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The Sisters Brothers
The Sisters Brothers
The Sisters Brothers
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The Sisters Brothers

Rating: 4 out of 5 stars

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SOON TO BE A MAJOR MOTION PICTURE STARRING JAKE GYLLENHAAL, JOHN C. REILLY AND JOAQUIN PHOENIX

A BOOKER PRIZE FINALIST

AND A BEST BOOK OF THE YEAR: Publishers Weekly • Amazon • Hudson Booksellers • Washington Post

Hermann Kermit Warm is going to die. The enigmatic and powerful man known only as the Commodore has ordered it, and his henchmen, Eli and Charlie Sisters, will make sure of it. Though Eli doesn’t share his brother’s appetite for whiskey and killing, he’s never known anything else. But their prey isn’t an easy mark, and on the road from Oregon City to Warm’s gold-mining claim outside Sacramento, Eli begins to question what he does for a living-and whom he does it for.

 With The Sisters Brothers, Patrick deWitt pays homage to the classic Western, transforming it into an unforgettable comic tour de force. Filled with a remarkable cast of characters-losers, cheaters, and ne’er-do-wells from all stripes of life-and told by a complex and compelling narrator, it is a violent, lustful odyssey through the underworld of the 1850s frontier that beautifully captures the humor, melancholy, and grit of the Old West and two brothers bound by blood, violence, and love.

Editor's Note

Wonderfully weird…

The book is as wonderfully weird, subtly funny, and smartly written as its title. A quirky, stylized genre-bending Western filled with dark humor and a bit of gore, it channels old-timey pulp and Cormac McCarthy alike.

LanguageEnglish
PublisherHarperCollins
Release dateApr 26, 2011
ISBN9780062041272
Author

Patrick deWitt

Patrick deWitt is the author of The Sisters Brothers, which won the Governor General's Award and was shortlisted for the Man Booker Prize and the Walter Scott Prize. He also is the author of Ablutions, which was a New York Times Editor's Choice, and Undermajordomo Minor. The Sisters Brothers is being adapted for film by Jacques Audiard (Rust and Bone, A Prophet), to star Jake Gyllenhaal, Joaquin Phoenix, Riz Ahmed and John C. Reilly, for release in 2018. French Exit, his third book, was shortlisted for the Scotiabank Giller Prize. Born in British Columbia, Canada, deWitt now resides in Portland, Oregon.

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Rating: 3.8963758095967327 out of 5 stars
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  • Rating: 2 out of 5 stars
    2/5
    Brother assassins lackadaisically wander from Oregon to California for a hit in this horseback road trip. The characters they meet aren't nearly colorful enough, females get extremely short shrift, and the end result is pretty pointless. The sad sack narrator sort of grew on me, however, as I imagined how John C. Reilly probably plays him in the movie. I'm hoping it's one of those adaptations that is better than the book.
  • Rating: 4 out of 5 stars
    4/5
    “The creak of bed springs suffering under the weight of a restless man is as lonely a sound as I know.”The Sisters Brothers are after a man called Hermann Warm. “He has done something incorrect and we have been hired to bring him to justice.” But these brothers aren’t the law... Their story is a well written page turner, and so much better than the movie! Their journey is one filled with violence, loss, and self discovery, all set in the "wild" west of 1851. Charlie and Eli are, at the same time, both imminently likable, and completely despicable. As for me, I liked them!The epilogue is very satisfying, and wistful. And, to quote the very last line: "And might I say what a pleasing conclusion this was for me."Me too!p.s. - I don't know why, but I LOVE the book cover! Obsessively so!
  • Rating: 4 out of 5 stars
    4/5
    I really liked this book.Story of two brothers Charles and Eli hired hitmen in America wild west 1851. They get into all sorts of scrapes and people end up dead. They have been hired to find the elusive Hermann Kermit Warm, he has invented a special potion to find gold in the rivers.The brothers team up with Warm and his chum Morris to source the gold.The potion works but it is extremely toxic, Morris and Warm die, Charlie loses his hand. Penniless and frustrated the brothers move back home with their mum.
  • Rating: 4 out of 5 stars
    4/5
    A funny, picaresque story with unexpected poignancy. I'm not sure as yet if I'll be thinking about it long after I'm done or if I'll forget it forthwith. I would love to meet Eli Sisters, though....
  • Rating: 5 out of 5 stars
    5/5
    Eli and his brother Charlie Sisters are men for a powerful boss. Set in the 1850's Oregon and California, told from the perspective of Eli, this book follows the brothers journey to find a man -Hermann Kermit Warm- for the purpose of killing him for a valuable secret. Through out the book I found that Eli Sisters was this little sliver of goodness and light in the brother's relationship. Even though he did terrible things, he sees that there can be more to life than drinking, whoring, and killing. This is a story about redemption, luck (and unluckiness), death, and brotherhood. The Sisters Brothers is of a genre I typically am not interested in, but this book was absorbing; I couldn't put it down.
  • Rating: 4 out of 5 stars
    4/5
    I'm reading Westerns in preparation for a new short story I'll start when done with editing Stygian Blue (which will be a while). I'd rather stay away from the usual suspects and True Grit my way through some lesser known titles--especially since my endeavor will be a Horror/Western. Well, every story in the collection will be some sort of horror hybrid; plumbing the depths of different genres with different tropes. A real Ox-Bow Incident, if you will. Or empurpled stage riding. A big project for a little man. In any case, the first book, "Walk the Sky" was entertaining yet flavorless--as is most genre literature, I feel. But the second entry, Patrick deWitt's brilliant "The Sisters Brothers", had me looking forward to each funny, bloody and exotic page. I truly had no idea how it was going to end, and that is too often a rare gift. So before I ford into some übergravelly McCarthy, here's a snippet of a truly great bit of character psychology that still manages to stay light:"Now the water was boiled and he poured us each a cup of coffee, the taste of which was so poor it actually startled me, and it took my every bit of politeness not to spit the liquid out. Dredging my finger along the bottom of the cup, I brought up a mound of grit, I smelled and then licked this and identified it as dirt. People will often describe something as 'tasting like' dirt, but this was not the case, here--my cup held earth and hot water, nothing more. I believe the man, through some lonely prospector mania, had begun brewing dirt and tricking himself into believing it as coffee. I had a mind to broach the subject with him but he was so pleased to be sharing, and I did not want to upset his pride; at any rate, who did I think I was to try and undo what had surely taken many days and nights to become fact for him?"
  • Rating: 2 out of 5 stars
    2/5


