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A Recipe for Water
A Recipe for Water
A Recipe for Water
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A Recipe for Water

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Using water as a contemplative device, this anthology examines themes of war, womanhood, time, and the environment. Individual poems focus on a range of topics—from the seemingly unremarkable contents of a bottle of spring water to the more global issue of rising ocean levels. Rain, drought, flood, thirst, rivers, and oceans inspire this thought-provoking exploration of the relationship between water and language.
LanguageEnglish
Release dateApr 1, 2012
ISBN9781847778130
A Recipe for Water
Author

Gillian Clarke

Gillian Clarke was National Poet of Wales 2008-16, and co-edited The Map and the Clock: A Laureate’s Choice of the Poetry of Britain and Ireland (Faber, 2016) with Carol Ann Duffy. Her numerous books of poetry include Collected Poems (1997), Five Fields (1998), Making the Beds for the Dead (2004) and Ice (2012) and Zoology (2017), all from Carcanet, and Selected Poems (2016) from Picador. She received the Queen’s Gold Medal for Poetry, and the Wilfred Owen Poetry Award, in 2012, the first woman to receive the latter.

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    Book preview

    A Recipe for Water - Gillian Clarke

    GILLIAN CLARKE

    A Recipe for Water

    For David

    Acknowledgements

    Acknowledgements are due to the following publications where some of these poems, versions or translations of them, first appeared: Planet; The New Welsh Review; Orbis; Touchstone; Taliesin; A470; Magma; Journal of the Academy of Social Studies (June 2008); Welsh and Proud Of It (Pont Books 2007); Poems of Love and Longing (Pont Books 2008); Branch Lines: Edward Thomas and Contemporary Poetry (ed. Guy Cuthbertson and Lucy Newlyn, Enitharmon 2007). ‘‘Sgwarnog’ and ‘Shepherd’ first appeared in At the Source (Carcanet 2008).

    I am grateful to the following for commissioning some of these poems: Ledbury Festival 2005; Bath Festival of Literature, 2008; Eisteddfod Genedlaethol Caerdydd 2008; Green Bay Television; The Verb, BBC Radio 3; Woman’s Hour, BBC Radio 4; the Royal Society of Architects in Wales; Theatr Arad Goch; the Bevan Foundation; St Fagans Folk Museum; the Royal Commission for Ancient Monuments; Galeri, Caernarfon. Thanks are due to Cardiff City Council and the Academi for my year as Capital Poet in 2005, which prompted the City poems; the Sociology Department of Cardiff University for commissioning poems for the Futures Conference, 2005; Poetry Live and the British Council for the week spent in Mumbai, 2007; the Academi and the Welsh Assembly Government for opportunities and commissions arising from the post of National Poet for Wales.

    Contents

    Title Page

    Dedication

    Acknowledgements

    First Words

    A Pocket Dictionary

    Glas y Dorlan

    Not

    Otter

    The Fox and the Girl

    ‘Sgwarnog

    Nettles

    A T-Mail to Keats

    Fflam

    The Ledbury Muse

    A Recipe for Water

    Severn

    A Barge on the Severn

    Source

    Sabrina

    Ice

    Tide

    Bore

    Barrage

    Migrations

    Mumbai

    Man in a Shower

    At the Banganga Tank

    In the Taj

    Laundry

    Hands

    Post Script

    Glacier

    Reader’s Digest Atlas of the World

    City

    Afon Tâf

    Architect

    Coins

    Llandâf Cathedral

    Sleepless

    Subway

    The Rising Tide

    Welsh

    Stadium

    Wing

    Number 8

    Letting the Light In

    House of Dreams

    A Sonnet for Nye

    Mercury

    Welsh Gold

    Horsetail

    Kites

    Death’s Head Hawkmoth Caterpillar

    Oradour-sur-Glane

    Singer

    Storm over Limousin

    Landscape with Farm

    The Accompanist

    Bach at St Davids

    Cattle, Hayfield, Storm

    Gravity

    Wings

    Pegging Out

    Love at Livebait

    Revival

    Castell y Bere

    Old Libraries

    The Oak Wood

    Library Chair

    Quayside

    Farewell Finisterre

    December

    Cae Delyn

    Advent

    The Darkest Day

    Solstice

    Dawn

    Shepherd

    About the Author

    Also by Gillian Clarke from Carcanet Press

    Copyright

    First Words

    The alphabet of a house – air,

    breath, the creak of the stair.

    Downstairs the grown-ups’ hullabaloo,

    or their hush as you fall asleep.

    You’re learning the language: the steel slab

    of a syllable dropped at the docks; the two-beat word

    of the Breaksea lightship; the golden sentence

    of a train crossing the viaduct.

    Later, at Fforest, all the words are new.

    You are your grandmother’s Cariad, not Darling.

    Tide and current are llanw, lli.

    The waves repeat their ll-ll-ll on sand.

    Over the sea the starlings come in paragraphs.

    She tells you a tale of a girl and a bird,

    reading it off the tide in lines of

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