Discover millions of ebooks, audiobooks, and so much more with a free trial

Only $11.99/month after trial. Cancel anytime.

Son of the Shadows: Book Two of the Sevenwaters Trilogy
Son of the Shadows: Book Two of the Sevenwaters Trilogy
Son of the Shadows: Book Two of the Sevenwaters Trilogy
Ebook700 pages12 hours

Son of the Shadows: Book Two of the Sevenwaters Trilogy

Rating: 4.5 out of 5 stars

4.5/5

()

Read preview

About this ebook

Son of the Shadows is the sequel to Juliet Marillier's evocative first novel Daughter of the Forest.

It continues the saga of beautiful Sorcha, the courageous young woman who risked all to save her family from a wicked curse and whose love shattered generations of hate and bridged two cultures.

It is from her sacrifice that her brothers were brought home to Sevenwaters and her life has known much joy. But not all the brothers were able to escape the spell that transformed them into swans, and those who did were all more--and less--than they were before the change.

It is left to Sorcha's daughter Liadan who will take up the tale that the Sevenwaters clan is destined to fulfill. Beloved child, dutiful daughter, she embarks on a journey that opens her eyes to the wonders of the world around her...and shows her just how hard-won was the peace that she has known all her life.

Liadan will need all of her courage to help save her family, for there are forces far darker than anyone chould have guessed and ancient powers conspiring to destroy this family's peace--and their world. And she will need the strength to stand up to those she loves best, for in the finding of her own true love, Liadan's course may doom them all...or be their salvation.

At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

LanguageEnglish
Release dateApr 1, 2010
ISBN9781429913478
Son of the Shadows: Book Two of the Sevenwaters Trilogy
Author

Juliet Marillier

Juliet Marillier holds advanced degrees in music and languages, and has had a lifelong passion for both Celtic music and Irish folklore. She is the author of the internationally acclaimed Sevenwaters trilogy, Wolfskin, Foxmask and The Bridei Chronicles. She resides with her family in Perth, Western Australia.

Read more from Juliet Marillier

Related to Son of the Shadows

Titles in the series (3)

View More

Related ebooks

General Fiction For You

View More

Related articles

Reviews for Son of the Shadows

Rating: 4.516949152542373 out of 5 stars
4.5/5

118 ratings33 reviews

What did you think?

Tap to rate

Review must be at least 10 words

  • Rating: 3 out of 5 stars
    3/5
    Son of the Shadows is the second book in the Sevenwaters trilogy, and tells the story of Sorcha and Red's children. Their daughter Liadan is the narrator now and she is very like Sorcha. The story starts out similarly to the first one; Liadan is a healer like her mother and secretly takes care of a wounded outlaw. But Liadan's path is a different one than Sorcha's, and she makes choices that go against what the Fair Folk would wish. There is an older magic than that of the Tuátha Dé Danann, and it guides Liadan down a path that is outside the pattern. I think this is the weakest of the trilogy because the plot just doesn't seem as well planned and sometimes the characters are a little unrealistic. Liadan's male relations would not just quietly acquiesce when she comes home pregnant and unwed; her father wouldn't just swallow hard and say, "all right, Liadan, if that's what you want. You can always make your own choices." It's just a bit too sugary sweet. Also, I found the Painted Man's supposedly ferocious band of hardened warriors just a little too susceptible to Liadan's storytelling and sassy ways. Despite these shortcomings, there are some things I really like about this installment. Marillier deals with abuse and its aftermath for both an abused wife and a mistreated child. Its effects are lifelong and chilling. I also really liked to see a mortal working against the Fair Folk and changing her own destiny. In this story it becomes a bit clearer that the gods and goddesses certainly work their will in human events, but people are not just their pawns and can change the entire story if they dare. At one point the Bright One is frustrated "that so much should depend on them." It's a very different dynamic from that in Daughter of the Forest, where the purposes of the Fair Folk and the heroine are the same. Again, there are some explicit scenes in addition to the heavier themes of abuse and desire, and I would not recommend the series to young readers. But older readers will enjoy the complex family saga that continues in this novel, and there is something about the series that compels you to keep reading.

    1 person found this helpful

  • Rating: 5 out of 5 stars
    5/5
    This is a continuation of Daughter of the Forest, though with a new heroine, Sorcha's daughter, Liadan. The children of Sorcha and Red have grown up at Sevenwaters but still live under the shadow of the prophecy. Liadan has followed in her mother's footsteps as a healer while her sister Niamh and twin brother Sean follow their own paths. Yet, Liadan is the one who ends up with the most complicated story when she is kidnapped by a band of mercenaries. In some ways, I liked this book better than the first in the series (though I enjoyed that also). This was an entirely new story while the first is a very good take of Andersen's The Wild Swans. So I knew what was going to happen in the first but this one was more suspenseful. Liadan is resourceful and courageous, a wonderful heroine. Bran is an interesting character in so many ways, not the usual hero but perfect for Liadan. Their journey is fascinating and kept me reading long past my bedtime.While the story is set in old Ireland of the 9th-10th centuries, the author uses beautiful language to evoke the legends and stories of the various peoples settled there, whether Celts, Britons, and Vikings. This is just a lovely series for readers who like fantasy and Celtic lore.
  • Rating: 5 out of 5 stars
    5/5
    A beautiful, well-told story and a continuation of Daughter of the Forest, which was better and more heart moving. However, this book continues the story of this brave family and the cruelties they must deal with. I could not put it down.

    1 person found this helpful

  • Rating: 5 out of 5 stars
    5/5
    Really loving this series. It might be a bit slow-moving for some, but I've really enjoyed just sinking into the world and spending time with the characters.

    1 person found this helpful

  • Rating: 5 out of 5 stars
    5/5
    It took me several years to even contemplate buying this book, and several more to read it. I have such a reader-girl crush on Sorcha from the previous book, "Daughter of the Forest," that I didn't want anything to change that story.And this book brings a new story into the Sevenwaters part of Ireland, partial setting of "Daughter" and the touchpoint for where this family is part of the land. It begins with the younger daughter, a twin, of Sorcha and Red and her path that she has determined for herself: to live at Sevenwaters, perhaps marry, but continue her mother's healing tradition for the people. Of course events transpire that change her view, and also included are the continuations of the stories of Conor and Liam and even Padraig and Finbar. And of course Sorcha.This book also deals with a child's trauma and how it affects him as an adult, a young woman's trauma when she is given to a man she does not wish as her husband, and the choice to follow what the Old Ones say or to make one's own determination about one's path. Those are the overarching themes; the most immediate ones are the threat of the Painted Man and his band of hired mercenaries who can appear, kill, and disappear, and the role of the Druids and how they control the world around them.Excellent writing, well-created characters, and a good continuation of the Sevenwaters story.
  • Rating: 4 out of 5 stars
    4/5
    First off, isn't that the creepiest cover you have ever come across? The girl looks like the daughter of an alien tranvestite and Michael Jackson. Just creeps me out man.... Anyway, I finished the first book in this four-book-trilogy a couple days ago, and I got this from the library right away. I rated the first one higher, just because it was fresh. This one repeated many of the same elements as the first. For example, the narrator. She sounded exactly like Sorcha. Same selfless saint girl. Except this one cried more and had more magic stuffs. I found it a bit tiring. But, that did not stop me from getting completely absorbed in the story. I even attempted to read it on the bus one afternoon. I did enjoy this book thoroughly, and absolutely ate up all the folk lore. I am a sucker for myths. So, do I recommend this series? Absolutely. P.S. If you are touchy about sex scenes, you might want to avoid this book. There are a few.

    2 people found this helpful

  • Rating: 5 out of 5 stars
    5/5
    This was a fantastic follow-up to Daughter of the Forest, and has left me anxious to read the rest of the Sevenwaters series. Marillier's prose is lush and reverent, and her characters are as believable as they are perfectly flawed. Her blending of myth, story-telling, and drama -- not to mention magic, in just the right doses -- makes these books virtually impossible to put down once they're begun, and although some of the largest elements of the story's arc were somewhat predictable, the novel still pulled me along without fail.I will say that this book got off to a slightly slower start than the first book in the series, but within a few chapters, it still had me hooked, and so I'd absolutely recommend it. I'll also add that I think this is a series readers absolutely need to read in order if they want the full flavor of the characters, so Daughter of the Forest should be picked up before this installment.
  • Rating: 5 out of 5 stars
    5/5
    I should not have waited so long before I read Son of the shadows. This book is completely in the mold of Daughter of the forest, with a great heroine and a wonderful tale. I liked that Liadan really made her own choices: where Sorcha was being manipulated in a way (although it didn't come across as such at the time) by the fairies, Liadan defies them. Rightfully so, I think, for she was absolutely right about their attitude towards humans. It seems they were pretty stupid about how to motivate people to do something... Anyway, I really hate it when people expect you to follow their lead without a decent explanation (in books, I haven't come across it in real life...) 'Trust us, you are destroying everything if you don't do what we say, but we won't tell you how or what or anything, really'. Ugh. Liadan is courageous and not afraid to follow her own path, even if it must have been difficult to be set apart from her family because of it. I loved her connection to the Foimhore, and the revelation that there is more than just the fairies. I was not so fond of her sister, but that is sort of a setup, I guess. She is not portrayed as someone easily liked, even thought all the characters in the book apparently do like her. To me, she seemed willful, stubborn and stupid. Still, what happens to her is awful, and the decisions made by the uncles about not telling her anything again do damage that would not have been necessary. I'm glad Liadan stands up for her. In general, I really like the atmosphere of these books. I like reading about the Sevenwaters community, about the work Liadan does, about her relationships with her family, and of course with Bran and his followers. Sure, it has some traditional male-female roles, him the troubled warrior, she the healer who saves him and gives his life meaning. But it is well executed and I like that Liadan shows that there can be strength in traditional female roles as well.

