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13/02/07

MTO Dissertation Index

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Dissertation Index
All Dissertations | See New Dissertations Author Adams, Kyle Title A New Theory of Chromaticism from the Late Sixteenth to the Early Eighteenth Century Institution CUNY Graduate Center University of Sussex Completed September 2006 September 1996

Adlington, Robert Temporality in post-tonal music C. Akpakpan. Johnson James Alegant, Brian Amos, Laura Christine AnsonCartwright, Mark Antonio Jardim Argentino, Joe R Arndt, Matthew

Department of Music, Contemporary Compositional Approach To The Creation Of Ekpo Spirit-Manifest Music Of The December Faculty of Arts Nnamdi Annang People 2011 Azikiwe University, Awka The Seventy-Seven Partitions of the Aggregate: Analytical and Theoretical Implications An Examination of 1920s Parisian Polytonality: Milhaud's Ballet La Creation du monde The Development Section in Haydn's Late Instrumental Works Music: vigency of poetical thinking Transformations and Hexatonic Tonnetz Spaces in Late Works of Schoenberg Schenker and Schoenberg on the Tone and the Genius Eastman School of Music October 1992

The University of Texas at May 2007 Austin City University of New York UFRJ Doctor in Poetics August 1998 December 1997

The University of Western February Ontario 2010 University of Wisconsin Madison Indiana University, Bloomington Florida State University Bar-Ilan University, Israel The University of British Columbia University of Rochester Eastman School of Music August 2008 May 2011 April 2009 June 2007 April 2011 May 2005

Arthurs, Daniel J. Reconstructing Tonal Principles in the Music of Brad Mehldau Atkinson, Sean E Attar, Ron An Analytical Model for the Study of Multimedia Compositions: A Case Study in Minimalist Music Analysis of Bela Bartok's Performances to Selected Compositions

Attas, Robin E.S. Meter as Process in Groove-Based Popular Music Auerbach, Brent, L Auerbach, Jennifer Sadoff The Analytical Grundgestalt: A New Model and Methodology Based on the Music of Johannes Brahms Drafts, Page Proofs, and Revisions of Heinrich Schenkers Der freie Satz: the Collection at the Austrian National Library and Schenkers Generative Process

University of North Texas May 2009 University of Texas at Dallas Michigan State University Yale University Kent State University Indiana University, Bloomington (Music Theory) University of London Yale University June 2011 May 2008 May 2003 December 2008 November 2009 July 1995 August 1996 February
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Austin, Michael L The Phenomenological Impact of Interface on the Analysis of Digital Music and Sonic Art Ayotte, Benjamin Incomplete Ursatzformen Transferences in the Vocal Music of Heinrich Schenker McKay BaileyShea, Matthew L. Ballard, Jack D., Jr. Balter, Tamara Barker, Naomi Joy Bauer, Amy, M The Wagnerian Satz: The Rhetoric of the Sentence in Wagner's Post-Lohengrin Operas Part One: The Castle (Ballet for Large Orchestra) and Part Two: Hyperextended Chord Tones: Chromatic Consonance in a Tertian Context A Theory of Irony in Music: Types of Irony in the String Quartets of Haydn and Beethoven.

Analytical Issues in the Toccatas of Girolamo Frescobaldi Compositional Process and Parody in the Music of Gyorgy Ligeti

Rhetoric as a Heuristic in the First Movement of Beethoven's Third Sonata for Violoncello and www.mtosmt.org/mto-dissertations.php?showall=true

13/02/07

MTO Dissertation Index Rhetoric as a Heuristic in the First Movement of Beethoven's Third Sonata for Violoncello and Beaudoin, Paul E Piano, op. 69

Brandeis University University of Kentucky

February 2002 May 1998

Bell, Vicki P. Benoit, John R. Berry, David Carson Bhogal, Gurminder

Shaker Music Theory: The Nineteenth-Century Treatises of Isaac Newton Youngs and Russel Haskell An Alternative Model of Fundamental Structure in Selected Lieder by Franz Schubert

The University of Texas at August Austin 1994 March 2002 August 2004 March 1998 April 1994 December 1999 April 2009 March 1993 September 1993 May 2005

Stravinsky's "Skeletons": Reconnoitering the Evolutionary Paths from Variation Sets to Serialism Yale University Maurice Ravel, Metric Dissonance, Art Nouveau, Ornament, French Aesthetics, Symbolism, Arabesque University of Chicago Yale University King's College London, University of London La Trobe University, Melbourne, Australia University of British Columbia University of Michigan University of Michigan University of Buffalo

Biamonte, Nicole The Modes in Romantic Music V Blom-Smith, Richard N. W. Boland, Marguerite M Bor, Mustafa Botelho, Mauro Boyd, James W. Brasky, Jill Tovah A Theory of Accent in Tonal Music with an Assessment of Selected Modern Accentologies The All-Trichord Hexachord: Compositional Strategies in Elliott Carter's "Con Leggerezza" and "Gra". Contour Reduction Algorithms: A Theory of Pitch and Duration Hierarchies for Post-Tonal Music Rhythm, Meter, and Phrase: Temporal Structures in Johann Sebastian Bach's Concertos Mahler and Directional Tonality 'Far Have I Flown': Chromatic Dominants and Functional Transformations in Schoenberg's Gurrelieder

Brass, Christophe La basse fondamentale dans le Clavier bien tempr de J. S. Bach Bribitzer-Stull, Matthew, P. Thematic Development and Dramatic Association in Wagner's Der Ring des Nibelungen

Universit Strasbourg II (= September Universit Marc Bloch) 2001 Eastman School of Music Hebrew University of Jerusalem, Israel Yale University University of Trento, Italy University of WisconsinMadison Eastman School of Music Indiana University July 2001 October 2000 May 1999 January 2009 May 2001 October 1997 December 1998

Brover-Lubovsky, Vivaldi's Harmony: Practice and Theory Bella Brown, Stephen C. Bruno, Luca Bryden, Kristy A. Buchler, Michael H. Buehrer, Theodore E. Buhler, James Burkett, Lyn Ellen Thornblad Burns, Kristine H. Dual Interval Space in Twentieth-Century Music Theory and Analysis of Harmony in Adrian Willaert's Canzone villanesche alla napolitana (15421545) Musical Conclusions: Exploring Closural Processes in Five Late Twentieth-Century Chamber Works Relative Saturation of Subsets and Interval Cycles as a Means for Determining Set-Class Similarity An Alternative Pedagogical Paradigm for Aural Skills: An Examination of Constructivist Learning Theory and its Potential for Implementation into Aural Skills Curricula

