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INTRODUCTION
TEAM BRASS Repertore Books contain a wide variety of music in
popular styles, inc1uding T.V., Film, Classics, Folk and Jazz. The
Repertore Books have been specially designed to supplement the
TEAM BRASS Tutor Seres, and each repertoire piece is appropriate
to a particular level of attainment in the corresponding TEAM
BRASS Tutor.
Many of the repertoire pieces are arranged for ensemble. These are
basically duets, to which can be added independent (and inessential)
third and fourth parts. This book inc1udes 9 such arrangements for
horn trio, which may also be played as duets by omitting the lowest
parto In addition, all these piecesmay be played by a mixed brass
ensemble, using the relevant parts contained in the
Trombone/Euphonium Supplement. Optional third and fourth parts
for use with the trumpet duets, together with a conductor's score,
are provided in the Supplement.
Several pieces of jazz have been inc1uded, and these can be used as
a basis for improvisation - hints are provided on pages 4 and 5.
For ease of reading, the early jazz pieces are given a straightforward
l' J. Sorne
.rhythmic notation, viz. ~ ~ J rather than, say
suggested rhythmic interpretations are suppliedi br~kets.

n .,

The following symbol has been used to provide an immediate visual

identification:

@3

An ensemble arrangemEmt with

supplementary parts in other TEAM
BRASS Repertore books.

There is an index of titles on page 32.

'[;?

Jazz improvisation
The word 'improvisation' means that you have to make up your own
music as you go along. You might have already done this, perhaps
during your warm-up. One of the easiest ways, to begin with, is to
make up music using a few notes only, for example:

( )

&

open

e
open

II

open

Y2

(-)

This is called a 'Quadratone' because it consists of only four notes

G and A, which can all be played on the opeh tubing and first
and second valves. The idea is to use these notes to make upsome
quite short phras.es, using jazz rhythms. Here are four examples to
start you off. If you're not sure of the rhythms, ask your teacher to
play them first, then play them yourself by ear:

e, E,

1)~.

t.~

2l.l ~l ~

In 'Swing' time note lengths are varied, so that

r 3,

tend to be played as

n n
and

both

J ).

Ex. (4) above, played with a swing, might go something. like this:

~
-

J ~

Of course, it would rarely be printed like that - it's much too

difficult to read!
Not all popular music is intended to be 'swung'. Rock and Latin
American rhythms, for instance, are usually played 'straight' (keeping
to the printed note-lengths). It's up to you to learn to play both ways,
so you can choose the style you think is right for any particular
piece.

You might now try to vary the notes, or the rhythms, until you have
built up quite a large catalogue of short phrases. Sorne short phrases
can be put together to make longer ones. Next, try playing your
phrases over the 12bar blues sequence below. Listen carefully to
how they fit (or don't fit!) with the keyboard. Change your notes if
they do not match the chords:Accompaniment lor piano or electronic keyboard on JAZZ ROCK
setting.

over e Bass

When you have gained sorne confidence in your ability to improvise,

try introducing it into one of the jazz pieces in this book, like When
the saints go marching in, or Don't sit under the apple tree.
Get together with a group of friends (for example, horn, trombone,
electronic keyboard and drums), play through the piece twice, then
take turns to improvise over the chord sequence. Finally, all play the
piece through again to make a rousing finish.
You can expand your improvisation within the key of C by adding
sorne 'blues' notes. The new scale willlook like this:

Blues notes

&

~e

l'

11

#"
l'

~e

l'

l'

(.

fn9
t

You can use a mixture of scales if you wish. The really important
thing is to listen to yourself in relation to the chord sequence.
Sometimes your notes will grate against the chords - this is called
'dissonance' in music. Controlled dissonance is a very important part
of jazz, and it takes quite a lot of experience to learn how to use it
in a really effective way. To help yourself, record the 12bar chord
sequence (above) and spend many practice sessions experimenting
with improvisation.
~

You will also find it helpful to listen to records of the alltime great
brass jazz musicians. There are many to choose from, but one of the
best was LOUIS ARMSTRONG. You will find his recordings in any
reputable record shop.

When the salnts go

marching in

@3

Traditional

Fast and jazzy

~l...-2

(J J

nLo)

etc.

~e_
~
3 .....

&-

--.........

/ / /

&-.

F / / /

..-"

....

.-"

e / / /

""

u """""--

'0_

.........
--

F / / /

F /

/ /

v_

F / /

6-

F / / /

e ///

D.C.(ad lib)

""

...---- ------

o~

....

....

....

.-"

,~.

"9"

~e_

~.~ ...

