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Trail of Lightning
Trail of Lightning
Trail of Lightning
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Trail of Lightning

Rating: 4 out of 5 stars

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One of the Time 100 Best Fantasy Books Of All Time

2019 LOCUS AWARD WINNER, BEST FIRST NOVEL

2019 HUGO AWARD FINALIST, BEST NOVEL

Nebula Award Finalist for Best Novel

One of Bustle’s Top 20 “landmark sci-fi and fantasy novels” of the decade

“Someone please cancel Supernatural already and give us at least five seasons of this badass Indigenous monster-hunter and her silver-tongued sidekick.” —The New York Times

“An excitingly novel tale.” —Charlaine Harris, #1 New York Times bestselling author of the Sookie Stackhouse and Midnight Crossroads series

“Fun, terrifying, hilarious, and brilliant.” —Daniel José Older, New York Times bestselling author of Shadowshaper and Star Wars: Last Shot

“A powerful and fiercely personal journey through a compelling postapocalyptic landscape.” —Kate Elliott, New York Times bestselling author of Court of Fives and Black Wolves

While most of the world has drowned beneath the sudden rising waters of a climate apocalypse, Dinétah (formerly the Navajo reservation) has been reborn. The gods and heroes of legend walk the land, but so do monsters—and it is up to one young woman to unravel the mysteries of the past before they destroy the future.

Maggie Hoskie is a Dinétah monster hunter, a supernaturally gifted killer. When a small town needs help finding a missing girl, Maggie is their last best hope. But what Maggie uncovers about the monster is much more terrifying than anything she could imagine.

Maggie reluctantly enlists the aid of Kai Arviso, an unconventional medicine man, and together they travel the rez, unraveling clues from ancient legends, trading favors with tricksters, and battling dark witchcraft in a patchwork world of deteriorating technology.

As Maggie discovers the truth behind the killings, she will have to confront her past if she wants to survive.

Welcome to the Sixth World.

Editor's Note

Badass…

Rebecca Roanhorse’s postapocalyptic fantasy “Trail of Lightning” has gotten all kinds of accolades, from winning the Hugo and Locus Awards to being named one of Time magazine's “100 Best Fantasy Books of All Time.” And it definitely lives up to the hype. The series follows Maggie, a Diné monsterslayer. She’s gruff and tough and a loner who doesn’t consider herself a hero; instead she thinks of herself as “the person you hire when the heroes have already come home in body bags.” (But don’t listen to her, she’s definitely a badass, nuevo-punk rock hero!)

LanguageEnglish
Release dateJun 26, 2018
ISBN9781534413511
Trail of Lightning
Author

Rebecca Roanhorse

REBECCA ROANHORSE is the New York Times bestselling author of Trail of Lightning, Storm of Locusts, Black Sun, and Star Wars: Resistance Reborn. She has won the Nebula, Hugo, and Locus Awards for her fiction, and was the recipient of the 2018 Astounding (formerly Campbell) Award for Best New Writer. The next book in her Between Earth and Sky series, Fevered Star, is out in March 2022. She lives in New Mexico with her family.

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Reviews for Trail of Lightning

