Professional Documents
Culture Documents
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Christine Teigen @chrissyteigen
Online comment
of the week.
I am going to have a baby
just to take a picture of it
in the corner.
Contributors
Ralphie Aversa, Justin Brown, Kait Burrier, Caeriel Crestin, Pete Croatto, Nick Delorenzo, TimHlivia, Melissa Highes,
Michael Irwin, Amy Longsdorf, Matt Morgis, Ryan OMalley, Kacy Muir, Jason Riedmiller, Erin Rovin, Ned Russin,
Chuck Shepherd, Jen Stevens, Alan K. Stout, Mike Sullivan, Bill Thomas, Mark Uricheck, Robbie Vanderveken, Noelle Vetrosky,
Bobby Walsh, Derek Warren
Interns
Holly Dastalfo, Bill Rigotti
Address 90 E. Market St., Wilkes-Barre, PA18703
Fax 570.831.7375
E-mail Weekender@theweekender.com
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The opinions of independent contributors of the Weekender do not necessarily refect those of the editor or staf.
Rating system
wwwww= superb wwww= excellent www= good ww= average w= listenable/watchable
* Scarborough Research
Kieran Inglis
Media Consultant 570.831.7321
kinglis@theweekender.com
Baconbecause bacon.
Amanda Dittmar
Graphic Designer 570.970.7401
adittmar@theweekender.com
Sushi.
Who doesnt love sushi?
Rich Howells
Editor 570.831.7322
rhowells@theweekender.com
Steak. It would be an
expensive festival, but
nothing beats a good cut
of steak.
Sara Pokorny
StafWriter 570.829.7132
spokorny@theweekender.com
Cheese. Itsits cheese.
Why wouldnt you?
If you could throw
a festival that centers
around any food,
what food would it be?
Tell @wkdr
what food you
would center a
festival around.
Theres a kielbasa festival?! Wheres Tenacious D when you
need them?!
With so many local food festivals in Northeast Pennsylvania,
from the Pittston Tomato Festival to La Festa Italiana, the
Plymouth Kielbasa Festival may not have been on your radar,
but it should be its celebrating its 10th anniversary and pulling
in 20,000 to 30,000 people each day, according to organizers.
I had heard rumblings of such an event, but being from
Scranton, I never realized how big it really was. These people
take their kielbasa seriously, and with bands like Stanky and the
Coalminers and Jeanne Zano Band in attendance, you knowthere
will be solid entertainment throughout the day as well. Read all
about it on pages 30 and 31, and follow our map on page 34.
And if youre not as passionate about kielbasa as Jack Black
and Kyle Gass, thats OK, too like any local festival, they have
more to offer than just what is in the name.
But feel free to make all the inappropriate meat jokes you like.
-Rich Howells, Weekender Editor
The weekender has 12,483
Facebook fans. Find us now at
Facebook.com/theweekender
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LOCAL MUSIC WITH TITLE FIGHTS
Ned Russin | Special to the Weekender
does it feel like to get burned or, shall we say, really, really insulted?
If youve ever been on the other end of a joke from Jeffrey Ross, you know. Comedy Centrals Roastmaster
General will be coming to the F.M. Kirby Center on Oct. 25 at 8 p.m.
Tickets go on sale at 10 this morning and can be purchased at the Kirby Center Box Ofce, online at
kirbycenter.org, or by phone at 570.826.1100. Tickets are $35 and $75, for a limited VIP meet and greet.
Ross is sure to have anyone and everyone in his crosshairs when he visits the Kirby Center even audi-
ence members. His touring shows include a Speed Roasting portion that allows audience members to take
the stage for a chance to be roasted by the master himself.
just wants tohave fun? Cyndi Lauper, of course, who is nowcelebrating the 30thanniversary of her smashdebut album.
The crazy-haired80s popiconwill bringher Shes So Unusual tour to the F.M. Kirby Center onOct. 22 at 8 p.m.
