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648 South Main Street Greenvilles Historic West End 864.232.8999

Corner of Main & Broad Heart of Downtown Greenville 864.546.3535

A Note From The Executive & Artistic Director

Happy 40th Anniversary Season to The Warehouse Theatre. It is a great pleasure to be at the helm of The Warehouse Theatre during this exciting time. We have accomplished so much over the course of the last 40 years and there would be no way for me to thank everyone who has had a part in the rich community that we have built, but together we have created a theatre of which Greenville is proud. This year we look back at all of our success but we also look forward to the next 40 years, and I am happy to lay out the business model that will launch us into the future! Its a business model built for longevity, addresses all mission directives and will provide the highest professional and artistic quality theatre possible. It has three integral parts that could stand on their own but together create a unique business model for a small market professional theatre. During our 2015-2016 season well kick o our new Warehouse Theatre Conservatory, a tuition based 40+ week program drawing from the most talented early career theatre professionals from across the state and nation. It bridges the gap between the educational and the professional world. Too many young theatre artists receive little to no training about the business of their discipline; we will ll that gap and prepare them for their rst professional move. In fact, well provide their rst professional move. Our touring program grows every year and will reach throughout South Carolina and the near reaches of North Carolina and Georgia. The tours not only further the reach of our educational programming but will also hire the graduates of our conservatory the season after they graduate. Tell your representatives: we are creating an educational program that provably leads to tax paying jobs in the eld, in the state!

If excellent professional preparation, networking while working with our guest artists on the Main Stage and then a job when they graduate are not carrots enough to ensure we attract the best, brightest we have something else. In 1989 The Warehouse Theatre became the rst professional theatre in South Carolina when it entered into a Small Professional Theatre agreement with Actors Equity Association. This year we have once again entered into a Small Professional Theatre agreement with Actors Equity Association. This agreement helps us increase the professional and artistic quality of what you see at The Warehouse but it also, and almost more importantly, will allow us to oer to our Conservatory students measurable movement towards the professional credentials they wish to acquire. Well still be doing all of the other programs that you have come to know and love, a vibrant summer season with The Distracted Globe and our Upstate Shakespeare Festival; our exciting and impactful educational programming including This Wooden O, The Healthy Living Program; our Community Engagement activities which include our Talk Backs, Pre-Show Talks, and our Warehouse Theatre Forums and more. The Warehouse is your Intense Intimate and Unexpected alternative for theatre of the highest quality! Thank you for being a part of our world and we hope youll be a big part of the next 40! Thank you for coming to The Theatre. Without you, wed be an empty room.

Mailing address: The Warehouse Theatre 37 Augusta St. Greenville, SC 29601

Website address: www.warehousetheatre.com Email: info@warehousetheatre.com

Latecomers: Latecomers will be seated at the discretion of management and in seats that avoid disrupting other patrons and the performance. Refunds are not available except in the case of performance cancellation. If you cannot attend, we can accept your unused ticket as a donation. Please return your ticket to the box oce to obtain a tax receipt.

Smoking: Smoking is NOT PERMITTED anywhere in the building. Those who must smoke should do so on the public sidewalk away from the building, so as not to bother other patrons. Please do not smoke just outside the doors as the smoke drifts back inside; instead, go to the end of the ramp to the patio area.

Cameras and recording devices: It is ILLEGAL to record a performance, with any media, in whole or in part. If you record a performance in whole or in part we will ask you to stop recording during the live performance. You will be embarrassed. The videotaping or other video or audio recording of this production is strictly prohibited. Cell Phones, Beepers & Alarm Watches: Please turn them o BEFORE the performance begins. Please do not use the vibrate option but, instead, turn them completely o. Lost and Found: Found items should be given to the House Manager. Queries regarding lost items may be made by calling 235-6948.

Recycling & Trash: Please help us keep the theatre clean by discarding trash in the lobby trash cans or by handing it to us for recycling. Thank you! Your Image: Attendance at The Warehouse Theatre is your tacit permission for us to use your still image for marketing and/or fundraising purposes. Attendance at The Warehouse Theatre is your tacit permission for us to use your moving image and recorded comments for marketing and/or fundraising purposes. Attending The Theatre: When coming to the theatre, at The Warehouse or anywhere else, you are taking part in a 2500+ year old tradition that engages you with the community in which you live. With this in mind, please be courteous to the other audience members. You are part of their experience and they are part of yours. Watching a play requires you to think. Enjoy yourself with your brain ON. You cant go back if you miss something this is live and in the esh. There are many dierent types and styles of plays. We oer you the opportunity to attend a pre-show talk before our Sunday matinees which will put the play you are about to watch into context, and we also have information about our production available to you in our lower lobby, but do your own homework. You will enjoy the experience more if you do a little bit of research into the play and the playwright. The Internet is your friend! Dont be afraid to laugh...there are laughs even in tragedies. Go ahead...its ok!
The Warehouse Theatre is sponsored in part by a grant from the Metropolitan Arts Council, which receives funding from the City of Greenville, SEW Eurodrive, BMW Manufacturing Company, LLC, Michelin North America, Inc., and the South Carolina Arts Commission with support from the National Endowment for the Arts.

Book by Je Whitty Music and Lyrics/Original Concept by Robert Lopez and Je Marx

Cast
Kate Monster Trekkie Monster Brian Nicky Christmas Eve Rod Gary Coleman Princeton Lucy Chelsea Atkins Justin Birney Tony Glass Jenson Lavallee Hannah Salberg Brady Smith Crystal Stewart Scott Wichmann Lauren Wilson

Production Crew
Director Asst. to the Director Vocal Coach Choreographer Scenic Design Costume Design Puppets Prop Design Sound Design Lighting Design Stage Manager Set/Paint Crew Richard St. Peter Trevor Floyd Vicki Masters April Schaeer Shannon Robert, Henry Wilkinson Allison M. Steadman Kim Granner Paul Feraldi Woody Moore Kevin Frazier Ansley Keenan Dalton Cole, Alex Brady, Christian Oehring, Erika Whatley, Adam Rudd, Megan Urbanski, Sarah Sullivan, Greenville Tech Stagecraft Class

Actors Equity Association (AEA) was founded in 1913 as the rst of the American actor unions. Equitys mission is to advance, promote and foster the art of live theatre as an essential component of our society. Today, Equity represents more than 40,000 actors, singers, dancers and stage managers working in hundreds of theatres across the United States. Equity members are dedicated to working in the theatre as a profession, upholding the highest artistic standards. Equity negotiates wages and working conditions and provides a wide range of benets including health and pension plans for its members. Through its agreement with Equity, this theatre has committed to the fair treatment of the actors and stage managers employed in this production. AEA is a member of the AFL-CIO and is aliated with FIA, an international organization of performing arts unions. For more information, visit www.actorsequity.org.

