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Snow Hunters: A Novel
Snow Hunters: A Novel
Snow Hunters: A Novel
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Snow Hunters: A Novel

Rating: 4 out of 5 stars

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Winner of the Young Lions Fiction Award, Snow Hunters is “a subtle, elegant, poignant read” (Oprah.com), featuring a Korean War refugee who emigrates to Brazil to become a tailor’s apprentice and confronts the wreckage of his past.

“Exquisitely enigmatic…a small but radiant star in the current literary firmament” (The Dallas Morning News), Snow Hunters traces the extraordinary journey of Yohan, a twenty-five-year-old North Korean POW refugee who defects from his country at the end of the Korean War, leaving his friends and family behind to seek a new life in a port town on the coast of Brazil.

Though he is a stranger in a strange land, throughout the years in this town, four people slip in and out of Yohan’s life: Kiyoshi, the Japanese tailor for whom he works, and who has his own secrets and a past he does not speak of; Peixe, the groundskeeper at the town church; and two vagrant children named Santi and Bia, a boy and a girl, who spend their days in the alleyways and the streets of the town. Yohan longs to connect with these people, but to do so he must sift through the wreckage of his traumatic past so he might let go and move on.

In Snow Hunters, “quotidian-surreal craft-master” (New York magazine) Paul Yoon proves love can dissolve loneliness; that hope can wipe away despair; and that a man who lost a country can find a new home. “The brief, simple sentences that form this elegant tone poem of a novel…have the effect of making you slow down to read them—which is a fitting way to experience the story of a man unmoored by memory and time” (Entertainment Weekly). This is a heartrending story of second chances, told with unerring elegance and absolute tenderness.
LanguageEnglish
Release dateAug 6, 2013
ISBN9781476714837
Author

Paul Yoon

Paul Yoon is the author of four previous works of fiction: Once the Shore, which was a New York Times Notable Book; Snow Hunters, which won the Young Lions Fiction Award; The Mountain, which was an NPR Best Book of the Year; and Run Me to Earth, which was one of Time’s Must-Read Books of 2020 and longlisted for the Andrew Carnegie Medal for Excellence in Fiction. A recipient of a Guggenheim Fellowship, he lives in the Hudson Valley, New York. .