TicketsgoonsaleAug. 23at 10a.m. andcanbepurchasedat kirbycenter.org, bycalling570.826.1100, orviatheKirbyCenter
box ofce. Aspecial Kirby member pre-sale begins at 10a.m. today. Tickets are $34, $49, $59, and$75 (limitedpit seating).
Shes So Unusual became the rst debut female record to chart four Top 5 hits on the Billboard Hot 100: Girls Just Want
toHaveFun, TimeAfter Time, SheBop, andAll ThroughtheNight. ThealbumalsoearnedLauper theGrammyAward
for Best NewArtist. WhenI realizedits alsotheanniversaryof thealbumthat startedmysolocareer, I knewit was theperfect
timetothankmyfans for stickingwithmethroughit all, Lauper said. ImsoexcitedtoperformShes SoUnusual frombegin-
ning toend, song by song, andI cant wait tosee everyone.
can you get a bottle of booze signed by Toby Keith?
Look no further on Aug. 31 at 3 p.m. than the Fine Wine & Good Spirits Premium Collection Store
(Crest Plaza Shopping Center, 1516 N. Cedar Crest Blvd., Allentown). The country star will be on
hand to sign pre-purchased bottles of Wild Shot Mezcal. Keith launched the liquor, a 100 percent green
agave, 86.8 percent proof mezcal, in 2011. Bottles are available for $39.99. Following the signing, Keith
will continue his Hammer Down Tour presented by the Ford F-Series at the Allentown Fair.
can you meet Mr. Spock?
No, not that Mr. Spock, but Jimi Spock, the folk singer and poet. He will sing a mix of rock, folk,
and country music and will also perform some original poetry at the Bakehouse (152 United Penn
Plaza, Kingston) on Friday, Aug. 23 from 6-8 p.m. There is no cover charge for the show.
I realize I often reference
things throughout my writ-
ings that may not make
complete sense to every-
one. To the readers whose
heads I have gone over, I
apologize, but today we
are going to take the time
to clarify something that
I have mentioned several
times that I feel needs a
little explanation: booking
shows.
I cant even begin to
count how many times Ive
had conversations about
the importance of taking
responsibilities into your
own hands, and for us
in the music scene, that
means starting your own
bands, booking your own
shows, releasing your own
records, and so on and so
on. How can someone with
limited or no knowledge
of the music business be
able to take on such daunt-
ing tasks? Well, now you
will know how.
To be honest, you dont
need any knowledge of any
sort of business to book
a good show. All you will
need is the ability to com-
municate with others and
if you dont like that, then
just ask a friend to help. I
will use a recent example to
illustrate my point.
My friends in the band
Intent asked me to book
a show for them on a
tour they are doing with
Demolition. They asked
me for a specic date
(Monday, Oct. 28) and I
said I would love to have
the bands back in town. So
the rst thing one needs to
do when booking a show
(aside from determining a
date) is to secure a venue.
Now in our area, there are
limited options, but there
are still options. You can
call around and try a new
location, or you can just see
if one of your favorite spots
is available for the day you
like.
Now what if you dont
know how to contact these
places? Next time you are
at a show at one of those
places, just ask one of the
friendly faces stamping
hands at the door; they will
be able to tell you who to
contact about renting the
venue.
Now that we have the
venue locked in, you should
gure out what bands you
would like to play if you
dont already have that
in mind. In this day and
age, and especially in our
area, contacting bands
is a breeze. You can sim-
ply look someone up on
any social media site and
chances are you should
hear from them in a sec-
ond. So I asked my fellow
bandmates in Disengage
and Zoom and Stand Clear
from Washington, D.C., to
ll up the show. All parties
agreed, and the show was
essentially done. It may
not be this simple, but if
a band is unavailable, just
have some other options
planned out.
Now that you have a
venue and bands, you have
to sort out the hardest part:
money. You need to be able
to cover the cost to rent the
venue and pay the bands.
According to your expens-
es and what you estimate
the attendance to be, set a
door price that will be able
to pay all of your costs.
And now that you have
a date, venue, and bands,
make a yer and advertise
your show to get people
out. Go to other shows
and hand out yers, tell the
bands to promote the show,
do anything you can to get
people interested and excit-
ed to come out and enjoy
themselves.