Informal Music Analysis: A Critique of Formalism, Semiology, and Narratology As Discourses on University of Pennsylvania May 1996 Music Tensile Involvement: Counterpoint and Compositional Pedagogy in the Work of Seeger, Hindemith, and Krenek The History and Development of Algorithms in Music Composition, 1957-93 Indiana University Ball State University University of Michigan April 2001 April 1994 May 1995

Burton, Deborah, An Analysis of Puccini's Tosca: a heuristic approach to the unifying elements of the opera E. Butterfield, Matthew W. Byron, Avior Cahn, Steven J. Cairns, Zachary A. Campbell, Edward Capuzzo, Guy Jazz Analysis and the Production of Musical Community: A Situational Perspective Schoenberg as Performer: An Aesthetics in Practice Variations in Manifold Time: Historical Consciousness in the Music and Writings of Arnold Schoenberg Multiple-Row Serialism in Three Works by Edison Denisov

University of Pennsylvania May 2000 Royal Holloway, University of London SUNY at Stony Brook University of Rochester (Eastman School of Music) University of Edinburgh June 2007 August 1996 April 2010

Boulez and Expression: A Deleuzoguattarian Approach

June 2000

Variety Within Unity: Expressive Ends and their Technical Means in the Music of Elliott Carter, 1983-1994 www.mtosmt.org/mto-dissertations.php?showall=true

Eastman School of Music, December University of Rochester 1999 2/12

13/02/07 Capuzzo, Guy

MTO Dissertation Index

1983-1994 Distribution Modulo 1 and Musical Scales The Progress in "The Rake's" Return Set Theory Objects: Abstractions for Computer-Aided Analysis and Composition of Serial and Atonal Music RECREL: A Similarity Measure for Set-Classes Tonal Multiplicity in Schoenberg's First String Quartet, Op. 7 Boulez's Sonatine and the Genesis of his Twelve-tone Practice Extending Schenkers Neue musikalische Theorien und Phantasien: Towards a Schenkerian Cognitive Frameworks for the Production of Musical Rhythm A Study of the Instrumental Music of Frank Zappa The Origins of Debussy's Style Meta-Plus: Stockhausen's Plus-Minus computerized and analyzed Quanti-MAS: A Quantitative System of Melodic Analysis Timbral Organization in Tristan Murail's "Dsintgrations" and "Rituals" Archetypes of Progressive Rock, ca. 1966-1973 The Metaphoric Logic of Musical Motion and Space Music for the Future: Sounds of Early Twentieth-Century Psychology and Language in Works of Schoenberg, Webern, and Berg, 1908 to the First World War The Intellectual Backgrounds of Morley's Plaine and Easie Introduction A Theory of Pitch, Rhythm, and Intertextual Allusion for the Late Music of Gyrgy Ligeti Orchestration and the Analysis of Tonal Music: Interaction between Orchestration and Other Musical Parameters in Selected Symphonic Compositions, c. 1785-1835

University of Rochester University of Rochester The City University of New York Technische Universitaet Berlin Sibelius Academy The University of British Columbia The University of North Texas University of Rochester, Eastman School of Music Northwestern University University of Cincinnati University of Rochester University of Amsterdam Ohio State University Brandeis University University of WisconsinMadison University of Oregon

1999 February 1998 January 1995 January 1994 December 1994 June 1996 March 1998 May 2002 June 2010 July 2009 March 1993 November 1995 December 1996 May 2000 December 1999 June 1999

Carey, Norman, A Carter, Chandler Castine, Peter Castren, Marcus Cavanagh, Lynn, M. Chang, Sangtae Chong, Eddy K. M. Chor, Ives Clement, Brett Clevenger, John R. Coenen, Alcedo, E. Collaros, Pandel, L. Cornicello, Anthony M. Cotner, John S. Cox, Arnie W. Cramer, Alfred W. Crownfield, Elizabeth E. Cuciurean, John D. Cutler, Timothy S.

University of Pennsylvania April 1997 New York University State University of New York at Buffalo Yale University January 2000 August 2000 March 2000

Cvetkov, Vasil A. CHROMATIC FANTASY SONATA BY DAVE BRUBECK

December Louisiana State University 2010 University of Illinois at Urbana-Champaign November 1997

Danby, Judd

Array and Superarray Structure and Projection in Milton Babbitt's recent Orchestral Music

de Clercq, Trevor Sections and Successions in Successful Songs: A Prototype Approach to Form in Rock Music O. Decker, Bradley D Decker, Gregory J. Deguchi, Tomoko Preserving the Fragment: Techniques and Traits of Franco Donatoni's Joyous Period (1977 to 2000) The Language of Baroque Opera: Topic, Structure, and Characterization in Handel's ItalianLanguage Operas Forms of Temporal Experience in the Music of Toru Takemitsu

Eastman School of Music, January University of Rochester 2012 University of Illinois at Urbana - Champaign Florida State University University at Buffalo, SUNY Yale University University of Washington University of Stockholm University of WisconsinMadison Radio Belgrade, Hilandarska 2, 11000 Belgrade, Serbia, YU January 2006 April 2011 November 2005 March 1993 November 2007 October 1998 August 2010 June 1995 January

Demske, Thomas Recognizing Melodic Motion in Musical Scores: Rules and Contexts R. Derfler, Brandon Derkert, Jacob Single-Voice Transformations: A Model for Parsimonious Voice Leading Tonalitet och harmonisk artikulation i Claude Debussys verk. Om reception, armonikteori och analys

DeThorne, Jeffrey ORCHESTRATING ELECTROACOUSTICS: ON THE AESTHETICS OF D. INSTRUMENTATION, ORCHESTRATION, AND ELECTRONIC MUSIC Djordjevic, Michael, L. Discrete Tone Relations Determined by the Hearing Phenomenon within Five-Dimensional Sound-Musical Continuum

Dodds, Michael www.mtosmt.org/mto-dissertations.php?showall=true

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MTO Dissertation Index

Dodds, Michael R. Doerksen, John F. Dogantan, Mine Dolenko, Elena

The Baroque Church Tones in Theory and Practice A Theory of Set-class Salience for Post-tonal Music, with Analyses of Selected Lieder by Anton Webern Mathis Lussy's Theory of Rhythm as a Basis for a Theory of Expressive Performance Schoenberg. The Early Years. [Molodoy Schoenberg]

