"H dois caminhos para se passar pelas fronteiras entre Fantasia e o mundo dos

homens, um certo e outro errado." - Michael Ende, A Histria Sem Fim.

BIDUO D'OURO Zoltan Paulinyi

for 2 violins: pupil and teacher.

Total length: less than 3 min.

I - Moderato (lrico)

#
&c

Violino 1

Braslia, August 26, 2006

Premiered wiith Karla Oliveto
at Liv. Cultura BSB, 3/9/06.

j
b n # # # 43

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http://www.paulinyi.com
www.musicaerudita.com

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Copyright 2006 by Zoltan Pa ulini.

All rig hts reserved.
Printed in 3/09/06.

paulinyi@yahoo.com
zoltan.paulini@gmail.com

II - Allegro

3
.
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3/09/06
BIDUO D'OURO

43 Coda

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These couple of pieces are to be inserted at the end of the Doflein's second book (his violin
method), just before introducing change of positions. Doflein intended to teach all the styles of the
5-centured violin repertoire, so he has invited many great contemporary (up to 1930's) composers to
complete his album. Unfortunately there is a lack of compositions in the 12-tone system, probably
due to the masters who have not replied his invitations, or whose compositions were not suited for
beginners.
These pieces are strictly made from the "gold row" (serie), which contains all interval combinations
(chords of 3 sounds - except the perfect 5th):
6 0 4. 8 5 10 - 11 1 3. 2 7 9
Second violin plays its inversion.
The Allegro, second piece, is built upon a transposition of the same row where the first violin
(pupil) plays the inversion (except the Coda). For this edition, I have included some arrengements
for any instrumental combination, including winds and keyboard.
Further reading on 12-tone system:
- Geroge Perle, "Serial Composition and Atonality", University of California Press, USA, 1991.
- Ernst Krenek, "Studi di contrapputo, basati sul sistema dodecafonico", Edizioni Curci, Milano.

Esta partitura pode ser copiada publicamente para fins no-comerciais desde que citada a fonte . Em
caso de performance, peo a gentileza de me enviar cpia do programa:
Zoltan Paulinyi
Caixa Postal 9747, Braslia - DF
CEP 70.040-976 - BRASIL
paulinyi@yahoo.com
www.paulinyi.com
This work is free for non-commercial copying: source shall be mentioned. In case of performance,
please send a copy of the concert program to the author.
3/09/06
BIDUO D'OURO

Zoltan Paulini nasceu em 1977. Mineiro

urbano, natural de Belo Horizonte, bacharel em
Fsica pela Universidade Federal de Minas Gerais
(1999). Comeou estudando msica aos dois
anos e meio de idade, realizando sua primeira
apresentao como violinista na Casa da pera
de Ouro Preto aos 8 anos, na classe do Prof.
Ricardo Giannetti, com quem estudou por mais
de 15 anos.
Atuou como spalla das orquestras de
festivais de msica de Juiz de Fora e de Braslia.
Tem atuado como solista em diversas orquestras
do Brasil, Inglaterra e Itlia. O reconhecimento de
seu trabalho junto crtica da imprensa veio
atravs do Trofu Pr-Msica 1998, Prmio de
Revelao do Ano em Minas Gerais, e tambm
com a vitria no Concurso Nacional de Goinia
em 2002.
Estudou composio com o Prof. Oiliam
Lanna (Belo Horizonte, 1995-99) e com Oscar
Edelstein, da Argentina, em 2002 e 2003. Fez
Masterclasses com Harry Crowl em 1995 e 1996
(Juiz de Fora). Suas composies vem sendo
escritas para vrias formaes camersticas.
Em 2002, gravou um disco dedicado s
composies brasileiras para o duo de violinos,
incluindo duas obras suas. No mesmo ano, teve a
estria Europia de muitas composies Festival
de Msica Brasileira da Romnia (Oradea), em
um programa dedicado comemorao de seus
25 anos.
violinista na Orquestra Sinfnica do
Teatro Nacional desde Maro de 2000, fundador
de grupos de cmara atuantes em Braslia e Belo
Horizonte, alm de ministrar cursos particulares
de composio e violino.

Zoltan Paulinyi (b. 1977), started studying

music at the age of two and half in Belo Horizonte,
Brasil. His first recital as a violinist was in the
Opera House of Ouro Preto, when he was 8.
Pupil of violinist Ricardo Giannetti (from
1984-1999) and composer Oiliam Lanna (19951999), he also took classes with composers Oscar
Edelstein, Harry Crowl; and violinists Ruggiero
Ricci, Leopold la Fosse, among others.
Awarded
in
two
National
String
Competitions, he has leadered the festival
orchestras of Juiz de Fora and Braslia in 96, 98
and 2001. He has played in music festivals and
masterclasses in England and Sweden, were he
was soloist of the Hackney Youth Orchestra in
Dartington (August/97). In May of 2000, he was
the only soloist of Gli Archi di Firenze in their
turn through the South America. Soloist in main
brazilian orchestras in Minas Gerais, Braslia and
Goinia.
Paulinyi has taken part in many recordings
of brazilian early and contemporary music. In
recognition of his work he was given the ProMsica Award by the press critics in 1998, in
Minas Gerais State.
Undergraduated in Physics by the
University of Minas Gerais State in 1999, Paulinyi
moved to Brasilia in the following year for the post
of first violinist of the National Theatre Orchestra,
which marks the begining of his main
compositional activities. In 2002, he has recorded
its first CD with some works for 2 violins, and had
most of his pieces premiered in Romania when
celebrating his 25 years of age. Scheduled for
2006, there is a CD release published along with
his scores.

