Cin 621/622 Day Exterior with Curtis Clark, ASC

Cinematographers: Kee Kyung and Kay Hung Date: 10/01/2013

Lighting and Camera Notes

Cin 621/622 Day Exterior with Curtis Clark, ASC

Sequence 1 Cinematographer: Kee Kyung Day / Exterior + Interior Location: Grotto and Car Interior Date: 10/1/2013 Camera used: F65 Base EI: 800 White Balance: 5500K Camera Report T Stop Shutter Angle 2.05 45 18 2.85 (+/- 1.5) 45 36 2.85 2.83 4.03 2.05 1.9 45 45 45 45 45 36 36 36 36 36

Camera notes

Scene 1 1 1 1a 1a 1b 1b 1 2 3 1 2 1 2

Take 24 24 24 50 50 85 85

Lens

FPS

Filters / Remarks Pola -- +/- 1.5 stop exp. change in shot -- no exp. change in shot pola pola pola pola

Takes marked in Bold type are circled takes

Cin 621/622 Day Exterior with Curtis Clark, ASC

Scene 1 Day Exterior Grotto 24mm

Lighting Diagram

Handheld tracking shot following the actor

12x12 Griffolyn White Bounce 4x4 Reflector to key the Blue actor at her mark 2 2 1 4x4 Reflector as edge light for position 2 1 Scene 1 - 24mm

Sun - 1000 hrs

Cin 621/622 Day Exterior with Curtis Clark, ASC

Scene 1 Day Exterior Grotto 24mm

Light readings

Handheld tracking shot following the actor

Meter rated @ ISO 800 / 24fps / 180 shutter as requested by DP Spot Readings: 1. Woman face 2. Specular reflection on face 2. highlight in bushes 3. foreground grass Incident Readings 1. Key on Woman 2. Fill (toward cam) 3. Backlight (#2 position) 11.0 16.0 64.5 8.05 11.6 8.0 22.2

Scene 1 - 24mm

Cin 621/622 Day Exterior with Curtis Clark, ASC

Scene 1a Day Interior Car 50mm

Lighting Diagram

Profile mid shot of actor in car

Scene 1A - 50mm

4x4 Reflector 4x4 Reflector

Sun - 1200 hrs

Cin 621/622 Day Exterior with Curtis Clark, ASC

Scene 1a Day Interior Car 50mm

Light readings

Profile mid shot of actor in car

Meter rated @ ISO 800 / 24fps / 180 shutter as requested by DP Spot Readings: 1. mans face (Camera side) 2. Specular reflection on face 2. highlight on shirt 3. Trees outside window 4. Sky outside window 5. Hair Incident Readings 1. Toward camera near face 2. Sunlight 16.0 32.5 90 22.5 90.8 8.05 8.05 64.8

Scene 1A - 50mm

Cin 621/622 Day Exterior with Curtis Clark, ASC

Scene 1b Day Interior Car 85mm

Lighting Diagram
Close shot of hand with ring

Scene 1B - 85mm

4x4 Reflector 4x4 Reflector

Sun - 1200 hrs

Cin 621/622 Day Exterior with Curtis Clark, ASC

Scene 1b Day Interior Car 85mm

Light readings
Close shot of hand with ring
Meter rated @ ISO 800 / 24fps / 180 shutter as requested by DP

No Image available

Spot Readings: 1. Ring 2. Hand in sunlight 2. Hand in shade 3. Hand (darkest area) 4. Steering Wheel Incident Readings 1. Sunlight 2. Toward camera at hand

32.7 64.8 16.5 8.0 11.5 64.8 8.03

Cin 621/622 Day Exterior with Curtis Clark, ASC

Sequence 2 Cinematographer: Kay Hung Day / Exterior + Interior Location: Soundstage Parking Lot and Car Interior Date: 10/1/2013 Camera used: F55 Base EI: 1250 White Balance: 5500K Scene 1 1 1 1 1 1 1a 1a 1a 1b 1b 1b 1b 1 2 3 4 5 6 1 2 3 1 2 3 4 Take Lens 50 50 50 50 50 50 50 50 50 32 32 32 32 T Stop 5.65 5.65 5.6 5.6 5.6 5.6 5.65 5.65 5.6 5.6 5.6 4.0 4.0

Camera notes
of exposure latitude. Todays test is to find out how F55 renders tones from deepest shadows to brightest highlights. And also, how F55 holds details in the highlights, while noise in the blacks is extremely low.... could F55 graceful rendering of scene contrast, even in searing sun light.

