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ALIPRANDI & MANGIATORDI, Content production and perception of copyright (EJLT, 2013)

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CONTENT PRODUCTION AND PERCEPTION OF COPYRIGHT: AN ANALYSIS OF HABITS AND BELIEFS OF INTERNET USERS

A paper by Simone Aliprandi and Andrea Mangiatordi1, published in European Journal of Law and Technology, Vol !, "o # $%&1#' and released under a (reati)e (ommons Attribution * ShareAli+e # & unported license

Please cite as: Aliprandi, S. & Mangiatordi A., "Content production and perception of copyright: an analysis of habits and beliefs of internet users", European Journal of La and !echnology, "ol. #, $o. %, &'(%. More details about the project: www.aliprandi.org/copyrightsurvey. Other related articles: http://copyrightsurvey.blogspot.it/p/related-articles.html.

Simone liprandi !Ph"#: www.aliprandi.org$ ndrea Mangiatordi !Ph"#: www.mangiatordi.net.

ALIPRANDI & MANGIATORDI, Content production and perception of copyright (EJLT, 2013)

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Table of content
(. )ntroduction * &. State of the art * &.(. "+eha,iors of consu-ers of digital content in )taly. !he case of file sharing" ./onda0ione Luigi Einaudi &''12 * &.&. "3isco,ering beha,iors and attitudes related to pirating content" .4 C &'('2 * &.%. !he report on inno,ation culture in )taly .5ired6Cotec &''72 * &.#. !he 8lobal soft are piracy study .+SA &'('2 * %. !he research * %.(. 9uestionnaire:s structure * %.&. 3ataset description * #. Method and results * #.(. 4rincipal Co-ponents Analysis * #.&. Cluster Analysis * ;. 3iscussion and Conclusions * +ibliography.

Abstract
!his article presents an analysis based on data fro- an open dataset -ade a,ailable by an independent e-pirical research on the topic of <Copyright in the digital age=. !he original data includes infor-ation about attitudes, social perceptions and le,els of a areness. After describing the initial ob>ecti,es of the research and presenting the set of ,ariables considered, an in6depth analysis is here discussed, focusing on the si-ilarities and differences encountered in distinct categories of respondents. !he -ain ob>ecti,e of this analysis is to test the soundness and the descripti,e po er of the classification proposed in the original study, hich di,ided respondents into the four ith those groups is categories of <8eneric=, <Acti,e=, <Creati,e= and <4rofessional creati,e= users. ?ther possible clusters are identified here, and their possible associations discussed. @esults indicate that the ,ie s of authors of digital content about the practice of illegal do nload tend to differ fro- those of non producers. $on publishers of digital content seeto be al-ost eAually distributed bet een those tolerate it. ho are against do nload, and those ho

ALIPRANDI & MANGIATORDI, Content production and perception of copyright (EJLT, 2013)

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Intro !ct"on
%his article describes a second and more speci&ic wor' o& analysis and interpretation on a dataset collected through an independent empirical research which was conducted between (ebruary and )une *+11 as a Ph.". &inal project. %he title o& the original study was ,-opyright in the digital age: attitudes. social perception and level o& awareness,. "iscussion about the main results o& this initial survey are available both on the web* and in articles appeared on open access journals ! liprandi *+1*a. liprandi *+1*b. liprandi *+1/#. %he initial research study aimed at providing an impartial approach to the analysis o& intellectual property issues. ta'ing into direct account the viewpoints o& 0average citi1ens2. as opposed to those o& sta'eholders and e3perts. s a matter o& &act. very &ew studies address such &ramewor' so &ar. Most o& them have been produced by major entertainment or so&tware companies in order to monitor and anticipate mar'et trends. thus considering common individuals as consumers and potential buyers. instead o& users in more general terms. %his strategy gives way to a distorted perception o& collected data. or at least provides a very limited perspective on their outcome and analysis. %here&ore. this study &ocuses on a di&&erent perspective and will address three broader research themes: the most common behaviors o& 4nternet users when they get. distribute.

or otherwise deal with online content under copyright$ the average perception o& copyright itsel&. that is. whether users see it

as a primary or minor problem. a use&ul tool or a useless burden. etc.$ the level o& awareness o& 4nternet users about mechanisms and

principles currently governing copyright law. in order to e3pose their


* http://www.aliprandi.org/copyrightsurvey

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actual level o& 'nowledge on related issues. 4n this wor'. the descriptive in&ormation is not going to be &urther commented: the intent is rather to learn more about who answered the original 5uestionnaire. by tracing user pro&iles adopting a bottom-up approach based on correspondence in aswers.

