Various Voices Dublin 2014 Songbook FA

1
Various Voices
Dublin 2014
Sponsored by IMRO
Irish Song Book/
2
Various Voices
Dublin 2014
Contents/
3
Introduction/
IMRO/
Contributors/
Barry Grace
Written in my heart
SATB
Carole Nelson
Beloved
SATB
She Moved through the fair
SATB

Cathy McEvoy
I am streched in your grave
SATB

Declan ORourke
Galileo
SATB
Eoin Mulvany
The Lark In The Clear Air
SATB
SSA
TTB

Jerome de Bromhead
Love Thee dearest
SATB
Kathleen McGuire
When Irish eyes are smiling
SATB
Neville Lloyd
A song of hope
SATB
SSA
TTB
Sinad Finegan
Requiescat
SSA
Steve Nobles
The Parting Glass
SATB
SSA
TTB
06-09
10-13
15
16-22
23
24-28
29-35
34
36-42
43-51
53-55
56-58
59-61
63-72
74-80
82-91
99-101
102-111
113-117
119-120
121-122
124
1250153
154
155-158
1
59
160-163
4
5
The Contemporary Music Centre/
David Fennessy
chOirland
SATB
Fiontn Cearbhaill
Suantra r Slnaitheora
SATB
Frank Corcoran
Caoine
SATB
Acknowledgements
124
1250153
154
155-158
1
59
160-163
6
Various Voices
Dublin 2014
Introduction/
7
Dear fellow choristers,
I am delighted to introduce The
Irish Songbook, commissioned
specially for the Various Voices
Dublin 2014 Festival. Various
Voices, under the patronage of
Legato, the European Organisa-
tion of Lesbian and Gay choirs, is
organised and hosted by a differ-
ent European city every 4 years.

We produced the songbook to
give each and every choir partici-
pating in the Festival an oppor-
tunity to learn at least one Irish
song from the book, and so that
all delegates could get into the
spirit of Irish culture. Craic agus
Cel (Fun and Music) is at the
heart of Irish culture and we want
everyone to experience both
during the Festival and its great
social programme. So go on, get
learning!
The songbook comprises xxx
traditional and contemporary Irish
songs, arranged for choral singing
mostly in 4 part harmonies. The
composers and arrangers who
wrote the pieces are acknowl-
edged throughout the book, and
a short biography of each person
has been printed. We are very
grateful to all of the composers
and arrangers who contributed,
they donated their time, expertise
and skill free of charge and gave
us permission to print and distrib-
ute their work.
A big thank you also is due to
IMRO (Irish Music Rights Organi-
sation) who funded this booklet
in its entirety and without whom
it would not have happened.
Thanks also to Shay Hennessy
and Ian Doyle who compiled and
produced the book, and fnally,
thanks to Mario Quintana who
designed the booklet .
8
9
All of these people have donated
their time and expertise free of
charge.
Now all that is left for me to say
is irigh Amhrn a R! (Arise
and Sing!)
Now all that is left for me to say
is irigh Amhrn a R! (Arise
and Sing!)
All the best from myself, and
the entire VVD 2014 organising
committee see you in Dublin in
June 2014.
Bernadette Manning
Chair, Various Voices Dublin 2014
About Various Voices Dublin 2014
The 2014 Festival, hosted by
Gloria, Irelands frst Lesbian and
Gay Choir, has already attracted
70 choirs representing 2,500
delegates, and we are still more
than a year from close of registra-
tion so we expect more people.
Already choirs are registered
from the US, Canada, Australia,
New Zealand, Africa and Europe.
The core of the festival will hap-
pen in Dublin City University, and
some events are also planned for
Dublin City Centre.
More information:
variousvoices.ie
10
Various Voices
Dublin 2014
Words from IMRO/
11
IMRO is delighted to play a part
in bringing the internationally
respected Various Voices pro-
gramme of events to Ireland and
Irish audiences in 2014.

The diversity and quality of music
in Ireland is the most important
ingredient in fostering our repu-
tation of being a dynamic and
culturally rich nation. The suc-
cess of Irish music creators and
writers on the international stage
has contributed signifcantly to
the positive and vibrant image
Ireland enjoys throughout the
world. Since long before the term
existed, the arts have been our
greatest creative industry. Irish
music and artists have been at
the forefront of music creativ-
ity with artists as diverse as The
Cranberries, Bill Whelan, Paul
Brady, Brendan Graham, Ruth
Anne Cunningham, The Script,
Glen Hansard, U2, Van Morrison,
Sinead OConnor, Clannad, Rory
Gallagher, Westlife, and Thin Lizzy
to name a few who are having a
major impact on music makers
and fans alike around the globe.
The cultural impact that Irish
music continues to make globally,
helping to defne who and what
we are as nation, is vast. Long
before the emergence of the
Celtic Tiger success story, Irish
music permeated the internation-
al cultural landscape heralding the
Irish as a nation of creators and
innovators. Indeed Irish music
continues to be one of the signif-
cant infuencing factors attracting
the many foreign tourists visiting
our shores each year.
Victor Finn, IMRO CEO
12
13
About IMRO
IMRO is a national organisation
that administers the performing
right in copyright music in Ireland
on behalf of its members (who
are songwriters, composers and
music publishers) and on behalf
of the songwriters, composers
and music publishers of the inter-
national overseas societies that
are affliated to it.
Music users such as broadcast-
ers, venues and businesses must
pay for their use of copyright
music by way of a blanket licence
fee. IMRO collects these mon-
ies and distributes them to the
songwriters, composers and
music publishers who created
the songs. The monies earned
by copyright owners in this way
are known as public performance
royalties.
IMRO is also prominently in-
volved in the sponsorship and
promotion of music in Ireland.
Every year it sponsors a large
number of song contests, music
festivals, seminars, workshops,
research projects and showcase
performances. Indeed, IMRO is
now synonymous with helping
to showcase emerging talent in
Ireland.
14
Various Voices
Dublin 2014
Contributors/
15
Various Voices
Dublin 2014
Barry Grace
Musician and composer.
The musician has won two
international song competitions
and been a fnalist in many more.
Barry composes mainly for the
media but loves to write songs.
He has also been a board mem-
ber of The Irish Film Board for the
last four years in keeping with his
other passion, Films.
Written In My Heart is taken from
Molly Malone, The Musical.
Written in my heart-
Lament for Molly Malone

16
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Barry Grace
Tempo = 58 Tenderly
Lament For Molly Malone
Written In My Heart
A
Soprano
Alto
Tenor
Tenor 2
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Barry Grace Written in my heart-Lament for Molly Malone

SATB
17
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23
Various Voices
Dublin 2014
Carole Nelson
Londoner Carole Nelson has lived
in Ireland since 1985. Nelson is
best known for her composition
and performance with jazz group
Zrazy, who won an Irish Critics
Best New Band award, a Gold
Disc and many other awards in
Ireland and America.
Carole Nelson was founding
musical director of Dublin-based
LGBT choir Gloria for whom she
wrote several arrangements.
The musician currently lives with
her partner in Carlow where she
feeds the hens and tends the
vegetables and teaches saxo-
phone, voice and piano.
More info:
carolenelsonmusic.com
24
_
_
_
_
,
,
,
,
Soprano
Alto
Tenor
Bass
,
,
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find
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-
-
-
-
Nelson/Walsh IMRO
Beloved
Music and lyrics by Carole Nelson
Verse 1
Carole Nelson Beloved
SATB
_
_
_
_
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,
,
,
Soprano
Alto
Tenor
Bass
,
,
,
,
1
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-
-
-
-
Nelson/Walsh IMRO
Beloved
Music and lyrics by Carole Nelson
Verse 1
25
_
_
_
_
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,
,
S
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_
_
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11

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17
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Case of love to
prove
prove
prove.
prove
-
-
-
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2
Verse 2
Beloved
_
_
_
_
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,
,
,
S
A
T
B
_
_
_
_
11

,
Be

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lo ved
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ved
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Take me to your
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close me with your
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close me in your
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close me in your
.
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love, for
.
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love,
.

love
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- - -
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_
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,
S
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17
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prove
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prove
-
-
-
-
2
Verse 2
Beloved
26
S
A
T
B
21
Be
Be
Be
Be
lo
lo
lo
lo
ved
ved
ved
ved
Be
Be
Be
Be
lo
lo
lo
lo
ved
ved
ved
ved
-
- - -
- - -
- - -
S
A
T
B
29
Be
Be
Be
Be
lo
lo
lo
lo
ved
ved
ved
ved
Be
Be
Be
Be
lo
lo
lo
lo
ved
ved
ved
ved
- -
- - -
- - -
- - -
3
Chorus
Beloved
S
A
T
B
21
Be
Be
Be
Be
lo
lo
lo
lo
ved
ved
ved
ved
Be
Be
Be
Be
lo
lo
lo
lo
ved
ved
ved
ved
-
- - -
- - -
- - -
S
A
T
B
29
Be
Be
Be
Be
lo
lo
lo
lo
ved
ved
ved
ved
Be
Be
Be
Be
lo
lo
lo
lo
ved
ved
ved
ved
- -
- - -
- - -
- - -
3
Chorus
Beloved
27
_
_
_
_
_
,
,
,
,
,
S1
S
A
T
B
37
-

Be lo

Be lo

Be lo

Be lo
,
,
, ,
,
,
,
,
, ,
O my be lo ved
.

ved
.

ved
.

ved
.

ved
.

Take
,
,
. ,

,
take me to your
,
,
. ,

,
take me to your
,
,
,
,
,
take me to your
,
,
.
,

,
take me to your
,
, ,
, ,
, ,

me to your bed

,
bed And

,
bed And

,
bed. And
,
bed bed And And
.
,
,
where you
,
,
,
,
take me where you
,
,
,
,
take me where you
,
,
,
,
take me where you
,
,
,
,
take take me me where where you you
- -
- -
- -
- - -
- -
_
_
_
_
_
,
,
,
,
,
S1
S
A
T
B
42
.

will
.
,
will. For
.

will
.

will.
.

will
,
, ,
,
,
, ,
I have on ly
.
,

,
,
,
I have on ly
. ,

,
, ,
I have on ly
. ,

,
, ,
I have on ly
.
,

,
, ,
I have on ly
,
,
,
,

one de sire
,
,
, ,
one de sire, your
, ,
,
,
one de sire, your
, , ,
,
one de sire, your
, ,
,

one de sire
,

your heart
,
,
. ,

,
hun gry heart to
,
,
. ,

,
hun gry heart to
.
.
,
,
heart to
, ,
. ,

,
hun gry heart to
,
,
,
,
,
, ,
to fill
fill
fill.
fill
fill
- -
- - -
- - -
- -
- - -
4
Verse 3
Beloved
_
_
_
_
_
,
,
,
,
,
S1
S
A
T
B
37
-

Be lo

Be lo

Be lo

Be lo
,
,
, ,
,
,
,
,
, ,
O my be lo ved
.

ved
.

ved
.

ved
.

ved
.

Take
,
,
. ,

,
take me to your
,
,
. ,

,
take me to your
,
,
,
,
,
take me to your
,
,
.
,

,
take me to your
,
, ,
, ,
, ,

me to your bed

,
bed And

,
bed And

,
bed. And
,
bed bed And And
.
,
,
where you
,
,
,
,
take me where you
,
,
,
,
take me where you
,
,
,
,
take me where you
,
,
,
,
take take me me where where you you
- -
- -
- -
- - -
- -
_
_
_
_
_
,
,
,
,
,
S1
S
A
T
B
42
.

will
.
,
will. For
.

will
.

will.
.

will
,
, ,
,
,
, ,
I have on ly
.
,

,
,
,
I have on ly
. ,

,
, ,
I have on ly
. ,

,
, ,
I have on ly
.
,

,
, ,
I have on ly
,
,
,
,

one de sire
,
,
, ,
one de sire, your
, ,
,
,
one de sire, your
, , ,
,
one de sire, your
, ,
,

one de sire
,

your heart
,
,
. ,

,
hun gry heart to
,
,
. ,

,
hun gry heart to
.
.
,
,
heart to
, ,
. ,

,
hun gry heart to
,
,
,
,
,
, ,
to fill
fill
fill.
fill
fill
- -
- - -
- - -
- -
- - -
4
Verse 3
Beloved
28
_
_
_
_
,
,
,
,
S
A
T
B
47
Be
Be
Be
Be
_
_
_
_
lo
lo
lo
lo
ved
ved
ved
ved
Be
Be
Be
Be
lo
lo
lo
lo
ved
ved
ved
ved
-
- -
- -
- -
_
_
_
_
,
,
,
,
S
A
T
B
55
Be
Be
Be
Be
_
_
_
_
lo
lo
lo
lo
ved
ved
ved
ved
Be
Be
Be
Be
lo
lo
lo
lo
ved
ved
ved
ved

Be lo

Be lo

Be lo

Be lo
q
q
q
q
.

ved.
.

ved
.

ved
.

ved
-
Be lo
-
Be lo
-
Be lo
-
Be lo
-
ved.
-
ved.
-
ved.
-
ved.
- - - - -
- - - - - -
- - - - - -
- - - - - -
5
Chorus
Beloved
_
_
_
_
,
,
,
,
S
A
T
B
47
Be
Be
Be
Be
_
_
_
_
lo
lo
lo
lo
ved
ved
ved
ved
Be
Be
Be
Be
lo
lo
lo
lo
ved
ved
ved
ved
-
- -
- -
- -
_
_
_
_
,
,
,
,
S
A
T
B
55
Be
Be
Be
Be
_
_
_
_
lo
lo
lo
lo
ved
ved
ved
ved
Be
Be
Be
Be
lo
lo
lo
lo
ved
ved
ved
ved

Be lo

Be lo

Be lo

Be lo
q
q
q
q
.

ved.
.

ved
.

ved
.

ved
-
Be lo
-
Be lo
-
Be lo
-
Be lo
-
ved.
-
ved.
-
ved.
-
ved.
- - - - -
- - - - - -
- - - - - -
- - - - - -
5
Chorus
Beloved
Walsh/Nelson IMRO
29
Soprano
Alto
A
A
1

1.My

1.My

young love said

young love said

to me my

to me my

mo ther won't

mo ther won't

mind, and my

mind, and my
-
-
S
A
6

fa ther won't

fa ther won't

chide you for

chide you for

your lack of

your lack of

kine, then she

kine, then she
-
-
S
A
10

stepped a way

stepped a way

from me and

from me and

this she did

this she did

say "It

say "It
-
-
S
A
14

will not be

will not be

long love till

long love till

our wed ding

our wed ding
day"
day"
-
-
She Moved Through The Fair
trad. arranged by Carole Nelson
Soprano
Alto
A
A
1