    Booooring.
  • Rating: 3 out of 5 stars
    3/5
    An interesting account of Eli and Charles Sisters, notorious guns for hire in Gold Rush Oregon/California.Expected more, but an unusual "first person" account of their life and troubles.
  • Rating: 4 out of 5 stars
    4/5
    The strength and charm of this book, just like that of True Grit and I Capture the Castle is found in its narrative voice - that of Eli Sisters, the younger half of the Sisters brothers duo. This is a tale that holds everything that one would expect of the old West: brutality, ugliness, cynicism, and greed. The Sisters brothers are no innocents, they are hired killers, but when we view their actions through Eli's eyes we are treated to some of the things that we forget to think about when we think about gunslingers. For example, what happens when a hardened criminal is treated to the minty delights that can be found when he is shown how to use a toothbrush and given one of his very own? What do you do when your horse is not cut out for a life of crime but you love him anyway? Eli's conscience reveals his heart and his ruminations as he struggles to find his own voice while remaining in Charlie's shadow. I loved the interaction between the two brothers - Charlie who is a bully and a thug belittles his younger brother, but does not begrudge him. Eli loves his older brother but does not wish to emulate him. He recognizes what Charlie is but also understands why he is that way - like most relationships in life, it is complicated."I had in the last year or so given up whores entirely, thinking it best to go without than pantomime human closeness; and though it is unrealistic for a man in my position to be thinking such thoughts, I could not help myself: I saw my bulky person in the windows of the passing storefronts and wondered, When will that man there find himself to be loved?""...let's say that she wasn't all bad, but the good was there in such measly quantities you had to keep a sharp watch lest you miss it entirely."
  • Rating: 3 out of 5 stars
    3/5
    a old day westerm about two hitmen. good tempo. very honest. not everything is black and white but lots of shades between. sweet and charming. you cant help yourself but have to like the two brothers.
  • Rating: 5 out of 5 stars
    5/5
    Meet Charlie and Eli Sisters, two hired gunmen working in the goldrush era of the Old West. Not that they're indiscriminate killers, mind; they're employed by "The Commodore" to do various jobs, most of which involve killing.Eli Sisters, the gentler and more philosophical of the two, is the narrator, and his voice is perfect. Slightly formal in language (I believe there's only one contraction used in the book), slyly humorous, and quietly observant of the vagaries of men and women, Eli quickly endears himself to the reader. Seen through his eyes, the lives of the brothers seem unfortunate but nevertheless interesting, exciting, and full of complicated characters.The plot involves the brothers' search for Hermann Kermit Warm (now there's a name to conjure with), whom the Commodore wants killed. On the way, they have many adventures, at least one of which is stomach-turning. But the evolution of their characters, the resolution of the main plotline, and the careful exploration of motive and minor characters make this book well worth reading. The book demands, and makes easy, a complete suspension of disbelief--not a simple accomplishment. Highly recommended.
  • Rating: 2 out of 5 stars
    2/5
    The Sisters Brothers is fine. The prose does a reasonable job of conjuring up the setting of the Old West, as do the sporadic, seemingly random encounters the Brothers have across their journey. There is a journey, the Brothers change, there is an ending. The tone is light, despite the constant violence, although I doubt I ever laughed out loud.The real problem is that The Sisters Brothers is completely insubstantial. There are a lot of tangents and backstories, some of which are necessary to convey the sense of time and place, but most of which are hard to justify as anything but filler. A few events almost repeat themselves. The plot and character arcs, while functional, are simple and predictable. This story might have been better told in sixty pages than three hundred.
  • Rating: 4 out of 5 stars
    4/5
    It’s 1851 and the United States of America are in the grip of the gold rush. Charlie and Eli Sisters are two guns for hire who do the dirty work for a mysterious man called the Commodore, who we only meet near the end of the book. The book is told with Eli’s voice, describing the brothers’ journey from Oregon City to California, where the next ‘job’ is. On the way there, the brothers meet all sorts of colourful characters hoping to improve the quality of their, often miserable, lives in any which way they can. During the long hours in the saddle, Eli begins to examine his relationship with his brother and question what he does for a living.Intrigued by the notion that a gritty western was shortlisted for The Man Booker Prize, I approached the book with an open mind, not quite knowing what to expect. The appeal of the book for me stems from the account of life in the western United States, when the West was still wild, peopled with opportunists (or their victims) in every shape or form, and hardly an appealing character among them. I found in Eli a surprisingly sensitive and likeable narrator, despite being a cold-blooded killer, something that shows the author’s particular sense of humour, and it is he who holds the novel together. Speaking of humour, it is of the wriest variety and pitch-black in nature, and probably not to everyone’s liking. The prose, and the dialogue in particular, appear very laconic, befitting the image of a pair of hired assassins, and yet Eli’s inner monologue betrays a depth of feeling and understanding of human and animal psychology that seems at odds with someone of his chosen profession. An unusual offering because of its chosen subject, but a piece of intelligent literature nonetheless.
  • Rating: 4 out of 5 stars
    4/5
    First line:~I was sitting outside the Commodore's mansion, waiting for my brother Charlie to come out with news of the job~I chose to read this book after hearing many LT members saying how much they enjoyed it. I listened to the book on audio read by John Prudden who had the perfect voice for Eli Sister. The book did not disappoint. I found it outrageously although darkly humorous and found myself laughing out loud quite often. I also found myself shaking my head, sadly and yet still laughing.The book follows two brothers who are killers for hire in the Gold Rush days and it chronicles their journey west to fulfill a contract. The narrative voice is that of the younger brother. Along the way they meet many odd and wonderful characters and deWitt helps us really see each and every one of them.The book, to me, reads like a series of short stories although they are strung loosely together around a very light plot. The stories reflect the struggle that Eli has coming to terms with the violent lifestyle that he and his brother lead.deWitt won the 2011 Governor General’s Award winner and this book was nominated for the Man Booker Prize, the Giller and the Walter Scott Prize.
  • Rating: 2 out of 5 stars
    2/5
    I was bored by the characters, story, and language, until page 150, when it started to get a little better. I finished it only because it was part of a reading challenge.