University of Rochester University of Western Ontario

January 1999 June 1994

Columbia University, New May 1997 York Moscow State May 2003 Tchaikovsky Conservatory Columbia University Utrecht University University of Reading May 2007 March 1995 April 2002

Doll, Christopher Listening to Rock Harmony Douw, Andre, M. The Construction of Order and Direction in Igor Stravinsky's In Memoriam Dylan Thomas, Canticum Sacrum, and Threni

Dudeque, Norton Music Theory and Analysis in the Writings of Arnold Schoenberg (1874-1951) E. Dudeque, Norton Tonal Harmony and the Concept of Monotonality in the Writings of Arnold Schoenberg E. Duncan, Stuart P The Concept of New Complexity: Notation, Interpretation and Analysis Easley, David B. Edith, Zack Endrinal, Christopher James Scott Eng, Clare Sher Ling Essl, Karlheinz Fancher, Joseph E. Fiore, Carlo "It's not my imagination, I've got a gun on my back!": Style and Sound in Early American Hardcore Punk, 19781983 Carmen and Turandot: femme fatale to femme creatrice in opera Form and Style in the Music of U2

Universidade de Sao Paulo June 1997 Cornell University Florida State University Bar-Ilan University, Israel Florida State University May 2010 April 2011 June 2000 April 2008

Motif and Closure in Twentieth-Century Music: Bartk, Britten and Faur Das Synthese-Denken bei Anton Webern. Studien zur Musikauffassung des spaeten Webern unter besonderen Beruecksichtigung seiner eigenen Analysen zu op. 28 und op. 30. ("Anton Webern's idea of synthesis". Studies on the musical thinking of the late Webern c Pitch Organization in the Turangalla-Symphonie of Olivier Messiaen

Yale University

March 2012

University of Vienna

May 1989

University of Oregon University of Bologna, Dipartimento di Musica e Spettacolo University of Cincinnati University of Western Ontario University of Northern Colorado Texas Tech University SUNY Buffalo

March 2003

I mottetti di Josquin Desprez: interpretazione attraverso l'analisi Reconstructive Postmodernism, Quotation, and Musical Analysis: A Methodology with Reference to the Third Movement of Luciano Berio Pitch and Interval Structures in George Perle's Theory of Twelve-Tone Tonality Echo - A Chamber Opera in One Act: The Woman's Voice in the Twentieth Century

April 1998

Flinn, John W. Foley, Gretchen Follet, Diane W.

May 2011 January 1999 August 2000 May 2009 September 1996

Forrest, David L. Prolongation in the Choral Music of Benjamin Britten Foulkes-Levy, Laurdella Fung, Eric W.M. Fyr, Kyle R. Gadd, Robin N. A Synthesis of Recent Theories of Tonal Melody, Contour, and the Diatonic Scale: Implications for Aural Perception and Cognition

The Performance of Chopin's First Movement of Piano Sonata in B Minor, op. 58: A Schenkerian The Chinese University of June 1995 Approach Hong Kong Proportion, Temporality, and Performance Issues in Piano Works of John Adams Theorizing Musical Style Indiana University University of Southampton University at Buffalo July 2011 July 1997 December 2011 July 2006 December 2006 June 1992 February 1995 December 2001 4/12

Garrison, Rodney Schenker's Ausfaltung Unfolded: Notation, Terminology, and Practice Im Labyrinth des Oktchos ber die Rekonstruktion einer mittelalterlichen Improvisationspraxis in der Musik der Ost- & Westkirche Text-Setting in William Byrd's Liber primus sacrarum cantionum quinque vocum (1589): Toward an Analytic Methodology Timbral Design of Primary Melody in the First Movement of Bartok's Concerto for Orchestra

Gerlach, Oliver

Humboldt University University of North Carolina at Chapel Hill La Trobe University

Gersh, Jason A Giovinazzo, Joseph Gloag, Kenneth

Structure, Syntax and Style in the Music of Stravinsky

University of Exeter Hebrew University, Jerusalem

Goldenberg, Prolongation of Seventh Chords in Tonal Music Yosef www.mtosmt.org/mto-dissertations.php?showall=true

13/02/07 Yosef

MTO Dissertation Index

Jerusalem Harvard University Harvard University Ecole des Hautes Etudes en Sciences Sociales, IRCAM, CNRS (Paris)

2001 June 2000 October 2005 June 1997

Gollin, Edward H. Gonzales, Cynthia I. GonzalesLizausaba, Oswaldo GonzalezLizausaba Oswaldo

Representations of Space and Conceptions of Distance in Transformational Music Theories Text-Music Relationships in the Early Songs of Arnold Schoenberg

A Formalized Analysis of Luciano Berio's Erdenklavier for Piano Solo: An Undulatory Approach

L'analyse ondulatoire : une approche morphologique de l'analyse musicale

Doctor in Arts & Sciences of art - Universit de Paris March 2010 1 Harvard University August 2000 April 2009 August 2007 December 1993 January 1996

Gosman, Alan R. Compositional Approaches to Canons from Ockeghem to Brahms An Analytical Edition of Giovanni Kapsberger's "Partite sulla folia" for Chitarrone: Ornamentation, Performance Practices, and Compositional Structures in Kapsberger's Folia Variations Tormented Voices Fugal Procedures in the Symphonies of Joseph Haydn Doctrine of the Canon: An Annotated Translation of the Second Counterpoint Book of Sergei Ivanovich Taneev Une tude "pour les Sonorits Opposes": Pour une analyse "oriente objets" de l'oeuvre pour piano de Debussy et de la musique du 20 sicle Time Divided From Mode to Key. An Investigation of European Modal/Tonal Theories in the Seventeenth Century [in Danish] The Uses and Aesthetics of Musical Borrowing in Erik Saties Humoristic Piano Suites, 19131917

Grall, Jeremy N.