1.My

1.My

young love said

young love said

to me my

to me my

mo ther won't

mo ther won't

mind, and my

mind, and my
-
-
S
A
6

fa ther won't

fa ther won't

chide you for

chide you for

your lack of

your lack of

kine, then she

kine, then she
-
-
S
A
10

stepped a way

stepped a way

from me and

from me and

this she did

this she did

say "It

say "It
-
-
S
A
14

will not be

will not be

long love till

long love till

our wed ding

our wed ding
day"
day"
-
-
trad. arranged by Carole Nelson
Carole Nelson She moved through the fair
30
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
S
A
T
B
18
,

,
,
,
2.She
,

,
,
,
2.She
-
-
B
B
B
B
. ,

,
,
stepped a way
. ,

, ,
stepped a way
. ,

, ,
2.Stepped a way
.
,
,
, ,
2.Stepped a way
, ,
,
,
from me and she
, ,
,
,
from me and she
, ,
,
,
from me and she
, ,
,
from me and
,
.
,

,
moved thro' the
,
.
,

,
moved thro' the
, . ,

,
moved thro' the
, , ,
moved thro' the
-
-
-
-
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
S
A
T
B
22
,
,
fair. and
,
fair, and
,
fair, and
,
fair, and
,
,
,
fond ly I
, ,
,
,
fond ly I
, , ,
fond ly I
, , ,
fond ly I
,
,
,
,
watched her move
, , ,
watched her move
, , ,
watched her move
, ,
,
watched her move
,
,
,
here and move
,
here, move
,
here, move
,
here, move
-
-
-
-

2
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
S
A
T
B
18
,

,
,
,
2.She
,

,
,
,
2.She
-
-
B
B
B
B
. ,

,
,
stepped a way
. ,

, ,
stepped a way
. ,

, ,
2.Stepped a way
.
,
,
, ,
2.Stepped a way
, ,
,
,
from me and she
, ,
,
,
from me and she
, ,
,
,
from me and she
, ,
,
from me and
,
.
,

,
moved thro' the
,
.
,

,
moved thro' the
, . ,

,
moved thro' the
, , ,
moved thro' the
-
-
-
-
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
S
A
T
B
22
,
,
fair. and
,
fair, and
,
fair, and
,
fair, and
,
,
,
fond ly I
, ,
,
,
fond ly I
, , ,
fond ly I
, , ,
fond ly I
,
,
,
,
watched her move
, , ,
watched her move
, , ,
watched her move
, ,
,
watched her move
,
,
,
here and move
,
here, move
,
here, move
,
here, move
-
-
-
-

2
31
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
S
A
T
B
26
,
,
there, then she
, ,
there, then she
, ,
there, then she
, ,
there, then she
,
,
,
went her way
, , ,
went her way
, , ,
went her way
, , ,
went her way
,
,
,
,
home ward with
, , ,
home ward with
, , ,
home ward with
, , ,
home ward with
, .
,

,
one star a
, . ,

,
one star a
, . ,

,
one star a
,
.
,
,
,
one star a
- -
- -
- -
- -
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
S
A
T
B
30
,
,
,
3
wake as the

wake.

wake

wake
,
,
swan in the
, ,
swan in the
, ,
swan in the
, ,
swan in the
, ,
,
,
eve ning moves
, ,
,
,
eve ning moves
,
eve ning
,
eve ning
,
.
,

,
o ver the
,
.
,

,
o ver the
, . ,

,
ov er the
,
.
,

,
ov er the
.
lake.
.
lake.
.
lake.
.
lake.
- -
- -
- -
- -
3
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
S
A
T
B
26
,
,
there, then she
, ,
there, then she
, ,
there, then she
, ,
there, then she
,
,
,
went her way
, , ,
went her way
, , ,
went her way
, , ,
went her way
,
,
,
,
home ward with
, , ,
home ward with
, , ,
home ward with
, , ,
home ward with
, .
,

,
one star a
, . ,

,
one star a
, . ,

,
one star a
,
.
,
,
,
one star a
- -
- -
- -
- -
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
S
A
T
B
30
,
,
,
3
wake as the

wake.

wake

wake
,
,
swan in the
, ,
swan in the
, ,
swan in the
, ,
swan in the
, ,
,
,
eve ning moves
, ,
,
,
eve ning moves
,
eve ning
,
eve ning
,
.
,

,
o ver the
,
.
,

,
o ver the
, . ,

,
ov er the
,
.
,

,
ov er the
.
lake.
.
lake.
.
lake.
.
lake.
- -
- -
- -
- -
3
32
_
_
_
_
_
_
_
_
_
_
T
B
,

,
,
,
3.The
,

,
,
,
3.The
C
C
, .
,

,
peop le were
,
. ,
,
,
peop le were
, ,
,
,
say ing that
, ,
,
,
say ing that
,
, ,
no two were
,
, ,
no two were
- -
- -
_
_
_
_
_
_
_
_
_
_
T
B
,
,
wed, but
,
,
wed, but
,
,
,
one has a
,
,
,
one has a
,
,
,
,
sor row that
,
,
,
,
sor row that
. ,
,
,
,
,
ne ver was
.
,
,
,
,
,
ne ver was
- - - -
- - - -
_
_
_
_
_
_
_
_
_
_
T
B
,
,
said, and I
,
,
said, and I
,
,
,
smiled as she
,
,
,
smiled as she
,
,
,
,
passed with her
,
,
,
,
passed with her
. ,
,
,
,
,
goods and her
.
,
,
,
,
,
goods and her
_
_
_
_
_
_
_
_
_
_
T
B
,
,
,
gear, and that was
,
,
,
gear, and that was
, .
,

,
the last the
,
. ,
,
,
the last the
,
,
last that I
,
,
last that I
,
, ,
saw of my
,
, ,
saw of my
.
dear.
.
dear.
She Moved Through The Fair 4
33
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
S
A
T
B
D
D
D
D
52
.
,
,
,
4.Last
.
,
4.Last
,
4.Last
,
4.Last
. ,

,
,
night she came
. ,

, ,
night she came
. ,

, ,
night she came
.
,
,
, ,
night she came
, , ,
,
,
to me my
, , ,
,
,
to me my
, , ,
,
,
to me my
, , , ,
to me my
,
, ,
dear love came
, , ,
dear love came
, , ,
dear love came
, , ,
dear love came
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
S
A
T
B
56
,
,
in, so
,
in, so
,
in, so
,
in, so
,
. ,
,
,
soft ly she
, . ,

,
soft ly she
,
.
,
,
,
soft ly she
,
.
,
,
,
soft ly she
,
,
,
,
came that her
, , ,
came that her
, , ,
came that her
, ,
,
came that her
,
,
,
feet made no
, , ,
feet made no
, , ,
feet made no
, , ,
feet made no
-
-
-
-
She Moved Through The Fair 5
34
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
S
A
T
B
60
,
,
din. She
,
din. She
,
din. She
,
din. She
,
. ,
,
,
came close be
, . ,

,
came close be
, . ,

,
came close be
,
.
,

,
came close be
,
,
,
,
side me and
, , ,
side me and
, , ,
side me and
, , ,
side me and
. ,
,
,
,
,
this she did
. ,

, ,
this she did
. ,

, ,
this she did
.
,
,
, ,
this she did
-
-
-
-
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
S
A
T
B
64
,
,
,
say. "It
,
say "It
,
say, "It
,
say, "It
. ,
,
,
,
,
will not be
, ,
will not be
, ,
will not be
, ,
will not be
, ,
,
,
long love till
, ,
,
,
long love till
,
long love
,
long love
,
, , ,
our wed ding
, , , ,
our wed ding
, , , ,
our wed ding
, , , ,
our wed ding
-
-
-
-
6
35
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
S
A
T
B
68
.
day.
.
day
.
day
.
day
rall
rall
rall
rall
,

,
,
,
It
,

,
,
,
It
,

,
,
,
It
,

,
,
,
It
. ,
,
,
,
,
will not be
. ,
,
,
,
,
will not be
. ,
,
,
,
,
will not be
.
,
,
,
,
,
will not be
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
_
S
A
T
B
71
,
long love
,
long love
,
long love
,
long love
,
,
,
till
,
,
,
till
,
,
,
till
,

,
,
till
,
, , ,
our wed ding
,
, , ,
our wed ding
,
, , ,
our wed ding
,
, , ,
our wed ding
.
day
.
day
.
day.
.
day.

-
-
-
-
7
36
Various Voices
Dublin 2014
Cathy McEvoy
Musician, composer and arranger,
McEvoy has been playing fddle
since the age of seven and holds a
Music degree (honours) from Trin-
ity College, Dublin, and a Masters
in Composition from N.U.I. May-
nooth. McEvoy is musical director
of both Sandymount Gospel Choir
and The Gospel Project, as well
as teaching bluegrass fddle and
ensemble singing at Waltons New
School of Music.
In addition the musician maintains
a busy schedule as a freelance
fddle player, performing with a
great number of traditional, roots
and bluegrass bands, as well as
the Dublin Symphony Orchestra,
among others. Well-know artists
with whom the musician has per-
formed include the Manic Street
Preachers, Eleanor McEvoy, Mary
Coughlan, Bill Whelan, and Ronan
Hardiman (Lord of the Dance).
More info:
seoltamusic.com.
I am streched on your grave

37
SOPRANO
ALTO
TENOR
BASS
mp
stretch'd on your grave stretch'd on your
= 65
mp
stretch'd on your grave
mp
I
f
am stretch'd on your grave
S.
A.
T.
B.
grave your grave stretch'd on your grave
4
stretch'd on your grave stretch'd on your grave I am
grave stretch'd o n - your grave
I will lie that way for ev - ver -
,
arr. Cathy McEvoy
Melody by Philip King
English text by Frank O' Connor
.
.
.
I am stretched on your grave
, -
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arr. Cathy McEvoy
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Cathy McEvoy
Arrangement
I am streched on your grave
SATB
Frank OConnor/Words
Philip King/Melody
38
S.
A.
T.
p
stretch'd on your grave stretch'd on
8
stretch'd on your grave I will lie that way for ev - er - if yourhands were in mine I'd be
stretch'd
pp
o n - - your grave
S.
A.
T.
your grave app
f
le - tree,
11
sure we would not se ver - my app le - tree my bright ness it's
ooh ooh ooh ooh ooh
S.
A.
T.
B.
app le - tr ee - for
mf
I smell of the
14
time we were to ge - - ther for
f
I smell of the earth and I'm
ooh ooh ooh
for
mf
I smell of the earth
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o n - - your grave
S.
A.
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your grave app
f
le - tree,
11
ooh ooh ooh ooh ooh
S.
A.
T.
B.
mf
I smell of the
14
f
ooh ooh ooh
for
mf
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stretch'd
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o n - - your grave
S.
A.
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your grave app
f
le - tree,
11
ooh ooh ooh ooh ooh
S.
A.
T.
B.
mf
I smell of the
14
f
ooh ooh ooh
for
mf
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2
39
S.
A.
T.
B.
earth stretch'd
p
on your grave
17
wo rn - by the wea ther - when
f
my
ooh ooh
worn by the wea ther - stretch'd u pon - your grave when
p
my
S.
A.
T.
B.
fam
p
il - y - thinks safe in my bed night til morn
20
fam il - y - thinks that I'm safe in my bed fr om - night un til - morn I am
ooh
p
ooh ooh ooh ooh
fam i - ly - thinks I'm safe night til morn I'm
S.
A.
T.
B.
at your head call
f
ing - out to all the earth with
23
str etch'd - at your head call ing - out to all the earth with
ooh ooh ooh ooh
str etch'd - at your head ooh ooh ooh
_
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S.
A.
T.
B.
earth stretch'd
p
on your grave
17
f
my
ooh ooh
p
my
S.
A.
T.
B.
fam
p
20
ooh
p
ooh ooh ooh ooh
S.
A.
T.
B.
at your head call
f
23
ooh ooh ooh ooh
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S.
A.
T.
B.
earth stretch'd
p
on your grave
17
f
my
ooh ooh
p
my
S.
A.
T.
B.
fam
p
20
ooh
p
ooh ooh ooh ooh
S.
A.
T.
B.
at your head call
f
23
ooh ooh ooh ooh
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3
40
S.
A.
T.
B.
tears hot and wild my grief for the girl loved as a child
26
tears hot and
wild
my
f
grief for the girl that I lo ved - as a chi ld -
ooh ooh stretch'd
pp
my
mf
grief for the girl loved as a child
S.
A.
T.
B.
stretch'd
pp
on your grave
30
on your grave
do
f
you re mem ber - the nightwhen we were lost in the
S.
A.
T.
B.
chill
pp
of the frost th anks - be to Je sus - we
34
shade
pp
and chill of frost thanks
mf
be to Je sus - we
chill
pp
of frost a
mf
nd - thanks be to Je sus - we
shade of the black thorn - and the chilll of the frost a
f
nd - th anks be to Je sus - we
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S.
A.
T.
B.
26
tears hot and
wild
my
f
ooh ooh stretch'd
pp
my
mf
S.
A.
T.
B.
stretch'd
pp
on your grave
30
on your grave
do
f
S.
A.
T.
B.
chill
pp
34
shade
pp
mf
be to Je sus - we
chill
pp
of frost a
mf
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A.
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B.
26
tears hot and
wild
my
f
ooh ooh stretch'd
pp
my
mf
S.
A.
T.
B.
stretch'd
pp
on your grave
30
on your grave
do
f
S.
A.
T.
B.
chill
pp
34
shade
pp
mf
be to Je sus - we
chill
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of frost a
mf
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41
S.
A.
T.
B.
did what was right wi
pp
th - dread for they
37
did what was right th
p
e - priests and the fri ars app ro - ach - me with dread for they
did what was right th
p
e - priests and the fri ars app roach - with dread for they
did what was right with
p
dread
S.
A.
T.
B.
know you're dead still will be your shel ter -
rit.
41
know I still love you oh my life and you're dead I
tempo
still - will be your shel ter through
know you're dead shel ter - you
they know you're dead shel ter - you
S.
A.
T.
B.
rain and sto rm with you in your grave I can't sleep
45
rain and throughstorm
and with you in your cold grave I can not - sleep wa rm -
rain and storm can't sleep warm
and with you in your grave can not - sleep warm
_
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42
S.
A.
T.
B.
warm I
p
49
stretch'd
p
on your grave
I
mf
am stretch'd on your grave I
p
will
stretch'd
p
on your grave I
p
will
S.
A.
T.
B.
lie
p
that way - for - e ver -
mf 54
lie
p
that way - for e - ver -
mf
lie that way - for - e ver -
mf
mf
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S.
A.
T.
B.
warm I
p
49
stretch'd
p
on your grave
I
mf
am stretch'd on your grave I
p
will
stretch'd
p
on your grave I
p
will
S.
A.
T.
B.
lie
p
that way - for - e ver -
mf 54
lie
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mf
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6
2012
43
Various Voices
Dublin 2014
Declan ORourke
ORourke was a latecomer to the
Dublin singer-songwriter scene.
But, in his mid-twenties, within
months of discovering Dublins
bustling songwriter open-mic
circuit, Declan ORourke found
himself in the mix with the likes
of Paddy Casey, Gemma Hayes,
Damian Rice and many other Irish
singer-songwriters.
In 2004, Declan released his
debut single, Galileo (Someone
Like You), and has released three
albums to date, including the
double platinum-selling Since
Kyabram (2004), Big Bad Beauti-
ful World (2007) and Mag Pai Zai
(2011).
Declan ORourkes songs have
been recorded by a host of highly
respected, successful artists.
Galileo (Someone Like You) was
recorded by Josh Groban for his
ffth studio album, Illuminations,
produced by Rick Rubin. The song
has also been recorded by Eddi
Reader (MBE), the Scottish song-
stress widely known for her No. 1
UK hit Its Got To Be Perfect. Jac-
qui Dankworth, daughter of Jazz
legends Cleo Laine and Sir John
Dankworth, recorded the song
as well as singers Brian Kennedy,
Paul Byrom and The Celtic Tenors.
Galileo (Someone Like You)