    I never experienced these things with this book:
    - interesting turns of phrase/love of language, metaphor, larger meaning, etc.
    - complex characters doing interesting things
    - the compelling "dream" of fiction -- the words were just words on a page, they only began to conjure up that dream of a fictional world after page 150, which seemed entirely too long to wait.

    When I finished it, I wondered why I had read it. I didn't feel moved by having read it and gone on the fictional journey with this protagonist.

    It made me realize how much I admire The Man Who Fell in Love with the Moon by Tom Spanbauer, which is also a genre-bending "Western" of sorts. In that book, the writer takes serious risks and while the result is sometimes uneven, it's still a very good and engaging character and story.
  • Rating: 5 out of 5 stars
    5/5
    Very very droll. Excellent characters. Great humor. Touching and brutal and sad and funny, and nary an adverb to be found. Reads like a flowing river with the occasional dead body floating in it.
  • Rating: 5 out of 5 stars
    5/5
    I don’t know how it happened, but I’ve become a sucker for novels about the early American West. This one’s about a couple of sociopath hit-men on an adventure. Equal parts violence and comedy. Two thumbs up!

  • Rating: 4 out of 5 stars
    4/5
    This novel is pure fun in a bottle. I will be astounded if it does not turn into a wonderfully dark Coen brothers-type film because reading this is like a trip to the genre-bending movies. This is one weird Western and the twists of plot and the beautifully drawn characters made it hard to put down. Highly recommended as popcorn poolside reading with a strong drink in hand. Loved!
  • Rating: 5 out of 5 stars
    5/5
    I had somehow expected this picaresque novel which won Canada’s Governor-General’s Award and was short-listed for the Booker prize in 2011 to be more light-hearted than it is.The tale is narrated by Eli Sisters who, along with his brother Charlie, have been hired by the Commodore to kill Hermann Warm, a gold miner in 1851 California. Eli, a surprisingly warm and likable outlaw, is struggling with the ethical issues in his life and is thinking about packing in the life of hired killer.The book deserves more than this brief summary. Michael Christie writing for the National Post said “The overall effect is fresh, hilariously anti-heroic, often genuinely chilling, and relentlessly compelling (…) A mighty fine read.” I can’t say it better.Read this if: you appreciate black comedy; you want a fresh take on a western novel; or you just want to see what all the fuss was about – it’s worth the short time it will take you to read this. 4½ stars
  • Rating: 5 out of 5 stars
    5/5
    Who knew psychopathic killers for hire could be so likeable – well, one of them anyway. Eli and Charlie Sisters are brothers who are employed to kill Hermann Warm, a gold prospector, by the enigmatic Commodore.They set out from Oregon City for San Francisco, have horse trouble, meet odd-balls, fall in love, get drunk, and lurch from moralistic musing and pronouncement to senseless slaughter.Cowboy noir has arrived. DeWitt is able to create sympathy for dim bulb Eli and hair-raising horror for too wily for his own good Charlie in this picaresque/psycho-drama that follows two men on a mission that one of them increasingly doubts and a journey that changes their lives.Eli Sisters is a cross between Forrest Gump and a questioning Socrates on horseback, Smith and Wesson at his side who comes to life in this novel of love, redemption, brutality. He is one seemingly simple-minded anti-hero who leads an examined life.Superb page-turner, vivid, devastating, and provocative. "The Sisters Brothers" is destined to become at least a cult classic.
  • Rating: 4 out of 5 stars
    4/5
    I like reading about bad people in fiction. And, lest we jump to conclusions, it's not because I'm a bad person myself (at least not in the torture or kill people kind of way; no, the sins in which I dabble are much more pedestrian than that), but it's because I like peering into those dark little corners of their brains. And, what is often the most frightening and fascinating is when I find that, really, they're much more like me than I care to admit. Take Pulp Fiction, for example, which may be my favorite movie of all time. Sure, you've got some of the old ultraviolence, but what's really chilling is to see how it's part of the average work day for Jules and Vincent. Their days are filled with conversations both philosophical and mundane, punctuated by acts of violence that they accept as part of how their world works. When we think of men who can kill, we think of monsters, depraved beings who have no moral compass, an inability to reason. While that is certainly sometimes the case, sometimes we find that--behind the monster--there is just a man, one who knows that what he is doing is wrong, but does it anyway: for money, for love, for power. And what worked for Pulp Fiction is what works for The Sisters Brothers.Charlie and Eli Sisters are two of the most feared assassins in the West, working for a shadowy figure known only as "The Commodore." Charlie, the older brother, is ruthless and power hungry, while his brother, Eli, is a sensitive sort who is prone to violence when he becomes enraged--a tool often used by Charlie to his advantage. Even in adulthood, Eli is relegated to the archetypal role of the younger brother, haplessly following and obeying his older brother, while occasionally challenging Charlie just to see how far he can be pushed. The brothers are sent by The Commodore on an errand to kill Hermann Kermit Warm, a prospector who has crossed The Commodore in ways unknown to the brothers. Not that it matters as their job is to kill and not ask questions. The journey there provides the brothers with adequate time to be attacked by a bear, run into a backwoods witch, visit a brothel, and encounter characters curious and strange. As the men travel, we see them banter back and forth, every bit true siblings, alternately needling each other's quirks and weaknesses and then engaging in profound conversations about their beliefs and shared history. The dialogue between the brothers is the real treat of the novel--witty and peculiarly formal (think Charles Portis' characters as portrayed in the Coen version of True Grit). As he longs for love, worries about his weight, discovers the joys of dental hygiene, and wrestles with his disdain and admiration for his one-eyed, cantankerous horse, Tub, Eli Sisters is the more relatable of the two brothers. However, before one can become too attached to either character, a scene of needless and wanton violence reminds us that both of these men are killers and, for all the contemplation of human nature the two engage in, it proves as difficult to put down a gun as it is to pick one up.
