A World Apart: The Rise and Fall of Saruwaka-cho
By Paul Tierney
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About this ebook
Tracing the development of Edo's (pre-modern Tokyo)kabuki district,many behind the scenes dramas - amongst shogunate officials vying for power, between the actors and owners of the theatres, between the owners and investors - are revealed in this detailed history. Even in Tokugawa period Japan, government and big business worked hand in hand to protect their own interests.
A World Apart contains the complete story of how and why Saruwaka-cho came to be, much of it for the first time in English.
Paul Tierney
I am a eleven-year resident of Tokyo and love this amazing city. In addition to my writing, I run a business offering unique History/Art Walks in historic parts of Tokyo.I also work as a researcher for Meiji University's Tokyo Edo Radio project, specializing in the history of Edo/Tokyo. My goal (my passion?) is to shed more light on the daily life and culture of Edo and bring this vibrant back to life for a non-Japanese speaking audience. My small house with a small garden, shared with my lovely wife and son, is six minutes from the station and is in a small neighborhood that is filled with the sounds of laughing children.
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A World Apart - Paul Tierney
A World Apart: The Rise and Fall of Saruwaka-cho
Opening the Curtains on Edo's Theatre District
By Paul Tierney
Copyright 2011 Paul Tierney
Smashwords Edition
Cover Design Copyright 2011
by (http://DigitalDonna.com)
Smashwords Edition, License Notes
This ebook is licensed for your personal enjoyment only. This ebook may not be re-sold or given away to other people. If you would like to share this book with another person, please purchase an additional copy for each receipient. If you're reading this book and did not purchase it, or it was not purchased for your own use, then please return it to Smashwords.com and purchase your own copy. Thank you for respecting the hard work of this author.
Table of Contents
Forward
Introduction: Setting the Stage
A bizarre
dance
The San-za: Organization of Kabuki
Behind the Curtain: Conflict between management and labor
Creating Opportunity: the investors grab the reins
Labor Pains: the Tenpo Reforms and the birth of Saruwaka-cho
Why Asakusa?
Building a World Apart: the physical composition of Saruwaka-cho
The Curtains Open on a New Era
The Saruwaka-cho Kabuki Experience
The Decline and End of Saruwaka-cho
Present day Saruwaka-cho
Curtain Call: Saruwaka-cho as policy device to protect the status quo
Forward with a word on name & date conventions
Saruwaka-cho is now an unassuming quiet shita-machi neighborhood located a stone’s throw from the hustle and bustle of Sensoji temple in Asakusa. Most houses, like those of the other small neighborhoods in the area, have planters made of styrofoam boxes originally used for shipping fresh fish and produce set at the doorsteps in front of them. Some of these planters are in better shape than others, but all are lovingly tended by the inhabitants. Also nearby these planters and in front of Tokyo’s omnipresent telephone and electric poles are water filled two liter plastic bottles, set there in the belief that they will keep the neighborhood’s stray cats from using the planters or poles as substitutes for litter boxes.
Next to the houses, there are a few shops and small restaurants, a dental clinic and even a small recording studio, and the residents of Saruwaka-cho can be seen going back and forth about their daily business or, on hot days, using a bucket and dipper to spread water on the asphalt in front of their house or business in order to keep the heat down and provide a cooling breeze, however slight or brief.
There is nothing here to let the casual passer-by that this neighborhood was once the heart and soul of kabuki in Edo, a destination for samurai and commoner alike. For more almost three decades, Saruwaka-cho WAS kabuki. Here were the only officially sanctioned theatres, here was where all of Edo’s kabuki actors lived. Saruwaka-cho was cradle to many of Edo’s fashion booms, from clothing to hairstyles, and even to the style of combs that women chose to use.
That golden era faded during the Meiji period and is gone now. All that remains is Asakusa 6-chome and the memories that the older residents have of the glory days, told to them by their fathers and mothers, grandfathers and grandmothers. There are a few other reminders: a monument here and another over there marking the locations of two of the three theatres, signs and store names using Saruwaka-cho.
This work was born as part of Meiji University’s Tokyo Edo Radio project (http://tokyoedoradio.org), created by Prof. Souichiro Itoda and dedicated to bringing Tokyo’s past and Asakusa’s culture back to life and helping it reach a larger audience, not only outside of Japan, but also here in Tokyo as well. I became part of the project in April of 2011 as a researcher and at the time, the project had been focused on creating an audio tour of the Saruwaka-cho. While I liked to think myself