44
Soprano
Alto
Tenor
Bass
Ga
p
li - le - o
f
- - - Ga
p
li - le - o
f
-
q = 76
A
Ga
p
li - le - o
f
- Ga
p
li - le - o
f
-
Ga
p
li - le - o
f
- Ga
p
li - le - o
f
- -
Ga
p
li - le - o
f
- - - Ga
p
li - le - o
f
-
V.S.
S.
A.
T.
B.
ga
mp
li - le - o - 'ell in love B
5
ga
mp
li - le - fe' in love
GA
mf
LI - LE - O - fell
mp
lo ve - ga li - le - an -
LE O - O -
FELL
mf
IN LOVE AS A GA LI - LE - AN -
&
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> > >
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Galileo
SATB arr. Declan O'Rourke
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Soprano
Alto
Tenor
Bass
Ga
p
li - le - o
f
- - - Ga
p
li - le - o
f
-
q = 76
A
Ga
p
li - le - o
f
- Ga
p
li - le - o
f
-
Ga
p
li - le - o
f
- Ga
p
li - le - o
f
- -
Ga
p
li - le - o
f
- - - Ga
p
li - le - o
f
-
V.S.
S.
A.
T.
B.
ga
mp
5
ga
mp
GA
mf
LI - LE - O - fell
mp
LE O - O -
FELL
mf
&
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Soprano
Alto
Tenor
Bass
Ga
p
li - le - o
f
- - - Ga
p
li - le - o
f
-
q = 76
A
Ga
p
li - le - o
f
- Ga
p
li - le - o
f
-
Ga
p
li - le - o
f
- Ga
p
li - le - o
f
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Ga
p
li - le - o
f
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p
li - le - o
f
-
V.S.
S.
A.
T.
B.
ga
mp
5
ga
mp
GA
mf
LI - LE - O - fell
mp
LE O - O -
FELL
mf
&
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Declan ORourke Galileo (Someone like you)

45
S.
A.
T.
B.
boy "...in hea - vens ven ted - such a
9
boy "what in hea - vens ven ted - such a
BOY.
mf
ANDHEWON DERED"WHAT IN HEA VENS! - WHOIN VEN - TED - SUCH A
boy
mp
ah - - - - - - - - - - -
S.
A.
T.
B.
jo y?" -
got
mp
the bet ter - of his sci en - tif - ic -
13
jo y?" - ques
mp
tion -
bet ter - of his sci en - tif - ic -
JO Y?" - ques
mp
tion - got the bet ter - of his sci en - tif - ic -
jo y?" -
mf
BUT THE QUES TION - GOTTHE BET TER - OF HIS SCI EN - TIF - IC -
V.S.
S.
A.
T.
B.
mind dy ing - days
high
C
17
mind days
high
mind blind and dy ing - days
high
MIND, ANDTO HIS BLINDANDDY ING - DAYS, HE LOOKED UP
HIGH
ANDOF TEN -
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V.S.
46
S.
A.
T.
B.
sighed
cr ied -
sky?
mp
Chorus
D
E
21
sighed
WHO
mf
PUTS THE RAINBOWIN THE SKY?
sighed cr ied - sky?
mp
SIGHED
AND SOMETIMESCRI ED
S.
A.
T.
B.
in the ni ght? -
25
WHOLIGHTS THE STARS AT NIGHT
in the ni ght? -
in
mp
the sky?
V.S.
S.
A.
T.
B.
stars at vine
29
WHODREAMTUP SOME ONE - SO DI VINE? -
stars at
night
vine
mp
stars
mp
at night
&
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4
47
V.S.
S.
A.
T.
B.
so di - - - vine MINE
p
33
SOME ONE - LIKE YOU AND MADE THEM MINE
p
so di - vine Some
p
-
so
mp
di -
vine
S.
A.
T.
B.
you and made themmine..
mf
'l
p
ove
mf
- can
p
make
mf
you
p
Middle 8
F
37
ah ha - ha - ha - mine..
mf
'l
p
ove
mf
- can
p
make
mf
you
p one like you mine..
mf
'l
p
ove
mf
- can
p
make
mf
you
p
one
pp
like you and
mp
made them mine..
mf
'l
p
ove
mf
-
V.S.
S.
A.
T.
B.
ask
mf
JUST
mf
RE MEM - ber - the al -
41
ask
mf
ques
p
mf
tions - now and
p
then
mf
re mem
mp
- ber - the al -
ask
mf
SOME
mp
FU NNY - ques
mf
tions - now and
p
then just
mf
RE MEM - BERTHEAL-
ask
p mf
QUES
p
mf
TIONS - NOWAND
p
THEN
mf
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S.
A.
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B.
p
33
p
so di - vine Some
p
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so
mp
di -
vine
S.
A.
T.
B.
mf
'l
p
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mf
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p
make
mf
you
p
Middle 8
F
37
mf
'l
p
ove
mf
- can
p
make
mf
you
mf
'l
p
ove
mf
- can
p
make
mf
you
p
one
pp
like you and
mp
made them mine..
mf
'l
p
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mf
-
V.S.
S.
A.
T.
B.
ask
mf
JUST
mf
41
ask
mf
ques
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mf
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make
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aah
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Verse 3
G
45
ter nat - ives - FOR
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p
aah
ppp
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aah
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p
mp
I WAS LONE LY - ANDUN-
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A.
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ce... - - - - - -
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ce...
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ce...
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V.S.
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A.
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par - - - - a - di
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53
par - - - - a - di
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57
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cry. high sigh aah
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A.
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cry.
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V.S.
S.
A.
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sky in the
Chorus II
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7
50
S.
A.
T.
B.
night stars at
69
STARS AT NIGHT WHODREAMTUP
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stars at night
S.
A.
T.
B.
vine so di - vine
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di -
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A.
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mine mine
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77
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stars at night
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vine so di - vine
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9
52
Various Voices
Dublin 2014
Eoin Mulvany
Eoin Mulvany was born in 1978 in
Kells, Co. Meath. Mulvany played
music from a very young age
and went on to study for a Bach-
elors degree in Classical Guitar
performance and Composition at
the DIT Conservatory of Music.
Following that, Mulvany earned
a Masters Degree in Dublin City
University in Music Composition.
Eoin Mulvany is currently living
in Dublin and is active as a com-
poser for various ensembles and
has arranged music for a number
of choirs in Dublin including New
Dublin Voices, Gloria, and Dublin
Gay Mens Chorus, of which he
was a founder member.
Mulvany is active as a performer
in New Dublin Voices with whom
he has performed all over Europe,
and has been a member of vari-
ous performing groups including
the vocal groups Anuna, Gloria
and the DIT Chamber Choir.
Mulvany currently teaches music
at Waltons New School of Music
and his music is catalogued at
the Contemporary Music Centre
in Dublin.
Contact:
mulvany.eoin@gmail.com
The lark in the clear air

53
Copyright Eoin Mulvany 2012

SOPRANO
ALTO
TENOR
BASS
Oo
Ah!
Tell
Thoughts
in
her
my
my
mind
love
And
All
my
my
= 60
Oo
Ah! Dear
I
shall tell
thoughts are
her
in
all
my
my
mind
love
And
All
my
my
Oo
Ah!
Tell
Thoughts
in
her
my
my
mind
love
Oo
Ah!
Tell
Thoughts
in
her
my
my
mind
love
soul
soul's
soars
a
en
dor -
chan
a
-
-
ted
tion,
- Oo
Ah
sweet
she
lark
will
sing
hear
in
and
the clear
will not
air
say
of
me
the day
nay.
7
soul
soul's
soars
a
en
dor -
chan
a
-
-
ted
tion,
- As
And
I
I
hear
think
the sweet
she
lark
will
sing
hear
in
and
the clear
will not
air
say
of
me
the day
nay.
soul
soul's
soars
a
en
dor -
chan
a
-
-
ted
tion,
- Oo
Ah
sweet
she
lark
will
sing
hear
clear
will
not
air
say
of
me
the day
nay.
For
It
a
is
soul
soul's
soars
a
en
dor -
chan
a
-
-
ted
tion,
- Oo
Ah
sweet
she
lark
will
sing
hear
clear
will
not
air
say
of
me
the day
nay.
_
_
,

Irish Air arr, Eoin Mulvany, Dublin 2012 Sir Samuel Ferguson
_
,

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,
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,
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,

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,

Eoin Mulvany
Irish air arr.
The lark in the clean air
SATB
Sir Samuel Ferguson
Words

SOPRANO
ALTO
TENOR
BASS
Oo
Ah!
Tell
Thoughts
in
her
my
my
mind
love
And
All
my
my
= 60
Oo
Ah! Dear
I
shall tell
thoughts are
her
in
all
my
my
mind
love
And
All
my
my
Oo
Ah!
Tell
Thoughts
in
her
my
my
mind
love
Oo
Ah!
Tell
Thoughts
in
her
my
my
mind
love
soul
soul's
soars
a
en
dor -
chan
a
-
-
ted
tion,
- Oo
Ah
sweet
she
lark
will
sing
hear
in
and
the clear
will not
air
say
of
me
the day
nay.
7
soul
soul's
soars
a
en
dor -
chan
a
-
-
ted
tion,
- As
And
I
I
hear
think
the sweet
she
lark
will
sing
hear
in
and
the clear
will not
air
say
of
me
the day
nay.
soul
soul's
soars
a
en
dor -
chan
a
-
-
ted
tion,
- Oo
Ah
sweet
she
lark
will
sing
hear
clear
will
not
air
say
of
me
the day
nay.
For
It
a
is
soul
soul's
soars
a
en
dor -
chan
a
-
-
ted
tion,
- Oo
Ah
sweet
she
lark
will
sing
hear
clear
will
not
air
say
of
me
the day
nay.
_
_
,

_
,

_
,
_
,
_
,

_
,

_
,
_
,
,
,
, ,
,
,

,
,
,
,
,
,
,
, , ,
,
,
,
,
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,
,
,
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,
,
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,
,

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,
,
,
,
,
,
,
,
,
,

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,
,
,
,
,
,
,
,
,
,

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,
,
,
,
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,
,
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,

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,
,
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,

54
Mm
Oo
Oo
hear
she
sweet
shall
lark
hear
sing
All
In
my
the
13
Mm
Oo
And
As
to
I
mor
hear
- row
the
- she
sweet
shall
lark
hear
sing
All
In
my
the
ten
this
der
which
- beam
gives
ing
my
smile
soul
to
all
my
its'
hope
joy
has
ous -
been
e
gran
la -
ted
tion
-
-
Oo
hear
she
sweet
shall
lark
hear
sing
Mm
Oo
Oo
hear
she
sweet
shall
lark
hear
sing
fond
clear air
heart
of
would
the
say day Mm
Oo
1. 2.
19
clear
fond heart
air
would
of the
say day. Mm
Oo
clear
fond
heart
air of
would
the
say
day
It
is this which gives my soul
all its' joy ous - e -

clear
fond
air
heart
of
would
the
say
day
Mm
Oo
Mm
Oo
Oo
hear
she
sweet
shall
lark
hear
sing
All
In
my
the
13
Mm
Oo
And
As
to
I
mor
hear
- row
the
- she
sweet
shall
lark
hear
sing
All
In
my
the
ten
this
der
which
- beam
gives
ing
my
smile
soul
to
all
my
its'
hope
joy
has
ous -
been
e
gran
la -
ted
tion
-
-
Oo
hear
she
sweet
shall
lark
hear
sing
Mm
Oo
Oo
hear
she
sweet
shall
lark
hear
sing
fond
clear air
heart
of
would
the
say day Mm
Oo
1. 2.
19
clear
fond heart
air
would
of the
say day. Mm
Oo
clear
fond
heart
air of
would
the
say
day
It

clear
fond
air
heart
of
would
the
say
day
Mm
Oo

3
55
hear
sweet lark sing
In the clear air of the

day
As I
rall.
25
As I hear the sweet lark sing In
the clear air of the day.
As I
la
-
tion -
hear
sweet lark sing
clear
air of the
day
As I
hear
sweet lark sing
clear
air of the
day
As I
hear
sweet lark sing

day
Lento
30
hear the sweet lark sing In
hear
sweet lark sing
In the clear air of the day.

hear
sweet lark sing
hear
sweet lark sing

day
As I
rall.
25
As I
la
-
tion -
hear
sweet lark sing
clear
air of the
day
As I
hear
sweet lark sing
clear
air of the
day
As I
hear
sweet lark sing

day
Lento
30
hear
sweet lark sing

hear
sweet lark sing

4
2012
56

SOPRANO 1
SOPRANO 2
ALTO 1
ALTO 2
Oo
Ah!
Tell
Thoughts
in
her
my
my
mind
love
And
All
my
my
= 60
Oo
Ah! Dear
I
shall tell
thoughts are
her
in
all
my
my
mind
love
And
All
my
my
Oo
Ah!
Tell
Thoughts
in
her
my
my
mind
love
Oo
Ah!
Tell
Thoughts
in
her
my
my
mind
love
soul
soul's
soars
a
en
dor -
chan
a
-
-
ted
tion,
- Oo
Ah
sweet
she
lark
will
sing
hear
in
and
the clear
will not
air
say
of
me
the day
nay.
7
soul
soul's
soars
a
en
dor -
chan
a
-
-
ted
tion,
- As
And
I
I
hear
think
the sweet
she
lark
will
sing
hear
in
and
the clear
will not
air
say
of
me
the day
nay.
soul
soul's
soars
a
en
dor -
chan
a
-
-
ted
tion,
- Oo
Ah
sweet
she
lark
will
sing
hear
clear
will
not
air
say
of
me
the day
nay.
For
It
a
is
soul
soul's
soars
a
en
dor -
chan
a
-
-
ted
tion,
- Oo
Ah
sweet
she
lark
will
sing
hear
clear
will
not
air
say
of
me
the day
nay.


