Dido y Eneas Realizado!!!!

Partitur
Henry Purcell
Satz: Pascal Kierdorf
DIDO UND AENEAS
Akt I
1. Overtre
2. Arie & Chor "Shake the cloud from off your brow"
3. Arie "Ah, Belinda"
4. Recitativ & Arie "Grief increases by concealing"
5. Chor "When monarchs unite"
6. Recitativ "Whence could so much virtue spring?"
7. Duett & Chor "Fear no danger"
8. Recitativ "See, your royal guest appears"
9. Chor "Cupid only throws the dart"
10. Recitativ "If not for mine, for empire's sake"
11. Arie "Pursue thy conquest, love"
12. Chor "To the hills and the vales"
13. Der Triumph-Tanz
Satz: Pascal Kierdorf Overtre

Review am 07.05.2015
Belinda
1
bbc
b
&
Adagio
b
& b bc
Dido
b
& b bc
Aeneas
? bb c
b
Zauberer
b
& b bc
1. Hexe
b
& b bc
2. Hexe
2. Frau
Geist
Seemann
b
& b bc
bb c
& b
Sopran
b
& b bc
Altus
b
& b bc
Tenor
?bc
bb
Bass
Violine I
bb c R
& b
n
R
n
R
n R
R
Violine II
b
R
mf
n n
b
& b bc
R
R R
f (p)
mf
Viola
B bbbc
f/p
?bc
bb
b
R
b b
n n
w
1 Adagio
b

& b bc n n
? bb c w
b
mf
Cembalo
mf
w
Violoncello
(f)
n b
n
R
Schnell
8
B.
b
&b b
b
&b b
D.
b
&b b
Ae.
? bb
b
Z.
b
&b b
1. Hx.
b
&b b
2. Hx.
b
&b b
2./G./S.
bb
& b
S.
b
&b b
A.
b
&b b
T.
?b
bb
B.
bb R n R #m n
& b
Vl. I
n m
R J
mp
1st time
Fermate und D.C.
Vl. II
b
&b b
n
R
b n b
m
n
n b n
mp
1st time
Fermate und D.C.
Vla.
B bbb R #
n #
Vc.
?b
bb
b # n
Schnell
Cemb.
b
& b b #n #n n
? bb
b
n
b
b # n
5
16
b
&b b
B.
b
&b b
D.
b
&b b
Ae.
? bb
b
Z.
b
&b b
1. Hx.
b
&b b
2. Hx.
b
&b b
2./G./S.
bb
& b
S.
b
&b b
A.
b
&b b
T.
?b
bb
B.
Vl. I
bb n# n
& b
f
Vl. II
b
n b n n n n b
& b b # n

p
f
Vla.

B bbb #n n
mp
Vc.
?b
bb
fp
f
b
&b b
n b
n
Cemb.
? bb
b
6
23
b
&b b
B.
b
&b b
D.
b
&b b
Ae.
? bb
b
Z.
b
&b b
1. Hx.
b
&b b
2. Hx.
b
&b b
2./G./S.
bb
& b
S.
b
&b b
A.
b
&b b
T.
?b
bb
B.
Vl. I
bb n b

& b
f
Vl. II
cresc.
b

&b b

f
Vla.
dim.
dim.
cresc.

n
B bbb
cresc.
f
Vc.
? b

bb

cresc.
b
& b b
? bb
b
Cemb.
dim.
dim.
j
m
m
m
m
j j
j
j
j j j j j n
b
7
30
b
&b b
B.
b
&b b
D.
b
&b b
Ae.
? bb
b
Z.
b
&b b
1. Hx.
b
&b b
2. Hx.
b
&b b
2./G./S.
bb
& b
S.
b
&b b
A.
b
&b b
T.
?b
bb
B.
Vl. I
bb
& b
n
cresc.
Vl. II
b
&b b
n
cresc.
Vla.
B bbb n
n #

cresc.
Vc.
?b
bb
cresc.
Cemb.
b
& b b
J
? bb
b
j
n
J J
j
#
J J

J
n
n
j
j
nn
J
J
j
n
8
34
b
&b b
B.
2
2
b
&b b
D.
2
2
b
&b b
Ae.
2
2
?b
bb
Z.
2
2
b
&b b
1. Hx.
2
2
b
&b b
2. Hx.
2
2
b
&b b
2./G./S.
2
2
bb
& b
S.
2
2
b
&b b
A.
2
2
b
&b b
T.
2
2
?b
bb
B.
2
2
Vl. I
bb
& b
w
J
2
2
2
2
w
J
2
2
2
2
Vl. II
b
& b b n b
m

J
Vla.

B bbb
n n
Vc.

? bb
b
Cemb.
b b
J
? bb
b
b
& b b n

J
n
n
w
w
2
2
2
2
Arie und Chor

9
Belinda
2
b
2
& b b2
Allegretto grazioso
mf
f
n
J R
Belinda
Shake
the cloud from off
n
J
b
J
J
your brow,
Fate
your wish- es does al - low;
Em -pire
b2
& b b2
Dido
b2
& b b2
Aeneas
? bb 2
b2
Zauberin
b2
& b b2
1. Hexe
b2
& b b2
2. Hexe
2. Frau
Geist
Seemann
b2
& b b2
bb 2
& b2
Sopran
b2
& b b2
Altus
b2
& b b2
Tenor
?b2
b b2
Bass
bb 2
& b2
Violine I
b2
& b b2
Violine II
B bbb22
Viola
Violoncello
?b2
b b2
Cembalo
2 Allegretto grazioso
b
r n
2
& b b2

? bb 2
b2
mf
m
r
n
cresc.
j
bb
n n
J
J
10
8
p
B.

b
&b b
grow - ing, Plea -sures flow
ing, For - tune smiles and

J
so
n
should you.
n
Shake
the
cloud from
off
b
&b b
D.
b
&b b
Ae.
?b
bb
Z.
b
&b b
1. Hx.
b
&b b
2. Hx.
b
&b b
2./G./S.
bb
& b
S.
b
&b b
A.
b
&b b
T.
?b
bb
B.
bb
& b
Vl. I
b
&b b
Vl. II
B bbb
Vla.
Vc.
?b
bb
your
mf
b
& b b
m
n
? bb
b
n
J
Cemb.
n
j
n# n n
m
j
n n

11
15
p
1.
B.
b
&b b
brow,
2.

Shake
brow.
b
&b b
D.
b
&b b
Ae.
? bb
b
Z.
b
&b b
1. Hx.
b
&b b
2. Hx.
b
&b b
2./G./S.
S.
bb
& b
mp
Ban -ish
sor - row, ban - ish care, Grief should ne'er ap -
proach the
fair,
cresc.
mf
Ban-ish
mp
A.
b
&b b
sor - row, ban - ish care, Grief should ne'er

ap -
proach the
fair,
n n
Ban -ish
ap -proach
the
fair,
Ban - ish, ban - ish
care,
ban - ish
mf
n
Ban-ish
Grief
mf
cresc.
b
&b b
mp
T.
care,
cresc.

Ban -ish
sor - row, ban - ish
sor - row, ban - ish,
n
ban - ish care,
mf
cresc.
mp
B.
?b
bb

Ban -ish
Vl. I
bb
& b

ap -proach
b
&b b
fair,
Ban - ish sor - row,
B bbb
cresc.
mf
mp
?b
bb
Cemb.
n n
mp
1.
b
& b b
? bb
mf
cresc.
Vc.
mf
cresc.

n n
ban- ish, ban - ish
mp
Vla.
n n
w
the
mp
Vl. II
mf
cresc.
2.
n
n

b

n
n
n n
n
n n
Arie
12
Slow
3
3
4
3
4

Dido
23
B.
b
&b b
b
&b b
D.
mf
Ah!
b
&b b
3
4
Ae.
? bb
b
3
4
Z.
b
&b b
3
4
1. Hx.
b
&b b
3
4
2. Hx.
b
&b b
3
4
2./G./S.
bb
& b
3
4
3
4
3
4
3
4
3
4
3
4
3
4
p
S.
should ne'er
n
J
ap proach, should ne'er ap - proach the fair,
Grief
should ne'er ap-
shouldne'er,
proach the
fair.
p
A.
b
&b b
sor - row, Grief should ne'er, should ne'er ap - proach the
fair,
ne'er ap-proach
the fair.
ne'er ap-proach
the fair.
should
ne'er ap-proach
the fair.
Grief shouldne'er, should
p
T.
b

&b b
Grief should ne'er ap - proach, should ne'er ap - proach the fair,
Grief shouldne'er, should
p
B.
?b
bb
care,
Vl. I
bb
& b
Grief
should ne'er ap - proach
J
the fair,
n
J
Grief

n
p
Vl. II
b
&b b
Vla.
B bbb
Vc.
? bb
b
Cemb.
b
& b b
? bb
b
#n
#n
n
3 n
4
n n

3 Slow
3

4
3 n
13
3
B.
b
&b b
D.
b

& b b n
J
Ah!
Ah! Be - lin - da,
j r j
I
am
press'd
with
tor - ment,
Ah!
Ah!
J n
Ah! Be - lin - da,
am
press'd
with
b
&b b
Ae.
? bb
b
Z.
b
&b b
1. Hx.
b
&b b
2. Hx.
b
&b b
2./G./S.
bb
& b
S.
b
&b b
A.
b
&b b
T.
?b
bb
B.
bb
& b
Vl. I
b
&b b
Vl. II
B bbb
Vla.
Vc.
?b
bb

Cemb.
b
& b b
? bb
b

n
n

n
n
n

14
15
B.
b
&b b
D.
j
b
& b b j r j r
tor -
ment
not to be
con fess'd.
Peace and
are
stran - gers grown,
Peace and
are
b
&b b
Ae.
? bb
b
Z.
b
&b b
1. Hx.
b
&b b
2. Hx.
b
&b b
2./G./S.
bb
& b
S.
b
&b b
A.
b
&b b
T.
?b
bb
B.
bb
& b
Vl. I
b
&b b
Vl. II
B bbb
Vla.
?b
bb
Vc.
Cemb.
b
&b b
n
? bb
b
j
n
J J
n

j nj n

n

n n n

n

n
15
26
B.
b
&b b
D.
& b b n
stran -
gers, stran -
lan
m
j j r
n R
n #
gers grown. I
guish till my grief is known,
n b j
J
lan
guish
b
&b b
Ae.
? bb
b
Z.
b
&b b
1. Hx.
b
&b b
2. Hx.
b
&b b
2./G./S.
bb
& b
S.
b
&b b
A.
b
&b b
T.
?b
bb
B.
bb
& b
Vl. I
b
&b b
Vl. II
B bbb
Vla.
Vc.
?b
bb
cresc.
b
& b b n
? bb
b
Cemb.
n
#
n # n#
# n #
n

j
#n b

16
38
B.
b
&b b
D.
j
b
& b b J n j r
till my grief
is known,
f >
J J n
>
bJ J
Yetwould not,
yet would not,
would

not
have
it
guess'd.
Peace and
b
&b b
Ae.
? bb
b
Z.
b
&b b
1. Hx.
b
&b b
2. Hx.
b
&b b
2./G./S.
bb
& b
S.
b
&b b
A.
b
&b b
T.
?b
bb
B.
bb
& b
Vl. I
b
&b b
Vl. II
B bbb
Vla.
Vc.
?b
bb
Cemb.
b
& b b
? bb
b
mf
n b n #n nb
n
b
n n
n
n

17
49
B.
b
&b b
b
&b b
D.
are
pp
stran - gers grown,
Peace and
are
n
stran -
gers, stran - gers grown.
b
&b b
Ae.
? bb
b
Z.
b
&b b
1. Hx.
b
&b b
2. Hx.
b
&b b
2./G./S.
bb
& b
S.
b
&b b
A.
b
&b b
T.
?b
bb
B.
bb
& b
Vl. I

J
p
Vl. II
b
&b b
Vla.
B bbb
Vc.
? bb n
b
pp
Cemb.
b
& b b
? bb n
b
n n n

n

n
n n

n n
j
n

Recitativ
18
4 Andante
Belinda j
b
r
& b bc J J J R
61
B.
b
&b b
Grief in -creas -ses by con
b
&b b
b
& b bc
D.
b
&b b
b
& b bc
Ae.
? bb
b
? bb c
b
Z.
b
&b b
b
& b bc
1. Hx.
b
&b b
b
& b bc
2. Hx.
b
&b b
b
& b bc
2./G./S.
bb
& b
bb c
& b
S.
b
&b b
b
& b bc
A.
b
&b b
b
& b bc
T.
?b
bb
?bc
bb
B.
bb
& b
bb c
& b
b
& b bc
B bbbc
Vl. I
n b n
n
J
b
J
J
m
n
mf
Vl. II
j
n
b
&b b
mf
Vla.
B bbb
mf
Vc.
? b n
bb
?bc
b b pw
mf
Cemb.
j
b n n n

J
n

j
n
b
4 Andante
b
& b bc w
w
w
b j
& b b n
? bb n
b
? bb c w
b
19
2
B.
b
& b b J J
r
J J J J J J
J n J J #j j J r
ceal - ing;
D.
b
&b b
Dido
Then let me speak;
R J j n
J
J
J J
the Tro -jan guest in - to your ten -der thoughts has press'd.
Mine ad -mits of no re - veal - ing.
b
&b b
Ae.
? bb
b
Z.
b
&b b
1. Hx.
b
&b b
2. Hx.
b
&b b
2./G./S.
2. Frau

2.Frau
J
Thegreat - est bless - ing
can give,
our
fate
bb
& b
S.
b
&b b
A.
b
&b b
T.
?b
bb
B.
bb
& b
Vl. I
b
&b b
Vl. II
B bbb
Vla.
Vc.
?b
bb
n
J
b
J
Cemb.
b
& b b
? bb
b
mf
#n
j n n j n n
bJ
J
Chor
20
Allegro
B.
b
&b b
b
&b b
D.
b
&b b
Ae.
? bb
b
Z.
b
&b b
1. Hx.
b
&b b
2. Hx.
2./G./S.
b

&b b
Car -thage to
se - cure, and Troy
re- vive;
The great - est bless - ing fate
n
can
give,
n
J
our Car -thage to
se - cure, and
Troy re - vive.
f
S.
bb
& b
When mon -archs u -
A.
b
&b b
f
j
When mon -archs u -
T.
b
&b b
f
J
When mon -archs u -
B.
?b
bb
f
j
When mon -archs u -
Vl. I
bb
& b
f q im neuen Tempo
Vl. II
b
&b b
j
f q im neuen Tempo
Vla.
B bbb
Vc.
?b
b b n
n
J

j

f
b
&b b
Cemb.
? bb
b n
j n n n j n j
5 Allegro
j
j
n
n
j
n
J

21
2
b
&b b
B.
b
&b b
D.
b
&b b
Ae.
? bb
b
Z.
b
&b b
1. Hx.
b
&b b
2. Hx.
b
&b b
2./G./S.
S.
bb
& b
nite,
A.
b
&b b
nite,
T.
B.
how hap - py their state; They tri -umph at
once o'er their foes and their fate, They tri - umph, they
n
n
J
tri -umph at
once o'er their foes and their fate.
tri -umph at
b
n n b n
&b b
J
J
nite, how hap - py their state; They tri-umph at once o'er their foes and their fate, They tri - umph, they tri-umph at once o'er their foes and their fate.
?b
bb
nite,
tri -umph at
bb
& b
n
n
J
Vl. I
b
&b b
Vl. II
B bbb
n b J
n j
Vla.
Vc.
?b
bb
b
& b b
n n

j
n

Cemb.
? bb
b

b
J

J
Recitativ
22
Belinda
6
b
& b bc
Andante
f
Dido
b
& b bc
Dido
j j r
R R
Whence could so much vir - tue spring?
nn