~ ........ -..

.. -

... -

4-

&-----..

4-

~---~
e/

F / / /

B~ / / /

F / / /

Bp / / /

F /// F

F /

F / / /

1990 lntemalional Music Publlcallons, Woodford Green, Essex, 1GB BHN.

For improvisation, the chord sequence (above) may be used. The

following more varied sequence will alsofit this tune:Accompaniment lor electronic keyboard on JAZZ ROCK.

F
F

F
I

F7

F
I

B~

B~m

i ~

I G7 C7

I c

c
F

N.B. Fourth parts to horn trios can be found in the supplement to

the Trombone book.

Ode to joy

LUDWIG VAN BEETHOVEN

(1770-1827)

~oU~i

~~

~~.~

._J~
=( (T). '
P

optlona1)

~
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---

si

1990 lntemallonal Muslc Publlcatlons, Woodford Green, Essex, 1G8 8HN.

He's got the whole world

in his hands
Traditional
~ JoUy

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>

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a~~

J ~
~~~4J.
@

mif~

1990 Inlemallonal Muste Publleations. Woodford Green, Essex, IG8 8HN.

__ iI

[y

ffi

Don't sit under the apple tree

(With anyone else but me)

Words and Music by LEW BROWN,
CHARLIE TOBIAS and SAM H STEPT

Fast and jolIy

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(f J

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/

...
F

1942, 1954 (renewed 1970, 1982) ROBBINS MUSIC CORPORATION USA

AlI Rights Assigned to CBS CATALOGUE PARTNERSHIP
AII Rights Admlnlstered by CBS ROBBINS CATALOG
Used by permlssion

~I

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mp

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el

El

j
C7

&

-~
F

For improvisation, the chord sequence (above) may be used. Vary it,
if you wish, by using the following sequence:Accompaniment lor electronic keyboard on JAZZ ROCK.

F
F

F
1

I Cm(6) I

I C7

C7

D7

G7

C7

F
F

I F

! C71
F

[r

Sprightly

Kum-ba-ya

Traditional

~.

~e

~2~.

:me

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...

:.:;:

: ..

..

/ /

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f!I

*
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e
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- - ...

"l/.

Am

"'JO
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/

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B~

-'-=.....

+..-"- ... -,;.

40

........

e /

F / / /

'41

o-

e / / /

. . . . . . . , ...4
....
F /
/ / /
/ B~ /
@

/ / / B~ /

1990 lntemat.ional Music Publicatons, Woodford Green, Essel<, IG8 8HN.

God save the Queen

~

Traditional

S====IOWlY_

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ral!.

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1990 Intemational Musc Publications, Woodford Green, Essel<, IG8 8HN.

Down by the riverside

Traditional

Bouncy

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jo_.___
=:>
.
:>.:>

.:>

:>

:>

J 1":>..........

:>

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;;;:::o.

1990 International Music Publicatlons, Woodlord Green, Essex, 1GB BHN.

Barcarolle

JACQUES OFFENBACH (1819-1880)

Andante

~.~

mp

espressivo

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El
{SP4' ~~ -p=t
~
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oC

..

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~.~.. ~.
rrif

~---~
:

1990 Intematlonal Music Publications, Woodford Green, Essex, 1GB BHN.

fr~

@3

Medium swing

Old Mac's jazz

Traditional

optional

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:>

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( J

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trj~

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Em

G7

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ij

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~o

1Tif

1Tif

..

Em

G7

~o

,~

~o

G7

~
(n)

~o

fl

l\.iJ,

1i

..

..: 7::f
/
e

j j

<.Jo

Em

G7

1990 lnternalional Muslc Publlcatlons, Woodford Green, Essex, lG8 8HN.

G7

~
en)

1:

~-

mp

J.

mp

~~
mp

if

C7

..... .......

D7

pe
/

D.C.(ad lib)

Pause last time

~
~ ...
f

~.

ff

f':\.

..------.

"1J

~
C

f':\.

:?J

ff

-.- ..-.,..
F

... ....

'

Em

-.

--

ff
/

"1J

G7

-
:a:

... :.

f':\.

,,-

p
/

This scale can be used as a basis for h:nprovisation on the above

chord sequence:

~
~ el

qe

u
&

~
eh

et