TRANSFORMING THE BUSINESS LANDSCAPE

Haynsworth Sinkler Boyd, P .A.
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and arts in the Upstate.

Boyd B. (Nick) Nicholson, Managing Director ONE North Main Street, 2nd Floor Greenville, SC 29601 864.240.3200 bnicholson@hsblawrm.com

www.hsblawrm.com

AT TORNEYS AND COUNSELORS AT L AW

Staff
Executive/Artistic Director Paul Savas Director of Development Katie Leckenbusch Director of Education Anne Kelly Tromsness Associate Artistic Director Shannon Robert Production Manager Bill Munoz Technical Director John F. Keenan Operations/Front of House Manager Andy Croston Administrative Assistant Jaime Keegstra

Special Thanks
Clemson University Performing Arts Department South Carolina Governors School for the Arts & Humanities Paul Feraldi Lara St. Peter Francis Marion University Productions Unlimited Matt Leckenbusch Clemson University Justin Neil Ames Jayce Tromsness Ruth Mansure J.C. Rose & Associates, Inc. Habitat for Humanity

The Medici Society

Your gift to The Medici Society, The Warehouse Theatres annual fund, is an altruistic act which supports our annual operations. The Medici Family of 15th century Florence was largely responsible for the owering of arts during the height of Florentine and European Renaissance. The Medicis gave ample patronage to the arts and literature in order to encourage a prosperous city. When you give to The Medici Society, you join a rich history of giving to the arts which was born in ancient Greece, revived through the Medicis, and is ours to perfect. For more information please contact: Katie Leckenbusch Director of Development. Katie@warehousetheatre.com 864.235.6948 Chairmans Circle ($10,000+) Lobby space donated to a charity of your choice for a reception (some restrictions apply). Producers Circle ($7,500 - $9,999) (20) Tickets: Pick a show, or shows, invite your friends OR WHT will donate tickets in your name to the charity of your choice. Directors Circle ($5,000 - $7,499) Invitation for (2) to WHT 40th Anniversary Gala! Saturday, January 18, 2014 Playwrights Circle ($2,500 - $4,999) Reserved seating for you and a guest for the whole season! (reservations required) Grand Benefactors ($1,000 - $2,499) Invitation to a design presentation and rehearsal of your choice. Benefactors ($500 - $999) Invitation for (2) to The Warehouse 4th of July Party. Patrons ($250 - $499) Invitation to Theatre Appreciation Events. Please check the website for dates and topics! Partners ($100 $249) Recognition in the 2012-2013 season playbill and WHT website.

The Medici Society Listing reflects gifts received prior to November 18th, 2013
The Harriet Wyche Endowment Fund for Professional Artistic Excellence at The Warehouse Theatre Generous Support From: Bank of America The Derrick Family Foundation Elbert W. Rogers Foundation The Graham Foundation Hollingsworth Funds, Inc. The Jolley Foundation The Metropolitan Arts Council Jean T. and Heyward G. Pelham Foundation The Shubert Foundation South Carolina Arts Commission The F.W. Symmes Foundation The TD Charitable Foundation Chairmans Circle $10,000+ BMW Manufacturing Co., LLC Ethel and John Piper Tom and Debra Strange Jackie and John Warner Mimi Wyche and Davis Enloe Producers Circle ($7,500-$9,999) Wyche, P.A. Directors Circle ($5,000-$7,499) Anonymous Susan and Steve Bichel Current Tools, Inc. Danielle Fontaine and Bill McLendon Greenville Hospital System Childrens Hospital Beth Lee and Chip Lee Northwestern Mutual, Greenville Crissy and George F. Maynard, III Susan and Russell Stall Playwrights Circle ($2,500-4,999) Claire and Joe Blake Elliott Davis, LLC Design Strategies, LLC Don Faircloth and Mark Blonstein Haynsworth Sinkler Boyd, P.A. Marsha and Wallace Lightsey Ruth and John Mansure Priester Foundation Shannon Robert and Paul Savas Rogers Financial Group (Jeanette and Jon Rogers) Sharon and Adrian Steinmann VidiStar, LLC Bianca and Craig Walker Harry Wilkinson and Cecily Mango Grand Benefactors ($1,000$2,499) Helen and Neil Ames Linda Archer Elizabeth Barwick and Roy S. Fluhrer Mary Biebel Ken Betsch Vicki and Craig Brown Sue and Jim Burford CertusBank Ann and Mike Chengrian Amy and Mark Clary Cutler Computers, Linda and Jerry Cutler Kathi and Joel Daniel Harriet and Jerry Dempsey Diane and Chip Egan Andrew Elash Frances and David Ellison Ingrid and Rick Erwin ExxonMobil Foundation Jack Ashton and John Fagan Lara and Eric Farnsworth Sarah and George Fletcher Sharron and Norman Glickman Christine and Eric Harrell The Hasert Memorial Trust Bev and Bob Howard Andrea and Carson Johnson Steve Johnson Mary and Je Lawson David E. Maguire Foundation, Inc. Basia and Paul McHugh Beth and Scott McMillan Heidie and Keith Miller Teri and Jorge Pena Ginger and Brian Phillips Jane and Donald Pilzer