What
storms,
J J J R
J
J n
what bat -tles did he sing?
An - chi - ses'
b
& b bc
Aeneas
? bb c
b
Zauberin
b
& b bc
1. Hexe
b
& b bc
2. Hexe
2. Frau
Geist
Seemann
b
& b bc
bb c
& b
Sopran
b
& b bc
Altus
b
& b bc
Tenor
?bc
bb
Bass
bb c
& b
Violine I
b
& b bc
Violine II
B bbbc
Viola
Violoncello
?bc
bb w
mf
6 Andante
b
& b bc
? bb c w
b
n
n n
n
Cembalo
va
23
5
B.
b
&b b
J
J R
Belinda
A tale so
m
bb n j b nr
b
&
J J
J
-
p
bj
lour mix'd with Ve - nus' charms,
How
soft,
j r j j
j
n
R n R nn J
how soft
in peace, and yet how
fierce,
how fierce in arms!
b
&b b
Ae.
? bb
b
Z.
b
&b b
1. Hx.
b
&b b
2. Hx.
b
&b b
2./G./S.
bb
& b
S.
b
&b b
A.
b
&b b
T.
?b
bb
B.
bb
& b
Vl. I
b
&b b
Vl. II
B bbb
Vla.
Vc.
?b
bb
n
n
mf
b <n>
&b b
Cemb.
? bb
b
b b
n n n
n
n n n n n b
> > >
n n n
D.
24
10
B.
m
bb j r nj n bn j n
b
&

# J J
J
J
strong
and full of
woe might melt
the rocks, as well as you.
f
D.
b
&b b
Dido

J R
Mine with
b
&b b
Ae.
? bb
b
Z.
b
&b b
1. Hx.
b
&b b
2. Hx.
2./G./S.
b
&b b
2. Frau
mf

2. Frau J
r m
j
b R
J
R
What stub -born heart un mov'd
could see
p
R R n J n
J R
such dis tress,
such pi - e - ty?
bb
& b
S.
b
&b b
A.
b
&b b
T.
?b
bb
B.
bb
& b
Vl. I
b
&b b
Vl. II
B bbb
Vla.
Vc.
?b
bb
Cemb.
b
& b b
? bb
b
r w
mf
j
j
r
w
n n

25
16
B.
b
&b b
D.
b
&b b
storms
m
R
r

J J J
of
is taught to pi
care
op -press'd
j j r

J nj r
ty the dis- tress'd;
Mean wretch - es' grief
j

can touch,
b
&b b
Ae.
? bb
b
Z.
b
&b b
1. Hx.
b
&b b
2. Hx.
b
&b b
2./G./S.
bb
& b
S.
b
&b b
A.
b
&b b
T.
?b
bb
B.
bb
& b
Vl. I
b
&b b
Vl. II
B bbb
Vla.
Vc.
?b
bb
j
so
Cemb.
b
& b b n
? bb
j
n
r
26
21
B.
b
&b b
D.
b
& b b n J nJ R J J
soft,
J J
so sen - si - ble my breast,
but ah!
n n
J J
J n
but
I fear
ah!
3
4
bR j
J
3
4
his
too
pi - ty
nnn 43
nnn 43
much.
b
&b b
3
4
Ae.
nnn 43
? bb
b
3
4
Z.
3
nnn 4
b
&b b
3
4
1. Hx.
nnn 43
b
&b b
3
4
2. Hx.
nnn 43
b
&b b
3
4
2./G./S.
nnn 43
bb
& b
3
4
S.
nnn 43
b
&b b
3
4
A.
nnn 43
b
&b b
3
4
T.
nnn 43
?b
bb
3
4
B.
3
nnn 4
bb
& b
3
4
Vl. I
nnn 43
b
&b b
3
4
Vl. II
nnn 43
B bbb
3
4
Vla.
nnn 43
Vc.
?b
bb
Cemb.
.j
bb j
n
b
&

J
J
J
? bb
j n n b b
j n
3
4
3
nnn 4
3
4
3
4
nnn 43
3
nnn 4
Duett und Chor
Belinda
27
7 Allegro
f (p)

3
&4
loves
as well as
you.
E - ver
cares
of
Belinda
Fear no
dan - ger
to en
sue,
the
he - ro
gen - tle,
e - ver
smi - ling, and the
3
&4
Dido
3
&4
Aeneas
?3
4
Zauberin
3
&4
1. Hexe
3
&4
2. Hexe
loves
as well as
you.
E - ver
2. Frau
2. Frau
Geist
Seemann
f (p)
3
&4
cares
of
2. Frau
Fear no
dan - ger
to en
sue,
the
he - ro
gen - tle,
e - ver
smi - ling, and the
3
&4
Sopran
3
&4
Altus
3
&4
Tenor
?3
4
Bass
3
&4
Violine I
3
&4
Violine II
B 43
Viola
Violoncello
?3
4
f (p)
p
Cembalo
7 Allegro
3
& 4 n
?3
4
28
15
&
B.
life be - gui - ling, Fear no
dan - ger
to en
sue,
the
he - ro
loves
as well as
you.
Cu -pids
strew your paths with flowers

gath -er'd
&
D.
&
Ae.
&
1. Hx.
&
2. Hx.
Z.
&
2./G./S.
dan - ger
to en
sue,
the
he - ro
loves
as well as
you.

Cu -pids
strew your paths with flowers
gath -er'd
&
S.
&
A.
&
T.
&
Vl. I
&
Vl. II
B.
Vla.
Vc.
Cemb.
&
?
29
30
&
B.
from
E - ly
sian
bowers.
Fear no
dan - ger
to en
sue,
the
he - ro
loves
as well as
you.
&
D.
&
Ae.
&
1. Hx.
&
2. Hx.
loves
as well as
you.
Z.
j
& # #
2./G./S.
from
S.
&
E - ly
sian
bowers.
Fear no
dan - ger
to en
sue,
the
he - ro
f (p)

Fear no
dan - ger
to en -
f (p)
&
A.

Fear no
&
T.
f (p)

Fear no
dan - ger

to en -
dan - ger
to en -
f (p)
B.
Fear no
Vl. I
&
dan - ger
to en -
f (p)
&
Vl. II
f (p)
Vla.
%

f (p)
?
Vc.
Cemb.
& # #

?

f (p)
%

%
30
44
&
B.
&
D.
&
Ae.
&
1. Hx.
&
2. Hx.
&
2./G./S.
loves
as well as
you.
E - ver
Z.
S.

&
sue,

the
he - ro
gen - tle,
e - ver
smi - ling, and the
cares
of
sue,

the
he - ro
loves
as well as
you.
loves
as well as
you.
loves
as well as
you.
dan - ger
&
A.
E - ver
gen - tle,
e - ver
smi - ling, and the
cares
of
dan - ger
&
sue, the he - ro
T.

Fear no
dan - ger
f
B.
?

sue,
Vl. I

&

the
he - ro
&
Vl. II
dan - ger
Vla.
Fear no
p
f
Vc.
&
Cemb.
31
59
&
B.
&
D.
&
Ae.
&
1. Hx.
&
2. Hx.
&
2./G./S.
Z.
S.

&
to
en
sue,
the
he - ro
loves
as
as
you.
Cu - pids
strew
your
paths with
flowers
gath - er'd
as
you.
Cu - pids
well
&
A.
to
en
& #
to en
T.
sue,
the
he - ro
loves
as
sue,
the
he - ro
loves
as
well
well
as
your
paths with
flowers
gath - er'd
you.
B.
strew
to
Vl. I
en

&
sue,
the
he - ro
loves
as
well
as
you.
&
Vl. II
B #
Vla.
& #
Vc.
Cemb.
32
D.S. al Fine
senza rep.
70
&
B.
4
4
&
D.
4
4
&
Ae.
4
4
4
4
&
1. Hx.
4
4
&
2. Hx.
4
4
&
2./G./S.
4
4
Z.
S.

&
from
j
#
J
E - ly
sian bowers.
Fear no
dan -

ger
to
en
ger
to
sue,
the
he - ro
loves
as
well as
you.
sue,
the
he - ro
loves
as
well as
you.
sue,
the
he - ro
loves
as
well as
you.
as
well as
you.
4
4
4
4
&
A.
from
E - ly
4
4
sian bowers.
Fear no
dan -
en
&
T.
Fear no
dan -
#
ger
to
en
ger
to
4
4
B.
Fear no
Vl. I

&
dan -
en
sue,
the
he - ro
loves
4
4
4
4
4
4
4
4
&
Vl. II
Vla.
Vc.
D.S. al Fine
senza rep.
&
Cemb.
4
4
4
4
Recitativ
33
8 Andante
4
&4
Belinda
Belinda
See,
see,
j
J R
J J
your roy-al guest ap - pears;

J R
J JR
how god-like is the form
4
&4
Dido
4
&4
Aeneas
he bears!
Aeneas
When,
r
j r j r

#j J
when, roy - al fair, shall I be bless'd, with cares of
?4
4
Zauberin
4
&4
1. Hexe
4
&4
2. Hexe
2. Frau
Geist
Seemann
4
&4
4
&4
Sopran
4
&4
Altus
4
&4
Tenor
?4
4
Bass
4
&4
Violine I
4
&4
Violine II
B 44
Viola
Violoncello
?4
4w
?4 w
4
8 Andante
4
& 4
mf
Cembalo
34
7
&
B.
&
D.

R J
Fate
for - bids
what
you
Dido
&
love
Ae.
and
state

dis
pur - sue.
#
-
tress'd?
Ae - ne - as
has
no
&
1. Hx.
&
2. Hx.
&
2./G./S.
&
S.
&
A.
&
T.
&
Vl. I
&
Vl. II
Z.
B.
Vla.
?
Vc.
Cemb.
j
#
j
#
&
?
35
10
&
B.
#2
2
&
D.
#2
2
#j #J nJ
J
j
#
& #
fate
Ae.
but
you!
Let
#
R J
Di - do smile, and I'll
de - fy
n #
J
the
fee
ble
j j
#
stroke
of
des - ti
#2
2
ny.
#2
2
&
1. Hx.
#2
2
&
2. Hx.
#2
2
&
2./G./S.
#2
2
&
S.
#2
2
&
A.
#2
2
&
T.
#2
2
#2
2
&
Vl. I
#2
2
&
Vl. II
#2
2
#2
2
Z.
B.
Vla.
Vc.
#2
2
##
n#
Cemb.
& ##
mf
#2
2
#2
2
Chor
36
9
#2
& 2
Allegro moderato
#2
& 2
#2
& 2
Aeneas
? #2
2
Zauberin
#2
& 2
1. Hexe
#2
& 2
2. Hexe
#2
& 2
Belinda
Dido
2. Frau
Geist
Seemann
Sopran
#2 mp

& 2
Cu - pid on - ly throws the
dart
that's dread - ful,
Cu - pid on - ly
throws the dart,
dread - ful, dread - ful.
that's dread ful to
mp
#2
& 2
Altus
n #
Cu - pid
on - ly throws the dart that's dread - ful,
dread ful,
dread - ful, Cu - pid
on - ly
j
nr
throws
the dart, on
ly
mp
#2
& 2
Tenor
Cu - pid
on - ly throws
the
dart,
? #2
2
Cu - pid
Violine I
#2
& 2
on - ly
J #
on - ly
throws the dart
throws the dart that's dread - ful, dread - ful,
n #
Cu - pid
mp
Bass
Cu - pid on - ly
mp
staccato
#2
& 2
Violine II
j
nr
mp
staccato
B #22
Viola
mp
Violoncello
? #2
2
#
R
#n # n

#
R
mp
9
#2
& 2
Allegro moderato
Cembalo
? #2
2
n #
37
8
&
?#
#
J
#
J R
J
on - ly,
cure
B.
&
D.
&
Ae.
Z.
#
1. Hx.
&
2. Hx.
&
2./G./S.
&
mf
S.
#
&
#
J
war - rior's heart, that's dread - ful to
#
&
A.
throws
j
j
the
dart, that's
n
a
war - rior's heart, and
mf
j r
j
j

dread ful to
that's dread - ful to
she that wounds, and
B.
throws the
Vl. I
#
&
#
J
dart that's dread - ful to
#
&
j
j

B#
Vla.
?#
Cemb.
n
r

on - ly,
on - ly
cresc.
she that wounds
can
can
on - ly,
on - ly
cure
on - ly,
on - ly
cure
j
#j
the smart, can
the smart, can
the smart, can
#
J
j
#j

#

R
r

R
#

R
cresc.
#
J
cresc.
the smart, can
cresc.
cure
she that wounds
mf
#
& #
?#
she that wounds can
cresc.
mf
Vc.
mf
ten.
on - ly
cresc.
mf
Vl. II
can
mf
?#
she that wounds
cresc.
mf
#
&
T.
cresc.
Recitativ
38
#4
4
mp
# Aeneas
4 j j j j r j
4
J
15
#
B.
&
D.
&
Ae.
&
q=h
10
#4
4
If not for mine, for em -pire's sake
?#
2. Hx.
&
2./G./S.
&
some pi - ty on your lov - er take; Ah!
Ah! make not in a
#4
4
#4
4
#4
4
#4
4
#4
4
#4
4
#4
4
#4
4
#4
4
#4
4
#4
4
#4
4
#
&
j
# J nj
J
Z.
1. Hx.
f
j
j #j j j #j
mp
S.
# #
J
&
on - ly,
on - ly
cure

J
the smart.
mp
#
&
A.
on - ly,
#
on - ly
cure
the smart.
mp
T.
#
&
on
- ly,
on - ly
cure
?#
the smart.
mp
B.
on - ly,
Vl. I
on - ly
cure the
# #
J
&
smart.

J
mp
#
&
Vl. II
mp
B#
Vla.
mp
mp
#
&
?#
Cemb.
mp
10
#
4
r

n 4
#

4
#
q=h
?#
Vc.
#

J
Arie
39
11
n
j
J
J
J R
Belinda
Quick
5
mf
&
B.
Pur
&
D.
Ae.
mj
#
r
r
& n j J j J r
hope - less fire a he- ro fall,
and Troy once more ex - pire.
?#
sue thy con - quest, love,
J J j
J R
pur - sue thy con - quest, love,
Z.
#
1. Hx.
&
2. Hx.
&
&
2./G./S.
#
&
S.
&
A.
&
T.
?#
#
&
Vl. I
&
Vl. II
B#
B.

J
pur -
Vla.
?#
Vc.
n n
mp
mf
Quick
#
& n
?#
11
n n
Cemb.
n n
j
J
j
j
J
j
40
3
1.
j
& J
B.
sue, pur sue,
J J J J J
pur - sue thy con - quest,
2.
J J
pur - sue thy con quest, love.
p
j j j j #j
Pur - sue thy con - quest, love.
Her eyes con -fess the flame,
&
D.
&
Ae.
&
1. Hx.
&
2. Hx.
&
2./G./S.
&
S.
&
A.
&
T.
&
Vl. I
&
Vl. II
Z.
B.
mp
J
her
Vla.
?
Vc.
mf
Cemb.
&
2.
1.
j

..
..

J
J
j
. #
j
41
8
mf
j j j
j
& J J n
B.
eyes con -fess the flame her
tongue de - nies.

