Professional Documents
Culture Documents
www.armoniamoderna.com
1. Flamenco chord voicings. 2. Flamenco keys. 2.1. E phrygian key, por arriba. 2.2. A phrygian key, por medio. 2.3. F# phrygian key, dos por arriba or por Levante. 2.4. B phrygian key, dos por medio or por Granainas. 2.5. G# phrygian key, cuatro por arriba or por mineras. 2.6. C# phrygian key, cuatro por medio. 2.7. D# phrygian key, seis por medio.
Page 1
www.armoniamoderna.com
The open strings are very important to Flamenco sound, and usually an open string is a pedal note in the cadence. The Flamenco sound does not accept soft and smooth chords like CMaj7, in any case should be C/B or CMaj7/E, it needs complex chords with deep sound, otherwise it is preferably a simple triad. In Flamenco style C7b9 is not a usefull chord, but Caddb2/bB is one of the most important. In Flamenco style avoid notes do not exist, the voicing is a matter of taste. It is a cosequence of the downward harmonic continuity in Riemann sense, it is not because it be a descending cadence. And of course, it is not because Andaluosian Cadence is a modal system, it is completly tonal.
Am7add2,4,b6 IVm7
G7add2,4,6 bIII7
FMaj7add2,#4,6 bIIMaj7
Eaddb2,4,b6/b7 I/b7
AN ANp OA OAp ME MEp LVII MI MIp MI LVII D7 I bVI+ IVm bVI Im bIII V bVIIm bII bVIIm V III
AN I
Page 2
www.armoniamoderna.com
2. Flamenco keys.
It is necessary to review all the habitual tonalities to know each possibilities, and the most common voicings. They do not must be studied from key, since the "cejilla" allows to change it. The Flamenco keys must be studied from voicing, voicing and pedal notes define the colour in absolute way, no in relative. The seven keys used in Flamenco are the keys that contain the natural E note, evidently the first open string is the pedal note always. It should know what note of the key is each open string. Out of key notes have interest too.
Page 3
www.armoniamoderna.com
Am7add2
Asus2addb6
Dmadd2/F
D9/F#
G7add13
G7add2,13
1 2 3 3 4 2 4 3
1 2 3 4 2 3 1
C7add2
C/Bb
FMaj7add#4
F7add#4
Eaddb2
Esusb2add4
1 2 1 3 4 3
1 2 3 4
1 3
2 4 2 3
1 1 3 2
Page 4
www.armoniamoderna.com
Dmadd2/F
Dsus2addb6 G7add13
C7add2
C9
Gmadd6
1 3 4 3 4 3 2 4 2 3 4 2 1 3 4 2
3 4
Gm6
Bbadd#4
Bbadd#4/Ab
Bb9#11/F
Aaddb2
Asusb2/G
1 3 2 4
1 1
2 3 1 2 3 3 1 4 2
3 4 2 3
1 1 1
Page 5
www.armoniamoderna.com
DMaj9add4
F#7
Bmadd2b6
E7
A7
A7/G
1 1 1 1 2 3 4 3 4 2 1 3 2 4 2 3 2 3 1 1 1
D9/A
D9/F#
G7add13
G7add#4,13
G/F
F#7sus4addb2
1 2 1 2 3 4 3 2 1 3 2 4 3
1 2 1
Page 6
www.armoniamoderna.com
Emadd2
E7
Amadd2
D9/F#
D9/A
Gadd13
1 1 IV 2 3 3 4 4 1 2 2 4 3
1 1 1 2 3 2
G7
CMaj7add#4
C/Bb
Bsus4addb2
Badd4
Badd4
1 2 3 1 3 4
1 3
2 1 1 VI 1 2 3 4 2 3 4 3 4
Page 7
www.armoniamoderna.com
Badd2,4
B7add11/F#
Eadd2
1 1 IV 1 1 2 3 1 2 3 4 1
3 4
2 3 4
E7
Aadd2
A7add#4
A/G
G#addb2
G#/F#
1 2 1 2 2 4 2 3 1 4 1 1 1
1 1 2
1 1
Page 8
www.armoniamoderna.com
F#m7add4
B7/F#
F7add#4
Eadd2
Aadd2
A7add2
1 1 2 3 2 3 4
1 3
2 4 1 1 2 1
4 4
A7add2,13
Dadd2/F#
D9/F#
C#addb2
C7susb2
1 1 1 2 3 4 3 4 4 2 4 3 1 2 4 1
1 2
1 IV 1
3 4
Page 9
www.armoniamoderna.com
B7add11/F#
B9add11
1 1 1 2 3 2 3
1 4 2
1 3 4
3 4
Eadd2
E/G#
Eadd2
1 2 1 1 VI 2 4 2 3 4 1 3 4
3 4 2 4 3 1
Page 10