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Culture Documents
Moving on from N.D.A., this trend looks at what is real or genuine. We live in an image-driven world, with every detail of our existence documented in photos, which are then circulated worldwide through social media and the internet. These images evolve and are manipulated through filters enhancing, dissecting, deconstructing, distorting, interweaving, tearing apart, stripping back and layering the originals. These photo manipulations are affecting the way we think about reality, and about design, causing us to question the value of real and authentic scenarios and products. What is an image and what is an object? What is the real real?
PERSON/POSE
This search for authenticity has lead to a recent debate sparked by the New York Times on the validity of the street shot as a representation of real fashion. The line between the person and the pose, the authentic and the fake is increasingly blurred.
Data becomes art as artists use information, intelligence and statistics to drive a new design direction. Artist Laurie Frick creates large-scale installations based on collections of her own personal data.
An anti-Instagram aesthetic is emerging, with designers and artists experimenting with creations that look unreal but are in fact unaltered, un-doctored, and undisturbed. #nofilter is a Tumblr where people showcase images that are defiantly unaltered by digital filters.
Arik Levy: Nothing Is Quite As It Seems In Arik Levys Paris exhibition, Nothing Is Quite As It Seems, the designer presents a range of pieces that play with light, shadow and space. The faceted shape, Levys signature, is used across the exhibition, with structures formed from non-regular geometries and paintings featuring pixelated images.
Herms scarves by Hiroshi Sugimoto Inspired by the prismatic colour seen in Polaroid photographs taken in the morning sun, Japanese photographer Hiroshi Sugimoto has created a collection of silk square scarves for Herms. Each limited-edition scarf shows a different colour gradient, from brilliant yellow to rich blue, and asks the enigmatic question 'why must science always cut up the whole into little pieces when it identifies specific attributes?'
Reflection Range by Kim Thome RCA graduate Kim Thomes Reflection Range uses glass and two-way mirrors to create bold, colourful designs and visual questions for the viewer to explore. Tables, mirrors and cabinets are decorated with fluoro colour and layered geometric patterns, adding a depth of illusion to their surfaces. www.kimthome.com
Machine Knit Glitch Blankets by Phillip Stearns Images captured by intentionally short-circuited digital cameras are used to create these soft accessories by Phillip Stearns. The glitched photographs taken by Stearns are woven or knitted into photo blankets, turning cold digital glitches into warm, emotionally engaging textiles. www.phillipstearns.wordpress.com
PLAYFUL PERSPECTIVES
A playful approach to geometric shapes and facets brings a new sense of space and proportion to objects and interiors. Products and places become true experiences.
NEO PIXEL
The old is layered with the new, as the infinite pixelation play and pixel craft from S/S 14s New Digital Aesthetic evolves into endless pattern possibilities in multiple dimensions.
COLOUR FILTERS
Through multicoloured ombr patterns, complex colour is created through plays of light and material. Materials transmit and distort light and colour, to magical effect.
GLITCH REALITY
Digital glitches move from mistakes to masterpieces. We even interpret nature in a Photoshopped way, and it looks magnificent.
ILLUSIONS
Optical patterns create mesmerising illusions and stripes evolve into three-dimensional forms.
SPECTRUM
Kaleidoscopic impressions are created with fine threads, iridescent materials, and tricks of digital colour and light.
REFLECTING REALITY
Reflections, shapes and mirrors make us wonder what is real - through the power of illusion.
PANTONE Silver C
Colour
PANTONE 19-4022
PANTONE 18-1662
PANTONE 17-6153
PANTONE 16-5515
PANTONE 18-4252
PANTONE 18-2333
PANTONE 19-3953
PANTONE 11-4800
PANTONE 13-0624
PANTONE 13-0752
PANTONE 17-1462
PANTONE 16-1441
Mid-tones sit alongside ultra-bright RGB hues, and ultra-shades of colours, such ultra-violet and ultra-blue, are key. Deepest, darkest blue replaces black, while silver mirror effects create new perspectives.
PANTONE 18-3840 PANTONE 18-3945
Key Colours
Core
PANTONE 19-3953
PANTONE 11-4800
PANTONE 18-3945
PANTONE 19-4022
Directional
PANTONE 18-3840
PANTONE 13-0752
PANTONE 17-6153
PANTONE 18-2333
Accents
PANTONE 16-5515
PANTONE 18-1662
PANTONE 18-4252
PANTONE 17-1462
Colour Usage
SATURATED SHADES
DIGITAL BASICS
MULTI-DIMENSIONAL COLOUR
COLOUR USAGE
OPTICAL BRIGHTS
MIXED TONALITIES
Concentrated and diluted tones result in a wonderfully warm and happy effect.
COLOUR USAGE
POP UP
Key materials
Coloured glass & perspex Clear glass Frosted glass Mirror Coloured concrete Ultra-shiny or ultra-matt ceramics Super-shiny metal with colour-spectrum finishes Water droplets magnify surface texture
canvas) with flat, minimal texture Natural wood Wide-weave corduroy Plain cotton weaves Short-pile velvet Metallic fabrics & fibres Iridescent weaves
KEY FINISHES
Key finishes
Reflective Iridescent High-shine Matt metal Matt colour Transparent Frosted
KEY PATTERN
Key patterns
Pointillist pixels Infinite geometrics Optical illusions Manipulated, marbled spectrums Photo-real vs digitally-rendered Irregular glitch
Paused & interrupted patterns 3D rendering Magnified patterns Ombr shading from neutrals to brights Shards of light Layered patterns
KEY SHAPE
Key shapes
Irregular facets 3D pixels Faceted shapes layered with pattern Boxy Concentric circles & squares
Key takeaways
The value of real and authentic images and products Dissecting everyday life into facts and data Art and design that celebrate glitches and ruptures Youth move towards images that are not manipulated - an antiInstagram aesthetic