University of Memphis

Greitzer, Mary L Grossman, E. Lary Grove, Paul R. Guigue, Didier Hafner, Everett Hansen, Thomas Holme Hare, Belva Jean

Harvard University Northwestern University University of Arizona

Ecole des Hautes Etudes April 1996 en Sciences Sociales, Paris University of August Massachusetts at Amherst 1995 University of Aarhus (Denmark) University of Texas at Austin June 1996 December 2005 June 1994 May 1994 September 2000 April 2006 February 2008 April 2000 June 2005 April 1994 May 2008 August 2000 February 1993 January 1998 December 2009 May 2002 August 2011 December 1996 June 1997 November 5/12

Harley, Maria, A. Space and spatialization in contemporary music: History and analysis, ideas and implementations McGill University Harper, Steven A. Minimal Interval Content Descriptions Harris, Joseph H. Harmony in Olivier Messiaen's Eclairs sur l'Au-Dela Hastings, Charise The Performer's Role: Storytelling in Ballades of Chopin and Brahms Y. Heinzelmann, Sigrun B Herlin, Thomas R. Sonata Form in Ravel's Pre-War Chamber Music University of Texas at Austin University of Iowa University of Michigan-Ann Arbor CUNY Graduate Center University of Illinois at Urbana-Champaign Goldsmiths College, University of London SUNY at Stony Brook Indiana University University of Wisconsin-Madison Brandeis University Technische Universitaet Berlin Technische Universit Indiana University Florida State University University of Texas at Austin Stanford University

Carl Ruggles and the Viennese Tradition: A Comparative Analysis

Hibberd, Kristian Shostakovich and Bakhtin: A Critical Investigation of the Late Works (1974-1975) P. G. Hill, David S. Hoag, Melissa E. Hodson, Robert D. The Persistence of Memory: Mode, Trope, and Difference in the Passion Chorale Multiply-Directed Moments in the Music of Brahms Interaction and Improvisation: Group Interplay in Jazz Performance

Hoffman, Stanley Extended Tonality and Voice Leading in Twelve Songs, Op. 27 by Alexander Zemlinsky M. Hoffmann, Peter Hoffmann, Peter Hook, Julian L. Hughes, Bryn Hussey, William Gregory Igoudin, Lane Music Out of Nothing? The Dynamic Stochastic Synthesis: a Rigorous Approach to Algorithmic Composition by Iannis Xenakis Music Out of Nothing? A Rigorous Approach to Algorithmic Composition by Iannis Xenakis Uniform Triadic Transformations Harmonic Expectation in Twelve-Bar Blues Progressions Compositional Modeling and Quotation in the Works of Johannes Brahms: An Application of Harold Bloom's Theory of Influence to Music Impact of MIDI on Electroacoustic Art Music

Isaacson (Gozali) www.mtosmt.org/mto-dissertations.php?showall=true

13/02/07 MTO Dissertation Index Isaacson (Gozali) Cantabile in the Romantic Piano Concerti with Emphasis on Schumann, Liszt and Brahms Atara

Bar Ilan University University of Texas at Austin

November 2006 May 2009 May 1998 March 1988 November 2007 November 1994 August 2002 June 2006 August 2004 January 1993 May 2003 May 2008 March 2009 December 1999 April 2005 December 2003 June 2003 December 1996 November 2008 December 2004 May 1995 May 2006 April 2002 September 1997 October 2001

Iverson, Jennifer Jacobus-Freund, Suzanne A. Jardim, Antonio Johnson, Barrett A Johnson, Russell W.

Historical Memory and Gyrgy Ligeti's Sound-Mass Music, 1958-1968

The Art of Development: Development and the Development section Seen Through the Eyes of Yale University Theorists, ca. 1775-1830 Music: another density of real - to a philosophy of a substantive language An Original Composition, Galleria Armonica, Theme and Variations for Piano, Harpsichord, Harp and Orchestra and A Comparative Study Between the Pedagogical Methodologies of Arnold Schoenberg and Nadia Boulanger Regarding Training the Composer Essais sur les Principes de l'Harmonie by Jean-Adam Serre: An Annotated Translation Conservatorio Brasileiro de Musica Louisiana State University

Florida State University University of Wisconsin-Madison

Johnson, Shersten Hearing the Unvoiceable: Writer's Block in Benjamin Britten's Death in Venice R. Joichi, Janet M. Jones, Jr. Melvin E Judd, Cristle Collins Julien, Patricia A.

Closure, Context, and Hierarchical Grouping in Music: A Theoretical and Empirical Investigation Northwestern University Key Classes and Textural Dissonance: An Instrument-Specific Study of the Idioms, Textures, and Indiana University Structures of Selected Early Romantic Music for the Guitar (1799-1850) Aspects of Tonal Coherence in the Motets of Josquin The Structural Function of Harmonic Relations in Wayne Shorter's Early Compositions: 19591963 King's College, University of London University of Maryland University of British Columbia University of Sydney ITU Institute of Social Science Florida State University University of California, Santa Barbara Princeton University University of WisconsinMadison University of Toronto University of Western Ontario SUNY Buffalo Indiana University SUNY Buffalo State Academy of Music University of Reading, Reading, U.K.

Kaastra, Linda T. Systematic Approaches to the Study of Cognition in Western Art Music Performance Kahr, Michael Aspects of Context and Harmony in the Music of Clare Fischer

Karamahmutoglu, Nr:1637 Hamparsum Notation Manuscripts at Istanbul Ataturk Library Gulay Kelley, Robert T. Modulo-Seven Transformations in Post-Functional Music Khannanov, Ildar Russian Methodology of Music Theory and Analysis Kievman, Carson Ockeghem and Ligeti: The Music of Transcendence Kim, Jung-Jin Kinton, Leslie Kizas, Andrew J. Klein, Michael Kleppinger, Stanley V Kochavi, Jonathan, H. Konov Yavor S. Konstantinou, Elena A Barthesian Analysis of Britten's The Holy Sonnets of John Donne, Op. 35 A Documentary Study and Schenkerian Analysis of Dvoks Symphony in D minor, op. 70 From Octatonicism to Dodecaphony: A Study of Pitch Organization in Selected Works by Donald Martino A Theoretical Study of the Late Music of Witold Lutoslawski: New Interactions of Pitch, Rhythm, and Form Tonal Coherence in Copland's Music of the 1940s Contextually Defined Musical Transformations The first treatise of harpsichord "Les Principes du Clavecin" by Saint Lambert (Paris, M. DCCII) Nikos Skalkottas: The Piano Music

Korstvedt, The First Edition of Anton Bruckner's Fourth Symphony: Authorship, Production and Reception University of Pennsylvania May 1995 Benjamin Marcus Kosovsky, Robert Bernard Herrmann's Radio Music for the Columbia Workshop Krumbholz, Jay Friedrich Wilhelm Marpurg's Abhandlung von der Fuge Mosaic Isomorphism and Mosaic Polyphony: Balance and Imbalance in Schoenberg's Twelvetone Rhetoric Set-Class and Chord: Examining Connection between Theoretical Resemblance and Perceived Closeness Compositional Design in Recent Works of Chou Wen Chung Graduate Center, the City University of New York University of Rochester September 2000 August 1994 April 1993 November 2001 September 1995 6/12

Kurth, Richard B.