Obras editadas (please, check for updates on website before performing)

Violino (viola) solo:
Entre Serras e Cerrado (1995)
Flausiniana (1996), Abstrato (2003)
Acalanto n. 1 (2003)
Flauta solo: Anedota (2004)
Canto:
Cano da Esperana, violino e voz feminina
(1999)
Salmos 22, 107, 78, 144 para violino e soprano
(2003), Salmo 51 (2005)
Bodas de Can, para 2 violinos, clarinete e tenor
(2002)
Acalanto n. 3 (2003)

rgo:
Arioso e Fuga ( moda antiga) 1999
Orao (2005)
Quarteto (obo e cordas):
Teu Desprezo (2001)
Pimenta nos Cuscuz (arranjo - 2001)
Descendo a Serra (arranjo - 2002)
Capoeira (2002)
Quinteto (flauta e cordas):
Caleidoscpio n.1 (2004)

Coral: Salmo 150 (2002), A Casa (2004)

Orquestra:
3 ponteios de Guarnieri (arranjo para cordas 1997)
Caleidoscpio n.2 e n.3 (2004)

Violino (viola) e piano:

Minimarcha (1996) obra didtica.

2 violinos (violas):
Sonatina (2001), Hipnose (2002)

Violino e clarinete: Acalanto n. 2 (2003)

2 violinos, clarinete, narrador e imagens: Via

Sacra, cenas 11 e 12 (2004), n. 7 e 10 (2005)

ht tp: //www.paulinyi. com

ht tp: //www.musica erudita. com

"H dois caminhos para se passar pelas fronteiras entre Fantasia e o mundo dos
homens, um certo e outro errado." - Michael Ende, A Histria Sem Fim.

BIDUO D'OURO
for viola duo
Total length: less than 3 min.

Zoltan Paulinyi

I - Moderato (lrico)
1

Bc

Bc

B 43 n
4

B 43
9

B 43
B 43
12

Bc
Bc
15

B 43
B 43

Braslia, August 26, 2006

# 42 b j b
J

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b b n # # # 43

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2
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b bb 4 b
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w
4
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b - - b - - #

p
dim.

http://www.paulinyi.com
www.musicaerudita.com

Cop yright 2006 by Zoltan Paulini.

All rights reserve d.
P rinted in 3/0 9/06.

paulinyi@yahoo.com
zoltan.paulini@gmail.com


. b . b

- b

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II - Allegro

3/09/06
BIDUO D'OURO

B
f

. # .
#

43

Coda

46

3
4 n b
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# .
.
.

2
J
4

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b

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pizzicato
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b

b
J
p
b
pizzicato

j
j
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.
3

j
.

dim.

.
B # J

These couple of pieces are for begginers who wish to perform atonal music strictly composed with
the 12-tone system.
These pieces are made from the "gold row" (serie), which contains all interval combinations
(chords of 3 sounds - except the perfect 5th):
6 0 4. 8 5 10 - 11 1 3. 2 7 9
Second part plays its inversion.
The Allegro, second piece, is built upon a transposition of the same row where the first part plays
the inversion (except the Coda). For this edition, I have included some arrengements for any
instrumental combination, including winds and keyboard.
Further reading about the 12-tone system:
- Geroge Perle, "Serial Composition and Atonality", University of California Press, USA, 1991.
- Ernst Krenek, "Studi di contrapputo, basati sul sistema dodecafonico", Edizioni Curci, Milano.

Esta partitura pode ser copiada publicamente para fins no-comerciais desde que citada a fonte . Em
caso de performance, peo a gentileza de me enviar cpia do programa:
Zoltan Paulinyi
Caixa Postal 9747, Braslia - DF
CEP 70.040-976 - BRASIL
paulinyi@yahoo.com
www.paulinyi.com
This work is free for non-commercial copying: source shall be mentioned. In case of performance,
please send a copy of the concert program to the author.
3/09/06
BIDUO D'OURO

"H dois caminhos para se passar pelas fronteiras entre Fantasia e o mundo dos
homens, um certo e outro errado." - Michael Ende, A Histria Sem Fim.

BIDUO D'OURO
for cello or double bass duo
Total length: less than 3 min.

Zoltan Paulinyi

I - Moderato (lrico)
1

?c

?c
#

? 3 n
4

? 43
? 43
12

?c
?c
15

? 43
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# # #

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j
b b n # # # 43

j 2 j
# 4 b b

cantabile

Braslia, August 26, 2006

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4

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b
b.
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42

w
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J
b - - b - - #

http://www.paulinyi.com
www.musicaerudita.com

Cop yright 2006 by Zoltan Paulini.

All rights reserve d.
P rinted in 3/0 9/06.

paulinyi@yahoo.com
zoltan.paulini@gmail.com

.
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II - Allegro

3/09/06
BIDUO D'OURO

43

Coda

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b
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b

j
j
.
.

These couple of pieces are for begginers who wish to perform atonal music strictly composed with
the 12-tone system.
These pieces are made from the "gold row" (serie), which contains all interval combinations
(chords of 3 sounds - except the perfect 5th):
6 0 4. 8 5 10 - 11 1 3. 2 7 9
Second part plays its inversion.
The second piece is built upon a transposition of the same row where the first part plays the
inversion (except the Coda). For this edition, I have included some arrengements for any
instrumental combination, including winds and keyboard.
Further reading about the 12-tone system:
- Geroge Perle, "Serial Composition and Atonality", University of California Press, USA, 1991.
- Ernst Krenek, "Studi di contrapputo, basati sul sistema dodecafonico", Edizioni Curci, Milano.

Esta partitura pode ser copiada publicamente para fins no-comerciais desde que citada a fonte . Em caso
de performance, peo a gentileza de me enviar cpia do programa:
Zoltan Paulinyi
Caixa Postal 9747, Braslia - DF
CEP 70.040-976 - BRASIL
paulinyi@yahoo.com
www.paulinyi.com
This work is free for non-commercial copying: source shall be mentioned. In case of performance, please
send a copy of the concert program to the author.

3/09/06
BIDUO D'OURO

"H dois caminhos para se passar pelas fronteiras entre Fantasia e o mundo dos
homens, um certo e outro errado." - Michael Ende, A Histria Sem Fim.

BIDUO D'OURO
for violin and basson (or cello)
Total length: less than 3 min.