The Medici Society Listing reflects gifts received prior to November 18th, 2013
Sue Priester The Honorable Richard C. Riley Shirley Sarlin Carol and Andrew Savas Judson Suber, West End Dental SuperCuts Emilie and Nick Theodore TD Bank, N.A. Dr. Tom and Lucy Tiller Kelli and John Tripoli Liz and Fabian Unterzaucher Ellen and Alan Weinberg Bobbi and Bill Wheless Marsha and Knox White Susie and Andrew White Beverly and James S. Whitten Maxim Williams C. Thomas Wyche Benefactors ($500-$999) ADG Preferred Payroll, Inc. Michael Allard Paul C. Aughtry, III Dan Belbey and Tom Donnelly Joseph Blalock Laura Blume Anne and John Crabtree Crawford Strategy, LLC Judith L. Coe Mary Anne and Bob Cooper Fannie I. Cromwell Jane Davenport Kathleen Davis Pat Dilger Rosa Eisenstadt J. Michael Evans Keller and David Freeman Mary and Caleb Freeman Mark Fernandez Nita Finley Patricia and William Fuller Donna and Steve Graddick Susie and Jim Grow Nancy and Bruce Halverson Kay and Monte Hart Gary Hester Interiors Trude Heller and Family Blake Kingsbury BJ and Don Koonce Brock and Staci Koonce Alice and Jerry Lenz Billy Long Dolly and Louis Pardi Diane Perlmutter Heather and John Petrusick Piedmont Arthritis Clinic Nicole and Trevor Ream Sherm Roundsville Rosenfeld Einstein David Ryder Glenn Sawicki Bob and Pat Shufeldt Diane Smock and Brad Wyche Graham and Greta Somerville Diana and Mike Staord Mae and Dennis Tavernetti Sydney and Ed Taylor Jill and Lou Vales Harriet and Philip Van Hale Thea and Ruud Veltman Steve VonFange Kelly Wallace Alex and Philip Whitley Wade Wilson Lorraine and Robert Wooten Patrons ($250-$499) Melinda Aud Maegan and Thomas Azar Ann Bible and Tom Batson Signe and Ron Cann Mark Cerniglia JP Morgan Chase Bank David and Carolyn Childs Susan Clark Billie Cleveland and Carroll Rushing Wade Cleveland and Travis Seward Stanley Crowe Eileen Culbreth In Memory of Dale Davis Betty Farr Dr. Jerry and Natalina Ferlauto David and Jackie Firstenberg Belinda and Gary Gerrack Julie and Berry Garrett Sharron and Norman Glickman

The Medici Society Listing reflects gifts received prior to November 18th, 2013
Terry and Mark Gordon Greenville Army Navy Store, Je Zaglin Laura and Jim Gossett Nicolette and Allen Grumbine Priscilla and Johnny Hagins Marcy and Dexter Hagy Frank B. Halter Kathryn and Georey Hardaway Priscilla and Knox Haynsworth Anna Kate and Hayne Hipp Jamie and Henry Horowitz Jean and Ken Johnson Eugene Johnson Ken and Jean Johnson Mary and Ellis Johnston Mr. and Mrs. Hurdle Lea Fred Leert Helen B. Maish Genevieve and Basil Manly McCallum Sweeney Consulting, INC Sarah and Tim McHenry Sandy and Tom Mills Ellie and John Mioduski Mary Louise Mims Sue and Brian Onken William H. Orders William Page Anne Parker Margaret Ellis Pearce C. Niles Ray Donna Reiss and Arthur Young Amy and Martial Robichaud Lucy and Roger Rollin Michelle and Michael Shain Minor and Hal Shaw Christian and David Sims Carol and James Smeaton Delores and Barney Smith Elizabeth P. Stall Nancy B. Stanton Cindy and Stan Starnes Carolyn G. Stirm Lubov and Edvard Tchivzhel Sherri and Chuck Timmons Christine and Dudley Tower Jo and Harry Ussery Diana and Greg Valente Leslie and Eddie Vann Marilyn Vanvick and Bill Page Judy and Eric Verhoeven Eleanor and Irv Welling Jeannette Wilcox Partners ($100-$249) Steve Acres Robin and Michael Aleksinas Traysie Amick Karen and Ralph Baehr Tim Baiden Donnie and Ed Barnes Dorothy Beling Deborah Bell Bernice Bloom Pat and David Borenstein Andrea and Tomas Burriss Robert Cancelliere Capehart Dentistry Sapho and Mark Charney Kenneth Christy Elvin and Connie Clark Alice and John Claggett Peggy and Roger Clinkscales Kerstin and Adrian Craven Harry Curtis Susan and Mark Cyr Elizabeth Daly-Korybski James Davis Peggy and Steve Davis Debbie Dailey Steve and Peggy Davis Debby and Joe DeRosa Doug Dorman Gladys Dyke Sally and John Eastman Dot and Alan Elmore Carol Estep Valerie and Timothy Estes Ildiko and Rich Everly Alice Anne and Ben Farley Caroline Fratturo Rebecca and Thomas Faulkner Pamela Fjeld Elizabeth Foxworth Kathryn Freedman

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The Medici Society Listing reflects gifts received prior to November 18th, 2013
Irene and Lee Friedman William Garren Pat Garrett Annette Garver Paul Gilbert Heather Haley David Hames Mireille and Viktor Hanuska Joe Haynes Richard Heusel Elizabeth Hicks Carol and Walter Hinton Frank S. Holleman Stephen Humphrey Sue and Sam Inman George Micheal Jamra Margaret L. Jenkins Don Kamb Cherie Keese Vickie Kroeger Sandra Lamberson Linda and Harry Law Diane L. Lawrence Linda and Howard Levy Heather Lyndon Glenda Manwaring Sharon and Charles Martin Dr. and Mrs. Fleming Mattox Jackson and Pamela McCarter McPhail Animal Hospital William Mebane Laura Miller Lynda Morrison Mary Lee and Warren Mowry Bob and Valerie Muller Laura and Miles Nason Barbara and James Neal Raja Neuhaus Grady Patterson Sally and Peter Potosky Mary Principe Susan and Tim Reed TJ Saad Sandra Sanderson Harvey Sanders Pat Scales Susan Schneckenberg David T. Scott Gail and Bruce Schoonmaker Steven Shrum John Sisson Donna Smith Allison Steadman Maris and Neil Steinberg William Stephenson Tod Tappert Cheri and Dennis Tesolowski Joni and Larry Thompson Tracy Tiddy Frankie and Monty Tucker Valda and Donald Vandersloot William Volz Leigh Walker West End Spirits Shelby and Michael Wirt Phyllis Wilkes Barbara and Don Willoughby Charles Woord & Nancy B. Thomas Dr. and Mrs. Richard Zander

Thank you to all of our donors! Please let us know if you find an error in your information - we want to represent your support correctly!

