CHANG IN A VOID MOON #60 (most of it takes place in an airplane)

[PLAY CHANGTHEME SOUND Q] [FADE OUT] .5 PICABLO 1; This is how I see things now. A Godardian nightmare of jumpcuts.1 Thats it, next week I am coming to where ever the hell they are as soon as I find my pants and car keys and I told you you friggin jerks, I am picablo. I am planning on coming back. They are calling my replicant Picablito now. 2; Oh yeah? well I am not leaving. Ive gotten used to all the perks here and no one cares if I am he as your are he as you are me and we are all together OR the walrus. They like me better than they like you. They are calling me Picablito. 1:I paid you to imitate me not take over my life. 2; Im paying the child support for G-L-O-R-I-A! 1; G-L-O-R-I-A ?! Where did you get the money? 2; I faked your finger prints and cashed some tar pits in. 1; How dare you touch those tar pits, they are the priceless irrevocable birthright of our family. 2; How dare you touch those tar pits, they are the priceless irrevocable birthright of our family. 1; How dare you mock me?! 2; How dare you mock me?! 1; Snake,scorpion,vampire, nosferatu! 2; Bitch,dyke,faghag,whore! 1; body snatcher! I am Picablo! 2; Yeah, duh! I am Picablo. 1.You are Eve Harrington!2 Thats it, in next episode I am coming to where ever the hell is it you are. where are you? 2; The land of the living, syrup head! You will never find us between the twin twirling marionettes of bolivian marching dust that trampled up your nose last night. 1; Aint no mountain high enough! 2; Ride the white horse! What happened to those bewlay brothers! 1; The who?! When I find my pants I am going to grab a plane to Escondida and kick your ass to kingdom come. 2; Youll never find us, we are in the air as we speak headed for parts unknown. 1; Deviant replicant! Do not get on changs plane. 2; Besides, I cashed out all your credit cards on the planes atm. 1; Im speechless. 2; Im not.
1

After Jean Luc Godard (b. 1930), the French-Swiss fi !!a"er fa!ous for !a"in# $ro ific use of %u!$ cuts in his fi !s. &e is considered one of the fathers of the French '(ew )a*e+ schoo of fi !!a"in#. , -*e &arrin#ton was a character $ortra.ed b. Anne /a0ter in All About Eve, written and directed b. Jose$h L. 1an"iewic2. -*e, an as$irin# actress, insinuates her se f into the ife of a#in# /roadwa. star 1ar#ot 3hannin#, $ a.ed b. /ette 4a*is.

1; How can you cash out 3 million in credit cards? 2; Chanel.3 1; This is how I see things now. A godardian nightmare of jumpcuts. and you better not have touched my dangermouse records ! Thats it, next week I am coming to where ever the hell they are as soon as I find my pants and car keys and kick you to kingdom come again.

[BLACKOUT and SOUND Q (baby guitar music)] [CUT SOUND WITH LIGHTS UP]

1. SVET,PIC, L, G, 1,2 SV; Is the baby crying? I just don't know where I am. P: We are in transito. And we must escape. SV: I thought we were in Nepal P: We were last week. SV: Are we in a flash back? P: I don't think so I would remember everything if we were. [SOUND Q- air raid] SV: Whats that sound? P: An air raid. SV: Are we being bombed? P: Yes. L: By our enemies. P: Which ones ? there are so many SV: We don't have any enemies. Well have to get on that plane and escape. P; We already are on a plane. L: We are always in a constant state of escape. SV: I will not go on a plane, I hate planes L: You wanted to get on a plane the last episode. SV: That was a flashback. P: I think we are in a flashback now. What film are they showing on the plane? L: The same one they showed back in 82, the classic Punto de Fuga Vanishing Point4 SV: That's the one they played when we hit the AZTEC jungle necropolis. P: Get off your necro jag. Mother snap out of it. SV: you are not picablo. P: snap out of it SV: ok I will. Ok, so where is the plane going?
3

3hane S.A. is a hi#h fashion house that s$ecia i2es in haute couture and read.-to-wear c othes, u0ur. #oods and fashion accessories. 5 Vanishing Point is a 1961 A!erican road ad*enture fi !, set in the Southwestern 7.S. 8he fi ! was directed b. 9ichard Sarafian and starred /arr. (ew!an, 3 ea*on Litt e and 4ean Ja##er.