    1 person found this helpful

  • Rating: 4 out of 5 stars
    4/5
    About 15 years have passed since the end of Daughter of the Forest Sorcha and Red have 3 children twins Sean & Liadan, and Niamh, Sean is being groomed to take over Sevenwaters, Liadan is a healer much like her mother and Niamh seems to be the spoiled pretty girl who will marry to further the families allies, but she has other ideas when a druid named Ciaran comes to Sevenwaters he and Niamh start a secret affair, but this will not go well and if you paid attention to ending of Daughter of the Forest you will know why this relationship cannot go on. When the family finds out about this she is sent off to marry a chieftain who may not be as good a man as the family thinks he is! Liadan is kidnapped by the mysterious and dangerous Painted Man to heal one of his brethren as she spends more time with this band of men she sees a different side of this man than she previously thought, since he won’t tell her his name she decides to call him Bran and she falls in love with him they have one night of passion and then he finds out who her father is and sends her home. As you can guess the night of passion has resulted in a child. So now you have the gist of what this installment is about.There were times I really like Liadan I liked her strength at becoming a single mother when that kind of thing was not done however I questioned her thinking when she took her baby into enemy territory to rescue Bran and his man Gull, I mean really who would do that when you have a whole house full of family and servants, so why in the world would you strap your baby on your back for a dangerous rescue mission.There are parts of this book that are very sad for lovers of the first Sevenwaters book Daughter of the Forest , including the reveals comes of just who Bran actually is and why he has such a grudge against Liadan’s father Hugh of Harrowfield, I thought this one did a great job of bringing us up to date on the characters from the first book but also moving on from them to the next generation. Rosalyn Landor narrated this one and if you follow my reviews you know she is a favorite of mine and this was no exception. As always, she does a great job with nice accents and variations between characters.4 Stars

    1 person found this helpful

  • Rating: 3 out of 5 stars
    3/5
    OK, so a lot of people told me that they loved this one better than the first one "Daughter of the Forest"...but really, even though I really liked this one, the first one felt more fairytale-ish to me. This one follows the same beautiful tale of Sevenwaters and the family that dwells in it, it did feel a little more romanticized and cliched too me.

    Just like her mother Liadan is a great female character who stops at nothing to protect her loved ones and the things she believes in.

    LOVED Bran. Absolutely exquisite imagery in his construction as a character. LOVED is band of misfits each with it's particularity.

    Things that annoyed me:



    Niamh, for a strong headed girl she sure took a tumble. I guess she drew the short end of the stick, but seriously, why didn't she fought her terrible husband?! A girl so full of life...it just didn't feel right to me.

    Ciàran, going all: "oh blood is blood and there's no fighting it", or is there? Marillier kind of left that thread hanging, guess I'll have to read the last one to find out!



    Connor and his "things will unfold as they must" ohmygod give me a break! You're whole family is in peril! I guess I'm lucky I don't have a druid for an uncle, people that speak in code drive me nuts.

    1 person found this helpful

  • Rating: 4 out of 5 stars
    4/5
    A solid sequel, though not as strongly composed as the first. Could do with a more cohesive plot. Still, good world-building and a necessary lead-in to the third book. Four stars.
  • Rating: 4 out of 5 stars
    4/5
    I adored Daughter of the Forest, and since I know a lot of people consider Son of the Shadows to be the best of the Sevenwaters trilogy I was prepared to be blown away. At first I was. The heroine, Liadan, is Sorcha's youngest daughter, so from the first page it was wonderful to visit Sorcha and Red and see them as the happy couple and loving, supportive parents that they were so clearly going to become. Liadan is wonderful, and her story kicks into gear when she's kidnapped by a band of mercenaries for her healing skills. This whole section of the book completely stole my heart.

    Mariller weaves elements of fairy tales into her books, and for a while I felt like I'd been transported into Neverneverland, and Liadan was Wendy among the Lost Boys - only, this time, Wendy and Peter Pan get to hook up. The Painted Man, Bran, is half-savage, damaged but infinitely competent and self-controlled. He's so easy to fall in love with and root for.

    But here's the thing. I'm not the kind of person who intentionally buys books that will have me in tears over and over again (once is fine, more than that and I start to feel exploited and/or masochistic), and Son of the Shadows made me cry and cry and cry. Once Liadan goes home to Sevenwaters, she and Bran don't get to see one another very often so the fun romantic elements become less prominent. Instead, we get one heartbreak after another. A lot of people die in Son of the Shadows. A lot of people suffer terribly at the hands of others. A lot of people are really, really sad.

    In Daughter of the Forest, Sorcha had a painful task and it was vividly described, but she pursued it out of love. And the love between Sorcha and Red was strongest, and most poignant, during Sorcha's darkest hours, when she needed it most. Liadan has no task, but she is surrounded by violent people. Bran is himself a very violent man who has committed many murders, and maybe just to make him look a little bit better by contrast, a lot of other male characters in the novel are also revealed as hardened killers. Son of the Shadows is a LOT bloodier than the first book, and there's a lot of collateral damage. There's a lot of torture and rape and cruelty and theft. It just got really hard for me to read, because I knew that every time I turned the page as likely as not I would encounter some new painful event that would make me cry again.

    So Son of the Shadows is beautifully written, and painful as it was I could hardly put it down. But I don't think you could pay me to read it again. It's good, and I'd recommend it, but with a pretty strong caveat: if you are the type of person who cries when you read sad things, keep a box of tissues handy and don't take this book onto the subway.

    1 person found this helpful

  • Rating: 3 out of 5 stars
    3/5
    This is my fifth book by Marillier and I still can't tell her narrators apart worth for toffee. That and the fact that I felt the romance was rather predictable kept the narrative from coming alive for me. T_T I want to love Marillier's work. She's an incredibly talented storyteller. I love the story in this book. I love the way Marillier weaves stories together and through one another and juggle different strands and situations and subplots. I love the relationships she sketches between the characters and the world she's built. I wish I had even a quarter of Marillier's skill as a storyteller.But I read this book and it remained a story. It never came alive and it's all because, as much as I love her stories, I don't click with her style. T-T I am sad!More usefully, you don't need to have read Daughter of the Forest to make sense of this book, but since the plot and character relationships are heavily influenced by the events of DotF (and pretty much spoils about 90% of that book) I do recommend you read that first and hold off on reading this for a short while. Marillier doesn't infodump the events and only recaps where appropriate, but if you recall enough of DotF's plot it may come across as infodumpy anyway and that's a shame. The book stands on its own exceptionally well and I'd happily recommend it to people.

    1 person found this helpful

  • Rating: 5 out of 5 stars
    5/5
    The second book in the Sevenwaters Trilogy is the story of Sorcha and Red's third child, Liadan. In book one Sorcha overthrew the evil enchantment that turned her six brothers into swans. In this second installment, New Zealand author Juliet Mariller's tale contains the Painted Man, Druids, festivals, secret affairs, sacred islands, birth, death, kidnapping and healing. There are characters from Irish Mythology and Celtic festivals woven into this fantastic story. Wonderful!

    1 person found this helpful

  • Rating: 5 out of 5 stars
    5/5
    The second book in the Sevenwaters Trilogy is the story of Sorcha and Red's third child, Liadan. In book one Sorcha overthrew the evil enchantment that turned her six brothers into swans. In this second installment, New Zealand author Juliet Mariller's tale contains the Painted Man, Druids, festivals, secret affairs, sacred islands, birth, death, kidnapping and healing. There are characters from Irish Mythology and Celtic festivals woven into this fantastic story. Wonderful!