Avenue Q&A:

Excerpts from an Interview with the Creators of Avenue Q*

In your wildest dreams, did you ever think that puppets swearing, having sex and singing about schadenfreude would actually appear on Broadway, let alone win the big three Tonys?

All we knew was that we were kids writing a show about ourselves and how much it sucked to be us. Bobby was a temp at the time; Je was an intern. Bobby was living with his parents after graduating from Yale; Je was living in an apartment owned by his parents after graduating from law school. Neither of us was making any money or really feeling like an adult yet. But we sort of had it good. Lots of our friends were worse o than us -- at least we got to live in Manhattan and convince ourselves we were being productive while taking classes in the BMI Lehman Engel Musical Theater Writing workshop. Our friends were living in squalor out in Brooklyn or Queens, commuting, working all day long in entry-level jobs they hated, wondering how the hell they got there. So we decided to write a show about the situation. An idea for the concept, then a couple songs, then a staged reading in a borrowed theater in the basement of a church where we paid the actors by buying them all dinner. Four and a half years later, were on Broadway and we each have a Tony Award on our shelves. What came rst: the characters, the story or the songs? The idea for the show came rst. We wanted to write a musical that would appeal to everyday people -- people who dont necessarily already like musicals -- and so we were looking for a medium that would allow characters to sing but which wouldnt be your typical Oklahoma! or Funny Girl type stage show. Our solution to overcome the modern bias against singing was to write a Muppet movie. We realized that for the most part, audiences have a tendency to say oh please when a character breaks into song nowadays, but we didnt think that puppets faced that same hurdle. Where the Muppets are concerned, they must sing otherwise they seem kind of at. Singing is just part of their vocabulary. So we tried to nd the most ludicrous plot we could nd for it, and we settled on Hamlet. We started writing a very, very loose adaptation and called it Kermit, Prince of Denmark. It was about Kermit the Frog walking through the airport, on his way to join the other Muppets in Denver, Colorado, for a planned skiing trip, when he accidentally boards the wrong plane headed to Denmark. Once in Denmark, hes mistaken for Hamlet (also a green frog Muppet), who has gone missing. Its a typical story of mistaken identity, chaos, mayhem, and so forth, and nobody dies at the end. Kermit gets everyone to cooperate and communicate, and makes friends with everyone... as Muppets often do. We nished writing about eight songs, and they won the $100,000 Kleban Award. We then sent the songs and a short treatment o to Brian Henson, who runs the Jim Henson Company. He said he wasnt interested, and that was that. But we learned something valuable from the experience -- we learned not to write for other peoples characters because if they say no, all your hard work is down the drain. It made us say, To hell with the Muppets. Lets create our own family of characters. And so we started coming up with a concept for a show that would use puppet characters, based initially on ourselves and our friends. Once we had all the major characters and a bunch of songs and a basic outline of a plot, we brought Je Whitty, a playwright, in to work on the script, and he eventually ended up taking over the bookwriting end Aof it. He won a Tony for his work, too. How much of the story and experiences are autobiographical? Do either of you identify specically with any one character more than any others?

Its all autobiographical, or biographical, anyway. Its all based on us and our friends. Its not as specic as this character is me and this characters him, but theyre all amalgamations of things and feelings weve been going through personally. Even the character of Gary Coleman has a journey in the show that was personal to us. When we were all kids, our parents taught us we were special --- that we could do anything. Childrens television echoed that. And apparently were not the only ones who felt that way. A lot of people tell us that theyre Princeton or theyre Kate Monster.
*This interview with Je Marx and Robert Lopez was conducted by Aaron Dobbs & Lily Oei, and originally appeared on the Gothamist website in 2004.

Dramaturg Notes
In addition, the following is an interview dramaturg, Elisa M. Golden, recently conducted via e-mail with playwright, Je Whitty: Lady Gaga refers to her fans as her little monsters. Do you believe Lady Gaga was inspired by your musical? I think that Monster is a marvelous term, and while we wouldnt be the rst artists to be co-opted by Lady Gaga I will give her the benet of the doubt here. But I think everyone has a Monster inside them. Trekkie is an extreme example of Monster, while Kate is a more commonsense Monster. (Kate is also my favorite character in the show so Im partial to Monsters.) Since Gary Coleman is now deceased, who do you think could ll his shoes today? Even before the show opened in 2003 we considered possible alternatives to Gary, but he was the only one who worked at the time. The character has to be a person of color in order to t in Everyones a Little Bit Racist, and the character also has to have been through career ups and downs. Recently it occurred to me that M.C. Hammer would be a good option. He has a resilience and pluck despite everything. How did you decide on the title, Avenue Q? Credit for that goes to Bobby and Je, the songwriters. Avenue Q is well beyond any place hip in Manhattan, which only goes to Avenue D. Aside from Avenue Q, what is your favorite musical? I was not one of those kids who listened to Broadway cast recordings, dreaming of a life in musicals. I knew little about musicals until Avenue Q happened. Ive done my catching-up, though. Id say that Sweeney Todd is my favorite for its mix of darkness and light. Its wicked, knowing and passionate. But A Little Night Music is perhaps tied with Sweeney -- its a ravishing show that I only fully understood when I saw it live. The libretto and music work so beautifully together. Its a gorgeous evening of theater

Laurenda Norris Owner & Operator 300 South Line Street Greer, SC 29651 Phone: 864.848.3012 www.laurendascatering.com

Season Tickets
A season subscription gives the exibility to choose from ANY Main Stage performance that ts your schedule. For example: you can use one ticket on each of our Main Stage shows or- attend a single show and treat 6 of your friends! Please call the box oce, 864.235.6948, 11:00am-4:00pm Tuesday-Friday, or visit our website for more information. www.warehousetheatre.com 13-14 Adult Season Subscription $195.00 7 exible tickets to use how you like for mainstage shows in the 2013-2014 season 13-14 Adult Season Subscription with Reserved Seats $230.00 7 exible tickets to use how you like for mainstage shows in the 2013-2014 season This Subscription includes Reserved Seats for the season! Tell us where you like to sit and well have your name on the seat for you when you arrive. 13-14 Loyalty Discount (Renewals only) $175.00 7 exible tickets to use how you like for mainstage shows in the 2013-2014 season. 13-14 Loyalty Discount with Reserved Seats $210.00 7 exible tickets to use how you like for mainstage shows in the 2013-2014 season This Subscription includes Reserved Seats for the season!

