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The Castle of Llyr: The Chronicles of Prydain, Book 3
The Castle of Llyr: The Chronicles of Prydain, Book 3
The Castle of Llyr: The Chronicles of Prydain, Book 3
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The Castle of Llyr: The Chronicles of Prydain, Book 3

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The Castle of Llyr by Lloyd Alexander, Book Three in The Chronicles of Prydain

Princess Eilonwy hates to leave her friend Taran, Assistant Pig-Keeper, and her beloved home, Caer Dallben. Why does she have to go to the Isle of Mona to train as a proper lady when she's already a princess? But Eilonwy soon faces much more than the ordeal of becoming a dignified young maiden, for she possesses magical powers sought by the evil enchantress Queen Achren.

When Eilonwy is put under a deep spell, Taran and his companions set out on a dangerous quest to rescue her. Yet how can a lowly Assistant Pig-Keeper hope to stand against the most evil enchantress in all of Prydain?

LanguageEnglish
Release dateMay 16, 2006
ISBN9781429961967
The Castle of Llyr: The Chronicles of Prydain, Book 3
Author

Lloyd Alexander

Lloyd Alexander (1924-2007) was the author of more than forty books for children and adults, including the beloved children's fantasy series, the Chronicles of Prydain, one of the most widely read series in the history of fantasy and the inspiration for the animated Disney film, The Black Cauldron. His books have won numerous awards, including the Newbery Medal, the Newbery Honor, and the National Book Award for Juvenile Literature.

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Rating: 4.14 out of 5 stars
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  • Rating: 4 out of 5 stars
    4/5
    In which Eilonwy is given a new opportunity, but all is built on sand...

    The third book of The Chronicles of Prydain is my favourite thus far. Yet it's a far different beast from the previous two.

    I was worried after The Black Cauldron that each book would just be a straightforward quest story reuniting all the same characters. Instead, I longed for a Narnia-esque series in which different aspects of Prydain could be explored. For this novel, we do get a reunion of the main characters, but most of the supporting cast take some time off, which creates a sense of difference here. Eilonwy is one of the series' strongest characters, and it's wonderful to discover her backstory - even if most of it was unknown even to the princess herself. Unfortunately, she's sidelined for most of the novel, but thankfully the young lady has so impressed us in previous books that we genuinely fear for her safety. (Sadly, the 'Big Bad' of the series is also sidelined for the most part, which is a shame since she has a great presence.)

    Alexander uses the quest for Eilonwy to explore new parts of Prydain, and to add a lot of history and mysticism. It really works, and creates a sense that things are going to build nicely in the final two books. As always, he mixes a moral quest with haunting reality, and creates genuine obstacles for his characters to overcome.

    Still, The Castle of Llyr bears a couple of the same flaws as its predecessors. I listen to a lot of audio plays, and the dialogue here is sometimes similar. Even when they're being chased by a giant mountain lion, the characters speak in lengthy, descriptive passages. Alexander could surely accomplish the same things with passages of prose instead! This is more annoying in this book than previous, because there are some interesting character developments that could have been more subtly handled. Taran is discovering his feelings for Eilonwy, and the new character of Prince Rhun turns out to have a lovely arc. I can see how it would work on television or film, whereas here the arc seems a bit deflated. He develops from fool to fool aware of his status to reluctant hero. Late in the book, it becomes clear that he's realising something exists between Eilonwy and Taran, even as he hopes to be her betrothed. Still, this all comes across in expository conversations, rather than anything more.

