Professional Documents
Culture Documents
Garsh"D
The National Orchestral Composition Discovery Network
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c/o American Composers Orchestra 24q W. 35 St., Suite 405 New York, NY 10001
David Loebel, Conductor Michael Gandolfi & Melinda Wagner, Mentor Composers
Wednesday & Thursday, May 21 &22,2009 Clark Opera Memphis Center 6745 Wolf River Parkway Memphis, TN
Administration
Ryan Fleur, President & CEO
Rhonda Causie, Grants Manager Jenny Compton, Head Librarian and
Education Manager
& Community
Engagement
CHRISTIAN
BALDINI
Shelby Hue Terry, VP of Development Lisa Dixon, Chief Operating Officer I(eva Duckett, Marketing Manager Anthony Plummer, PR Director Shelby Johnson, Stage Manager
SILVA
Sandra Burke
Cecil Godman Steve Guinn Larry Hardy Scott Heppel Mary Ann Hodges
Randy Holt Buzzy Hussey
Anita Redden, Chief Financial Officer Marti Laslavic, Dirqctor of Development Nicole Ward, Marketing Assistant
Doug Mayes, Orchestra Personnel Manager
James Richens, Resident Composer
Don Hutson
Florence Leffier
JEAN
AHN
Sa/f
Gordin McMurfry Mabel McNeill Bob Mednikow Dr. Lisa Mendel David Miller Gloria Nobles
Randy Patton Dan Poag, Chairman
Robert Quirut
Paul Rogers Jeff Sanford
Allison Smith
Bridget Trenary Michael Uiberall
Chantal Veevaete Wade Watson Alonzo Weaver
EarShot is made possrb/e with the support of the Andrew W, A/lellon Foundation and the Aaron Copland Fund for lrlusic.
Orchestra Roster
Violin
I
Composer Participants
Jean Ahn: Salt
Clarinet
James Gholson Rena Feller Nobuko lgarashi
Susanna Perry Gilmore Paul Turnbow Marisa Polesky Barrie Cooper Wen-Yih You Jessica Munson
Bassoon
Jennifer Rhodes Michael Scott
Violin ll
Christine Palmer Gaylon Patterson Neal Shaffer Heather Trussell Lenore Mclntyre
French Horn
Samuel Cornpton lon Balu Caroline Kinsey Dan Vidican
Born in l(orea in 197 6, Jean Ahn began studying piano and composition at avery early age. She finished her B.A. and M.M. at Seoul National University under professor Baek Byoung Dong and received a Ph.D. in-2008 from UC Berkel.y, where her teachers included Edmund Campion, Cindy Cox, David Wessel, Jorge Liederman, and Richard Felciano. Her creative output includes works ranging from solo instruments to full orchesff&, as well as choral, dance, and electroacoustic music. She is currently a Lecturer atUC Berkeley and lives in the Bay Area with her husband and two young children.
Salt was premiered by the UC Berkeley's University Symphory, under the baton of David Milnes in May 2008. The composer says of the piece, "Salt began its life in 2005, when I found myself driven by a chord of six notes.... In short, I experimented with all the possibilities opened up by this one chord. The idea of transfonning a single chord without losing its ftrndamentals, combined with the sparkling image of the ofiraments, reminded me of the properties of salt. Thus was born the title of the composition. Just as salt preserves its taste no matter what it is mixed with, the essence of the original chord of the piece is not lost throughout the entire work. In order to enhance the metaphor, the electronics used in the piece-built on the resonance model of the main chord with spectral transformation-employ the actual sound of dropping, spreading and touching salt. Finally, the title Salt also reflects my Christian faith and my musing on the words 'Ye are the salt of the earth.' Thus the piece has the touch, taste and also the meaning of salt."
Viola
Jennifer Puckett Marshall Fine lrene Wade Karen Casey
Trumpet
Scott Moore Susan Enger
Trombone
Greg Luscombe
Mark Vail
Cello
Ruth Valente Burgess lren Zombor Milena Albrecht
Tuba
Charles Schulz
Bass
Scott Best Chris Butler
Timpani
Frank Shaffer
Flute
Karen Busler Todd Skitch Jenny Compton
Percussion MichaelKarcz
James Baird
Piano
Adrienne Park
Oboe
Joseph Salvalaggio Saundra D'Amato
Librarian
Jenny Compton
Personnel Manager
Douglas Mayes
Christian Baldini: elapsing twilight shades Christian Baldini, born in 1 g78,is currently the Music Director and Conductor of the Symphony Orchesta at the State Universtty of New York at Buffalo. He regularly guest conducts in South America, England (Aldeburgh Festival) and the USA. Most recently he was invited by Leonard Slatkin to conduct the National Symphony Orchestra (Washington, DC). This summer he will be conducting the Royal Scottish National Orchestra working with Marlyn Brabbins and will be a featured composer and conductor in Edenkoben (Germany). In the Fall 2009, Christian will begin his appointment as the director of orchestras at the University of California at Davis.