Rating: 4.02571851225416 out of 5 stars
4/5

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  • Rating: 3 out of 5 stars
    3/5
    The world has been devastated by climate change, and a huge flood has wiped out vast swathes of North America. The floods broke the barrier between the spirit world and our world, and Native American gods and monsters roam the world.The main character is a monster hunter, who worries that she has taken on some of the monstrous characteristics of the monsters she has killed. She is hired to kill a monster, and decides to track down whatever created the monster to make sure there won't be any more of them.I don't mean to be dismissive when I say that this is a fairly predictable fantasy story of tracking down the big bad monster and simultaneously confronting the demons within and coming to peace with the trauma of the past. The storyline is predictable, but it's refreshing to see this storyline built on Native American mythology with a woman warrior as the lead character. I would certainly like to see more books like this out there.
  • Rating: 5 out of 5 stars
    5/5
    Trail of Lightning (The Sixth World #1) by Rebecca Roanhorse is an amazing book! Set in the future after multiple Earth changing disasters and population decimating events, this has terrific world building! It's a fantasy with monsters, and people with "clan" given gifts born into them. Our main Gal of the story is good at monster killing. The native Indian lore of the Coyote is in here as a character, the trickster. This book has a lot of Indian legend and lore to it. Fascinating and exciting, many unexpected plot line that kept me guessing! Would love to see this as a movie!
  • Rating: 3 out of 5 stars
    3/5
    An urban fantasy-like story set in the near future with Navajo mythology elements. The story follows a woman battling creatures with weapons and magic in a post-apocalyptic world. The book is fun at times, but the main character is not too enjoyable to read, which is a first person POV. If you like urban fantasy and mythology then you will probably like this book though.
  • Rating: 4 out of 5 stars
    4/5
    This is a dystopian fantasy set in an alternate near future with strong influences from Navajo mythology and culture. The plot is episodic in nature, as Maggie and Kai roam around killing monsters and navigating different factions in Dinétah, protected from a natural disaster which wiped out much of the US by Diné (Navajo) magic. This episodic structure made it a quick and addictive read and made the setting feel very fleshed-out and realistic. The use of myth was brilliant. There are multiple characters who are gods. They are depicted as quarrelsome, imperfect beings ... AND as possessing levels of power, savvy, and immortal perspective that are way beyond the human characters. I read some people classify this as YA, and I really disagree. The themes and character concerns peg this as adult for me. In particular, the main character Maggie is digesting the fallout from an abusive relationship with her former mentor and is processing it in a way that definitely screams 20's, not teens. However, the writing is in first person present, which might be why some people peg it as YA. The biggest flaw in the book for me stems from this first person writing. Maggie is so caught up in her own damage and misconceptions that writing from her perspective makes it challenging to accurately depict the weight of how she is feeling and to simultaneously depict the fantastic setting in a way that the reader can absorb information and foreshadowing. I think that this balance was uneven, and it made some of the final climax unexciting, because Maggie is taken aback and wounded by a realization that the reader has long ago become very comfortable with. On the other hand, this failure of realism means that Trail of Lightning is lighter and easier to read, almost more like watching a TV series.Highly recommend for anyone interested in dystopian spec fic or mythologically inspired fantasy.
  • Rating: 5 out of 5 stars
    5/5
    Earthquakes, global warming, and rising waters--the Big Water--have done a job on most of the world, but Dinétah, formerly the Navaho reservation, has been reborn. It's not paradise, but behind walls both built by humans and remade by Diné gods, Diné culture lives.This includes Diné gods and monsters once again walking the land.Maggie Hoskie is a Diné monsterhunter, taught by Neizghάni, one of the Diné immortals, now abandoned by him, and struggling along on her own. When a village sends for her to kill a monster and recover a little girl the monster stole, because Neizghάni seems to have abandoned everyone, she goes. She can't save the girl, but she does kill the monster, and take its head.Deeply disturbed by this particular monster, she takes the head to Tah, an old medicine man who, unlike most people, likes her. This is the real start of her troubles. Or her real troubles started years ago, when Neizghάni rescued her from the monsters that killed her grandmother.What follows is an epic struggle, in a damaged world, where some "modern" technology survives and some doesn't, and gods and monsters walk the Earth, and it's not always clear which is which. Even among humans, Maggie can't always tell who her friends or her enemies are. Unlikely friends, unlikely enemies, and serious doubts about the moral character of her own abilities and actions mean Maggie is often in doubt about whether she's one of the good guys or one of the bad guys.It's absorbing, complex, and compelling.Recommended.I received this book as part of the 2019 Hugo Voters Packet.
  • Rating: 5 out of 5 stars
    5/5
    As others have remarked, there is no shortage of Urban Fantasies featuring Native American heroines – but this is the first I know of actually written by a First Nations author. And it shows. While the other authors treat the subject with respect, Roanhorse creates a tone and world unlike anything I’ve read before. The main character, Maggie, is a brilliant mix of strength and vulnerability, with a sense of completeness and depth that isn’t normal in UF books. And the secondary characters add more than just pillion for her to interact with, but come complete with their own richness and complexity. Add in the post-apocalyptic nature and the First Nation mythology, and you have one of the best books I’ve read in a long time. I’ve already read it twice (a big deal for me) and it was perfect the second time too. If you read no other book this year, read this one!
  • Rating: 4 out of 5 stars
    4/5
    I loved the badass main character, and her growth and changing understanding of her past. There were so many other amazing characters too -- Kai and Grace and Tah are my favorites. The setting is intriguing. The thing about Kai's powers of persuasion that surprised Maggie at the end of the book seemed pretty obvious to me the whole time, but it worked anyway. I wish the ending was a little less ambiguous about whether Kai lives!
  • Rating: 4 out of 5 stars
    4/5
    Post apocalyptic (The Big Water flooded the coasts and the mid-west, a wall was built around the Dinéteh sealing out much turmoil) tale of a young woman monsterslayer who is a bit monstrous herself. The plot glides crablike sideways, but get where it was going even if that's a bit off to the side.It's not the fault of the author that I am unhappy to see the Diné beset with their own monsters after having survived us and our monstrosities.
  • Rating: 5 out of 5 stars
    5/5
    A great, inventive start to a new urban fantasy series. Maggie is a fantastic, conflicted character, and many of the supporting characters are strong as well.
  • Rating: 5 out of 5 stars
    5/5
    I love the story, I love Maggie, and I can't wait for the next book.
  • Rating: 4 out of 5 stars
    4/5