    Ultimately, The Castle of Llyr is strong enough in its set pieces and quest narrative that it overcomes these weaknesses. The final setting - a half-sunken castle - is gorgeous, and I'll be very interested to see where Alexander takes these characters (both heroes and villains) as we head into the final two novels. There is a slowly growing tension here, but as yet nothing that suggests the series is coming to its end. I can easily see Prydain being further explored for many books to come. Still, I can't wait to experience the next one.
  • Rating: 4 out of 5 stars
    4/5
    Third in the Chronicles of Prydain, The Castle of Llyr takes a step back from the dark, heady events of the previous book for a more lighthearted and humorous scene on the Isle of Mona. There Princess Eilonwy must go to receive proper training as a lady and also, incidentally, remove herself from the sorceress Achren's reach. Achren, who wishes to exploit the girl's latent magical abilities, will stop at nothing to regain the power she once exercised over the land of Prydain. And even on Mona it seems Eilonwy is not safe, as Taran and his friends soon learn. This story introduces Prince Rhun, the lovably clumsy heir of Mona's throne who seems to have a soft spot for the spunky Eilonwy. Taran, dimly aware of his own feelings for her, naturally doesn't take an instant liking to his rival, who nevertheless becomes very hard to dislike as the story goes on. Though his accidents and dull wits cause the company more than one mishap in their quest to rescue the princess, under his irrepressibly cheerful disposition Rhun knows it. And it's hard to hold it against him. Lloyd Alexander again presents his readers with a subtle moral example of learning unselfishness and making the right decision even when it doesn't mirror how we feel. And Taran's never a goody-two-shoes about it, either; he acts very much as we might and when he does make a selfless choice, it's never easy for him.Though I enjoy this story, it was always my least favorite of the Chronicles (one of them had to be). Eilonwy's absence for much of the tale is a minus. However, I found I appreciated it more on this reread as Alexander continues to develop Taran's character and set up the romantic angle for the next books. Young adult fantasy readers can do much worse than visit Mona with Taran and Eilonwy!
  • Rating: 3 out of 5 stars
    3/5
    The whole Chronicles of Prydain series is well-written, imaginative, and was my introduction as a kid to a lifetime love of fantasy fiction. These books tackle large philosophical issues like bullying, the nature of heroism, social responsibility, altruism, and good vs. evil. Appropriate for middle-schoolers or even 5th and 6th graders.
  • Rating: 5 out of 5 stars
    5/5
    The third book in the Chronicles of Prydain, and in my opinion, the weakest of the five books. However, the weakest of these five books is still a great book. In the book, Dallben decides that Eilonwy (who has been living at Caer Dallben sicne the end of The Book of Three) should go to the island of Mona and learn to become a lady. Taran and Gurgi escort her through the journey, and meet Prince Rhun, who captains the ship they take to the island. Once there, Taran finds that both Fflewddur and Gwydion are there too, and Gwydion tells Taran that Eilonwy may be in danger.Of course, Eilonwy is kidnapped, and the intrepid companions with Prince Rhun and several soldiers set out to find her. Taran, Fflewdur, and Gurgi find an bandoned house, a mysterious blank book, and are trapped by a giant housecat. They escape but are later trapped by a giant dwarf named Glew, and have to escape again. Finally they track Eilonwy to Caer Colur, an abandoned tower by the sea where Aachren has ensorcelled Eilonwy. Secrets are revealed concerning the blank book and Eilonwy's bauble and Aachren's power over Eilonwy is broken.After the far-reaching adventure of The Book of Three and the intensity of The Black Cauldron, the plot of The Castle of Llyr seems like something of a let down. While the pursuit and recovery of Eilonwy turns out to be a signifcant affair, the side quests involving the cat Llyan and the dwarf Glew are silly enough to detract from the resut of the story, which gives this tale a light-hearted quality that seems out of place in between The Black Cauldron and Taran Wanderer. On the other hand, if all five books were dark and brooding, then the story would probably be dragged down under its own weight, so the tone of the book is probably necessary.
  • Rating: 4 out of 5 stars
    4/5
    The shortest and also the least of the five Prydain chronicles, but still very enjoyable. Eilonwy is sidelined for much of the book, and is forced to largely play the role of damsel in distress, to the book's detriment. Still, it's a good adventure and we are introduced to several unforgettable new characters.
  • Rating: 3 out of 5 stars
    3/5
    I'm a little upset with this installment in the Chronicles of Prydain. Based on the title alone I thought we were going to be getting a nice story centered around Eilonwy and while yes we did learn some new things about her heritage, she was basically not present for the entire story.Eilonwy up to this point has always been our non stop chattering yet strong willed young lady, and this book removed her from the story and took away her strong will by having her be completely and easily enchanted. We spend majority of the book following Taran running around in the forest, looking for Prince Rhun, fighting a mountain lion and coming across a giant. All while finding just small bits and pieces that connect back to Eilonwy. And when she does come back into the story she has to thusly be saved by a bunch of men. I understand how old this series is, but I had had hope that it wouldn't fall into this stereotype but alas it did, no matter how strong willed she was written in the earlier books. This would have infuriated me as a young girl. We don't even get the opportunity to see her get kidnapped its just told to us in a wrap up at the end.Far too much time was spent on Taran and his little forest excursion and not enough on centering around Eilonwy who was you know "the damsel in distress" I feel if the forest portion had been cut back and more focus was on the actual times Eilonwy was captured in the castle it could have been better, but it would have also needed to be more strong willed Eilonwy and less "Damsel in distress".Definitly the most disappointing so far for me in the series. Two more to go, hopefully I get the original Eilonwy back in the next two books.