    1 person found this helpful

  • Rating: 5 out of 5 stars
    5/5
    This book was excellent. Brilliant love story. So much was woven into the fabric of the story. True love, betrayal, despair, longing and hope. There were many secrets that needed to be uncovered, three of which I guessed correctly. I love how the main character never gave up and was bold in the face of death. So incredible. This story was in many ways more three dimensional than the first book in the trilogy. Every individual story line wove together to make a rich tapestry. The story was a little anti-climatic at the end but it was a happy ending with more to build on. I will be interested to see how the last book plays out. I wonder that the fair folk aren't as fair as they may seem and the truly the old ones are the good guys.
  • Rating: 4 out of 5 stars
    4/5
    Son of the Shadows may be the second book of the Sevenwaters series, but it is not a direct sequel. Instead, the story follows the youngest daughter of Sorcha, the brave young woman in Daughter of the Forest who was set upon a quest to save her six older brothers from a terrible curse – and succeeded. Liadan proves to be just as resourceful as her mother when she is abducted by outlaws on the road, managing to maneuver her way out of the dilemma by offering her healing services to an injured member of the group. This is also how she meets the Painted Man, the leader of the band known to be a cold and heartless killer.Despite it not being a direct sequel, it is still perhaps necessary to read Daughter of the Forest first before tackling Son of the Shadows. Threads from the first book’s story carry over to this one, and if you aren’t familiar with them it is easy to become confused or lost. In fact, as someone who jumped into this book right after reading the first one, I still feel like I’m missing something. The meddling Fae are back, reminding us that there is still a prophecy to be fulfilled and a darkness to vanquish. Sorcha may have set Sevenwaters on the right path, but it is up to Liadan to take up the mantle now and continue what her mother started. However, nothing really develops in the grander scheme of things; we don’t get to see the great evil rear its ugly head even once in this novel, and I’m not sure if the Fair Folk’s prophecy progresses that much at all.For all that, Son of the Shadows was an enjoyable read, almost as much as Daughter of the Forest. It does lack a bit of the cohesion I found in the first book, which had a clear direction given how it was a very faithful retelling of a well-known fairy tale. Marillier plays around more with her characters and plot with this one, having freer reign to do as she pleases with the story. For one thing, the romance here is much heavier and more in the forefront. Liadan and the Painted Man fall swiftly for each other, whereas Sorcha’s relationship in the previous book was a much slower burn. The love story elements are more overt and in your face this time around and doesn’t come across as naturally, but it’s still very deep and full of passion.Still, it’s an excellent follow up and a worthy addition to the saga of Sevenwaters, which looks to have more in store. It’s clear now that there’s a lot more to the narrative, and the effects aren’t going to be limited to just a few characters. Instead, multiple generations in the same bloodline will be touched forever. Son of the Shadows is different from the first book, but in a good way. And it doesn’t stray too far from the overall themes that I’ve come to appreciate about this series, mainly the fairy tale and mythological undertones to the setting and story. And of course, Marillier’s writing is beautiful as always.This book is put together slightly less elegantly and doesn’t tread as lightly as its predecessor, but I still loved it.
  • Rating: 5 out of 5 stars
    5/5
    Liadan of Sevenwaters, youngest daughter of Sorcha and Hugh (formerly of Harrowfield), twin to Sean, and little sister to Niamh, would be happy to spend her whole life in the lovely lands of Sevenwaters, helping out with the household. However, when a series of increasingly confounding events occur, and people began whispering furtively about the reawakening of a curse, or the fulfillment of an old prophecy, and Liadan is kidnapped by a band of skilled but not-quite-merciless mercenaries, she begins to realize that her destiny may lie beyond the simple household workings of Sevenwaters after all.I had heard that, while the first book in the Sevenwaters series, Daughter of the Forest, was pretty good, the second book, SON OF THE SHADOWS, would blow me away. I admit to a bit of good-natured skepticism when I was told this. Okay, yes, Daughter of the Forest was good, but it’s still the same author writing the second book, which is set in the same world, and has similar characters with similar problems, right? But no, somehow, miraculously, in an act that seems to defy the unstated law of sequels (“Thou shalt never be good as the first book”), SON OF THE SHADOWS is an astounding original work of fantasy that sweeps the literary awards in the categories of characters, plot, pacing, and readers’ emotional investment.Daughter of the Forest was constrained by it being a retelling, albeit a lush and engaging retelling of one of my favorite fairy tales, melancholy and terrifying and inspiring and heartbreaking all at the same time. However, Marillier hits her writing prowess out of the ballpark when she strays away from the retelling and makes the world she created fully her own. SON OF THE SHADOWS has everything a die-hard fantasy fan will want from a fantasy: a strong protagonist, an epic romance, complex political dynamics, nasty villains. Daughter of the Forest focuses more on Sorcha and her difficult journey to break the curse set on her brothers, whereas in SON OF THE SHADOWS, Marillier takes her time in exploring and expanding the world in and around Sevenwaters. In this book, we can feel the motions of the operations of an estate: its fluid routine under strong leadership, and its heart-wrenching struggles when the leadership is being bombarded by political manipulations and betrayals.I love that the delicate nature of political relationships is explored so thoroughly in this book. Liadan, Sean, and Niamh being children related to the “lord of the manor,” it is inevitable that their destinies would involve how Sevenwaters’ relations with its neighbors and strategic allies must evolve. The lovely thing about this being the second book in the series is that we can already sympathize with Liadan’s parents, Sorcha and “Red,” from reading about them in the first book; thus, they never end up assuming the “antagonist parent” role. So much of this book revolves around the Sevenwaters’ inhabitants’ political relationships with others: Liadan and neighboring lord Eamonn, Niamh and her unhappy strategic marriage to an ally, and so on. I found it utterly engrossing how Marillier deftly weaves these complex strings of human desires and ambitions so that no one is entirely good, no one entirely bad.But I haven’t even gotten to what may arguably be the best part of the book yet! Liadan’s and Bran’s romance is…epic. There is no other word for it. It sweeps you off your feet in a violent whoosh and keeps you dizzily, giddily swinging through the air, all the while knowing that you are safe, because the person holding onto you is one whom you can trust with your life. That was what it felt like for me when I was reading about their romance. Liadan and Bran: such seemingly incompatible people at first, and yet they share the same values, both have the same good intentions and dreams that they must fight and fight and fight in order to achieve. So they—and I, as the reader—are swept away with the unexpectedness of their connection to one another; and then the incredible trials they must go through in order to have even the barest hope of being happy together is the dizzy, giddy part, pulling the reader along in great breathless gasps, desperate that things might work out for the characters. Finally, no matter how dizzy and breathless and gut-wrenched you may feel along the way, you know that you are safe, because Liadan and Bran are both such fundamentally good, strong, and loving people—even if their life situations do not allow for them to show it—that you can believe that they are, without a doubt, absolutely right for one another, against all the odds.Whew! I think I’m gonna stop there with the review. The more I write, the more I realize I don’t think I have the words to express how phenomenal my reading experience of SON OF THE SHADOWS was. Just…just read the series. Read this book.
  • Rating: 5 out of 5 stars
    5/5
    This is my favorite book in the series. I love the strong lead female character, and I can't help but fall in love with Bran. The book is a beautiful telling of love, courage, and hope, as are many of the books written by Juliet Marillier.
  • Rating: 4 out of 5 stars
    4/5
    Son of the Shadows by Juliet Marillier is the second book in the Sevenwaters Series. I have been anticipating this book for some time, as I have loved all the other Juliet Marillier books I have read. This book carries on the story of the family that dwells at Sevenwaters, and they are recovering from the curse that was put upon them in the first book. Even though they have had years of peace and prosperity, still hanging over their heads is a prophecy of what is yet to come.Juliet Marillier draws on the history of the Celts and using their legends and traditions, develops a magical, romantic story of Liadan and Bran, the Painted Man. With dark forces and ancient powers circling ever closer, Liadan comes into her full power to ensure the safely of her family and loved ones. A beautifully written historical fantasy that was a very satisfactory read. Most of the immediate story plots were attended to, but of course this is only book two of a five book series, so not everything has been brought to a conclusion. I am looking forward to continuing this saga, and finding out what happens next.
  • Rating: 4 out of 5 stars
    4/5
    Earlier today I reviewed Daughter of the Forest, which I called my favorite fairy tale retelling of all time (and one of my favorite books, period.); Son of the Shadows is the 2nd book of the series, and I was a little hesitant to read it because it follows Sorcha and Red's children (meaning Sorcha and Red would be older and shuffled off out of the picture, and I just wasn't ready for that), and I'd heard that the series starts to go down hill after the first book. And though this did lack some of the magic of Daughter of the Forest, I certainly wouldn't say that Son of the Shadows is the point where the series starts to go downhill.It's strange, though: some of my favorite things about the book are also some of my complaints. So I'm just going to get right into it. And, um, there will be slight spoilers.I liked the way Son of the Shadows expanded the mythology of Sevenwaters (and Ireland) by incorporating the Old Ones and giving the fey a run for their money. They were an interesting element, and I really liked it. They world and mythology was also expanded in that there are characters from around the world. The Painted Men were fascinating, and going behind the scenes with the "bad guys" and feeling pity for them, sometimes even rooting for them - it was interesting, because it was hard to know where to lay your allegiance. (Which I think was a good thing, because it puts you more in Liadan's mind, who is having a similar problem.)But when I first started SotS, I was more than a little worried that it was going to be a lukewarm rehashing of DOTF, covering the same ground with "new" characters, and trying to recapture the magic. And there were times that I felt this did sort of peek through, or Liadan did come close to being Sorcha, especially in the beginning, before she began to distinguish herself. But as it went along, the similarities faded and Liadan became her own character, and I liked her for it. She was much more willful than her mother, and even sort of brazen, which is not something I would call Sorcha. Where Sorcha took her lot in life and struggled to make the most of it, Liadan went after what she wanted, even when it was sometimes incredibly reckless. Their similarities (beyond both being healers and respected members of their community - and unwittingly enchanting every man who crossed their path) was in the lengths they would go to for those they loved. There didn't seem to be anything they wouldn't risk, which is complicated when the people you love require contradicting things of you. While I'm on the topic of love, I do want to talk about the...romance between Liadan and Bran. I have a friend (the one who recommended the books to me in the first place) who likes Bran more than Red, and that I just don't get. Maybe it's the tortured soul thing, maybe it's whatever it is in women that makes them like bad boys, but as much as I liked Bran as a character, and even as a love interest (at times), I would never in a million years compare their romance to Sorcha's and Red's, or claim to like anyone more. (Red 4eva!) I did like Liadan and Bran together, and I liked his slow transformation into someone worthy of being liked. There was an honesty to the situation, and an acceptance that people aren't perfect (and perhaps Bran was a good foil to Liadan's somewhat Mary Sue character). I sometimes felt as if I was reading the story that would have been if Sorcha had ended up with Simon instead of going to England and meeting Red. That was interesting - but it never gave me butterflies the way that DOTF did. I loved it, and I looked forward to the scenes where they were together, even if only briefly, and that's high-praise, really. But I just can't get crazy fangirly on this one. I loved both characters and found them intriguing, but they were also frustrating and the beauty of the build-up and discovery just wasn't there. It would come SO CLOSE and then just not go all the way*. I liked them, almost even loved them, but they weren't quite magic. Sorcha and Red were magic.*But they did. Boy, did they.There were other things that worked but didn't work for me, too. I liked the darkness of the story which, as dark as DOTF was, I think actually went a little darker. There were dark moments in DOTF, and a villain or two, but it was overpowered by so much valiance and righteousness and love. SotS shows us how even some of the good guys get corrupted. Times are changing in Liadan's world, and mostly not for the better. There is a lot of darkness and mistrust and loneliness and violence, all compounded on one another. And though I liked this, sometimes it was just too much. I don't mean this from a "too much for my delicate sensibilities" standpoint, because I don't have those. I mean, sometimes it was just too much: Eammon could have been a cartoon villain, twirling his curly mustache at the end. And though there were times I loved his obsessive need for control and his callousness, and there were times that I could see it crack and even feel pity for him, there were also times when I was just wanted to be done with him.But the fact is, there was never anything bad enough in this book to keep me from recommending it, or even loving it. I'm just holding it up to the impossibly high standard Daughter of the Forest set. And for those of you who are fans of DOTF but haven't read this one yet, allow me to tease you with this:There's more Finbar!! I truly loved his role in this book, and his connection to Liadan. It expanded her character and his quite nicely.Do yourself a favor and pick up Daughter of the Forest and Son of the Shadows. Trust me.
  • Rating: 5 out of 5 stars
    5/5
    I finished this last night. Late. Last. Night. This book was fantastic. Juliet Marillier continues as she did with book #1 in this series with a writing style that captivates me. Her characters have such depth and variety.The love shared between Liadan and Bran just made me weep as did a scene involving Bran as a youth. So did one of the later scenes involving Sorcha and Red who are from book one and parents to Liadan.*sigh* I tend to forget alot of what I've read as time progresses. I don't think that will happen with this one.Highly recommended but do read book #1 first as the story in #2 is heavily connected with it.
  • Rating: 5 out of 5 stars
    5/5
    This book was just as captivating as "Daughter of the Forest"- Liadan drew me in. I love the healer who heals body and mind both. Bran was captivating, and even his band were endearing. Yes, tattoos are hot. I guessed at many things before the characters did, but I had more knowledge than they.
  • Rating: 5 out of 5 stars
    5/5
    After I read the first one, I though it would be my favorite of the saga no matter what, but as soon as I read this one, I realized I was wrong. Son of the Shadows is clearly my favorite. I really love the main-characters, specially Liadan. She's such a strong, selfless young woman.
  • Rating: 4 out of 5 stars
    4/5
    It has been a while since I'd read the first book in this series, and I don't remember it well, so I can't comment on how this volume compares to the first. I had a bit of difficulty getting into the story early on, nothing serious, but it felt a little slow. Once things got going, however, I was hooked. I really enjoyed the book and I like the way the author wove the various fairy tales she references into the Irish mythology. I think my favorite aspect of this book was the storytelling that several characters did; their storytelling voices rang true and strong and really added to the atmosphere.
  • Rating: 3 out of 5 stars
    3/5
    Well...this book was not as enjoyable as the first one. I have to say that the characters were not all that admirable. The whole idea of "I'll do whatever I want" doesn't really appeal to me. I hated how the characters from the first book, that appeared in this story, were weaker versions of themselves. The relationships were more superficial in this story as opposed to the first story. I'm a bit disappointed. I won't be reading the last book in the trilogy.
  • Rating: 4 out of 5 stars
    4/5
    Even though I read the first part of this trilogy over 2 years ago, it did not take me long to get right back "in" to this world. The characters are rich and vibrant and easily pull you in especially when you bring in the hints of magick and the links to the "first ones"I couldn't remember too much of the details from book 1 (and sadly did not review it here) but I was a little concerned at first between the similarities of what Liadan was facing and what her mother Sorcha had faced before. However, that similarity was subtle and before long I was so caught up and enjoying my time in and around Sevenwaters that nothing could distract me.I am still amazed at how 'real' this world felt and how comfortable I was walking around in it. The triumphs, the tragedies, the strategies, all given through Liadan's eyes made it as personal to me as it was to her.I definitely will not be waiting 2 years to read book 3! That one will follow in the next few months! :)
  • Rating: 5 out of 5 stars
    5/5
    A fabulous, wonderfully written story -- the kind that stays with you long after you've put down the book. Marillier is a master storyteller, and this book is one of her shining gems. The language is beautiful. The characters are fantastic yet realistic. The plot compels you to keep turning pages. And the cultural/historical references add authenticity. I can't say enough good things about this book.
  • Rating: 4 out of 5 stars
    4/5
    Liked the main character a little better than Sorcha in Daughter of the Forest. A good slow fairy tale type of book. Reminds me of Robin McKinley's less quirky, more serious books (Beauty or Deerskin maybe).
  • Rating: 3 out of 5 stars
    3/5
    Son of the Shadows is the second book in the Sevenwaters trilogy, and tells the story of Sorcha and Red's children. Their daughter Liadan is the narrator now and she is very like Sorcha. The story starts out similarly to the first one; Liadan is a healer like her mother and secretly takes care of a wounded outlaw. But Liadan's path is a different one than Sorcha's, and she makes choices that go against what the Fair Folk would wish. There is an older magic than that of the Tuátha Dé Danann, and it guides Liadan down a path that is outside the pattern. I think this is the weakest of the trilogy because the plot just doesn't seem as well planned and sometimes the characters are a little unrealistic. Liadan's male relations would not just quietly acquiesce when she comes home pregnant and unwed; her father wouldn't just swallow hard and say, "all right, Liadan, if that's what you want. You can always make your own choices." It's just a bit too sugary sweet. Also, I found the Painted Man's supposedly ferocious band of hardened warriors just a little too susceptible to Liadan's storytelling and sassy ways. Despite these shortcomings, there are some things I really like about this installment. Marillier deals with abuse and its aftermath for both an abused wife and a mistreated child. Its effects are lifelong and chilling. I also really liked to see a mortal working against the Fair Folk and changing her own destiny. In this story it becomes a bit clearer that the gods and goddesses certainly work their will in human events, but people are not just their pawns and can change the entire story if they dare. At one point the Bright One is frustrated "that so much should depend on them." It's a very different dynamic from that in Daughter of the Forest, where the purposes of the Fair Folk and the heroine are the same. Again, there are some explicit scenes in addition to the heavier themes of abuse and desire, and I would not recommend the series to young readers. But older readers will enjoy the complex family saga that continues in this novel, and there is something about the series that compels you to keep reading.