Key note

..

~~ ~

:
, &):8

11

v
~

'-'~

:::: . ., i\' ':,.,

1\

ffi

'.

"!f

:>

:>

...
:>

"',---Y

:>

...

:>

...

...

'

"!f

I~

GEORGE FRIDERIC HANDEL (1685-1759)

"!f
1\

Joy to the world

:>

:>

:>

"!f

.,
:>

t.

-6-

:>

.,

.,.

::>

'e..

:>

.
....

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t.

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4-

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-i

....

7-'

t:

....

...

"!f

.
'

....

....

....
:>

., .

1\

\t.

...

1990 Inernatlonal Muslc Publlcations, Woodford Green, Essex, 1GB BHN.

.'
-,.

<:

....

<:

..... .....

.,

<:

.....
<:

.....
(wOJ!qn pe) ou8as lea

JO

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dw

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j'

ode:) TIa

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....

dw

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r

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<:

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l'

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<:

~\

l;

.... . --...

.-.

onqns d

..... --.....

.-1'

dw

___.onqns d

........

r
'w I

~=========

[;Y

Introduction to 'Blue Danube'

JHANN STRAUSS (1804-1849)

~OO"

~@5:J

~ ~i~7==t?L.
~~.~
~ff'=

ij.

r:--

II

~s

Ir

11 2

ij

TI

pJ

r:-- r:-- r:--

~(

1f

~~.~
~

]71.

~"

ij

~.-"

1990 International Muste Publieattons, Woodford Green, Essex. IG8 8HN.

Morning has broken

Traditional

~i"~( Ir

~s

-i:
J~'
~~

~.
ij.~

~----

rrif

~.

~~.~

mJ

~ _gij__~.~

J~:~
J;rJ.
~~

ij.........
J~.~i j . I

J", g;? tr

--

1990 Internatonal Muse Publieations, Woodford Green, Essex. IG8 8HN.

Over the rainbow

-iiDp

~ Slow and reIaxed

"!I

~
B~

Dm

B~

F7

~
/

.......

B~m

~
F

Gm7

D+

Dm

FO

G7

C7

C7

Am

F7 /

112

:~

~.
mp

F / /

so:

Em

B~

F7

/
~.

Gm7

C7

Sti

f
/

Gm7

J 9

B~

/ F7 /

C9

le
/

Am

~'

(j

F6

~.

F
/

;;...;

~
F

_$

~
F

11

~J
/

Am

Words by E Y HARBURG
Music by HAROLD ARLEN

B~m /

~~p~

=
F

D+

G7

C7

1938, 1939 (Renewed 1966, 1967) Metro-Goldwyn-Mayer Ine USA

AIl Rights Controlled by Leo Feist, Ine
AIl Rights 01 Leo Feist, lne Assigned to SBK Catalogue Partnership
Al! Rights Administered by SBK Feist Catalog
Used by Permisslon

ffi

Brass suite

_.

JubilantIy

r~

::>

~.

::>

ff-f

. .

. .

::>

ILL

-A,w.

e..

11

::>

) A,w.

-,:
::>

rt:

...::..

~"'--4f

pp 11if

pp-11if

r--.

::I

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11

tT

"'\

::>

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=1

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-.----

7'

::>

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"-J
---,

.
1/2

-1
-1

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,
"",,""if ...

l\ ...

"i---,

o.c. al fine

::>

\L

~-"._)

--'

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l\.lJ.

""'"

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pp "!f

f":',

l\.lJ.

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--."-..... ..,- ..

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't.

f":',

Fine

I~

t:

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-.....;,
--J.

. .

::>

ff-f

~,w.

ff-f

'i2~.

ti

TIELMAN SUSATO (-c.1561)

malta

.
7J"

"if
::>

::>

-d

molto

--.

-u
molta

1990 International Muslc Publications, Woodford Green, Essex, 1GB BHN.

Dalias

JERROLD IMMET

~i~. j r _
Fast and furious

>-

,n.

ij!

. '

ilM

B~

~ b
B~

~. J*.
B~

D~

F7 /

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E~6

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/

F7

b'
/

~
B~

~;

>-

E~

F7

D~

Hu ........ --
~.
ff

'J
F7

B~

1978 & 1990 Roliram Muste (USA)

Adminlstered by Leosong Copyright Service Ud London NW1 OAP for UK and Eire

God rest ye merry, gentlemen

Traditional

~'~

rrif

~.~
-=====
=-===-
.

__ j, I

=:==-

==:=

1990 Internatlonal.Music Publicatlons, Woodford Green, Essex, IG8 8HN.

yz

Theme from 'New World'

Symphony
ANTONINDVOAAK (18411904)

Slowly

~i
~ J.

p:::;:::;;;'"

ij." - - ~

Jij

~ ffi ~

~. ame

b:~- -M

'--

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.
.

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~
mp-p

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ft=t