L: We think we may have to land in Houston SV: Isnt that in the un-tied states? P: Not anymore, now it is in Mexico. L; It is owned by a narco family now. It is known as the free state of Houstonia. It is a city state now P: The familia imperialis has fled to Abu Dhabi. SV: did Bo Diddly5 escape? L: Without his guitar. How could this have happened? P: Chang helped out. 1; I was trying to liberate those poor inhabitants. P: From what? 2; From oil excess and cultural malfeasance. Sv; I dont even know what that means. 1; Get with it or get under it! Sv; Where is my husband Antonio? 2; He moved to houston. L; He is such a jerk, does he have any money left? 1; He had 25 hidden bank accounts that the investigators didn't find. Hes more loaded than king tut. SV: Then lets go to Houston. L: He wont see you. Hes shacked up in the pool house at the palace of the familia imperialis. SV; Where is Theresa? And how do you know all this stuff? L: She is already in Houston prosecuting him for child support. P: She doesn't need any child support. SV: It's a revenge thing. Like it was a revenge pregnancy. P; My child with Theresa the maid- her name is Gloria G-L-O-R-I-A, was not a revenge pregnancy. SV: Then pay the child support. P; I hate spending money. SV: Yeah, duh, I promised my mother Id take care of the infanta. Poor thing she is exhausted. G: I will recount her recent history. P: Who are you? G: Greta, a car mechanic. I disappeared years ago and now I have returned. L: I am Lolita, Changs first wife. I cannot bear all these returns from the dead, are we some kind of refund center? G: I am not dead nor ever have been. L: Don't lose hope. P: Ok continue with your soliloquy, Greta and then get out. G: Replicant! You are not picablo! He would never wear jeans like that. P: Soliloquy! G: A marriage was planned between the infanta and Ibanez, the contessa reluctantly approved. This marriage was arranged by Antonio and Ibanez and vast transfers of money were made. Take over Lolita. L : As the vows were being taken the infanta refused and married baby hokaido on that same altar. SV: One of those filthy ballerinos from the contessas dance company? G: The marriage was annihilated a year later, with the inside help of the Seminarina at the Vatican.
:

as ;tha /ates (4ece!ber 30, 19,< = June ,, ,00<), "nown b. his sta#e na!e /o 4idd e., was an A!erican 9>/ *oca ist, #uitarist and son#writer.

SV: Why? L: The court papers are sealed beneath the tomb of Benedict Arnold.6 We sense there was a betrayal. Then Antonio arranged another marriage between her and the son primero of the familia imperialis of which we speak. G: She was sent from Berlin federal express to Houston where she married the guy. P: Vast sums of money and favors were exchanged and distributed. L: Including the Opera Monstreuseux and Musee Bourgeois Avant Garde. G: The poor dear Infanta was discovered to be pregnant. Sabartes helped her escape. The Seminarina is working on the annulment with the Vatican and the southern Baptist leadership conference. P: Her 86 billion dollares assets have been frozen but we detect a thaw. SV: I don't want to hear any more! P: A ridiculous musee. G: Queens collided during the curation process. F: A true reign of terror. P; Those were your friends Fangitu! G: Off with her head! L: Crucify her! F: I never went near that musee! I was on tour with The White Stripes that year. P: Making those hideous red and white outfits! G: Which were later shown in your retrospective at the musees design collection. F: I gave them a Picasso for that. Now let me on the plane. G: I cannot tell you how it nauseated poor Lagerfeld. F: He told me he loved it. L: He lied. P; Poor Lagerfeld! SV: Hes too sensitive. P: Mark Jacobs loved it. G: Also lied. P: Sit down, Greta. F: So what, my retrospective is touring the Emirates. 1; Au contraire. 2; I just had the collection moved to the basement of the cloisters. 1; And covered in ten feet of cement. 2; I can smell it from here. F: How dare you do this to Casa Fangitu! Im calling the grand mufti. 1: Were having dumplings with him tonight. F: Then Ill call Hillary. 2; She will be joining us for coffee. F: I had nothing to do with her wardrobe. 1; Lock the plane door. Bye bye now. F: Where are you guys? 2; At the Shanghai blues festival. L; The blues had a baby and they called it Casa Fangitu.

[BLACKOUT and BAND #1]

?

/enedict Arno d (1650-1<01) an A!erican #enera durin# the 9e*o utionar. )ar, who defected to the /ritish Ar!. in 16<0.

2. OCT AND COA, MAHA O; She was some sort of plastic fantastic lover. CO; The maid Charlotte, I will hang that little white girl. O; Shes gone. Back to Ohio. I sold her to a nursing home. CO; Its about time. She was born before Gandhi. O; And you were born before Napoleon.7 CO: I dont want to go to the Hendrix dinner. O: You are the posthumous guest of honor. CO; They all know that posthum-ism means nothing to us. O; We are beyond the valley of the beyond. CO; How long can we wander. O; Before we are put down permanently. I will not be reincarnated into early retirement. CO; I dont want to be reincarnated into a dog or plant.
6

(a$o eon /ona$arte (16?9-1<,1), French !i itar. and $o itica eader@ e!$eror of the French fro! 1<05-1<15.