Book preview

Son of the Shadows - Juliet Marillier

Chapter One

My mother knew every tale that was ever told by the firesides of Erin, and more besides. Folks stood hushed around the hearth to hear her tell them after a long day’s work, and marveled at the bright tapestries she wove with her words. She related the many adventures of Cú Chulainn the hero, and she told of Fionn mac Cumhaill, who was a great warrior and cunning with it. In some households, such tales were reserved for men alone. But not in ours, for my mother made a magic with her words that drew all under its spell. She told tales that had the household in stitches with laughter, and tales that made strong men grow quiet. But there was one tale she would never tell, and that was her own. My mother was the girl who had saved her brothers from a sorceress’s curse, and nearly lost her own life doing it. She was the girl whose six brothers had spent three long years as creatures of the wild, and had been brought back only by her own silence and suffering. There was no need for telling and retelling of this story, for it had found a place in folks’ minds. Besides, in every village there would be one or two who had seen the brother who returned, briefly, with the shining wing of a swan in place of his left arm. Even without this evidence, all knew the tale for truth; and they watched my mother pass, a slight figure with her basket of salves and potions, and nodded with deep respect in their eyes.

If I asked my father to tell a tale, he would laugh and shrug and say he had no skill with words, and besides he knew but one tale, or maybe two, and he had told them both already. Then he would glance at my mother, and she at him, in that way they had that was like talking without words, and then my father would distract me with something else. He taught me to carve with a little knife, and he taught me how to plant trees, and he taught me to fight. My uncle thought that more than a little odd. All right for my brother Sean, but when would Niamh and I need skills with our fists and our feet, with a staff or a small dagger? Why waste time on this. when there were so many other things for us to learn?

No daughter of mine will go beyond these woods unprotected, my father had said to my Uncle Liam. Men cannot be trusted. I would not make warriors of my girls, but I will at least give them the means to defend themselves. I am surprised that you need ask why. Is your memory so short?

I did not ask him what he meant. We had all discovered, early on, that it was unwise to get between him and Liam at such times.

I learned fast. I followed my mother around the villages, and was taught how to stitch a wound and fashion a splint and doctor the croup or nettle rash. I watched my father, and discovered how to make an owl and a deer and a hedgehog out of a piece of fine oak. I practiced the arts of combat with Sean, when he could be cajoled into it, and perfected a variety of tricks that worked even when your opponent was bigger and stronger. It often seemed as if everyone at Sevenwaters was bigger than me. My father made me a staff that was just the right size, and he gave me his little dagger for my own. Sean was quite put out for a day or so. But he never harbored grudges. Besides, he was a boy, and had his own weapons. As for my sister, Niamh, you never could tell what she was thinking.

Remember, little one, my father told me gravely, this dagger can kill. I hope you need never employ it for such a purpose; but if you must, use it cleanly and boldly. Here at Sevenwaters you have seen little of evil, and I hope you will never have to strike a man in your own defense. But one day you may have need of this, and you must keep it sharp and bright, and practice your skills against such a day.

It seemed to me a shadow came over his face, and his eyes went distant as they did sometimes. I nodded silently and slipped the small, deadly weapon away in its sheath.

These things I learned from my father, whom folk called Iubdan, though his real name was different. If you knew the old tales, you recognized this name as a joke, which he accepted with good humor. For the Iubdan of the tales was a tiny wee man, who got into strife when he fell into a bowl of porridge, though he got his own back later. My father was very tall and strongly built, and had hair the color of autumn leaves in afternoon sun. He was a Briton, but people forgot that. When he got his new name he became part of Sevenwaters, and those who didn’t use his name called him the Big Man.