Zoltan Paulinyi
Braslia, August 26, 2006

I - Moderato (lrico)

&c

cantabile

? c #

# # #
3

j
2
4

3 n
&4
? 43 # # n

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b n # # # 43

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dim.

http://www.paulinyi.com
www.musicaerudita.com

42
f

3
4
3
4
43
c
c
43

b - - b - - 43

c b. J
43
p w

c # J w 43
p

Cop yright 2006 by Zoltan Paulini.

All rights reserve d.
P rinted in 3/0 9/06.

paulinyi@yahoo.com
zoltan.paulini@gmail.com

II - Allegro

3
.
.

3 .. b b
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f
20

3/09/06
BIDUO D'OURO

.
. # .

& # . # .
4
b f
.

.
b

?
# . 43 #
J 42 J J
f
.
46

pizzicato
j
J

& # .
b
J
p
dim.
.

.
#

j
? J
j

.
.
43

Coda

3
4 n

These couple of pieces are for begginers who wish to perform atonal music strictly composed with
the 12-tone system.
These pieces are made from the "gold row" (serie), which contains all interval combinations
(chords of 3 sounds - except the perfect 5th):
6 0 4. 8 5 10 - 11 1 3. 2 7 9
Second part plays its inversion.
The Allegro, second piece, is built upon a transposition of the same row where the first part plays
the inversion (except the Coda). For this edition, I have included some arrengements for any
instrumental combination, including winds and keyboard.
Further reading about the 12-tone system:
- Geroge Perle, "Serial Composition and Atonality", University of California Press, USA, 1991.
- Ernst Krenek, "Studi di contrapputo, basati sul sistema dodecafonico", Edizioni Curci, Milano.

Esta partitura pode ser copiada publicamente para fins no-comerciais desde que citada a fonte . Em
caso de performance, peo a gentileza de me enviar cpia do programa:
Zoltan Paulinyi
Caixa Postal 9747, Braslia - DF
CEP 70.040-976 - BRASIL
paulinyi@yahoo.com
www.paulinyi.com
This work is free for non-commercial copying: source shall be mentioned. In case of performance,
please send a copy of the concert program to the author.

3/09/06
BIDUO D'OURO

"H dois caminhos para se passar pelas fronteiras entre Fantasia e o mundo dos
homens, um certo e outro errado." - Michael Ende, A Histria Sem Fim.

BIDUO D'OURO
for violin and basson (or cello)
Total length: less than 3 min.

Zoltan Paulinyi
Braslia, August 26, 2006

I - Moderato (lrico)

&c

cantabile

? c #

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3

j
2
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dim.

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12

http://www.paulinyi.com
www.musicaerudita.com

42
f

3
4
3
4
43
c
c
43

b - - b - - 43

c b. J
43
p w

c # J w 43
p

Cop yright 2006 by Zoltan Paulini.

All rights reserve d.
P rinted in 4/0 9/06.

paulinyi@yahoo.com
zoltan.paulini@gmail.com

II - Allegro

3
.
.

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20

4/09/06
BIDUO D'OURO

43

Coda

&
f
?
46

&

# . # .

j
# .

dim.

? # j
.

3
4 n

b -

.
2 . # J.
4

43 # b J 42 J J
f # .
.
pizzicato
J

b
J
p
.
j

.
.

These couple of pieces are for begginers who wish to perform atonal music strictly composed with
the 12-tone system.
These pieces are made from the "gold row" (serie), which contains all interval combinations
(chords of 3 sounds - except the perfect 5th):
6 0 4. 8 5 10 - 11 1 3. 2 7 9
Second part plays its inversion.
The Allegro, second piece, is built upon a transposition of the same row where the first part plays
the inversion (except the Coda). For this edition, I have included some arrengements for any
instrumental combination, including winds and keyboard.
Further reading about the 12-tone system:
- Geroge Perle, "Serial Composition and Atonality", University of California Press, USA, 1991.
- Ernst Krenek, "Studi di contrapputo, basati sul sistema dodecafonico", Edizioni Curci, Milano.

Esta partitura pode ser copiada publicamente para fins no-comerciais desde que citada a fonte . Em
caso de performance, peo a gentileza de me enviar cpia do programa:
Zoltan Paulinyi
Caixa Postal 9747, Braslia - DF
CEP 70.040-976 - BRASIL
paulinyi@yahoo.com
www.paulinyi.com
This work is free for non-commercial copying: source shall be mentioned. In case of performance,
please send a copy of the concert program to the author.

4/09/06
BIDUO D'OURO

"H dois caminhos para se passar pelas fronteiras entre Fantasia e o mundo dos
homens, um certo e outro errado." - Michael Ende, A Histria Sem Fim.

BIDUO D'OURO
for keyboard

Total length: less than 3 min.

Zoltan Paulinyi
Braslia, August 26, 2006

I - Moderato (lrico)

&c

cantabile

# # #
42 j

3 n
&4
? 43
9

& 43
? 43

2
4

j
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j
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f

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b
b

p
15
jb j
& 43 #

n
f
dim.
j
? 43 # # j #

b - - b - http://www.paulinyi.com
www.musicaerudita.com

3
4

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J
f
.

2 .
3
#
4
4
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42
f

b - - b - - 43

# . # . c
n

b. J
b
p w
# # w
24

p
42

Cop yright 2006 by Zoltan Paulini.

All rights reserve d.
P rinted in 4/0 9/06.

43
43

paulinyi@yahoo.com
zoltan.paulini@gmail.com

3
.
.

3 .. b b
&4

b
f
f
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20

II - Allegro

- - 3

j
#

2
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2
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p
F
f
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4/09/06
BIDUO D'OURO

43

Coda

&
f
?
46

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j
# .

j
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dim.

? # j
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3
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b

J
J
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#

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f
.
J

b .