  • Rating: 4 out of 5 stars
    4/5
    Finally, I finished this book! It took me three tries, but I quite enjoyed it. It is different than any western I've ever read (and I haven't read one in a loooooong time) and I appreciated the author's wit. There are definitely some humorous parts, especially in the beginning, and some disgusting parts, but the characters are what make the story.
  • Rating: 3 out of 5 stars
    3/5
    Quirky book... worth the read - Hated the ending...
  • Rating: 5 out of 5 stars
    5/5
    This is quite a short book. It tells the story of two gun slinging brothers during the Californian gold rush. It is a very personal story narrated by the younger of the two brothers, Eli Sisters. It is in turns brutal and violent and then intensely emotional. Neither of the brothers are particularly likeable characters, yet it is difficult not to get caught up in their journey and to hope that they, especially Eli, get a happy ending.
  • Rating: 5 out of 5 stars
    5/5
    A beautifully written story that almost approaches that effervescent magic of a timeless fable, "The Sisters Brothers" starts off as a picaresque Western yarn but ends as a great American novel (written by a Canadian) about greed, morality and family. With moments thrilling, funny and plaintive, the story is reminiscent of some of the Coen Brothers' finest films in its skillful ability to weave together so many heady themes with visceral entertainment into a masterpiece of frontier literature.
  • Rating: 5 out of 5 stars
    5/5
    Book Review - The Sisters Brothers by Patrick deWittThe Sisters Brothers Patrick deWitt Paperback version 336 pages eBook version: Portrait 368 pages Publisher: Ecco (Harper Collins) Publication Date: February 14, 2011 ISBN-13: 978-0062041289 The best thing about Patrick deWitt’s novel The Sisters Brothers is that it is an inventively unusual and magnificently flowing piece of fiction. (For those of you wishing to pad your reading list for the year this book is an extraordinarily quick read and I found it nearly impossible to put down.) The language is strong, in plot and content, the story compelling, exciting and creative, and the characters, while flawed and slightly comical and buffoonish, are totally believable and empathetic, especially the narrator. It takes a special story to interrupt my customary fare of Science Fiction and Fantasy and The Sisters Brothers is just that. It was so exceptional, in fact, that it wiggled its way into my already-waiting-to-tip-over reading pile. When I started it I didn’t realize that it was a Western, a genre I don’t normally read, but the blurbs and back-cover description gave an “otherworldly” or “sinister” vibe to me which was the deciding factor. Once I began reading, however, I was hooked. Additionally, the cover art and title seemed both unusual and remarkable in their own ways and I wanted to know more about the characters depicted there. (It turns out that sometimes you CAN judge a book by its cover.) The Sisters Brothers is dark, disturbing, gory, bloody and, above all, great fun to read. It’s packed with home-spun wisdom, wagon-train philosophy, and frontier angst and is a creative and unique blending of a time-worn genre and contemporary thought. What I find interesting is that this atypical, Western-inspired tale does not follow customary themes (i.e. Cowboys versus Indians, The 7th Cavalry arriving in the nick of time, a lone gunman seeking retribution against past wrongs, or an evil cattle baron buying or stealing all the land in the peaceful valley.) It seems that Mr. deWitt is a frontier philosopher of sorts and those values rub off marvelously on his characters. Assassins inclined to discuss their own brand of twisted philosophy prior to heading off into a gunfight? Priceless! There are numerous quests and a few missions and lots of bloodshed and a double-cross or two. There are gunfights and surprises, and animal husbandry and a bit of cruelty, and prospecting for gold, and insanity, and dirty characters, inside and out. There’s arrogance and a price to pay for it in many guises. There’s humility and reward, albeit somewhat unsatisfactory for the character in question. There are attitudes of the frontier and the trail and there’s bloodlust and violence everywhere and the mentality of gunfighters can be found on almost every page. But there are many unique ideas and themes here that you will not find in other Westerns. Most noticeably is a strong, quick, un-squandered language that fits perfectly within the genre yet flows exquisitely. And that language helps make Patrick deWitt’s re-envisioning of the Wild Old West feel more authentic and realistic. The two main characters, Charlie and Eli Sisters, are well-known gun slingers in and around Oregon and northern California and the mere mention of their names can bring hard men to their knees and send weak men running for the hills. But the Sisters brothers are psychologically flawed from a young age. Witnesses to the brutal beating of their mother by their father and the subsequent murder of their father by Charlie, the two six-gun-toting brothers couldn’t be more different. Charlie is tortured, arrogant, and tough and Eli is complex, sensitive, and often tender-hearted. And while Charlie kills for the sport and pleasure of it Eli kills to protect his older brother who saved him from a life of abuse. The Sisters Brothers is, in essence a quest story. Charlie and Eli are sent by their boss, The Commodore, to kill Hermann Kermit Warm, a supposed thief, and return to Oregon with his secret formula for easily extracting gold from the rivers. But this is not the main quest of the book. The true pursuit is the search for self and the realization that what we do in our younger years molds us into who we are to become as adults. The human drama is laid bare but you have to peek around the gun fights, between the fist fights, the drunken debauchery, the mind-numbing hours on horseback, the dirt coffee, and the mindless prospectors that have been too long in the wilderness to find it. Look hard. It’s there. The exploration is well-worth the price of admission. By all accounts this book should have tanked with me (according to my genre choices and reading preferences.) But, here’s the thing, as soon as I started reading it I knew that I wouldn’t be able to put it down. It was that captivating, that unique, and that sublime. Never before have I reviewed a semi-historical Western but, as they say, “things change” and so I am reviewing this romp through the Old West and gladly so. Why? To use the vernacular, it’s a “damn fine” story, that’s why.4 ½ stars out of 5The Alternative One Southeast Wisconsin Recommended if you appreciate Westerns, exceptionally plotted narratives, action-packed gun and fist fights, old west debauchery and saloons, unscrupulous men and their corrupt actions, and home-spun comedy combined with a bit of cowboy buffoonery.