There it is all you need
to know about booking a
great show.
W
Howto book your own show
Im so excited to perform Shes So Unusual from beginning to end,
song by song, and I cant wait to see everyone.
-Cyndi Lauper
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aug. 21-27, 2013
COVER STORY
Plymouth KielbasaFestival 30-31, 34
LISTINGS
the W5
live enteRtainment 20
ConCeRts 21
sPeaKand see 24
theateR 33
agenda36, 50
MUSIC
bReaKing doWnthe Walls 5
the lonelies touR 7
PeaCh musiC Festival 10, 40
the blaCK CRoWes 19
John densmoRe 22
albumRevieWs 35
ChaRts 35
STAGE & SCREEN
RalPhie RePoRt 32
movie RevieW33
inFinite imPRobability 39
staRstRuCK 43
ARTS
Chad stanley 11
novelaPPRoaCh 24
PeRditions edge 39
LIFESTYLE
PaRts unKnoWn 41
single in sCRanton 41
shoWus some sKin 43
seCuRely Fashioned 47
giRltalK 47
gReen PieCe 47
man oFthe WeeK 53
model oFthe WeeK 54
HUMOR & FUN
KRelladventuRe games 19
Puzzle 36
soRRy momand dad 38
neWs oFthe WeiRd 38
doPPleboCK PRoFile 42
idtaPthat 42
Pet oFthe WeeK 43
summeR deCK seRies 49
sign language 52
games &teCh
motoRhead 46
getyouR game on 46
ONTHE COVER
Photoand design byamandadittmaR
volume 20 issue 41
LIT ON CANVASS
Wilkes professors semi-illustrative work on display at
concert
39
11
OVER THE EDGE
Local creators release second issue of indie comic
book
SEE mORE pHOTOS fROmTHE pEACH muSIC fESTIVAL
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RICH HOWELLS
Weekender editor
Lonely no more
Musicians are all kind
of lonely in the beginning.
Artists start in a private
room with just their tool
to create, and theres a
story and theres a rea-
son. Maybe that reason
is Im efn bored and Im
a little tipsy and I know
that I need to write a song
right now, or maybe I am
sad and Im wallowing in a
deepest fear or loneliness
in my life.
The Lonelies Tour,
Robb Brown explained,
was named after this cre-
ative process, and over the
course of 10 years, the gath-
ering of local musicians
at various venues to jam
together and share these
private stories has resulted
in a greater bond amongst
the musicians themselves
and the audiences theyve
performed for.
The last Lonelies show
was in 2008, so Brown
and Jay Morgans thought
it was time to relaunch
the series at the Rattler, a
rock club in Pittston that
they credit for its support
of original and local music.
The Rattler has pro-
vided a brilliant landscape
for a lot of artists that
dont have to t into the
mainstream of the bar
music scene circuit here,
so the audience thats there
provides a wonderful envi-
ronment and atmosphere.
Its all married together,
Brown pointed out.
We like to support each
other. Since we all are basi-
cally working musicians,
if I want to go see Robb,
it takes like four months
of planning because if hes
playing somewhere, Im
probably playing some-
where else, or vice versa.
These guys that we have
put together I am truly,
honestly fans of. If I didnt
know them, Id still want to
go see them, but we never
really get to show them the
kind of support that we
want to because were off
doing our own thing, too,
Morgans continued.
This is a great opportu-
nity just for us to see each
other again. Its like a little
family reunion stuck in the
middle.
The Wednesday, Aug.
21 revival will include
intimate performances
from Morgans, Brown,
Terry Childers, Dan Avery
of New Jersey, and Bret
Alexander, known for his
work with the Badlees and
the Cellarbirds.
(Alexander is) great.
Hes brilliant. Hes done so
much work with other peo-
ple and also been a major
inuence for everybody in
this wonderful music scene
that we have, Brown com-
mented. Its a wonderful
gift to us to have Bret want
to be a part of it as well and
share his unique style and
inuence.