#$ State of t%e art


6arring a &ew e3ceptions. empirical studies currently available on the subject o& copyright ta'e only super&icially into account aspects such as the perception o& behaviors. the guilt that users can &eel. the level o& awareness o& the rules. %hey mainly dwell !perhaps e3cessively# on the 5uantitative aspects relating to the time spent online. the type o& activities carried out online. the method o& ac5uisition and use o& the content. %his implies that we have a lot o& data !well sampled and very speci&ic# &rom which it is possible to draw several conclusions and on which it is possible to ma'e comparisons and various analy1es. (or e3ample. in 4taly. the 7ational 4nstitute o& Statistics !4S% %# carries out periodic surveys o& a nationally representative sample and periodically releases statistics on the use o& technologies and consumption o& entertainment products !4S% % *+1+#. %he same applies to a number o& studies promoted by the 89 institutions. "espite these 5uantitative studies do not relate speci&ically to the subject o& the ac5uisition and use o& copyrighted content. it is still possible to &ind some use&ul data about this speci&ic topic. which can be isolated. e3tracted and reprocessed in order to reach &urther conclusions. mong this high number o& studies there are some that are closer to the spirit o& the research presented here: they are described brie&ly in the &ollowing paragraphs.

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#$#$ &Be%a'"ors of cons!(ers of ")"tal content "n Ital*$ T%e case of f"le s%ar"n)& +Fon a,"one L!")" E"na! " -../0
%he study that comes closest to the spirit and purpose o& this paper is de&initely the one conducted in *++: by the (onda1ione ;uigi 8inaudi. a research institution operating in 4taly. %he study was divided in three parts: in the &irst one. re&erred to as 0"es' <esearch2. the authors analy1ed on the one hand the available literature on the phenomenon &rom *++1 to *++= and on the other the previous research that could provide use&ul in&ormation. second phase. re&erred to as ,Survey <esearch,. was based on a 5uestionnaire that. a&ter the identi&ication o& a representative sample o& the 4talian 4nternet population. was administered via telephone to a total o& 1>++ respondents. (inally. a third phase re&erred to as ,?ebsurvey <esearch, was based on a 5uestionnaire published on the website o& the 9niversity 0;a Sapien1a2 o& <ome$ this phase had the &inal outcome o& /@@ use&ul answers collected &rom the web. One o& the most interesting points in this research is probably the creation o& speci&ic categories o& users based on the behaviors they declared in the survey. <esearchers identi&ied &our main categories: the 0downloaders2 !those who said they downloaded music or movies &rom the 4nternet in the previous year#. which were in turn divided into 0downloaders pay2 !those who downloaded &rom sites or online paying a proper &ee# and 0downloaders &ree2 !those who obtained content &or &ree &rom other users#. On the other hand there were the 0non-downloaders2. which were in turn divided into ,aware non-downloaders, !who 'now how to download content &rom the 4nternet# and ,unaware non-downloader, !who are not aware o& this possibility#.

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#$-$ &D"sco'er"n) be%a'"ors an att"t! es relate to 1"rat"n) content& +P2C -.#.0


%he research conducted by Pricewaterhouse-oopers !Pw-# consisted o& a 5uestionnaire administered online in September o& *+1+ to a sample o& *+* people. aged between 1@ and =A. who admitted to have per&ormed online piracy activities in the previous si3 months. %he collected data was published in )anuary *+11 in a report addressing eight 'ey research themes. %hey mainly re&erred to the relationship between the socalled piracy and the ,temptation o& gratuity,. the willingness or unwillingness o& users to pay &or the use o& online content. the correlation between downloading and streaming. and &inally. the impact o& the new possibilities o& ,piracy via mobile,. %his research is interesting primarily because it comes &rom one o& the most in&luential individuals speciali1ed in the online administration o& surveys on a global scale and denotes a solid methodological approach. lthough the sample is 5uite small. it was established in &ull compliance with the standards o& statistical representativeness.