J J J J J
Her eyes con -fess the flame,

J J J J J
her eyes con - fess
the
j j
#
flame
her
&
D.
&
Ae.
&
1. Hx.
&
2. Hx.
&
2./G./S.
&
S.
&
A.
&
T.
&
Vl. I
&
Vl. II
tongue de -
Z.
B.
Vla.
?
Vc.
mp
& n
Cemb.
j
.
J
J # #
mf
j # #
.
. . . .
n
J # #

42
12

J J nj
J R
&
B.
nies.
Pur - sue thy con - quest,love,
p

J J j
J R
pur -sue thy con - quest,love,
f
J j
J
pur - sue, pur sue,
J J J J J
pur - sue thy con - quest,
J J
pur - sue thy con quest,
&
D.
&
Ae.
&
1. Hx.
&
2. Hx.
&
2./G./S.
&
S.
&
A.
&
T.
&
Vl. I
&
Vl. II
Z.
B.
Vla.
Vc.
&
Cemb.
j
p
j
j
>
>

..
..

J
J
Chor
43
17
&
B.
love,
J J
12
3
4
Allegro assai
pur -sue thy con - quest, love.
&
3
4
D.
&
3
4
Ae.
3
4
&
3
4
1. Hx.
&
3
4
2. Hx.
&
3
4
2./G./S.
&
S.
f
j j

3
4 J J
Z.

J J
#
To the hills and the vales, to the rocks and the moun - tains, to the
&
A.
f
j j
3
4 j j
&
f

3
4 J J
J J
fj
J J
3
4 J
&

3
4
&
3
4
3
4
Vla.

J J
mu - si - cal groves and the
Vl. II
j
J

J J
Vl. I
j j
#
J J
B.
j
J
j j

T.
Vc.
Cemb.
&
?
3

4
12 Allegro assai
3

4
3

4
44
8
&
B.
&
D.
&
Ae.
&
1. Hx.
&
2. Hx.
&
2./G./S.
Z.
S.
b
&
f
j
j
nJ
cool sha - dy foun - tains. Let the
tri
& #j j j
J J
J J
umphs, let the
tri
umphs of
love and of
beau - ty be shown.
f
A.
&
cool sha
T.
B.
the
tri
f
j j
J
- dy foun - tains. Let the
tri
f
J J
J
Vl. I
tri - umphs,

J J

J R
tri
tri -umphs of
love and of
beau - ty be shown.

J
J
umphs of
love and of
beau - ty be shown.

j
J
tri - umphs, the
b
n
&
umphs, the
umphs, let the
tri - umphs, let the
j
j
tri
umphs of
love and of
beau - ty be shown.
J J
& #
Vl. II
j
j
Vla.
?
Vc.

J J
Vc.
j
& b #
n
?
J

J
J
45
18
&
B.
&
D.
&
Ae.
&
1. Hx.
&
2. Hx.
&
2./G./S.
&
S.
Z.
r
J R
J
mf
Let the
tri
umphs, let the tri
umphs
of
J
J
love and of beau - ty be shown. To the
mf
&
A.
j
J
j
#
j r

Let the tri - umphs,
the
tri
umphs, the
tri - umphs
#
of
j
J #
j j

mf
&
T.
j r
J R
Let the
tri
umphs, let the tri - umphs, the
mf
B.
J R
J R
Let the tri - umphs, let the tri - umphs, the
Vl. I

&
J
J
tri - umphs of
umphs
J
J
tri
of

J J

J J
J
J
mf

&
Vl. II
j
#
j
#
B
Vla.
mf

? b
mf
Vc.
b
&

? b

Vc.
mf
46
28
&
B.
&
D.
&
Ae.
&
1. Hx.
&
2. Hx.
&
2./G./S.
Z.
S.

&

hills and the vales,
f
J
J

J J
#
to the rocks and the moun - tains, to the
mu - si - cal
j b
J
groves and the cool
sha
dy
foun - tains.
n R
J
Let the
tri
f
f
&
A.
Vl. I
j j

&

to the rocks and the moun - tains, to the mu - si - cal
f
&
J J
J J
hills and the vales, to the rocks and the moun- tains, to the mu - si
T.
B.
j j

f
J
J

J J
groves and the cool
- cal
sha
dy
foun - tains.
sha
J
-
dy
foun - tains.

J J
groves and the cool
Let the tri - umphs,
the
j j

Let the
tri
j r

j
J
groves and the cool
cresc.
j
#
to the rocks and the moun - tains, to the mu - si - cal
j j
#
sha
J
-
dy
foun - tains.

J R

J R
Let the tri - umphs, let the
p
f
&
Vl. II
cresc.
Vc.
&
?
cresc.
j
#
Vla.
Vc.
cresc
b # #
47
37
&
B.
&
D.
&
Ae.
&
1. Hx.
&
2. Hx.
&
2./G./S.
Z.
S.

&
J R
- umphs, let the tri
mf
b j
J
umphs of love
and of
umphs, the
tri -umphs of love
and of
beau - ty be shown;
Go
re - vel ye
Cu - pids, go
re - vel, go
mf
&
A.
tri
beau - ty be shown;
re - vel ye
Cu - pids, go
Go
re - vel ye
Cu - pids, go
re - vel, go
re - vel ye
b j
& J R
- umphs, let the tri- umphs, the
T.
tri -umphs of love and
tri - umphs, the
Vl. I
B.
tri
umphs of love

&
of
beau - ty be shown; Go
re - vel ye
Cu - pids, go
re - vel. go
re - vel ye
Vla.
and of
beau - ty be shown; Go
b j
J
&
b j
re - evel, go
re - vel ye
Cu - pids, go
re - vel, go
Vc.
b b
R

R
R
re - vel ye
mf
f
&
?
re - vel, go
Vc.
re - vel ye
mf
Vl. II
Cu - pids, go
cresc.
Triumph-Tanz
48
&
B.
13 L'istesso tempo
3
&
3
4
D.
&
3
4
Ae.
3
4
&
3
4
1. Hx.
&
3
4
2. Hx.
&
3
4
2./G./S.
3
4
3
4

&
J
Cu- pids, the day is your own.
3
4
?
J
3
4
49
Z.
S.

&
J n
re - vel, the
is your
Cu - pids, the
T.
B.
Cu - pids, the
day
day
is your
own.
attacca
& bJ
attacca
B J
Vla.
is your own.

&
J n
Vl. II
own.
& bJ
A.
Vl. I
day
3
4
b

R
n
R
3
4

3
4
Vc.
?
J
3
4
f
& j
?

J
Vc.
13 L'istesso tempo
3
4
3
4
49
8
&
B.
&
D.
&
Ae.
&
1. Hx.
&
2. Hx.
&
2./G./S.
&
S.
&
A.
&
T.
Z.
B.
Vl. I

&
&
Vl. II
Vla.
Vc.
m

# #R #
R

r

Cemb.
r r r

&
?
50
17
&
B.
&
D.
&
Ae.
&
1. Hx.
&
2. Hx.
&
2./G./S.
&
S.
&
A.
&
T.
Z.
B.
Vl. I
n
&
&
Vl. II
m
R
Vc.
Vla.

R
f
Cemb.

r
&

?

51
27
&
B.
&
D.
&
Ae.
&
1. Hx.
&
2. Hx.
&
2./G./S.
&
S.
&
A.
&
T.
Z.
B.
Vl. I
m
&
R
mp cresc.
r
&
Vl. II
m r
R
m
R
r
#
mp
cresc.
B
Vla.
m

R

mp cresc.
?
Vc.
#
#
Cemb.
r
r
&
?
52
38
&
B.
&
D.
&
Ae.
&
1. Hx.
&
2. Hx.
&
2./G./S.
&
S.
&
A.
&
T.
Z.
B.
Vl. I
&

&
Vl. II
B
Vla.
Vc.
Cemb.
& #
53
45
&
B.
bbbb 22
&
D.
bbbb 22
&
Ae.
bbbb 22
2
bbbb 2
&
1. Hx.
bbbb 22
&
2. Hx.
bbbb 22
&
2./G./S.
bbbb 22
&
S.
bbbb 22
&
A.
bbbb 22
&
T.
bbbb 22
2
bbbb 2
Z.
B.
Vl. I

&
m
R
bbbb 22
U

R
>
bbbb 22
&
Vl. II
B
Vla.
ff
bbbb 22
2
bbbb 2
Vc.
Cemb.
&
?
bbbb 22
2
bbbb 2
54
Akt II
Szene 1
14. Recitativ "Wayward sisters"
15. Chor "Harm's our delight"
16. Recitativ "The Queen of Carthage"
17. Chor "Ho ho ho"
18. Recitativ "Ruin'd ere the set of sun?"
19. Chor "Ho ho ho"
20. Duett "But ere we this perform"
21. Chor "In our deep vaulted cell"
22. Echo-Tanz der Furien
Szene 2
23. Ritornell
24. Arie & Chor "Thanks to these lonesome vales"
25. Arie "Oft she visits this lone mountain"
26. Recitativ "Behold, upon my bending spear"
27. Arie & Chor "Haste, haste to town"
28. Recitativ "Stay, prince"
Prludium der Hexen

55
Belinda
14
b
2
b
&b b 2
Lento
b 2
& b bb2
Dido
b 2
& b bb2
Aeneas
? bb b2
b2
Zauberin
b 2
& b bb2
1. Hexe
b 2
& b bb2
2. Hexe
2. Frau
Geist
Seemann
b 2
& b bb2
bb b2
& b2
Sopran
b 2
& b bb2
Altus
b 2
& b bb2
Tenor
?b 2
b bb2
Bass
bb b2
& b2
R n
R n R n
Violine I
n n
R
R
R
n nR
R
R
n
R
Violine II
b 2
& b bb2
Viola
B bbbb22
n R
R
n
R R
R
R
p
f
Violoncello
?b 2
b bb2
n
n
n
n
n
nn
n
n
Cembalo
14 Lento
b
2
b
& b b 2
? bb b2

b2
J
56
10
b
& b bb
B.
b
& b bb
D.
b
& b bb
Ae.
? bb b
b
Z.
mf
J nJ
Zauberer
Way -ward
J
J
J
sis - ters,
you that
b
& b bb
1. Hx.
b
& b bb
2. Hx.
b
& b bb
2./G./S.
bb b
& b
S.
b
& b bb
A.
b
& b bb
T.
?b
b bb
B.
b
R
r
n R
Vl. I
bb b n m n
& b
J
R
R
p
Vl. II
Vla.
b
& b bb Rn R R J r n
B bbbb

R
R
R
R
R
?b
b bb
m r
n
b
J
R
f
cresc.
cresc.
pp
Vc.
cresc.
m
r r
Cemb.

n
b
J
? bb b
b
n
n
b
& b bb
cresc.
w
w
w
w
w
57
19
b
& b bb
B.
b
& b bb
D.
b
& b bb
Ae.
Z.
? bb b
b
fright
the
n
JJ J J J
lone - ly tra -vel -ler by night,
m
J n R n
J J
n n
J J
J
J
who like
dis - mal ra - vens cry-ing
beat the win -dows of
n J
J
J
Ap - pear! Ap -pear at my call,
and
the dy- ing,
b
& b bb
1. Hx.
b
& b bb
2. Hx.
b
& b bb
2./G./S.
bb b
& b
S.
b
& b bb
A.
b
& b bb
T.
?b
b bb
B.
bb b
& b
j
n
Vl. I
Vl. II
b
& b bb
j
n
j
n n
j
n
B bbbb
?b
b bb w
Vla.
Vc.
b
& b bb
Cemb.
? bb b
b w
w
w
58
28
b
& b bb
B.
b
& b bb
D.
b
& b bb
Ae.
Z.
share in the fame of a
? bb b J J J J
b
mis - chief shall make
all

J
J
J j w
J
J
Car - thage flame. Ap - pear! Ap - pear! Ap - pear! Ap - pear!
f
1. Hx.
b
& b bb
1. Hexe
Say,
Bel - dame,
b
& b bb
2. Hx.
b
& b bb
2./G./S.
bb b
& b
S.
b
& b bb
A.
b
& b bb
T.
?b
b bb
B.
Vl. I
bb b
& b
m j
n
j
w

J J
Vl. II
Vla.
b
& b bb n
B bbbb
j
w
j
n
j
nw
Vc.
?b
b bb w
j n
w

w
w
mf
b
& b bb
Cemb.
? bb b w
b
w
w
n
j n
Chor der Hexen

59
b
& b bb
B.
15 Allegro
b
b 43
b
& b bb
bb 43
D.
b
& b bb
bb 43
Ae.
? bb b
b
3
bb 4
Z.
bb 43
36
1. Hx.
b
& b bb
n
J JJ
say, what's thy will?
b
& b bb
bb 43
2. Hx.
b
& b bb
bb 43
2./G./S.
bb b
& b
S.
f
bb 43 J
Harm's our de - light
A.
b
& b bb
f
bb 43 j
T.
b
& b bb
f
bb 43 J
B.
?b
b bb
f

3
b
J
b 4
Vl. I
bb b U
& b w

and
mis -

and mis

and mis

and mis
chief all
our
chief
n J n
skill,
harm's our de - light
all
our
skill,
n
J
chief
all
our
skill,
chief
all
our
skill,
n
and
mis - chief all
chief
mis - chief all
our
n
and
our

and mis
and
n J n
n
J
3 J
bb 4
bb 43 J
Vl. II
b U
& b bb nw
bb 43
f
Vla.
B bbbb w
bb 43
f
Vc.
?b
b bb w

b
& b bb n
Cemb.
? bb b w
b
15 Allegro
b
b 43

3 J
bb 4
n n n n n
n
Recitativ
60
B.
b
&b
16
b
b
b b 22
b
&b
D.
b
&b
Ae.
Z.
? bb
10
Non troppo lento
bbbb 22
bbbb 22
Zauberer
p
J
2
b
b
J
b b 2 J J
J nJ J
The Queen of Car - thage, whom we hate,
as we do
b
&b
bbbb 22
1. Hx.
b
&b
bbbb 22
2. Hx.
b
&b
bbbb 22
2./G./S.
bbbb 22
bbbb 22
bbbb 22
2
bbbb 2
S.
bb
&
skill,
A.
T.
B.
and
all
our
skill,
and mis
?b
b

and
mis - chief
Vl. I
mis - chief, mis -
b
&b
b n
&b
skill,
bb
&
mis
chief, mis -
chief, mis
our skill,
and mis
all
chief, mis -
chief all
our skill.
chief all
our skill.
chief all
our skill.
chief all
our skill.
bbbb 22
j
n
Vl. II
b
&b
bbbb 22

Vla.
B bb n
bbbb 22
p
Vc.
?b
b
2
bbbb 2 w
Cemb.
? bb
16 Non troppo lento

n
b

b b 22 w
w
w
n
b bb 2 w

w
b n
&b
Chor
61
b
& b bb
B.
17 Allegro vivace
b 83
b
& b bb
b 83
D.
bb
&b b
b 83
Ae.
Z.
n
? bb b
J
b
all
in - pros -p'rous state, ere
n n
J
J
J
sun -set shall most
wretch - ed prove, de -priv'd of fame.
f
n n J
of
life
3
b8 J
and
love.
bb
&b b
b 83
1. Hx.
b
& b bb
b 83
2. Hx.
b
& b bb
b 83
2./G./S.
bb b
& b
b 83
S.
fj
. n.
J
Ho ho
f
A.
T.
b
& b bb
b
& b bb
b 83
j j
. n .
j j j
. . .
Ho ho
ho ho ho
f
j . .
b 83 J. n. J. J J
j. .
. J J
Ho ho
B.
Vl. I
?b
b bb
bb b
& b
j
n b
3
b8
b
& b bb
b 83 J
Vl. II
ho ho ho
ho ho ho
n
f
Ritmo de quadro battute
b 83 j
n
f
f
Vla.
B bbbb
n
J
n
f
Vc.
?b
b bb w
3
b8
w
w
? bb b
b w
w
w
Cemb.
b
& b bb
b 83 n
17 Allegro vivace
b 83
&
.
.
3
b 8 j j j
62
4
&b
B.
b 44
&b
D.
b 44
&b
b 44
?b
Z.
4
b4
&b
1. Hx.
b 44
&b
2. Hx.
b 44
&b
2./G./S.
b 44
b 44
Ae.
S.
b j . . j J. . . . . . . . j . . . . . .
J J J J J R J . J J J J J J
& . J J .
ho ho ho
A.
B.
ho
ho ho
ho ho
ho ho
ho
ho ho
ho ho ho
ho ho ho
ho
. . n. . . .
J J J J J J
ho ho
ho ho ho
ho.
ho
ho ho ho
ho ho ho
ho ho ho
ho
ho ho
ho
p
. . j . . . j . j j . j j j j j j
J
J
J
.
. . . . . .
ho ho
ho ho
ho
ho ho ho
ho
f
j j j j . j . . . . . . . j .
?
b . n. . . J . J J J J J J J .
ho ho
j j j . j j . j . j j . j
.
.
. . .
ho ho ho
ho
ho ho ho
ho ho ho
j . j j j j
. . . . . . . . . . b. . . . . j .
. .
& b J J . nJ . . . . J J J J J J J J J J J J J J J . J
ho ho ho ho ho ho ho ho ho ho ho ho ho
ho ho ho ho ho ho ho ho ho ho ho ho ho ho ho
Ho ho
Vl. I
ho ho ho
j
& b j . . j j j
. .
.
ho ho ho
T.
ho ho
. . . . . . . . .
J J J J J J J J J
ho ho
ho
ho ho ho
ho
. .
J J
ho ho
J
&
ho ho ho
ho ho
ho
ho.
p
j
. J. j j j j
. . . . .
ho ho ho
ho ho
ho
p
. . . j j j
J J J . . . .
ho ho
ho ho ho
ho ho ho
ho ho ho
ho ho
b 44
ho.
.
. J J. . . . . . .
J
J J J J J J
ho
b 44
ho
ho.
4
b4
b 44
Vl. II
&b

J
J
b 44
Vla.
B b n j
b 44
Vc.
?

b n
4
b4
Vc.
. > . b
& b . .