Currently playing in the
Subnotics, Brown, 36, of
Wilkes-Barre describes his
own sound as R&B, soul-
ish reggae, and Morgans
calls him a crooner.
Ive been singing for my
whole life, Brown said. I
love soul music and Gospel
music. Im actually going
to play all piano for the
Lonelies Tour. I dont do
it out. I havent ever, so
Im very excited to share
my piano songs, which are
very R&B and soul and
also something completely
new to the Lonelies Tour.
Morgans, 37, of Plains
recently started the psy-
chedelic Nothinghead with
Childers and agrees with
Browns description of
himself as street wonder-
ful.
Im more of a lyricist
than an actual musician, so
I know just enough of the
instrument to get a song
out just because I want
the words out. Its really
kind of bare and sparse.
Its more emotional than
technically great. Its very
literary for me; its mostly
about the words, Morgans
noted.
This particular Lonelies
Tour isnt just signicant
because of its return after a
ve-year absence its also
the rst to feature a mul-
timedia experience. The
music will preceded by
an art opening by Wilkes
University professor Chad
Stanley and a short lm by
Morgans.
What we wanted to do
once Chad came on was
try to transition into a
whole night start with
visual and mix the media
so far that it could appeal
to anybody that was inter-
ested. Start with the visual
media, then in between 9
to 10, were going to do a
little showcase for him, a
question and answer thing,
and then its going to go
right into a short story that
I wrote that got made into
a lmcalled The Quiet
Sear. My brother Jesse
and I did the soundtrack
for that as well, so we g-
ured that well just transi-
tion to media with visual
and audio, and then carry
it right into the music,
Morgans explained.
Ill never complain
about being in a band or
playing music just because
I hate those guys, but one
of the things thats hard
for us, especially as solo
musicians, is that all that
stuffgets lost. Youre
at a bar, people want to
drink and have fun, so its
a soundtrack. Its a back-
ground. And thats ne
I love when people have
fun. But especially at the
Rattler, the built-in crowd
there is so conducive to
what we wanted to do,
which was ip that and
highlight the part that gets
lost all the time.
A fan of ne art could
go that night and just
check out the art opening
and then jet and still have
a great time, but what I
would like to hope or think
is that if they stayed for
the rest of the night, that
theyd have an even better
time. It really is a great
scene going on.
Brown compares the
loose, improvisational
music portion of the eve-
ning to those of Frank
Sinatra and Dean Martin,
where the stage is open
to all performers and the
fourth wall is broken down
through crowd interaction.
(Its) open like that,
if youve ever seen those
shows. They have a bar
on stage and they all kind
of just do their things.
Sometimes theyll do
a duet, and sometimes
theyre solo. This is more
of an acoustic singer/song-
writer vibe, but we all sit
on the stage and its basi-
cally open, Brown said.
Theres those moments
that are very real where its
a very serious song dealing
with a drug addiction or
poverty This is a night
that is important to us
because we dont have to
worry about entertaining
as much. We dont have to
worry about our set list
We want to share
thats what we do for a
living. Thats what we all
want.
For working
musicians play-
ing weekend after
weekend of covers,
this gift to them-
selves isnt focused
so much on enter-
tainment, Brown
believes, as it is
art and its ability
to bring together a
room full of friends
and complete
strangers.
We get the abil-
ity to release our-
selves from having
to worry about
entertaining the
audience per say
with music that
creates an environ-
ment. Its more of
a show in a way.
Youre coming
because youre spe-
cically going to
see what it is were
doing, and what it
is that were doing
is sharing our origi-
nal music but also
providing the story
behind it. You hear
the song, but you
hear why were
singing the song.
This takes
Morgans back to
the beginning, back
to the reason why
he isnt so lonely
anymore.
I remember when I rst
started and I knew two
chords and I sucked and I
couldnt change in between
them, but I had all these
things that I wanted to say
and I didnt know how to
say them, he recalled,
until he started playing
with fellow local musicians
and found his voice.
I still remember that
feeling, Oh man, Im
not alone. Im not in this
alone. And thats really
what I want to share with
other musicians, other
people who like music. I
really want to make sure
that everybody gets to
have that feeling.