    Despite my being burned out on post-apocalyptic lit, I really enjoyed this book. Interesting world building, plausible apocalypse, and characters who both frustrate and fascinate. Plus they grow as people. Mostly. I think my one complaint is the lack of pronunciation guide. I want to respect the native language by reading it properly, even in my own head. Definitely looking forward to the next book.
  • Rating: 4 out of 5 stars
    4/5
    Excellent post-apocalypic YA adventure with monsters and gods of the Diné. Maggie has a violent clan gift for fighting and killing monsters, but she needs help with the machinations of supernatural beings and with repairing her own heart.
  • Rating: 5 out of 5 stars
    5/5
    This premise was so interesting and its cover so arresting that I had this book on pre-order almost the second I'd heard of it despite my aversion to series. I was so delighted when it arrived and devoured it over two days. So many things to love about this book. The desert southwest. Half-familiar/half-unfamiliar mythology. A protagonist who is a killing machine but has feelings about it. The secret maybe-powers of the sidekick/love interest. The hard-baked with scattered vestiges of post-apocalyptic civilization Mad Max landscape. Old Chevy pick-ups, dirt roads, mountains, tiny dusty towns and bars in the middle of nowhere.Neil Gaiman feels. Thunderdome feels. Backroad adventure feels. Thunderstorms in the desert feels.Something riding that perfect edge of totally new and favorite jacket familiar.I can't wait for the next one.
  • Rating: 5 out of 5 stars
    5/5
    I hope to see lots more writng by Rebecca Roanhorse but this is her first novel and it's a doozy. The short bio at the back of the book says Rebecca is an Ohkay Owingeh Publo/African American writer who graduated from Yale and is a lawyer. She lives in Northern New Mexico with her daughter and husband. Many people would have been satisfied with that background but now she has written a really gripping post-apocalyptic fantasy novel set in New Mexico and there is one more on the way. She also won the Hugo and Nebula awards for best short story in 2018 and the John W. Campbell Award for Best New Writer.The Dinetah people of southwest US live behind a wall that protected them from the flood waters that engulfed the eastern half of the country. This gave rise to the Sixth World where mythical beings are real and some people have superpowers. Maggie Hoskie is a monster slayer. Her skill set relies on superpowers associated with her Navajo heritage but also on her training by Neizghani, the monster slayer of myth. But Neizghani left Maggie a year ago and she hasn't heard from him since. Now a girl has been taken from a small town and her relatives want to hire Maggie to find her. Maggie does so, killing the monster who took the girl but since the monster had started to eat the girl she has to kill her as well. Maggie takes the head of the monster to her friend and wise man Tah. Tah tells her that the monster was created by a witch and there are probably more around. Tah has a grandson, Kai Arviso, staying with him and he proposes that Kai's powers as a healer would be a valuable asset to Maggie. So, reluctantly, Maggie agrees to team up with Kai. The partnership works out better than Maggie could have ever thought and there might even be the hopes of a romantic relationship. First they have to deal with the trickster Coyote and the manufactured monsters and find the witch who made them. And Maggie has to confront her own internal demons.According to Wikipedia Roanhorse has been criticized by Navajo writers for twisting Navajo teachings and spirituality. She responded to this criticisms by saying "I think a lot of Native characters that we see are stuck in the past. So it was important for me to do that, to show Native American readers and non-Native American readers that we're alive and we're thriving in our cultures". Not being indigenous I can't judge which side to believe but I personally enjoyed the references to the culture and teachings and think all points of view are valuable.
  • Rating: 4 out of 5 stars
    4/5
    This post-apocalyptic novel in set on the former Navajo reservation which is one of the few parts of the United States that are still above water. Magic also came back with the rising waters enabling the Dine to build magical walls around the reservation. Of course the magic brought back all kinds of monsters too.Maggie Hoskie became a monster hunter after the home she shared with her grandmother was invaded, her grandmother killed, and she was rescued just before the invaders could kill her too. The trauma caused her Clan powers to manifest. Maggie has two - super speed and the ability to kill. Her talents are honed by her rescuer Neizghani who is an immortal warrior. She spent a few years with him hunting the monsters.When the story begins, Neizghani has abandoned her and she fears it is because of her ability to kill. She has to reinvent her life but she doesn't know anything else but monster hunting. She is heartbroken because she has fallen in love with Neizghani. She is also really isolated. Her only friend is an elderly medicine man whom she hasn't seen for almost a year. When she goes to see him, he wants to introduce her to his grandson Kai who has come to learn from him. Maggie doesn't want a partner but both the grandfather and Coyote, who pops in and out of Maggie's life sowing confusion, want Kai and Maggie to work together. They have a problem to solve. A witch is creating monsters and the witch needs to be found and stopped. Both Maggie and Kai have secrets which are gradually revealed as they begin to work together. This was a story about a young woman deciding what way her life was going to go. She faces betrayal and finds friendship. I loved the emphasis on Navajo mythology but found the Navajo names with so many double vowels and accent marks something of a challenge even without trying to read it aloud.
  • Rating: 5 out of 5 stars
    5/5
    Totally different from most of the other books in this genre. I really, really enjoyed it and can't wait until the next book comes out!
  • Rating: 5 out of 5 stars
    5/5
    I love when a book lives up to the hype! Trail of Lightning has a strong urban fantasy vibe despite a very rural setting: the former Navajo Nation, after the apocalypse. The action is constant as Maggie Hoskie, a Dinétah monster hunter, is dragged into the machinations of Coyote and numerous other powerful figures. My one criticism is that it does rely so heavily on urban fantasy tropes, with a brittle and magically-gifted protagonist who had largely shut out the world, but at the same time, Roanhorse made the story feel fresh and original because she so beautifully portrayed the setting and culture. The book is a fast read, too; thanks to several appointments, I managed to read the whole thing in a matter of hours.
  • Rating: 5 out of 5 stars
    5/5
    Maggie is a monsterslayer in the Sixth World of the Diné, which returned after most of the world drowned. Abandoned by her immortal mentor for being too violent, she struggles to survive when she’s alienated almost everyone around her. Then a medicine man who’s been kind to her tells her to work with his grandson Kai, who’s too handsome for his own good (and maybe has powers of his own), and she’s sent on an errand by Coyote, but her trauma may keep her from being able to see who’s really on her side. It’s a great new series and I look forward to more.
  • Rating: 4 out of 5 stars
    4/5
    This was such a good, fun book! It was perfectly paced and perfectly balanced--enough action, enough introspection; enough crackling dialogue, enough genuine character moments. Maggie is a great main character; she's edgy, sad, quick to anger, and she makes sense. Everything about her, even her flaws, make sense within the narrative. She reacts to things the way you'd expect an actual human being to react and I love it so much. She's achingly real but still a kick-ass heroine and her choices--while not always made under the best circumstances or in the best frame of mind--feel organic and natural instead of Mandated by Plot.