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BMW Manufacturing Co.

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As one of the largest employers in South Carolina, BMW Manufacturing is helping push the state forward not only by contributing billions of dollars to the economy, but by playing a positive role in the community. Thats why we are engaged in many cultural partnerships throughout South Carolina. Our platform of commitment ranges from support of the performing arts to architecture and design. Together, we are helping to make South Carolina a better place to work and live. To learn more about our cultural commitments, please visit bmwusfactory.com.

2011 BMW Manufacturing Co. The BMW name, model names and logo are registered trademarks.

Whos Who
Brady Smith (Rod) is happy to be returning to WHT. He has been seen in shows around Greenville including Next to Normal, A Funny Thing Happened on the Way to the Forum, The Rocky Horror Show, Hairspray, Sweeney Todd, and Oklahoma. Other shows include Thoroughly Modern Millie, CATS, and The Fantasticks. Brady taught music at Duncan Chapel Elementary School for 5 years and currently works at the Peace Center. Love to my family and Tim.

Chelsea Ann Atkins (Kate Monster) is excited to be back on The Warehouse Theatre stage! Previous credits include The Rocky Horror Show (Janet/ WHT), A Little Night Music (Anne/ WHT), Lamplight and Shadow (WHT), The Christmas That Almost Wasnt (WHT), A Funny Thing Happened on the Way to the Forum (Phillia/Centre Stage), Lend Me A Tenor (Maggie/ Centre Stage),and The Comedy of Errors (Angelo/ USF). Chelsea is a 2012 graduate of Clemson University. Lauren Paige Wilson (Lucy/Bad Idea Bear) is thrilled to be returning to The Warehouses stage after playing the saucy Petra in A Little Night Music last season. Lauren has her BA in Theatre Performance from College of Charleston and had the opportunity to travel the country doing childrens theatre with Missoula Childrens Theatre. She is also a teaching artist at The South Carolina Childrens Theatre.

Hannah Salberg (Christmas Eve) is thrilled to be making her debut at The Warehouse Theatre. Previous roles include Rona Lisa (The 25th Annual Putnam County Spelling Bee), Hotbox Girl/Dance captain (Guys and Dolls) and performing at Disney World, Carnegie Hall, and Royal Caribbean Cruise Lines with The Atlanta School of Performing Arts. Hannah will be graduating from Clemson in May with a BA in French. She would like to thank her family for instilling in her a deep passion for theatre. Scott Wichmann (Princeton) is proud to make his WHT debut in Avenue Q, his 8th collaboration with Director St. Peter, having previously collaborated with Dr. St. Peter on Tartue (twice), The Laramie Project, The Santaland Diaries, and Jails, Hospitals & Hip-Hop (three times). Scott comes to WHT fresh from run of the George Burns OneMan show Say Goodnight, Gracie at Virginia Repertory Theatre. Scott can be seen in the Hallmark Movie Channel Film Lake Eects, the Steven Spielberg-directed lm Lincoln, and the upcoming AMC Television Pilot Turn. Tony Glass (Brian) is excited to be in his debut show with The Warehouse Theatre! Began acting in Sound of Music as Rolf with SCCT. Some of his favorite roles have been Chicago (Amos Hart/SLT),Joseph(Joseph/SLT),Next to Normal (Henry/Centre Stage), and Lend Me A Tenor(Max/Centre Stage) and is excited to be play Ritchy Valens in Buddyat SLT this January.All my love to my theatre family! Justin Birney (Trekkie Monster/Bad Idea Bear) is excited to be in his rst production at The Warehouse. Previously, he was Mitch Mahoney in The 25th Annual Putnam County Spelling Bee at Electric City Playhouse. He currently attends TriCounty Technical College and plans on being a professional singer after graduation. He graduated from the SC Governors School for the Arts & Humanities in 2011, having studied voice.

Jenson Titus Lavallee (Nicky) is new to this whole Greenville place and he loves it. He has trained at The Barter Theatre and spent a semester at the Moscow Art Theatre. Past credits include: Waiting for Godot, Pippin, The Good Woman of Setzuan, TEXAS! Musical Drama, and The Seagull. Jenson wants to thank his beautiful mother and

Avenue Q August, Osage County 4,000 Miles

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Whos Who
grandmother for providing him with all of the kindness in the world and Mike Cely for the help creating these quirky characters. Crystal Stewart (Gary Coleman) will graduate from Anderson University with a BA in Theatre during the second Saturday performance. She is thrilled to be working at The Warehouse again, and was seen most recently as Berdine in the Distracted Globes production of Psycho Beach Party. Some of her favorite past shows include A Raisin in the Sun, Twelfth Night, The Wiz, and The Merchant of Venice. She is very thankful to Rick for the opportunity to participate in this hysterical show, and to her family for always supporting her. 1