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Reviews for Snow Hunters

Rating: 4.0341880427350425 out of 5 stars
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  • Rating: 5 out of 5 stars
    5/5
    Sparse language makes the reader create their own mental visual of the story. Yoon is a master at this in his story of a Korean soldier who was sent to Brazil by the UN to become an apprentice to a Japanese tailor
  • Rating: 5 out of 5 stars
    5/5
    Fantastic examination of solitary lives and their intersections with the past lives of the individuals examined.
  • Rating: 4 out of 5 stars
    4/5
    This is a lovely, short read about a young man rebuilding his life after a war, in this story a young Korean man who is relocated to Brazil after spending much of the Korean War in a prison camp.
  • Rating: 4 out of 5 stars
    4/5
    This story is quiet and delicate, dreamlike. Like a watercolor.
  • Rating: 3 out of 5 stars
    3/5
    A 3.5 maybe, I'm so not sure about this book.
    I love the writing in this novel, it's simple, yet beautiful and lyrical, and very atmospheric----whenever I picked up the book, I feel a little bit sad.
    I like the first part of the book very much, it's slow, but you don't feel like it is dragging---it's necessary in some sense, to create that sorrow atmosphere. The observation of Yohan, first to the strange village, is so detailed, and everything is given a kind of sad feelings. I enjoyed the flashbacks to the wartime too.
    However, I think the use of pronounce in the book make it a little bit confusing. I, by no mean, saying it is grammatically incorrect, or it isn't use properly, but the pronounce 'He' appears so many times afterwards, in a scene with multiple 'He's, that I need to reread the paragraph a few times to get the sense of it. (of course, maybe it is just my problem, but the read becomes less pleasant for me).
    And the third part is a little bit faster than the previous parts, I do like books that don't drag on the endings, but I want MORE from the book, More of Yohan's past, a little more war time description, more of his life afterwards....
    It's definitely a short and pleasant read. :)
  • Rating: 3 out of 5 stars
    3/5
    audiobook, narrated by authorReleased Korean POW declines to go back to his home country after the war and instead becomes an apprentice to a Japanese tailor on the other side of the world. A quiet, character-driven story about a man learning to connect with people again.
  • Rating: 5 out of 5 stars
    5/5
    Sparse, yet so rich.
  • Rating: 3 out of 5 stars
    3/5
    This is a sad, moving story of a young man recovering from his wartime experiences in a strange country where he doesn't speak the language. He has a hard time forming attachments and can't express his emotions even after he learns the language. We're given a minimum of information so we often don't know what the characters think or feel. I'm not even sure exactly how the book ended. I guess the reader is to finish the closing scene. It's tempting to give the book a happy ending, but given their past and their level of distrust, can they form a lasting relationship?
  • Rating: 3 out of 5 stars
    3/5
    This is a sad, moving story of a young man recovering from his wartime experiences in a strange country where he doesn't speak the language. He has a hard time forming attachments and can't express his emotions even after he learns the language. We're given a minimum of information so we often don't know what the characters think or feel. I'm not even sure exactly how the book ended. I guess the reader is to finish the closing scene. It's tempting to give the book a happy ending, but given their past and their level of distrust, can they form a relationship?
  • Rating: 4 out of 5 stars
    4/5
    Lyrical and spare, this novel describes Yohan's life in Brazil after being a prisoner of war during the Korean War. He becomes an apprentice to a tailor after he immigrants, but in spite of their closeness to each other they really don't know each other's stories. Yohan is both disconnected from his community and an integral part of it, a dichotomy that is conveyed by the flat affect of the characters.
  • Rating: 5 out of 5 stars
    5/5
    This debut novel is absolutely exquisite! Paul Yoon is a phenomenal writer. His prose is poetic and profound, yet simple. This is a tale of tragic loss and the transformative power of kindness. In a short novel with minimal dialogue, the protagonist is a veritable phoenix, surmounting unimaginable loss, yet retaining kindness, compassion, and love. A meditative, touching tale. A must read!!!
  • Rating: 3 out of 5 stars
    3/5
    Yohan is arriving by sea to Brazil, choosing not to repatriate to North Korea after living a couple years in a South Korean POW camp during the Korean War. Yohan is a gentle soul, surprising for anyone who has had to live through anything traumatic. The trauma is implied here. There are only hints to Yohan's life before Brazil, as a child in North Korea or fighting in the war, choosing to focus on how to live after the horribleness that the universe sometimes presents. After all, a life should not be defined by the worst experiences. The blurbs on the book mention that the story was edited down from 500 pages to a sparse 200 pages. I might have liked to read more about Yohan's past, but the writer wanted to leave more to the imagination. Yoon's writing is best when it focuses on tiny poetical details. I can only imagine that those who have survived the worst traumas have a knack for appreciating the smaller beauties in life, what others might call insignificant. Paul Yoon is a writer to watch!
  • Rating: 4 out of 5 stars
    4/5
    The Snow Hunters tells the story of Yohan, a Korean war prisoner who has made his way to Brazil aboard a cargo ship. Uncertain of what his future holds, he disembarks with little besides a card with an unfamiliar name and address on it and a blue umbrella. The latter was given to him by one of the sailors, who pointed out the young girl who directed him to give it to Yohan. The card leads him to the shop of an elderly Japanese tailor who takes him on as an apprentice.Told in understated, lyrical prose, Yohan's story takes us through his adjustment to a new life. Kyoshi, the tailor, never speaks of his own past or what brought him to Brazil, but it's hard not to like his character as we see his love and concern for Yohan. From the beginning, he is more than an employer to Yohan, and over the years, the two become almost like father and son. Among the friends Yohan makes are two street children, Bia and Santi, and Piexe, the caretaker of the local church. The novel only briefly touches upon the horrors of the war and the prison camp, most movingly in Yohan's haunted memories of the friend he could not save.Yoon uses sensory details and images well, both to allow the reader to enter this world and to convey mood. If there is one notable flaw in the book, for me, it is the improbable conclusion, which ties things up too neatly. In the last chapters, I was also irritated by the portrayal of Bia, now a grown woman; this was mainly because she (or Yoon) seems to be trying to hard to make her a 'mysterious creature' of sorts.Final reckoning: The book is better than average, but just by a few hairs. I would recommend it to anyone interested in lyrical prose or the immigrant experience. And it's very short, more novella than novel.
  • Rating: 5 out of 5 stars
    5/5
    Snow Hunters is one of the most lyrical and beautiful books that I have ever had the pleasure to read. It is a immigration story set after the Korean war, and our man, Yohan is about as nice a guy as they come. I cannot even start to tell you how wonderful the prose is in the this book, it's like liquid poetry flying off the pages to say, stop, listen, learn. Read this book. You will understand after you do.