  • Rating: 3 out of 5 stars
    3/5
    This western is not like any previous western that I’ve read. Eli and Charlie Sisters are hired guns (would be hit men in today’s world). They are hired by the commadore to kill Hermann Kirmit Warm. Charlie is the leader and Eli doesn’t like the killing but they are brothers first and killers second. This story is both sardonically funny and violent. It is filled with great characters from witches, prostitutes, trappers to the weeping man. While the cover design (the red and black one) is great, I didn’t have the book to lovingly hold but listened to an audio. John Bruden did a fantastic job of giving voices to the various characters. While I think the book would be fun to read it was even more so to listen to Bruden read.I read through some of the comments made about this book and I felt this might encapsulate it for me, “picaresque Western” adventures of a rough and dishonest but appealing hero. In this case the Sisters Brothers.
  • Rating: 5 out of 5 stars
    5/5
    I thoroughly enjoyed this thrilling journey back in time to the era of the California Gold Rush from start to finish. The story of the eponymous siblings Charlie and [narrator] Eli is a simple one very well told. They are hired assasins in the employ of the Commodore - a real bigshot in those parts - who wants a certain Hermann Kermit Warm dead. Why? Well, that'd be telling... It is 1851 and Warm is a prospector with a secret formula and a contract on his head. That's more than even Eli Sisters knows - his bother Charlie's "the lead man" on this job, much to the younger Eli's displeasure. The Sisters Brothers like to argue their points with each other - Charlie's a cold and distant man with a lethal shot and short moral capacity, Eli's more of a thinker and although he knows how to get the job done, there's definitely a more sensitive side to him. He just wants somebody to love him.On their trail across country from Oregon City to San Francisco, the brothers encounter many an unsettling scene, and Patrick DeWitt's superb ability at setting the scene with just the right amount of foreboding and menace is totally pitch-perfect. From the eerily recurring 'weeping man' to the downright frightening witch in the forest shack, and from a plethora of rapscallion prospectors in the wild to the various ne'er do wells in the towns springing up on the road to San Francisco Bay, DeWitt's characters are rich in their authenticity and presence. The artfully inserted back story of Hermann Kermit Warm is worthy of a novel in its own right.When they eventually reach their destination, the brothers discover that their mission is far from completed, and the final chapters unfold apace - this reader's emotions being thrown all over the place.It's been said by countless others both in print and on screen, but this book has to be adapted for film by someone worthy of a story of this calibre and tone, and one name springs readily to mind. Or rather two do. I'll join the chorus and say that if there's anybody out there more suited to the task than those Coen Brothers - Joel & Ethan - then I'll be very surprised! Read this book now if you haven't already!! Highly recommended to anyone who loves a great story told with real style.
  • Rating: 4 out of 5 stars
    4/5
    As for my part, I was willing to walk apace the Sisters brothers as far as San Francisco and back to Oregon City and somewhat beyond. And gladly too. Though they bring death in all its dimensions to man and beast. Though they are but minions of a man, the Commodore, powerful beyond reckoning. Though they drink too much. And eat too much. And have a penchant for women of the coin. Yet they are a fascination, to be sure. Eli, the narrator of their tale, is a describing man who does not leave morals aside in the quest for sense. Charlie, his older and more ruthless brother, has the greater journey to travel, in a manner of speaking. But they are tied together by more than blood and where one goes the other follows. Together they converse and reason and settle upon a proper course of action. It is a joy, of a certain kind, to have been in their company.Full praise to Patrick deWitt for bringing the Sisters brothers to life. He created two vivid and distinct characters whose interactions, often humorous and droll, are equal parts thought provoking and entertaining. I have no idea whether, as some have claimed, this novel presents us with a revision of the Western, but I do know that it is a very good read. And for that reason alone, none other being required, I heartily recommend it.
  • Rating: 3 out of 5 stars
    3/5
    A Western set in Oregon and California during the Gold Rush, this novel bears comparison with "True Grit", especially with the distinctive voice of its narrator, one of the two notorious Sisterrs Brothers. The younger brother, Eli, has a more thoughtful approach to life, even if it's a life of murder and robbery, than does his brother Charlie. As the two go on their latest murder-for-hire job, Eli strikes up acquaintances with weeping men, a number of ladies, some of dubious virtue, and at least one murderous bossman.The humor throughout the book was surprising, especially when Charlie went into killing mode. On the other hand, the action scenes were handled cleanly and without excessive drama. They come and go quickly, the way death or gunplay probably played out for real on the California frontier. As a reader, I had some sympathy for Eli, who tried to do the right thing most of the time. He retains an innocence and a moral compass that is older brother has lost. Exciting, funny, and thought- provoking, this book is a great read.