Harvard University

Kuusi, Tuire

Sibelius Academy

Kwan, Kenneth

SUNY Buffalo

www.mtosmt.org/mto-dissertations.php?showall=true

13/02/07

MTO Dissertation Index

1995 Indiana University University of Helsinki Northwestern University, School of Music Sibelius Academy Indiana University Harvard University University of Arizona University of Iowa Eastman School of Music Technical University Berlin University of Texas at Austin McGill University University of Helsinki May 1994 April 2000 June 1996 April 1996 December 2011 May 2012 May 1996 June 1999 April 1999 November 2008 December 2005 December 1996 October 2009

Lai, Eric C. Laine, Pauli A. Lapidaki, Eleni Laurson, Mikael Lavacek, Justin

A Theory of Pitch Organization in the Early Music of Chou Wen-chung A Method for Musical Motion Patterns Consistency of Tempo Judgments as a Measure of Time Experience in Music Listening "PATCHWORK: A Visual Programming Language and some Musical Applications" Contrapuntal Confrontation and Expressive Signification in the Motets of Machaut

Lehman, Frank M Reading Tonality Through Film: Transformational Hermeneutics and the Music of Hollywood Leinberger, Charles, F. Lemieux, Glenn C. Leong, Daphne "An Austrian in Hollywood: Leitmotifs and Thematic Transformation in Max Steiner's Film Score 'Now, Voyager'" "Music in Twelve Parts" by Philip Glass: Reconstruction, Construction and Deconstruction A Theory of Time-Spaces for the Analysis of Twentieth-Century Music: Applications to the Music of Bela Bartok

Lerch, Alexander Software-Based Extraction of Objective Parameters from Music Performances Letts, Marianne Tatom Leydon, Rebecca V. Lilja, Esa Lima, Paulo C. Lin, Wei-Chieh Lind, Stephanie K Link, John, F. "How to Disappear Completely": Radiohead and the Resistant Concept Album Narrative Strategies and Debussy's Late Style Theory and Analysis of Classic Heavy Metal Harmony Surface and Structure in the Music of Ernst Widmer: Octatonic Compositional Strategies In Search of Time: Musical Time and Form in Drive 2 by Pierre Boulez Replicative Network Structures: Theoretical Definitions and Analytical Applications Long-Range Polyrhythms in Elliott Carter's Recent Music

Universidade de So Paulo October (USP - Brasil) 2000 The Juilliard School University of British Columbia City University of New York University of Rochester University of Helsinki University of California, Los Angeles City University of New York University of Southampton Indiana University University of Rochester University of Southampton Northwestern University McGill University May 2012 January 2009 January 1994 May 2001 April 1995 March 1995 July 1997 March 2003 March 1994 April 2011 November 2000 May 1998 August 1999

Linklater, Mary L. From Procedure to Technique: Canonic Works of the Fifteenth Century Lippus, Urve Lipscomb, Scott D. Longo, Lauren, M. Lopes, Eduardo Lorenz, Ralph Love, Stefan E Linear Musical Thinking Cognition of musical and visual accent structure alignment in film and animation Pietro Gianotti's Le Guide du compositeur: A Reworking of Rameau's "L'Art de la basse fondamentale"--An Annotated Translation and Critical Edition of Part I Just In Time: towards a theory of rhythm and metre Pedagogical Implications of musica practica in Sixteenth-Century Wittenberg On Phrase Rhythm in Jazz

Lowe, Bethany L. Performance, Analysis, and Interpretation in Sibelius's Fifth Symphony Luchese, Diane Olivier Messiaen's Slow Music: Glimpses of Eternity in Time

MacKay, James S. Motivic Structure and Tonal Organization in Selected Motets of William Byrd Mailman, Joshua B. Mak, Su Yin Mak, Su Yin. Malawey, Victoria L. Manning, David J. Marlowe, Sarah R. Temporal Dynamic Form in Music: Atonal, Tonal, and Other

Eastman School of Music, April 2010 University of Rochester January 2009 December 1997 December 2007 December 2003 May 2012
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Structure, Design, and Rhetoric: Variation Procedures in Selected Instrumental and Vocal Works Eastman School of Music by Franz Schubert Structure, Design, and Rhetoric: Variation Procedures in Selected Instrumental and Vocal Works Eastman School of Music by Franz Schubert Temporal Process, Repetition, and Voice in Bjrk's Medlla Harmony, Tonality and Structure in Vaughan Williams's Music Indiana University Bloomington Cardiff University Eastman School of Music of the University of Rochester

Fugue in Context: Schenkerian Theory and Dmitri Shostakovich's 24 Preludes and Fugues, Op.87

www.mtosmt.org/mto-dissertations.php?showall=true

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MTO Dissertation Index

Martens, Peter A. Beat-Finding, Listener Strategies, and Musical Meter Martins, Jos Oliveira Dasian, Guidonian, and other Affinity Spaces in Twentieth-Century Music

University of Chicago University of Chicago University of Sydney Florida State University

June 2005 March 2006 March 1995 January 2010

McCallum, Peter, The Analytical Significance of Beethoven's Sketches for the String Quartet in F major, opus 135 H.J. McCandless, Gregory R. McClatchie, Stephen McDonnell, Donald R. Rhythm and Meter in the Music of Dream Theater Alfred Lorenz as Theorist and Analyst Roger Sessions' Symphony No. 3, First Movement: Form, Hexachordal Polarity, and Harmonic Language (and) Nexus/Dreamscape for Chamber Ensemble. (Original Composition)

The University of Western April 1994 Ontario Brandeis University University of California, Santa Barbara University of Rochester University of Michigan University of Chicago February 1994 September 1996 February 2005 April 1994 March 1997 December 1995 December 1995 April 1996 June 2005