    1 person found this helpful

  • Rating: 5 out of 5 stars
    5/5
    I usually am not drawn to books like this...it is meditative, slow, thoughtful. But the beauty and simplicity of the writing and the feel of the lost, loneliness and longing of the main character Yohan, grabbed me and I actually savored this book up to the last page!

    1 person found this helpful

  • Rating: 5 out of 5 stars
    5/5
    Snow Hunters follows Yohan, a tailor who lives in Brazil, as he adjusts to his new life, new occupation, and as he struggles with his memories of war and friendship in his native Korea. It’s a novel about place and time. Reading it, I could imagine standing in the sun on the coast of Brazil, what it would be like to feel the small triumph of learning a street’s name.Mr. Yoon’s pose is spare but illuminating; it often reminded me of Hemingway’s writing, but with more light behind the shuttered windows. Here’s one of my favorite passages:And he understood that he would never be able to hold all the years that had gone in their entirety. That those years would begin to loosen, break apart, slip away. That there would come a time when there was just a corner, a window, a smell, a gesture, a voice to gather and assemble. (151)Beautiful. Writing that bears re-reading.

    1 person found this helpful

  • Rating: 4 out of 5 stars
    4/5
    Snow Hunters opens with North Korean twenty-five year old Yohan arriving in Brazil via a cargo ship shortly after the end of the Korean War with a business card of a Japanese tailor in hand. Thus begins the introspective telling of Yohan’s journey. It is a testimony to the sparse elegant prose that so effectively conveys the quietness and solitary soul of Yohan with a gentleness of a whisper. I was not quite sure what to expect from this story but was intrigued by the blurb of learning of a migration and war we do not often hear about, and was rewarded with a fascinating yet melancholy read. As Yohan’s figures out the world around him based on his past and present – it is with an open eyed innocence with an eye for simplicity yet fullness of spirit as he needs to figure out which of his memories he will be able to keep, what new memories will replace the ones, and once he is gone who will have a memory of him.But, time and time again it was the beauty of the language that just so much with a perfect phrasing of a sentence. I recommend this book to readers who enjoy lyrically told stories with a freshness of storytelling style.
  • Rating: 3 out of 5 stars
    3/5
    3 starsFirst impression: There is beauty in the words. You feel the North Korean war refugee's aloofness in his new country, Brazil. The distance he feels and his reticence is palpable. Narration by the author adds to the lines' impact. A blanket of quiet overlays the story.People can talk without words. What is not said can speak louder than what is said. And what a person does doesn’t always reflect what they are really saying. This book captures that. It draws a world of silence and solitude that does speak and does convey a message. You watch what happens. You feel the atmosphere. There is a distance to all that happens and to the characters themselves. The manner in which this is achieved is artistically done. Beautiful rather than boring. You are drawn in. Slowly, slowly this North Korean war refugee assimilates and comes to feel at home in his new country, in an unnamed village in Brazil. S-l-o-w-l-y the past recedes, the memories blur and he melts into a new life. You read this book to feel his dislocation, the alienation of one who leaves one country for another. Leaving both horrible memories and good memories, sort of like stapling up picture upon picture until the pictures at the bottom aren’t gone but are superseded by others that are newer, stronger, more vibrant. You cannot just rip out those pictures at the bottom, can you? Is the ending realistic? No, maybe not, but I am OK with that. You do not read this book to follow the plot line from A to Z. Neither does the story follow a chronological order. Memories come and go, and that is how you learn of the pastAn atmospheric novel, to be read to understand how it is to be completely alone in a new world. You never start from scratch, since we all have our own pasts.