Richard St. Peter (Director) is thrilled to be making his Warehouse Theatre directing debut with Avenue Q. His selected directing credits include International: Fault/ Line (MeetFactory, Prague), New York: Checking In (10th Midtown International Theatre Festival), Regional: Hamlet, Tartue, All My Sons, Stop Kiss, Moonlight and Magnolias, Rounding Third, The SantaLand Diaries, Fully Committed (all at KYs Actors Guild of Lexington where he served as artistic director from 2003-2009), Romeo and Juliet (Cincinnati Shakespeare Company), Gross Indecency: The Three Trials of Oscar Wilde (Barksdale Theatre), The Laramie Project (Theatre IV/Barksdale Theatre), Jails, Hospitals & Hip-Hop (Theatre IV, Barksdale Theatre, TheatreVirginia), Marisol (Firehouse Theatre Project), Edward II (Live Arts), The 22-Day Adagio (Mill Mountain Theatre), subUrbia (Theatre IV), and numerous others. He is a member of the Lincoln Center Theater Directors Lab, a past participant in the LaMaMa/ Umbria International Directors Symposium, and a 2002 recipient of a Princess Grace Foundation Theater Award. He is currently in his rst year as an Assistant Professor of Theatre at Clemson University and since 2006 he has been a visiting lecturer at Londons Rose Bruford College. He holds an MFA in Stage Directing from Virginia Commonwealth University and a PhD in Fine Arts from Texas Tech University. For Lara and the kids! One Love. Trevor Floyd (Asst. Director) is excited to be a part of his rst production at The Warehouse. Prior to this, he worked as an Assistant Director on Clemson Universitys production of Late: a cowboy song. He has also performed at Clemson as Tom in For Whom the Southern Belle Tolls and Jules in Boom. He is currently a junior at Clemson, where he is earning a BA in Performing Arts, with a concentration in Theatre. Ansley Bice Keenan(Stage Manager) received her MA in Stage Management and Arts Administration from Louisiana Tech University. Ansley works professionally as a director, stage & production manager, and teacher.In addition to freelance stage management and directing work, Ansley is an adjunct theatre faculty member at Lander

305 Rutherford Road Greenville, SC 29609-4657 (864) 370-4787

Whos Who
University and teaches drama at Cannons Elementary School in Spartanburg, and is a teaching artist with The Warehouse Theatre. She also works in many capacities with the Greenwood Community Theatre. Ansley and her husband John are expecting their own little star to debut in June of 2014! Kevin Frazier (Lighting Designer) is pleased to be working again with The Warehouse Theatre. Regional credits include Merrimack Rep, Stoneham Theatre, Peterborough Players, 7 Stages, Synchronicity, Serenbe Playhouse, Fabrefaction, Pinch n Ouch, The Distracted Globe, Glow Lyric Theatre, Centre Stage SC, as well as the NYC and DC Fringe Festivals. Favorite Warehouse credits includeStones in His Pockets(2011), andLost in Yonkers(2012). He received his MFA from Virginia Tech and is an Adjunct Professor at Furman University. Many thanks to God, his family and The Warehouse Theatre for their love and support.www.kevinfrazier.net

Paul Feraldi (Props Design) is a native western New Yorker with degrees in horticulture, interior design and art history and a passion for making something out of nothing. The challenges of dressing a set or building an unusual prop, keep him busy. Paul enjoys working on his lawn and renovating houses. There is nothing better than creating all day at your job..I love that! Thanks to the sta at The Warehouse Theatre for allowing him to play.

Kim Granner (Puppet Design) is very happy to have the unique opportunity to create puppets for Avenue Q. Kim created over 40 puppets for Glow Tales, a black light puppet show that she wrote and directed for South Carolina Childrens Theatre, where she has been a guest director since 1996. Additionally, Kim enjoys scenic painting for Greenville Little Theatre and working on any challenging project that comes along. Allison M. Steadman (Costume Designer) MFA in Costume Design University of Tennessee, has been a professional Costume Designer for 20 years and is currently Assistant Professor of Costume Design at Francis Marion University. Design credits include: Once on this Island: Stagedoor Manor; Goodnight Desdemona (Good Morning Juliet) and A Year with Frog and Toad: MUW Theatres; A Midsummer Nights Dream and The Threepenny Opera: Clarence Brown Theatres; Lend me A Tenor and Godspell: St. Michaels Playhouse; I Love You, Youre Perfect, Now Change: Theatre By The Sea; 1940s Radio Hour and Always, Patsy Cline: Rocky Mountain Repertory Theatre; Grapes of Wrath and Taming of the Shrew: Theater at Monmouth; Dirty Blonde and A Dolls House: North Carolina Stage Company; Singin in the Rain: Lees-McRae Summer Theatre. Woody Moore (Sound Design) is proud to be designing The Warehouse theatres production of Avenue Q. A native of Greenville, Woody currently lives in Belton with his wife, Rachel and two boys, Elijah and Marcos. Woody is the Production Manager for Clemson Universitys Brooks Center for the Performing Arts and a lecturer of Audio Engineering in the Department of Performing Arts.

Vicki Masters (Vocal Coach) a native of Greenville, has worked in musical theatre and/or some eld of music for the last 30 years. She is the original musical director forAlways Patsy Cline.She toured with the show and was Musical Director for the NYC debut.She teaches piano and has been vocal coach for many NY performers.A few of her MD credits includeDreamgirls, Carmens Community, Into the Woods,(inNYC);The Wizard of OzandBachelor Padin Asheville, NC, and many other musicals at The Greenville Little Theatre with Ted Swindley. Vicki has been involved in childrens theatre and workshops all over the US.She is honored to be able

to work atThe Warehouse Theatrewith such a brilliant cast and production sta.

April Schaeer (Choreographer) is a graduate of the Fine Arts Center of the Performing Arts and was a member of the Southeast Theatre Company. She is the director of Greenville Jazz Dance School, where she leads an award winning competitive dance company. April choreographs regularly for several local theatres. Her choreography credits include SCCTs Mulan, Ebenezer, and Billy, Goat, Gru; Greenville Little Theatres Carousel (Co-Choreographer); Spartanburg Little Theatres Peter Pan, Chicago, and Singin in the Rain; Distracted Globes Psycho Beach Party; and Warehouse Theatres The Rocky Horror Show, The Christmas that Almost Wasnt, and Cabaret. Her acting credits include Columbia (The Rocky Horror Show), Catherine (The Foreigner), Rosie (Cabaret), Brooke (Noises O ), and Meg (Leading Ladies). April goes home every day to her supportive partner, Reed, and loving daughter, Carly. For a little while, though, she was happy to live on Avenue Q. Henry Wilkinson (Scene Design) is proud to have helped give physical form to so magical and so mysterious a vision. Since receiving his education in architecture and philosophy, Henry has served as assistant to the theatres technical director, helping to construct all of last seasons sets and working extensively behind the scenes for every production. Onstage, he was fortunate enough to appear in The Warehouse Theatres Romeo & Juliet. Over the summer, Henry traveled west to work as a carpenter for the Utah Shakespeare Festival, building the sets for King John, Loves Labours Lost, and The Tempest. Upon returning to Greenville, he worked as GLOWs assistant stage manager, assistant technical director, and master carpenter for their productions of The Pirates of Penzance and Jesus Christ Superstar. Henry is glad to be back at The Warehouse, honing his craft with Shannon. He recently worked on WHTs Production of The Tempest.