Book preview

The Sisters Brothers - Patrick deWitt

THE SISTERS

BROTHERS

Patrick deWitt

Dedication

For my mother

Contents

Dedication

Part One: Trouble with the Horses

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 16

Chapter 17

Chapter 18

Chapter 19

Chapter 20

Chapter 21

Chapter 22

Chapter 23

Chapter 24

Part Two: California

Chapter 25

Chapter 26

Chapter 27

Chapter 28

Chapter 29

Chapter 30

Chapter 31

Intermission

Chapter 32

Chapter 33

Chapter 34

Chapter 35

Part Three: Hermann Kermit Warm

Chapter 36

Chapter 37

Chapter 38

Chapter 39

Chapter 40

Chapter 41

Chapter 42

Chapter 43

Chapter 44

Chapter 45

Chapter 46

Chapter 47

Chapter 48

Chapter 49

Chapter 50

Chapter 51

Chapter 52

Chapter 53

Chapter 54

Chapter 55

Chapter 56

Chapter 57

Chapter 58

Intermission II

Chapter 59

Chapter 60

Epilogue

Acknowledgments

Excerpt from Undermajordomo Minor

About the Author

Other Works

Credits

Copyright

About the Publisher

OREGON CITY, 1851

Part One

TROUBLE

WITH THE

HORSES

Chapter 1

I was sitting outside the Commodore’s mansion, waiting for my brother Charlie to come out with news of the job. It was threatening to snow and I was cold and for want of something to do I studied Charlie’s new horse, Nimble. My new horse was called Tub. We did not believe in naming horses but they were given to us as partial payment for the last job with the names intact, so that was that. Our unnamed previous horses had been immolated, so it was not as though we did not need these new ones but I felt we should have been given money to purchase horses of our own choosing, horses without histories and habits and names they expected to be addressed by. I was very fond of my previous horse and lately had been experiencing visions while I slept of his death, his kicking, burning legs, his hot-popping eyeballs. He could cover sixty miles in a day like a gust of wind and I never laid a hand on him except to stroke him or clean him, and I tried not to think of him burning up in that barn but if the vision arrived uninvited how was I to guard against it? Tub was a healthy enough animal but would have been better suited to some other, less ambitious owner. He was portly and low-backed and could not travel more than fifty miles in a day. I was often forced to whip him, which some men do not mind doing and which in fact some enjoy doing, but which I did not like to do; and afterward he, Tub, believed me cruel and thought to himself, Sad life, sad life.

I felt a weight of eyes on me and looked away from Nimble. Charlie was gazing down from the upper-story window, holding up five fingers. I did not respond and he distorted his face to make me smile; when I did not smile his expression fell slack and he moved backward, out of view. He had seen me watching his horse, I knew. The morning before I had suggested we sell Tub and go halves on a new horse and he had agreed this was fair but then later, over lunch, he had said we should put it off until the new job was completed, which did not make sense because the problem with Tub was that he would impede the job, so would it not be best to replace him prior to? Charlie had a slick of food grease in his mustache and he said, ‘After the job is best, Eli.’ He had no complaints with Nimble, who was as good or better than his previous horse, unnamed, but then he had had first pick of the two while I lay in bed recovering from a leg wound received on the job. I did not like Tub but my brother was satisfied with Nimble. This was the trouble with the horses.

Chapter 2

Charlie climbed onto Nimble and we rode away, heading for the Pig-King. It had been only two months since our last visit to Oregon City but I counted five new businesses on the main street and each of these appeared to be doing well. ‘An ingenious species,’ I said to Charlie, who made no reply. We sat at a table in the back of the King and were brought our usual bottle and a pair of glasses. Charlie poured me a drink, when normally we pour our own, so I was prepared for bad news when he said it: ‘I’m to be lead man on this one, Eli.’

‘Who says so?’

‘Commodore says so.’

I drank my brandy. ‘What’s it mean?’

‘It means I am in charge.’

‘What’s it mean about money?’

‘More for me.’

‘My money, I mean. Same as before?’

‘It’s less for you.’

‘I don’t see the sense in it.’

‘Commodore says there wouldn’t have been the problems with the last job if there had been a lead man.’

‘It doesn’t make sense.’

‘Well, it does.’

He poured me another drink and I drank it. As much to myself as to Charlie I said, ‘He wants to pay for a lead man, that’s fine. But it’s bad business to short the man underneath. I got my leg gouged out and my horse burned to death working for him.’

‘I got my horse burned to death, too. He got us new horses.’

‘It’s bad business. Stop pouring for me like I’m an invalid.’ I took the bottle away and asked about the specifics of the job. We were to find and kill a prospector in California named Hermann Kermit Warm. Charlie produced a letter from his jacket pocket, this from the Commodore’s scout, a dandy named Henry Morris who often went ahead of us to gather information: ‘Have studied Warm for many days and can offer the following in respects to his habits and character. He is solitary in nature but spends long hours in the San Francisco saloons, passing time reading his science and mathematics books or making drawings in their margins. He hauls these tomes around with a strap like a schoolboy, for which he is mocked. He is small in stature, which adds to this comedy, but beware he will not be teased about his size. I have seen him fight several times, and though he typically loses, I do not think any of his opponents would wish to fight him again. He is not above biting, for example. He is bald-headed, with a wild red beard, long, gangly arms, and the protruded belly of a pregnant woman. He washes infrequently and sleeps where he can—barns, doorways, or if need be, in the streets. Whenever he is engaged to speak his manner is brusque and uninviting. He carries a baby dragoon, this tucked into a sash slung around his waist. He does not drink often, but when he finally lifts his bottle, he lifts it to become completely drunken. He pays for his whiskey with raw gold dust that he keeps in a leather pouch worn on a long string, this hidden in the folds of his many-layered clothing. He has not once left the town since I have been here and I do not know if he plans to return to his claim, which sits some ten miles east of Sacramento (map enclosed). Yesterday in a saloon he asked me for a match, addressing me politely and by name. I have no idea how he knew this, for he never seemed to notice that I was following him. When I asked how he had come to learn my identity he became abusive, and I left. I do not care for him, though there are some who say his mind is uncommonly strong. I will admit he is unusual, but that is perhaps the closest I could come to complimenting him.’

Next to the map of Warm’s claim, Morris had made a smudged drawing of the man; but he might have been standing at my side and I would not have known it, it was so clumsy a rendering. I mentioned this to Charlie and he said, ‘Morris is waiting for us at a hotel in San Francisco. He will point Warm out and we will be on our way. It’s a good place to kill someone, I have heard. When they are not busily burning the entire town down, they are distracted by its endless rebuilding.’

‘Why doesn’t Morris kill him?’

‘That’s always your question, and I always have my answer: It’s not his job, but ours.’

‘It’s mindless. The Commodore shorts me my wage but pays this bumbler his fee and expenses just to have Warm tipped off that he is under observation.’

‘You cannot call Morris a bumbler, brother. This is the first time he has made a mistake, and he admits his error openly. I think his being discovered says more about Warm than Morris.’

‘But the man is spending the night in the streets. What is holding Morris back from simply shooting him as he sleeps?’

‘How about the fact that Morris is not a killer?’

‘Then why send him at all? Why did he not send us a month ago instead?’

‘A month ago we were on another job. You forget that the Commodore has many interests and concerns and can get to them but one at a time. Hurried business is bad business, these are words from the man himself. You only have to admire his successes to see the truth in it.’