McGinness, John, "Playing with Debussy's Jeux: Music and Modernism" R. McGowan, James Dynamic Consonance in Selected Piano Performances of Tonal Jazz J McKee, Eric, J. Mengozzi, Stefano Mooney, Kevin Moreno, Enrique I. Morse, Michael William Mullin, Carolyn D. Murphy, Paul T. Nelson, Mark, D Nelson, Thomas K. Ng, Samuel Nicholson, G. Gordon The Interaction of Tonal Structure and Phrase Structure as an Aspect of Form in Tonal Music Between Humanistic Ideals and Scientific Thought in Glareanus's Dodecachordon

The Table of Relations and Music Psychology in Hugo Riemann's Harmonic Theory Embedding Equal Pitch Spaces and The Question Of Expanded The Tune in Jazz as a Social Process--Prolegomena to a Sociology of Music Global Coherence in Selected Atonal Works of Anton Webern The Thoroughbass Theory of Jose de Torres y Martinez Bravo with an Annotated Translation of Reglas Generales (1736) Quieting the Mind, Manifesting Mind: The Zen Buddhist Roots of John Cage's Early ChanceDetermined and Indeterminate Compositions The Fantasy of Absolute Music A Grundgestalt Interpretation of Metric Dissonance in the Music of Johannes Brahms The Experience of Successful Contemporary Classical Musical Composition for Non-ComputerAssisted Performance: A Qualitative Study

Columbia University Stanford University York University University of Oregon

The University of Texas at May 1995 Austin Princeton University University of Minnesota February 1995 June 1998

Eastman School of Music, July 2005 University of Rochester Saybrook Institute, San Francisco, CA University of California, Los Angeles Technical University of Berlin November 1997 January 1992 July 1995

Nivans, David B. Brahms and the Binary Sonata: A Structuralist Interpretation Noll, Thomas Novak, John, K. NWAMARA, Alvan-Ikoku Okwudiri O Maidin, Donncha Sean O'Donnell, Shaugn J. Oravitz, Michael Osborn, Brad T. Pacun, David E. Paget, Laurie Paley, Elizabeth S. Morphologische Grundlagen der abendlaendischen Harmonik (Morphological Foundations of Occidental Harmony) The Programmatic Orchestral Works of Leos Janacek: Their Style And Their Musical and Extramusical Content CONTEMPORARY ART MUSIC FOR CHRISTIAN WORSHIP IN IGBO LITURGY: ORIGINAL COMPOSITIONS IN AFRICAN IDIOM WITH BIBLICAL TEXTS

The University of Texas at May 1994 Austin Nnamdi Azikiwe University, Awka. Nigeria National University of Ireland at University College Cork City University of New York Indiana University University of Washington University of Chicago University of London University of WisconsinMadison August 2008 October 1995 March 1997 July 2005 June 2010 December 1998 June 1995 July 1998 September 8/12

A Programmer's Environment for Music Analysis

Transformational Voice Leading in Atonal Music Metric Patterning and its Effects on Phrasing and Form in Selected Debussy Preludes Beyond Verse and Chorus: Experimental Formal Structures in Post-Millennial Rock Music Large-scale Form in Selected Variation Sets of Johannes Brahms The Madrigals of Marc'Antonio Ingegneri Narratives of 'Incidental' Music in German Romantic Theater

www.mtosmt.org/mto-dissertations.php?showall=true

13/02/07

MTO Dissertation Index

Palombini, C. V. Pausina, Melissa A

Pierre Schaeffer's Typo-Morphology of Sonic Objects "Bartleby": An Intertextual Music Drama.

University of Durham Temple University Wesleyan University University of Rome Aristotle University of Thessaloniki

September 1992 January 2010 August 1993 December 2007 December 2002 May 2007 September 2008 July 1995 March 1995 January 1999 October 1998 May 1994 May 2006 November 2009

Perlman, Marc A. Unplayed Melodies: Music Theory in Postcolonial Java Petrocelli, Paolo Polyvios, Androutsos Post, William D. Poudrier, ve William Walton and the Violin Concerto in England between the 1900 and 1940 Development and Experimental Implementation of a Model of Teaching the History of Music in Secondary Education

Part One: Emanations for Orchestra (original composition); Part Two: Anton Webern and the Kent State University Golden Ratio: Temporal Proportions as a Formative Principle in Three Late Works, Opp. 27-29. Toward a general theory of polymeter: Polymetric potential and realization in Elliott Carter's solo City University of New and chamber instrumental works after 1980 York University of Illinois at Urbana-Champaign University of Oxford University of Newcastle University of Utah City University of New York University of Rochester, Eastman School of Music University of Connecticut

Power, Richard S. An Analysis of Transformation Procedures in Gyorgy Ligeti's String Quartet No. 2 Powles, Jonathan Continuity and Discontinuity in the Music of Stravinsky: Analysis, Theory and Meta-Theory C. Pye, Richard, C. Quaglia, Bruce, W. The Music of William Schuman Compositional Practice and Analytic Technique; Schoenbergs Atonal Works: Reconciling Approaches to Sets, Lines and Developing Variation

Raickovich, Milos Einstein on the Beach" by Philip Glass: A Musical Analysis Randall, Richard R. Reddick, Carissa A Ricci, Adam A General Theory of Comparative Music Analysis Formal Fusion and Rotational Overlap in Sonata Forms from the Chamber Music of Brahms, Dvok, Franck, and Grieg A Theory of the Harmonic Sequence

Eastman School of Music, University of Rochester May 2004 University of Toronto University of Western Ontario University of Colorado, Boulder Eastman School of Music University of London April 2011 June 2003 May 1994 April 2000 June 2000 September 1996 May 1997 June 2007 July 2000 October 1995 April 2000

Richards, Mark C. Analyzing Tension and Drama in Beethovens First-Movement Sonata Forms Richards, William Transformation and Generic Interaction in the Early Serial Music of Igor Stravinsky H. Riddick, Frank C. An Analytical Study of Zemlinsky's Second String Quartet Rifkin, Deborah Riley, Matthew J Tonal Coherence in Prokofiev's Music: A Study of the Interrelationships of Structure, Motives, and Design Attentive Listening: The Concept of Aufmerksamkeit and its Significance in German Musical Thought, 1770-1790 Le Concert for Piano and Orchestra de John Cage ou les limites de l'indetermination ("John Cage's Concert for Piano and Orchestra: the limits of indeterminacy") Carmen arcadiae mechanicae perpetuum: Toward a methodology for analyzing Harrison Birtwistle's music since 1977 Drive, Lonesomeness, and the Genre of Bluegrass Music

