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Vinicius Cesar

A Epistemologia do Som
(July 2015)

For Piano

INTRODUCTION

A Epistemologia do Som was written in July 2015 for the Curto-Circuito de Msica Contempornea and lasts about 0510. Its title refers to the study of sounds and the desire to seek for their knowledge, domain and
creating potential.
A Epistemologia do Som is based on the following four harmonic entities.

These four entities are used in a melodic and harmonic way, with several transformations and permutations giving rise to any material of this piece.

INSTRUCTIONS

= Figures like this should be played as an accelerando.

= Figures like this should be played as a ritardando.

= From the bar 49 until the bar 52, the notes with accent should be highlighted.

= The last note of this piece shall be maintained until the sound dies completely.

2 q = 62
4

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&

20

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n
n

#
#

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3
4

5
4

legato

molto accel.

pp

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6

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. . . . . . . .

# #

, 42

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3
4

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pp

5
4

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pp

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pp

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mp


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p
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...............
pp

14

molto articolato e staccato

mf

Vinicius Cesar

A Epistemologia do Som

# #

n n

21

&

22

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molto accel.

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pp

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. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
molto articolato e staccato

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32

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q = 70

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q = 70

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77

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molto accel.

89

w
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q = 62

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molto rit.

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f

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ppp

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