J
.
p
.
j

These couple of pieces are for begginers who wish to perform atonal music strictly composed with
the 12-tone system.
These pieces are made from the "gold row" (serie), which contains all interval combinations
(chords of 3 sounds - except the perfect 5th):
6 0 4. 8 5 10 - 11 1 3. 2 7 9
Second part plays its inversion.
The second piece is built upon a transposition of the same row where the first part plays the
inversion (except the Coda). For this edition, I have included some arrengements for any
instrumental combination, including winds and keyboard.
Further reading about the 12-tone system:
- Geroge Perle, "Serial Composition and Atonality", University of California Press, USA, 1991.
- Ernst Krenek, "Studi di contrapputo, basati sul sistema dodecafonico", Edizioni Curci, Milano.

Esta partitura pode ser copiada publicamente para fins no-comerciais desde que citada a fonte . Em
caso de performance, peo a gentileza de me enviar cpia do programa:
Zoltan Paulinyi
Caixa Postal 9747, Braslia - DF
CEP 70.040-976 - BRASIL
paulinyi@yahoo.com
www.paulinyi.com
This work is free for non-commercial copying: source shall be mentioned. In case of performance,
please send a copy of the concert program to the author.

4/09/06
BIDUO D'OURO

"H dois caminhos para se passar pelas fronteiras entre Fantasia e o mundo dos
homens, um certo e outro errado." - Michael Ende, A Histria Sem Fim.

BIDUO D'OURO Zoltan Paulinyi

Total length: less than 3 min.

I - Moderato (lrico)
1

&c

#
& c #
cantabile

3
&4
& 43
9

& 43
& 43
12

&c
&c
15

& 43
& 43

for 2 flutes

# 2 n b
J 4 J

Braslia, August 26, 2006

# #
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c b. J w
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b - - b - - #
dim.
p

http://www.paulinyi.com
www.musicaerudita.com

3
4

Cop yright 2006 by Zoltan Paulini.

All rights reserve d.
P rinted in 6/0 9/06.

43
c
c
43
43
43
43

paulinyi@yahoo.com
zoltan.paulini@gmail.com

. b . b

3
& 4 ..
f
20

II - Allegro

-
- -

. #

#

3 ..

&4
J
3
f
. # . f
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23 # # #
b

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6/09/06
BIDUO D'OURO
2
3

43

Coda

&
f
&
46

. .
# #

3 n b 4

2
4

. # .

.
J

.
b

# . 43 #
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f
.
b .
b .
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J
p
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3

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&
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& J

These couple of pieces are to be inserted at the end of the Doflein's second book (his violin
method), just before introducing change of positions. Doflein intended to teach all the styles of the
5-centured violin repertoire, so he has invited many great contemporary (up to 1930's) composers
to complete his album. Unfortunately there is a lack of compositions in the 12-tone system,
probably due to the masters who have not replied his invitations, or whose compositions were not
suited for beginners.
These pieces are strictly made from the "gold row" (serie), which contains all interval
combinations (chords of 3 sounds - except the perfect 5th):
6 0 4. 8 5 10 - 11 1 3. 2 7 9
Second violin plays its inversion.
The Allegro, second piece, is built upon a transposition of the same row where the first violin
(pupil) plays the inversion (except the Coda). For this edition, I have included some arrengements
for any instrumental combination, including winds and keyboard.
Further reading on 12-tone system:
- Geroge Perle, "Serial Composition and Atonality", University of California Press, USA, 1991.
- Ernst Krenek, "Studi di contrapputo, basati sul sistema dodecafonico", Edizioni Curci, Milano.

Esta partitura pode ser copiada publicamente para fins no-comerciais desde que citada a fonte . Em
caso de performance, peo a gentileza de me enviar cpia do programa:
Zoltan Paulinyi
Caixa Postal 9747, Braslia - DF
CEP 70.040-976 - BRASIL
paulinyi@yahoo.com
www.paulinyi.com
This work is free for non-commercial copying: source shall be mentioned. In case of performance,
please send a copy of the concert program to the author.
6/09/06
BIDUO D'OURO

"H dois caminhos para se passar pelas fronteiras entre Fantasia e o mundo dos
homens, um certo e outro errado." - Michael Ende, A Histria Sem Fim.

BIDUO D'OURO Zoltan Paulinyi

for clarinets (or trumpets) duo

Total length: less than 3 min.

I - Moderato (lrico)

#
c
&

j 2 j b
# 4 n

j
b n # # # 43

cantabile

&c

& 43

42

24 j

n
& 43
& 43

# # # #

.
.
j
# # # . . j # .

F b
- 2

# # # #
4
# # n
3
>
J #
# . 42

J
#
n

# # # n 2
3

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4
3
3

# j j

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n

p 3
n.

15

43
43

. b
4
. . . . .
.. 43 .
# j c
f

# #

j j
& 43 #
b n
f
dim.
# #
& 43

J
J
b - - b - - #
dim.
http://www.paulinyi.com
www.musicaerudita.com

j #
. . .

# #

.. 43 b b b b b b b c
J
f 3
3
.
2 .
3
#
4
4
J
J b.

12

b
& c b

Braslia, August 26, 2006

2
3
4
4
f b - - b - -

3
n # . # . c . J
4
b
b
p
w
24 c # j
3
4
# w

p
42

Copyright 2006 by Zoltan Pa ulini.

All rig hts reserved.
Printed in 3/09/06.

paulinyi@yahoo.com
zoltan.paulini@gmail.com

3
.
.

3 .. b b
- &4

b
- f
f
3
j # # # #

& 43 ..
#

.
#

f
f
23
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#

2
3
2
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4
4
j
# b -

p
.
3
j b 2 b
3 # # J 2
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4
J
J 4
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b
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p
27
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j # # # # # # # # # j ..

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F
f
.
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j
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31
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j b . j . 3
98
.
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8
j
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J
.
# .
.
p # .
dim.
F
cresc.
.
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. 9
.
3

j j
& .. J J J j # j # . # . j 8 J J 8
.
p
.
.
cresc.
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. .
36

. # .
.
.
.
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9
2

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4 b J j
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.
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.
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20

II - Allegro

3/09/06
BIDUO D'OURO

43 Coda

&
f

# . # .

&

46

&

j
# .

dim.