? b n J

b 44
4
b4
Recitativ
63
Belinda
18
4
& b4
Non troppo lento
4
& b4
Dido
4
& b4
Aeneas
? b4
4
Zauberin
mf
J
J J J J J J J
J JJ J
J
Zauberer
The Tro -jan prince you know is bound by fate to seek I - tal - ian
1. Hexe
f
4 j j j j
& b 4 1. Hexe
J R
j
R
Ru -in'd ere theset of sun? Tell us,

R J
tell us,
r
J J
how shall this be done?
f
2. Hexe
4
& b4
2. Hexe
j
R
Tell us,
2. Frau
Geist
Seemann
j j r
R J

thell us,how shall this be done?
4
& b4
b4
& 4
Sopran
4
& b4
Altus
4
& b4
Tenor
? 4
b4
Bass
b4
& 4
Violine I
m
#j
J
j
#
j
j
#
Violine II
4
& b4
Viola
B b 44
Violoncello
? 4w
b4
18 Non troppo lento

4
w
& b4 w
w
w
w
w
? b4 w
w
4
Cembalo
64
7
&b
B.
&b
D.
&b
Ae.
Z.

? b J J R
#
J J J J
ground; The Queen and he
are now in chase.
f
1. Hx.
&b
J # R j
1. Hexe
Hark!
Hark!
The cry
comes on a -
&b
2. Hx.
&b
2./G./S.
b
&
S.
&b
A.
&b
?
b
T.
B.
auf Zeichen
Vl. I
b
& #
# # #
#
3
Vl. II
& b
j
#
mp
auf Zeichen
sim.
#
#

3
3
p3
Vla.
j
w
B b
#
3
mp
?
b w
Vc.
mp
w
w
mp
w
#w
w
w
w
w
w
w
&b
pi f
w
#w
w
w
Cemb.
?b w
w
w
65
13
&b
B.
&b
D.
&b
?b
Ae.
p
Z.
J J
Zauberer

J J J
J
JJ J J J J J R
J J J J
But when they've done, my trus -ty elf,
1. Hx.
&b
in form of Mer -cur -ry him - self,
as sent from Jove, shall
pace!
&b
2. Hx.
&b
2./G./S.
b
&
S.
&b
A.
&b
?
b
T.
B.
Vl. I
b
&
# #
n
mf
sim.
Vl. II
Vla.
Vc.
&b
Bb
?
bw
#
#
mf

#
# #
mf
w
#w
w
w
w
w
w
w
&b
Cemb.
?b
w
w
Chor
66
&b
B.
19 Allegro vivace
b 83
&b
b 83
D.
&b
b 83
19
Ae.
b m
r
?b J R
J
J R J
Z.
J J J R b 83
J
J
chide his stay, and charge him sail to night
with all his fleet a
way!
&b
b 83
1. Hx.
&b
b 83
2. Hx.
&b
b 83
2./G./S.
b
&
b 83
S.
fj
j . . j . . . .
.
. n. . J J . J J J J J. J R. . . j J. J.
J
J
Ho ho
ho ho ho
ho ho
ho ho ho
ho
ho
ho ho
ho ho ho
&b
A.
b 83
j j
. n .
Ho ho
&b
T.
f
j . .
b 83 J. n. J. J J
Ho ho
B.
?b
3
b8
ho ho ho
ho ho ho
ho ho ho
b
&
b 83
ho ho ho
ho ho
ho ho
ho ho
ho ho
ho
ho ho ho
. .
j. . .
j
j
. J J J . . n. . j j j J J
.
.
J
J
.
ho ho ho
ho
ho ho ho ho
ho
ho ho
ho
ho
f
j
.
. . . . .
. j nj . j . . . j J J. J J J J J . j
J
.
Ho ho
Vl. I
j j j . j j
.
. . .
j j j j j j j j
. . . . . . . .
ho ho
ho ho ho
ho
ho ho
ho
ho ho ho
Vl. II
&b
j b3
8
Vla.
Bb
j b 83 n
n j
Vc.
?
b
3
b8
j

n
&b
Cemb.
?b
19 Allegro vivace

b 83
&
. .
.
j

3
b 8 j j n
Duett
67
&b
B.
20
b 22
&b
D.
&b
?b
Z.
1. Hx.
&b
Ae.
Allegro ma non troppo
b 22
b 22
2
b 2
b 22
f (p)
1. Hexe
But
&b
2. Hx.
f
(p)
j b 22

2. Hexe
(2. Hexe)
But
&b
2./G./S.
S.
b . . . .
& J J J J
ho ho ho
j j j j
& b . . . .
A.
ho
ho ho ho
B.
? b .
ho
b
J
&
. . n. . . .
J J J J J J
ho ho
ho ho ho
ho.
ho
ho ho ho
ho ho ho
ho ho
ho
ho ho ho
ho ho ho
ho ho
ho
ho ho ho
ho ho ho
ere we this per - form,
ere we this per - form,
we'll

J
we'll con jure for a
b 22
b 22
b 22
b 22
2
b 2
b 22
b 22
b 22
ho ho
ho
p
. . j . . . j . j j . j j j j j j
J
J
J
.
. . . . . .
.
. . . . . . . . .
J J J J J J J J J J J.
ho ho
. . . . . . . . .
J J J J J J J J J
. . . . . . . . b. . . . . j .
& b J J J J J J J J J J J J J . J
ho ho ho ho ho ho ho ho ho ho ho ho ho ho ho
T.
Vl. I
ho
ho ho ho
ho ho
ho
ho.
p
j
. J. j j j j
. . . . .
ho ho ho
ho ho
ho
ho.
p
. . . j j j
J J J . . . .
ho ho ho
ho ho
ho
ho.
Vl. II
j
&b

J
J
Vla.
B b b
Vc.
?
b
Vc.
. > . b
&b

? b J

2
b 2 w
(p)
20 Allegro ma non troppo

b 22 .
. . . . . .
2
w
b 2 w
.
. . . .
w
68
4
&b
B.
&b
D.
&b
?b
Z.
1. Hx.
&b
Ae.

J
con -jure
2. Hx.
for a
storm,
&b
but
storm,
but
J
ere we
this
j

ere we
this
per form,
perform,
we'll
but

con - jure for a
#
ere we
this
j
n
perform,
we'll

con - jure
for a
## n
storm,
we'll
&b
2./G./S.
b
&
S.
&b
A.
&b
?
b
b
&
Vl. I
&b
Vl. II
Bb
Vla.
T.
B.
Vc.
?
bw
.
& b . .
?b w
. .
J . .
. .
n
. . . . #. .
Cemb.
## n n n

69
12
1.
2.
&b
B.
&b
D.
&b
?b
Z.
1. Hx.
&b
Ae.
mf (f)
n n

storm,
we'll con -jure
for
storm.
storm.
To
mar their
hun - ting
sport,
to
mar their
hun - ting sport,
and
mf (f)
2. Hx.
& b nn # n #
con
jure
for
storm.
But

storm.
To

mar their
hun - ting sport, their
hun - ting sport, and
drive
&b
2./G./S.
b
&
S.
&b
A.
&b
?
b
b
&
Vl. I
&b
Vl. II
Bb
Vla.
Vc.
?
b
T.
B.
1.
Cemb.
.
& b n #
>.
?b
n
#n #
b

2.

# n

>

n b
70
20
&b
B.
&b
D.
&b
?b
Z.
1. Hx.
&b
Ae.
drive
2. Hx.
'em
&b
back to

'em back to

court, and
drive
court,
and
drive
&b
2./G./S.
b
&
S.
&b
A.
&b
?
b
b
&
Vl. I
&b
Vl. II
Bb
Vla.
Vc.
?
b
T.
B.

. #
cresc.
& b
Cemb.
?b
Chor
(im Stile eines Echos)
71
21
Moderato
29
1.
2.
&b
B.
&b
D.
&b
?b
pp
Ae.
Z.
f
1. Hx.
#
&b
'em,
court.
drive 'em back to
To
& b
2. Hx.
'em,
drive 'em back to
court.
court.
court.
&b
2./G./S.
b
&
S.
pp
f
e e E
In our deep vault -ed cell, (-ed cell)
the charm we'll pre - pare, (pre - pare) Too dread -ful a
&b
A.
pp
pp
f
j j
e E
e e E
&b
T.
e E
J J
pp
j e E
J
pp
pp
f
pp
f
B.
Vl. I
?b
b
&
e E
J J
&b
Bb
?
b
pp
mf
pp
pp
mf

mf
Vc.
mf

mf
Vla.
b
mf
Vl. II
pp
pp
mf
pp
mf
n
mf
pp
mf
mf
1.
Cemb.
& b #
?b
w
2.
pp
mf
21 Moderato
72
8
&b
B.
&b
D.
&b
?b
Z.
&b
1. Hx.
&b
2. Hx.
&b
2./G./S.
Ae.
pp
pp
S.
pp
pp
b e be e e e e fn e e e b be e e n e e e ne E
&
J
J
prac - tice, (too dread -ful a prac - tice) too dread - ful, (too dread - ful) a prac - tice, (a prac - tice) for this o - pen air. (for this o - pen air)
pp
pp
A.
pp
pp
pp
T.
B.
pp
pp
pp
pp
pp
f
f
f
? b e e e e e e b e be e e e e b
pp
pp
be e e e
mf
mf
pp
mf
mf
pp
mf
pp
pp
mf
mf
pp
mf
pp
B b n b b b bJ bJ
pp
pp
Vc.
In our deep vault -ed cell, (-ed
j
j
& b b b b b n n
pp
pp
Vla.
pp
j j
e
b b n b b n n

&
J
J
pp
pp
Vl. II
pp
j j
e
f
b be e e b e e e be E j j
& b e e e ne e e b e e e
J
J
e
prac- tice,(too dread-ful a prac- tice) too dread - ful,(too dread- ful) a prac - tice,(a prac- tice) for this o - pen air. (for this o - pen air) In our deep vault-ed cell, (-ed
Vl. I
f
f
f
j
j
& b b e e e e be e e e e b e be e n e e e e nE
pp
pp
e
J J
mf
pp
mf
mf
pp

b b b
?

b
mf
pp
mf
pp
pp
pp
pp
mf
n b bb
? b b b
& b b
Cemb.
mf
mf
pp
nj
b n
73
21
&b
bc
B.
&b
bc
D.
&b
bc
Ae.
Z.
bc
&b
bc
1. Hx.
&b
bc
2. Hx.
&b
bc
2./G./S.
f
S.
b
& E
pp
e E
cell) the charm we'll pre - pare, (pre - pare) too
ppe
dread -ful a
pp
prac - tice, (too
e e e e ef

dread -ful a
pp
prac - tice) for
this o - pen
air.
pp
ee eeeee
e E
(for
this o - pen
bc
bc
bc
bc
air)
pp
f
A.
&b
e E
E
f
T.
pp
?
bE
pp
b
&
mf
Vl. II
e E
&b
mf
Bb
mf
Vc.
?
b
mf
dread -ful a
prac - tice, (too
pp
mf
pp
dread -ful a
prac - tice) for
this o - pen
e e e e ef
dread -ful a
prac - tice) for
pp
mf
pp
mf
pp
mf

pp
mf
pp
mf
?b
Cemb.
pen
air.
this o - pen
air.
mf
(for
e e
j
e E
this o - pen
air)
e
(for
e e
e E
J
this o - pen
air)
pp
mf
air.
pp
pp
&b
pp
e
Vla.
prac - tice, (too
pp
Vl. I
dread -ful a
e e e e e
e e e e e e e
&b E e E
cell) the charm we'll pre - pare, (pre - pare) too dread-ful a prac- tice,(too dread-ful a prac- tice) for this o f
B.
e
e e
(for
j
e E
this o - pen
air)
attacca.
U

bc
pp
attacca.
U
j U
c
b
pp
bc
bc
pp

J

j

pp
bc
bc
Echo-Tanz der Furien

74
22
Presto
Belinda
& bc
& bc
Dido
& bc
? bc
Zauberin
& bc
1. Hexe
& bc
2. Hexe
2. Frau
Geist
Seemann
& bc
bc
&
Sopran
& bc
Altus
& bc
? c
b
Aeneas
Tenor
Bass
Violine I
bc
J J R R b n
&

p
Violine II
j
b
& bc
R
R
J
f
p
p
Viola
B bc
R
n
R
j
R
p
f
Violoncello
? c
b
& bc
22 Presto

Violoncello
? bc
r

R
j
r

75
6
&b
B.
&b
D.
&b
?b
Z.
&b
1. Hx.
&b
2. Hx.
&b
2./G./S.
b
&
S.
&b
A.
&b
?
b
Ae.
T.
B.
Vl. I
b R
J R
&
f
Vl. II
B b j
?
j
b
Vc.
?b
r
b

R
r
b
& b
n J Rb

R
f
Vc.
& b R n nJ R
f
Vla.
b
J R
n b

R
p
b
J
j

b
J
76
11
&b
B.
&b
D.
&b
Ae.
Z.
&b
1. Hx.
&b
2. Hx.
&b
2./G./S.
b
&
S.
&b
A.
&b
?
b
T.
B.
Vl. I
&
n n m n m
R
R
R
Vl. II
& b j
Vla.
B b
& b j
? b
r
m
n R n
f
Vc.
R
f
Vc.
J j n