    Speaking of plot! It's a fascinating world Roanhorse has built! Climatic disasters have wiped away much of the US as we know it but in the ruins of one order, another rises--or rather, rises again. Roanhorse's use of familiar apocalyptic tropes sets a really fascinating and powerful backdrop for the Navajo/Diné nation at the heart of the story. In the ruins of the settlers' US, the Diné and their gods have risen, building a wall to protect their homeland and surviving despite the apocalyspe because, as Roanhorse's characters point out, indigenous people in the Americas have already experienced many apocalypses through the genocidal machinations of white European settlers. The end of one world can allow for the birth of another.

    And this exploration of how the apocalypse might seem to a marginalized community is why this book is so important. Not just because it's a good story with good characters and a fun, interesting plot; ownvoices book like Trail of Lightning remind us that when diverse authors tell diverse stories from diverse points of view the genre as a whole is enriched and we're all given the gift of stories we would never have dreamed of. A Diné hero, fighting Diné monsters on Diné land is a triumph of a book and I cannot wait for the sequel!
  • Rating: 4 out of 5 stars
    4/5
    Excellent world-building and characterization with suspense for future books in the series. Very good debut.
  • Rating: 4 out of 5 stars
    4/5
    Maggie Hoskie, a Dinétah monster slayer, is your typical UF* hardass -- tragic backstory (though, not all that fictional since Native women are among the most raped and murdered population in America), preternatural fighting skills, and borderline anti-social. Maggie falls in (what she believes is unrequited) love, is abandoned by her mentor, is an unwilling hero, and when she trusts a new man in her life, he ends up not being who she thought he was.There are several gruesome fight scenes and deaths. Maggie is not shy about killing.The culture, clan powers and gods of Dinétah are the best parts of Trail of Lightning.3.5 stars*I know this is classified as Urban Fantasy, but since most of it takes place in the desert and mountains I have a hard time calling it UF. But, it does follow that UF formula we're all familiar with and one I burnt myself out on years back. So I only allow myself a couple UF novels each year, more out of fairness to the book because, again, I read WAY too much UF for years straight.
  • Rating: 5 out of 5 stars
    5/5
    I found this book because it was mentioned in a blog post on Tor.com. I’ve read a ton of urban fantasy over the years, so it’s difficult to find something fresh in the genre. And while Roanhorse’s debut does have many of the usual tropes, such as the typical badass heroine, the world building takes it to a new and wonderful level.Maggie hunts the monsters that arose from legend after the Big Water wiped out most of the world. She is of the Diné, and her clan powers make her deadly, but also isolate her. People fear her, and she fears her own power. When she is hired to find a girl stolen by a monster, she discovers the monster is something she hasn’t seen before. So, she takes the head to (her only friend) Tah for identification. It is his grandson Kai who suggests this is the work of a witch, and the two will need to work together to stop it. Like Maggie, Kai is more than he appears. Can they learn to trust each other enough to get to the truth?I’ve read urban fantasy books with Native influence before; Hearne’s Iron Druid series has an installment that revolves around the trickster god Coyote. But this is the first I’ve read that was written by a Native American - and the difference is apparent. There is a reverence here, and attention to detail, that underlies the worldbuilding. The author doesn’t just tell us Maggie has clan powers, she shows how they are important to this world and its people. There are some excellent action sequences in the book, but also a lot of investigation and exploration. We get to know Dinétah (once a Native reservation), and Maggie. She is a fully developed and complex character. She’s powerful, but also has vulnerabilities. And Kai is a perfect foil for her. Overall, this was so good I immediately preordered the sequel. I can’t wait for more from this exciting new author. (My only very minor complaint is that I would have liked a pronunciation guide included at the end for all the Navajo words included.)
  • Rating: 4 out of 5 stars
    4/5
    this would fit in very well with the Shadowrun RPG universe. I wasn't sure I liked it at first but it did grow on me.
  • Rating: 5 out of 5 stars
    5/5
    I absolutely loved this book! I read it for an honors class in college and I couldn't put it down. It's easy to connect with the characters and the story is compelling.
  • Rating: 4 out of 5 stars
    4/5
    Set after a global weather disaster that the Navajo protected themselves from by use of their magic as they built a wall around their tribal lands. Magic, gods, and monsters are now walking the lands. Maggie is a one time apprentice to a monster hunter that is a child of two gods. When he disappears, she is the last resort people turn to get a child taken by monsters back. Coyote needs Maggie to go after a monster and she works with someone she has never met before but is the grandson of a man she trusts.
    Great world building in this book and well developed characters. This book deserves all the talk around it and I will not be surprised to see it on some ballots next year. Can’t wait for the next one.
  • Rating: 3 out of 5 stars
    3/5
    This was a fun read, and evokes its setting very effectively. But it also falls into some formulaic fantasy traps that detracted a lot from the ending for me.
  • Rating: 4 out of 5 stars
    4/5
    This is the most entertaining fiction book I've read for a long time. I can't think of any similar book, except for mythical coyote tales. This book is a genre of its own.
  • Rating: 4 out of 5 stars
    4/5
    Trail of Lightning is one of those books that I’ve been curious to read for some time – mostly thanks to the enthusiastic reviews of my fellow bloggers – but that I’ve kept shuffling down my reading queue when distracted by other titles. Now that I’ve finally started this series, I’m both sorry that I waited so long, but also happy that thanks to my dithering the second volume is already out, so I will not have to wait too much to see the unfolding of the overall story. Where Urban Fantasy series usually require some time to find their footing, Rebecca Roanhorse’s The Sixth World seems to hit the ground running from the very start and, despite a few narrative “hiccups”, it manages to focus your attention pretty quickly. Mostly that’s due to the unusual setting of the story, which draws deeply from Native American lore – a new kind of background as far as I’m concerned – and not only manages to create a fascinating backdrop, but to encourage the readers to learn more about a culture they might know little, or nothing at all, about. Which for me is always a plus.The world has changed dramatically from the one we know: a series of environmental disasters, chief among them the Big Water (which raised the seas’ level to the point of submerging huge portions of land and killing millions in the process), have changed the face of the Earth. The few surviving areas are those either far inland or elevated from sea level: Dinétah is one such enclave – set in the region that used to be the Navajo (or Diné) reservation, it’s now encircled by a massive wall protecting the inhabitants from outside dangers, even though inside perils abound, including monsters who prey on human flesh.This is one of the major changes brought on by world’s upheavals: in Dinétah, the ancient gods have manifested again and interact with humans (or five-fingered people, as they call them) with varying degrees of risk – the creation of such monsters being one of them. The presence of hellish creatures requires monster slayers to keep them at bay, and Maggie Hoskie – the novel’s main character – is exactly that: trained by the god Neizghání for this purpose, she was then left to her own devices and now lives in isolation from which she emerges only to answer the desperate call of those who are beset by some foul beast.Maggie is not an easy character to relate to: she’s abrasive and cynical, filled by an unfocused anger that comes both from the terrible past event that left her all alone in the world, and from Neizghání’s abandonment, which reinforces her growing feelings of being nothing more than a killing machine and unworthy of any kind of company. As the novel opens, Maggie is called by the community of Lukachukai to save a young girl abducted by a monstrous creature: as she carries out the task, whose outcome is far less desirable than she anticipated, she discovers that the man-shaped animal is a new kind of beast and that it must be the product of evil witchcraft. Asking for the knowledgeable help of Tah, an old shaman who is one of the very few people showing Maggie any kindness, she finds herself reluctantly teamed up with Kai, Tah’s grandson and a medicine-lore trainee, and the two start collecting the clues about the appearance of these new murderous creatures, while the body count keeps growing and Maggie discovers many unpleasant truths and the machinations of some of the gods walking among humans.Along the way, Maggie’s harshness comes into a different perspective as we learn what made her the way she is now, and what comes into light is the strident contrast between her outward ferocity and her inner brittleness, which went a long way toward changing the way I saw her: she might look like a callous killer, her ability in monster slaying enhanced by the mystical powers coming from her origin clans, but inside she is not far from the terrified teenager who saw her whole world crumble in bloody pieces and who was rescued by a mythical figure who turned her into a killing machine only to abandon her with no explanation and under the weight of all her unresolved troubles and doubts. Those same doubts about her worth as a human, about the stain of death impressed on her soul, prevent her from forming stable ties of friendship, or more, and compel her to keep some distance between herself and the people, like Tah, who know how to look beyond the hardened façade Maggie shows the world. Maggie Hoskie is as damaged and as fascinating as another great UF character, Seanan McGuire’s Toby Daye, and even though they are different on many levels they both share that kind of inner strength that makes them fight without ever giving up – no matter the damage they might sustain.Despite such a mesmerizing main character, the novel feels a little rambling at times, with Maggie and Kai following misleading clues and being distracted by the machinations of the trickster god Coyote: it’s only in the final part that every piece falls into place and we learn – together with Maggie – the full extent of the deception centered around her and the truth, if there is any to be had, about the people she’s been fighting with. As I said, even though the story does reach an ending of sorts, it’s an open one and I’m glad that the next book in line is already available for me to learn where Maggie is headed next.Apart from this great protagonist, the other fascinating element in Trail of Lightning comes from the Diné lore and the way it informs both the narrative and the character development: there is a definite sense of the proverbial iceberg here, of stories and legends barely touched on that only beg to be explored in greater depth, and yet even that little helps in giving this novel a special flavor that is both new and engaging in a genre where the extraordinary is at home.Highly recommended.
  • Rating: 4 out of 5 stars
    4/5
    After listening to the conflicting opinions on this novel I was wondering whether I even wanted to bother, as my suspicion is that it has been overly hyped. On the whole though I'm actually fairly impressed. I'm happy that we get a protagonist we meet after when the conventional hero's journey would have climaxed and I'm happy that the the story feels weirder and darker than the typical urban fantasy; I look forward to further installments in the series.
  • Rating: 4 out of 5 stars
    4/5
    this one describes a near future dystopia, complete with monsters and superpowers, set in the Navajo desert while the rest of the world is mostly drowned. lots to play with there, and the main characters are interesting. but it goes romantic and shallow about halfway through, more of a True Blood clone with different set dressing. that's okay, it is what it is, but it could have been more. i'll try the next one in the Sixth World series before i quit, just to see if it rises to the occasion.