.
& # J

3
4 n

b -

.
2 . # .
J
4

.
3
2

4 # J 4 J J
# .
f
.
pizzicato
J
b

b
J
p
pizzicato

j
j
.
.

These couple of pieces are for begginers who wish to perform atonal music strictly composed with
the 12-tone system.
These pieces are made from the "gold row" (serie), which contains all interval combinations (chords
of 3 sounds - except the perfect 5th):
6 0 4. 8 5 10 - 11 1 3. 2 7 9
Second part plays its inversion.
The second piece is built upon a transposition of the same row where the first part plays the
inversion (except the Coda). For this edition, I have included some arrengements for any
instrumental combination, including winds and keyboard.
Further reading about the 12-tone system:
- Geroge Perle, "Serial Composition and Atonality", University of California Press, USA, 1991.
- Ernst Krenek, "Studi di contrapputo, basati sul sistema dodecafonico", Edizioni Curci, Milano.

Esta partitura pode ser copiada publicamente para fins no-comerciais desde que citada a fonte . Em
caso de performance, peo a gentileza de me enviar cpia do programa:
Zoltan Paulinyi
Caixa Postal 9747, Braslia - DF
CEP 70.040-976 - BRASIL
paulinyi@yahoo.com
www.paulinyi.com
This work is free for non-commercial copying: source shall be mentioned. In case of performance, please
send a copy of the concert program to the author.

3/09/06
BIDUO D'OURO

"H dois caminhos para se passar pelas fronteiras entre Fantasia e o mundo dos
homens, um certo e outro errado." - Michael Ende, A Histria Sem Fim.

BIDUO D'OURO
for trombone duo
Total length: less than 3 min.

I - Moderato (lrico)
1

?c

#.

# 42 n
J
J

cantabile

? c b

? 3 n
4
4

? 43
9

? 43
? 43
12

?c
?c
15

? 43
? 43

Zoltan Paulinyi
Braslia, August 26, 2006

# # # 3
#
4
3

2
4

3
. # # j . # .
4
.
.
b

.
3
# # # . # j # .
4
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42
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f
3
p
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#
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c # # J w
J

- - - dim.
p

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www.musicaerudita.com

Cop yright 2006 by Zoltan Paulini.

All rights reserve d.
P rinted in 3/0 9/06.

43
c
c
43
43
43
43

paulinyi@yahoo.com
zoltan.paulini@gmail.com

. . # # # -
#
? 3 .. #

- 4

f
f
3
#

# #
? 3 ..
#

j
#

4
#

f
f
3
.
.
# #
23
#

3 # j - 2
?
# j - # 24
4
4
#

.
p
3
#
2

j
3
? #
J 42
J

J
J

4
4
.
J
p
27
#

j # # # # # # # # # ..
?2

J
F
p
f
.

.
? 42
# J # J

J ..
p
f
F
.
#
31
#
. 3
.

j
j

.
? .. J # j J
J 8 # j 98
# .
J
.
.
.
p
F
dim.
cresc.
# .
. # .
.
? .. J J J # j j # . # . j 38 J # . 98
J
# .
.
J
J

dim.
p
.
cresc.
.
.
#

36
# . # .
. . .
# . # #
.

.
.
.
? 98 # #
2 j

4
J
# . .
. .
p
F
. . . . . .
.

.
.
.
.
.
#

? 98 n
2 j
4
J
# .
..
.
p
F
.
.
.
# #
#

40
. b b

.
.
b .
34 # # # .
?
c
J ..
3
dim.
p
f
.
b

.
. .
b b b
#

.
? # # #
# . 43 # .
. # ..
c

.
.
dim.3
f .
p
20

II - Allegro

3/09/06
BIDUO D'OURO

.
. # .
#

3
2
J
4 n
4
3
.

3
2
J
#

J
# 4 #
J 4
.
f
# .
pizzicato

J

J
p

pizzicato
j

j
#

.
.

. .
# #

43

Coda

46

# .
J

dim.

? # J.

These couple of pieces are for begginers who wish to perform atonal music strictly composed with
the 12-tone system.
These pieces are made from the "gold row" (serie), which contains all interval combinations
(chords of 3 sounds - except the perfect 5th):
6 0 4. 8 5 10 - 11 1 3. 2 7 9
Second part plays its inversion.
The second piece is built upon a transposition of the same row where the first part plays the
inversion (except the Coda). For this edition, I have included some arrengements for any
instrumental combination, including winds and keyboard.
Further reading about the 12-tone system:
- Geroge Perle, "Serial Composition and Atonality", University of California Press, USA, 1991.
- Ernst Krenek, "Studi di contrapputo, basati sul sistema dodecafonico", Edizioni Curci, Milano.

Esta partitura pode ser copiada publicamente para fins no-comerciais desde que citada a fonte . Em
caso de performance, peo a gentileza de me enviar cpia do programa:
Zoltan Paulinyi
Caixa Postal 9747, Braslia - DF
CEP 70.040-976 - BRASIL
paulinyi@yahoo.com
www.paulinyi.com
This work is free for non-commercial copying: source shall be mentioned. In case of performance,
please send a copy of the concert program to the author.

3/09/06
BIDUO D'OURO

"H dois caminhos para se passar pelas fronteiras entre Fantasia e o mundo dos
homens, um certo e outro errado." - Michael Ende, A Histria Sem Fim.

BIDUO D'OURO
for basson duo
Total length: less than 3 min.

Zoltan Paulinyi

I - Moderato (lrico)

? c b

j 2
4 b j b

cantabile

?c

? 3 n
4

? 43
? 43
12

?c
?c
15

? 43
? 43

j
b b n # n 43
3

? 43

Braslia, August 26, 2006

42 b j

2
4

.
.
j
b b n . b . j .

j
. .
b

# # 43

3
F b
- 2
j
b

b . b
b

4
b
. . . . .
3
>
j
J
n . 42
.. 43 b .