R
p
77
16
&b
B.
&b
D.
&b
?b
Z.
&b
1. Hx.
&b
2. Hx.
&b
2./G./S.
b
&
S.
&b
A.
&b
?
b
Ae.
T.
B.
Vl. I
b b

b b n
&
Vl. II
& b b
f
Vla.
B b
j
& b
? b r
#
R
#
R

R
f
j j
#j
n
f
m
#
Vc.
Vc.
78
21
&b
B.
b 22
&b
D.
b 22
&b
b 22
?b
Z.
2
b2
&b
1. Hx.
b 22
&b
2. Hx.
b 22
&b
2./G./S.
b 22
b
&
S.
b 22
&b
A.
b 22
&b
b 22
?
b
2
b2
Ae.
T.
B.
Vl. I
b m
&
p
Vl. II
& b
Bb
?
b
& b
?b
b 22
b 22
b
R
b 22
2
b2
b 22
2
b2
Vc.
Vc.
Vla.
m
R
b
R
Ritornell
79
Belinda
2
& b2
23
Dido
2
& b2
Aeneas
Allegro
1.
2
& b2
? b2
2
Zauberin
2
& b2
1. Hexe
2
& b2
2. Hexe
2. Frau
Geist
Seemann
2
& b2
b2
& 2
Sopran
2
& b2
Altus
2
& b2
Tenor
? 2
b2
Bass
b2
& 2
Violine I

n #
f (p)
Violine II
2
& b2
f (p)
Viola
B b22
f (p)
Violoncello
? 2
b2
f (p)
2
& b2
23 Allegro
1.
Cembalo
? b2
2
80
6
2.
1.
2.
B.
&b
b 43
&b
D.
b 43
&b
b 43
?b
Z.
3
b4
&b
1. Hx.
b 43
&b
2. Hx.
b 43
&b
2./G./S.
b 43
b
&
S.
b 43
&b
A.
b 43
&b
b 43
?
b
3
b4
Ae.
T.
B.
Vl. I
b #
&
# m
mp (f)
Vl. II
&b
B b
n
J
?
b
m
#
J
b 43
3
b4
2.
Cemb.
b 43
mp (f)
& b #
?b
# w
f
mp (f)
Vc.
b 43
mp (f)
Vla.
1.
n n
2.
w
w
#
w
b 43
3
b4
Arie und Chor

81
24 Allegretto
mf (p)

3
& b 4 #J
Belinda
Belinda
Thanks to these lone - some, lone -some
vales, these

des - ert,
#
des - ert
hills
and dales.
So fair the game,
so rich the
3
& b 4
Dido
3
& b 4
Aeneas
? b 3
4
Zauberin
3
& b 4
1. Hexe
3
& b 4
2. Hexe
2. Frau
Geist
Seemann
3
& b 4
b 3
& 4
Sopran
3
& b 4
Altus
3
& b 4
Tenor
? 3
b 4
Bass
b 3
& 4
Violine I
3
& b 4
Violine II
B b 43
Viola
Violoncello
? 3
b 4
n #
2nd time
1st time
f
mf (p)
Cembalo
24 Allegretto
3
b
& 4 # n #
J

? b 3

4

n #
#

J
2nd time
1st time
n J

82
12
B.
J n # n n
J
&b
sport,
Di - a
na's
self might to
these woods re - sort;
So fair the game,
J # J
so rich the sport,
Di - a -
nas's self might to
&b
&b
?b
Z.
&b
1. Hx.
&b
2. Hx.
&b
2./G./S.
b
&
S.
&b
A.
&b
?
b
b
&
Vl. I
&b
Vl. II
Bb
Vla.
D.
Ae.
T.
B.
Vc.
& b

Cemb.
?b
n #
# n # n n b
# #
83
23
B.
1.

b
&
2.
these woods re - sort.
sort.
&b
&b
?b
Z.
&b
1. Hx.
&b
2. Hx.
&b
2./G./S.
b
&
S.
mf (p)
#
J
D.
Ae.
Thanks to these lonesome, lone -some
vales, these des - ert,
des - ert
hills
des - ert
hills
p (mf)
#
and dales.
So fair the
mf (p)
A.
&b
T.
&b
mf (p)
J # n #
B.
?
b
mf (p)

J
Vl. I
b
&
#
J
and dales.
p (mf)
des - ert
hills
and dales.
des - ert
hills
n #
So fair the
&b
and dales.
mf (p)
Vl. II
p (mf)
n #
mf (p)
Vla.
Bb
J # n #
mf (p)
Vc.
?
b
p (mf)
p (mf)
mf (p)
1.
Cemb.
& b #
?b
2.
#j #j # n
# #

#
j
84
35
&b
B.
&b
D.
&b
?b
Z.
&b
1. Hx.
&b
2. Hx.
&b
2./G./S.
Ae.
S.
b
&
game,
J n # n
J
so rich the sport,
Di - a
na's
self might to
n
#
So fair the game,
so rich the sport,
Di
p (mf)
A.
&b
So fair the game,
T.
B.
&b
game,
Vl. II
so rich the
sport, Di - a -na's self might to
so rich the sport,
p (mf)
?

b
b
&
j j j #j
So fair the game,
Vl. I
self might to
j
JJ
J
so rich the
sport, Di - a -na's self might to
J n # n
J
these
j
#
woods
re - sort;
these
woods re - sort;
n
J
&b
Di - a - na's

So fair the
game,
n #
So fair the game,
so rich the sport,
Di
So fair the game,
so rich
the
p (mf)
Vla.
Vc.
Cemb.
B b

J
J
& b n
?b
J #

J
J
?

b
n #
##
J
j
#
# n
##
J
n n

j b#
85
&b
B.
25
b 44
&b
D.
&b
?b
Z.
&b
1. Hx.
2. Hx.
&b
2./G./S.
&b
46
Ae.
S.
b 44
b 44
b 44
b 44
b 44
b 44
b 44
b 44
b 44
b 44
b 44
#
J
b
&
a
na's
j r
&b
A.
Di - a - na's
& b #
a
T.
B.
?
b
sport,
Vl. I
b
&
na's
Vla.
B b #
Vc.
?b
j

self might to
self might to
J
J J
J
Di-a -na's self might to
these woods
re - sort.
these woods
re - sort.
#
J
&b
Vl. II
self might to
n j n #
-
Allegretto
n#

J
J
b 44
b 44
# n
b 44 # n b
& b #
Cemb.
?b

J
J
25 Allegretto

j
n j
J # b 44 j n b #
#
J
J
# n
b 44 # n b
86
5
& b
B.
& b
D.
& b
Ae.
?
b
Z.
& b
1. Hx.
& b
2. Hx.
1st
mf (p)
2./G./S.

& b 2. Frau
# n
mf
m
j
j r
2nd
Oft she vis - its
this lone moun - tain,
oft
she bathers her
in
this foun - tain.
Here,
here
Ac - tae - on
met
his fate.
b
&
S.
& b
A.
& b
T.
?
b
B.
b
&
Vl. I
& b
Vl. II
B b
Vla.
Vc.
? b # n# n b # n# n b
mf (p)
Cemb.
& b n J #n n b
#
? b # n# n b
mf
J
#
n b
#
# n
87
12
&b
B.
&b
D.
&b
?b
Z.
&b
1. Hx.
&b
2. Hx.
Ae.
f
2./G./S.
& b
Here,
here
n
J
J
J
Ac - tea - on
met
# n b
J
his fate.
Pur sued
by
his
j p

own hounds; And af - ter,
af

J
-
ter mor - tal wounds, and
b
&
S.
&b
A.
&b
?
b
b
&
Vl. I
&b
Vl. II
Bb
Vla.
T.
B.
Vc.
? b # n # n b

f
p
Cemb.
j
j
j
j

& b # # # j J #

?b

#
#
88
19
&b
B.
&b
D.
&b
Ae.
Z.
&b
1. Hx.
&b
2. Hx.
2./G./S.
& b #
n n

af - ter,
af
ter
mor - tal
wounds
j
n #R
dis - cov
too
er'd too,
late;
r b
And af
n n
J
-
ter, af - ter
mor
b
&
S.
&b
A.
&b
?
b
b
&
Vl. I
&b
Vl. II
Bb
Vla.
T.
B.
Vc.
? b n# n b
n #
j j
j j
r
j

# n #
n n n # #
n
n #
? b n# n b
#
& b #
Cemb.
#
p
n b

j
n bj n
n b

89
q=q
25
&b
2
4
B.
&b
2
4
D.
&b
2
4
Ae.
2
4
Z.
&b
2
4
1. Hx.
&b
2
4
2. Hx.
2./G./S.
& b b R
m
-
tal wounds
b
J
n
J
dis - cov - er'd too,
too late;
here
f
n #
J
2
J4
Ac - tea - on met
his
fate.
b
&
2
4
S.
&b
2
4
A.
&b
2
4
?
b
2
4
b
&
T.
B.
Vl. I
J 42
n
J
#
J
Vl. II
&b
J 42
f
Vla.
Bb

J 42
Vc.
b #
n# n b 2 # n#
4
cresc.
f
q=q
j
& b
Cemb.
? b #
j j j #j
b
#
n# n b
m
j
b j
n#
2
4 #
m
2
4 n
90
34
1.
2.
B.
&b
&b
D.
&b
?b
Z.
&b
1. Hx.
&b
2. Hx.
&b
2./G./S.
b
&
S.
&b
A.
&b
?
b
Ae.
T.
B.
Vl. I
b
&
#
J
pp
Vl. II
&b
m
#
cresc.
m
#
Bb
cresc.
pp
Vc.
pp
Vla.
#
J
cresc.
? b n b # # n# n b
cresc.
pp
Cemb.
1.
2.
m
M
j
j
b
&
#
#
n
n b
?b
# #
j
j
j n

#
J
n# n b
91
46
1.
2.
&b
B.
b 44
&b
D.
b 44
&b
b 44
?b
Z.
4
b4
&b
1. Hx.
b 44
&b
2. Hx.
b 44
&b
2./G./S.
b 44
b
&
S.
b 44
&b
A.
b 44
&b
b 44
?
b
4
b4
Ae.
T.
B.
Vl. I
b
&
b 44
b 44
b 44
n# n b #
4
b4
b 44
4
b4
#
J
f (p)
Vl. II
&b
n
J
p
f (p)
Vla.
Bb
#
J
f (p)
Vc.
?
b
f (p)
1.
j
j
b

#
n# n b

n
Cemb.
j
j
j
& b
?b
j 2.
Recitativ
92
Belinda
Dido
Aeneas
26
4
& b4
4
& b4
Moderato
##
##
f
m
j j r j r
r.
4
j j r j j r

j J J J #R J J J nJ
& b 4 j
R
.
.
J
J
AeneasBe- hold, up - on my bend ing spear a mon-ster's head stands bleed- ing, with tush es far ex-ceed-ing thosedid Ven us' hunts-man tear!
##
? b4
4
Zauberin
##
4
& b4
##
1. Hexe
4
& b4
##
2. Hexe
2. Frau
Geist
Seemann
4
& b4
##
b4
& 4
##
Sopran
4
& b4
##
Altus
4
& b4
##
Tenor
? 4
b4
Bass
##
b4
& 4
##
Violine I
4
& b4
##
Violine II
B b 44
##
Viola
Violoncello
? 4
b4 w
##
Cembalo
26 Moderato
4
& b4 w
w
w
? b4
4
w
r

R
r

3
##

#
##
93
#
&#
B.
ff
# Dido j
& # j r j
D.
ff
The skies are cloud - ed:
hark!
f
m
J j j j J J
hark!
How thun
der
rends
the moun -tain oaks
#
&#
Ae.
? ##
Z.
#
&#
1. Hx.
#
&#
2. Hx.
#
&#
2./G./S.
##
&
S.
#
&#
A.
#
&#
? ##
##
&
T.
B.
R
a-
quasi h
Vl. I
ff
quasi h
#
&#
Vl. II
ff

B ##
Vla.
ff
? ##
Vc.
>
>
j

mf
ff
Cemb.
#
& #
? ##
Arie und Chor

94
27
Allegro
10
#
&#
B.
c j j j J
Belinda
Haste, haste to town,
#
& # J j
D.
haste, haste,
j j j
j j J
haste, haste,
haste,
to town, haste, haste to
town!
J J J J J
This o -pen field no
sun - der!
#
&#
Ae.
? ##
Z.
#
&#
1. Hx.
#
&#
2. Hx.
#
&#
2./G./S.
##
&
S.
#
&#
A.
#
&#
? ##
T.
B.
sim.
Vl. I
##
&
ff
sim.
Vl. II
#
&#
-
ff
B ##
Vla.
ff
Vc.
?#
#
ff
Cemb.
27 Allegro
## > j
c
J
&

? ##
c
95
5
#
&#J
B.
shel - ter,
j
J J J J
this o - pen field no
j
R
J
J
J
shel - ter from the
storm,
the storm can yield; haste, haste,
j j
J
haste, haste to town,
#
&#
#
&#
Ae.
? ##
Z.
#
&#
1. Hx.
#
&#
2. Hx.
#
&#
2./G./S.
##
&
S.
#
&#
A.
#
&#
? ##
##
&
Vl. I
#
&#
Vl. II
B ##
D.
T.
B.
J
haste,
Vla.
? ##
Vc.
Cemb.
# #
& # n
? ##
J
n #
n

J

96
f
mf
& #
J
B.
haste
to town, haste, haste,
haste, haste,
haste, haste
to town!
#
&#
#
&#
Ae.
? ##
Z.
#
&#
1. Hx.
#
&#
2. Hx.
#
&#
2./G./S.
##
&
S.
D.
j j j

Haste, haste to
town,
J
haste,
#
&#
A.
j j j
Haste, haste to
#
&#
T.
f
j j j
Haste, haste to
town,
town,
j j j
J
haste, haste to
town, haste,
? ##
B.
Haste, haste
Vl. I
##
&
J
to
#
&#
Vl. II
B ##
Vla.
j

f
? ##
Vc.
#

&#
Cemb.
? ##
J
mf
J
J
97
13
#
&#
B.
#
&#
D.
#
&#
Ae.
? ##
Z.
#
&#
1. Hx.
#
&#
2. Hx.
#
&#
2./G./S.
S.
##
&
haste,
#
&#
A.
? ## J
j j j

#
&#
haste,
B.
haste, haste,
haste, haste
T.
haste
to
town,
Vl. I
##
&
town,
to
J
J
haste, haste
to
town,
J J
J
J
This
o - pen field no
shel - ter,
town!
j j
j
j
to
j
J
haste, haste
haste, haste
to town,
haste, haste,
to
j
j j
town, haste, haste
haste
town, haste, haste,
j j j j

to
haste, haste, haste, haste
haste, haste,
j J
to
town, haste, haste!