  • Rating: 2 out of 5 stars
    2/5
    A favorite series from my childhood, but this book doesn’t hold up. The main character spends the novel being led around by smarter, wiser and stronger people. If this were a tv series, they’d throw the script out and re-write it from someone else’s perspective.
  • Rating: 3 out of 5 stars
    3/5
    This was a poor story in my opinion. Nothing really happened in it. One of the things I don't really like in this series, is it talks down to its intended reader, namely children. This is a mistake a lot of "children's" books make and it causes an otherwise good premise seem foolish and badly written. Kids are smart. Don't write down to them. Authors will also have the chance of attracting an older reader and possibly writing a classic.
  • Rating: 4 out of 5 stars
    4/5
    I found this to be slightly lower quality than the first two. It tries to pack too much into a short space and feels a bit "surface." It's still an enjoyable read and worthy of being a fantasy classic.
  • Rating: 5 out of 5 stars
    5/5
    "The Castle of Llyr" purports to be mainly about Eilonwy's growing up and learning to be a lady, but in fact, Eilonwy is absent for much of the story, which I somehow think she herself wouldn't appreciate too much. However, in spite of this, it is still a rollicking good adventure. The character of Glew and the perils the other travellers endure are as captivating as anything else in the series. The book also highlights once again how frequently Alexander has his characters be merciful and forgiving, a rare and commendable virtue embodied in this book in yet another pair of fine examples. I am growing attached to the world of Prydain and will be sorry to leave it.
  • Rating: 3 out of 5 stars
    3/5
    Reading this third installment of The Chronicles of Prydain brings back memories. It is at the same time masterful, clumsy, ageless, dated, epic, childish, you get the idea, or you don't. There is a duality of nostalgia. Nostalgia for books printed in the sixties that were treading fresh and uncharted ground. There is also a feeling for bygone if imaginary eras. The fact that the stories don't figure much bombastic magic, fire and brimstone, the whole 9 yards, reinforce that feeling. Prydain as we see it through the lens of the author, is about powerful spells slowly being erased from the minds of witches and wizards, phoenixes that forget how to get back to the living, Griffins and pixies that die eggless and childless. The book doesn't feature all of this, but the unshakable decline clings to the dna of Book Three. Now for the clumsy stuff. I really thought Prince Rhun was really acting retard. He went full retard so I thought, hey, who is he kidding. But no, he was playing it straight. When Princess Eilowny went with Magg, I thought they were just ambling about. I was adamant that this could hardly be a setup for a quest. Taran doesn't seem to grow in maturity. He is mature only in the last two chapters of each book. Gurgi is the one who changed somewhat, albeit with little gradient. The Bard tells only two lies here so he too has changed. I don't want to analyze the hindrances of Taran's quest because they exude the same flimsy framework of a saga condensed in a child's story. So I give the book 3 stars, because it's so clean, naive, simple, and unapologetic.
  • Rating: 4 out of 5 stars
    4/5
    A little heavy on the moralizing, and one of the best characters is offstage for too much of the story. (I would've gladly traded 10 pages with Glew, the self-pitying and self-absorbed giant, for even a couple more pages with the vastly more interesting Eilonwy.) But this was still a good light read, if not my favorite of the series.
  • Rating: 4 out of 5 stars
    4/5
    The third in the classic Prydain series, which I am reading aloud to my son. The Castle of Llyr is not as dark in tone as 'The Black Cauldron', its predecessor. In fact, the bumbling Prince Rhun, the pathetic Glew and the antics of Llyan add lighter touches. Taran becomes more aware of his attachment to Eilonwy, especially when she is kidnapped. The chase leads Taran and his companions to the sea-buffeted Caer Colur, where they face sinister villains. A good tale of 'Save the Princess', literally.
  • Rating: 2 out of 5 stars
    2/5
    Still not loving these books--I'm finding the characters and plots too predictable. Gurgi makes me roll my eyes.
  • Rating: 4 out of 5 stars
    4/5
    Lloyd Alexander was on a roll with these books. I think that this is one of the lightest in the series, barely more than a single rescue operation. Of course, there is an encounter with a solipsistic giant and his cat to liven things up.Eilonwy's similes don't always work for me, but the narrator delivers them so nicely that they are never tedious.
  • Rating: 4 out of 5 stars
    4/5
    Once again, it's Taran to the rescue. This time, the coincidences start piling up a little too high and too deep for me to continue to ignore them. Taran is supposed to take Eilonwy to an island kingdom where she is to learn how to be a lady. Gurgi is obviously going - no issue there. But Fflam ends up there at the castle as a bard... and Gwydion shows up in disguise. The only person who doesn't just happen to show up is Doli.Eilonwy is captured. Taran tries to find and rescue her only to learn that he needs help - and he gets it. The only thing that was marginally interesting to me is the interaction between Taran and Prince Rhun. The prince is every bit as clumsy, awkward and hopeless as Taran was in his first adventure. Taran, at least, sees this and promises to help Prince Rhun and to help protect him from himself and others.Apparently there are more books, because this one just isn't the way to end a series.
  • Rating: 3 out of 5 stars
    3/5
    This one needed more Eilonwy. I mean, it was all about her, in a sense, and yet we didn't have much of her dialogue and her opinions and her management of Taran, which I missed a lot. I'm glad Gurgi is a character that sticks around: I've come to think he's sweet, and non-human characters can be fun. I'm getting quite fond of all the regulars, but please don't ask me to try and spell the bard's name...