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ffi, j_
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----.........

===

;~c::;
b }J

~f ~n

.-"

f_I~.

four

"-mp

1Tff

A@:: ~

~......... ~<
--~
I

--

Dm7

fi~~_ ~~~-~ i
e

~. r

-.

. :. ,. .

f
I

Dm

<'

G7

Dm7

E7

D7

~ M=f
D~ I

Am7

A7

Amsus

=-m

Am

gB ~
. '.. . . . . . .~

Dm7

Dm7 G7

11 2

dim 1st time I

I
Em Am7

IJ:

~
Am7

=
I

B~6

lt

Words and Music by

TONY HATCH and JACKIE TRENT

w-m..

1ft'

Neighbours
t. eady

1990 !nlematlonal Music Publicatlons, Woodford Green, Essex, IG8 8HN,

s.

::::=;;;;"

J ~J J; ..........

pp

G7

Dm7

de
I

1985 & 1990 WorldMr and Mrs Muslc Pty Limiled (Auslralfa)
Copyright asstgned lo Mr and Mrs Mustc Lld/DeJamus Lid
For Ihe United Kingdom, Eire and Europe, James House, Salfsbury Place, Upper Monlague Streel, London W1,

'.

Tr~

Scarborough Fair

,nng
'lt'

11if

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L#PJ ~=~.

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1990 IntemalionaJ Musie Publieations, Woodford Oreen, Essex, 108 8HN.

.The pink panther

HENRY MANCINI

~"'p9~~;
.ffi$
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,.,.
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~
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l~........-'
ppp

1963 by Northridge Muslc Company and Unlted Artlsts Musie Co Ine USA
AH rlghts 01 United Artlsts Muslc Co Ine asslgned to SBK Catalogue Partnership
AlI rights eontrolled and adminlstered by SBK U CataJog Ine and Northrldge Musie Company
Used by Permlsslon

e '

slow

~
~

9'

[;Y

Prometheus theme

m.

Maestoso.

~r

E
=

m.

Eij.

,;m

LUDWIG VAN BEETHOVEN (1770-1827)

~S')*9
_

mf'

"

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ar'

~mzy( )lO?!.

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- - = = = _ ff

1990 International Muste Publleatlons, Woodford Green, Essex, IG8 8HN,

Coronation street
;~;~i~nY

~.Ap

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(n I mJ)

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ERIC SPEAR

/'

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1961 & 1990 Mereury Muste Co Ud, London NW1 OAP.

.~

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Trumpet march

JEREMIAH

CLAR~

(c. 1670-1707)
,

Con ,pirito Ir

J g

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Fine

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O.C.alfine

1990 Inlernalional Music Publicallons, Woodford Green, Essex, IG8 8HN.

Theme from Symphony No. 1

JOHANNES BRAHMS (1833-1897)

,ti~m.~

:P

~=-.~
~-~.I
@

1990 Inlernalional Music Publlcallons, Woodford Green, Essex, IG8 8HN.

~.

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BO

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y OU only live twice

~

Eliie.

Words by LESLIE BRICUSSE

rWJ

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a tempo

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B~

____

E~m7

by JOHN B;RRY

~
f"""'=:::::

11

B~

1967 UNITED ARTISTS MUSIC LTD

AII rlghts tor the U.S. and Canada Controlled by UNART MUSIC CORPORATION
AII rights 01 UNART MUSIC CORPORATION asslgned to CBS CATALOGUE PARTNERSHIP
A11 rlghts admlnlstered by CBS UNART CATALOG
Used by permlssion

Superman (theme from)

EnergeticallY ~.

JOHN WILLIAMS

~.~~~~.~~~

~ fA

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>

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ijJ

Gm7

p.

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Index
TltIe

.Barcarolle
Brass suite
Coronation street
Dalias
Don't sit under the appIe tree
Down by the riverside
Dynasty
Farandole
God rest ye merry, gentIemen
God save the Queen
He's got the whole world in his hands
Introduction to 'BIue Danube'
Joy to the world
Kum-ba-ya
LittIe brown jug
Match of the day
Morning has broken
Neighbours
Ode to joy
Old Mac's jazz
Over the rainbow
The pink panther
Pomp and circumstance march No. 4
Prometheus theme
Scarborough Fair
Superman (theme from)
Theme from 'New World' Symphony
Theme from Symphony No. 1
Trumpet march
When the saints go marching in
The yellow rose of Texas
You only live twice

Page

11

18

22

19

11

28

30

19

10

16

14

10

24

31

16

20

12

17

21

29

22

21

27

20

23

23

30

26

:rrTrn