W
Robb Brown of the Subnotics will be one of the performers of the
Lonelies Tour.
Jay Morgans helped revive the Lonelies
Tour after a five-year hiatus.
Artist Chad Stanley will hold his art show
opening before the music begins on Aug.
21.
The Lonelies Tour feat. Jay Morgans, Robb Brown, Terry
Childers, Dan Avery, and Bret Alexander with art by Chad
Stanley: Aug. 21, art opening 7 p.m.-9 p.m., discussion and
flm 9 p.m.-10 p.m., music 10 p.m.-2 a.m. No cover, 21+.
Learn more about artist Chad Stanley and his art opening
at the Rattler on page 11.
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RYAN OMALLEY
Weekender Correspondent
R E V I E W
For fans of the jam band scene,
Montage Mountain has become
somewhat of a hotspot. Since
last years inaugural Peach Music
Festival, jam fans have been wait-
ing to return to the Mountain for
the same music, friends, water
rides, and community vibe they fell
in love with. What no one expected
to see was the Peach Festival to
come back with a stellar lineup,
including more local artists, some
of the bigger names on the tour-
ing circuit, and a band who has
been dormant for four years, but
picked Peach Fest as the spot for
its triumphant comeback. For four
music-lled days, the Peach Fest
gave everyone a reason to celebrate
what has turned into one of the
best end-of-summer parties in the
Northeast.
For the Thursday, Aug. 15kickoff
party, the Mushroom Stage locat-
ed in the water park hosted some
ery blues rock courtesy of the
Vegabonds and some driving rock
from Bobby Lee Rodgers of the
Codetalkers. Billed as the headlin-
er of Thursday, Pittsburghs own
Rusted Root took the stage around
9 p.m. for a pleasing hour-plus set
of the percussion-heavy sound that
helped the band become a bigger
touring name. Of all the ameni-
ties the Peach Festival has to offer,
having the water park host the
Mushroom Stage is one of the best
choices fans could make. Who else
gives you the chance to hear Send
Me on My Way or Ecstasy while
lounging out in the lazy river or
enjoying the wave pool?
After Rusted Root, the local
music scene made its way onto
the stage in the form of Scrantons
own Cabinet, who put in a spirited
70-minute set which featured guest
appearances by Scrantons Mike
Mizwinski and Roy Williams. For a
band thats been together for under
a decade, Cabinet has brought itself
to festival status, and judging by
the dancing of the immense crowd
at Peach Fest, the guys will be hit-
ting the main stages of festivals in
no time. For those who stayed for
the late-night party, Rogue Chimp
and Laser Sex wrapped the open-
ing night up around 2 a.m. with
some heavy dance grooves.
Friday was arguably a high point
of the festival with a lively offering
from Railroad Earth, who served
as the perfect kickoff to the big-
ger acts portion of the night.
However, the main talk amongst
the crowd was of Grace Potter
and the Nocturnals, who put in
a rocking 16-song performance,
including everything from cuts
off her new album, The Lion the
Beast the Beat, to a cover of Neil
Youngs Down by the River, and
her most recognized song, Paris
(Ooh La La). It could be a com-
bination of many things a great
voice, commanding stage pres-
ence, a tight band, or just raw sex
appeal but after their set, you
couldnt avoid hearing talk about
the power of Potters performance.
Friday also saw the rst of two
co-headlining nights by the festi-
vals hosts, the Allman Brothers
Band, and also Bob Weir and
RatDog, who marked its return
at Peach Fest after a four-year
absence. Coming on at 7:15 p.m.,
RatDog wasted little time in
reminding fans of the immense
catalogue Weir has to work with,
including the opening of a bluesy
Easy Answers. Bethlehems own
Steve Kimock lent some exquisite
guitar work to cuts like Brown-
Eyed Women and a funky Loose
Lucy. After a spot-on run through
the RatDog original Ashes and
Glass and a take on the Grateful
Deads Althea, the band took a
page from Little Feats book with a
song that has become synonymous
with Bob Weir, the tender Easy to
Slip. Weir invited Potter to join
the band on a slowbut moving ver-
sion of the Beatles chestnut Dear
Prudence before wrapping things
up with the long-standing Dead
segue of China Cat Sunower
into I Know You Rider.