    The way this book treats Achren is interesting, the way that really at the end she gets a second chance. Not the cookie-cutter fantasy standard way of dealing with someone "evil".

    As with all the other books, light and easy to read.
  • Rating: 4 out of 5 stars
    4/5
    In the introduction, Lloyd Alexander mentions that what Eilonwy does in this book is just as important as what the male heroes do, so I was disappointed to discover that she remains offstage for almost the entire story and her big moment seemed a bit of a letdown to me. Prince Rhun was an excellent addition though and I hope he returns in the later books.

    Listened to Listening Library edition narrated by James Langton. Previously read for Children's Literature in Spring 2007.
  • Rating: 4 out of 5 stars
    4/5
    The kids and I enjoyed this book as much as the other two in the series. With Eilonwy missing, the stakes are the highest they've ever been; but I'd still give it an overall description of Serious and adventurous with a touch of comedy - a perfect combination.
  • Rating: 5 out of 5 stars
    5/5
    A childhood favorite that has influenced my own writings and many others'.
  • Rating: 4 out of 5 stars
    4/5
    Princess Eilonwy is to be taken to the court to learn how to become a princess, but she's kidnapped by Chief Steward Magg on behalf of the sorceress Achren and Taran and his friends have yet another adventure when they set off to free Eilonwy. The shortest (and least complex) of the books in the series, but, as seems to be the common thread in these books, there are hoards of great and funny characters and their adventures are exactly as exciting as I had hoped.
  • Rating: 3 out of 5 stars
    3/5
    In third novel of the The Chronicles of Prydain, The Castle of Llyr, Princess Eilonwy is escorted to the Isle of Mona to begin training as a 'lady'. However, upon reaching Mona, the Princess is kidnapped by one of Achren's minions and Taran (assistant pig-keeper to the stars) is dispatched to assist with the rescue.The Castle of Llyr was an enjoyable read, but the storyline was not quite as engaging as the previous two. Taran continues to mature and realizes that he has "more than friends" feeling for Eilonwyn. Could an assistant pig-keeper manage to court a princess? Time will tell.
  • Rating: 4 out of 5 stars
    4/5
    This is book 3 of the Chronicles of Prydain, and continues the tale of Taran, the Assistant Pig-Keeper and his friends. Princess Eilonwy is to leave Caer Dallben for the Isle of Mona, to learn how to be a proper young lady. Taran knows he is going to miss her, and is allowed to escort her to her new home. But new adventures, old friends and old enemies await, as well as new companions.I must admit that I read this book in two parts, and the reading went more smoothly after my (inadvertent) break, but initially Gurgi (who seems to be a clone of Gollum from LoTR), constantly moaning about his 'poor, tender head' annoyed me. Later on, I appreciated the way Alexander always finds a couple of appropriate rhyming words for Gurgi to describe every action. Overall, it's a well written book, given that it's written for children. It concentrates on the characters (primarily Taran) and their feelings, but sketches in details of events and surroundings. If you take the time and imagination to fill them in, you catch a glimpse of the world of Prydain.
  • Rating: 3 out of 5 stars
    3/5
    Alexander loses a bit of the steam built up by The Black Cauldron here (if that's even a thing that can happen, and not a nonsensical metaphor betraying a kind of goony conception of the way narrative or reading or even the publishing industry works?) in switching to what he calls a quiet, interior story compared to the echt heroics of the series at large. It has its moments--the "sea islands" milieu, which is always bracing; the giant housecat Llyan; the kid-shudderfying climax where Taran finally finds Eilonwy and she doesn't know him, because what every kid fears is the day when the world will turn upside-down and your family won't recognize you; but it's