Rivest, Johanne Robison, Brian Carl Rockwell, Joti

Universite de Montreal Cornell University University of Chicago University of Rochester University of Kentucky

Rogers, Nancy M. The Role of Verbal Encoding in Memory for Musical Timbre and Pitch Patterns Roller, Jonathan B Romig, James An Analysis of Selected Movements from the Symphonies of Charles Ives Using Linear and Set Theoretical Analytical Models

Twelve-Tone Rhythmic Structure and its Application to Form: Time-Point Nesting and Rotation Rutgers University in 'Spin' FROM ROCK MUSIC TO THEORY PEDAGOGY:

Rosenberg, Nancy E.

From Rock Music to Theory Pedagogy: Rethinking U.S. College Music Theory Education from a Popular Music Perspective

Boston University

January 2010

Rosenhaus, Steven L. Rothstein, Evan J.

Harmonic Motion in George Perle's Wind Quintet No.4 The Tradition of Developing Variation and the Problem of Folkloristic Music in Ivess First Violin Sonata

New York University Indiana University

May 1995 May 2001

Roy, Subroto, M www.mtosmt.org/mto-dissertations.php?showall=true

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13/02/07 Roy, Subroto, M C

MTO Dissertation Index

Examining Avartan in Khayal Fort Profonde: The Narrative, Sonic and Reception Design of Francis Dhomont's Fort Profonde Tonal Stratification and Conflict in the Music of Benjamin Britten Rhythm in Music: A Comparative Analysis of the Two Versions of Opus 18, No. 1 String Quartet (I, IV) by Beethoven

University of Pune, India Princeton University Yale University University of Kentucky Yale University University of Cambridge, England Indiana University Cambridge University Northwestern University City University of New York University of Wales, Cardiff University of Utrecht University of Washington University of Washington Michigan State University Goldsmiths College. London Princeton University Bologna University

May 2008 January 1999 November 1993 July 1993 September 1994 July 1997 April 2000 September 1993 December 1991 May 1999 September 1998 September 2005 June 2009 December 1995 May 2002 July 2006 0000 January 2007 November 2007 June 1995 May 2006 April 1994 April 2001 May 2009 May 2007 February 1973 December 2001 December 1997 January 2002 March 1996 April 2007
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Rubin, Anna, I. Rupprecht, Philip, E. Russell, Todd B.

Rust, Douglas, M. A Theory of Form for Lutoslawski's Late Symphonic Works Sachania, Millan The Arrangements of Leopold Godowsky: An Aesthetic, Historical, and Analytical Study

Samplaski, Arthur A Comparison of Perceived Chord Similarity and Predictions of Selected Twentieth-Century G. Chord-Classification Schemes, Using Multidmensional Scaling and Cluster Analysis Samuels, Robert Semiotics and Mahler: Analyses of Musical Signification in the Sixth Symphony

Sandell, Gregory, Concurrent Timbres in Orchestration: A Perceptual Study of Factors Determining 'Blend' J. Santa, Matthew S. Saunders, Michael, D. Schuijer, Michiel Schultz, Rob Scotto, Ciro, G. Studies in Post-Tonal Diatonicism: A Mod7 Perspective A Computer-based Notation for the Process of Musical Composition Pitch-Class Set Theory and the Construction of Musical Competence A Diachronic-Transformational Theory of Musical Contour Relations Can Non-Tonal Systems Support Music as Richly as Tonal Systems?

Scrivener, Julie A. Representations of Time and Space in the Player Piano Studies of Conlon Nancarrow Searby, Michael D An investigation of the transformation of compositional process in Gyrgy Ligeti's music 197485, with particular reference to pitch

Seltzer, Linda, A. The Unblinking Eye, Literary Theory in the Analysis of Debussy's Pelleas et Melisande Selvafiorita, Fabio Sheehan, Paul J. Sheinberg, Ester Silberman, Peter S. Simpson, Jasba Genesi della forma nella Composizione Assistita al Computer: modelli teorici e prospettive poietiche nel'ambiente di programmazione OpenMusic (Genesis of form in Computer Aided Composition: theoretical models and poietical perspective) Twelve-Tone Enitities, Inquisitorial Mind, and the Network Model of the Multitude: Analyzing Luigi Dallapiccola's Il prigioniero The Semantics Of Irony In Shostakovich

Columbia University University Of Edinburgh, Scotland

Neighbor Spaces: A Theory of Harmonic Embellishment for Twentieth-Century Neotonal Music Eastman School of Music Cochlear Modeling of Sensory Dissonance and Chord Roots University Of Waterloo Graduate Center, City University of New York Florida State University University of Georgia

Slottow, Stephen A Vast Simplicity: Pitch Organization in the works of Carl Ruggles P. Smith, Kathleen Biddick Solomon, Jason W. Solomon, Larry Joseph Spicer, Mark Spicker, Volker Symmetry as a Determinant of Musical Composition British Pop-Rock Music in the Post-Beatles Era: Three Analytical Studies New Piano Improvisation Musical Process in Selected Works by Michael Torke Spatialization in Music: The Analysis and Interpretation of Spatial Gestures

West Virginia University Yale University University of Giessen, Germany Eastman School of Music Yale University Harvard University

Spiegelberg, Scott The Psychoacoustics of Musical Articulation C. Squibbs, Ronald, J. Analytical Issues in Recent Instrumental Works of Iannis Xenakis

Steege, Benjamin Material Ears: Hermann von Helmholtz, Attention, and Modern Aurality A.
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13/02/07

MTO Dissertation Index

Steenstra, Sytze G. Steffen, Ralph Martin Steinbeck, Paul Stocken, Frederick Stover, Chris Sundin, NilsGoran Svistoonoff, Katherine A. Taylor, Stephen Andrew Telesco, Paula J. Thomas, Margaret E.