Book preview

Trail of Lightning - Rebecca Roanhorse

Chapter 1

The monster has been here. I can smell him.

His stench is part the acrid sweat of exertion, part the meaty ripeness of a carnivore’s unwashed flesh, and part something else I can’t quite name. It fouls the evening air, stretching beyond smell to something deeper, more base. It unsettles me, sets my own instincts howling in warning. Cold sweat breaks out across my forehead. I wipe it away with the back of my hand.

I can also smell the child he’s stolen. Her scent is lighter, cleaner. Innocent. She smells alive to me, or at least she was alive when she left here. By now she could smell quite different.

The door to the Lukachukai Chapter House swings open. A woman, likely the child’s mother, sits stone-faced in an old dented metal folding chair at the front of the small meeting room. She’s flanked by a middle-aged man in a Silver Belly cowboy hat and a teenage boy in army fatigues who looks a few years younger than me. The boy holds the woman’s hand and murmurs in her ear.

Most of the town of Lukachukai is here too. For support or for curiosity or because they are drawn to the spectacle of grief. They huddle in groups of two or three, hunched in morose clumps on the same battered gray chairs, breathing in stale air made worse by the bolted-up windows and the suffocating feel of too many people in too small a space. They are all locals, Navajos, or Diné as we call ourselves, whose ancestors have lived at the foothills of the Chuska Mountains for more generations than the bilagáanas have lived on this continent, who can still tell stories of relatives broken and murdered on the Long Walk or in Indian boarding schools like it was last year, who have likely never traveled off the reservation, even back when it was just a forgotten backwater ward of the United States and not Dinétah risen like it is today. These Diné know the old stories sung by the hataałii, the ancient legends of monsters and the heroes who slew them, even before the monsters rose up out of legend to steal village children from their beds. And now they are looking to me to be their hero.

But I’m no hero. I’m more of a last resort, a scorched-earth policy. I’m the person you hire when the heroes have already come home in body bags.

My moccasins make no noise as I cross the cracked tile floor to stand in front of the mother. Whispered conversations hush in my wake and heads turn to stare. My reputation obviously precedes me, and not all of the looks are friendly. A group of boys who must be the teenage boy’s friends loiter along the far wall. They snicker loudly, eyes following me, and no one bothers to shush them. I ignore them and tell myself I don’t care. That I’m here to do a job and get paid, and what Lukachukai thinks of me beyond that doesn’t matter. But I’ve always been a terrible liar.

The mother has only one question for me.

Can you save her?

Can I? That’s the real question, isn’t it? What good are my skills, my clan powers, if I can’t save her?

I can find her, I say. And I can, no doubt. But saving and finding are two different things. The mother seems to sense that, and she shuts her eyes and turns away from me.