hampered by a sense that the smaller and more intimate nature of the story leaves Taran, who is still ostensibly our hero, exposed and ridiculous--where in the prior books he is blustering because unseasoned, trying his best to grow into a hero of legend by "being more than he is" and not recognizing that it's the muddling through more than his indifferent swordplay and propensity to speak "firmly" to everyone about everything, here he's pitched too high and it makes him seem like a cock. And the worst kind of cock--the kind where the author doesn't recognize his character's a cock and colludes as a result. Like, we are meant to execrate "Magg" if you didn't guess, and treat the sorrows of the little giant Glew as comical because he is intemperate enough to effuse them, and find Prince Rhun ridiculous and scornworthy because he's a nice dreamy guy but then ultimately come around because he shows his "mettle", and see e.g. Fflewddur Fflam as a good, wholesome, manly friend for Taran because he expresses the right sentiments, but also recognize that he's a beta hero not an alpha hero because, again, he's intemperate, and expression of feelings, except in a clenched, single-tear way, is somehow foolish (permitted for the women and the supporting cast, natch). and I dunno, when you're into "mettle" vs. "feelings", you're dangerously close to all kinds of traditional masculine symbolic complexes that Alexander probably didn't even recognize his problematic relation toward, and when it shows its not infrequent flashes of charm I want to like this book more than I do but then there are moments when you feel like it might as well have been called (the Beastie Boys' original, rejected title for the Licensed to Ill album) Don't be a Faggot.
  • Rating: 3 out of 5 stars
    3/5
    When Princess Eilonwy is ordered to the Isle of Mona to learn to be a lady, it's only natural that Taran and Gurgi go along as escorts. But not all is as it seems at court, and when Eilonwy is kidnapped and old friends and old enemies reappear... it's good fun for the reader, but not so easy on the heroes!
  • Rating: 5 out of 5 stars
    5/5
    This third book in the Prydain Chronicles is just as good as the others. Eilonwy is sent away to become a young lady, only to run into much larger troubles. Romance continues to blossom between her and Taran, and an evil person is taken down a peg or two. Like the other books, this one can stand alone, but I like having read the other two first. Now, two more to go in the series.
  • Rating: 4 out of 5 stars
    4/5
    Taran and Fflewdder are joined by a giant cat in a mission to save Eilonwy from Achren. They face their own set of perils including a giant on the way, but in the end it is Eilonwy who must save them from herself. She must escape Achren's spell and remember who she is.
  • Rating: 5 out of 5 stars
    5/5
    Part three of the excellent Prydain series. I must read for all fantasy buffs.
  • Rating: 4 out of 5 stars
    4/5
    The Castle of Llyr is the third book in the Chronicles of Prydain. Princess Eilonwy is sent off to the care of the King and Queen of Mona to become a lady. When Taran accompanies her, he finds a romantic rival as well as a sinister plot. This book was just as cute as the earlier books—maybe a little cuter because of Taran’s frustrating realization that he is romantically interested in Eilonwy.
  • Rating: 4 out of 5 stars
    4/5
    Prinecess Eilonwy has been sent off to train to become a lady. Taran and faithful Gurgi accompany her and what is expected to be a peaceful voyage and farewell. Of course, things never work out the way they seem. Achren, the enchantress, is back and up to no good. Then one day the Princess goes missing.The companions find themselves together once again on a hunt to find the Princess Eilonwy before Achren can cause her harm. Along the way we meet my favorite minor character in the book....a very large feline. She's wonderful, and reminded me of my own cats. The book overall is a great story. I'll be holding onto it so that I can read it with my daughter in a couple years.4/5 stars