#$3$ T%e re1ort on "nno'at"on c!lt!re "n Ital* +4"re 5Cotec -..60
4n the spring o& *++A the 4talian edition o& ?ired maga1ine published a study containing some in&ographics ta'en &rom a *++A report titled ,%he culture o& innovation in 4taly,. written in collaboration with -otec &oundation. %he report is mainly &ocused on issues related to the concept o& innovation in a broader and more general sense !biotechnology. genetic engineering. energy and environmental policies. telecommunications. power supply# and reserves only a smaller amount o& space to the subject o& copyright. Bowever. the data provided in that part is particularly interesting. as it represents one o& the &irst cases in 4taly !along with the research by (onda1ione ;uigi 8inaudi# in which the research

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investigates not only behavior. but also usersC opinions.

#$7$ T%e Global soft2are 1"rac* st! * +BSA -.#.0


%he 6usiness So&tware lliance !6S # is a multi-national organi1ation that brings together all the major realities o& production technologies and acts as a uni5ue spo'esman &or these sta'eholders. especially on issues related to intellectual property en&orcement. 8very year 6S commissions. supports and disseminates studies and statistics relating to major issues a&&ecting the so&tware mar'et. *+1+ report was based on a survey involving a sample o& about 1=+++ pc users !both business and private# strati&ied into the levels o& geographical origin !representing /* countries#. technological e3pertise and di&&erences in social status. %he research also &ocused on some socio-cultural aspects lin'ed to the method o& ac5uisition o& so&tware. mong the 5uestions there were some aiming at highlighting the perception o& legitimacy o& some behaviors related to the ac5uisition o& so&tware and the level o& awareness by users. Some o& the 5uestions were about the perception that users have o& the more general phenomenon o& ,intellectual property.,

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-$ T%e researc%
4n this section. some bac'ground in&ormation will be provided about how the research was designed and conducted. %he dataset was collected through a sel&administered -omputer ssisted ?eb 4nterview !- ?4#. and the set o& 5uestions is still available online/.

-$#$ 8!est"onna"re9s str!ct!re


%he 5uestionnaire included: A general 5uestions about demographic data$ /= 5uestions re5uiring an answer &rom all respondents. which

included: 1= 5uestions about behaviours$ 1D 5uestions about opinions and perceptions$ > 5uestions about the level o& awareness about copyright-

related issues$ 1+ 5uestions addressing speci&ic sub-categories o& respondents: access

to these 5uestions was &iltered on the basis o& the answers given to speci&ic 5uestions about use and production o& content. Section = included in-depth 5uestions about speci&ic online activities based on previous &ilter 5uestions. in order to group respondents in speci&ic sub-categories. as shown in the &ollowing chart:

/ http://copyrightsurvey.blogspot.it/p/the-5uestionnaire.html

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%he 5uestionnaire was locali1ed in 4talian and 8nglish. 4t was accessible &or 1*+ days !&rom (ebruary 1st to )une 1st. *+11#. Eiven its target and content. the 5uestionnaire was promoted mostly over the 4nternet. press release was issued on (ebruary 1st. *+11 announcing the research project and the publication o& the 5uestionnaire. 4nitially this press release F both in 8nglish and in 4talian F was posted on several websites about digital activism and 4% topics. with a clear invitation to re-distribute it on any place and channel deemed appropriate. Mainstream social networ's such as (aceboo' and %witter also proved to be e&&ective distribution channels. (re5uent posting o& news items. events notices. status updates. and short messages F all including a direct lin' to the research description page F was complemented by additional promotion at con&erences and university lectures.