J J
haste, haste
to
This
o - pen field no
j j j

town!
this
o - pen field no
j j j j j j
o - pen field no shel - ter,
j j
j
J J
town! This
j
J
J J J
J
This
shel - ter,
this
j
J J J
J
this
o - pen field no
j
j
J J J
o - pen field no shel - ter,
this
meno f
#
&#
Vl. II
j j
meno f
B ##
Vla.
meno f
? ##
Vc.
j J
j
n
j J

meno f
Cemb.
#
& #
? ##

J
#
#

98
17
#
&#
B.
#
&#
D.
#
&#
Ae.
? ##
Z.
#
&#
1. Hx.
#
&#
2. Hx.
#
&#
2./G./S.
S.
## j
J
& J R
J
J
shel - ter from the storm,
mf
j j
the storm can yield; haste, haste,
haste, haste to
town,

J
haste, haste

J
to
town, haste, haste,
mf
# j
& # j j j j j j j j j j j j j j j
#

A.
o - pen field no shel-ter from the storm, the storm can yield; haste, haste to
B.
? ##
J J
Vl. I
storm
can yield;
##
&
haste, haste, haste, haste
haste, haste,
j J J J J j
J
J
o - pen field no shel-ter from the
town,
j j j j j j j j j
j
j j
mf
#
j # j #j
& #
J
J R J
shelt - ter from the storm,
the storm can yield;
T.
j j
J
haste, haste
j
J
J J
town, haste, haste
to
town, haste, haste, haste,
j
J
town, haste, haste,
j j
J
haste, haste
to town,
haste, haste,
#
&#
J
haste,
mf
Vl. II
mf
haste, haste,
to
to town, haste, haste to
mf
f
Vla.
B ## # #
f
mf
Vc.
Cemb.
?#
#
#
& # # #
? ##
mf
n n

n

J
J
f
j
#
J
Recitativ
99
B.
#
&#
28
nn c
#
&#
D.
#
&#
Ae.
Z.
? ##
1. Hx.
21
q=h
nn c
nn c
nn c
#
&#
nn c
#
&#
nn c
2. Hx.
2./G./S.
#
&#
nn c f
Geist
j
#j
Geist
Stay,
mf
haste, haste,
haste,

haste
to
haste, haste,
# mf
& # J
haste, haste,
j
j
haste, haste
haste, haste,

J J
haste, haste, to
haste, haste,
j
J
haste, haste, haste, haste to
#
&#
B ##
J
? ##
nn c
nn c
nn c
nn c
town!
town!
mf
Cemb.
nn c
#
& #
? ##
mf
Vc.
mf
Vla.
mf
Vl. II
nn c
28
nn c
nn c
q=h

J
w
j
#
##
&
J
nn c
Vl. I
haste,
B.
to town!
mf
? ##
nn c
haste,
T.
a -
town!
mf
#
&#
A.
Jove's com mand: He sum -mons thee this night
S.
##
&
J
prince, and hear great
#r r r j r
R
j
#
100
4
&
B.
&
D.
&
Ae.
Aeneas
To - night?
&
1. Hx.
&
2. Hx.
Z.
&
2./G./S.
way.
r r r r
R J R
# J
R R R R J
the
an - gry god woll brook no long
To - night thou must for -sake this land;
er
stay.
Jove com-
&
S.
&
A.
&
T.
&
Vl. I
&
Vl. II
B.
Vla.
?
Vc.
Cemb.
& #
?
w
r
# #

J R
101
8
&
B.
&
D.
&
Ae.
&
1. Hx.
&
2. Hx.
Z.
br r r j
&
J J R R
2./G./S.
mands thee, waste no more in love's de -lights
r
mj
b r
those pre
cious hours
j m
J # r
j r r
nJ R J R
al - low's by th'al -might - y powers to gain
th'Hes pe - rian shore
&
S.
&
A.
&
T.
&
Vl. I
&
Vl. II
B.
Vla.
? w
Vc.
mf
&
Cemb.
? w
##
#
and
102
12
&
B.
&
D.
j r j j r
J
R
J J
Aeneas
&
Ae.
J J
J
Jove's commands shall be o - bey'd;
#j
to-night our an - chors shall be weigh'd.
But ah!
j

but ah!
&
1. Hx.
&
2. Hx.
Z.
j j
& R j #
2./G./S.
ruin'd Troy re - store.
&
S.
&
A.
&
T.
&
Vl. I
&
Vl. II
B.
Vla.
?
Vc.
&
j
j
# #
Cemb.
j
j
#

103
18
&
B.
&
D.
j j j j j
& R #
what lan -guage can I try,
j
n
Ae.
j
#r #j
my in - jur'd queen to
j r
r
j
pa - ci - fy?
r r
No soo -ner
she re -signs
J R j
her heart
but from her
&
1. Hx.
&
2. Hx.
&
2./G./S.
&
S.
&
A.
&
T.
&
Vl. I
&
Vl. II
arms
Z.
B.
Vla.
Vc.
#w
mf
& ##
Cemb.
#w
# n
# #

j
#
104
23
&
B.
&
D.
r
& J J
J
I'm forc'd to part.
Ae.
#j
#
R
#
J
r j r j r
R
How
can so hard a fate be took? One
night en - joy'd,
the next
R R R #J
for - sook. Yours
be the blame, ye gods!
&
1. Hx.
&
2. Hx.
&
2./G./S.
&
S.
&
A.
&
T.
&
Vl. I
&
Vl. II
#j
J R
For I o
Z.
B.
Vla.
?
Vc.
#n # #
Cemb.
&
mp
#
#
105
29
&
B.
bb 43
&
D.
bb 43
&
bey
Ae.
# r r
your will;
r #
J
but with more
ease

R R
could die,
j
J R
#
but with more,
nore
ease
bb 43
could die.
3
bb 4
&
1. Hx.
bb 43
&
2. Hx.
bb 43
&
2./G./S.
bb 43
&
S.
bb 43
&
A.
bb 43
&
T.
bb 43
3
bb 4
&
Vl. I
bb 43
&
Vl. II
bb 43
bb 43
Z.
B.
Vla.
Vc.
3
bb 4
mp
Cemb.
&
R #
#
r
j
#
bb 43
3
bb 4
106
Akt III
Szene 1
29. Arie & Chor "Come away, fellow sailors"
30. Der Tanz der Seemnner
31. Recitativ & Duett "See the flags and streamers curling"
32. Arie "Our next motion"
33. Chor "Destruction's our delight"
34. The Tanz der Hexen
Szene 2
35. Recitativ "Your counsel all is urg'd in vain"
36. Chor "Great minds against themselves conspire"
37. Recitativ "Thy hand, Belinda"
38. Arie "When I am laid in earth"
39. Chor "With drooping wings ye Cupids come"
Prludium, Arie und Chor

107
Belinda
29
b
3
&b 4
Dido
Allegro spiritoso
b3
&b 4
b3
&b 4
Aeneas
? bb 3
4
Zauberin
b3
&b 4
1. Hexe
b3
&b 4
2. Hexe
2. Frau
Geist
Seemann
b3
&b 4
bb 3
& 4
Sopran
b3
&b 4
Altus
b3
&b 4
Tenor
? b3
b4
Bass
m

J
m

J
Violine I
bb 3
& 4
Violine II
b3
&b 4
Viola
B bb 43
Violoncello
? b3
b4
29
b
3
&b 4
Allegro spiritoso
Cembalo
? bb 3
4
108
12
b
&b
B.
b
&b
D.
b
&b
Ae.
? bb
Z.
b
&b
1. Hx.
b
&b
2. Hx.
b
&b
2./G./S.
bb
&
S.
b
&b
A.
b
&b
T.
?b
b
B.
Vl. I
bb
&
Vl. II
b n
&b
nm
Vla.
B bb
J
cresc.
Cemb.
b
& b n
J

? bb

cresc.
Vc.

? bb

cresc.
cresc.

b

n
J
109
23
b
&b
B.
b
&b
D.
b
&b
Ae.
? bb
Z.
b
&b
1. Hx.
b
&b
2. Hx.
b
&b
2./G./S.
bb
&
S.
b
&b
A.
b
&b
T.
?b
b
B.
Vl. I
bb b n b
&
cresc.
Vl. II
b
&b
cresc.
Vla.
B bb n
cresc.
Vc.
?b
b b
cresc.
b
& b b
n b
Cemb.
? bb b
110
34
b
&b
B.
b
&b
D.
b
&b
Ae.
? bb
Z.
b
&b
1. Hx.
b
&b
2. Hx.
2./G./S.
b
&b
Seemann
f
mf
J J J J
J J j
J

Seemann J J
Come a - way,
fel -low sai - lors, come a - way,
j
J
your an - chors be wigh - ing, time and tide will ad - mit no
de - lay - ing; take a
bb
&
S.
b
&b
A.
b
&b
T.
?b
b
B.
bb m
&
Vl. I
m
b
& b
Vl. II
B bb
Vla.
Vc.
?b
b
Cemb.
b
&b
? bb
mf
111
44
b
&b
B.
b
&b
D.
b
&b
Ae.
?b
b
Z.
b
&b
1. Hx.
b
&b
2. Hx.
f
2./G./S.
j
b
&b
booz - y
short leave of your nymphs of
the
shore,
and
b
si - lence their mour - ning with

vows of
re - tur - ning, bute
ne - ver in - tend - ing to
bb
&
S.
b
&b
A.
b
&b
T.
?b
b
B.
bb
&
Vl. I
b
&b
Vl. II
B bb
Vla.
Vc.
? b #
b
n b
pi f
Cemb.
b
& b
? bb #
n b j b n n j
n n b b
112
54
b
&b
B.
b
&b
D.
b
&b
Ae.
? bb
Z.
b
&b
1. Hx.
b
&b
2. Hx.
m
b
b
&
2./G./S.
vis
f
p
it them more,
no
in - ten -ding
to
ne -ver
vi

J
-
sit them more,
no
J m
ne - ver,
no
in - ten - ding to
ne - ver
vis

J
-
it them
bb
&
S.
b
&b
A.
b
&b
T.
?b
b
B.
bb
&
Vl. I
b
&b
Vl. II
B bb
Vla.
Vc.
?b
b
Cemb.
b
j j
& b # n#

? bb
R
R

113
64
b
&b
B.
b
&b
D.
b
&b
Ae.
? bb
Z.
b
&b
1. Hx.
b
&b
2. Hx.
2./G./S.
b
&b
more!
J J J J j j
f
S.
bb
&
J
J

J J
Come a - way,
J j
fel -low sai - lors, come a - way, your an - chors be weigh - ing, time and tide will ad - mit no
de -
f
A.
b
&b
j j

j
j j j
j
j
Come a - way
fel - low sail - ors, come a - way,
come a - way,
j r
j
J J n
j j

come a - way, your an - chors be weigh - ing, time and
b
&b

J J
Come a - way,
f
B.
Vl. I
J j
J J
J J

J J
Come a - way,
fel - low sai - lors, come a - way,
come a - way,
j
j
fel - low sail - ors, come a - way,

J J
?b
b
bb
&
J
J
will ad - mit no
come a - way, your an - chors be weigh - ing, time and tide will ad - mit no
de -
j j
J J

J J
come a - way, your an - chors be weigh - ing, time and tide will ad - mit no
de -
J J J
J
f
T.
tide
de -
J J
Vl. II
b
&b
Vla.
B bb
j J

Vc.
?b
b
Cemb.
&b

? bb
114
74
b
&b
B.
b
&b
D.
b
&b
Ae.
? bb
Z.
b
&b
1. Hx.
b
&b
2. Hx.
b
&b
2./G./S.
S.
A.
T.
B.
Vl. I
bb
j
& J
lay - ing; take a booz - y
short leave
of your nymphs of
b
j
& b j
short leave
of your nymphs of
& b J J J R
lay- ing; take a booz - y short leave
? b # n
J J
b

the
of your nymphs of
n
J
the
the
shore,
shore,
shore,
short leave
of your nymphs of
bb
&
the
shore,
b
&b
Cemb.
? bb
re - tur - ning, but
si - lence their mour - ning with vows of
n b n b
and
in -

ne - ver
in -
n
ne - ver
in -

ne - ver
in -
n b n b
legato
# n
n
R
mf
b
&b
ne - ver
legato
B bb
?b

and
legato
mf
Vc.

and
mf
Vla.
and
mf
Vl. II
legato
j
j
n
# n
R
n n b n n

n n b n b

115
84
b
&b
B.
b
&b
D.
b
&b
Ae.
? bb
Z.
b
&b
1. Hx.
b
&b
2. Hx.
b
&b
2./G./S.
S.
bb
&
tend - ing
A.
b
& b #
B.
b
&b
tend
?b
b
bb
&
it
them
more,
no
ne - ver
more,
no
ne
vis
j
#r
to
vis
- ing
to
vis
to
vis
tend - ing
Vl. I
to
tend - ing
T.
it them
it
them
more,
no
ne
in
ver
in
ver
in
ver
in
it
them
more,
no
ne
to
vi
to
vi
to
vi
ding
to
vis
ten - ding
ten - ding
ten - ding
ten
sit
them
sit
them
sit
them
it
them
Vl. II
b
& b #
Vla.
B bb
Vc.
?b
b
b
& b #
Cemb.
? bb
116
90
b
&b
B.
2
2
b
&b
D.
2
2
b
&b
Ae.
2
2
? bb
Z.
2
2
b
&b
1. Hx.
2
2
b
&b
2. Hx.
2
2
b
&b
2./G./S.
2
2
f
S.
bb
&
more,
no
ne - ver,
f
A.
b
&b
more,
b
&b
more,
?b
b
more,
Vl. I
bb
&
b
&b
B bb
no
ne - ver,
no
ne - ver
in
no
ne - ver,
?b
b
no
ding to
vis
ding to
vis
it
them
more!
it
them
more!
2
2
ten
2
2
ten

R
its them
2
2
more!
ten

J
-
ding to
vis
2
2
it
them
more!
2
2
2
2
2
2
2
2
Cemb.
vis
ding to
in
b
& b j
? bb
in
ne - ver
ne - ver
no
ne - ver,
ten
no
Vc.
in
Vla.
ne - ver
Vl. II
f
B.
f
T.
no
2
2
2
2
Tanz der Seeleute

117
Belinda
30
b
2
& b 2
Allegro
b 2
& b 2
Dido
b 2
& b 2
Aeneas
? bb 2
2
Zauberin
b 2
& b 2
1. Hexe
b 2
& b 2
2. Hexe
2. Frau
Geist
Seemann
b 2
& b 2
bb 2
& 2
Sopran
b 2
& b 2
Altus
b 2
& b 2
Tenor
? b 2
b 2
Bass
Violine I
bb 2
& 2
n
j
f (p)
Violine II
f (p)
b 2
& b 2
2nd time slower

pi accel.
f (p)
f (p)
Viola
B bb 22
f (p)
f (p)
Violoncello
? b 2
b 2
30 Allegro
b
2
& b 2
? bb 2
2
f (p)
Cembalo
f (p)
w
w
118
10
1.
2.
B.
b
&b
b
&b
D.
b
&b
Ae.
? bb
Z.
b
&b
1. Hx.
b
&b
2. Hx.
b
&b
2./G./S.
bb
&
S.
b
&b
A.
b
&b
T.
?b
b
B.
Vl. I
Vl. II
Vla.
Vc.
bb
&
b
&b

B bb
?b
b
1.
Cemb.
b
& b
? bb
2.
Recitativ und Chor

119
b
&b
B.
31
4
4
b
&b
D.
b
&b
Ae.
? bb
Z.
18
Moderato
4
4
4
4
4
4
R J
Zauberer
See,
see the