Book preview

The Castle of Llyr - Lloyd Alexander

CHAPTER ONE

Prince Rhun

Eilonwy of the red-gold hair, the Princess Eilonwy Daughter of Angharad Daughter of Regat of the Royal House of Llyr, was leaving Caer Dallben. Dallben himself had so ordered it; and though Taran’s heart was suddenly and strangely heavy, he knew there was no gainsaying the old enchanter’s words.

On the spring morning set for Eilonwy’s departure, Taran saddled the horses and led them from the stable. The Princess, looking desperately cheerful, had wrapped her few belongings in a small bundle slung from her shoulder. At her neck hung a fine chain and crescent moon of silver; on her finger she wore a ring of ancient craftsmanship; and in the fold of her cloak she carried another of her most prized possessions: the golden sphere that shone at her command with a light brighter than a flaming torch.

Dallben, whose face was more careworn than usual and whose back was bowed as though under a heavy burden, embraced the girl at the cottage door. You shall always have a place in Caer Dallben, he said, and a larger one in my heart. But, alas, raising a young lady is a mystery beyond even an enchanter’s skill. I have had, he added with a quick smile, "difficulties enough raising an Assistant Pig-Keeper.

I wish you a fair voyage to the Isle of Mona, Dallben went on. King Rhuddlum and Queen Teleria are kindly and gracious. They are eager to stand in your family’s stead and serve as your protectors, and from Queen Teleria you shall learn how a princess should behave.

What! cried Eilonwy. I don’t care about being a princess! And since I’m already a young lady, how else could I behave? That’s like asking a fish to learn how to swim!

Hem! Dallben said wryly. I have never seen a fish with skinned knees, torn robe, and unshod feet. They would ill become him, as they ill become you. He set a gnarled hand gently on Eilonwy’s shoulder. Child, child, do you not see? For each of us comes a time when we must be more than what we are. He turned now to Taran. Watch over her carefully, he said. I have certain misgivings about letting you and Gurgi go with her, but if it will ease your parting, so be it.

The Princess Eilonwy shall go safely to Mona, Taran answered.

And you, said Dallben, return safely. My heart will not be at ease until you do. He embraced the girl again and went quickly into the cottage.

It had been decided that Coll would accompany them to Great Avren harbor and lead back the horses. The stout old warrior, already mounted, waited patiently. Shaggy-haired Gurgi, astride his pony, looked as mournful as an owl with a stomachache. Kaw, the tame crow, perched in unwonted silence on Taran’s saddle. Taran helped Eilonwy mount Lluagor, her favorite steed, then swung to the back of Melynlas, his silver-maned stallion.