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-$-$ Dataset escr"1t"on


%he results o& the survey are divided in two di&&erent studies: Study 1 !4taly# and Study * !rest o& the world#. %his selection is based on the answers to 5uestion nG 1./ !,country,# and not on the language o& the 5uestionnaire. %he 5uestionnaire was completed by 1:/= people. with 1*@A &or Study 1 !4taly# and DD> &or Study * !rest o& the world#. %his amount includes only the valid answers. meaning that only the 5uestionnaires correctly &illed at least till 5uestion D.= included were considered. Only study 1 will be ta'en into consideration in this paper. Male respondents in Study 1 were :/A !=:./H#. while ==+ were &emale !D*.:H#. Over >+H o& all respondents is below the age o& /D. %here&ore. many 5uali&ied themselves as students !D+H#. with =1H o& them holding a high school diploma and only />.@H o& them saying to hold a basic 9niversity degree. %he majority o& respondents !AA/. :*.DH# lived in 7orthern 4taly. while 1>.=H were &rom -entral 4taly and 11.1H &rom Southern 4taly and 4sles. %he most common 'ind o& 4nternet access was broadband !A=H o& the whole group#.D

3$ :et%o an res!lts
%he analysis per&ormed on the dataset &ollowed two steps: &irst. data &rom di&&erent variables was aggregated. operating a dimensional reduction o& the dataset itsel& by the means o& Principal -omponent nalysis. Second. the principal components were used to create newer variables and the sample was classi&ied by those variables. applying clustering analysis. %his allowed to de&ine tendencies in the way respondents agreed or disagreed with di&&erent 'ind o& assertions. ?e then compared the clusters with demographic data and with the original &our categories o& 0Eeneric2. 0 ctive2. 0-reative2 and 0Pro&essional creative2 users. in order to
D complete and detailed report !with more than =++ charts# is available online at http://copyrightsurvey.blogspot.it/p/complete-report.html.

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describe them using deeper indicators.

3$#$ Pr"nc"1al Co(1onents Anal*s"s


%he principal component analysis o& the dataset variables !rotated using the Iarima3 method# . calculated using the 0psych2 pac'age within the < so&tware pac'age. allowed to de&ine @ &actors with eigenvalue above 1. (or each &actor only the variables with loadings above +./= were considered.
Variable download crime download damages economy download stealing copyright should be strongly en orced download damages authors download needs to be circumscribed download improper itunes or similar store get contents rom online store get so tware rom o icial website buying a ter download buying so tware rom store get contents rom ilesharing search in p2p networ!s get crac!ed rom p2p ha"e all music on harddis! get contents rom riends get so tware rom riends a raid o beeing caught eeling guilty search on youtube get contents ull streaming PC1 PC2 PC3 PC4 PC5 PC6 PC7 PC8 0.79 0.75 0.73 0.71 0.69 0.68 0.67 0.8 0.79 0.7 0.51 0.43 0.79 0.79 0.61 0.56 0.83 0.7 0.87 0.83 0.7 0.65

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get crac!ed rom p2p get so tware rom internet rip a ter buying download damages companies download common beha"iour

0.37 0.71 0.39 0.77 0.59

%he eight &actors were then described and given a label. in order to use them to classi&y respondents in the &ollowing cluster analysis. Some o& them were 5uite predictable. while some showed interesting connections. P-1 - o2nloa ;cr"("nal: this &actor is composed by all the variables related to bad &eelings generated by the act o& illegally downloading digital content$ there is substantial coherence between opinions about illegal download !considering it as a crime is the variable with the highest loading here# and the idea that it should be regulated. or that copyright should be strongly en&orced$ P-* - 1a" ; o2nloa : whether it is &rom a speci&ic mar'et !e.g. i%unes# or &rom a website. people who declared to be used to buying online &rom o&&icial sources seemed to do it using multiple channels$ P-/ - 1-1; o2nloa : this &actor connects the use o& p*p networ's to the &act that many respondents already own a huge amount o& contents and sometimes they simply need that in order to be satis&ied$ this relationship suggests p*p use to be lin'ed to a sort o& 0collecting practice2. as people download content and accumulate it$ P-D - fr"en s: the two variables composing this &actor are easily associated by the &act that both are related to getting contents &rom &riends. uni&ying the aspects o& a real li&e sharing activity$ P-= - ba ;feel"n)s: also in this case the association was 5uite

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predictable. as the sense o& guilt and the &ear o& beeing prosecuted &or copyright violations pertain to the same domain o& 0having bad &eelings2 about something$ P-> - strea("n);1"rac*: streaming contents. be it &rom sites li'e Jou%ube or &rom less copyright compliant sources correlates with the download o& crac'ed so&tware$ those acts have a lower respect o& copyright in common$ P-: - ")"tal;s!11ort: a connection between so&tware download and the habit o& ripping content suggests that users have now the possibility o& choosing the best support &or the content they consume. and that material goods are being sent to the bac'ground as long as digital storage is more convenient$ P-@ - o2nloa ; a(a)e: this last &actor was probably the hardest to interpret. as it lin's the idea that download can damage companies with the belie& it is inacceptable. yet tolerated$ we interpreted it as an indicator o& the idea that damaging companies is not as bad as damagin authors. there&ore it can be tolerated.