Eoin Mulvany
Irish air arr.
SSA
Sir Samuel Ferguson
Words

SOPRANO
ALTO
TENOR
BASS
Oo
Ah!
Tell
Thoughts
in
her
my
my
mind
love
And
All
my
my
= 60
Oo
Ah! Dear
I
shall tell
thoughts are
her
in
all
my
my
mind
love
And
All
my
my
Oo
Ah!
Tell
Thoughts
in
her
my
my
mind
love
Oo
Ah!
Tell
Thoughts
in
her
my
my
mind
love
soul
soul's
soars
a
en
dor -
chan
a
-
-
ted
tion,
- Oo
Ah
sweet
she
lark
will
sing
hear
in
and
the clear
will not
air
say
of
me
the day
nay.
7
soul
soul's
soars
a
en
dor -
chan
a
-
-
ted
tion,
- As
And
I
I
hear
think
the sweet
she
lark
will
sing
hear
in
and
the clear
will not
air
say
of
me
the day
nay.
soul
soul's
soars
a
en
dor -
chan
a
-
-
ted
tion,
- Oo
Ah
sweet
she
lark
will
sing
hear
clear
will
not
air
say
of
me
the day
nay.
For
It
a
is
soul
soul's
soars
a
en
dor -
chan
a
-
-
ted
tion,
- Oo
Ah
sweet
she
lark
will
sing
hear
clear
will
not
air
say
of
me
the day
nay.
_
_
,

_
,

_
,
_
,
_
,

_
,

_
,
_
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,
,
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,

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,

57
Mm
Oo
Oo
hear
she
sweet
shall
lark
hear
sing
All
In
my
the
13
Mm
Oo
And
As
to
I
mor
hear
- row
the
- she
sweet
shall
lark
hear
sing
All
In
my
the
ten
this
der
which
- beam
gives
ing
my
smile
soul
to
all
my
its'
hope
joy
has
ous -
been
e
gran
la -
ted
tion
-
-
Oo
hear
she
sweet
shall
lark
hear
sing
Mm
Oo
Oo
hear
she
sweet
shall
lark
hear
sing
fond
clear air
heart
of
would
the
say day Mm
Oo
1. 2.
19
clear
fond heart
air
would
of the
say day. Mm
Oo
clear
fond
heart
air of
would
the
say
day
It

clear
fond
air
heart
of
would
the
say
day
Mm
Oo
Mm
Oo
Oo
hear
she
sweet
shall
lark
hear
sing
All
In
my
the
13
Mm
Oo
And
As
to
I
mor
hear
- row
the
- she
sweet
shall
lark
hear
sing
All
In
my
the
ten
this
der
which
- beam
gives
ing
my
smile
soul
to
all
my
its'
hope
joy
has
ous -
been
e
gran
la -
ted
tion
-
-
Oo
hear
she
sweet
shall
lark
hear
sing
Mm
Oo
Oo
hear
she
sweet
shall
lark
hear
sing
fond
clear air
heart
of
would
the
say day Mm
Oo
1. 2.
19
clear
fond heart
air
would
of the
say day. Mm
Oo
clear
fond
heart
air of
would
the
say
day
It

clear
fond
air
heart
of
would
the
say
day
Mm
Oo

3
58
hear
sweet lark sing

day
As I
rall.
25
As I
la
-
tion -
hear
sweet lark sing
clear
air of the
day
As I
hear
sweet lark sing
clear
air of the
day
As I
hear
sweet lark sing

day
Lento
30
hear
sweet lark sing

hear
sweet lark sing

4
2012
59

TENOR 1
TENOR 2
BASS 1
BASS 2
Oo
Ah!
Tell
Thoughts
in
her
my
my
mind
love
And
All
my
my
soul
soul's
soars
a
en
dor -
-
= 60
Oo
Ah! Dear
I
shall tell
thoughts are
her
in
all
my
my
mind
love
And
All
my
my
soul
soul's
soars
a
en
dor -
-
Oo
Ah!
Tell
Thoughts
in
her
my
my
mind
love
soul
soul's
soars
a
en
dor -
-
Oo
Ah!
Tell
Thoughts
in
her
my
my
mind
love
soul
soul's
soars
a
en
dor -
-
chan
a
ted
tion,
- Oo
Ah
sweet
she
lark
will
sing
hear
in
and
the clear
will not
air
say
of
me
the day
nay.
Mm
8
chan
a
ted
tion,
- As
And
I
I
hear
think
the sweet
she
lark
will
sing
hear
in
and
the clear
will not
air
say
of
me
the day
nay.
Mm
chan
a
ted
tion,
- Oo
Ah
sweet
she
lark
will
sing
hear
clear
will
not
air
say
of
me
the day
nay.
For
It
a
is
ten
this
der
which
- beam
gives
ing
my
chan
a
ted
tion,
- Oo
Ah
sweet
she
lark
will
sing
hear
clear
will
not
air
say
of
me
the day
nay.
Mm
_
_

_
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
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,
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,
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,
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,
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,
,
,
,
,
,
,
,
, ,
,
,
,
,
,
,
,
, ,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,

,
,
,
,
,
,
,
,
,
, ,
,
,
,
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,
,
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,
,
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,
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,
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,
,
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,
,
,
,
,
,
,
,

,
,
,
,
, ,
,
, ,
,

,
,
,

TENOR 1
TENOR 2
BASS 1
BASS 2
Oo
Ah!
Tell
Thoughts
in
her
my
my
mind
love
And
All
my
my
soul
soul's
soars
a
en
dor -
-
= 60
Oo
Ah! Dear
I
shall tell
thoughts are
her
in
all
my
my
mind
love
And
All
my
my
soul
soul's
soars
a
en
dor -
-
Oo
Ah!
Tell
Thoughts
in
her
my
my
mind
love
soul
soul's
soars
a
en
dor -
-
Oo
Ah!
Tell
Thoughts
in
her
my
my
mind
love
soul
soul's
soars
a
en
dor -
-
chan
a
ted
tion,
- Oo
Ah
sweet
she
lark
will
sing
hear
in
and
the clear
will not
air
say
of
me
the day
nay.
Mm
8
chan
a
ted
tion,
- As
And
I
I
hear
think
the sweet
she
lark
will
sing
hear
in
and
the clear
will not
air
say
of
me
the day
nay.
Mm
chan
a
ted
tion,
- Oo
Ah
sweet
she
lark
will
sing
hear
clear
will
not
air
say
of
me
the day
nay.
For
It
a
is
ten
this
der
which
- beam
gives
ing
my
chan
a
ted
tion,
- Oo
Ah
sweet
she
lark
will
sing
hear
clear
will
not
air
say
of
me
the day
nay.
Mm
_
_

_
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
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,
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,
,
,
,
,
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,
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,
,
,
,
,
,
,
,
,
,
,
,
,
,
,

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,
,
,
,
,
,
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,
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,
,
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,
,
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,
,
,
,
,
,
,
,

,
,
,
,
, ,
,
, ,
,

,
,
,
Eoin Mulvany
Irish air arr.
TTB
Sir Samuel Ferguson
Words

SOPRANO
ALTO
TENOR
BASS
Oo
Ah!
Tell
Thoughts
in
her
my
my
mind
love
And
All
my
my
= 60
Oo
Ah! Dear
I
shall tell
thoughts are
her
in
all
my
my
mind
love
And
All
my
my
Oo
Ah!
Tell
Thoughts
in
her
my
my
mind
love
Oo
Ah!
Tell
Thoughts
in
her
my
my
mind
love
soul
soul's
soars
a
en
dor -
chan
a
-
-
ted
tion,
- Oo
Ah
sweet
she
lark
will
sing
hear
in
and
the clear
will not
air
say
of
me
the day
nay.
7
soul
soul's
soars
a
en
dor -
chan
a
-
-
ted
tion,
- As
And
I
I
hear
think
the sweet
she
lark
will
sing
hear
in
and
the clear
will not
air
say
of
me
the day
nay.
soul
soul's
soars
a
en
dor -
chan
a
-
-
ted
tion,
- Oo
Ah
sweet
she
lark
will
sing
hear
clear
will
not
air
say
of
me
the day
nay.
For
It
a
is
soul
soul's
soars
a
en
dor -
chan
a
-
-
ted
tion,
- Oo
Ah
sweet
she
lark
will
sing
hear
clear
will
not
air
say
of
me
the day
nay.
_
_
,

_
,

_
,
_
,
_
,

_
,

_
,
_
,
,
,
, ,
,
,

,
,
,
,
,
,
,
, , ,
,
,
,
,
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,
,
,
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,
,
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,
,

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,
,
,
,
,
,
,
,
,
,

, ,
,
,
,
,
,
,
,
,
,
,

,
,
,
,
,
,
,
,
,
,
,
,
,

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,
,
,
,
,
,
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,
,
,
, ,
,
,
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,
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,
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,
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,
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,
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,
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,
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,
,
,
,
,
,
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, ,
,
, ,
,

Love thee dearest
60
Oo
Oo
hear
she
sweet
shall
lark
hear
sing
All
In
my
the
fond
clear
heart
air of
would
the
14
Oo
And
As
to
I
mor
hear
- row
the
- she
sweet
shall
lark
hear
sing
All
In
my
the clear
fond heart
air
would
of the
smile
soul
to
all
my
its'
hope
joy
has
ous -
been
e
gran
la -
ted
tion
-
-
Oo
hear
she
sweet
shall
lark
hear
sing
clear
fond
heart
air of
would
the
Oo
Oo
hear
she
sweet
shall
lark
hear
sing
clear
fond
air
heart
of
would
the
say day Mm
Oo
1. 2.
20
say day. Mm
Oo
As I
say
day
It
all its' joy ous - e la - tion -

say
day
Mm
Oo
,
,
,
,
,

,
,
,
,
,
,
,
,
,
,
,
,
,
, ,
,
,
,
,
,
, ,
,
,
,
, ,
,
,
,
,
,
,
,
,
, ,
,
,
,
,
,
,
,
,

, ,
,
,
,
,
,
,
, ,
,
,
, ,
,
, ,
,
,
,
,
,
,
, ,
,

,

,
,
,
,
,
-
,
,
,
,
,
-

,

,

,
,
,
, ,
-
, ,
,
, ,
-
,
,
,
,
,

,
,
,
, ,
,
,
,
,
,
,
,
-
, ,
,
,
,
,
,
,
,
,
-

,

,

,
,
,
,
,
-
,
, ,
, ,
-

3
61
hear
sweet lark sing

day
As I
rall.
26
As I
hear
sweet lark sing
clear
air of the
day
As I
hear
sweet lark sing
clear
air of the
day
As I
hear
sweet lark sing

day
Lento
30
hear
sweet lark sing

hear
sweet lark sing

_

,
,
,
,
-
,
,
,
,
,
,
,
,
,
,
-
,
-
,
, ,
,
,
,
,
-
,
,
,
,
,
,
, ,
,
-
,
-
, ,
,
,
-
,
,
,
,
, , ,
,
,
,
-
,
-
, ,
,
,
-
,
-
,
,
,
, ,
,
,
-
,
-
,
,
,
,
-
,
,
,
,
,
,
,
,
,
,
-
, ,
,
,
,
,
-
,
,
,
,
,
,
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-
,
,
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,
,
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,
,
,
,
, , ,
,
, ,
-
,
,
,
,
,
-
, ,
,
,
, ,
, ,
-

4
hear
sweet lark sing

day
As I
rall.
26
As I
hear
sweet lark sing
clear
air of the
day
As I
hear
sweet lark sing
clear
air of the
day
As I
hear
sweet lark sing

day
Lento
30
hear
sweet lark sing

hear
sweet lark sing

_

,
,
,
,
-
,
,
,
,
,
,
,
,
,
,
-
,
-
,
, ,
,
,
,
,
-
,
,
,
,
,
,
, ,
,
-
,
-
, ,
,
,
-
,
,
,
,
, , ,
,
,
,
-
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-
, ,
,
,
-
,
-
,
,
,
, ,
,
,
-
,
-
,
,
,
,
-
,
,
,
,
,
,
,
,
,
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,
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,
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,
-
, ,
,
,
, ,
, ,
-

4
2012
62
Various Voices
Dublin 2014
Jerome de Bromhead
Jerome de Bromhead was born
in Waterford, Ireland in 1945 and
studied at various periods with
A.J.Potter, James Wilson, Seoirse
Bodley, and Franco Donatoni.His
output includes orchestral, choral
and chamber music and he has
had works performed or broad-
cast
in many countries around the
world, notably through the aegis
of such organisationsas the ISCM
andThe International Rostrum of
Composers. He was a Senior Mu-
sic Producer in Irish Radio (RTE)
forseveral years and is a member
of Aosdana, Irelands academy of
creative artists.In recent years his
Symphony No 2 received its frst
performance by The RTE National
SymphonyOrchestra, conducted
by Colman Pearce, in January
2008. His Violin Concerto, with
soloist Alan Smale,(RTENSO/
Pearce),was premiered in May
2011 (NCH-Horizons) and was
broadcast on Lyric Fm inFebruary
2012.

Love thee dearest
63
&
&
?
?
&
?
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
4
4
4
4
4
4
4
4
4
4
4
4
Soprano
Alto
Tenor
Bass
Piano
(Reh. Only)

Love thee dearest

Love thee dearest
q Mesto

love thee

love thee

lovethee dearest

lovethee dearest
.

Love thee

love thee
Love thee thee
p
F
.

dear est

dear est
dear dear est est
w
love

love
w
love

love love
w
love
p
p
w
thee
.
j
thee
w
thee
thee thee
w
thee
-
- - - -
- - - -
&
&
?
?
&
?
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
8
.

Yes by

Yes by
.

Yes by
.

Yes by

Yes Yes by by
.
.
Yes Yes by by
p
.

yon der

yon der
.

yon der
.

yon der
yon yon der der

.
.
yon yon der der

.

star I

star I
.

star I
.

star I
star star II
.
star star II
w
swear

swear
.

swear

swear

swear swear

swear swear
- - -
- - -
- - -
- - -
- - -
- - - - - -
Love Thee Dearest
Moore arr. Jerome de Bromhead
(Dur. 4'20")
Jerome de
Bromhead
Arrangements
Love thee dearest
SATB Words
64
&
&
?
?
&
?
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
12
.

Which through
.

Which through

Which through
.