I’d have liked a bit more height myself, but I was little, skinny, dark haired, the sort of girl a man wouldn’t look twice at. Not that I cared. I had plenty to occupy me without thinking that far ahead. It was Niamh they followed with their eyes, for she was tall and broad shouldered, made in our father’s image, and she had a long fall of bright hair and a body that curved generously in all the right places. Without even knowing it, she walked in a way that drew men’s eyes.

That one’s trouble, our kitchen woman Janis would mutter over her pots and pans. As for Niamh herself, she was ever critical.

Isn’t it bad enough being half Briton, she said crossly, without having to look the part as well? See this? She tugged at her thick plait, and the red-gold strands unraveled in a shining curtain. Who would take me for a daughter of Sevenwaters? I could be a Saxon with this head of hair! Why couldn’t I be tiny and graceful like Mother?

I studied her for a moment or two as she began to wield the hairbrush with fierce strokes. For one so displeased with her appearance, she did spend rather a lot of time trying out new hairstyles and changing her gown and ribbons.

Are you ashamed to be the daughter of a Briton? I asked her.

She glared at me. That’s so like you, Liadan. Always come straight out with it, don’t you? It’s all very well for you; you’re a small copy of Mother yourself, her little right hand. No wonder Father adores you. For you it’s simple.

I let her words wash over me. She could be like this at times, as if there were too many feelings inside her and they had to burst out somewhere. The words themselves meant nothing. I waited.

Niamh used her hairbrush like an instrument of punishment. Sean, too, she said, glaring at herself in the mirror of polished bronze. Did you hear what Father called him? He said, he’s the son Liam never had. What do you think of that? Sean fits in; he knows exactly where he’s going. Heir to Sevenwaters, beloved son with not one but two fathers—he even looks the part. He’ll do all the right things—wed Aisling, which will make everyone happy, be a leader of men, maybe even the one who wins the Islands back for us. His children will follow in his footsteps, and so on, and so on. Brighid save me, it’s so tedious! It’s so predictable.

You can’t have it both ways, I said. Either you want to fit in, or you don’t. Besides, we are the daughters of Sevenwaters, like it or not. I’m sure Eamonn will wed you gladly when it’s time, golden hair or no. I’ve heard no objections from him.

Eamonn? Huh! She moved to the center of the room, where a shaft of light struck gold against the oak boards of the floor, and in this spot she began slowly to turn, so that her white gown and her brilliant shining hair moved around her like a cloud. Don’t you long for something different to happen, something so exciting and new it carries you along with it like a great tide, something that lets your life blaze and burn so the whole world can see it? Something that touches you with joy or with terror, that lifts you out of your safe, little path and onto a great, wild road whose ending nobody knows? Don’t you ever long for that, Liadan? She turned and turned, and she wrapped her arms around herself as if this were the only way she could contain what she felt.

I sat on the edge of the bed, watching her quietly. After a while I said, You should take care. Such words might tempt the Fair Folk to take a hand in your life. It happens. You know Mother’s story. She was given such a chance, and she took it; and it was only through her courage, and Father’s, that she did not die. To survive their games you must be very strong. For her and for Father the ending was good. But that tale had losers as well. What about her six brothers? Of them, but two remain, or maybe three. What happened damaged them all. And there were others who perished. You would be better to take your life one day at a time. For me, there is enough excitement in helping to deliver a new lamb, or seeing small oaks grow strong in spring rains. In shooting an arrow straight to the mark, or curing a child of the croup. Why ask for more when what we have is so good?

Niamh unwrapped her arms and ran a hand through her hair, undoing the work of the brush in an instant. She sighed. You sound so like Father you make me sick sometimes, she said, but the tone was affectionate enough. I knew my sister well. I did not let her upset me often.

I’ve never understood how he could do it, she went on. Give up everything, just like that: his lands, his power, his position, his family. Just give it away. He’ll never be master of Sevenwaters, that’s Liam’s place. His son will inherit, no doubt; but Iubdan, all he’ll be is ‘the Big Man’, quietly growing his trees and tending his flocks, and letting the world pass him by. How could a real man choose to let life go like that? He never even went back to Harrowfield.

I smiled to myself. Was she blind that she did not see the way it was between them, Sorcha and Iubdan? How could she live here day by day, and see them look at one another, and not understand why he had done what he had done? Besides, without his good husbandry, Sevenwaters would be nothing more than a well-guarded fortress. Under his guidance our lands had prospered. Everyone knew we bred the best cattle and grew the finest barley in all of Ulster. It was my father’s work that enabled my Uncle Liam to build his alliances and conduct his campaigns. I didn’t think there was much point explaining this to my sister. If she didn’t know it by now, she never would.

He loves her, I said. It’s as simple as that. And yet, it’s more. She doesn’t talk about it, but the Fair Folk had a hand in it all along. And they will again.

Finally, Niamh was paying attention to me. Her beautiful blue eyes narrowed as she faced me. Now you sound like her, she said accusingly. About to tell me a story, a learning tale.

I’m not, I said. You aren’t in the mood for it. I was just going to say, we are different, you and me and Sean. Because of what the Fair Folk did, our parents met and wed. Because of what happened, the three of us came into being. Perhaps the next part of the tale is ours.

Niamh shivered as she sat down beside me, smoothing her skirts over her knees.

Because we are neither of Britain nor of Erin, but at the same time both, she said slowly. You think one of us is the child of the prophecy? The one who will restore the Islands to our people?

I’ve heard it said. It was said a lot, in fact, now that Sean was almost a man, and shaping into as good a fighter and a leader as his Uncle Liam. Besides, the people were ready for some action. The feud over the Islands had simmered since well before my mother’s day, for it was long years since the Britons had seized this most secret of places from our people. Folk’s bitterness was all the more intense now, since we had come so close to regaining what was rightfully ours. For when Sean and I were children, not six years old, our Uncle Liam and two of his brothers, aided by Seamus Redbeard, had thrown their forces into a bold campaign that went right to the heart of the disputed territory. They had come close, achingly close. They had touched the soil of Little Island and made their secret camp there. They had watched the great birds soar and wheel above the Needle, that stark pinnacle lashed by icy winds and ocean spray. They had launched one fierce sea attack on the British encampment on Greater Island, and at the last they had been driven back. In this battle perished two of my mother’s brothers. Cormack was felled by a sword stroke clean to the heart and died in Liam’s arms. And Diarmid, seeking to avenge his brother’s loss, fought as if possessed and at length was captured by the Britons. Liam’s men found his body later, floating in the shallows as they launched their small craft and fled, out-numbered, exhausted, and heartsick. He had died from drowning, but only after the enemy had had their sport with him. They would not let my mother see his body when they brought him home.

These Britons were my father’s people. But Iubdan had no part in this war. He had sworn, once, that he would not take arms against his own kind, and he was a man of his word. With Sean, it was different. My Uncle Liam had never married, and my mother said he never would. There had been a girl once that he had loved. But the enchantment fell on him and his brothers. Three years is a long time when you are only sixteen. When at last he came back to the shape of a man, his sweetheart was married and already the mother of a son. She had obeyed her father’s wishes, believing Liam was dead so he would not take on a wife. And he needed no son of his own, for he loved his nephew as fiercely as any father could and brought him up, without knowing it, in his own image. Sean and I were the children of a single birth, he just slightly my elder. But at sixteen he was more than a head taller, close to being a man, strong of shoulder, his body lean and hard. Liam had ensured he was expert in the arts of war. As well, Sean learned how to plan a campaign, how to deliver a fair judgment, how to understand the thinking of ally and enemy alike. Liam commented sometimes on his nephew’s youthful impatience. But Sean was a leader in the making; nobody doubted that.

As for our father, he smiled and let them get on with it. He recognized the weight of the inheritance Sean must one day carry. But he had not relinquished his son. There was time, as well, for the two of them to walk or ride around the fields and byres and barns of the home farms, for Iubdan to teach his son to care for his people and his land as well as to protect them. They spoke long and often, and held each other’s respect. Only I would catch Mother sometimes, looking at Niamh and looking at Sean and looking at me, and I knew what was troubling her. Sooner or later, the Fair Folk would decide it was time: time to meddle in our lives again, time to pick up the half-finished tapestry and weave a few more twisted patterns into it. Which would they choose? Was one of us the child of the prophecy, who would at last make peace between our people and the Britons of Northwoods and win back the islands of mystic caves and sacred trees? Myself, I rather thought not. If you knew the Fair Folk at all, you knew they were devious and subtle. Their games were complex; their choices never obvious. Besides, what about the other part of the prophecy, which people seemed to have conveniently overlooked? Didn’t it say something about bearing the mark of the raven? Nobody knew quite what that meant, but it didn’t seem to fit any of us. Besides, there must have been more than a few misalliances between wandering Britons and Irish women. We could hardly be the only children who bore the blood of both races. This I told myself; and then I would see my mother’s eyes on us, green, fey, watchful, and a shiver of foreboding would run through me. I sensed it was time: time for things to change again.


That spring we had visitors. Here in the heart of the great forest, the old ways were strong despite the communities of men and women that now spread over our land, their Christian crosses stark symbols of a new faith. From time to time, travelers would bring across the sea tales of great ills done to folk who dared keep the old traditions. There were cruel penalties, even death, for those who left an offering, maybe, for the harvest gods or thought to weave a simple spell for good fortune or use a potion to bring back a faithless sweetheart. The druids were all slain or banished over there. The power of the new faith was great. Backed up with a generous purse and with lethal force, how could it fail?