  • Rating: 5 out of 5 stars
    5/5
    *I won this book via Goodreads*5 StarsAfter the Korean War, Yohan finds himself making a new life on the coast of Brazil. There he finds himself the friend and apprentice of a tailor, Kiyoshi. Through their work he learns a new language and the way of life in the community. Acquaintances and relationships come and go with time but the bond he forms with Kiyoshi, the church groundskeeper, and two vagabond children is what helps him conquer the demons of his past so he can embrace the future.There is no way for me to do this novel any kind of justice. If I was to describe it in just a couple words those words would be; brilliantly beautiful. I don’t know what to write except to try and describe what I felt while reading. For me the impression of relationships was the strongest. Yohan has a lot of people come and go in his life and they were mostly for brief periods of time or during brutally difficult times. Some that were longer in duration weren’t very communicative or physical like we would expect them to be. For Yohan, though, they all had an importance that he carried and reflected on and would comfort him when he needed it most. The prose is almost magical. There is a lot of sadness but there is always something inspiring to balance it out. The pacing is perfect and once I read the first page I didn’t want to put it down. The only thing left to say is that I absolutely adored this book and that everyone should read it.
  • Rating: 4 out of 5 stars
    4/5
    Snow Hunters by Paul Yoon is a beautiful little book. It seemed almost fairytale like or seeing a life of a person through a light fog. The story alternates between different times in the life of a Korean expatriate. When he was a boy brought up with kindness but without emotion or conversation by his father. He ran away from North Korea after the war. He had been imprisoned for two years with a casual friend of his childhood. After Yohan gets off the boat to Brazil, he heads for an address on a card. He doesn't know Portuguese, anything about Brazil or the climate. He finds the address of a Japanese tailor. The whole first half of the book has so sparse conversation that is seemed uniquely peaceful and beautiful. It is almost like the author is painting a picture instead of writing a story. Yohan sews and helps the tailor in other ways and they form a relationship that doesn't require many words. Yohan’s world includes a boy and a girl that come in and out of his life when they want to. This little book has so much beauty in it. You can feel the heat and when it becomes cold, smell the cooking of the town women and admire the art in their lives and in nature. Yohan is very appreciative of art, the little windows in the building where he made deliveries and the article that he found in the alleys. You realize that you have to own things to enjoy their beauty. The silence was beautifulLater in the book I wanted more details, more depth but this book will always linger in my memory. I recommend this book as an adventure in reading. It is not what I expected but I was deeply satisfied.I received this book as a win from FirstReads but that did not influence my thoughts in this review.
  • Rating: 4 out of 5 stars
    4/5
    Yohan is a North Korean war refugee. After a stint in a prison of war camp, he is able to board a cargo ship and emigrate to a Brazilian coastal town. Here, he becomes a tailor’s apprentice, working under the steady hand of a quiet Japanese gentleman, with a mysterious past. In this strange foreign world, Yohan builds a new life for himself, forming bonds with other outsiders and misfits like himself.This is a slim, spare novel, that unfolds at a languid but steady pace. The writing is good but I was hoping for a bit more depth. Regardless, I would read more of Yoon’s work.

Book preview

Snow Hunters - Paul Yoon

1

That winter, during a rainfall, he arrived in Brazil.