As Baldini describes his work, "elapsing twilight shades reflects my particular interest in creating sonic structures that behave in a quasi cubist fashion. In fact, listening to the piece is a bit like looking at an abstract painting. One idea is presented from several different perspectives. The 'space' around the idea is manipulated, folded, and viewed as if through a kaleidoscopo, repeated by many different lenses. This is the starting point for a work that gradually becomes inflected by a few humorous moments and a delight in symphonic tradition. There are two main critical arrivals in the piece, where the previous music is expanded into a more rhapsodic and quite different dimension. For me these moments represent a special ideal of collective beauff, achieved only through hope and freedom."
Prior to joining the Saint Louis Symphony Orchestra, David Loebel served as Assistant and then Associate Conductor of the Cincinnati Symphony Orchestra. A native of Cleveland, he is a graduate of Northwestern Universrff, which in 2000 honored him with an Alumni Merit Award.
About EarShot
The Memphis Symphony New Music Readings are apart of EarShot, the newly formed National Orchestral Composition Discovery Network that initiates partnerships with orchestras around the country; provides consulting, productior, and administrative support for orchestras to undertake readings, residencies, performances, and composerdevelopment programs; identifies promising orchestral composers, increasing awareness and access to their music; supports orchestras' commitment to today' s composers and enhances national visibilrty for their new music programs. EarShot is coordinated by American Composers Orchestra in collaboration with American Composers F'orum, American Music Center, the League of American Orchestras, and Meet The Composer. It brings together the artistic, administrative, marketing, and production resources and experience of the nation's leadirg organizations devoted to the support of new American orchestral music.
Orchestra, Chicago Symphony Orchestra, San Francisco Symphony Orchestra, National Symphony Orchestra, Minnesota Orchestra, Saint Paul Chamber Orchestra, Seattle Symphony Orchestra, and Brooklyn Philharmonic Orchestra. He has also conducted the symphony orchestras of Baltimore, Indianapolis, Milwaukee, New Jersey, and Syracuse, the North Carolina Symphony, the Buffalo Philharmonic Orchestra, the Rochester Philharmonic Orchestra, the I(ansas City Symphory, the Louisville Orchestra, Symphony Silicon Valley, the Loui s iana Philharmonic Orche stra and the Calgary Philharmonic, among many others.
Piano Spheres, the Los Angeles County Museum of Art (LACMA), Zipper Hall, Cistermrisica, International Music Festival P6voa do Varzim, Yamaha's YASI, SCRIME, and Los Angeles Sonic Odyssey. A new CD, Hyper-Counterpointt, is scheduled for release in May of 2009.
Internationally, Maestro Loebel made his debut in Japan with the Tolqyo Philharmonic Orchestra and toured Australia to great acclaim, leading the Sydney, Adelaide, Queensland, Western Australian, and Tasmanian Symphony Orchestras. He has led family and educational concerts at Carnegie Hall with the Orchestra of St. Luke's, the Saint Louis Symphony Orchestra and the New Jersey Symphony Orchestra. Operatic engagements include productions at Op eraTheatre of Saint Louis and Opera Memphis and he has appeared at summer festivals including the Grant Park Music Festival, Eastern Music Festival, and Woodstock Mozart Festival David Loebel is a recipient of the prestigions SeaverA.[ational Endowment for the Arts Conductors Award. An equally articulate communicator off the podium, he is a popular speaker and hosts The Memphis Symphony Radio Hour on public radio station WKNO-FM. His writings on music have been widely published, including program notes for Telarc recordings. With the Grant Park Symphony Orchestra and Chorus he recorded the critically acclaimed CD Independence Eve
at Grant Park.
