what Roth can do at the top of the ride.
    • 4/5
      Roth's protagonist, Marcus Messner, is experiencing the painful aspects of college life and young adulthood. Driven to exasperation by his father's constant supervision and overly protective paranoia (Have you been drinking? Have you edited your paper yet? When will you be home?) Marcus has fled his local city college in Newark, New Jersey to attend a pastoral college in faraway Winesburg, Ohio. The year is 1951, and Marcus' continuing education is essential if he is to avoid being drafted and shipped off to Korea (his father's ultimate nightmare).The acute sexual ambivalence that Marcus experiences at Winesburg would probably seem odd to today's college student. He is wildly attracted to the lovely and mysterious Olivia, but he suspects there must be something damaged about her when she willingly accepts his physical advances. Her unexpected gift of oral expertise creates a queasy mix of shock, euphoria, and disgust in Marcus that shakes him to the core and leaves him to conclude that she must be a psychological victim of her parents' divorce (a rare event in those days).On all other fronts, however, Marcus' struggles resonate with those of today's undergraduate. He looks back fondly at his childhood years spent helping his father at the family butcher shop, where his blue collar father taught him the dignity of hard work and the value of committed effort, even when you despise the task. "That's what I learned from my father and what I loved learning from him: that you do what you have to do." College widens Marcus' view, however, and opens his eyes to the myopic parameters of his parents' world. His father chides him into improving a class paper without ever haven written one himself; his long suffering mother desperately wishes "the best" for him without the slightest idea of what "the best" might be in a world outside of Newark. Marcus' frustration at his parents' inability to absorb new ideas or take a broader view of the world is surpassed only by his frustration at their inability to perceive their "benighted state" in the first place.Marcus is forced to deal with class issues (he works as a waiter at the college inn taproom, with socially toxic consequences), disastrous roommate situations (he is too sexually naive to realize that Flusser, his abrasive and verbally abusive suitemate, is desperately attracted to him), and thwarted attempts to reinvent himself (Dean Caudwell pointedly asks Marcus why he put "butcher" down as his father's occupation instead of "kosher butcher.")Above all else, however, Marcus' story conveys the white hot indignation that occurs when a young person's budding conviction about the way things should be in an ideal world conflicts with the arbitrary and ridiculous demands of reality. Marcus is outraged that his own father has so totally misjudged his character as to suspect that he may become an alcoholic or engage in barroom fights. He is furious that his fellow students treat him with contempt and suspicion because he works at the college inn taproom and refuses to join a fraternity (not even the "lame" one). He is incensed by Dean Caudwell's ridiculous assumption that he must be psychologically unbalanced because he prefers to live alone in an attic dorm room. As a matter of fact, he is incensed by Caudwell's power to call him into the dean's office at all; as long as Marcus is a good student, why must he endure Caudwell's prying inquiries into his private life in the first place? Marcus is also driven to distraction by his mother's narrow, single-minded perception of Olivia; once she observes the healed cut marks on Olivia's wrists, she is blind to any other input -- Olivia may as well not have a head.Marcus' indignation reaches a breaking point when he is forced to attend Sunday worship services at the college chapel as part of his graduation requirement. Not content to pay someone to attend the service and sign the attendance record for him (as many students do), he goes head to head with Dean Caudwell on the issue, armed with a inflamed sense of injustice and Bertrand Russell's "Why I Am Not A Christian." Marcus' sense of righteous fury in all of these situations is heightened by his firm belief (correct or incorrect) that everyone he opposes is clearly less enlightened than he is. Marcus' passion of conviction is both heroic and tragic; it simultaneously serves as the catalyst of his selfhood and his self destruction."Indignation" is a short book -- one or two nights of reading at the most -- and despite some of the details that I've mentioned above, I haven't really ruined the plot line, which contains some shocking twists. It's well worth the time.
    • 4/5
      Having once unsuccessfully plowed part way through a Roth book, I decided to try again now that he is so in the news following his death. I picked this one solely due to it small size, but was not disappointed. Marcus Messner is a young Jewish man attending a midwestern conservative college during the 1950's. He is the only son of a kosher butcher in Newark, but heads to Ohio in order to distance himself from his over protective, yet loving, father.Marcus is smart, and he has always done the right thing; he has never been in trouble. First he finds himself sharing a room with an obnoxious student; he changes room only to discover that he can't get along with the second roommate either. He is more interested in studying than dating but finds himself attracted to a young woman, Olivia, who on their first date "treats him" to oral sex. Confusion, shame, exhilaration, fascination, and guilt are a muddle of Marcus' feelings. Life gets even more confused as he is called to the Dean's office due to his lack of socialization at the college. Never before has Marcus been in such a circumstance and fears he will be expelled which would leave him open to the draft of the Korean War. One of the requirements of the college is for students to attend a once a week chapel service. Marcus being first a Jew and secondly an atheist finds a proxy to take his place. Following a panty raid/riot on the campus, life changes. The story is told from by Marcus from the dead.Was he foolish, did he stand for what he supposed he believed in, did circumstances well beyond his control shape his life? Absolutely. An interesting and rather thought-provoking novel.