Which through
.
.
Which Which through through
Which Which through through

F
F
.

tears a
.

tears a

tears a
.

tears a
.
.
tears tears aa
tears tears aa
w
bove
.

bove

bove
.

bove
.
.

bove bove

bove bove
w
thee
w
thee

thee
.

thee
w
w
thee thee
thee thee
P
-
-
-
-
-
--
&
&
?
?
&
?
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
16
.

Shines so
.

Shines so
.

Shines so

Shines so
.
.
Shines Shines so so
Shines Shines so so
.

sad ly
.

sad ly
.

sad ly

sad ly
.
.
sad sad ly ly
sad sad ly ly
w
fair
w
fair
w
fair

fair
w
w
fair fair

fair fair
w
w
w

w
w

Though

.

Though

Though
Though
Though Though
f
P
-
-
-
-
-
--
2
65
&
&
?
?
&
?
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
21

too oft
.

.

too oft
j
.

too oft

too oft
J
too too oft oft

p

dim with

dim with

dim with

dim with
dim dim with with

tears like
.

tears like
.

tears like

tears like
.
.
tears tears like like

him Like
.
him Like
.
him Like

him Like
.
.
him him Like Like

&
&
?
?
&
?
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
25
.
J
#

him my

my
.
#

him my
.

him my
#

him my my
.
.
him him my my
N

truth will

truth will
.

truth will
.

truth will

truth truth will will
.
.
truth truth will will

P

shine
w
shine
w
shine
w
shine

shine shine
w
w
shine shine
F

j

And

And
.

And
w

And And
.
.

And
f
3
66
&
&
?
?
&
?
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
29
.

love thee
.

love thee
.

love thee
.
J

And love thee
.
.
love love thee thee

love And love thee thee
p
.

dear est

dear est

dear est

dear est

dear dear est est
dear dear est est

w
love
w
love

love
.

love
w
w
love love

love love
w
thee
w
thee
w
thee

thee
w
w
thee thee

thee thee
-
-
-
-
-
--
&
&
?
?
&
?
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
33
.

Yes 'til
.

Yes 'til
.

Yes 'til

Yes til
.
.
Yes Yes 'til 'til

Yes Yes til 'til
F
P
.

death I'm
.

death I'm
J
>
.

death I'm

death I'm
.
.

death death I'm I'm
J
>
.

death death I'm I'm
w
thine
w
thine
w
thine

thine
w
w
thine thine

thine thine
w
w
w
w
w
w
w
w
4
67
&
&
?
?
&
?
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
37
.

.
j

.
J

w
.
.
.
.

.

Leave thee
.

Leave thee

thee
j

Leave thee
.
.
Leave Leave thee thee
Leave thee thee

p
p
p
p
.

dear est
.

dear est
.

dear est

dear est
.
.
dear dear est est

dear dear est est
w
leave

leave
w
leave
w
leave

leave leave
w
w
leave leave
w
thee

thee

thee
w
thee

thee thee

thee thee
-
-
-
-
-
--
&
&
?
?
&
?
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
42
.

No that

No that
.

No that
.

No that

No No that that
.
.
No No that that
.

star is

star is
.

star is
.

star is
star star is is
.
.
star star is is
.

not more

not more
.

not more
.

not more
not not more more

.
.
not not more more

w
true

true
.

true When
w
true

true true
.
.

true true When
- - -
- - -
- - -
- - -
- - -
- - - - - -
5
68
&
&
?
?
&
?
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
46
.

When my
.

When my

my
.

When my
.
.
When When my my
When my my

vows de
.

vows vows de de

vows vows de de
.

vows de
vows vows vows de de de
vows vows vows de de de

w
ceive
w
ceive ceive

ceive ceive
w
ceive
w
w
ceive ceive ceive

ceive ceive ceive
w
thee
w
thee

thee
.

thee
w
w
thee thee
thee thee
-
-
-
-
-
---
&
&
?
?
&
?
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
50
.

He will
.

He will
.

He will

.
j

He will
.
.
He He

He He will
.

wan der
.

wan der
.

wan der

wan der
.
.
wan wan der der
wan wan der der

w
too
w
too
w
too

too
w
w
too too

too too
w
w
w

he will wand er
w
w

he will wand er
-
-
-
- -
-
-- -
6
69
&
&
?
?
&
?
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
54
.

A cloud
.

too

too

of
.

cloud
cloud of

night may
.

night may
.
may

may
night night may may

may may
sempre p

veil his
.

veil his

veil his

veil his
veil veil his his
veil veil his his

-
-
- - -
&
&
?
?
&
?
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
58

light And
.

light And
.
J

light And

light and
light light And And

light light and And
p sempre

#
death shall
. #

death death shall shall
.

death death shall shall
.
death shall
death death death shall shall shall

.
.
death death death shall shall shall

F
F
F

dar ken
.

dar dar ken
.
dar dar ken

dar ken

dar dar dar ken ken
dar dar dar ken ken

f

mine
w
mine mine
.

mine mine
w
mine

mine mine mine
.
.

mine mine mine
F
- - -
- - -
- - -
- - -
- -
- - - - - - - - -
7
70
&
&
?
?
&
?
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
62

But
.

But
.

But
.
But

But But
.
.
But But
f
f
f
.

leave thee
.

leave thee
.

leave thee
.

leave thee
.
.
leave leave thee thee

.
.

J
>
.
J
>
.
dear rest

dear rest

dear rest

dear rest
>
>
.
dear dear rest rest
dear dear rest rest

w
leave
w
leave

leave
.

leave
w
w
leave leave

leave leave
- -
- -
- -
- -
- -
-- --
&
&
?
?
&
?
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
66
w
thee
w
thee
.

thee

thee
w
w
thee thee

thee thee
.

No 'til
.

No 'til
.

No 'til

No 'til
.
.
No No 'til 'til

No No 'til 'til
.

death I'm
.

death I'm
J
.

death I'm

death I'm
.
.

death death I'm I'm
J

death death I'm I'm
8
71
&
&
?
?
&
?
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
69
w
thine
w
thine
w
thine

thine
w
w
thine thine

thine thine
.

w
w

.
.

But leave

But

But

But

But leave But
But But
- - - - - - - - - -
- - - - - - - - - - - - - - -
- - - - - - - - - - - - - - -
- - - - - - - - - - - - - - -
- - - - - - - - - -
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
&
&
?
?
&
?
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
72
.

thee
.

leave thee
.

leave thee
.

leave thee
.
.
leave thee thee

.
.

J
.
J
.
dear rest

dear rest

dear rest

dear rest
.
dear dear rest rest
dear dear rest rest

leave thee

leave thee

leave thee
.

leave thee
leave leave thee

leave leave thee
.
No 'til
.
No 'til
.

No 'til

No 'til
.
.
No No 'til 'til

No No 'til 'til
- -
- -
- - -
- -
- -
-- - - - -
9
72
&
&
?
?
&
?
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
76

>

.
death
w
death

death
w
death
>

.
death death

death death
w
w

w
w
w

I'm
.

I'm

I'm

I'm

I'm I'm

I'm I'm
F
F
F
F
&
&
?
?
&
?
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
79
w
thine
w
thine

'til death

I'm
w
w
thine thine

'til death I'm
P
P
P
P
w
.

I'm
.

I'm
w
thine
.
.

I'm
.
.

thine I'm
w
w
thine
w
thine
w
w
w
thine
w
w
thine
w
w
w
w
w
w
w
w
J
- - - - - - -
10
Various Voices
Dublin 2014
Kathleen McGuire
Australian-born (with Irish ances-
try) conductor, composer, and
educator Dr Kathleen McGuire
is best known for her work in
the USA directing the San Fran-
cisco Gay Mens Chorus and the
Community Womens Orchestra.
McGuire studied composition
with Peter Tahourdin and Barry
Conyngham at the University of
Melbourne, Australia, and music
editing with Richard Toensing
at the University of Colorado at
Boulder, USA.
Kathleen McGuire has received
hundreds of commissions to
compose and arrange music for
vocal and instrumental ensem-
bles around the globe. McGuire is
a Certifed Arranger with Tresona
Multimedia, and a member of the
American Society of Composers,
Authors, and Publishers (ASCAP).
More information:
kathleen-mcguire.com
When Irish Eyes are smiling
74
&
&
&
?
4
3
4
3
4
3
4
3
.
.
.
.
.
.
.
.
Soprano
Alto
Piano

There's a

There's a
.
.
Lilting & rubato q = c 100

Lilting & rubato q = c 100
P
P
P

tear in your

tear in your

eye, and I'm

eye, and I'm
.
.
.

won der ing

won der ing

why, for it

why, for it
.
.
.

ne ver should

ne ver should

be there at

be there at
b
.
.
all.
.
all.
.
.
.
.

With such

With such
.
.
.
.
.
- - -
- - -
&
&
V
?
&
?
S
A
T
B
Pno.
10

pow'r in your

pow'r in your
10

smile, sure a

smile, sure a
.
j
stone you'd be
.
j
stone you'd be
.
.
.
#

guile, so there's
#
guile, so there's
.
.
.

#
ne ver a

ne ver a
.
.
.

.
j
tear drop should

#
.

tear drop

j
.
fall.
#
ne'er should

n

fall.

When your

When your
n
N
P
P
- - -
- - -
WHEN IRISH EYES ARE SMILING
Music by Ernest Ball
2013 Kathleen McGuire (ASCAP Work ID 885162346)
www.mcguire-music.com
Arranged by Kathleen McGuire
for SATB choir and piano
(with opt. audience participation)
Arranged for Various Voices, Dublin, Ireland, 2014
Words by Chauncey Olcott and George Graff, Jr.
Duration: 4:00
Kathleen McGuire
Arrangement
When Irish Eyes are smiling
SATB/Choir and piano*
*optional audience participation
Chauncey Olcott/George Graff Jr
Words
75
V
?
&
?
T
B
Pno.
18

sweet lilt ing

sweet lilt ing
18

A Little Faster
A Little Faster

laugh ter's like

laugh ter's like
.
J
some fair y
some fair y

song, And your

song, And your

eyes twink le

eyes twink le
bright, as
.
bright as can

bright as can
.
be.
.
.
.

- - - -
- - - -
&
&
V
?
&
?
C
C
C
C
C
C
S
A
T
B
Pno.
25

You should

You should

be. You should

You should
25

F
F
F
F
.
J
laugh all the
. #
j
laugh all the
laugh all the

#
.
laugh all the
.
.

while and all

#
while and all

while and all
#

while and all
.
.

oth er times
j

oth er times
J

oth er times
J
.

oth er times

.
.

smile, and now
#

smile, and now

smile, and now
#

smile, and now

.
.

#
smile a

smile a

smile a
#

smile a
.
.

smile for
#
smile, a

smile, a

#
smile, a
me.
#
smile for

smile for

smile for

rall.
rall.
-
-
~
~
~
~
~
~
~
~
~
~
~
~
~
~
~
-
-
2 WHEN IRISH EYES ARE SMILING
76
&
&
V
?
&
?
C
C
C
C
C
C
S
A
T
B
Pno.
33
-
When
n
,
b
-
me. When
-
me. When
-
me. When
33
n

b
.

I rish

I rish

I rish

I rish
.

(a cappella - piano for rehearsal)
p
p
p
p
Gently - legato & rhythmic (h = 50)
Gently - legato & rhythmic (h = 50)
.

eyes are

eyes are

eyes are

eyes are
.

smil in',

smil in',

smil
.

smil

sure 'tis

sure 'tis
b
#
in', sure 'tis

in', sure 'tis

b
#

.

like a

like a
.

like a

like a
.

.

.

morn in
b
morn in

morn in
.
#
morn in
.

b

.
#
w
Spring.
w
Spring.

w
Spring.

Spring, in
w
w
w

- -
- -
- -
- -
&
&
V
?
&
?
S
A
T
B
Pno.
41

In the

In the

In the

Spring. In the
41

.

lilt of

lilt of

lilt of

lilt of
.

P
P
P
P
P
cresc.
cresc.
cresc.
cresc.
cresc.
.

I rish
b
I rish

I rish
.
#
I rish
.

b

.
#
.
laugh ter

laugh ter
w
laugh
.
laugh ter
.

w
.

you can

you can

ter you can

you can

.

hear the
w
hear

hear the
.
#
year the
.

w

.
#
F
F
F
F
F
.

an gels

an gels,

an gels,
.
#

an gels,
.

.
#

w
sing.

an gels

an gels
b
an gels
w

b
- - -
- - -
- - - -
- - - -
-
77
&
&
V
?
&
?
S
A
T
B
Pno.
49
When
,
b
sing. When
sing. When
sing. When
49

p
p
p
p
p
.

I rish

I rish

I rish

I rish
.

.

hearts are

hearts are

hearts are

hearts are
.

hap py,

hap py,

hap
.

hap

all the

all the
b
#
py, all the

py, all the

b
#

.

world seems

world seems
.

world seems

world seems
.

.

.

bright and
b
.

bright and
.

bright and
#
.

bright, bright and
.

b

.
#
w
gay,
w
gay,

w
gay,

gay, so
w
w
w
.
- -
- -
- -
- -
&
&
V
?
&
?
S
A
T
B
Pno.
57

and when

and when

and when

gay, and when
57

cresc.
cresc.
cresc.
cresc.
cresc.
.

I rish

I rish

I rish

I rish
.

.

eyes are

eyes are
b
eyes are
.
#
eyes are
.

b
.
#
smil in',
smil in',

smil in',

smil in',
.

.

P
P
P
P
P
#

sure they
#

sure they
#
sure they

sure ly they
#

#

#

steal your

steal your
N

steal your

steal your

dim.
dim.
dim.
dim.
dim.

heart a

heart a

heart a
b
heart a
.

b
w
U
way.
w
U
way.
w
U
way.
w
U
way.
w
U
w
U
w
w
u
- - -
- - -
- - -
- - - -
78
&
&
V
?
&
?
4
3
4
3
4
3
4
3
4
3
4
3
.
.
.
.
.
.
.
.
.
.
.
.
S
A
T
B
Pno.
65

-
When

-
When

-
When

-
When
65
-
w
.
-
(+piano)
Add audience:
F
F
F
F
F

I rish

I rish

I rish

I rish

.
Faster (waltz, in 1)

eyes are

eyes are

eyes are

eyes are

smil ing

smil ing

smil ing

smil ing

sure 'tis

sure 'tis

sure 'tis

sure 'tis

like a

like a

like a

like a

morn in

morn in

morn in

morn in
.
.
Spring.
.
Spring.
.
Spring.
.
Spring.
.