O; Who can we make a deal with. That Mahavishnu guy, does he know Lord Krishna?8 CO; Mahavishnu is not dead and has no connections. O; Hes an international dilettante. CO; I have to take a leak this is all getting me too anxious. O; Chushingura9 CO; Is it some sort of California roll? O; Chushingura, the film they are playing on the plane tonight. The original 35mm print. I had it removed from Hirohitos vault. CO; How could you do that? That is sacred ground. O; He was here last week and will not be happy when he returns to his grave to find his favorite film gone. CO; I left a DVD, he wont know the difference. O; Hana no maki, yuki no maki! Up against the Wall Motherfuckers! CO; That was the later version. It was made after Hirohito died but it became his favorite. O; I dont get any of this. CO; Hana no maki, yuki no maki! O; Chushingura! Lord Ethyl no maki! [SOUND Q- AIR RAID] CO; Whats that sound ? O; Its the air raid again. MAHA; The fleet of the four thousand. O; Are they following us? MAHA; They will never catch up this is the new military prototype Chang bought from Mao. O; Its been upgraded. Hana no maki MAHA; Exactly. O; A flock of cranes. I dont remember taking off. MAHA; You were drugged O; Where are the Changs MAHA; In the cockpit. O; Dont let them drive this thing, the last time they bailed out with Antonios brother. And what are you doing here anyway Mahavishnu? MAHA; The Hendrix dinner, Im giving a speech for my mother Almondine. Shes all tied up in court with the Pet Shop Boys10 in Paris because (sings) COA; I want him shot before this flight is over.

<

8he <th incarnation of the Lord Aishnu in &induis!. 9 8he ta e of the 56 9onin, a*en#ers of their ord and !aster in !edie*a Ja$an, which has been !ade into count ess stories, dra!as and fi !s. 10 An -n# ish $o$ e ectronic !usic duo, co!$rised on (ei 8ennant and 3hris Lowe.

3. SEM AND Z SEM; What are you doing on this plane? Z; Im the stewardess. SEM; Then get up and get to work. Z: Im on a break. SEM; Jesus get me a drink. Z: Get it yourself. SEM; What kind of airline is this? Z; It is not a kind of airline. It is Changs private plane and I am a private stewardess. SEM; You look familiar. Z; Im the Contessas sister. SEM: She didnt have a sister. Where are my shoes? Z: We removed them with your underwear. You looked suspicious. SEM; I should be the least suspicious person on this plane. I am a Seminarina in a pre-cardinal state. Z: Suspicious. SEM; Where is Fangitu? Z; She never boarded. We were instructed to leave without her. Her cars in coach. SEM; Her Lagerfield mini? Z; Yes, its terrifying. We found Ibanez drugged in the trunk. SEM; That was his own doing. Z; But Fangitu was nowhere to be found. SEM; Good riddance to bad fashion. Who ordered those planes to bomb the estate? Z; What country are they from? SEM; They have no markings. They must be the Luft-Prive of Chang. Z; What does he want on that estate. Its been overrun by monkeys in hideous jumpsuits. SEM; Casa Fangitu F; Its me Fangitu ! SEM; Do you hear something? F: Its me Fangitu. Z; No. F Im out here on the wing. Its me Z; Ignore that, it must be a lost crane. SEM; A cruel joke of nature. F; Its me, Fangitu! **************** [BLACKOUT and BAND #2]

4. F ON WING WITH X F; Its me Fangitu! X; What are you doing out here? F: Treadwell shut the door on me so I held on to the wing. Ive been out here for hours. X; Would you like a drink? F; I would like to get in the plane. X; All the seats are taken. But I could get you a pillow. F; You must let me in, its freezing out here. X; Ill get you a blanket . F; Let me in there, I dont care if its coach class. X; This is Chang-Luft there is only first ring. F; There must be a seat. Ill give you my Swarovski phone cover. X; Diamonds are forever. All full. Everyones going to the Hendrix dinner. Would you like a snack? F; Let me in, I always attend the Hendrix dinners. X; Who are you? F; Its me Fangitu X; Never heard of you. F; If you do not let me in I will make several phone calls and have your career as a maid destroyed. X; Yeah, duh, Im so upset. F; You must remember me from Berlin. X; I do, you helped swindle Octavio out of all his money. F; Yeah so what big deal hes dead and the family doesnt need any more money. X; But Casa Fangitu that is the most unforgiveable. For that you will stay on the wing, Brunhilde. F; I have a vote at that Hendrix dinner. X; The vote will be starting soon on the plane. F; That is unheard of. X; Hear it now. F; You must record my vote, then. X; Ill think about it because..