3$-$ Cl!ster Anal*s"s


%he above described variable groupings were used to build inde3es corresponding to each &actor. 8very respondent got a score in the eight newly generated variables and this data was used in the &ollowing analysis. %he &ollowing table shows the centroids o& &our clusters identi&ied by the K-means algorithm. calculated using the 0cluster2 pac'age within the < so&tware pac'age. Ialues above the row mean are highlighted using bold-&ace.

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uncom ortable online#o line users consumers download$crime paid$download p2p$download riends bad$ eelings streaming$piracy digital$support download$damage 3%13 2%38 2.18 2.39 4%'' 2.72 3.38 3.64 2.11 1.83 3%2& 3%34 2.51 3%58 3%63 3%85

collectors 1.72 2%24 2%&4 1.92 2.59 2.99 4%'7 3%81

detached users 2%82 2.07 1.68 2.28 1.72 2.30 2.68 3.65

(our groups were hence individuated. which could be described as &ollows: 1. Unco(fortable !sers +-37 res1on ents0: they tend to thin' that downloading copyrighted content is a bad thing. and they &eel guilty &or it more than all the other groups. which is probably why they avoid it$ *. Onl"ne<offl"ne cons!(ers +7#= res1on ents0: they get content &rom various channels. including p*p and streaming. and they also tend to receive it &rom their networ's o& &riends$ /. Collectors +37= res1on ents0: they get content &rom any channel. also &rom the paid ones. and tend to strongly disagree with the idea that downloading is bad or criminal$ they also have the highest rate o& pre&erence &or digital supports$ they are someway complementary to the previous group$ D. Detac%e !sers +-=6 res1on ents0: they also condemn download as a criminal activity. and generally do not practice it$ as a result. they are those with the lowest guilt and &ear &eelings about such a behaviour. 4n order to better understand the nature o& the above described &our groups. an analysis o& their relationship with demographic variables was per&ormed.

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Gen er: male respondents were mainly classi&ied as collectors !/:.*H# or as onlineBoffline consu-ers !*>.@H#. 4n this last group there was high presence o& &emale respondents !D+H o& them#. ?omen had as a second most &re5uent outcome that o& detached users.
uncom ortable online#o line users consumers (ale )emale 18.3% 18.0% 26.8% 40.0% collectors 37.2% 13.3% detached users 17.7% 28.7% total 100.0% 100.0%

A)e )ro!1: younger respondents tended to &all into the onlineBoffline consu-ers category. with no substantial di&&erences between those under the age o& *= and those in the *=-/D range. lmost hal& o& older respondents !=DL years old# were classi&ied as detached users. %he two intermediate age groups !/=-DD and D==D# had similar distributions in both the unco-fortable and consu-ers groups. but had inverse distributions in the two categories o& collectors and detached users. gain. older respondents were more &re5uently classi&ied as detached.
uncom ortable users *25 25,34 35,44 45,54 5415.2% 17.6% 25.4% 22.4% 8.8% online#o line consumers 43%4+ 43%8+ 14.7% 14.7% 8.8% collectors 22.0% 26.7% 35%7+ 26.3% 33.3% detached users 19.4% 11.8% 24.2% 36%5+ 4&%1+ total 100.0% 100.0% 100.0% 100.0% 100.0%

Res1on ent cate)or"es: the original dataset included a classi&ication o& respondents based on speci&ic &iltering 5uestions. -omparing this top-down classi&ication with the bottom-up approach proposed in this paper it is possible to visuali1e some speci&ic correspondence patterns.