Ar tists in Residence
Tony Penna - Lighting Designer in Residence Tony Pennas lighting credits at The Warehouse include The Rocky Horror Show, Whos Afraid of Virginia Woolf?, Amadeus, The 13th of Paris, The Diary of Anne Frank, Tru and Topdog/Underdog. Other regional theatre credits include Centre Stage SC, Cincinnati Playhouse, Huntington Theatre Company, Berkshire Theatre Festival and four seasons as resident lighting designer at Actors Theatre of Louisville. Mr. Penna is a member of United Scenic Artists, the theatre faculty at Clemson University, and the resident design stas of The Warehouse Theatre, South Carolina Repertory Company and the Eleventh Hour Theatre Company in New York. Shannon Robert - Set Designer in Residence Shannon received an M.F.A. in scene design from FSU and studied design at the Moscow Art Theatre Conservatory. A painter, designer, and teacher, she was Director of Theatre at William Carey University. She has designed internationally for venues in Edinburgh, Nairobi, Bratislava and Moscow. She worked with KCACTF as Region IV design chair and vice chair and served on the board of SETC. Shannon managed The Spoon Group Productions in NJ/NY and worked on the Broadway productions of The Grinch, Grease, Xanadu, Legally Blonde, Inherit the Wind, The Pirate Queen, Coram Boy, Jersey Boys, Spamalot, Hairspray and The Color Purple. Shannon is a member of the Clemson University Faculty. Elisa Golden - Dramaturg in Residence Elisa is a native New Jerseyan, attended Kean University, graduating with a BA in Visual Arts. She moved to Greenville in 1990, and received an MA in Education from Furman University. Elisa continues to pursue her art (mostly watercolor and drawing), and has had her paintings on display at a number of Artisphere Juried Exhibits. She has recently had her poetry published in the Emrys Foundations Book of Haiku. Her love of literature and theater brought her to The Warehouse Theatre in 1999. This year marks her lucky thirteenth season as resident dramaturg. Elisa is often asked, What is a dramaturg?, to which she replies, A dramaturg, or literary manager functions a lot like a theaters own Sherlock Holmesalways searching for answers, turning up new evidence, and drawing conclusionsin hopes of uncovering the secret to a killer play. Jayce T. Tromsness - Playwright in Residence A native of Tacoma, Washington, Jayce is a director and playwright. He earned a BA in theatre from Western Washington University and received minor degrees in art history and linguistics. He moved to South Carolina to attend USC, where he earned his MFA in acting. Jayce has been a sta and company member of Trustus Theatre in Columbia, as well as resident voice coach for the SC Shakespeare Festival, Sewanee: The University of the South and The Warehouse Theatre. He was an associate professor of theatre at USC, and Midlands Technical College. At USC he began writing plays for young audiences as well as one-act plays for Trustus Theatre. His plays have been produced by USC, USC Aiken, Trustus Theatre, The South Carolina Childrens Theatre, The Pennsylvania Shakespeare Festival, Easley Foothills Playhouse, The Warehouse Theatre and The Distracted Globe. He is a faculty member of the drama department at the South Carolina Governors School for the Arts and Humanities. Kendra Johnson - Costume Designer in Residence Kendra Johnson is the resident costume designer at The Warehouse Theatre and an associate professor of theatre specializing in costume design at Clemson University. Laughter on the 23rd Floor marks her ninth season as a costume designer for The Warehouse Theatre. Her work at The Warehouse Theatre included A Little Night Music, Eurydice, Elephant Man, A Lesson Before Dying, Macbeth, Reckless, and The Subject Was Roses.

Wishlist
12 Person Passenger Van 24 Box Truck Flat Black Paint Gift Cards of All Kinds Guest Artist Housing Home Cleaning Supplies iPads New (or gently used) Washer and Dryer Plastic Storage Bins Printer Paper

The Warehouse Theatre appreciates all of our donors we could not do it without you! When the urge strikes to bring goods for donation (such as furniture, books,paint, clothing) please give us a call. Due to storage limitations and restrictions we cannot accept ALL donations of goods. To save you valuable time and eort please call the theatre to speak with our Technical Director or Director of Development regarding your donation.

Education at The Warehouse Theatre Education plays an important role in The Warehouse Theatres service to the community, and it is endlessly inspiring to work for an organization with leaders who encourage exploration of the educational potential in every aspect of our operations. Valuing education, living in the questions, nurturing mentoring relationships - all of these attributes make for a vibrant organization - exible and viable - an organization with an outward focus towards contributing to the community in as many ways as possible. In 2012-13, Warehouse Theatre teaching artists worked with over 3000 students, in over 40 schools, and over 120 classrooms in the upstate (and one in the midlands, as well!). WHT touring productions reached an audience of 3200 students and teachers. Community engagement events accompanied each mainstage - and with the Forum Series alone, we welcomed just over 270 people - from students to senior citizens- to the theatre to discuss issues of importance to our community. WHT continues to serve as a resource for theatre practitioners, and our 2nd annual Shakespeare Boot Camp brought 43 actors together - from high schoolers to veteran professionals to learn more about communicating the works of the worlds most renowned playwright. We partnered with community organizations such as Bridges to a Brighter Future and the Sterling Community Center, and with programs such as Greenville Health Systems New Impact, using theatrical techniques and experiential learning to encourage youth to explore issues of concern to them and to envision solutions. It was a busy year, and we are proud of our work, and thankful for those who have invested in education at WHT and have helped us build dynamic and relevant programming which contributes to community dialogue, supports teachers in their classrooms, raises the bar of artistic excellence for local actors, and encourages young people to develop their imaginations, critical thinking skills, and collaborative capacities. This year, with such a rich range of plays commemorating our 40th season, we are challenging ourselves to deepen our commitment to our educational mission - to reach out to more schools and organizations, to widen our reach with touring productions, to provide ongoing opportunitiesfor theatre practitioners to hone their skills, and to encourage meaningful dialogue around complex issues. Education as a lifelong pursuit, as a transformative force, rather than a xed goal, frames our mission at The Warehouse Theatre. We hope you will take the opportunity to experience the questions with us! Visit the education section of our website for updates on programs for students, educators, AND community members. Please feel free to contact me with questions or for more information! Anne Tromsness Education Director anne@warehousetheatre.com