Leaving Caer Dallben behind, the little band set out across the soft hills toward Avren. Side by side Taran and Coll rode ahead of the others to lead the way, Kaw meanwhile having made himself comfortable on Taran’s shoulder.

She never stopped talking for a moment, Taran said gloomily. Now, at least, it will be quieter in Caer Dallben.

That it will, said Coll.

And less to worry about. She was always getting into one scrape or another.

That, too, said Coll.

It’s for the best, Taran said. Eilonwy is, after all, a Princess of Llyr. It’s not as if she were only an Assistant Pig-Keeper.

Very true, said Coll, looking off toward the pale hills.

They jogged along silently for a while.

I shall miss her, Taran burst out at last, half angrily.

The old warrior grinned and rubbed his shining bald head. Did you tell her that?

Not—not exactly, faltered Taran. I suppose I should have. But every time I began talking about it I—I felt very odd. Besides, you never know what silly remark she’ll come out with when you’re trying to be serious.

It may be, replied Coll, smiling, we know least what we treasure most. But we will have more than enough to keep us busy when you come back, and you will learn, my boy, there is nothing like work to put the heart at rest.

Taran nodded sadly. I suppose so, he said.

Past midday they turned their horses to the west, where the hills began a long slope downward into the Avren valley. At the last ridge Kaw hopped from Taran’s shoulder and flapped aloft, croaking with excitement. Taran urged Melynlas over the rise. Below, the great river swung into view, wider here than he had ever seen it. Sunlight flecked the water in the sheltered curve of the harbor. A long, slender craft bobbed at the shore. Taran could make out figures aboard, hauling on ropes to raise a square, white sail.

Eilonwy and Gurgi had also ridden forward. Taran’s heart leaped; and to all the companions the sight of the harbor and the waiting vessel was like a sea wind driving sorrow before it. Eilonwy began chattering gaily, and Gurgi waved his arms so wildly he nearly tumbled from the saddle.

Yes, oh yes! he cried. Bold, valiant Gurgi is glad to follow kindly master and noble Princess with boatings and floatings!

They cantered down the slope and dismounted at the water’s edge. Seeing them, the sailors ran a plank out from the vessel to the shore. No sooner had they done so than a young man clambered onto the plank and hastened with eager strides toward the companions. But he had taken only a few paces along the swaying board when he lost his footing, stumbled, and with a loud splash pitched headlong into the shallows.

Taran and Coll ran to help him, but the young man had already picked himself up and was awkwardly sloshing his way ashore. He was of Taran’s age, with a moon-round face, pale blue eyes, and straw-colored hair. He wore a sword and a small, richly ornamented dagger in a belt of silver links. His cloak and jacket, worked with threads of gold and silver, were now sopping wet; the stranger, however, appeared not the least dismayed either by his ducking or the sodden state of his garments. Instead, he grinned as cheerfully as if nothing whatever had befallen him.

Hullo, hullo! he called, waving a dripping hand. Is that Princess Eilonwy I see? Of course! It must be!

Without further ado, and without stopping even to wring out his cloak, he bowed so low that Taran feared the young man would lose his balance; then he straightened up and in a solemn voice declared: On behalf of Rhuddlum Son of Rhudd and Teleria Daughter of Tannwen, King and Queen of the Isle of Mona, greetings to the Princess Eilonwy of the Royal House of Llyr, and to—well—to all the rest of you, he added, blinking rapidly as a thought suddenly occurred to him. I should have asked your names before I started.

Taran, taken aback and not a little vexed by this scatterbrained behavior, stepped forward and presented the companions. Before he could ask the stranger’s name, the young man interrupted.

Splendid! You must all introduce yourselves again later, one at a time. Otherwise, I might forget—oh, I see the shipmaster’s waving at us. Something to do with tides, no doubt. He’s always very concerned with them. This is the first time I’ve commanded a voyage, he went on proudly. Amazing how easy it is. All you need to do is tell the sailors …

But who are you? Taran asked, puzzled.