For headliners the Allman
Brothers Band, the two shows
on Friday and Saturday followed
the blueprint that has helped the
band persevere for more than four
decades: twin lead guitars (cour-
tesy of Warren Haynes and Derek
Trucks), bluesy vocals from Gregg
Allman, and a thumping percus-
sive backbone from Butch Trucks,
Mark Quinones, and Jaimoe. The
result was two nights full of tight
runs though crowd favorites like
Statesboro Blues, Midnight
Rider, One Way Out, and the
ever-magnicent Mountain Jam.
Saturday offered one of the most
diverse billings, with everything
from jazz and blues to rock and
bluegrass, including Floodwood,
an acoustic band featuring Al
Scnier and Vinnie Amico from
moe., who put in a pleasing set
in the early afternoon. Bringing
the jazz to Peach Fest were Karl
Densons Tiny Universe, who
brought an hour-long mix of jazz,
blues, and funk and helped prepare
the crowd for the rest of the nights
acts.
Coming out in support of its
soon-to-be-released new album
Shout! Govt Mule brought its
unique mix of Southern blues,
rock, and funk to the Peach,
including an almost reggae-fused
Scared to Live and a thumping
Captured, two cuts from the new
album. Being a major part of the
festival including two shows with
the Allmans, one with Govt Mule,
and other sit-ins Haynes made
sure to have some fun in the set,
including a surprising inclusion of
Princes hit When Doves Cry in
the middle of Beautifully Broken.
Much like Friday, Bob Weir and
RatDog once again put in a power-
house performance, starting with
the slower Dead gem Bird Song.
Throughout cuts like Jack Straw
and The Other One, to some of
Weirs deeper tracks like October
Queen and Even So, and even
the RatDog original Two Djinn,
the bands tightness reminded fans
of how good the musicianship of
RatDog is and provided some hope
of future activity from the outt.
The Mushroom Stage schedule
for Saturday was equally unique,
as it saw everything from blue-
grass (Bill Evans Soulgrass, and
Cabinet) and jazz (Jaimoes Jasssz
Band) to the electronic dance
music of Lotus. For years, Lotus
was almost a staple in this area,
with numerous appearances at the
former Murrays Inn and the River
Street Jazz Caf, but after garner-
ing much national attention, the
band has now outgrown the small-
er stages, but its loyalty to its fans
remains. Judging fromthe reaction
at Peach Fest on Saturday, its fans
were grateful the band never forgot
them.
For the nal day on Sunday, only
the Peach Stage was running, and
fans were treated to a soothing
start to the day with an acoustic
set from Weir, who ran through
classics like Walking Blues and
Me and My Uncle before show-
casing one of the more beloved
traits of Weir shows: forgotten
lyrics. At the Peach, it was a ver-
sion of the often-overlooked City
Girls, which he returned to later
in the set. Kimock hung around for
the show and later accompanied
Weir on a touching Peggy-O, an
exploratory Playin in the Band,
and a rootsy Standin on Shaky
Ground.
To close out the festival, the
Black Crowes put in a lively two-
hour show that showcased every-
thing from its lesser-known tunes
like Sting Me and Black Moon
Creeping to familiar numbers
such as She Talks to Angels and
Remedy. Towards the end of its
set, lead singer Chris Robinson
brought out Weir who was
referred to as The Mayor of Peach
Fest for a stirring rendition of
Bob Dylans classic (Just Like)
Tom Thumbs Blues. With no
encore something that seemed to
be the norm for the weekend the
Crowes ended the festival with a
tight segue between its version of
Hard to Handle, meshing into
a cover of Deep Purples Hush,
which became a highlight of
Sundays festivities and the perfect
way to end Peach Fest.
In its second year, the Peach
Festival has gained more fans,
more bands, more respect on the
festival circuit, and more staying
power. For everyone who was there
for the last two years, we can only
hope the Allmans decide to bring it
back for a third round. If they do,
after this year, theyll have some
work to do to try and surpass it.