With a clearing of his throat, the man in the cowboy hat pushes himself up from his chair. He’s wearing old faded Levi’s that probably fit ten years ago but now shrink back to leave his belly protruding over his belt buckle. A similarly ill-fitting cowboy shirt covers his aging paunch, and the look he gives me through bloodshot eyes tells me he’s already in mourning. That maybe he doesn’t believe much in saving either.

He introduces the mother, the boy, and then himself. First and last name, and then clans, like you’re supposed to. He’s the missing girl’s uncle, the boy is her brother. They are all Begays, a last name as common here as Smith is to the bilagáanas. But his clans, the ancestral relations that make him Diné and decide our kinship obligations, are unfamiliar to me.

He pauses, waiting for me to give my name and clans so he and the others can place me in their little world, decide our relations and what k’é they might owe me. And what k’é I owe them. But I don’t oblige him. I’ve never been much for tradition, and it’s better all around if we just stay strangers.

Finally, the older Begay nods, understanding I’m not inclined toward proper Diné etiquette, and gestures to the cloth bag at his feet. This is all we have for trade, he says. His hands tremble as he speaks, which makes me think he’s as bad a liar as I am, but he raises his chin defiantly, eyes wide under the brim of his hat.

I step forward and crouch to look through the bag, doing the quick math in my head. The silver jewelry is nice—beads, old stampworked bracelets, a few small squash blossoms—even if the turquoise is sort of junk, missing the spidery veins that make the rocks worth big trade. I can exchange the silver for goods at the markets in Tse Bonito, but the turquoise is useless, no more than pretty blue stones.

The turquoise is shit, I tell him.

A loud grunt and the brother pushes his chair back. The metal feet screech across the tile in protest. He makes a show of crossing his arms in disgust.

I ignore him and look back at the uncle. Maybe you should find someone else. Law Dogs or Thirsty Boys.

He shakes his head, his moment of bravado leaking away under the weight of limited options. We tried. Nobody came. We wouldn’t have sent a runner if we weren’t . . .

Desperate. He doesn’t have to say it. I get it.

The runner was a kid on a motorbike. Short and squat, so runner was a bit of a misnomer, but he wore a pair of ancient Nikes, duct tape wrapped carefully thick around the toe and reinforcing the seam at the heel, so what do I know? He sat in my yard with the bike’s motor idling loudly, making my dogs bark. I came to the door to tell him to go the hell away. That I wasn’t in the monster-hunting business anymore. But he told me Lukachukai needed help and nobody else would come and there was a little girl and besides they were paying. I said it wasn’t my problem, but the kid was persistent, and the truth was I was interested. All I’d been doing the past nine months was staring at the walls of my trailer, so what else did I have to do? Plus, I was getting low on funds and could use the trade. So when the kid refused to leave, I decided I’d go to Lukachukai. But now I’m starting to regret it. I’d forgotten in my months of self-imposed isolation how much I hate a crowd, and how much a crowd hates me.

The uncle spreads his hands, eyes begging where words fail. I thought, maybe once you saw . . .

And I do see. But I figure the Begays are holding out. Maybe they don’t want to pay because I’m a woman.

Maybe because I’m not Him.

This is bullshit, the brother says loudly, and his challenge sends a nervous titter rippling through the gathering. What can she do that we can’t do? He gestures to encompass his posse of friends along the wall. Clan powers? She won’t even tell us what her clans are. And Neizghání’s apprentice? We only have her word for it.

At the mention of Neizghání’s name my heart speeds up and I can’t breathe past the knot in my throat. But I force myself to swallow down the familiar hurt, the ache of abandonment. The pathetic flutter of desire. I haven’t been Neizghání’s anything for a long while now.

Not just her word, the uncle says. Everyone says it.

Everyone? Everyone says she’s not right. That she’s wrong, Navajo way. That’s what everyone says.

A general burst of murmuring through the crowd, comparing notes on my wrongness, no doubt. But the uncle quiets them down with a flapping wave of his hands.

She’s the only one who came. What do you want me to do? Send her away? Leave your sister out there at night with that thing that took her?

Send me! he shouts.

No! The mountain’s no place to be after dark. The monsters . . . His eyes flicker to me, the person he is willing to send up the mountain after dark. But there’s nothing like consternation on his face. After all, he’s paying me to risk my life, although it’s a pretty stingy deal. The nephew is a relative, and another matter. We already lost one, he finishes weakly.

For a moment the boy looks like he’ll challenge his uncle, but he catches his mother’s gaze and his shoulders fall. He exhales loudly and slumps in his seat. I’m not scared, he mutters, a final volley. But it’s not true. He’s all show in those army castoffs and he surrendered quick enough. I glance over at his boys against the wall. Quiet now, looking everywhere but at their friend. I revise his age down a few years.

I let my eyes drift toward the boarded-up window where outside the sun is swiftly setting. If I had a watch, I’d make a show of checking it.

Seems to me all this talk is just wasting my daylight, I tell them. Pay me what I’m worth and let me do my job or don’t pay and let me go home. Makes no difference to me. I pause before I look at the mother. But it might make a difference to your daughter.

The boy flinches. I get a small tick of pleasure watching him flush in shame before a voice cuts through the heavy air.

Do you have clan powers? It’s the first thing the mother’s said since she asked if I could find her daughter. She seems startled by her own outburst and raises her hands as if to cover her mouth. But she stops short, lowers her hands to her lap, and grips the fabric of her long skirt before she adds quietly, Like him, the Monsterslayer. The rumor is you do. That he taught you. That you’re . . . like him.

I’m not like Neizghání, no. He is the Monsterslayer of legend, an immortal who is the son of two Holy People. I’m human, a five-fingered girl. But I’m not exactly normal, either, not like this brother and his friends. If the others asked, the boy or the uncle, I would refuse. But I won’t deny a grieving mother.