It made me ill to hear him quote the Commodore so lovingly. I said, ‘It will take us weeks to get to California. Why make the trip if we don’t have to?’

‘But we do have to make the trip. That is the job.’

‘And what if Warm’s not there?’

‘He’ll be there.’

‘What if he’s not?’

‘Goddamnit, he will be.’

When it came time to settle I pointed to Charlie. ‘The lead man’s paying.’ Normally we would have gone halves, so he did not like that. My brother has always been miserly, a trait handed down from our father.

‘Just the one time,’ he said.

‘Lead man with his lead man’s wages.’

‘You never liked the Commodore. And he’s never liked you.’

‘I like him less and less,’ I said.

‘You’re free to tell him, if it becomes an unbearable burden.’

‘You will know it, Charlie, if my burden becomes unbearable. You will know it and so will he.’

This bickering might have continued but I left my brother and retired to my room in the hotel across from the saloon. I do not like to argue and especially not with Charlie, who can be uncommonly cruel with his tongue. Later that night I could hear him exchanging words in the road with a group of men, and I listened to make sure he was not in danger, and he was not—the men asked him his name and he told them and they left him alone. But I would have come to his aid and in fact was putting on my boots when the group scattered. I heard Charlie coming up the stairs and jumped into bed, pretending I was fast asleep. He stuck his head in the room and said my name but I did not answer. He closed the door and moved to his room and I lay in the dark thinking about the difficulties of family, how crazy and crooked the stories of a bloodline can be.

Chapter 3

In the morning it was raining—constant, cold drops that turned the roads to muddy soup. Charlie was stomach-sick from the brandy, and I visited the chemist’s for a nausea remedy. I was given a scentless, robin’s-egg-blue powder which I mixed into his coffee. I did not know the tincture’s ingredients, only that it got him out of bed and onto Nimble, and that it made him alert to the point of distraction. We stopped to rest twenty miles from town in a barren section of forest that had the summer prior been burned through in a lightning fire. We finished our lunch and were preparing to move on when we saw a man walking a horse a hundred yards to our south. If he had been riding I do not think we would have commented but it was strange, him leading the horse like that. ‘Why don’t you go see what he is doing,’ Charlie said.

‘A direct order from the lead man,’ I said. He did not respond and I thought, The joke is wearing thin. I decided I would not tell it again. I rode Tub out to meet the walker. When I swung around I noticed he was weeping and I dismounted to face him. I am a tall and heavy and rough-looking man and could read the alarm on his face; to soothe his worries, I said, ‘I don’t mean you any harm. My brother and I are only having our lunch. I prepared too much and thought to ask if you were hungry.’

The man dried his face with his palm, inhaling deeply and shivering. He attempted to answer me—at least he opened his mouth—but no words or sound emerged, being distraught to the degree that communication was not possible.

I said, ‘I can see you’re in some distress and probably want to keep traveling on your own. My apologies for disturbing you, and I hope you are heading for something better.’ I remounted Tub and was halfway to camp when I saw Charlie stand and level his pistol in my direction. Turning back, I saw the weeping man riding quickly toward me; he did not seem to wish to hurt me and I motioned for Charlie to lower his gun. Now the weeping man and I were riding side by side, and he called over: ‘I will take you up on your offer.’ When we got to camp, Charlie took hold of the man’s horse and said, ‘You should not chase someone like that. I thought you were after my brother and nearly took a shot.’ The weeping man made a dismissive gesture with his hands indicating the irrelevance of the statement. This took Charlie by surprise—he looked at me and asked, ‘Who is this person?’

‘He has been upset by something. I offered him a plate of food.’

‘There’s no food left but biscuits.’

‘I will make more then.’

‘You will not.’ Charlie looked the weeping man up and down. ‘Isn’t he the mournful one, though?’

Clearing his throat, the weeping man spoke: ‘It is ignorant behavior, to talk about a man as though he was not present.’

Charlie was not sure whether to laugh or strike him down. He said to me, ‘Is he crazy?’

‘I will ask you to watch your words,’ I told the stranger. ‘My brother isn’t feeling well today.’

‘I am fine,’ said Charlie.

‘His charity is strained,’ I said.

‘He looks sick,’ said the weeping man.

‘I said I’m fine, damn you.’

‘He is sick, slightly,’ I said. I could see that Charlie’s patience had reached its limit. I took some of the biscuits and put them in the hand of the weeping man. He gazed upon them for a long moment, then began to weep all over again, coughing and inhaling and shivering pitifully. I said to Charlie, ‘This was how it was when I found him.’

‘What’s the matter with him?’

‘He didn’t say.’ I asked the weeping man, ‘Sir, what’s the matter with you?’

‘They’re gone!’ he cried. ‘They’re all gone!’

‘Who’s gone?’ asked Charlie.

‘Gone without me! And I wish I was gone! I want to be gone with them!’ He dropped the biscuits and walked away with his horse. He would take ten steps and throw back his head to moan. He did this three times and my brother and I turned to clean our camp.

‘I wonder what was the matter with him,’ said Charlie.

‘Some kind of grief has made him insane.’

By the time we mounted our horses, the weeping man was out of sight, and the source of his worry would remain forever a mystery.

Chapter 4

We rode along in silence, thinking our private thoughts. Charlie and I had an unspoken agreement not to throw ourselves into speedy travel just after a meal. There were many hardships to our type of life and we took these small comforts as they came; I found they added up to something decent enough to carry on.

‘What has this Hermann Warm done?’ I asked.

‘Taken something of the Commodore’s.’

‘What has he taken?’

‘This will be revealed soon enough. To kill him is the thing.’ He rode ahead and I rode after. I had been wanting to talk about it for some time, before the last job, even.

‘Haven’t you ever found it strange, Charlie? All these men foolish enough to steal from the Commodore? As feared a man as he is?’

‘The Commodore has money. What else would attract a thief?’

‘How are they getting the money? We know the Commodore to be cautious. How is it that all these different men have access to his wealth?’

‘He does business in every corner of the country. A man cannot be in two places at once, much less a hundred. It only stands to reason he’d be victimized.’