In the

In the

In the

In the

- -
- -
- -
- -
&
&
V
?
&
?
S
A
T
B
Pno.
74

lilt of
#
lilt of

lilt of

lilt of
74

I rish
b
I rish

I rish
#
I rish
. #

laugh ter,
N
laugh ter,

laugh ter

laugh ter

you can

you can
#

you can
#
you can
.
.

hear the
#

hear the
N
hear the

hear the
#

#

an gels

an gels

an gels

an gels,
.
sing.
.
sing.
.
sing.

an gels
.
.

When

When

When

sing, When
.
.
.
.
.
.
.

I rish

I rish

I rish

I rish

.
- - - -
- - - -
- - - -
- - - - -
79
&
&
V
?
&
?
S
A
T
B
Pno.
83

hearts are

hearts are

hearts are

hearts are
83

hap py,

hap py,
.
hap

hap py,

all the

all the
b
py, the

all the

world seems

world seems

world seems

world seems

bright and

bright and
.
bright,
.
bright,
.
.
gay,
.
gay,

bright and

bright and
.

and when

and when

gay, and when

gay, and when

I rish

I rish

I rish

I rish

eyes are
#
eyes are
#

eyes are

eyes are
. #
- -
- -
- -
- -
&
&
V
?
&
?
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-
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2013
81
Various Voices
Dublin 2014
Neville Lloyd
Lloyd was born in Dublin, Ireland;
he grew up around music and
creativity and is a third genera-
tion double bass player. Lloyd
has worked with a diverse range
of artists including Tom Jones,
Leslie Dowdall, Frances Black and
Irelands RTE National Concert
Orchestra to name a few.
The Irish musician has written
songs and also collaborated on
projects in a variety of genres
while continues to follow his
passion for songwriting.
Contact:
nev.lloyd@gmail.com
A song of hope

82
{
Copyright 2012 by NEVILLE LLOYD
SOPRANO
ALTO
TENOR
BASS
Piano
With feeling (q=72)
mp
I searched a place
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ad lib
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down deep in side - for what I thought was miss ing - for what I thought was mine.
4
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Music & Lyrics by
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Choir & Piano arrangement by
VINCENT LYNCH
A Song of Hope
For SATB and Piano
Performance Time: Approx 4:00
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VINCENT LYNCH
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Neville Lloyd
Music & Lyrics
A song of hope
STAB and Piano
Vincent Lynch
Choir & Piano arrangement
83
{
7
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For I'd been wait ing - for so long some times - tired of being strong.
11
mp
When I had my doubts could n't - seem to cope I heard
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with in - me
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14
a song of hope.
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Stand up and raise your voice
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So eve ry - one - can hear Love is the answ er our love will con quer - fear All
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round me are my broth ers Sis ters - and new friends The fut ure - is in our hands This
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a song of hope
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92
{
Soprano
Alto
Piano
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mp
I searched a place
mp
ad lib
4
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4
4
4
4
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&
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Music & Lyrics by
NEVILLE LLOYD
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Music & Lyrics by
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Neville Lloyd A song of hope

SSA
Vincent Lynch
Choir/Piano arrangement
93
{
7
mf
11
mp
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with in - me
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(slightly slower)
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a song of hope.
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10
2012
102
{
TENOR
BASS
Piano
mp
I searched a place
With feeling (q=72)
mp
ad lib
down deep in side - for what I thought was miss ing for what I thought was mine.
4
4
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Unis. (opt. Solo)
-
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Music & Lyrics by
NEVILLE LLOYD
VINCENT LYNCH
A Song of Hope
For TTB and Piano
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Neville Lloyd A song of hope
TTB
Vincent Lynch
Choir/Piano arrangement
2012
103
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10
2012
112
Various Voices
Dublin 2014
Sinad Finegan
Sinad Finegan is a violinist and
composer and holds a Masters
in Music and Media Technology
from Trinity College, Dublin.
The musician has an interest in
combining music with literature,
and composed a work based on
the poetry of William Butler Yeats,
entitled Both Beautiful, One a
Gazelle, for the Bal Festival of
Music and Poetry in 2012.
Finegan is currently working on
a new piece for string quartet,
which incorporates old Irish harp
melodies, gathered by Irish folk
music collector Edward Bunting
in the late 1700s.
More information:
soundcloud.com/SineadFinegan
Requiescat

113
Sinad Finegan Requiescat
SSA
&
&
&
#
#
#
4
3
4
3
4
3
1st Sopranos
2nd Sopranos
Altos
Approx. q
80
Religioso
.
Hm
P
Solo

Tread
.
P
Solo
J

Light ly,
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Light ly,
p

She is
-
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&
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Sop. 1
Sop. 2
Alt.
Tutti
5

near
.
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80
P
P
P
Tutti
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j
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she is near

she is near
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she is near
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Sop. 2
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9
.
,
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un der the
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un der the
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un der the
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snow
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snow

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f
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.
p
p
J
j
.
Speak gent ly
.
Speak gent ly
- -
- -
-
Requiescat
Sinad Finegan
2012
Please note: The parts have been labelled for SSA choir, but please transpose to suit other voices, as required.
Based on the poem by Oscar Wilde, written
on the death of his sister: Isola Francesca Wilde
&
&
&
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#
#
4
3
4
3
4
3
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2nd Sopranos
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.
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near
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p
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Requiescat
Sinad Finegan
2012
&
&
&
#
#
#
4
3
4
3
4
3
1st Sopranos
2nd Sopranos
Altos
Approx. q
80
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.
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near
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80
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P
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j
.
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she is near

she is near
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Sop. 1
Sop. 2
Alt.
9
.
,
J

un der the
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.

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un der the
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#

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.

.
p
p
J
j
.
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.
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- -
- -
-
Requiescat
Sinad Finegan
2012
Religioso
Approx.
114
&
&
&
#
#
#
Sop. 1
Sop. 2
Alt.
cresc.
cresc.
13

she can hear

she can hear
p
p

the

the
p
cresc.
cresc.
cresc.
decresc.
decresc.
decresc.
.
J

dais ies grow.
.

dais ies grow.

3
dais ies grow.

.
-
-
-
&
&
&
#
#
#
Sop. 1
Sop. 2
Alt.
P
P
P
17

J

J
All her bright gol den

.
j

j
All her bright gol den

gol den
hair Tar
hair Tar
hair tar
cresc.
cresc.
cresc.
decresc.
decresc.
decresc.
3
nished with rust

3
nished with rust

.
j
nished with rust
- -
- -
- -
&
&
&
#
#
#
Sop. 1
Sop. 2
Alt.
p
21

j

J
She that was young and

.
j

She that was

that was
J

fair

young and
.
.
young and

fair fall

fair fall

en to dust
.
j
#
en to dust
-
-
2
Requiescat
115
&
&
&
#
#
#
n
b
b
n
b
b
n
b
b
Sop. 1
Sop. 2
Alt.
25

Fall
.
U
,
,
U
.
#

n
U
,
en to dust.
Poco agitato
F
F
F

Like

.

li ly like

li ly like
P
P
P
p
rit.
rit.
rit.

U
,
snow,

U
,
white as snow

U
,
white as snow
-
- -
&
&
&
b
b
b
b
b
b
Sop. 1
Sop. 2
Alt.
Tempo Primo
29
j
.

She hard ly
j

j
she hard ly
.
knew
.
knew

So sweet
j

j

she was a wo man

j
she was a wo man

cresc.
cresc.
cresc.

ly she
.
j

so sweet ly
j

j
so sweet ly she
- - -
- - -
-
&
&
&
b
b
b
b
b
b
Sop. 1
Sop. 2
Alt.
decresc.
decresc.
decresc.
33
.

grew

she grew

grew

F
F
F
Poco agitato

Board,

.

coff in board

coff in board
P
P
P
p
rit.
rit.
rit.

U
,
stone

U
,
heav y stone

U
,
heav y stone
- -
- -
3
Requiescat
&
&
&
#
#
#
n
b
b
n
b
b
n
b
b
Sop. 1
Sop. 2
Alt.
25

Fall
.
U
,
,
U
.
#

n
U
,
en to dust.
Poco agitato
F
F
F

Like

.

li ly like

li ly like
P
P
P
p
rit.
rit.
rit.

U
,
snow,

U
,
white as snow

U
,
white as snow
-
- -
&
&
&
b
b
b
b
b
b
Sop. 1
Sop. 2
Alt.
Tempo Primo
29
j
.

She hard ly
j

j
she hard ly
.
knew
.
knew

So sweet
j

j

she was a wo man

j
she was a wo man

cresc.
cresc.
cresc.

ly she
.
j

so sweet ly
j

j
so sweet ly she
- - -
- - -
-
&
&
&
b
b
b
b
b
b
Sop. 1
Sop. 2
Alt.
decresc.
decresc.
decresc.
33
.

grew

she grew

grew

F
F
F
Poco agitato

Board,

.

coff in board

coff in board
P
P
P
p
rit.
rit.
rit.

U
,
stone

U
,
heav y stone

U
,
heav y stone
- -
- -
3
Requiescat
&
&
&
#
#
#
n
b
b
n
b
b
n
b
b
Sop. 1
Sop. 2
Alt.
25

Fall
.
U
,
,
U
.
#

n
U
,
en to dust.
Poco agitato
F
F
F

Like

.

li ly like

li ly like
P
P
P
p
rit.
rit.
rit.

U
,
snow,

U
,
white as snow

U
,
white as snow
-
- -
&
&
&
b
b
b
b
b
b
Sop. 1
Sop. 2
Alt.
Tempo Primo
29
j
.

She hard ly
j

j
she hard ly
.
knew
.
knew

So sweet
j

j

she was a wo man

j
she was a wo man

cresc.
cresc.
cresc.

ly she
.
j

so sweet ly
j

j
so sweet ly she
- - -
- - -
-
&
&
&
b
b
b
b
b
b
Sop. 1
Sop. 2
Alt.
decresc.
decresc.
decresc.
33
.

grew

she grew

grew

F
F
F
Poco agitato

Board,

.

coff in board

coff in board
P
P
P
p
rit.
rit.
rit.

U
,
stone

U
,
heav y stone

U
,
heav y stone
- -
- -
3
Requiescat
116
&
&
&
b
b
b
b
b
b
Sop. 1
Sop. 2
Alt.
p
p
Tempo Primo 37
j
.

lie on her
j

j
lie on her
.
breast

breast
p
.
She

3
I vex my heart a
b
3
I vex my heart a
cresc.
cresc.
cresc.
. b
.
is at

lone she is
j
b
j

lone she is
-
-
&
&
&
b
b
b
b
b
b
n
n
#
n
n
#
n
n
#
Sop. 1
Sop. 2
Alt.
41
J
.

rest
J

J
at rest
j
#
j
at rest
p
p
p
U
.
,
Peace,
.
U
.
,
Peace,
.
U
. n
,
Peace,
rit.
rit.
rit.
decresc.
decresc.
decresc.
j
n
J
p
p
p
b
U
j

Peace
#
U
J

Peace
U
j

Peace
&
&
&
#
#
#
Sop. 1
Sop. 2
Alt.
a tempo
a tempo
a tempo
p
p
45
.

j
She can not
She can not

,
u
3
hear

,
U
hear

,
j
U
Not hear
p
.
.
lyre or
lyre or son

Lyre or son
.

son net,
j

net,

net,
- -
-
- -
4
Requiescat
&
&
&
b
b
b
b
b
b
Sop. 1
Sop. 2
Alt.
p
p
Tempo Primo 37
j
.

lie on her
j

j
lie on her
.
breast

breast
p
.
She

3
I vex my heart a
b
3
I vex my heart a
cresc.
cresc.
cresc.
. b
.
is at

lone she is
j
b
j

lone she is
-
-
&
&
&
b
b
b
b
b
b
n
n
#
n
n
#
n
n
#
Sop. 1
Sop. 2
Alt.
41
J
.

rest
J

J
at rest
j
#
j
at rest
p
p
p
U
.
,
Peace,
.
U
.
,
Peace,
.
U
. n
,
Peace,
rit.
rit.
rit.
decresc.
decresc.
decresc.
j
n
J
p
p
p
b
U
j

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#
U
J

Peace
U
j

Peace
&
&
&
#
#
#
Sop. 1
Sop. 2
Alt.
a tempo
a tempo
a tempo
p
p
45
.

j
She can not
She can not

,
u
3
hear

,
U
hear

,
j
U
Not hear
p
.
.
lyre or
lyre or son

Lyre or son
.

son net,
j

net,

net,
- -
-
- -
4
Requiescat
&
&
&
b
b
b
b
b
b
Sop. 1
Sop. 2
Alt.
p
p
Tempo Primo 37
j
.

lie on her
j

j
lie on her
.
breast

breast
p
.
She

3
I vex my heart a
b
3
I vex my heart a
cresc.
cresc.
cresc.
. b
.
is at

lone she is
j
b
j

lone she is
-
-
&
&
&
b
b
b
b
b
b
n
n
#
n
n
#
n
n
#
Sop. 1
Sop. 2
Alt.
41
J
.

rest
J

J
at rest
j
#
j
at rest
p
p
p
U
.
,
Peace,
.
U
.
,
Peace,
.
U
. n
,
Peace,
rit.
rit.
rit.
decresc.
decresc.
decresc.
j
n
J
p
p
p
b
U
j

Peace
#
U
J

Peace
U
j

Peace
&
&
&
#
#
#
Sop. 1
Sop. 2
Alt.
a tempo
a tempo
a tempo
p
p
45
.

j
She can not
She can not

,
u
3
hear

,
U
hear

,
j
U
Not hear
p
.
.
lyre or
lyre or son

Lyre or son
.

son net,
j

net,

net,
- -
-
- -
4
Requiescat
117
&
&
&
#
#
#
Sop. 1
Sop. 2
Alt.
P
P
P
decresc.
decresc.
decresc.
49
All my

,

All my

,
bur ied
cresc.
cresc.
cresc.

life's bur ied
.
J
life's bur ied

here

here

here

rit.
rit.
rit.
decresc.
decresc.
decresc.
P
P
P

Heap earth u
.
j
Heap earth u
Heap earth u
- -
- -
- -
&
&
&
#
#
#
Sop. 1
Sop. 2
Alt.
cresc.
cresc.
cresc.
53

pon
.

j
pon
j
.

pon
.
U
it.
.
U
it.
.
U
it.
.
5
Requiescat
&
&
&
#
#
#
Sop. 1
Sop. 2
Alt.
P
P
P
decresc.
decresc.
decresc.
49
All my

,

All my

,
bur ied
cresc.
cresc.
cresc.

life's bur ied
.
J
life's bur ied

here

here

here

rit.
rit.
rit.
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decresc.
decresc.
P
P
P

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.
j
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- -
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&
&
&
#
#
#
Sop. 1
Sop. 2
Alt.
cresc.
cresc.
cresc.
53

pon
.

j
pon
j
.

pon
.
U
it.
.
U
it.
.
U
it.
.
5
Requiescat
2012
118
2012
Steve Nobles
A native of Texas, Nobles settled
in Germany after completing his
studies at Baylor University. The
musician has been involved in the
LGBT choral movement in Europe
since its inception as a singer,
pianist, arranger and conductor,
and most recently as artistic di-
rector of the 2014 Various Voices
festival in Dublin.
The parting glass

Various Voices
Dublin 2014
119
&
&
V
?
#
#
#
#
c
c
c
c
Soprano
Alto
Tenor
Bass

Oh
Oh

all the friends that I

all the friends that

e'er I er had, they are

e'er I had, they are

sor ry that I'm

sor ry that I'm

-
-
&
&
V
?
#
#
#
#
S.
A.
T.
B.
4

go ing a way. And

go ing a way. And

all the fair maids

all the ne lads

in this town, they'd


wish me one more

wish me one more

- -
- -
The Parting Glass
arranged by Steve Nobles
2013
Partitur
&
&
V
?
#
#
#
#
c
c
c
c
Soprano
Alto
Tenor
Bass

Oh
Oh

all the friends that I

all the friends that

e'er I er had, they are

e'er I had, they are

sor ry that I'm

sor ry that I'm

-
-
&
&
V
?
#
#
#
#
S.
A.
T.
B.
4

go ing a way. And

go ing a way. And

all the fair maids

all the ne lads



wish me one more

wish me one more

- -
- -
The Parting Glass
2013
Partitur
Steve Nobles
Arrengenment
The parting glass
SATB
120
&
&
V
?
#
#
#
#
S.
A.
T.
B.
8
.

day to stay.
.
day to stay. But

.
J
Since it falls un

.
since it falls un
J
#
to my lot that

.
j

.
J
to my lot that

I should rise and

I should rise and

.
j

you should not, I
.
j

.
J

you should not,
.