He came by sea. On the cargo ship he was their only passenger. In the last days of the ship’s journey it had grown warm and when he remarked that there was no snow, the crew members laughed. They had been throwing fish overboard, as they always did, for luck, and he watched as the birds twisted their bodies in the wind and dove. He had never seen the ocean before, had never journeyed so far as he had in this month alone. He was called Yohan and he was twenty-five years old.

He was dressed in an old gray suit that was too large for him and wore a hat with a short brim. They were not his clothes. They had been given to him at the camp and after he had changed, the young nurse, an American, took the military shirt he had worn for all those years and folded it with care even though it was torn and stale, no longer recognizable.

The nurse had thin shoulders, he remembered, and her neck had darkened from the sun. She had been kind to him. Through all the days at the camp there had been that. But he did not tell her so and he said his farewells to the guards and the doctors who stood in a line under the tent in that long field where the sky was always low and vast and where there was always a wind that carried the smell of the soil and sickness and the sound of animals from a nearby farm.

He was escorted into the back of a UN truck. It had snowed the night before but the day was clear as he left. From a tower someone waved. He shut his eyes and thought of castles.

He had also been given a rucksack with a spare shirt and trousers. A letter confirming his residence and his employment was in his jacket pocket, tucked behind a folded handkerchief.

It was close to dawn, and the ship was near land, when the rain began to fall. The rain was slow and light and they all remained on deck. Yohan felt the drops tap the brim of his hat and vanish along his shoulders. His eyes were dry and red from the wind. The night before, facing a mirror in a cabin, he had clipped his hair short, the way the nurses had often cut his hair in the camp, checking for lice. He had also shaved, unsure at first whether he remembered how, hesitating before pressing the razor against his skin.

He could see now the coast. It resembled a cloud at first. Then it changed and the line broke into segments and he saw the tiles of rooftops and the stone and the whitewashed walls following the slope of a tall hill.

The port grew visible. Then the sails and the masts of ships. He gripped the railing and followed the smoke from the steamers rising above the town.

Near the peak he could make out a church spire and higher, on the open ridge, a single large tree. Farther up the coast, to the north, a plantation house stood in a long field. And farther still, on a headland, a lighthouse was flashing.

They entered the harbor. As the ship approached a pier they were surrounded by a low fog and the sudden echo of voices and engines and the strains of ropes against pulleys. Merchants were looking up at them, motioning their arms and lifting the goods that they were selling. Fishermen were cleaning their boats; landowners were preparing to journey farther west, to visit their farms and their tenants.

He said the name of this country and then said it again.

The ship docked and he helped the men unload their shipment. He kept his eyes focused on the ship, on the crates sliding down the gangplank. He felt movement behind him, heard a slow hammering. He caught the scent of blood but was unsure whether it was his imagination or from all the fishing nets moving through the air.

The rain had not stopped and one of the sailors, the oldest of them, offered him an umbrella. It was blue with a wooden handle.

The sailor shrugged and grinned and said, —From the child, and pointed up at the ship where Yohan thought he saw a crown of hair and the length of a pale scarf gliding along the sky. A young boy was running after her, waving, and from that distance Yohan caught the voice of the girl, its delicacy and assuredness, the way it rose like a kite, the foreign cadence of words in another language.

He paused, as though expecting something. But then they were gone and he was unsure whether he had seen or heard them at all, unsure whether he had understood the sailor correctly. There were no other passengers, he was told.

—To a good life, the sailor said now, and Yohan shook hands with them all, catching the fatigue in their oil-stained faces, these men whom he had lived with for over a month and who had made an effort to keep him company on that ship, teaching him card games, sharing their cigarettes, telling him what little they knew of the country where they had just arrived.

The sailors were South Korean. In the war they had been in the navy and there had been times during the trip when they gathered on the deck in the evenings as the weather grew warm and they passed around a bottle and told him of the fighting at sea. But then they looked at one another and then at Yohan and grew silent.

They spoke instead of their lives now and the families they started, how they had been shipping cargo for a year and how they had moved to Japan, where there was more work to be found.