J
#
n
f
3
b 2
.. 43 b b b b b b b
b

4
J
3
3
f 3
3
.
b
j j

j
#
.
4
b

J
.
J
b

b p 3
n. 3
3

b b
2
n

4
b

b
f b - b - b - b
p
3
. . c
2
j
b

b b b
b. J
p bw
f
dim.
24 c j
#

b
w

Jdim.
J
b - b - b - b - n

http://www.paulinyi.com
www.musicaerudita.com

Cop yright 2006 by Zoltan Paulini.

All rights reserve d.
P rinted in 3/0 9/06.

3
4

43
c
c
43
43
43
43

paulinyi@yahoo.com
zoltan.paulini@gmail.com

3
.
.
b b b b b
? 3 .. b b
- b
4

b
f
3
f
j
? 3 ..
b

b
f
f
23
. .

2
3
2
?
j

j
4
b

4
4
b

b -

p
.
3
2
34
?
j j b J 42 b
b

J
4
J

J
b. b b
p
27
?2
j b b b b j ..
4 b b

F
f
p
.
#

b b b b .
? 42 b
# # # #
.j
J .
J
F
p
f
.
31

j b . b j b . 3 j 9
? .. J j

8
8
j b .
J
J
# .

.
.
.
p
F
dim.
cresc.
.
.

.
? .. J b . j j j j j 38 J . 98
J
. .
J

.
p
.
cresc.
dim. b
.
.
.
36

. .

b . b . b .
.
.
? 98
2

j b bb
. .
4 J
. .
Fb .
b . b .
p
. b . . . b . b .
.
j
b

.
.
? 98 b . b .
2

b b
b b
4 j b . b b
b

. .
.
.
p
F
.
.
40
n
. .
.
? . b b b 43
#

c b b b b b b J .
. . dim.
.
p
3
f
3
.
?
. n ..
# c . b b b
. 43 .
. .
b . b b p.
b .
b

dim.
f
.
20

II - Allegro

3/09/06
BIDUO D'OURO

43

Coda

?
46

?
dim.

? .
J

. .

3
4 b

b -

.
2 . J.
4

.
b

.
3
2

4 J 4 J b J
# # # # .
f
.
j
J

b .

.
b

J
.p
.
b

j
j
.
b .

These couple of pieces are for begginers who wish to perform atonal music strictly composed with
the 12-tone system.
These pieces are made from the "gold row" (serie), which contains all interval combinations
(chords of 3 sounds - except the perfect 5th):
6 0 4. 8 5 10 - 11 1 3. 2 7 9
Second part plays its inversion.
The second piece is built upon a transposition of the same row where the first part plays the
inversion (except the Coda). For this edition, I have included some arrengements for any
instrumental combination, including winds and keyboard.
Further reading about the 12-tone system:
- Geroge Perle, "Serial Composition and Atonality", University of California Press, USA, 1991.
- Ernst Krenek, "Studi di contrapputo, basati sul sistema dodecafonico", Edizioni Curci, Milano.

Esta partitura pode ser copiada publicamente para fins no-comerciais desde que citada a fonte . Em
caso de performance, peo a gentileza de me enviar cpia do programa:
Zoltan Paulinyi
Caixa Postal 9747, Braslia - DF
CEP 70.040-976 - BRASIL
paulinyi@yahoo.com
www.paulinyi.com
This work is free for non-commercial copying: source shall be mentioned. In case of performance,
please send a copy of the concert program to the author.

3/09/06
BIDUO D'OURO

"H dois caminhos para se passar pelas fronteiras entre Fantasia e o mundo dos
homens, um certo e outro errado." - Michael Ende, A Histria Sem Fim.

BIDUO D'OURO
for bB clarinet and basson (or cello)
Total length: less than 3 min.

Zoltan Paulinyi

I - Moderato (lrico)
bB

&c

#.

j 2 j b
# 4 n

cantabile

? c #
bB

? 43
9

bB

& 43
? 43

# # #

bB

&c
?c
15

bB

& 43
? 43

.
#

.
j
.
.
.
#
. j
j
# #
# # # . # # .
2
4

j
42

F
3

# # n
# # # #
42
# >
J #
# . 42

J
#
n
# # # n


2

4
3
3
3

12

j
b b b 43
3

3 n
&4
4

Braslia, August 26, 2006

3
4
3
4

. b . . . 3
. .
4
3

.. 43 .
f
b b b
b

3
J
.. 4
f 3
.

2
#
J 4
J .

j
# c
b b b

# # j #
#

.
3
j
#

4
J #.

p 3
#

b b

# # 42 b 43
b

- b -
3
f
p
3
3
j# j
# . # . c J
2
3
#

4
4
n

# # # # #
n.
p w
f
dim.
#
# #

J
J 42 c # J w

b - - b - 43
dim.
p

http://www.paulinyi.com
www.musicaerudita.com

Cop yright 2006 by Zoltan Paulini.

All rights reserve d.
P rinted in 4/0 9/06.

paulinyi@yahoo.com
zoltan.paulini@gmail.com

3 .. . . # &4
f
.
? 43 ..
#
f
.
.
23
# #
#

&
# 20

bB

bB

II - Allegro

b.

bB

bB

bB

# # j # # # #
f
2 j 4
# .
p
b

J 42 b
b J J
J

J
p

2 #
j
&4

F
f

.
# .
? 42
J J
F f
.
31

j .
J
.
j

.
j . J
&
#

# .
.
p
.
cresc.
.
. #

? .. J J J .
J
cresc.
p

# #

- -
3

3
j
4 # 43

2
4

#
J 42

# # # # # # # # j ..
# .
p
.
# # # #
J ..
p
#
.

j J 38 j 98
# .
.
dim.
F
.
j # . # . j 3 J J. 9
# . J J
8
8
.
dim.
.
.
36
. # .
. . . # #
. # #
#

.
9
2

& 8 # . # .
4 J j .
. .
p

F
. .
. . .
.

.
.
.
.
.
.
.
b b
# #
? 98 b b b . b . b b
24 . b J .
J
p
F
.
40
n . .
#

. b b 3

.
c b . . J ..
&
4 b b b # # # .
p
dim.
3
f
.