Mission Statement
The Warehouse Theatre is a professional live theatre dedicated to theatre as a serious art form; to high-quality, diverse and challenging productions; to training theatre professionals; to community outreach; and to student education. The Warehouse Theatre chooses plays that stretch the imagination of Upstate audiences, energize and excite the community with Intense, Intimate and Unexpected performances that explore and celebrate the complexities of our time. The Warehouse Theatre does this to encourage an adventurousness of spirit, and to develop a hunger for the visceral impact of theatre, in the mind, heart, and soul. Because of generous grants from The Metropolitan Arts Council, The South Carolina Arts Commission and The Wachovia Foundation, The Warehouse Theatre proudly supplies its audience with assistive listening devices free of charge. If you would like to use a device please return to the box oce and check one out. Just leave your ID and listen to theatre afresh! We have hearing aid loop devices, ear buds and headphones! We give you a choice so you can be comfortable!

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Resident Companies of The Warehouse Theatres Summer Season

Upstate Shakespeare Festival

presented by
The Upstate Shakespeare Festival is a thriving part of The Warehouse Theatres summer programming and community outreach. USF presents the magic of Shakespeare and other classic plays to the Upstate community in an outdoor setting. Using actors from all around the Upstate community, USF presents entertaining, inclusive, and family-friendly productions that enhance Greenvilles calling card as a summer destination. Making their home at The Warehouse Theatre, The Distracted Globe works with The Warehouse to present entertaining and aordable productions of classic comedies and comedy improv, workshops and other community-oriented programs, seeking to renew the vital connection between a theatre and its community. DG presents at least one play during the summer programming. During the regular season, you can catch a DG performance of improv comedy after the main stage show on select nights of the run.

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Board of Directors
Officers
President Tom Strange Senior Director R&D, St. Jude Medical Vice President Maxim Williams Director of Community Relationship Building, Bon Secours St. Francis

Treasurer Susan Bichel Health Care Consultant Secretary Ingrid Erwin Attorney Member-at-Large Ruth Mansure Owner, Mansure & Company

Immediate Past President Bianca Walker Prg. Manager, Global Visitors Center, Furman

Board Members
Linda Archer Randy Bell Mary Biebel Claire Blake Laura Blume Charles Brewer Donnell Drummond Stinson Ferguson Roy Fluhrer Norman Glickman Wallace Lightsey George Maynard Scott McMillan Heidie Miller Teri Pena Diane Perlmutter John Petrusick Jon Rogers Ken Rogers Glenn Sawicki Eric Schmid David Sims Russell Stall Fabian Unterzaucher Pat Victory Jackie Warner Alan Weinberg Marsha White Susie White Jim Whitten Controller, BMW Manufacturing Company Senior VP, Bank of Travelers Rest Owner, Biebel Carolina Salons Community Volunteer Creative Director, Crawford Strategy Operations Manager, The Poinsett Club Branch Manager, CertusBANK Associate, Haynsworth Sinkler Boyd, P.A. Director, The Fine Arts Center Attorney and Counselor of Law Associate and Member, Wyche, PA VP, Greenville Health System Owner, F. Scott McMillan Design, LLC Community Volunteer Artist & Development Consultant Non-Prot Organization Management Professional Vice President, Commercial Portfolio Manager, TD Bank Owner, Rogers Financial Group, LLC Chairman, Department of Psychiatry, Greenville Health System Owner, Sarons Sidewalk Cafe and The Cafe at TCMU Shareholder, Elliott Davis, LLC Director of Arts, Christ Church Episcopal School Executive Director, Greenville Forward General Manager & Partner at The Westin Poinsett Hotel Owner, Tenth Planet Advertising Community Volunteer Community Volunteer Independent Hospitality Professional Managing Member, Susie White Consulting, LLC VP Operations, Fluor Corporation (Retired)

Past Presidents
1974-75 J. Lake Williams, Jr. 1975-76 Jourdan Jones Newton 1976-77 Aubrey Bowie 1977-78 Tom Brodnax 1978-79 Keller Freeman 1979-80 Bill Wheless 1980-81 Jane Mattson 1981-82 Don Koonce 1982-83 Brad Wyche 1983-84 John Huebner 1984-85 George Corell 1985-86 Rita McKinney 1986-87 George Fletcher 1987-88 Nancy Muller 1988-89 Bob Cooper 1989-90 Tom Bruce 1990-91 Rob Wagner 1991-92 Jackie Warner Pomp & Circumstance
new play by Randall David Cook

1992-93 Karen Lawton, Bond Isaacson, Warren Mowry 1993-94 Warren Mowry 1994-95 Jan Bruning 1995-96 Susan Reynolds 1996-98 Brad Parham 1998-99 BJ Koonce 1999-00 Brad Parham 2000-01 Kelle Corvin 2001-02 Bill Pelham 2002-03 Sherm Rounsville 2003-04 Tami McKnew 2004-05 John Rose 2005-07 Wade Cleveland 2007-09 Travis Seward 2009-11 Nicole Pascoe-Ream 2011-13 Bianca Walker

November 13-23

These Shining Lives

by Melanie Marnich

February 12-22

The Imaginary Invalid

by Moliere

April 2-12
Wednesdays - Saturdays at 8:00 Sunday matinees at 3:00

Box Ofce (864) 294-2125

! !

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The Winters Tale 2013 Photo by Jeremy Fleming

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Enjoy the show!

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