—And wives, one of the sailors had said, approaching the edge of the deck.

In his hand he held the bottle they had been drinking from, a long wick slipped into it, then the spark of a match. His hand aglow as he threw the bottle into the night, the momentary flare in the sky, then that brief explosion and Yohan hiding his body’s reaction to the noise and the sailors shouting up at that vast dark they traveled through.

Now, on the pier, a month later, he did not want to part with them. He lingered close, listening to them speak in Korean, not knowing when he would hear it again. But there was nothing more to say and so he looked at them one last time and waved.

He left the harbor and made his way inland, sheltered by his new umbrella, following a narrow road into a neighborhood of apartments and shops. Alone now, he stared at all the street markers and the hanging signs, his body suddenly overwhelmed by the noises of a town, its new smells, an unknown language.

The sailors had taught him as much Portuguese as they could, what little they themselves had learned, but he could no longer remember the words and the phrases, his mind searching for some remnant but unable to find one, unable to focus and settle as he followed the road.

The town was large, almost a city, and opened out along the rise of the hill. As he moved farther into the town he felt its density, its height. He kept looking up at the unfamiliar architecture, the designs of gates and entrances, the high floors. Buildings were the color of seashells. The dark windows everywhere like a thousand doors in the land.

A girl on a bicycle approached and he stepped onto the sidewalk as she sped past him, throwing newspapers against closed entrances. He paused, caught by a memory. He had not seen a bicycle in years. The rain lifted off the wheels as the girl pedaled farther away. A light appeared inside a bakery, then the smoke from a thin flue on the roof.

He stopped a fisherman, showing him a business card, and the man pointed toward the ridge and motioned his arm to the right. He followed a cobblestone road, turning at a barbershop and continuing along another road that moved around the slope, past row houses with narrow, brightly painted shutters. He began to notice paper signs on the windows, written in Japanese.

The tailor’s shop stood between an apartment and a pharmacy. The building was whitewashed and two stories tall. There was no sign. There were instead two large windows through which he could see tables, rolls of fabric, and a tailor’s dummy with a measuring tape draped around the shoulders of its headless body.

It was early in the morning. From across the street he looked up at the second-floor windows.

And it was there, standing in front of the tailor’s shop, as the rain fell, that he felt the tiredness of his journey for the first time. He heard the rush of a storm drain and his legs weakened and he grew dizzy. He gripped the umbrella and thought of the years that had passed and were an ocean away now. He thought of Korea and the war there and he thought of the camp near the southern coast of that country, beside an airbase, where he had been a prisoner for two years. He thought of the day he woke and saw the trees and then the men with their helmets and their weapons swaying around him like chimes.

The Americans called them northerners and those first weeks they kept his wrists bound. But then the doctors, in need of men, untied him and the others, and he dug graves and washed clothes in buckets. He carried trays for the nurses and took walks in the yard with Peng or the missionaries who visited, following the high fences, the men in the towers looking down at them.

He slept in a cabin with the other prisoners and in the winters the heat of their bodies kept them warm. Moonlight kept them company, the way it leaked through the timber walls and shifted across them as the hours passed; and sleepless, he thought of his father and all that snow in the winters in that mountain town where Yohan was born and where he had lived and it all seemed so far to him then, as though the earth had expanded, his memories, too, and he could no longer grasp them. And only then, when those thoughts began to recede, fading into a thin line, would he sleep.

He did not know when exactly the war ended. He did not hear of it until some days later.

One day he was told they would return him to his home. To his country, they said. To the north.

—Repatriation, they called it.

He declined their offer. From the camp he was the only one.

So he stayed a while longer, helping the doctors with the ones who were too sick to travel and would not last long. He held the young men’s hands if they wanted him to or sat beside them and described the fields and the trees and the clouds, and the young men smiled and thought of their mothers, unable to open their eyes or move their heads. And some wept and said that they were sorry, so very sorry, and he wondered what they were sorry for, but it was all right because in their eyes he

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