. .
# # # .
.
#

.
?
c
. # ..
.
43 . .
3
p
dim.
f
27

bB

4/09/06
BIDUO D'OURO

43

bB

Coda

&
f
?
46

bB

&

. b .
b

j
# .

dim.

? # j
.

b -

3
4
-

.
.
#

.
#

2
J
4

43 # b J 42 J J
f # .
.
.
J

.
J
p
.
j

.
.

These couple of pieces are for begginers who wish to perform atonal music strictly composed with
the 12-tone system.
These pieces are made from the "gold row" (serie), which contains all interval combinations
(chords of 3 sounds - except the perfect 5th):
6 0 4. 8 5 10 - 11 1 3. 2 7 9
Second part plays its inversion.
The Allegro, second piece, is built upon a transposition of the same row where the first part plays
the inversion (except the Coda). For this edition, I have included some arrengements for any
instrumental combination, including winds and keyboard.
Further reading about the 12-tone system:
- Geroge Perle, "Serial Composition and Atonality", University of California Press, USA, 1991.
- Ernst Krenek, "Studi di contrapputo, basati sul sistema dodecafonico", Edizioni Curci, Milano.

Esta partitura pode ser copiada publicamente para fins no-comerciais desde que citada a fonte . Em
caso de performance, peo a gentileza de me enviar cpia do programa:
Zoltan Paulinyi
Caixa Postal 9747, Braslia - DF
CEP 70.040-976 - BRASIL
paulinyi@yahoo.com
www.paulinyi.com
This work is free for non-commercial copying: source shall be mentioned. In case of performance,
please send a copy of the concert program to the author.

4/09/06
BIDUO D'OURO

"H dois caminhos para se passar pelas fronteiras entre Fantasia e o mundo dos
homens, um certo e outro errado." - Michael Ende, A Histria Sem Fim.

BIDUO D'OURO
for 2 oboes

Total length: less than 3 min.

& 43
& 43
9

& 43
& 43
12

&c
&c
15

& 43
& 43

Braslia, August 26, 2006

j
# .
j
#
2
#

c
1
&
4 #
#
J
cantabile
3
F
3
j .
2
& c # # # 42 n .
.
. .

.
#

n
# #
42 b
b b b . b j .
J J
3
F #

- 2

. .
#

b b . b
#
4
J
. . .
3
>
j
. 2
3
J
.

.
b

. 4
b
J 4
f
3
b
2 b
.. 43 # # J # #

4

3
3
F3 .
3

j
2

.
j
#

J
b

J
4
#.
J .
b p 3

#
2
n

4
b
#
# - # - # - # b
f
33
p
3
j j
. . c
#

b b 4 #
b. J
bw
f
p
dim.
j
b b
42 c
J
w
#

# - - # -
p
dim.
I - Moderato (lrico)

Zoltan Paulinyi

http://www.paulinyi.com
www.musicaerudita.com

C opyrigh t 200 6 by Zo ltan Paulini.

All rights reserved.
Printed in 14/12/06.

43
43
43
43
c
c
3
4
3
4
43
43

paulinyi@yahoo.com
zoltan.paulini@gmail.com

3
. b . b b b b - b b

3 ..

# # #
- &4

#
f
f

3
#

.
j
.
&4 .

b
f
f
3
. .
23
j b 2
n
2
3
#

&
4
- 4
# - 4

p
.
3
2
j j 2

J 4
J 4
b

J
J
&
4
b

b.
p
27

j .
b

j
2

.
& 4 b b

F
p
f
b .
b
b b b b b
b b b b
.
2
J

J ..
&4
J p
f
F
.

31
b
. 3
j
.
J
#

j
j
j 98
.
#

& .
8
J
# .

.
.
J
.
.
p
dim.
F
cresc.
.
.

.
3 J . 9
J # . j j j j
.

J
.
&
8
.
J 8
J
. . b j

.
p
dim.
cresc.
.
.
.

. .
36

.
.
.
.
.
#

. .
9
2
b

&8
4 J j b . b b
. .
b . b .
Fb
p
# . # . . . # . # . 2 j .
# .
n

.
.
9 # . # .
# #
&8
4 . J b b .
# . # . # #
p
F
.
.
.

40 .

# # 3 .
# #
# # # . J ..
c

&
4
.
.
3
dim.
p
f
.
.
.
n

c
. 4 .
&
. b . b b b . b b n . ..
b .
f b b b . dim. 3
p
20

II - Allegro

14/12/06
BIDUO D'OURO

. .
&
f
43 Coda

&
46

&

j
.

dim.

.
&J

j
b .

3
4 # # # #
-

.
.
.

2
J
4

.
#

34 J 42 J # .
J
# # # # .
f
.
b
J

b
J
p
b
j

These couple of pieces are for begginers who wish to perform atonal music strictly composed with
the 12-tone system.
These pieces are made from the "gold row" (serie), which contains all interval combinations (chords
of 3 sounds - except the perfect 5th):
6 0 4. 8 5 10 - 11 1 3. 2 7 9
Second part plays its inversion.
The Allegro, second piece, is built upon a transposition of the same row where the first part plays
the inversion (except the Coda). For this edition, I have included some arrengements for any
instrumental combination, including winds and keyboard.
Further reading about the 12-tone system:
- George Perle, "Serial Composition and Atonality", University of California Press, USA, 1991.
- Ernst Krenek, "Studi di contrapputo, basati sul sistema dodecafonico", Edizioni Curci, Milano.

Esta partitura pode ser copiada publicamente para fins no-comerciais desde que citada a fonte . Em
caso de performance, peo a gentileza de me enviar cpia do programa:
Zoltan Paulinyi
Caixa Postal 9747, Braslia - DF
CEP 70.040-976 - BRASIL
paulinyi@yahoo.com
www.paulinyi.com
This work is free for non-commercial copying: source shall be mentioned. In case of performance,
please send a copy of the concert program to the author.
14/12/06
BIDUO D'OURO

"H dois caminhos para se passar pelas fronteiras entre Fantasia e o mundo dos
homens, um certo e outro errado." - Michael Ende, A Histria Sem Fim.