Honágháahnii, born for K’aahanáanii. Only my first two clans, but that’s enough.

The crowd’s muttered suspicions rise to vocal hostility, and one of the boys barks something ugly at me.

The mother stands up, back straight, and silences the crowd with a hard stare. Her eyes fill with something fierce that stirs my sympathy in spite of my best efforts not to give a damn. We have more, she says. The uncle starts to protest, but she cuts him off, her voice louder, commanding. We have more trade. We’ll pay. Just find her. Find my daughter.

And that’s my cue.

I roll my shoulders, shifting the shotgun in the holster across my back. Habit makes me briefly palm the belt of shotgun shells at my waist and the Böker hunting knife sheathed against my hip. Fingertips brush the throwing knives tucked in the tops of my moccasin wraps, silver on the right, obsidian on the left. I sling my pack over my shoulder and turn on silent feet, moving through the muted crowd. Keep my head up, my hands loose, and my eyes straight ahead. I push the door open and step out of the stifling Chapter House just as the brother shouts, What if you don’t come back?

I don’t bother to answer. If I don’t come back, Lukachukai’s got bigger problems than one missing girl.

Chapter 2

I follow the easy tracks, broken branches and grass shine, up the mountain for over an hour with no visual on my prey. I keep moving anyway, sure of my path. And for a moment, lost in the beauty of the waning sunlight and the steady rhythm of my breath, I forget I am here to kill something.

The forest surrounds me. Ponderosa and blue spruce spread across the high desert mountains, sheltering small badgers and mice and night birds. Pine trees scent the air, their fallen needles crunching softly under my feet. Insects drone happily in the cooling evening, buzzing near my ears, attracted to my sweat. There is a beauty here, a calmness that I savor. I will savor the bloodshed, too, no doubt, but this balance between earth and animal and self feels right. Feels true.

The sun sets, the moon rises, and the night settles in thick around me. The trees become shadows, the creatures flee from night predators, and the insects fly away. My pleasure fades along with my daylight.

I keep moving until the stench of corruption grows so strong it becomes overwhelming. Dread, like a dark intuition, builds in my stomach, telling me I must be almost there. I swallow my fear, my mouth dry and sour, and keep going. I run my hands across my weapons again just to be sure.

A flicker of light ahead on the path catches my eye and draws me closer. I hunch down and move in for a better look. A campfire flutters and shivers, casting haphazard flames against the trunks of tall trees. The fire tries its best to rise higher, but it’s just a bunch of loose sticks thrown in a shallow dugout, quickly consumed and not up to the task.

I circle south to come in somewhere downwind and east of the camp. I load my shotgun with shells full of corn pollen and obsidian shot, both sacred to the Diné. Ammo meant for taking out the yee naaldl shii and ch’ įdii and any of the other monsters that call Dinétah home. If I’m wrong and this monster is of the more common human variety, the ammo will work just fine on him, too. A hole in the heart is a hole in the heart, no matter what makes it.

I find a good spot, foliage providing me cover but not breaking my sight line into the camp, and I brace the shotgun against my shoulder. I sight down the barrel. What I see turns my stomach.

The monster looks like a man, but I know better. He lies stretched out on a blue sleeping bag under a makeshift lean-to, rough canvas tarp strung across two ponderosas with trading post twine. The bulk of his body hides the girl from view, but I can hear her. A low whimpering mewing as his mouth works at her neck and she begs him to stop.

He doesn’t stop.

Rage floods my body, turns my vision hazy as I fight a wave of memory. The remembered feel of a man’s weight holding my own body down, blood thick and choking in my mouth as powerful fingers grip my skull and slam my head into the floor. A strong smell of wrongness in my nose.

The memory shudders through me, makes my hands unsteady. I force myself to shake it off. Remind myself that it’s just a memory and can’t hurt me anymore—the monster that did that to me is dead. I killed him.

I spare one last hope that Neizghání will come charging up the mountain, flaming lightning sword aloft to save the day. I even wait half a second to see if it’ll happen. But . . . nothing. Just me. Alone.

I raise the shotgun, bracing it against my shoulder. I stick out a foot, eyes still focused in front of me. I step heavily on a fallen branch. The break sends a loud snap into the otherwise silent night.

I wait for him to move, to give me a clear shot. Zilch.

Eyes still set on the monster’s back, I reach down and pick up a rock. I throw it hard at a distant sumac. It smacks into the trunk with a loud thunk. I grip the shotgun, finger on the trigger.

Still nothing, and the girl’s cries get higher, more frantic.

Screw it. I bang the butt of my shotgun on the tree I am using for cover and yell, Hey! Over here!

He rears up, head jerking back and forth as he searches the night for me. The nearness to the fire has left him blind.

I swallow down bile. His mouth is covered in red gore. He’s been gnawing at her throat. The sonofabitch is eating her.

I fire. The shot rips through his chest. He staggers but doesn’t go down. Blood trickles, sparkling wet in the firelight, and then pours. I start counting down from ten. Ten seconds and a human loses enough blood that he falls like a brick. I know he’s only shaped like a human, but I hope the rule still stands: I stay alive for ten seconds and I win.

He’s big, broad-shouldered and thick. No wonder he was able to carry the girl up the side of the mountain for miles. In the flickering light of the poor fire, I can’t see much detail. Man-shaped, but with knotty lumps like oversize tumors protruding from his back, shoulders, and thighs. Arms that seem too long, that branch out from his trunk and drag the ground. Skin so translucent it almost glows. And now he’s sporting a bloody hole in his chest.

I pump and fire again, this time taking off a chunk of his shoulder. Flesh and other bits spatter down on the girl, who skitters backward on all fours.

The monster is still standing, and he roars at me like a wounded boar, enraged.

Run! I shout at the girl as I advance. Six, five, four and he barely staggers with a hole in his heart and half his arm missing. And I know I’m in trouble.

Go down, I whisper. Go down.