But here at Sevenwaters, here in this corner of Erin, we were a different breed. The holy fathers, when they came, were mostly quiet, scholarly men who debated an issue with open minds and listened as much as they spoke. Among them, a boy could learn to read in Latin and in Irish, and to write a clear hand, and to mix colors and make intricate patterns on parchment or fine vellum. Amongst the sisters, a girl might learn the healing arts or how to chant like an angel. In their houses of contemplation there was a place for the poor and dispossessed. They were, at heart, good people. But none from our household was destined to join their number. When my grandfather went away and Liam became lord of Sevenwaters, with all the responsibilities that entailed, many strands were drawn together to strengthen our household’s fabric. Liam rallied the families nearby, built a strong fighting force, became the leader our people had needed so badly. My father made our farms prosperous and our fields plentiful as never before. He planted oaks where once had been barren soil. As well, he put new heart into folk who had drawn very close to despair. My mother was a symbol of what could be won by faith and strength, a living reminder of that other world below the surface. Through her they breathed in daily the truth about who they were and where they came from, the healing message of the spirit realm.

And then, there was her brother Conor. As the tale tells, there were six brothers. Liam I have told of, and the two who were next to him in age, who died in the first battle for the Islands. The youngest, Padriac, was a voyager, returning but seldom. Conor was the fourth brother, and he was a druid. Even as the old faith faded and grew dim elsewhere, we witnessed its light glowing ever stronger in our forest. It was as if each feast day, each marking of the passing season with song and ritual, put back a little more of the unity our people had almost lost. Each time, we drew one step closer to being ready—ready again to reclaim what had been stolen from us by the Britons long generations since. The Islands were the heart of our mystery, the cradle of our belief. Prophecy or no prophecy, the people began to believe that Liam would win them back; or if not him, then Sean, who would be lord of Sevenwaters after him. The day drew closer, and folk were never more aware of it than when the wise ones came out of the forest to mark the turning of the season. So it was at Imbolc, the year Sean and I were sixteen, a year burned deep in my memory. Conor came, and with him a band of men and women, some in white, and some in the plain homespun robes of those still in their training, and they made the ceremony to honor Brighid’s festival deep in the woods of Sevenwaters.

They came in the afternoon, quietly as usual. Two very old men and one old woman, walking in plain sandals up the path from the forest. Their hair was knotted into many small braids, woven about with colored thread. There were young folk wearing the homespun, both boys and girls; and there were men of middle years, of whom my Uncle Conor was one. Come late to the learning of the great mysteries, he was now their leader, a pale, grave man of middle height, his long chestnut hair streaked with gray, his eyes deep and serene. He greeted us all with quiet courtesy: my mother, Iubdan, Liam, then the three of us, and our guests, for several households had gathered here for the festivities. Seamus Redbeard, a vigorous old man whose snowy hair belied his name. His new wife, a sweet girl not so much older than myself. Niamh had been shocked to see this match.

"How can she? she’d whispered to me behind her hand. How can she lie with him? He’s old, so old. And fat. And he’s got a red nose. Look, she’s smiling at him! I’d rather die!"

I glanced at her a little sourly. You’d best take Eamonn then, and be glad of the offer, if what you want is a beautiful young man, I whispered back. You’re unlikely to do better. Besides, he’s wealthy.

Eamonn? Huh!

This seemed to be the response whenever I made this suggestion. I wondered, not for the first time, what Niamh really did want. There was no way to see inside that girl’s head. Not like Sean and me. Perhaps it was our being twins, or maybe it was something else, but the two of us never had any problem talking without words. It became necessary, even, to set a guard on your own mind at times so that the other could not read it. It was both a useful skill and an inconvenient one.

I looked at Eamonn, where he stood now with his sister, Aisling, greeting Conor and the rest of the robed procession. I could not really see what Niamh’s problem was. Eamonn was the right age, just a year or two older than my sister. He was comely enough; a little serious maybe, but that could be remedied. He was well built, with glossy, brown hair and fine, dark eyes. He had good teeth. To lie with him would be—well, I had little knowledge of such things, but I imagined it would not be repulsive. And it would be a match well regarded by both families. Eamonn had come very young to his inheritance, a vast domain surrounded by treacherous marshlands to the west of Seamus Redbeard’s land and curving around close by the pass to the north. Eamonn’s father, who bore the same name, had been killed in rather mysterious circumstances some years back. My Uncle Liam and my father did not always agree, but they were united in their refusal to discuss this particular topic. Eamonn’s mother had died when Aisling was born. So Eamonn had grown up with immense wealth and power and an overabundance of influential advisers: Seamus, who was his grandfather; Liam, who had once been betrothed to his mother; my father, who was somehow tied up in the whole thing. It was perhaps surprising that Eamonn had become very much his own man and despite his youth kept his own control over his estates and his not inconsiderable private army. That explained, maybe, why he was such a solemn young man. I found that I had been scrutinizing him closely as he finished speaking with one of the younger druids and glanced my way. He gave me a half smile, as if in defiance of my assessment, and I looked away, feeling a blush rise to my cheeks. Niamh was silly, I thought. She was unlikely to do any better; and at seventeen, she needed to make up her mind quickly before somebody else did it for her. It would be a very strong partnership and made stronger still by the tie of kinship with Seamus, who owned the lands between. He who controlled all of that could deal a heavy blow to the Britons when the time came.

The druids made their way to the end of the line, finishing their greetings. The sun was low in the sky. In the field behind our home barn, in neat rows, the plows and forks and other implements of our new season’s work lay ready. We made our way down paths still slippery from spring rains to take up our places in a great circle around the field, our shadows long in the late afternoon light. I saw Aisling slip away from her brother and reappear slightly later at Sean’s side, as if by chance. If she thought her move unnoticed, she thought wrong, for her cloud of auburn hair drew the eye however she might try to tame its exuberance with ribbons. As she reached my brother’s side, the rising breeze whisked one long, bright curl across her small face, and Sean reached out to tuck it gently behind her ear. I did not need to watch them further to feel her hand slip into his and my brother’s fingers tighten around it possessively. Well, I thought, here’s someone who knows how to make up his mind. Perhaps it didn’t matter, after all, what Niamh decided, for it seemed the alliance would be made one way or another.

The druids formed a semicircle around the rows of tools, and in the gap stood Conor, whose white robe bore an edging of gold. He had thrown back his hood, revealing the golden torch he wore around his neck, a sign of his leadership within this mystic brotherhood. He was young yet by their standards, but his face was an ancient face; his serene gaze held more than one lifetime’s knowledge in its depths. He had made a long journey these eighteen years in the forest.

Now Liam stepped forward, as head of the household, and passed to his brother a silver chalice of our best mead, made from the finest honey, and brewed with water from one particular spring whose exact location was a very well-guarded secret. Conor nodded gravely. Then, he began a slow progress between the plows and sickles, the hay forks and heavy spades, the shears and shovels, and he sprinkled a few drops of the potent brew on each as he passed.

A fine calf in the belly of the breeding cow. A river of sweet milk from her teats. A warm coat on the backs of the sheep. A bountiful harvest from spring rains.

Conor walked evenly, his white robe shifting and changing around him as if with its own life. He bore the silver chalice in one hand, his staff of birch in the other. There was a hush over all of us. Even the birds seemed to cease their chatter in the trees around. Behind me, a couple of horses leaned over the fence, their solemn, liquid eyes fixed on the man with the quiet voice.

Brighid’s blessing be on our fields this season. Brighid’s hand stretch out over our new growth. May she bring forth life; may our seed flourish. Heart of the earth; life of the heart; all is one.

So, he went on, and over each of the homely implements of toil he reached his hand and dropped a little of the precious mead. The light grew golden as the sun sank below the tops of the oaks. Last of all was the eight-ox plow, which the men had made under Iubdan’s instruction long years ago. With this, the stoniest of fields had been made soft and fertile. We had wreathed it in garlands of yellow tansy and fragrant heather, and Conor paused before it, raising his staff.

Let no ill fall on our labors, he said. Let no blight touch our crops, no malady our flocks. Let the work of this plow, and of our hands, make a good harvest and a prosperous season. We give thanks for the earth that is our mother, for the rain that brings forth her life. We honor the wind that shakes the seed from the great oaks; we reverence the sun that warms the new growth. In all things, we honor you, Brighid, who kindles the fires of spring.

The circle of druids echoed his last sentence, their voices deep and resonant. Then, Conor walked back to his brother and put the cup into his hands, and Liam made a comment about maybe sharing what was left in the flask after supper. The ceremony was almost over.

Conor turned and stepped forward, one, two, three steps. He stretched out his right hand. A tall-young initiate with a head of curls the deepest red you ever saw came quickly forward and took his master’s staff. He stood to one side, watching Conor with a stare whose intensity sent a shiver down my spine. Conor raised his hands.

New life! New light! New fire! he said, and his voice was not quiet now but powerful and clear, ringing through the forest like some solemn bell. New fire!

His hands were above his head, reaching into the sky. There was a shimmering and a strange humming sound, and suddenly above his hands was light, flame, a brightness that dazzled the eyes and shocked the senses. The druid lowered his arms slowly. Still between his cupped hands flared a fire, a fire so real I watched with awe, expecting to see his skin burn and blister under the intense heat. The young initiate walked up to him, an unlit torch in his hands. As we stared transfixed, Conor reached out and touched this torch with his fingers, and it flamed into rich, golden light. And when Conor drew his hands away, they were just the hands of a man, and the mysterious fire was gone from them. The face of the youth was a picture of pride and awe as he bore his precious torch up to the house, where the fires of the hearth would be rekindled. The ceremony was complete. Tomorrow, the work of the new season would begin. I caught fragments of conversation as we made our way back to the house, where feasting would commence at sundown.

… was this wise? There were others, surely, who could have been chosen for this task?

It was time. He cannot be kept hidden forever.