-
-
&
&
V
?
#
#
#
#
S.
A.
T.
B.
13

gent ly rise and

gent ly rise and

soft ly call: Good

soft ly call: Good

night and joy be

night and joy be
j

with you all, good
.
j

with you all, good
.
J

- -
- -
&
&
V
?
#
#
#
#
S.
A.
T.
B.
17

night and joy, good

night and joy, good

night and joy, good

.
j

.
j
night and joy, good

.
j

night and joy be

night and joy be

with you

with you

w
all.
w
w
all.
w
2
The Parting Glass
2013
121
&
&
&
#
#
#
c
c
c
Soprano
Mezzo-Sopran
Alto

If I

If I
j

had the mo ney e
.
j

had the mo ney e
.

nough to spend and

nough to spend and

.
J

lei sure time to
.
j

lei sure time to
.
j

stay a while, There
.

stay a while, There
.

- -
- -
&
&
&
#
#
#
S. 1
S. 2
A.
5

is a fair maid

is a fair maid

in this town that

in this town that

sure ly has my

sure ly has my
heart be guiled: Her
heart be guiled: Her

ro sy cheeks and

ro sy cheeks and

- - -
- - -
&
&
&
#
#
#
S. 1
S. 2
A.
10
ru by lips, I

.
j
ru by lips, I

.
j
.
J

own she has my
.
j

own she has my
.

heart in thrall. So

heart in thrall. So

ll to me the

ll to me the

part ing glass, good


- -
- -
&
&
&
#
#
#
S. 1
S. 2
A.
15

night and joy be

night and joy be

with you all, good

with you all, good

night and joy be

night and joy be

with all.

with all.

w
w
w
The Parting Glass
2013
Partitur
Steve Nobles
Arrengenment
The parting glass
SSA
2013
122
V
?
?
#
#
#
c
c
c
Tenor
Bariton
Bass

Oh

Oh

all the mo ney that
.

all the mo ney that
.

e'er I had I

e'er I had, I

.
J

spent it in good
.
J

spent it in good
.

com pa ny And

com pa ny And

- - -
- - -
V
?
?
#
#
#
T.
Bar.
Bass
5

all the harm that
.
J
all the harm that

.
j

e'er I've done a

e'er I've done a

.
J

las, 'twas done to
.
J

las, 'twas done to
.
J
.
J
none but me. And
none but me. And
all I've done for

all I've done for

-
-
V
?
?
#
#
#
T.
Bar.
Bass
10
lack of wit to

want of wit to

mem 'ry now I

mem 'ry now I
can't re call.

U

can't re call. So

U

.
J

Fill to me the
.
J

ll to me the
. j



- - -
- - -
V
?
?
#
#
#
T.
Bar.
Bass
15

night and joy be

night and joy be

with you all, good

with you all, good

night and joy be

night and joy be

with you

with you

w
all.
w
all.
w
The Parting Glass
2013
Partitur
Steve Nobles
Arrengenment
The parting glass/TTB
2013
123
Various Voices
Dublin 2014
The Contemporary Music
Centre
The last three compositions of
the Various Voices 2014 Irish
Song book by Frank Corcorans
Caoine, David Fennessys chOir-
land and Fiontn Cearbhaills
Suantra r Slnaitheora are
reproduced by permission of the
Contemporary Music Centre and
are taken from Choirland - An
Anthology of Irish Choral Music,
2012 The Contemporary Music
Centre
(ISMN 979-0-9002172-0-2).
Book/CD available from
cmc.ie/shop/choirland

Various Voices
Dublin 2014
David Fennessy
David Fennessy was born in May-
nooth, Co Kildare. He studied at
the DIT Conservatory of Music
with Eibhlis Farrell, Trinity College
Dublin and at the Royal Scottish
Academy of Music and Drama
with James MacMillan. His mu-
sic has been performed widely in
Ireland and around Europe. He
was shortlisted for the Gaude-
amus Music Prize in Amsterdam
in both 2000 and 2006 and was a
fnalist in the Philharmonias com-
position prize in 2004. In 2006
he was awarded a scholarship
by Ensemble Modern to study
at their International Academy in
Frankfurt.
A Dewar Arts Award (Scotland)
enabled him to live in Germany
for 12 months where he created
several works in close collabora-
tion with the musicians of the
Academy, and in 2010 he was
awarded a fellowship at the
Akademie Schloss Solitude in
Stuttgart. His music has also
been chosen to represent Ireland
at the International Rostrum of
Composers.
chOirland

125
This edition 2012 The Contemporary Music Centre. Reproduced by permission.

SOPRANO I
SOPRANO I I
ALTO I
ALTO I I
TENOR
tui
BASS
tui
Hi
ff
di di di di dle - di - Hi di di dle di - Hi di di di di dle - di - Hi di
q = 140
ff
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ff
di di di di dle - di - Hi di di dle - di - Hi di di di di dle - di - Hi di
ff
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ff
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ff
S. I
S. I I
A. I
A. I I
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Hi de ro -
4
Hi di di di di dle - di - Hi di di dle - di - Hi di di di di dle - di - Hi di di dle - di - de ro -
Hi Hi de ro -
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de ro -
3
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&
3 3 3 3 3 3 3 3 3
David Fennessy
(b. 1976)
chOirland
&

3
&
3 3 3 3 3 3 3 3 3
&

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David Fennessy chOirland
SATB
126
S. I
S. I I
A. I
A. I I
T. tui
B. tui
Hi di di di di dle - di - Hi di di dle - di - Hi di di di di dle - di - Hi di Hi
8
Hi di Hi di di di di dle - di -
Hi di di di di dle - di - Hi di di dle - di - Hi di di di di di di dle -- - di - Hi di Hi
Hi di Hi di di di di dle - di -
Whack!
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S. I
S. I I
A. I
A. I I
T. I
T. I I
B. tui
di dle - di - dum di di dye dle - di - di dle - di - di dle - di -
12
Hi di di dle - di - Hi di di di di dle - di - di dle - di - dum di di
di dle - di - dum di di dye dle - di - di dle - di - di dle - di -
Hi di di dle - di - Hi di di di di dle - di - di dle - di - dum di di
dye dle - di - di dle - di - di dle - di -
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2
4
4
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3
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&

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127
S. I
S. I I
A. I
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T. I
T. I I
B. tui
dye dle - di - di dle - di - dye dle - di - di dle - di - di dle - di - dye dle - di - di dle - di - dum di dle - di - dum
16
S. I
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A. I
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T. I
T. I I
B. tui
dye dle - di - di dle - di - di dle - di - dum dye dle - di - di dle - di - dum di dle - di - dum
20
2
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3
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3
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128
S. I
S. I I
A. I
A. I I
T. I
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B. I
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24
dye dle - di - di dle - di - di dle - di - dye dle - di - di dle - di - dye dle - di - di dle - di - di dle - di -
S. I
S. I I
A. I
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T. I
T. I I
B. I
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27
dye dle - di - di dle - di - dum di dle - di - dum dye dle - di - di dle - di - di dle - di - dum
3
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129
S. I
S. I I
A. I
A. I I
T. I
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B. I
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Hi di di di di di dle - - di -
31
dye dle - di - di dle - di - dum di dle - di - dum
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dye dle - di - di dle - di - dum di dle - di - dum
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dye dle - di - di dle - di - dum di dle - di - dum Whack!
dye dle - di - di dle - di - dum di dle - di - dum Whack!
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34
Hi di Hi di di di di di dle - - di - Hi di di di dle - - di -
Hi di di dle - di - Hi di di di di dle - di - de ro - Hi
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3
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3
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3
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38
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46
dye dle - di - di dle - di - de de ro --
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51
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57
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61
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65
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81
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93
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100
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104
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108
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112
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117
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122
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ra lad dy
127
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132
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137
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148
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143
S. I
S. I I
A. tui
T. tui
B. I
B. I I
di di dle - di - dum di di di dle - di - dum di di di dle - di - dum di di
153
de
p
di dle - di - di dle - di - di dle - di - di di dle - di - di di dle - di - di dle - di - di di dle - di -
de
S. I
S. I I
A. tui
T. tui
B. I
B. I I
di dle - di - dum di di di dle - di - dum di di di dle - di - dum di di di dle - di -
158
di di dle - di - di dle - di - di dle - di - di di dle - di - di di dle - di - di dle - di - di
ro
&
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3
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3
3
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3
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144
S. I
S. I I
A. tui
T. tui
B. I
B. I I
pp
163
too
p
di dle - di - di di dle - di - di dle - di - di dle - di - di di dle - di - di di dle - di - di dle - di -
too
ff
S. I
S. I I
A. tui
T. tui
B. I
B. I I
168
di di dle - di - di di dle - di - di dle - di - di dle - di - di di dle - di -
too
&

3
3
3
3
3
&

&
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&
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145
S. I
S. I I
A. tui
T. tui
B. I
B. I I
too
ff
ra loo
172
too
ff
ra
di di dle - di - di dle - di - di dye
f
dle - dye dle - dye dle - dye dle -
dye dle - dye dle - dye dle - dye dle - di
f
dle - di - di dle - di - di dle - di - di dle - di -
too
ff
ra
too
ff
ra loo
S. I
S. I I
A. tui
T. tui
B. tui
ra loo ra loo ra
176
ra ra ra
ra loo ra loo ra
&

&
&
> > > >
3 3 3 3 3 3
&
> > > >

(etc.)
3 3 3 3 3 3 3 3
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3 3 3 3 3 3 3 3
&
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146
S. I
S. I I
A. tui
T. tui
B. tui
too ra loo ra loo
180
too ra ra
too ra loo ra loo
S. I
S. I I
A. tui
T. tui
B. tui
ra too ra loo ra
184
ra too ra ra
ra too ra loo ra
S. I
S. I I
A. tui
T. tui
B. tui
loo ra loo ra too ra loo
188
ra ra too ra
loo ra loo ra too ra loo
&
&
&
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3 3 3 3 3 3 3 3
&
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147
S. I
S. I I
A. tui
T. tui
B. tui
ra loo ra too ra loo
192
ra ra too ra
S. I
S. I I
A. tui
T. tui
B. tui
ra loo ra loo ra too ra loo
196
ra ra ra too ra
dye dle - dye dle - dye dle - dye dle - dye dle - dye dle -
di dle - di - di dle - di - di dle - di - di dle - di - di dle - di - di dle - di -
ra loo ra loo ra too ra loo
S. I
S. I I
A. tui
T. tui
B. tui
ra loo ra loo ra
199
ra ra ra
dye dle - dye dle - dye dle - dye dle -
di dle - di - di dle - di - di dle - di - di dle - di -
ra loo ra loo ra
3
4
3
4
3
4
3
4
3
4
&

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3 3 3 3 3 3 3 3
&
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?