He reaches a massive pawlike hand under the sleeping bag and pulls out a long wicked-looking ax meant for chopping through trees and little girls’ windows. I have no doubt it will slice through my flesh nice and easy. I don’t plan on giving him the chance.

In one practiced move, I slide my shotgun into the holster across my back and draw my Böker. Seven inches of curved steel, down-weighted for a machete-like strike. But before I can attack, he pivots toward the girl, scoops her up, throws her over his shoulder, and runs.

Shit!

I take off after him, struggling to put my hunting knife away and get the small quick knife tucked in my moccasins. I throw the obsidian blade fast as lightning, smooth and spinless in an underhanded release. Grim satisfaction as it flies true and hits him in the back of the knee. He roars and stumbles, almost drops the girl, who shrieks in terror. But he keeps on going. Faster than he should be with a knife in his leg. Faster than he looks. Quickly disappearing into the dark woods. So I do the only thing I can do. I chase.

And with my need, Honágháahnii comes. Like a streak of wildfire through my veins, churning through my muscles, turning me into something more than I am without it. My eyesight sharpens. My lungs expand. And I fly, feet light, barely touching the ground. Instinctively I dodge trees, leap felled branches and dense underbrush. I am close to the monster too fast, in the milliseconds between breaths. I stutter step and then launch myself at his broad back.

Impact, and the three of us crash to the forest floor. The girl goes flying from his arms as he smashes face-first into the ground. His big body cushions my fall, giving me a moment of advantage that I take. I roll, drawing my knife even as I get my legs under me. I’m ready when the monster gets to his feet.

His eyes flicker between my knife and the girl. She’s sprawled out facedown, silent. Maybe already dead, but I can’t tell for sure. His eyes dart between us again, and this time when his gaze settles on the girl, he licks his lips.

I swing my knife for his throat, still Honágháahnii fast, but he throws out an arm to block me. I adjust, twisting before the blade hits, nimble as a mountain cat, and invade his inner guard. I plunge my knife into his belly and rip. Again. A third time. Hard and fast and merciless like I’ve been taught. My hands grows slippery with his blood. The stench of his innards is overwhelming, and my eyes water and blur, but I don’t stop. I don’t pause between strikes to see if it’s working. I just wait for his body to hit the ground.

No luck, as huge arms wrap around me and squeeze. The barrel of my shotgun digs painfully into my spine. I fight to breathe. Fire blazes across my shoulder as he clamps down, trying his best to bite through my leather jacket.

I scream. Pure and instinctual as I thrash helplessly in his massive arms. Panic judders through my bones and stars burst and flame out on the edge of my vision. He squeezes harder. Uses his teeth to worry my shoulder like a dog with a bone. I’ve still got my Böker in my right hand. Desperate, I shift my knife to my left, shimmy that arm loose. And with all my strength, I take a swinging hack at his neck. It’s awkward and clumsy, but it works. He releases me with a bellow of pain. Hurls me away. I go flying, arms and legs paddling wildly.

I strike the ground hard. Agony jolts my side. I can’t catch my breath and my shoulder is throbbing, but I scramble to my feet, fumbling to put my knife between us.

But there’s no need. He staggers, hand clumsily shoving to contain the flesh and tendons of his neck, and I realize I’ve severed his head. I watch in awe as he crumples to the ground.

Dead.

The monster is dead.

I drop to my knees, exhausted. Because what Honágháahnii gives, it takes away, and even that limited use of my clan powers has left me drained. My heart pounds like a big drum in my chest. The roar of a windstorm crashes in my ears, and the shakes are ridiculous. They rattle through my muscles as the adrenaline melts away.

I scream, exhilarated, obscenely euphoric. I know this high. K’aahanáanii, my clan power, a bloodlust that revels in the kill. Guilt and horror suffuse me, and I try to mentally push K’aahanáanii away, but it won’t be denied as long as I am covered in the blood of my enemy, his lifeless body at my feet. I listen as my voice echoes back to me through the trees and wait for the perversity of my killing clan power to pass.

For a while the only sound is my own breath in my ears. The soft rustle of wind through the trees.

Dirt and rocks stick to my blood-soaked leggings and poke painfully at my knees as I crawl over to retrieve my knives. I clean them both as best I can, sheathe the obsidian blade.

I use the Böker to hack at what’s left of his neck until the head comes off. I’m not sure what kind of monster I just killed, but I do know he took too damn long to die, and that makes me cautious. Taking the head is about the only way to guarantee he won’t stand up the moment I turn my back.

There’s a shuffling behind me.

I whirl, too fast, and my head throbs. If there’s another monster, I’m in no shape to fight it.

It’s the girl. I forgot all about the girl.

She’s dragged herself upright, back braced against a bare tree trunk. Her nightgown is torn and filthy. Her hair hangs in stringy blood-clotted clumps. The color in her face is an awful ghostly chalk under her brown skin. I can see her wound now, the black blood, the white of bone and tendon showing through where the flesh has been scraped away by the monster’s teeth. I shake off a shudder of horror and wonder how she’s still alive. The monster wasn’t just gnawing at her. He was trying to dig out her throat.

She tries to talk, her mouth working soundlessly, but the damage is so bad that she can’t speak. Her eyes are big, wide and glazed over. She can’t be more than twelve years old. And, as I’m looking at that wound, my gut says she’s not going to make it to thirteen.

I go to her, crouch down so we’re closer to eye-to-eye. She looks a lot like me. The same dark hair, the same brown skin and broad angular face.

I still have the Böker in my hand, but I keep it flat to the ground, out of sight.

The monster got you, I tell her quietly. I point to the wound. Her eyes roll, trying to see the bloody place on her neck. Do you know what that means?

A low painful sound is all she can manage.

Neizghání once told me that evil was a sickness. He told me he could see it on people, like a taint. That the bilagáanas had it wrong, and evil wasn’t just some spiritual concept or the deeds of a bad man. It was real, physical, more like an infectious disease. And

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