J J
R J
J R
flags and stream -ers curl - ing,

R
J
an -chors weigh - ing,
n
J J J J
sails un - furl - ing!
f
1. Hx.
b
&b
4
4
j

R
J R R
1. Hexe
Phoe -be's pale de lud - ing
b
&b
4
4
2. Hx.
b
&b
4
4
2./G./S.
bb
&
4
4
S.
b
&b
4
4
A.
b
&b
4
4
T.
?b
b
4
4
B.
bb
&
4
4
Vl. I
b
&b
4
4
Vl. II
B bb
4
4
Vla.
Vc.
?b
b
p
4w
4
31 Moderato
4
4 r
? bb
4w
4
Cemb.
b
&b
J n n
120
5
b
&b
B.
b
&b
D.
b
&b
Ae.
? bb
Z.
1. Hx.
r j r
b
& b J j n
j
R R R
beams gild - ing o'er de - ceit - ful streams.
2. Hx.
b
&b
E lis - sa's ru - in'd!
f
j R #J
2. Hexe
j r
J
Our plot has took,
the queen's for - sook!
ho ho!
ho
ho ho!
j
J
ho!
ho ho ho ho ho
nj j j
ho ho!
ho ho
ho ho ho ho ho
b
&b
2./G./S.
bb
&
S.
b
&b
A.
b
&b
T.
?b
b
B.
bb
&
Vl. I
b
&b
Vl. II
B bb
Vla.
?b
b
Cemb.
b
& b
? bb
n #
n
#

w
Vc.
n
n
r

121
10
b
&b
B.
b
&b
D.
b
&b
Ae.
? bb
Z.
1. Hx.
j
b j

& b J R R
ho! E - lis - sa's ru - in'd!
2. Hx.
b
&b
ho ho!
j
J b R R
ho ho!
ho ho
E - lis - sa's ru - in'd!
j
j J J j R n
ho ho!
ho
ho ho
ho
ho
ho
ho! Our plot has
J n
ho!
ho ho
ho
ho
ho
R
R
J
took,
our plot has
nj
R
Our
plot has
ho!
b
&b
2./G./S.
bb
&
S.
b
&b
A.
b
&b
T.
?b
b
B.
bb
&
Vl. I
b
&b
Vl. II
B bb
Vla.
Vc.
?b
b
b
w
b
& b
Cemb.
? bb
>
>
>
. . . n
122
14
b
&b
B.
3
4
b
&b
D.
3
4
b
&b
Ae.
3
4
? bb
Z.
3
4
1. Hx.
b

& b J R
J R
took, the queen's for- sook!
2. Hx.
ho
b br j r
& b
J
J
ho!
ho ho!
took, the queen's for- sook! ho ho!

ho
ho!
j
R R
J
E lis - sa's ruin'd!
r
j j j r j
ho ho!
ho ho ho
ho! E - lis - sa's ruin'd!
j
j
j J 43
J
ho ho!
ho
ho ho ho ho ho ho ho ho
j J J 43
ho ho!
ho ho ho
ho ho ho ho ho ho ho ho
b
&b
2./G./S.
3
4
bb
&
S.
3
4
b
&b
A.
3
4
b
&b
T.
3
4
?b
b
B.
3
4
bb
&
Vl. I
3
4
b
&b
Vl. II
3
4
B bb
Vla.
3
4
Vc.
?b
b
3
4
? bb
Cemb.
b
& b
. > 3
4

. >

3
b
4

Recitativ
123
b3
&b 4
B.
32
43
b3
&b 4
D.
Ae.
b3
&b 4
Z.
? bb 3
4
19
Moderato
1.
2.
43
43
43
Zauberer
mf (p)
Our
1. Hx.
b3
&b 4
next
mo - tion mus
be
to
storm
her lov - er on the
f
j
J J
o - cean.
o - cean. From the ru - in of
43
43
ho!
2. Hx.
b3
&b 4
ho!
b3
&b 4
43
2./G./S.
bb 3
& 4
43
S.
b3
&b 4
43
A.
b3
&b 4
43
T.
? b3
b4
43
B.
bb 3
& 4
43
Vl. I
b3
&b 4
43
Vl. II
B bb 43
43
Vla.
Vc.
? b3
b 4
43
mf (p)
Cemb.
b3 M
& b 4 r
? bb 3
4
32 Moderato
1.
2.
43

43

124
10
b
&b
B.
b
&b
D.
b
&b
Ae.
Z.
? bb J n
J
J
o - thers our
plea - sures we
bor - row;
E - lis - sa
bleeds
to - night,
E - lis - sa
bleeds
to
night,
and Car -
b
&b
1. Hx.
b
&b
2. Hx.
b
&b
2./G./S.
bb
&
S.
b
&b
A.
b
&b
T.
?b
b
B.
bb
&
Vl. I
b
&b
Vl. II
B bb
Vla.
Vc.
? b b
R
b
b
b
& b
? bb b
R
R

R
j

J

R

Cemb.
Chor
125
b
&b
B.
33 Allegro
2
2
b
&b
2
2
D.
b
&b
2
2
Ae.
2
2
19
? bb
Z.
thage flames
to - mor - row!
b
&b
2
2
1. Hx.
b
&b
2
2
2. Hx.
b
&b
2
2
2./G./S.
bb
&
S.
f
2 n
2 J
J
De - struc -tion's our de - light,
de - light our great-est sor - row; E - lis - sa dies to - night,
and Car - tahge flames to-
b
&b
A.
2
2 J
b
b
&b
T.
B.
bb
&
and
de - light our great-est sor - row; E - lis - sa dies to - night,
and
Car -thage
flames to-
n J
Car -thage
flames to-
f
n b b
2 J
Vl. I
to - night,
f
2 J n
2
? bb
de - light our great-est sor - row; E - lis - sa dies
2
2
de - light our great-est sor - row; E - lis - sa dies
to - night,
and
Car -thage
j
n
flames to-
n
J
b
&b
Vl. II
2
2
B bb
Vla.
2 J n
2
n J
Vc.
? bb
n b b
2 J
Cemb.
r
b j r
& b
? bb
33 Allegro
2 n b
2

n b b
2 J
126
8
1.
B.
b
&b
b
&b
D.
b
&b
Ae.
? bb
Z.
b
&b
1. Hx.
b
&b
2. Hx.
b
&b
2./G./S.
mf
S.
bb
&
mor - row!
Ho
ho
ho
ho
ho
ho
ho
ho!
E - lis
sa
to - night,
dies
and
mf
A.
b
&b
mor - row!
Ho
ho
ho
ho
ho ho
ho
ho!
E - lis
sa
to - night,
dies
and
mf
T.
b
&b
mor - row!
Ho
ho
ho
ho
ho
ho
ho
ho!
E - lis
sa
to - night,
dies
and
mf
B.
?b
b
mor - row!
Vl. I
bb
&

Ho
ho
ho
ho
ho
ho
ho
ho!
E - lis
sa
to - night,
dies
abd
mf
Vl. II
b
&b
mf
Vla.
B bb
mf
Vc.
?b
b
1st
mf
2nd
1.
Cemb.
b
& b
? bb
127
14
2.
b
&b
B.
b
&b
D.
b
&b
Ae.
? bb
Z.
b
&b
1. Hx.
b
&b
2. Hx.
b
&b
2./G./S.
p
S.
bb
&
Car - thage flames
to - mor - row!
De
night,

and
Car -

thage
flames
to
flames
to
flames
to
mor - row!
p
A.
b
&b
Car - thage flames
to - mor - row!
De
night,
and
Car - thage
mor - row!
p
T.
b
&b
Car
- thage flames
to - mor - row!
De
night,
and
Car - thage
mor - row!
p
B.
?b
b
bb
&
to - mor - row!
De
Car - thage flames
Vl. I
night,
and
Car - thage
flames
to
mor - row!
Vl. II
b
&b
Vla.
B bb
Vc.
?b
b
2.
b
& b
? bb
Cemb.
c
c
Tanz der Hexen

128
34 Presto
b
&b c
b
&b c
Dido
b
&b c
Aeneas
? bbc
Zauberin
b
&b c
1. Hexe
b
&b c
2. Hexe
2. Frau
Geist
Seemann
b
&b c
bbc
&
Sopran
b
&b c
Altus
b
&b c
Tenor
? bc
b
Bass
Belinda
Violine I
bbc
&

f
Violine II
b
&b c
(p)
m
n
f (p)
w
Viola
B bbc
f (p)
Violoncello
? bc
b
w
R
w
w
w
w
w
w
R w
w
R
Cembalo
34 Presto
b
& b c w
w
w
? bbc w
f (p)
w
w
w
w
129
8
1.
2.
b
&b
3
4
B.
2
2
b
&b
3
4
D.
2
2
b
&b
3
4
Ae.
2
2
? bb
3
4
Z.
2
2
b
&b
3
4
1. Hx.
2
2
b
&b
3
4
2. Hx.
2
2
b
&b
3
4
2./G./S.
2
2
bb
&
3
4
S.
2
2
b
&b
3
4
A.
2
2
b
&b
3
4
T.
2
2
?b
b
3
4
B.
2
2
bb
&
nm
R
2 J
2
Vl. I
q im neuen
Tempo als
3/4
3
4
Vl. II
b
&b
3
4
2
2
2
2
2
2
2
2
Vla.
B bb
3
4
Vc.
?b
b
3
4
Cemb.
2.
1.
b
& b
? bb
w
w
w
3
4
3
4
2
2
130
20
b
&b
B.
b
&b
D.
b
&b
Ae.
? bb
Z.
b
&b
1. Hx.
b
&b
2. Hx.
b
&b
2./G./S.
bb
&
S.
b
&b
A.
b
&b
T.
?b
b
B.
Vl. I
bb #w
&
Vl. II
m
# w
b
&b w
Vla.
B bb
?b
b
#w
b
& b # n #
j
w
? bb

#w
Cemb.
Vc.
J j # w
w

#
131
29
b
&b
B.
b
&b
D.
b
&b
Ae.
? bb
Z.
b
&b
1. Hx.
b
&b
2. Hx.
b
&b
2./G./S.
bb
&
S.
b
&b
A.
b
&b
T.
?b
b
B.
Vl. I
bb
&
b
&b
Vl. II
Vla.
B bb
Vc.
?b
b
b
&b
w
w
Cemb.
? bb
132
35
b
&b
B.
4
4
b
&b
D.
4
4
b
&b
Ae.
4
4
? bb
Z.
4
4
b
&b
1. Hx.
4
4
b
&b
2. Hx.
4
4
b
&b
2./G./S.
4
4
bb
&
S.
4
4
b
&b
A.
4
4
b
&b
T.
4
4
?b
b
B.
4
4
Vl. I
bb
&
4
4
4
4
4
4
4
4
4
4
4
4
dim.
Vl. II
b
&b
dim.
Vla.
B bb
dim.
Vc.
?b
b
dim.
Cemb.
b
& b
? bb
#w
w
w
Recitativ
133
Belinda
Dido
35
b
4
&b 4
Adagio
b4
&b 4
Didoj J # r
J J
Your coun -sel all
J J R
is urg'd in vain,
j
J
to earth and heaven I will com plain;
J J R
to earth and
b4
&b 4
Aeneas
? bb 4
4
Zauberin
b4
&b 4
1. Hexe
b4
&b 4
2. Hexe
2. Frau
Geist
Seemann
b4
&b 4
bb 4
& 4
Sopran
b4
&b 4
Altus
b4
&b 4
Tenor
? b4
b4
Bass
bb 4
& 4
Violine I
b4
&b 4
Violine II
B bb 44
Viola
Violoncello
? b4
b4w
p
mp
Cembalo
35 Adagio
b
4
& b 4 j
? bb 4
4w
w
# nn
134
7
B.
b
&b
D.
b J
&b
heaven why do
call?

J R
Earth and heaven
con - spire
my fall.
m
j j r J R j j j J nj j r
R
R
To fate I
sue, of o -ther means be - reft, the on - ly
re -fuge for the wretch - ed
b
&b
Ae.
? bb
Z.
b
&b
1. Hx.
b
&b
2. Hx.
b
&b
2./G./S.
bb
&
S.
b
&b
A.
b
&b
T.
?b
b
B.
bb
&
Vl. I
b
&b
Vl. II
B bb
Vla.
Vc.
?b
b nw
nw
mf
b
&b w
w
w
? bb nw
Cemb.
w
w
nw
135
14
B.
D.
b
&b
J J J
R
J R
n j r j j b
R R R RR J R
J R R #
See,
ma - dam, see where the prince ap - pears!
Such sor -row in his look he bears as would con vince you still he's true.
Belinda
b
&b
leaft.
Ae.
b
&b
j
n
What
shall lost
Ae-
Aeneas
? bb
Z.
b
&b
1. Hx.
b
&b
2. Hx.
b
&b
2./G./S.
bb
&
S.
b
&b
A.
b
&b
T.
?b
b
B.
bb
&
Vl. I
b
&b
Vl. II
B bb
Vla.
Vc.
? b
b
b
& b b
? bb
Cemb.
136
19
b
&b
B.
b
&b
D.
nR
R R J J J
Dido
Thus
Ae.
m
b
& b bj r
ne - as do?
j r #r j r j r j r j
n

How,
how, roy - al
fair,shall I im -part the god's de - cree,
and tell
you
#j
J
on the fa - tal banks of
we must part?
? bb
Z.
b
&b
1. Hx.
b
&b
2. Hx.
b
&b
2./G./S.
bb
&
S.
b
&b
A.
b
&b
T.
?b
b
B.
bb
&
Vl. I
b
&b
Vl. II
B bb
Vla.
Vc.
?b
b <n>
mf
f
Cemb.
b
& b
? bb<n>
j
n

w
w
w
137
25
B.
b
&b
D.
b J # r r r r n
&b
R R J R R R J J
J R
Nile weeps the de -ceit - ful cro -co - dile;
Ae.
b
&b
thus hy -po -crites that mur-der act
m

J R
j R r
J
make heav'n and gods the
r
J R
au-thors of the fact!
By all that's
j
J R
Aeneas
By all that's good...
? bb
Z.
b
&b
1. Hx.
b
&b
2. Hx.
b
&b
2./G./S.
bb
&
S.
b
&b
A.
b
&b
T.
?b
b
B.
bb
&
Vl. I
b
&b
Vl. II
B bb
Vla.
Vc.
?b
b w
>
w
w
w
? bb w
Cemb.
b
& b n#
138
30
B.
b
&b
D.
b
&b
j m j

#j
J J
good,
Ae.
m
r r r j j J J R n r j r
no more! All that's good you have for swore.
b
&b
To your pro -mis'd em -pire fly,
and let for - sa - ken Di - do die.

