Monet Drawings and Caricatures
By Narim Bender
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James Whistler: 80 Drawings and Prints Rating: 0 out of 5 stars0 ratingsCorreggio: 70 Drawings Rating: 0 out of 5 stars0 ratingsPiranesi:80 Drawings Rating: 0 out of 5 stars0 ratingsJ. M. W. Turner: 215 Paintings and Drawings Rating: 0 out of 5 stars0 ratingsWinslow Homer: 160 Paintings and Drawings Rating: 3 out of 5 stars3/5Jacques Louis David: 172 Paintings and Drawings Rating: 0 out of 5 stars0 ratingsWilliam Hogarth: 171 Paintings and Drawings Rating: 4 out of 5 stars4/5Guercino: 176 Paintings and Drawings Rating: 0 out of 5 stars0 ratingsBruegel the Elder: 165 Paintings and Drawings Rating: 5 out of 5 stars5/5Canaletto: 70 Drawings and Prints Rating: 0 out of 5 stars0 ratingsJohn Singleton Copley: 70 Drawings and Pastels Rating: 0 out of 5 stars0 ratingsFrancis Barlow: 120 Paintings and Drawings Rating: 0 out of 5 stars0 ratingsParmigianino: 160 Paintings and Drawings Rating: 0 out of 5 stars0 ratingsMillet: 191 Paintings and Drawings Rating: 0 out of 5 stars0 ratingsFrancesco Guardi: 72 Drawings Rating: 0 out of 5 stars0 ratingsFrancesco Allegrini: 80 Drawings Rating: 0 out of 5 stars0 ratingsThomas Gainsborough: 240 Paintings and Drawings Rating: 0 out of 5 stars0 ratings
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Monet Drawings and Caricatures - Narim Bender
Monet Drawings and Caricatures
By Narim Bender
Foreword and Annotations by Narim Bender
First Edition
Copyright © 2015 by Narim Bender
*****
Monet Drawings and Caricatures
*****
Foreword
Claude Monet is one of the best-known and most beloved painters in the history of art, master of landscape scenes, rapidly executed in front of the motif, in vibrant oil paint directly onto a canvas. And yet there remains a previously undiscovered aspect of his career: his surprisingly significant role as a draftsman.
This book is focused on Monet's drawings, and sketchbooks, offering a new aspect of the artist's work. Drawing upon recently discovered documents and a body of graphic work largely unknown to the public and scholars alike, reveals that Monet relied extensively upon drafting in the development of his paintings in addition to painting his subjects directly. Monet has long been seen as an anti-draftsman, having denied the role of drawing in