BIDUO D'OURO
for trombone and tuba
Total length: less than 3 min.

b.

I - Moderato (lrico)
Trombone

?c

2
J 4 J

cantabile

Tuba

? c b

?3
4
4

? 43
9

? 43
? 43
12

?c
?c
15

? 43
? 43

Zoltan Paulinyi
Braslia, August 26, 2006

b b b
3

.
. # # j
.
.
b

.

# # # . b .
J
J
2
4

42
J #
3
F
3

.
b b b b n
b b b b J . b . . b b
42
. .
>
b
. 2
J b
# b
.. 43 .

J 4

J
f
3
3
b # 42 #
.. 43 b b J b

b b b

f3 .
3
3

.
b b
b

j
J .
J 42 #
J b.
3 J
p
3
b
b

b b 42
b
b
- - -
3
f

p
. .
b

j
b

2
b
c . J
# # # # 4 b
p w
dim.
f

b b 2 3

b J w

c
J
J
4
b

b
- - - dim.
p

http://www.paulinyi.com
www.musicaerudita.com

Cop yright 2006 by Zoltan Paulini.

All rights reserve d.
Printed in 14/1 2/06.

3
4
3
4
3
4
43
c
c
43
43
43
43

paulinyi@yahoo.com
zoltan.paulini@gmail.com

. . b # # # -
? 3 .. # # # #

- 4

f
f
3
b j b b b b
b b b b

? 3 ..

.
4
b

f
f
3
.
.

23
3 # j 2
? b b b
b b j - b 42
4
4
.
3
p
b

j
3 b
?
J 42
J 42

J
J

4
.
J
p
27
b
j b b b b b ..
?2

J
p
f
F

.
.
? 42
..
# J b
J
J
F
f
p
.
#

31
#
. 3
.
j

j
j 9

.
? .. J j

8
b

8
J
b

.
J
.
.
.
p
dim.
cresc.
F
.
? .. j . J b . b j j j j 38 b J. j 98
J
b .
J
.
.
b

p
. .
.
cresc.
. b .
b

dim.
.
.
. b b
b b
36
b

. . .
.
.
.
? 98
24 j .

J
#

.
.
p
F
. .
. .
. . 2 j .
? 98

b b .
4 .
J

. .
p . . . . . .
b .
.
.
.
# #

F
40
. b b
b . .
34 . b b b .
?

c
J ..
3
dim.
p
f
.
b

b . . .
b b b b
.
? b b b
# . 43 # .
. b .
c

. .
.
dim. 3
p
f .
20

II - Allegro

14/12/06
BIDUO D'OURO

43

Coda

. . b

46

3
4
-

b .
J

b .
f
# .

j 2 .

4
b

J
.
b # #

43

dim.

? j
b .

. .
b .
2
J
4

j
.

j
b .

These couple of pieces are for begginers who wish to perform atonal music strictly composed with
the 12-tone system.
These pieces are made from the "gold row" (serie), which contains all interval combinations
(chords of 3 sounds - except the perfect 5th):
6 0 4. 8 5 10 - 11 1 3. 2 7 9
Second part plays its inversion.
The second piece is built upon a transposition of the same row where the first part plays the
inversion (except the Coda). For this edition, I have included some arrengements for any
instrumental combination, including winds and keyboard.
Further reading about the 12-tone system:
- George Perle, "Serial Composition and Atonality", University of California Press, USA, 1991.
- Ernst Krenek, "Studi di contrapputo, basati sul sistema dodecafonico", Edizioni Curci, Milano.

Esta partitura pode ser copiada publicamente para fins no-comerciais desde que citada a fonte . Em
caso de performance, peo a gentileza de me enviar cpia do programa:
Zoltan Paulinyi
Caixa Postal 9747, Braslia - DF
CEP 70.040-976 - BRASIL
paulinyi@yahoo.com
www.paulinyi.com
This work is free for non-commercial copying: source shall be mentioned. In case of performance,
please send a copy of the concert program to the author.

14/12/06
BIDUO D'OURO

"H dois caminhos para se passar pelas fronteiras entre Fantasia e o mundo dos
homens, um certo e outro errado." - Michael Ende, A Histria Sem Fim.

BIDUO D'OURO Zoltan Paulinyi

for two horns

Total length: less than 3 min.

I - Moderato (lrico)

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cantabile

Braslia, August 26, 2006

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http://www.paulinyi.com
www.musicaerudita.com

42

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C opyrigh t 200 6 by Zo ltan Paulini.

All rights reserved.
Printed in 14/12/06.

43
43

paulinyi@yahoo.com
zoltan.paulini@gmail.com

II - Allegro
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14/12/06
BIDUO D'OURO

43

Coda

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These couple of pieces are for begginers who wish to perform atonal music strictly composed with
the 12-tone system.
These pieces are made from the "gold row" (serie), which contains all interval combinations (chords
of 3 sounds - except the perfect 5th):
6 0 4. 8 5 10 - 11 1 3. 2 7 9
Second part plays its inversion.
The Allegro, second piece, is built upon a transposition of the same row where the first part plays
the inversion (except the Coda). For this edition, I have included some arrengements for any
instrumental combination, including winds and keyboard.
Further reading about the 12-tone system:
- George Perle, "Serial Composition and Atonality", University of California Press, USA, 1991.
- Ernst Krenek, "Studi di contrapputo, basati sul sistema dodecafonico", Edizioni Curci, Milano.

Esta partitura pode ser copiada publicamente para fins no-comerciais desde que citada a fonte . Em
caso de performance, peo a gentileza de me enviar cpia do programa:
Zoltan Paulinyi
Caixa Postal 9747, Braslia - DF
CEP 70.040-976 - BRASIL
paulinyi@yahoo.com
www.paulinyi.com
This work is free for non-commercial copying: source shall be mentioned. In case of performance,
please send a copy of the concert program to the author.
14/12/06
BIDUO D'OURO