J R j
J R J J
In spite of Jove's com mand I'll
? bb
Z.
b
&b
1. Hx.
b
&b
2. Hx.
b
&b
2./G./S.
bb
&
S.
b
&b
A.
b
&b
T.
?b
b
B.
bb
&
Vl. I
b
&b
Vl. II
B bb
Vla.
Vc.
?b
b
f
f
f
? bb
# n
Cemb.
b
& b #
w
w
n
J w
139
36
b
&b
B.
b
&b
D.
j
j r j r #
R j
J R R # R R J
j
nR R n
No, faith -less man, thy course pur - sue; I'm now re - solv'das well as you.
Ae.
r j
b

& b j nR
J R R J
stay, of -fend the gods, and love o - bey.
j
r j R
J R
No re - pen - tance shall re -claim the in-jur'd
? bb
Z.
b
&b
1. Hx.
b
&b
2. Hx.
b
&b
2./G./S.
bb
&
S.
b
&b
A.
b
&b
T.
?b
b
B.
bb
&
Vl. I
b
&b
Vl. II
B bb
Vla.
?b
b
Vc.
b
& b
? bb
Cemb.
# n
140
41
B.
b
&b
D.
r r r
b
& b J J
J R n J R
b
&b
m
b r r r r j j # j r
R
J
Di-do's slight -ed flame; for 'tis e - nough, what - e'er
Ae.
you now de - cree, that you had once
thought of leav -ing me.
j j j j j
R
Let Jove say what he please, I'll stay!
?b
b
Z.
b
&b
1. Hx.
b
&b
2. Hx.
b
&b
2./G./S.
bb
&
S.
b
&b
A.
b
&b
T.
?b
b
B.
bb
&
Vl. I
b
&b
Vl. II
B bb
Vla.
Vc.
?b
b
n
R
b
& b
r
n
bj #
w
w
w
#j

Cemb.
? bb
n
R
141
47
B.
b
&b
D.
b
& b J R
J J R
way, a- way!
Ae.
b
&b
a - way, a- way!
j j j
No, no, I'll stay!
no, no,
No, no, I'll stay!
No, no,
j
J J
I'll stay!
a- way, a- way, a -
way,
m

J
R
I'll stay!
J J R J nJ b j j
no, no,
I'll stay,
and
love o- bey!
j
J
a - way,
a- way,
j
J j j
J
I'll stay, and love o - bey,
to death I'll
j
#j j
I'll stay, I'll stay,
? bb
Z.
b
&b
1. Hx.
b
&b
2. Hx.
b
&b
2./G./S.
bb
&
S.
b
&b
A.
b
&b
T.
?b
b
B.
bb
&
Vl. I
b
&b
Vl. II
B bb
Vla.
Vc.
Cemb.
?b
b w
b
&b w
w
w
? bb
w
w
w
w
w
n
J
j
#
142
53
B.
b
&b
D.
b
& b
fly
Ae.
j
J
j R J R
if long-er you
de - lay.
b
& b J nn#
and love o - bey, and

love
j j j j nj
R
A - way, a - way!
j
#
But death, a - las!
I can -not shun;
? bb
b
&b
1. Hx.
b
&b
2. Hx.
b
&b
2./G./S.
bb
&
S.
b
&b
A.
b
&b
T.
?b
b
B.
bb
&
Vl. I
b
&b
Vl. II
B bb
Vla.
? b
b
death
must
o - bey.
Z.
Vc.
j
n
b
& b
Cemb.
? bb
#
j

n
J
n #
Chor
143
58
B.
b
&b
D.
b
& b j j n
36
2
2
Andante maestoso
2
2
come when he is gone.
b
&b
2
2
Ae.
? bb
2
2
Z.
b
&b
2
2
1. Hx.
b
&b
2
2
2. Hx.
b
&b
2
2
2./G./S.
bb
&
S.
2
2
mf
Great minds a - gainst them -selves
con spire, great
minds, great
n J #
J
p
j

minds a - gainst, a - gainst them -selves
conspire, and shun the
p
mf
b
&b
A.
2
2
Great minds a - gainst them -selves con - spire, great
b
&b
T.
mf
2
2
minds, great
j

mind
a - gainst,a - gainst them -selves con - spire.
Great minds a - gainst them -selves con - spire, great
minds, great
minds a - gainst,a - gainst them -selves con - spire.
And
p
B.
? bb
mf
2
2
Great minds a - gainst them -selves
Vl. I
bb
&
2
2
w
J
#
J
cn- spire,
great mind,
great
minds a - gainst them -sleves con - spire.
n J #
J
mf
Vl. II
b
&b
2
2
mf
Vla.
B bb
2
2
mf
Vc.
?b
b
36 Andante maestoso
j
2
2 n
n #

? bb
2
J
n 2
b
&b
Cemb.
mf
w
J
#
J
w
w
w
w
J
j
#

#
J
Recitativ
144
B.
b
&b
37
4
4
b
&b
D.
4 n
4 Dido J J J
Grave
Thy hand, Be-lin
b
&b
4
4
Ae.
? bb
4
4
Z.
b
&b
4
4
1. Hx.
b
&b
4
4
2. Hx.
b
&b
4
4
2./G./S.
4
4
4
4
4
4
4
4
4
4
4
4
4
4
S.
bb
& #
cure they most, they most de - sire,
and shun
the
p
j w
cure they most de - sire,
they most
J
-
de - sire.
b
&b
A.

And shun the
cure, the cure, and shun the cure
they most de - sire, the
cure
they
most de - sire.
w
J
b
& b # #
shun the cure they most de - sire,
T.
and shun the cure they most,
they
most
de - sire.
p
B.
? bb
#
And shun the
cure they most de - sire, and shun the
cure
they
w
J
most
de - sire.
absetzen,
Vl. I
bb
& #
quasi Fermate auf Pause

,
j w
p
Vl. II
Vla.
b
&b

B bb #
w
p
w
J
p
Vc.
?b
b w
4w
4
Cemb.
b
& b #
? bb w
#

#
37 Grave
4
4
4w
4
da;
145
2
b
&b
B.
D.
b
& b Jb
bj b j bj j bj j j j
R
dark
nes shades me,
on thy
bo - som
3
2
m
j j j nj r nj j j b j j #j 23
let me rest;
more I
would, but death in - vades me;
death is
now
a wel come
b
&b
Ae.
3
2
? bb
Z.
3
2
b
&b
1. Hx.
3
2
b
&b
2. Hx.
3
2
b
&b
2./G./S.
3
2
bb
&
S.
3
2
b
&b
A.
3
2
b
&b
T.
3
2
?b
b
B.
3
2
bb
&
Vl. I
3
2
b
&b
Vl. II
3
2
B bb
Vla.
3
2
Vc.
?b
b w
b
& b n
j j
j
b b j
n n
n b n
3
2
3
2

Cemb.
? bb w
w
3
2
Arie
146
B.
D.
38
b
3
&b 2
Larghetto
b 3 pp
&b 2 w
Dido
guest.
When
am
laid,
am
b j # j #w
J
laid
in earth,
may my
b3
&b 2
Ae.
? bb 3
2
Z.
b3
&b 2
1. Hx.
b3
&b 2
2. Hx.
b3
&b 2
2./G./S.
bb 3
& 2
S.
b3
&b 2
A.
b3
&b 2
T.
? b3
b2
B.
bb 3
& 2
Vl. I
pp sempre dolce
Vl. II
b3
&b 2
#w
nw
pp sempre dolce
Vla.
B bb23
pp sempre dolce
Vc.
? b3
b2 w
#w
nw
w
w
pp sempre dolce
Cemb.
38 Larghetto
b
3
&b 2 w
#w
? bb 3 w
147
10
1.
B.
D.
b
&b
m
b
b
&
J
wrongs
cre - ate
no
trou - ble,
no
2.
j
# w
trou - ble in
thy breast.
When
am
Re-
b
&b
Ae.
? bb
Z.
b
&b
1. Hx.
b
&b
2. Hx.
b
&b
2./G./S.
bb
&
S.
b
&b
A.
b
&b
T.
?b
b
B.
Vl. I
bb
&
#w
m
#w
m
#w
w
pp
Vl. II
b
&b
pp
2nd time
Vla.
B bb w
1st time
Vc.
?b
b
pp
#w
nw
pp
1.
2.
b
&b
? bb
Cemb.
148
18
B.
b
&b
D.
b
& b J
mem - ber me!
Re - mem - ber me!
But
ah!
for -get
re - mem - ber me!
but
my fate,
b
&b
Ae.
? bb
Z.
b
&b
1. Hx.
b
&b
2. Hx.
b
&b
2./G./S.
bb
&
S.
b
&b
A.
b
&b
T.
?b
b
B.
Vl. I
bb
& w
Vl. II
b
&b w
Vc.
B bb w
?b
b w
mf
#w
w
mf
Vla.
#w
nw
#w
nw
mf
b
&b
? bb
Cemb.
149
26
B.
b
&b
D.
b
&b
ah!
for - get
my
fate.
Re - mem - ber me!
re - mem - ber me!
but
for -get
my
ah!
b
&b
Ae.
? bb
Z.
b
&b
1. Hx.
b
&b
2. Hx.
b
&b
2./G./S.
bb
&
S.
b
&b
A.
b
&b
T.
?b
b
B.
bb
&
Vl. I
#w
n #
nw
pp
Vl. II
b
&b w
w
pp
Vla.
B bb
pp
Vc.
?b
b w
#w
pp
b
&b
? bb
Cemb.
150
34
B.
b
&b
D.
b
&b w
re - mem - ber me!
but
fate,
ah!
for - get
my
fate.
b
&b
Ae.
? bb
Z.
b
&b
1. Hx.
b
&b
2. Hx.
b
&b
2./G./S.
bb
&
S.
b
&b
A.
b
&b
T.
?b
b
B.
bb
& w
b
&b w
Vla.
B bb w
? b #w
b
nw
Vc.
Vl. I
Vl. II
#w
nw
b
&b
? bb
Cemb.
151
41
b
&b
B.
4
4
b
&b
D.
4
4
b
&b
Ae.
4
4
? bb
Z.
4
4
b
&b
1. Hx.
4
4
b
&b
2. Hx.
4
4
b
&b
2./G./S.
4
4
bb
&
S.
4
4
b
&b
A.
4
4
b
&b
T.
4
4
?b
b
B.
4
4
Vl. I
bb
&
j 4
4
p espress.
dim.
Vl. II
b
&b
w
J
m
#
j 4
4
#w
44
J
p espress.
Vla.
Vc.
B bb #w
?b
b w
#w
nw
4
4
p espress.
b
&b
4
4
? bb
4
4
Cemb.
152
39
b
4
&b 4
Belinda
Chor
b4
&b 4
Dido
b4
&b 4
Aeneas
? bb 4
4
Zauberin
b4
&b 4
1. Hexe
b4
&b 4
2. Hexe
2. Frau
Geist
Seemann
b4
&b 4
2nd time tacet
Sopran
bb 4 p

& 4
With droop
# n b
n
ing wings ye Cu - pids come, with droop
ing wings, with droop
ing wings,
with droop
2nd time tacet
b4
&b 4
Altus

With droop
ing wings ye
Cu - pids come,
with droop
ing
2nd time tacet
b4
&b 4
Tenor

With droop
ing wings
ye Cu - pids
come,
With droop
ing droop - ing wings, with droop -ing wings, with droop -ing wings, with
2nd time tacet
Bass
? bb 4
4
With droop
Violine I
ing wings ye
bb 4

& 4

Cu - pids
come,
With
droop
# n b
n
ing wings ye
Cu - pids
come,
p sempre espress.
Violine II
Viola
b4
&b 4

p sempres espress.
B bb 44 #
p sempre espress.
Violoncello
? b4
b4
p sempre espress.
39
b
4
&b 4
? bb 4
4
Cembalo
153
9
b
&b
B.
b
&b
D.
b
&b
Ae.
? bb
Z.
b
&b
1. Hx.
b
&b
2. Hx.
b
&b
2./G./S.
pp
S.
bb
j
& #
- ing wings ye Cu - pids come, And scat - ter
A.
b
&b
ro - ses,
scat - ter, scat - ter
ro - ses
on her tomb,
#
Soft,
soft,
and
pp
pp
#j # n # # # j

#
scat - ter
wings ye
Cu
ro - ses,
scat - ter, scat - ter
ro - ses, on
her tomb, Soft,
soft,
and gen - tle as
herheart, gen - tle
pids come, And
pp
T.
b
& b #
droop-ing wings ye cu - pids come,
J
And scat - ter,
scat -ter
ro - ses, on
her tomb,
pp
#
Soft, soft,
soft and gen - tle
as her heart,
pp
B.
?b
b

ye
Vl. I
#
J
Cu - pids come,
And scat - ter
bb
j
& #

ro - ses, scat -ter
ro - ses
on
# n n
her tomb,
Soft,
soft,
and gen - tle,
#
pp
Vl. II
Vla.
b
#j # n # # # j
& b #

pp
B bb #
J
pp
Vc.
?b
b
#
J
# n n
pp
b
&b
? bb
Cemb.
154
18
b
&b
B.
b
&b
D.
b
&b
Ae.
? bb
Z.
b
&b
1. Hx.
b
&b
2. Hx.
b
&b
2./G./S.
p
S.
bb

&
gen - tle,
n #
soft,
soft,
soft,
soft,
and
gen - tle
as
her
heart;
Keep here,
p
A.
b
& b n
# n
her
heart,
soft,
soft,
as
her
heart;
b
&b

soft,
B.
?b
b #
soft,
Vl. I
soft,
bb

&

soft,
soft,
n #
b
& b n
# n
Keep here,
B bb

soft,
n
soft,
and
gen -
and
gen
tle
?b
b #
here, keep
mf
f
j

your watch,
as
her
tle as
her
mp
J
heart;
Keep here,
heart;
Keep here,
n
J
keep here,
here, keep
here
here
f
mf
j
your watch,
your watch,
keep here,
mf
here, keep
j

mf
mp
here, keep
mp
keep here,
mf
mp
n #

p
mp

J
Vc.
watch, keep here,
j
R
here
Vla.
your
and gen - tle,
Vl. II
mp
p
T.
hear
n #
gen - tle
as
mf
f

J
mp
n
J
mf
mp
mf
b
&b
? bb
Cemb.
155
25
1.
2.
b
&b
B.
b
&b
D.
b
&b
Ae.
? bb
Z.
b
&b
1. Hx.
b
&b
2. Hx.
b
&b
2./G./S.
mf
S.
bb j j j nj j
&
here
b
&b
A.
here
your
watch,
and nev - er,
nev - er,
mf
j j j j j
your
watch,
and nev - er,
nev - er,
p
bj j J J J
J
J
nev -
er part,
and nev - er,
nev - er,
p
j r j j
#
n
J J
J
nev -
er part,
and nev - er,
nev - er,
mf
j
R
nev
er, nev - er
part,
mf
r
# j
nev
er, nev - er
part,
p
mf
&b
here your
T.
mf
J j
J
J J
watch,
and nev- er,
nev - er,
nev -
j
j j
J J J
er part,
and nev - er,
nev - er,
p
B.
here
Vl. I
mf
j j j
J
J J
? bb
your watch,
and nev- er,
nev - er,
bb n
&
J
nev -
j
j j
J j j
er part,
and nev - er,
nev - er,
b j
nev - er,
nev - er
part
mf
nev - er,
nev - er
part
dim.
Vl. II
b
&b
j
n # n
dim.
Vla.
B bb
j

J
dim.
Vc.
? b
b
j
J
j
j

dim.
1.
2.
b
&b
? bb
Cemb.

Dido y Eneas Realizado!!!!

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Partitur

DIDO UND AENEAS

Satz: Pascal Kierdorf Overtre

Arie und Chor

the cloud from off

your wish- es does al - low;

ing, For - tune smiles and

sor - row, ban - ish care, Grief should ne'er ap -

sor - row, ban - ish care, Grief should ne'er

sor - row, ban - ish care, Grief should ne'er

Ban - ish, ban - ish

sor - row, ban - ish

sor - row, ban - ish,

sor - row, ban - ish care, Grief should ne'er

Ban - ish sor - row,

ban- ish, ban - ish

ap proach, should ne'er ap - proach the fair,

should ne'er ap-

sor - row, Grief should ne'er, should ne'er ap - proach the

Grief shouldne'er, should

Grief shouldne'er, should

should ne'er ap - proach

Ah! Be - lin - da,

stran - gers grown,

guish till my grief is known,

yet would not,

stran - gers grown,

gers, stran - gers grown.

Grief in -creas -ses by con

Then let me speak;

Mine ad -mits of no re - veal - ing.

Thegreat - est bless - ing

se - cure, and Troy

The great - est bless - ing fate

When mon -archs u -

When mon -archs u -

how hap - py their state; They tri -umph at

how hap - py their state; They tri -umph at

once o'er their foes and their fate.

once o'er their foes and their fate.

how hap - py their state; They tri -umph at

once o'er their foes and their fate.

Whence could so much vir - tue spring?

what bat -tles did he sing?

lour mix'd with Ve - nus' charms,

in peace, and yet how

how fierce in arms!

woe might melt

the rocks, as well as you.

What stub -born heart un mov'd

ty the dis- tress'd;

Mean wretch - es' grief

so sen - si - ble my breast,

Duett und Chor

smi - ling, and the

smi - ling, and the

life be - gui - ling, Fear no

strew your paths with flowers

life be - gui - ling, Fear no

strew your paths with flowers

smi - ling, and the

life be - gui - ling, Fear no

smi - ling, and the

life be - gui - ling, Fear no