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uncom ortable online#o line users consumers .eneric user /cti"e user Creati"e user Pro essional creati"e user 18.68% 15.13% 19.39% 18.45% 31%&2+ 46%22+ 27.21% 23.81%

collectors 18.00% 26.89% 37%76+ 3&%88+

detached users 31%41+ 11.76% 15.65% 17.86%

total 100% 100% 100% 100%

Eeneric users have a strong presence in both the consu-ers and detached groups. Summing up onlineBoffline consu-ers and collectors !two groups with very similar centroids. that could be seen as complementary# on one side. detached and unco-fortable users !again. groups with lots o& similarities# on the other. it is clear that generic users are almost per&ectly distributed between two &ronts: people who see download o& content as something negative. and people who donMt. strong majority o& ctive users &alls into the onlineBoffline consu-ers group. with a strong presence among the collectors. too. %he relative majority o& both 'inds o& creative users can be classi&ied as collectors. 4n both cases the second most li'ely group &or them is that o& onlineBoffline consu-ers. which di&&ers &or the 0&riends2 &actor.

D"sc!ss"on an Concl!s"ons
%he analysis per&ormed here allowed to build a bottom-up classi&ication o& the respondents o& a previous 5uestionnaire based on the analysis o& patterns in declared behaviour. %he pro&iling system o& the respondents already present in the dataset. reali1ed with &ilter 5uestions. was rediscussed in the light o& this new classi&ication. %he main &inding is that categories such as 0active2 or 0inactive2 only partially describe the positions that can be assumed by internet users towards copyright and download o& digital creative content.

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s already highlighted in the previous section. inactive users !those who only consume digital content. but do not upload content as a habit# split almost per&ectly among positive and negative views o& download. %he &act o& being active. on the contrary. seems to determine a shi&t towards a more &avorable view. 6eing creative. in the sense o& being producers o& original contents. seems related with the view that an internet user can &orm about copyright. 4nterestingly enough. the data shows an higher tendency towards the download o& digital content by creative users. (inally. there is no great di&&erence among 0creative2 and 0pro&essional creative2 users !the latter ones being those who gain money &rom their publishing content online#. %he &uture perspective is to use this pilot research to build a better designed survey &or monitoring the perception and attitudes o& users towards the issue o& copyright. in di&&erent countries and conte3ts. %he analysis carried out here will allow to redesign the original 5uestionnaire in a more e&&ective way. by reducing the number o& redundant 5uestions and by re&ining the classi&ication criteria o& respondents.

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B"bl"o)ra1%*
liprandi. S. !*+1*a#. Measuring the so called 0piracy2: a commented review o& the most important empirical studies. SC)entific @ESearch and )nfor-ation !echnology. &!1#. =AF@*. liprandi. S. !*+1*b#. -opyright. &rom criminalisation to normative e&&icacy. Ciberspa0io e diritto. (%!D=#. 1D:F1>>. liprandi. S. !*+1/#. -opyright in the digital era: a pilot on behaviours. social perception and consciousness. Journal of Library and )nfor-ation Science . #!*#. *+1/ 6S !*+11#. Eight annual +SA 8lobal Soft are 4iracy Study !pp. 1F1@#. <etrieved &rom http://globalstudy.bsa.org/*+1+/downloads/studyNpd&/*+1+N6S NPiracyNStu dy-Standard.pd& F last visited on Ath )uly *+1/ -ustomer 4nsight Eroup - 7ew Jor' %imes !*+11#. !he psichology of sharing: hy do people share onlineC !pp. 1FD>#. <etrieved &rom http://nytmar'eting.whsites.net/media'it/pos/POSNP96;4-+@1A.php F last visited on Ath )uly *+1/ (onda1ione ;uigi 8inaudi !*++:#. ) co-porta-enti di consu-o di contenuti digitali in )talia. )l caso del file sharing. !pp. 1F>@#. <etrieved &rom http://www.anica.it/online/attachments/+//N&ilesharingNreport.pd& visited on A )uly *+1/ 4S% %. !*+1+#. Cittadini e nuo,e tecnologie .anno &'('2 !pp. 1F*=#. <etrieved &rom http://www.istat.it/it/&iles/*+11/+1/testointegrale*+1+1**/*.pd&O
th

D=F@/.

<etrieved
th

&rom )uly

http://leo.cilea.it/inde3.php/jlis/article/view/@@+* F last visited on A

last

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