‘Victimized!’ I said.

‘What would you call it when a man is forced to protect his fortune with the likes of us?’

‘Victimized!’ I found it amusing, genuinely. In honor of the poor Commodore, I sang a mawkish ballad: ‘His tears behind a veil of flowers, the news came in from town.’

‘Oh, all right.’

‘His virgin seen near country bower, in arms of golden down.’

‘You are only angry with me for taking the lead position.’

‘His heart mistook her smile for kindness, and now he pays the cost.’

‘I’m through talking with you about it.’

‘His woman lain in sin, her highness, endless love is lost.’

Charlie could not help but smile. ‘What is that song?’

‘Picked it up somewhere.’

‘It’s a sad one.’

‘All the best songs are sad ones.’

‘That’s what Mother used to say.’

I paused. ‘The sad ones don’t actually make me sad.’

‘You are just like Mother, in many ways.’

‘You’re not. And you’re not like Father, either.’

‘I am like no one.’

He said this casually, but it was the type of statement that eclipsed the conversation, killed it. He pulled ahead and I watched his back, and he knew I was watching his back. He stuck Nimble’s ribs with his heels and they ran off, with me following behind. We were only traveling in our typical fashion, at our typical pace, but I felt all the same to be chasing him.

Chapter 5

Short, late-winter days, and we stopped in a dried ravine to make up camp for the night. You will often see this scenario in serialized adventure novels: Two grisly riders before the fire telling their bawdy stories and singing harrowing songs of death and lace. But I can tell you that after a full day of riding I want nothing more than to lie down and sleep, which is just what I did, without even eating a proper meal. In the morning, pulling on my boots, I felt a sharp pain at the long toe of my left foot. I upended and tapped at the heel of the boot, expecting a nettle to drop, when a large, hairy spider thumped to the ground on its back, eight arms pedaling in the cold air. My pulse was sprinting and I became weak-headed because I am very much afraid of spiders and snakes and crawling things, and Charlie, knowing this, came to my aid, tossing the creature into the fire with his knife. I watched the spider curl up and die, smoking like balled paper, and was happy for its suffering.

Now a shimmering cold was traveling up my shinbone like a frost and I said, ‘That was a powerful little animal, brother.’ A fever came over me at once and I was forced to lie down. Charlie became worried by my pale coloring; when I found I could no longer speak he stoked up the fire and rode to the nearest town for a doctor, whom he brought to me against or partially against the man’s will—I was in a fog but recall his cursing each time Charlie walked out of earshot. I was given a kind of medicine or antivenom, some element of which made me glad and woozy as when drunk, and all I wanted to do was forgive everyone for everything and also to smoke tobacco ceaselessly. I soon dropped off into dead-weighted sleep and remained untouchable all through that day and night and into the next morning. When I awoke, Charlie was still at the fire, and he looked over to me and smiled.

‘Can you remember what you were dreaming of just now?’ he asked.

‘Only that I was being restricted,’ I said.

‘You kept saying, I am in the tent! I am in the tent!

‘I don’t remember.’

I am in the tent!

‘Help me stand up.’

He assisted me and in a moment I was circling the camp on wooden-feeling legs. I was slightly nauseated but ate a full meal of bacon and coffee and biscuits and managed to keep this down. I decided I was well enough to travel and we rode easy for four or five hours before settling down again. Charlie asked me repeatedly how I was feeling and I attempted each time to answer, but the truth of it was that I did not exactly know. Whether it was the poison from the spider or the harried doctor’s antivenom, I was not entirely in my body. I passed a night of fever and starts and in the morning, when I turned to meet Charlie’s good-day greeting, he took a look at me and emitted a shriek of fright. I asked him what was the matter and he brought over a tin plate to use as a looking glass.

‘What’s that?’ I asked.

‘That’s your head, friend.’ He leaned back on his heels and whistled.

The left side of my face was grotesquely swollen, from the crown of my skull all the way to the neck, tapering off at the shoulder. My eye was merely a slit and Charlie, regaining his humor, said I looked like a half dog, and he tossed a stick to see if I would chase it. I traced the source of the swelling to my teeth and gums; when I tapped a finger on the lower left row, a singing pain rang through my body from top to bottom and back again.

‘There must be a gallon of blood sloshing around,’ said Charlie.

‘Where did you find that doctor? We should revisit him and have him lance me.’

Charlie shook his head. ‘Best not to search him out. There was an unhappy episode regarding his fee. He would be glad to see me again, it’s true, but I doubt he would be eager to assist us further. He mentioned another encampment a few miles farther to the south. That might be our wisest bet, if you think you can make it.’

‘I don’t suppose I have a choice.’

‘As with so many things in a life, brother, I don’t suppose you do.’

It was slow going, though the terrain was easy enough—a mild downhill grade over firm, forested earth. I was feeling strangely happy, as though involved in a minor amusement, when Tub made a misstep and my mouth clacked shut. I screamed out from the pain, but in the same breath was laughing at the ridiculousness of it. I stuck a wad of tobacco between my uppers and lowers for cushioning. This filled my head with brown saliva but I could not spit, as it proved too painful, so I merely leaned forward and let the liquid leak from my mouth and onto Tub’s neck. We passed through a quick flurry of snow; the flakes felt welcome and cool on my face. My head was listing and Charlie circled me to stare and ogle. ‘You can see it from behind, even,’ he said. ‘The scalp itself is swollen. Your hair is swollen.’ We passed widely around the unpaid doctor’s town and located the next encampment some miles later, a nameless place, a quarter mile long and home to a hundred people or less. But luck was with us, and we found a tooth doctor there named Watts smoking a pipe outside his storefront. As I approached the man he smiled and said, ‘What a profession to be involved in, that I’m actually happy to see someone so distorted.’ He ushered me into his efficient little work space, and toward a cushioned leather chair that squeaked and sighed with newness as I sat. Pulling up a tray of gleaming tools, he asked tooth-history questions I had no satisfactory answers for. At any rate I got the impression he did not care to know the answers but was merely pleased to be making his inquiries.

I shared my

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