This was Liam and his brother. Then I saw my mother and my father as they walked up the path together. Her foot slipped in the mud, and she stumbled; he caught her instantly, almost before it happened, he was so quick. His arm went around her shoulders, and she looked up at him. I sensed a shadow over the two of them, and I was suddenly ill at ease. Sean ran past me, grinning, with Aisling not far behind. They were following the tall, young man who bore the torch. My brother did not speak, but in my mind I caught his happiness as he passed me. Just for tonight, he was only sixteen years old, and he was in love, and all was right in his world. And I felt that sudden chill again. What was wrong with me? It was as if I were wishing ill on my family, on a fine spring day when everything was bright and strong. I told myself to stop being foolish, but the shadow was still there on the edge of my thoughts.

You feel it too.

I froze. There was only one person I could speak to this way, without words, and that was Sean. But it was not my brother’s inner voice that touched my mind now.

Don’t be alarmed, Liadan. I will not intrude on your thoughts. If I have learned anything these long years, it is to discipline this skill. You are unhappy. Uneasy. What happens will not be your doing. You must remember that. Each of us chooses his own path.

Still I walked toward the house, the crowd around me chattering and laughing, young men holding their scythes over a shoulder, young women helping to carry spade or sickle. Here and there hands met and clasped, and one or two stragglers disappeared quietly into the forest about their own business. On the path ahead, my uncle walked slowly, the golden border of his robe catching the last rays of setting sun.

I—I don’t know what I feel, Uncle. A darkness—something terribly wrong. And yet, it’s as if I were wishing it on us by thinking of it. How can I do this when everything is so good, when they are all so happy?

It’s time. Not by so much as a turning of the head did my uncle show that he spoke with me thus. You wonder at my ability to read you? You should talk to Sorcha, if you can make her answer. It was she, and Finbar, who excelled in this once. But it may pain her to recall it.

You said it’s time. Time for what?

If there was a way to sigh without making a sound that was what Conor communicated to me. Time for their hands to stir the pot. Time for their fingers to weave a little more into the pattern. Time for their voices to take up the song. You need feel no guilt, Liadan. They use us all, and there is not much we can do about it. I discovered that the hard way. And so will you, I fear.

What do you mean?

You’ll find out soon enough. Why not enjoy yourself and be young while there is still time?

And that was it. He shut off his thoughts from me as suddenly and surely as if a trapdoor had slammed closed. Ahead, I saw him pause, waiting for my mother and Iubdan to catch up; and the three of them went into the house together. I was left none the wiser for this strange conversation.

My sister was very beautiful that night. The hearth fires of the house had been rekindled, and there was a bonfire out of doors, and cider, and dancing. It was quite cool. I had wrapped a shawl around me, and still I shivered. But Niamh’s shoulders were bare above her deep blue gown, and her golden hair was cunningly woven with silk ribbons and little early violets. As she danced, her skin glowed in the firelight and her eyes spoke a challenge. The young men could scarce keep their eyes off her, as she whirled first with one and then another. Even the young druids, I thought, were having difficulty in keeping their feet from tapping and their gaze suitably sober. Seamus had brought the musicians. They were good; a piper, a harper, and one who excelled at anything he put his hand to, bodhrán or whistle or flute. There were tables and benches set out in the courtyard, and the older druids sat with the household there, talking and exchanging tales, watching as the young folk enjoyed themselves.

There was one who stood apart, and that was the young druid, him with the dark red hair who had held the torch rekindled with a mystical fire. He alone had not partaken of food and drink. He showed no sign of enjoyment as the household exploded in merriment around him. His foot would not be tapping to an old tune; his voice would not be raised in song. Instead, he stood upright and silent behind the main party, watchful. I thought that only common sense. It was wise to have a few who did not partake of strong ale, a few who would listen for unwanted intruders, who would be alert to sounds of danger. I knew Liam had posted men to watch at strategic points around the house, in addition to his usual sentries and forward guards. An attack on Sevenwaters tonight could wipe out not just the lords of the three most powerful families in the northeast but their spiritual leaders as well. So no chances were taken.

But this young man was no guard; or if he were meant to be, he was a pretty poor one. For his dark eyes were fixed on one thing only and that was my lovely, laughing sister as she danced in the firelight with her curtain of red-gold hair swirling around her. I saw how still he was, and how his eyes devoured her; and then I looked away, telling myself not to be stupid. This was a druid after all; I supposed they must have desires, like any other man, and so his interest was natural enough. Dealing with such things was no doubt part of the discipline they learned. And it was none of my business. Then I looked at my sister, and I saw the glance she sent his way from under her long, beautiful lashes. Dance with Eamonn, you stupid girl, I told her, but she had never been able to hear my inner voice.

The music changed from a reel to a slow, graceful lament. It had words, and the crowd had drunk enough by now to sing along with the piper.

Will you dance with me, Liadan?

Oh. Eamonn had startled me, suddenly there beside me in the darkness. The firelight showed his face as gravely composed as ever. If he were enjoying the party, he gave no sign of it. Now that I thought about it, I had not seen him dancing.

Oh. If you—but perhaps you should ask my sister. She dances far better than I. It came out sounding awkward, almost rude. Both of us looked across the sea of dancing youths and girls to where Niamh stood smiling, running a careless hand through her hair, surrounded by admirers, a tall, golden figure in the flickering light.

I’m asking you. There was no sign of a smile on Eamonn’s lips. I was glad he was not able to read my thoughts as my Uncle Conor could. I had been quick enough to assess him earlier that evening. It made my cheeks burn to think of it. I reminded myself that I was a daughter of Sevenwaters and must observe certain courtesies. I got up and slipped off my shawl, and Eamonn surprised me by taking it from me and folding it neatly before he laid it on a nearby table. Then he took my hand and led me into the circle of dancers.

It was a slow dance, couples meeting and parting, circling back to back, touching hands and letting go, a dance well suited to Brighid’s festival, which is, after all, about new life and the stirring of the blood that gives it form. I could see Sean and Aisling moving around one another in perfect step, as if the two of them breathed the one breath. The wonderment in their eyes made my heart stop. I found myself saying silently, Let them keep this. Let them keep it. But to whom I said this, I did not know.

What is it, Liadan? Eamonn had seen the change in my face as he came toward me, took my right hand in his, turned me under his arm. What’s wrong?

Nothing, I lied. Nothing. I suppose I’m tired, that’s all. We were up early, gathering flowers, preparing food for the feast, the usual things.

He gave an approving nod.

Liadan— He started to say something but was interrupted by an exuberant couple who threatened to bowl us over as they spun wildly past. Adroitly, my partner whisked me out of harm’s way, and for a moment both his arms were around my waist and my face close to his.

Liadan, I need to speak with you. I wish to tell you something.

The moment was over. The music played on, and he let go as we were drawn back into the circle.

Well, talk then, I said, rather ungraciously. I could not see Niamh; surely she had not retired already. What is it you want to say?

There was a lengthy pause. We reached the top of the line; he put one hand on my waist and I put one on his shoulder, and we executed a few turns as we made our way to the bottom under an arch of outstretched arms. Then suddenly it seemed Eamonn had had enough of dancing. He kept my hand in his and drew me to the edge of the circle.

Not here, he said. This is not the time nor the place. Tomorrow. I want to talk with you alone.

But—

I felt his hands on my shoulders briefly as he placed the shawl about me. He was very close. Something within me sounded a sort of warning, but still I did not understand.

In the morning, he said. You work in your garden early, do you not? I will come to you there. Thank you for the dance, Liadan. You should perhaps let me be the judge of your skills.

I looked up at him, trying to work out what he meant, but his face gave nothing away. Then somebody called his name, and with a brief nod he was gone.

I worked in the garden next morning, for the weather was fine, though cold, and there was always plenty to do between herb beds and stillroom. My mother did not come out to join me, which was unusual. Perhaps, I thought, she was tired after the festivities. I weeded and cleaned and swept, and I made up a coltsfoot tea to take to the village later, and I bundled flowering heather for drying. It was a busy morning. I forgot all about Eamonn until my father came into the stillroom near midday, ducking his head under the lintel, then seating himself on the wide window embrasure, long legs stretched out before him. He, too, had been working and had not yet shed his outdoor boots, which bore substantial traces of newly plowed soil. It would sweep up easily enough.

Busy day? he asked, observing the well-ordered bundles of drying herbs, the flasks ready for delivery, the tools of my trade still laid out on the workbench.

Busy enough, I said, bending to wash my hands in the bucket I kept by the outer door. I missed Mother today. Was she resting?

A little frown appeared on his face. She was up early, talking to Conor, at first. Later with Liam as well. She needs to rest.

I tidied the knives, the mortar and pestle, the scoops and twine away onto their shelves. She won’t, I said. You know that. It’s like this when Conor comes. It’s as if there’s never enough time for them, always too much to be said, as if they can never make up for the years they lost.

Father nodded, but he didn’t say anything. I got out the millet broom and began to sweep.

I’ll go to the village later, I told him. She need not do that. Perhaps, if you tell her to, she’ll try to sleep.

Iubdan’s mouth quirked up at one corner in a half smile. I never tell your mother what to do, he said. You know that.

I grinned at him. Well then, I’ll tell her. The druids are here for a day or two. She has time enough for talking.

That reminds me, said Father, lifting his booted feet as I swept the floor beneath them. When he put them down again, a new shower of earth fell onto the flagstones. I had a message to give you.

Oh?

From Eamonn. He asked me to say he’s been called home urgently. He left very early this morning, too early to come and see you with any decency, was how he put it. He said to tell you he would speak with you when he returned. Does that make sense to you?

Not a lot, I said, sweeping the last of the debris out the door and down the steps. He never did tell me what it was all about. Why was he called away? What was so urgent? Has Aisling gone as well?