Active in the training of young musicians, Maestro Loebel has been Conductor-in-Residence of the New World Symphony and Music Director of the Saint Louis Symphony Youth Orchestra. He has also conducted the Civic Orchestra of Chicago, the National Repertory Orchestra, and at conservatories including The Juilliard School, I.[ew England Conservatory, Cleveland Institute of Music, San Francisco Conservatory of Music, and Indiana University. As a mentor to conductors, he has served on the faculties of the League of American Orchestras' Conducting Workshop, the I(ennedy Center's National Conducting Institute, and the University of Cincinnati CollegeConservatory of Music.
Mentor Composers
Michael Gandolfi
Michael Gandolfi was bom into a musical environment in which his two older sisters, both accomplished pianists, were actively performing traditional classical repertoire. Concurrent with this exposure was a keen interest in the worlds of rock and jazz music. He quickly developed improvisational skills, beginning at age eight as a self-taught
guitarist, and became increasingly interested in music composition, taking formal study in his early teens. His early compositions earned awards from ASCAP and from the American Society of University Composers and fellowships for sflidy at the Yale Summer School of Music and Art, the Composers Conference, and the Tanglewood Music Center. He received his formal education at the New England Conservatory of Music.
Gandolfi recently completed a Meet The Composer Music Alive residency with the Atlanta Symphony Orchestra, during which the ASO premiered his new work The Garden of Cosmic Speculation. Following the premiere performance, The Garden of Cosmic Speculation was recorded and released on the Telarc label. A new recording of other orchestral and large ensemble works, Y2K Compliant, was also released in early 2008 by the Boston Modern Orchestra Project.
Other ensembles who have performed his music include the Tanglewood Music Center Orchestra, Speculum Musicae, and Orpheus Chamber Orchestra. Gandolfi has taught at Harvard Universlf, Phillips Andover Academy, the New England Conservatory of Music (where he seryes as chairman of the composition department), Indiana University and is presently on faculty at the Tanglewood Music Center. The breadth of Gandolfi's musical interests encompasses not only contemporary concert music, but also jarz, blues, and rock, by which route he first became a musician. his music has been recorded on the Telarc, BMOP Sound, Detrtsche Grammophon, CR[, Innova, and
Wagner is the recipient of numerous honors, including an award from the American Academy of Arts and Letters, fellowships from the Guggenheim Memorial Foundation and Howard Foundation (Brown Universlty), three ASCAP Young Composer Awards, and commissions from the Barlow Foundation, the Charnber Music Society of Lincoln Center, the Mary Flagler Cary Charitable Trust, the Fromm Foundation (Harvard University), the I(ouss evrtzT<y Foundation, the Ernst and Young Emerging Composers Fund, the American Brass Quintet, and guitarist David Starobin.. In 1999, Ms. Wagner was awarded the Pulitzer Prize in Music for her Concerto for Flute, Strings and Percussion. Her compositions are published by Theodore Presser. Wagner has taught at the University of Pennsylvania, Swarthmore College, Syracuse Universlff, and Hunter College. She has lectured at many schools including Yale, Cornell, Juilliard, and Mannes College, and has served as Composer-in-Residence at the University of Texas (Austin) and at the Bravo! Vail Valley Music Festival.
Conductor
David Loebel
Noted for performances that combine innate musicality with interpretive insight, David Loebel celebrates his tenth anniversary as Music Director and Conductor of the Memphis Symphony Orchestra this season. Prior to his appointment in Memphis, he enjoyed a decadelong association with the Saint Louis Symphony Orchestra, serving as Associate and then Associate Principal Conductor, as well as Artistic Director of its summer festival, Classics in the Loop. During Maestro Loebel's tenure the Memphis Symphony Orchestra has entered aperiod of notable artistic and organizational growth. He has broadened its repertoire, introducing over 150 works new to the orchestra and its audience. Under his leadership, the MSO has been honored four times by ASCAP and the League of American Orchestras for its advenfuresome programming of contemporary rnusic. He led the orchestra into its new home, the Cannon Center for the Performing Arts, and helped spearhead its innovative community engagement initiatives. As a guest conductor, David Loebel has appeared with the Philadelphia
Klavier labels.
Melinda V/agner
Melinda Wagner received her graduate degrees from the University of Chicago and the Universlty of Pennsylvania, where she studied with Richard Wernick, George Crumb, Shulamit Ran, ffid Iay Reise. Her music has been performed by the Chicago Symphony, American Composers Orchestra, the Chamber Music Society of Lincoln Center, the Society of New Music, the National Symphony Orchestra, the Toronto Symphony, the I(ansas City Symphony, the Staatskapelle Berlin, and other leading organizations.