Goal: On the Sony website it claims, F55 is with 14 stops

Camera Report Shutter FPS Angle 180 24 180 24 180 24 180 24 180 24 180 24 180 24 180 24 180 24 180 24 180 24 180 24 180 24

Filters / Remarks nd1.8 nd1.8, new #2 mark for actor nd1.8 nd1.8, cyan2 nd1.8 nd1.8, new mark for actor nd.6 nd.9, irnd.3 nd.9, irnd.3, cyan2 nd.9, irnd.3 nd.9, irnd.3 nd.9, irnd.3, cyan2, actor doesnt collapse nd.9, irnd.3

Takes marked in Bold type are circled takes

Cin 621/622 Day Exterior with Curtis Clark, ASC

Scene 1 Day Exterior Soundstage lot 50mm

Lighting Diagram
handheld dolly back

4x4 Reflector for actors #2 position inside car Arri M18 (only used for tk1) CAR 2 2 1 1 4x4 250 diffusion

Scene 1 - 50mm

Sun - 1500 hrs

Cin 621/622 Day Exterior with Curtis Clark, ASC

Scene 1 Day Exterior Soundstage lot 50mm

Light readings
handheld dolly back
Meter rated @ ISO 20 / 24fps / 180 shutter as requested by DP Spot Readings: 1. White wall of trailer 2. Sunlit wall of Warner bldg 3. Shaded wall of Warner bldg 2. Actress Teal shirt 3. Actress Black hair 4. Actor inside car thru w/shield 5. Actor standing outside car Incident Readings 1. Sunlight 2. Inside car toward camera 3. Inside car toward reflector 32.7 16.5 8.05 11.7 5.65 4.02 5.6 11.4 2.03 2.83

Scene 1 - 50mm

Cin 621/622 Day Exterior with Curtis Clark, ASC

Scene 1a Day Interior Car 50mm

Lighting Diagram
Profile mid on actor in car

Arri M18 w/ 1/4 CTO CAR

2 x 2x3 solids to flag direct sunlight off the car

Scene 1A - 50mm

Sun - 1615 hrs

Cin 621/622 Day Exterior with Curtis Clark, ASC

Scene 1a Day Interior Car 50mm

Light readings
Profile mid on actor in car
Meter rated @ ISO 320 / 24fps / 180 shutter as requested by DP Spot Readings: 1. Actors face 2. Key side of actors face 3. Highlight on car windowsill 4. Bushes outside window 5. Blue sign outside window 6. Bright part of seat Incident Readings 1. Keylight 2. Inside car toward camera 8.0 11.6 16 5.6 8.03 11.2 11.1 5.63

Scene 1A - 50mm

Cin 621/622 Day Exterior with Curtis Clark, ASC

Scene 1B Day Interior Passage 32mm

Lighting Diagram
Low angle silhouette

Scene 1B - 32mm

4x4 Solid for negative fill

Sun - 1700 hrs

Cin 621/622 Day Exterior with Curtis Clark, ASC

Scene 1B Day Interior Passage 32mm

Light readings
Low angle silhouette
Meter rated @ ISO 80 / 24fps / 180 shutter as requested by DP Spot Readings: 1. Sky 2. Actress face 3. Trees 4. Specular reflection on trailer 5. Reflection in window Incident Readings 1. Skylight 2. Fill (toward camera) 32 5.6 8.0 11.0 16 4.03 1.07

Scene 1B - 32mm