We Are The Noise Between Stations: A philosophical exploration of the work of David Byrne, at Maastricht University, The June 2003 the crossroads of popular media Netherlands Metalogik: The Music Theory of Walter Harburger Urban Magic: The Art Ensemble of Chicago's Great Black Music Anton Bruckner and Simon Sechter's Fundamental Bass Theory A Theory of Flexible Rhythmic Spaces for Diasporic African Music Aesthetic Criteria for Musical Interpretation: A Study of the Contemporary Performance of Western Notated Instrumental Music after 1750 Cosmopolitanism in Two Twentieth-Century Piano Sonatas The Lamento Motif: Metamorphosis in Ligeti's Late Style Enharmonicism in Theory and Practice in 18th-Century Music Conlon Nancarrow's 'Temporal dissonance': Rhythmic and Textural Stratification in the Studies for Player Piano University of California, Santa Barbara Columbia University Manchester University, UK University of Washington University of Jyvaskyla, Finland University of Houston Cornell University The Ohio State University Yale University Indiana University University of Oslo University of Southampton Aristotle University of Thessaloniki University of Western Ontario June 1999 May 2008 December 2007 December 2009 August 1994 January 2011 May 1994 August 1993 March 1996 May 2006 August 1995 October 1994 March 2002 August 1995 December 1999

Thurmaier, David Time and Compositional Process in Charles Ives's Holidays Symphony P Tjoeme, Berit K. Tong, Chee-yee, J. The Articulation of Sonata Form in Atonal Works by Fartein Valen. Analyses of his Violin Concerto, Op. 37 and Symphony No. 3, Op. 41. Separate Discourses: A Study of Performance and Analysis

Tsougras, Costas, Generative Theory of Tonal Music and Modality - Research based on the analysis of "44 Greek F miniatures" by Yannis Constantinidis Tucker, Gary R. Turner, Mitchell M. Tuzun, Tolga Uno, Yayoi Vachon, Pierre Van Colle, S. J. Tonality and Atonality in Alban Berg's Four Songs, Op. 2

Toward a General Theory of Pitch Structure: Unity Between Horizontal and Vertical Pitch-Class University of Georgia Sets CONTEXTUAL TRANSFORMATIONS IN TIMBRAL SPACES Avant-garde Music circa 1950-60: Analysis of Works by Boulez, Cage, Babbitt, and Xenakis Study of titles in the Piano Works of Robert Schumann, their function and meaning Music therapy process with young people who have severe and multiple disabilities Music therapy process with cerebral palsied children: connections with psychoanalytic models, particularly that of Winnicott Colombian Bambuco: The Evolution of a National Music Style The Effect of Timbre on the Chord Identification Accuracy of Sophomore-Level College Music Theory Students Le noble rhetorique: Mental Models in the Song Production of Guillaume de Machaut Rhythms as Form: Rhythmic Hierarchy in Later Twentieth-Century Piano Music Rhythmic and motivic procedures in selected late works of S.C. Eckhardt-Gramatte

Graduate Center, The City September University of New York 2009 University of Rochester Universite de Montreal University of Reading University of Reading, Department of Music Griffith University University of Florida Ionion State University Graduate Center CUNY Indiana University September 1993 May 1998 January 2003 October 1999 June 1999 August 1998 June 1998 January 2009 May 1999

Van Colle, Sue, J Varney, John Charles Vives, Thomas E. Vlagopoulos Panos Vojcic, Aleksandra Wacker, Lori J. Walker, Jonathan Wang, Yuhwen Waters, Keith, J. Waters, William J.

The Work-Concept in Music and Musicology: A Philosophical Study." (provisional title) Queen's September Queen's University Belfast University Belfast, School of Music, 1996 1996 The Value of Values: Value Judgment in Edward T. Cone's Music Analyses Rhythmic and Contrapuntal Structures in the Music of Arthur Honegger A Study of Temporal Change in the Recorded Performances of Igor Stravinsky's, `The Rite of Spring' Columbia University Eastman School of Music Florida State University December 1996 January 1997 December 1995 July 1998
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Weisser, Benedict Notational Practice in Contemporary Music: A Critique of Three Compositional Models (Luciano The City University of J. Berio, John Cage, and Brian Ferneyhough) New York
www.mtosmt.org/mto-dissertations.php?showall=true

13/02/07 J.

Berio, John Cage, and Brian Ferneyhough) Stravinsky and the Ludic Metaphor

MTO Dissertation Index

New York University of Chicago Catholic University of Leuven University of Michigan December 2012 December 2003 January 1997 August 1995 July 1995 August 1994 January 1995 September 2009 September 1995 February 2002 August 2009 May 2004 November 2006 January 2010 May 2000

Westerhaus, Andrew J Weytjens, Stephan Wiens, Carl K.

Text as a Crutch in Arnold Schoenbergs Pierrot Lunaire op. 21? An Analysis of the Relationship between Textual Aspects and Musical Structure in Free Atonality Igor Stravinsky and Agon

Wiering, Frans Wilde, Howard Wile, Kip, D. Wilkinson, Carlton J.

The Language of the Modes. Studies in the History of Polyphonic Modality Towards a New Theory of Voice-Leading Structure in Sixteenth-Century Polyphony A Study of Collection in Neocentric Music Symphony in Five Movements: A Presentation and Analytical Discussion of a New Work in a Symphonic Form

University of Amsterdam University of London University of Chicago Rutgers, The State University of New Jersey University of Nottingham City University, London

Williams, Justin A Musical Borrowing in Hip-hop Music: Theoretical Frameworks and Case Studies Windsor, Luke W. Wright, James K. Yorgason, Brent Yoshikawa, Christine M Yust, Jason D Zagalaz, Juan C. Zamzow, Beth Ann A Perceptual Approach to the Description and Analysis of Acousmatic Music Schoenberg, Wittgenstein, and the Vienna Circle: Epistemological Meta-Themes in Harmonic Theory, Aesthetics, and Logical Positivism Expressive Asynchrony and Meter: A Study of Dispersal, Downbeat Space, and Metric Drift Rachmaninoffs Integrative Technique and Structural Organization: A Schenkerian Analysis of Allegro Moderato, from Piano Sonata No. 1 in D Minor, Opus 28 Formal Models of Prolongation

McGill University Indiana University Arizona State University University of Washington

Innovaciones meldico - armnicas en la improvisacin Jazzstica. Un recorrido a travs de Body Universidad de Jan and Soul. (1935 -1945). The Influence of the Liturgy on the Fifteenth-Century English Carols The University of Iowa

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