Lesson Plan~The Academy for Technology & the Classics~Cultivating Fearless Learners
Instructors name: Cermanski Course/Grade: Visual Arts I
Week of: September 3 to September 17
Unit Name: NON-REPRESENTATIONAL, CONTOUR, and DRAWINGS
(1A)*Essential Question(s): How can I understand line, space and contrast to create a strong drawing? How do I do a contour drawing? Gesture drawing? How do I do a non-representational drawing? How can I understand line, form and unity to create a strong drawing? How can I communicate movement and emotions through line? How do different colored media yield different effects (1A/1B) Connections (prior/future learning): Students are familiar with line from math classes Students are familiar with contour lines from previous art classes Students are familiar with contour and gesture lines from cartoons
(1A) Common Core/State Standards: NMVA-I, IV, V
(1E) Other considerations (modifications, accommodations, acceleration, ELL, etc. Students who are struggling can do simpler designs More advanced students can do more complex designs and a series of gesture drawings. (1D) Resources/Materials: Teacher: Various line drawing designs, Thom Yorke album cover, Images of line non-representational line paintings by Bridget Riley, M.C. Escher, and Wassily Kandinsky, contour drawings by Degas, Rivera, Schiele, and gesture drawings by various artists. Students: 8.5 x 11 paper, Markers Pencil, sketchbook (1F) Assessment (How will you monitor progress and know students have successfully met outcomes? What happens when students understand and when they dont understand?
Daily: Daily checking of sketches This Week: Final line sketch Unit: Final line and contour drawings
(1B) Lesson activities for instructor and students, (1F) Embedded Formative Assessment,
WEDNESDAY 9/3 (1C) Learning Target: TSW learn how to draw a variety of types of lines. TSW know this when he/she can draw at least 5 different types of lines.
(1C) Do Now: In a Do Now square, do a drawing of either: --The repetition of 4 different shapes --15 or more curvy lines
Do NowIn your sketchbook do a drawing using a variety of lines using half the page. I. What are the various types of lines? II. Read Line Vocabulary handout II. Take a Line for a Walk exercise Student should draw all the different types of line in sketchbook, trying their best not to move their pencil from the paper III. Op Art & Discuss
V. Discuss importance of using contrast in designs V. Begin straight line sketches Assignment(s) Due-None (1F) Embedded Formative Assessment: Response to cold calling on types of lines (1B)Closing Activity: op art THURSDAY 9/4 (1C) Learning Target: TSW learn how to create a sketch for a straight line design. TSW know this once he/she has a straight line design sketch complete. (1C) Do Now: Continue working on your sketch. If you are finished please show to me.
Do Now: Find lines in the room and draw them in your sketchbook exactly as you see them. I. What is Non-Representational Art? What are different types of lines? II. ProjectNon-Representational Line Drawings III. Students should start should their straight line design III. After finishing straight line design, they should move on to their curvy--line design
(1F)Embedded Formative Assessment: Cold calling on non-representational art (1B)Closing Activity: Review project requirements FRIDAY 9/5 (1C) Learning Target: TSW learn how to create a sketch for a curvy line design. TSW know this once he/she has a curvy line design sketch complete.
(1C) Do Now: Continue working on piece.
Do Now: Look at the designs of the person sitting next to you. Tell him/her which design you like best and why. I. Students should continue with their curvy designs. (1F)Embedded Formative Assessment: Check progress on line designs (1B)Closing Activity: Ask a student to share his/her sketch MONDAY 9/8 (1C) Learning Target: -For students to learn how to choose his/her best sketch. TSW know this when he/she chooses a sketch for the final project. (1C) Do Now: Continue working on piece.
Do Now: How is doing a straight-line design different from a curvy? What takes more time for you? Is more enjoyable? Which do you think is a stronger design? II. Students should finish combo line design I. After finishing designs, student should consult with teacher. Student will choose on design to re-do using black marker. If time is left start on final drawing (1F)Embedded Formative Assessment: Progress on project (1B)Closing Activity: Ask a student to share project TUESDAY 9/9 (1C) Learning Target: -For students to be able to use good craftsmanship to create a precise line design. TSW know this when his/her final project is neat, straight lines are drawing with ruler, there arent any smudges, etc. on final Do NowWhich is your favorite drawing so far? Why? I. Work on final design on white paper, focus on neat craftsmanship
piece.
(1C) Do Now: Continue working on piece.
(1F)Embedded Formative Assessment: progress on project (1B)Closing Activity: Ask a student to share drawing WEDNESDAY 9/10 (1C) Learning Target: -For students to be able to use good craftsmanship to create a precise line design. TSW know this when his/her final project is neat, straight lines are drawing with ruler, there arent any smudges, etc. on final piece.
(1C) Do Now: Continue working on piece.
Finish project
(1F)Embedded Formative Assessment: Final Project (1B)Closing Activity: Ask a student to share drawing THURSDAY 9/11 1C) Learning Target: Students will be able to draw contour lines. TSW know this when he/she completes a contour drawing of his/her shoe.
(1C) Do Now: Continue working on piece I. Show students images of contour line drawings by Egon Schiele, Edgar Degas, Diego Rivera, and Henri Matisse II. Demonstrate how to do a contour drawing from observing a shoe III. Finish final design and then draw your shoe (students can use the roller-skate I have if they dont want to remove their shoe)
(1F)Embedded Formative Assessment: Cold calling on contour lines (1B)Closing Activity: Review how to do a contour line drawing FRIDAY 9/12 1C) Learning Target: Students will be able to draw contour lines. TSW know this when he/she completes a contour drawing of his/her shoe.
(1C) Do Now: Continue working on piece What is a contour line? Outline? II. Refresh students on how to do a contour line drawing III. Students should do contour drawing of their shoe using pencil I. Students who finish early should do a contour drawing of someone elses shoe II. Students who finish this should draw a contour drawing of something in the room
(1F)Embedded Formative Assessment: cold calling on contour lines (1B)Closing Activity: Ask a student to share his/her work MONDAY 9/15 1C) Learning Target: TSW learn how to do a gesture drawing. TSW know this once he/she creates a gesture drawing that captures the essence of movement. (1C) Do Now: Read rules for critique Show students images of gesture drawings by Umberto Bobbioni, Roger de la Fesnaye and William Kentridge15 mins II. Tips for gesture drawing: Do the drawing in under 30 seconds Capture movement and energy using loose, scribbly lines Do not draw details! Stay focus and concentrate III.Demonstration30 second gesture drawing using charcoal5 mins III. Students do quick gesture drawings of various student models30 mins (1F)Embedded Formative Assessment: Cold calling on gesture drawing (1B)Closing Activity: Ask a student to share work TUESDAY 9/16 1C) Learning Target: TSW learn how to participate effectively in a critique. TSW know this when he/she makes at least 2 strong comments to peers during critique. (1C) Do Now: Read rules for critique I. What is your favorite gesture drawing you did? Why? II. Review format for critiques Critiques of Non-Representational drawing and Gesture drawings (1F)Embedded Formative Assessment: Final Project (1B)Closing Activity: What did you learn from the critique?
*Refers to NMTEACH Rubric: 1A-Demonstrating knowledge of content 1B-Designing coherent instruction 1C-Setting Instructional outcomes 1D-Demonstrating knowledge of resources 1E-Demonstrating knowledge of students 1F-Designing student assessment Formative Assessment includes, but is not limited to: Exit tickets, white board response, consensagrams, red/green cards, formal or informal student conferences, sticky note assessment.