Aisling is still here; she is safer under our protection. It was a matter calling for leadership and quick decisions. He has taken his grandfather and those of his men who could be made ready to ride. I understand there was some new attack on his border positions. By whom, nobody seemed sure. An enemy who came by stealth and killed without scruple, as efficiently as a bird of prey, was the description. The man who brought the tale seemed almost crazed with fear. I suppose we will hear more when Eamonn returns.

We went out into the garden. At this chill time of year, spring was not much more than a thought; the tiniest of fragile crocus shoots emerging from the hard ground, a hint of buds swelling on the branches of the young oak. Early flowering tansy made a note of vibrant yellow against the gray-green of wormwood and lavender. The air smelled cool and clean. Each stone path was swept bare, the herb beds tidy under their straw mulching.

Sit here awhile with me, Liadan, said my father. We are not needed yet. It will be hard enough to persuade your mother and her brothers to come inside for some food and drink. I have something to ask you.

You, too? I said, as we sat down together on the stone bench. It sounds as if everyone has something to ask me.

Mine is a general sort of question. Have you given any thought to marriage? To your future?

I was not expecting this.

Not really. I suppose—I suppose I hoped, as the youngest, for a couple more years at home, I said, feeling suddenly cold. I am in no hurry to leave Sevenwaters. Maybe—maybe I thought I might remain here, you know, tend to my ancient parents in their failing years. Perhaps not seek a husband at all. After all, both Niamh and Sean will make good matches, strong alliances. Need I be wed as well?

Father looked at me very directly. His eyes were a light, intense blue; he was working out just how much of what I said was serious and how much a joke.

You know I would gladly keep you here with us, sweetheart, he said slowly. Saying farewell to you would not be easy for me. But there will be offers. I would not have you narrow your pathway because of us.

I frowned. Maybe we could leave it for a while. After all, Niamh will wed first. Surely there won’t be any offers until after that. My mind drew up the image of my sister, glowing and golden in her blue gown by firelight, tossing her bright hair, surrounded by comely young men. Niamh should wed first, I added firmly. It seemed to me that this was important, but I could not tell him why.

There was a pause, as if he were waiting for me to make some connection I could not quite grasp.

Why do you say that? That there will be no offers for you until your sister weds?

This was becoming difficult, more difficult than it should have been, for my father and I were very close and always spoke directly and honestly to each other.

What man would offer for me when he could have Niamh? I asked. There was no sense of envy in my question. It just seemed to me so obvious I found it hard to believe it had not occurred to him.

My father raised his brows. Perhaps, if Eamonn makes you an offer of marriage, you should ask him that question, he said quite gently. There was a hint of amusement in his tone.

I was stunned. Eamonn? Offer for me? I don’t think so. Is he not intended for Niamh? You’re wrong, I’m sure. But in the back of my mind, last night’s episode played itself out again: the way he had spoken to me, the way we had danced together, and a little seed of doubt was sown. I shook my head, not wanting to believe it was possible. It wouldn’t be right, Father. Eamonn should wed Niamh. That’s what everyone expects. And—Niamh needs somebody like him. A man who will—take a firm hand but be fair as well. Niamh should be the one. Then I thought, with relief, of something else. Besides, I added, Eamonn would never ask a girl such a thing without seeking her father’s permission first. He was to have spoken with me early this morning. It must have been about something else.

What if I told you, said Iubdan carefully, that your young friend had planned a meeting with me as well this morning? He was prevented from keeping this appointment only by the sudden call home to defend his border.

I was silent.

What sort of man would you choose for yourself, Liadan? he asked me.

One who is trustworthy and true to himself, I answered straightaway. One who speaks his mind without fear. One who can be a friend as well as a husband. I would be contented with that.

You would wed an ugly, old man with not a scrap of silver to his name if he met your description? asked my father, amused. You are an unusual young woman, Daughter.

To be honest, I said wryly, if he were also young, handsome, and wealthy, it would not go unappreciated. But such things are less important. If I was lucky enough—if I was fortunate enough to wed for love, as you did … but that is unlikely, I know. I thought of my brother and Aisling, dancing in a charmed circle all their own. It was too much to expect the same thing for myself.

It brings a contentment like no other, said Iubdan softly. And with it a fear that strikes when you least expect it. When you love thus, you give hostages to fortune. It becomes harder with time to accept what fate brings. We have been lucky so far.

I nodded. I knew what he was talking about. It was a matter we did not speak of openly, not yet.

We got up and walked slowly out through the garden archway and along the path toward the main courtyard. Farther away, in the shelter of a tall hedge of blackthorn, my mother was seated on the low, stone wall, a small, slight figure, her pale features framed by a mass of dark curls. Liam stood on one side, booted foot on the wall, elbow on knee, explaining something with economical gestures. On her other side sat Conor, very still in his white robe, listening intently. We did not disturb them.

I suppose you will find out when Eamonn returns whether I am right, my father said. There is no doubt he would be a very suitable match for your sister or for yourself. You should at least give thought to it in the meantime.

I did not answer.

You must understand that I would never force you into any decision, Liadan, and neither would your mother. When you take a husband, the choice will be yours. We would ask only that you think about it, and prepare yourself, and consider any offers that are made. We know you will choose wisely.

What about Liam? You know what he would want. There is our estate to consider and the strength of our alliances.

You are your mother’s daughter and mine, not Liam’s, said my father. He will be content enough that Sean has chosen the one woman Liam would most have wanted for him. Your choice will be your own, little one.

I had the strangest feeling at that moment. It was as if a silent voice whispered, These words will come back to haunt him. A chill, dark feeling. It was over in a moment, and when I glanced at Father, his face was calm and unperturbed. Whatever it was, it had passed by him unheard.


The druids remained at Sevenwaters for several days. Conor spoke at length with his sister and brother, or sometimes I would see him with my mother alone, the two of them standing or sitting together in total silence. At such times they communicated secretly, with the language of the mind, and there was no telling what passed between them. Thus had she spoken once with Finbar, the brother closest to her heart, him who returned from the years away with the wing of a swan instead of an arm and something not quite right with his mind. She had shared the same bond with him as I did with Sean. I knew my brother’s pain and his joy without the need for words. I could reach him, however far he might go, with a message nobody but he would ever hear. And so I understood how it must be for my mother, for Sorcha, having lost that other who was so close that he was like a part of herself. For, the tale went, Finbar could never become a man again, not quite. There was a part of him, when he came back, that was still wild, attuned to the needs and instincts of a creature of the wide sky and the bottomless deep. And so, one night, he had simply walked down to the lake shore and on into the cold embrace of the water. His body had never been found, but there was no doubt, folk said, that he drowned that night. How could such a creature swim, with the right arm of a young man and on the left side a spreading, white-feathered wing?

I understood my mother’s grief, the empty place she must carry inside her even after so long, although she never spoke of these things, not even to Iubdan. But I believed she shared it with Conor during those long, silent times. I thought they used their gift to strengthen one another, as if by sharing the pain they could make it a little easier to bear, each for the other.

The whole household would gather together for supper when the long day’s work was over, and after supper for singing and drinking and the telling of tales. In our family there was an ability for storytelling that was widely known and respected. Of us all, my mother was the best, her gift with words such that she could, for a time, take you right out of this world and into another. But the rest of us were no mean wordsmiths either. Conor was a wonderful storyteller. Even Liam, on occasion, would contribute some heroic tale containing detailed descriptions of battles and the technicalities of armed and unarmed combat. There was a strong following for these among the men. Iubdan, as I have said, never told a tale, though he listened attentively. At such times folk were reminded that he was a Briton, but he was well respected for his fairness, his generosity, and above all his capacity for hard work; and so they did not hold his ancestry against him.

On the night of Imbolc, however, it was not one of our household who told the tale. My mother was asked for a story, but she excused herself.

With such a learned company in our midst, she said sweetly, I must decline for tonight. Conor, we know the talent of your kind for such a task. Perhaps you will favor us with a tale for Brighid’s day?

I thought, looking at her, that she still seemed weary, with a trace of shadow around the luminous green eyes. She was always pale, but tonight her skin had a transparency that made me uneasy. She sat on a bench beside Iubdan, and her small hand was swallowed up by his large one. His other arm was around her shoulders, and she leaned against him. The words came to me again, Let them keep this, and I flinched. I told myself sternly to stop this foolishness. What did I think I was, a seer? More likely just a girl with a fit of the vapors.

Thank you, said Conor gravely, but he did not rise to his feet. Instead, he looked across the hall and gave the smallest of nods. And so it was the young druid, the one who had borne the torch the night before to rekindle our hearth fires, who stepped forward and readied himself to entertain us. He was, indeed, a well-made young fellow, quite tall and very straight backed with the discipline of his kind, his curling hair not the fiery red of my father’s and Niamh’s but a deeper shade, the color at the heart of a winter sunset. And his eyes were dark, the dark of ripe mulberries, and hard to read. There was a little cleft in his chin, and he had a pair of wicked dimples when he allowed them to show. Just as well, I thought, that this is one of the brotherhood. If not, half the young girls of Sevenwaters would be fighting over him. I dare say he’d enjoy that.

What better tale for Imbolc, began the young druid, than that of Aengus Óg and the fair Caer Ibormeith? A tale of love, and mystery, and transformation. By your leave, I will tell this tale tonight.

I had expected he might be nervous, but his voice was strong and confident. I supposed it came from years and years of privation and study. It takes a long time to learn what a druid must learn, and there are no books to help you. I saw, out of the corner of my eye, Liam looking at Sorcha, a small frown on his face and a question in his eyes. She gave a little nod as if to say, never mind,

Enjoying the preview?
Page 1 of 1