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3 3 3 3 3 3
&
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?
&

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3 3 3 3
&
3 3
3 3
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148
S. tui
A. tui
T. I
T. I I
B. I
B. I I
Whack!
201
Whack!
Hi
ff
di di di di dle - di - Hi di di dle - di - Hi di di di di di dle - - di - Hi di
Whack!
Hi
ff
di di di di dle - di - Hi di di dle - di - Hi di di di di di dle - - di - Hi di
Whack!
S. tui
A. tui
T. I
T. I I
B. I
B. I I
204
Hi
Hi di di di di dle - di - Hi di di dle - di - Hi di di di di dle - di -
Hi
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149
S. tui
A. I
A. I I
T. I
T. I I
B. I
B. I I
207
dee
ff
rum de rum Hi di di di di dle - di - Hi di di dle - di -
Hi di di di di dle - di - Hi di di dle - di -
dee rum de rum
dee rum de rum Hi di di di di dle - di - Hi di di dle - di -
dee rum de rum
S. tui
A. I
A. I I
T. I
T. I I
B. I
B. I I
210
Hi di di di di dle - di - Hi di Hi
Hi
ff
di di di di dle - di -
2
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&

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3
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150
S. SOLO
S. I
S. I I
A. SOLO
A. I
A. I I
T. I
T. I I
B. I
B. I I
too
p
212
dee
ff
rum de rum dee Hi di di di di dle - di -
too
p
dee rum de rum dee Hi di di di di dle - di -
Hi di di dle - di - Hi di di di di dle - di -
dee rum de rum dee Hi di di di di dle - di -
Hi di di dle - di - Hi di di di di dle - di - dee rum de rum dee
Hi di di dle - di - Hi di di di di dle - di - dee rum de rum dee
2
4
3
4
15
16
3
4
2
4
2
4
3
4
15
16
3
4
2
4
2
4
3
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15
16
3
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2
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2
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3
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15
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3
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2
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2
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2
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2
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2
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3
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3
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2
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&

SOLO
&

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&

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&

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3
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151
S. SOLO
S. I
S. I I
A. SOLO
A. I
A. I I
T. I
T. I I
B. I
B. I I
ra
216
Hi di di dle - di - Hi di di di di dle - di - Hi di Hi di di di di dle - di -
Hi
ff
di di di di dle - di -
ra
2
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3
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2
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4
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3
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2
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&

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&
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&

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&
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&

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3
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152
S. SOLO
S. I
S. I I
A. SOLO
A. I
A. I I
T. I
T. I I
B. I
B. I I
loo ra
219
Hi di di dle - di - Hi di di di di dle - di - dye dle - di - di dle - di
loo ra
2
4
3
4
4
4
6
4
2
4
3
4
4
4
6
4
2
4
3
4
4
4
6
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2
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3
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3
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&

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&

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&

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153
S. SOLO
A. SOLO
T. tui
B. I
B. I I
too ra loo ra too ra
Slightly slower, q = 108
223
too ra loo ra too ra
too
pp
too
pp
ra ra ra
S. SOLO
A. SOLO
T. tui
B. I
B. I I
Slapstick
loo ra too ra loo ra
229
loo ra too ra loo ra
ff
Whack!
ra
ra
fff
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J



j

Various Voices
Dublin 2014
Fiontn
Cearbhaill
Fiontn Cearbhaill was born
in Wexford and moved to Water-
ford as a child. He was em-
ployed as a railway clerk for 27
years, gaining his B.Mus from
Trinity College Dublin through
evening study. Shortly after-
wards he secured a post as
music teacher in the Presenta-
tion Convent Secondary School,
Waterford, which he held until
his death.
In addition to his work as a
school teacher, he was an active
musician, teaching violin and
music theory privately, conduct-
ing three brass bands and lead-
ing a theatre orchestra. He held
the post of organist and choir-
master in a number of churches
in Waterford and latterly at the
Cathedral of the Most Holy Trin-
ity. He was a founder member
of the Irish Church Music Asso-
ciation and was for many years
editor of and a regular contribu-
tor to the associations maga-
zine, Hosanna.
Suantra r Slnaitheora:
Arrangements by Fiontn
Cearbhaill
Translated by San g Tuana
Revised by Risn U Chuill
Suantra r Slnaitheora-
The saviours lullaby

155

Soprano
Solo
SOPRANO
ALTO
TENOR
BASS
With an easy, rhythmic swing, q = 44
Seo
pp sempre
th, - seo th - l, - seo th, - seo th - l, -
Seo
pp sempre
Seo
pp sempre
Seo
pp sempre
th, - - seo th, - -
S. Solo
S.
A.
T.
B.
Mo
Ba
Is
pp molto tranquillo
ghaol,
mhr
t
C
mo
sh
grian
gur
-
ghr,
ls
gheal
lean
-
'gus
is
an
bh -
5
seo th - l, - seo th - l - Hm
seo th, - - - Hm
6
8
6
8
6
8
6
8
6
8
&
b
Suantra r Slnaitheora
Texts: Traditional (Scottish)
Translations: Sea n O g O Tuama
Revised: Ro is n U Chuill
Arranged by
Fionta n O Cearbhaill
To my friend Sen g Tuama
The Saviours Lullaby
&
b
, ,
&
b
, ,
&
b
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,
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,
,
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b
&
b
,
&
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,
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b
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Fiontn
Cearbhaill
Suantra r Slnaitheora-
The saviours lullaby/SSA
156
S. Solo
S.
A.
T.
B.
m'ead
ion
d
d
il
tas
chais
bl
-
-
-
-
th!
bhuan,
th
Mo
Ag
A
sti
aoi
lir
Cinn
rn
r
onn
t'is
-
-
-
-
r
bocht'
dinn
R
is
ar
an
na
m'ir
leac
b
R
n
an
thar
the
-
-
-
th!
tsl,
cng;
th,
Mo
Nuair
A
An
8
Hm
Hm
Hm
Hm
S. Solo
S.
A.
T.
B.
mhac
chua
shaor
t-oigh
n
la
ann
re
-
-
-
-
siad
sinn
dl
l uinn
Cr
theach -
- scimh
Aing
bhrn
for
each
eal
's
is
-
-
th.
D:
bhuairt
t
Chan
"T'n
Led
Ar
Sln
ghr
Rocht
m
ai
's led
-
fin
theoir
ghrs
D
-
ta
na
-
11
Hm Hm
Hm Hm
Hm Hm
Hm Hm
&
b
, ,
&
b
&
b
&
b
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b
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b

J

j

j

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b b

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S. Solo
S.
A.
T.
B.
m'ead
ion
d
d
il
tas
chais
bl
-
-
-
-
th!
bhuan,
th
Mo
Ag
A
sti
aoi
lir
Cinn
rn
r
onn
t'is
-
-
-
-
r
bocht'
dinn
R
is
ar
an
na
m'ir
leac
b
R
n
an
thar
the
-
-
-
th!
tsl,
cng;
th,
Mo
Nuair
A
An
8
Hm
Hm
Hm
Hm
S. Solo
S.
A.
T.
B.
mhac
chua
shaor
t-oigh
n
la
ann
re
-
-
-
-
siad
sinn
dl
l uinn
Cr
theach -
- scimh
Aing
bhrn
for
each
eal
's
is
-
-
th.
D:
bhuairt
t
Chan
"T'n
Led
Ar
Sln
ghr
Rocht
m
ai
's led
-
fin
theoir
ghrs
D
-
ta
na
-
11
Hm Hm
Hm Hm
Hm Hm
Hm Hm
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b
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Fiontn
Cearbhaill
157
S. Solo
S.
A.
T.
B.
bheith
ar
trc
ngrst.
i'd
an
air -
dhil.
saol."
each. -
Al
p
le - lu - ia. - Al le - lu - ia. -
14
Hm Hm
Hm Hm
Hm Hm
Hm Hm
S. Solo
S.
A.
T.
B.
Al le - lu - ia. - Al le - lu - ia. -
19
Hm Hm
Hm Hm
Hm Hm
Hm Hm
S. Solo
S.
A.
T.
B.
Al
pp
le - - lu - ia. - Al le - lu - ia. -
23
Al
pp
le - lu - ia, - al le - lu - ia, -
Al
pp
Al
pp
Al
pp
&
b
,
, ,
&
b
&
b
&
b
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b
&
b
,
&
b
,
&
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b
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b
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b

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b

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158
S. Solo
S.
A.
T.
B.
Al le - lu - ia. - Al le - lu - ia. -
27
al le - lu - ia, - al le - lu - ia. -
al le - lu - ia, - al le - lu - - ia.
S. Solo
S.
A.
T.
B.
31
Seo
pp
Seo
pp
Seo
pp
Seo
pp
th, - - seo th, - -
S. Solo
S.
A.
T.
B.
35
seo
ppp
th, - seo th, - seo th - - l.
pppp
-
calando al niente
seo
ppp
pppp
-
calando al niente
seo
ppp
pppp
-
calando al niente
seo
ppp
th, - seo th - - l.
pppp
-
calando al niente
&
b
x 3
&
b
&
b
&
b
?
b
&
b
Last (4th) time

&
b
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Frank Corcoran
Frank Corcoran was born in
Tipperary and studied in Dublin,
Maynooth, Rome and Berlin, with
Boris Blacher. After working as
a music inspector for the Irish
government Department of Edu-
cation during the 1970s, he took
up a composer fellowship at the
Berlin Knstlerprogramm in 1980.
He went on to teach in Berlin,
Stuttgart and Hamburg, where
he was professor of composition
and theory in the Staatliche Hoch-
schule fr Musik und darstellende
Kunst, and he has been a visiting
professor and guest lecturer at
leading institutions in the USA.
His music includes chamber,
symphonic, choral and electro-
acoustic works, through which
issues of language and history
are a frequent subject of explora-
tion. He has been the recipient
of many awards, from the 1972
Feis Ceoil Prize and 1975 Dub-
lin Symphony Orchestra Prize,
to the 1996 Studio Akustische
Kunst First Prize, Premier Prix at
the 1999 Bourges International
Electroacoustic Music Competi-
tion, the Sean Riada Award
at the Cork International Choral
Festival 2012 and frst prize at the
2013 International Federation for
Choral Music. Frank Corcoran is
a founding member of Aosdna,
Irelands state-sponsored acad-
emy of creative artists..
Lament

Various Voices
Dublin 2014
160

SOPRANO
ALTO
TENOR
BASS
Bs,
ff
bs
mf
Andante lamentoso rit.

Bs brn,
p mp
bs,
ff
bs
Bs, brn,
p mp
bs,
ff
Bs, brn,
p mp
bs,
ff
S.
A.
T.
B.
D'g as - ag an gc th, a stir n - mo chro, is d'im
p
igh - go
6
D'g
p
as, - - a stir n, - - Brn -
D'g
p
stir n, - - - Brn -
A
p
chro, Brn -
S.
A.
T.
B.
brn ach, - n eic nn - t 'rs. Do sheol
mp
t thar na dtonn ta - chuig
11
ach. - N eic nn, - 'ris. Sheol
mp
t t chuig
ach. - N eic nn, - 'rs. Sheol
mp
t chuig
ach. - N eic nn, - 'rs. Sheol
mp
t chuig
3
4
4
4
3
4
3
4
4
4
3
4
3
4
4
4
3
4
3
4
4
4
3
4
&
#

,
SOLO
Gabriel Rosenstock Frank Corcoran
Caoine
Alternative version (without TB divisi)
Lament
&
#
div.
,
(rit.)
&
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(rit.)
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(rit.)
&
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,
3
&
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(div.)
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&
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TUTTI
&
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&
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b
b

n
b
j

b
b

j

b

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j

j

j

j

j

Frank Corcoran
Arrangements
Lament Gabriel Rosentock
Words
161
S.
A.
T.
B.
tr i bhfaid, i gcin. is d'g ais - mi se - crit e, - thrig
16
tr i gcin. D'g m crit e, - Nuair thrig do thr
tr i gcin. D'g m crit e, - thrig,
tr i gcin. D'g, crit e, - thrig,
S.
A.
T.
B.
tr in. Chua la - scal
poco cresc.
do bhis. Bh dor chad - as - saspir. An uis eog, - nor
21
fin. Scal
mp
bhis. Dor cha, - spir. Nor
fin. Scal
mp
do bhs. Dor cha, - spir. Nor
fin. Spir.
p
Nor
S.
A.
T.
B.
chan
f
fin. Nuair d'al' t 'rir.
p
d'g th a stir -
27
chan
f
fin. Nuair d'al' 'rir.
p
d'g as - th a stir n, - a
chan
f
fin. Nuair d'al' t 'rir.
mp
d'g as - ag an gc th, a stir n, - a
chan
f
fin. Nuair d'al' t 'rir. D'g
p
th, a stir, a
&
#
&
#
&
#
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SOLO
TUTTI
&
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&
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&
#
,
?#

j

j

j
n

<#>

J

<n>

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j

162
S.
A.
T.
B.
n. - I s
p
d'im igh - liom go Brn ach, - ach. 'rs.
pp
33
chro. Go Brn N
p
eic nn - t 'rs.
pp
Bs
chro. Go Brn ach. - - 'rs.
p
Bs
mf
chro. Go Brn ach. - - 'rs.
p
Bs
mf
S.
A.
T.
B.
Bs,
ff
bs
p
d'al as - i dts do r, nor
39
Brn
p mp
Bs,
ff
bs, bs
pp
a
Brn
p mp
Bs
ff
p
Brn
p mp
Bs
ff
S.
A.
T.
B.
ach t siar ar s. - I s fa da - an l d'g ais - m. Ach
44
stir n. - - -
stir n. - - - Brn -
A
p
chro
4
4
3
4
4
4
4
4
3
4
4
4
4
4
3
4
4
4
4
4
3
4
4
4
4
4
3
4
4
4
3
4
4
4
3
4
4
4
3
4
&
#
>

&
#
div.
&
#
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&
#

&
#
div.
&
#
?#

&
#
3
&
#
&
#
?#
j

j

j

b
b

J

j
n
b
j

b
b
j

b

j

r

163
S.
A.
T.
B.
tao liom fs i bhfs. Ar a chi le, - A stir. N scar far n a -
48
bhfs. cas far - ar chi le, - Ar s - a stir. n a -
ach, - bhfs. cas far - ar a chi le, - Ar s - a stir. n a -
bhfs. Ag us - cas far - ar a chi le - sinn, ar s, - a stir. n a -
S.
A.
T.
B.
chi
f
le - sinn sa sor aocht, - go deo.
p
D'g t a stir -
55
chi
f
le - sinn sa sor aocht, - go deo.
p
D'g as - t, a stir n, - a
chi
f
le - sinn sa sor aocht - go deo.
p
mp
d'g as - ag an gc th a stir n, - a
chi
f
le - sinn sa sor aocht - go deo.
p
D'g t a stir, a
S.
A.
T.
B.
n. - Go Brn ach. - Brn Brn.
61
chro. I s d'im igh - liom go Brn ach. - N eic nn - t 'rs. Brn Brn.
chro. Go Brn ach. - 'rs. Brn Brn.
chro. Go Brn ach. - 'rs. Brn Brn.
&
#
&
#
&
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&
#
div.
&
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#
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n

<#>

j

j

#

<n>

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J

j
j

j

j

j

164
165
166

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1

Barry Grace Written in my heart-Lament for Molly Malone

sim ply - loved her as I

sim ply - loved her as I

in the rain I'll touch her face a gain -

and for ev - er she will al ways - be here

Declan ORourke Galileo (Someone like you)

Copyright Eoin Mulvany 2012

Copyright Eoin Mulvany 2012

is this which gives my soul

all its' joy ous - e -

is this which gives my soul

all its' joy ous - e -

sweet lark sing

In the clear air of the

sweet lark sing

sweet lark sing

sweet lark sing

In the clear air of the

sweet lark sing

In the clear air of the day.

sweet lark sing

In the clear air of the day.

sweet lark sing

In the clear air of the

sweet lark sing

sweet lark sing

sweet lark sing

In the clear air of the

sweet lark sing

In the clear air of the day.

sweet lark sing

In the clear air of the day.

Copyright Eoin Mulvany 2012

Copyright Eoin Mulvany 2012

is this which gives my soul

all its' joy ous - e -

is this which gives my soul

all its' joy ous - e -

sweet lark sing

In the clear air of the

sweet lark sing

sweet lark sing

sweet lark sing

In the clear air of the

sweet lark sing

In the clear air of the day.

sweet lark sing

In the clear air of the day.

Copyright Eoin Mulvany 2012

Copyright Eoin Mulvany 2012

Copyright Eoin Mulvany 2012

is this which gives my soul

all its' joy ous - e la - tion -

sweet lark sing

In the clear air of the

sweet lark sing

sweet lark sing

sweet lark sing

In the clear air of the

sweet lark sing

In the clear air of the day.

sweet lark sing

In the clear air of the day.