W
Four unforgettable nights at second annual Peach Fest
Photos by Jason Riedmiller
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SARA POKORNY
Weekender stafWriter
A picture is worth a thou-
sand words, but sometimes
words are the reason for the
picture in the rst place.
Chad Stanley, who is an
English professor at Wilkes
University who teaches
courses on writing, British
lit, drama, and comparative
grammar, has found a way
to meld his love for both art
and literature. Though he
is immersed in writing cur-
rently, his roots actually lie
in art, as he was a painting
major at the Pratt Institute
in Brooklyn, which he con-
tinued at Syracuse. He even-
tually found his way to a
degree in English, but even
then he used his artistic tal-
ents by doing paintings for
in-class presentations as a
visual tie-in. Much of his
work deals with literature,
so he considers it semi-illus-
trative.
Stanley will have a chance
to show off his artistic skills
on Aug. 21 at The Rattler in
Pittston, an evening to cel-
ebrate not only his paintings
but the lm work of another
local man and the musical
stylings of local musicians.
There will be a 7 to 9 p.m.
art opening with a Q&A
with Stanley, followed by a
screening of a local lm and
some local acts performing.
At some point in the eve-
ning, Stanley will be giving
a painting away to someone
in attendance at the event,
selecting them by a very
hush-hush process.
Stanleys paintings are
oil on canvas, some with an
acrylic wash underpainting,
sketched out in Sharpie.
Many of his pieces have
meaning drawn from lit-
erature, such as Coleridge
and Albatross, which takes
inspiration from a poem.
This painting is drawn
from Rime of the Ancient
Mariner and based on a
death mask of Coleridge, he
said. Im fascinated by the
oldtraditionof making death
masks of signicant people,
and one of the paintings
now at The Rattler is from
a death mask of an unknown
woman who drowned in the
Seine River in the 1800s. Its
probably the most famous
death mask.
His paintings also run
along a personal theme, with
one being a portrait of his
dog Nixon, who he lost to
cancer this spring. Still, he
remembers his furry friend
fondly.
He was named as such
because my in-laws sug-
gested that I give the
new dog, in 2005, a good
Republican Name, and I
said, Gladly, but dont blame
her if she starts shredding
Art and literature on canvas
Coleridge and Albatross
Self-portrait
Painting of Stanleys beloved, since-passed dog, Nixon
things and wrecking hotel
rooms, Stanley joked.
The painting is a tribute
to a pup who loved any-
thing minty, and the paint-
ing depicts a small Starlight
mint in her eye.
There is also a self-portrait
in the showthat was inspired
by Joe Hills novel Horns,
in which a man wakes up to
nd horns growing on his
forehead.
Stanley is honored to
be a part of the show at
The Rattler, a place owned
by James Callahan, who
Stanley said is a true patron
of the visual arts. As he
was hanging his paintings at
the venue, Callahan offered
some insight into the por-
trait of Nixon and Stanleys
self-portrait.
He helped me realize that
these paintings are actually
a diptych, two parts of one
whole, Stanley said. He
placed them side-by-side
while we were guring out
the hanging arrangement for
the room at The Rattler, and
that was the moment I real-
ized their connection and
decided Id never sell them.
Stanley is currently work-
ing on commissioned paint-
ings for a couple in London
and might soon start work
on two more pieces for a
musician in Sweden. He will
also have a show at Wilkes
Sordoni Gallery titled
Visual Literacy from Oct.
29 to Dec. 15, which will fea-
ture paintings from literary
texts.
W
www.theweekender.com
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Irem Clubhouse
Bridal Showcase
Sunday, September 8
Doors open at noon.
Enjoy hors doeuvres and refreshments while you explore
the beautiful Irem Clubhouse Grand Ballroom. Learn
about planning your wedding with information from
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Featuring a Bridal Fashion Show, with fashions from
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Register for Free
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or 570-970-9090
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For ticket information
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Friday, August 30th
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Scranton
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