The young man blinked at him. Did I forget to mention that? I’m Prince Rhun.

"Prince Rhun?" Taran repeated in a tone of disbelief.

Quite so, answered Rhun, smiling pleasantly. King Rhuddlum’s my father; and, of course, Queen Teleria’s my mother. Shall we go aboard? I should hate to upset the shipmaster, for he does worry about those tides.

Coll embraced Eilonwy. When we see you again, he told her, I doubt we shall recognize you. You shall be a fine Princess.

I want to be recognized! Eilonwy cried. I want to be me!

Never fear, said Coll, winking. He turned to Taran. And you, my boy, farewell. When you return, send Kaw ahead to tell me and I shall meet you at Avren harbor.

Prince Rhun, offering his arm to Eilonwy, led her across the plank. Gurgi and Taran followed them. Having formed his own opinion of Rhun’s agility, Taran kept a wary eye on the Prince until Eilonwy was safe aboard.

The ship was surprisingly roomy and well-fitted. The deck was long, with benches for oarsmen on either side. At the stern rose a high, square shed topped by a platform.

The sailors dipped their oars and worked the vessel to the middle of the river. Coll trotted along the bank and waved with all his might. The old warrior dropped from sight as the ship swung around a bend in the ever-widening river. Kaw had flapped to the masthead and, as the breeze whistled through his feathers, he beat his wings so pridefully that he looked more like a black rooster than a crow. The shore turned gray in the distance and the craft sped seaward.

If Rhun had perplexed and vaguely irritated him at their first meeting, Taran now began to wish he had never laid eyes on the Prince. Taran had meant to speak with Eilonwy apart, for there was much in his heart he longed to tell her. Yet each time he ventured to do so, Prince Rhun would pop up as if from nowhere, his round face beaming happily, calling out, Hullo, hullo!—a greeting Taran found more infuriating each time he heard it.

Once, the Prince of Mona eagerly dashed up to show the companions a large fish he had caught—to the delight of Eilonwy and Gurgi, but not Taran; for a moment later, Rhun’s attention turned elsewhere and he hurried off, leaving Taran holding the wet, slippery fish in his arms. Another time, while leaning over the side to point out a school of dolphins, the Prince nearly dropped his sword into the sea. Luckily Taran caught it before the blade was lost forever.

After the ship reached open water Prince Rhun decided to take a hand at steering. But he no sooner grasped the tiller than it flew out of his fingers. While Rhun clutched at the wooden handle, the vessel lurched and slewed about so violently that Taran was flung against the bulwark. A water cask broke loose and went rolling down the deck, the sail flapped madly at the sudden change of course, and one bank of oars nearly snapped before the steersman regained the tiller from the undismayed Prince. The painful bump on Taran’s head did nothing to raise his esteem of Prince Rhun’s seamanship.

Although the Prince made no further attempt to steer the vessel, he climbed atop the platform where he called out orders to the crew.

Lash up the sail! Rhun shouted happily. Steady the helm!

No seaman himself, Taran nevertheless realized the sail was already tightly lashed and the craft was moving unwaveringly through the water; and he very shortly became aware that the sailors were quietly going about their task of keeping the ship on course without paying any heed whatever to the Prince.

Taran’s head ached from the bump, his jacket was still unpleasantly damp and fishy, and when at last his chance came to speak with Eilonwy he was altogether out of sorts.

Prince of Mona indeed! he muttered. He’s no more than a—a princeling, a clumsy, muddle-headed baby. Commanding the voyage? If the sailors listened to him, we’d be aground in no time. I’ve never sailed a ship, but I’ve no doubt I could do it better than he. I’ve never seen anyone so feckless.

Feckless? answered Eilonwy. He does often seem a little dense. But I’m sure he means well, and I’ve a feeling he has a good heart. In fact, I think he’s rather nice.

I suppose you do, Taran replied, all the more nettled by Eilonwy’s words. "Because he gave you his arm to lean on? A gallant, princely gesture. Lucky he didn’t pitch you over the

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