[BLACKOUT and BAND #3]

5. PIC,L,Z,X,F,SV P: I told you I did not want a seat on the wing. I am Picablo. I do not sit on the wing. Z: Thats all we had. You boarded late and X: You had mud on your shoes. L: You got an inferior seat on the wing. SV: That crane is still out there. Remove it! F; Its me Fangitu! P: Cant you shoot it? Z: They are endangered. P: Ill pay the fine. F: Its me Fangitu L; Is it going to follow us all the way to SV; Where are we going? P; Houston. Out of the range of the bombers.

L; One is following us. P; It looks like Sumimacaenca in the cockpit. L; Is he working for his father who tried to kill him three times. F; Its me Fangitu! P; Shoot that pelican please! SV; I wish I had brought my gun because

[BLACKOUT and SOUND: GUNSHOTS]

6. OCT, COA, MAHA MAHA: Oh, Im so glad that Charlotte has returned COA; That little white girl? O; I had no idea. COA; You did have an idea. O; What is she doing on this plane? COA; Shes a gold digger. O; If you can just get your mind together! COA; Shes bombed out of her mind. O; Not necessarily stoned but beautiful. COA; I want her deported from the plane. O; But you in your measly little world are you trying to prove that you are made out of gold and cant be sold. COA; Deport her ass. O; Weve taken off. Too late now. COA; Find a parachute. O; What are you doing here Charlotte? X; Im the projectionist for the film. COA; Stowaway! Strumpet! O; I think Id like a bottle of gin. X; And you maam. COA; Id like a parachute. O; Go ahead jump. X; I was hired by Chang you jerk. COA; How dare you speak to me like that. O; As if we were on a Nicki Minaj11 song! X; Would you like a drink with your parachute.
11

;ni"a 8an.a 1ara% (b. 19<,), an A!erican sin#er, ra$$er, son#writer and actress.

COA; Ill have a virgin mary with the parachute. X; Were out of virgins on this flight. COA; Fine, Ill have the explicit version. X; Ice? O: Yes Ill have a bucket Im having a hot flash. Wheres the bathroom? X; Bathrooms are only for living customers. O; We dont have our own private bathroom? X; What does an old ghost need a bathroom for. O; Have some respect for those who have passed on. X; What are you two doing here anyway? Spring break in hell? COA; You see I told you she was an insolent gold digger. Get us our drinks. O; And do not screw up that projection. You forget some of the living still have to work. I cant wait to see that film. COA; I heard they were showing Puto Fuga O; Punto, punto! F; Its me Fangitu. O; Its that crane still out there. COA; Its a pelican. O; Had you ever had pelican? Oh, its delicious with green sauce and.. [BLACKOUT and BAND # 4]

6A. CH 1, 2, MAHA 1; I am going to take a nap. 2; Are you sure its on autopilot 1; Yes, it will land itself in Houston. MAHA; Im nervous about going to Nuevo-Houston. 1; The cartel has told me we will have no problem 2; Besides this plane is equipped to destroy any firepower 1; Its Mao era.12 2; I had it upgraded.
1,

1ao Bedon# (1<9?-196?), 3hinese re*o utionar. eader and the first 3hair!an of the 3hinese 3o!!unist Cart..

MAHA; When? 1; Last week. MAHA; Then its still too old. 2; I have a call in to Steve Jobs13 but he wont answer. 1; I answer all his calls. MAHA; I thought we were going to the opera. 1; Who is that over there? 2; Its one of the lawyers. MAHA; I recognize him. Hes one of the Pet Shop Boy lawyers. 1; What does he want? MAHA; Svetlana has instituted a case against them for turning her son gay. 2; He was only briefly gay. MAHA; They are also suing my mother Almondine. 1; Has she turned them gay? 2; And who is her lawyer? 1; Who is that guy? MAHA; Hes a lawyer he came with the Japanese singers. SV: The Everly Brothers?14 Are they in litigation? MAHA; They are witnesses for you against Antonio? SV; Am I suing Antonio? P; Yes indeed for interminable cruelty and malfeasance of the funds you brought into the marriage. SV; Where are those funds? P; Gone with the wind. LEN; He invested it all in solar energy windmills. 1; That was not my idea. P; Where is my cut of the take? 2; You still have the tar pits. P; Which are getting more useless by the day. LEN; As are you get a job P; I thought Id go to graduate school L; For what? P: Couture administration, I know I could get a job at Ibanez Fundacion Fundido. MAHA: That is being investigated. By his friends in the IRS. P; Big fuckin deal. L; And what do you care about administrating couture. P; The prospectus says they are looking for greedy selfserving people. Youngsters who are interested in status and material goods. L; Who dont mind putting their hand in the till to elevate culture. MAHA; To what L; To the stock market. PIC; Get your head out of that glue bag. L; You are just no good at all that. You will squander all the opportunities those hardworking bureaucrats will give you. MAHA; Besides you dont want to sit at a desk no matter how big it is. L; And talk to silly men in bow ties. SV; Itll turn him gay for sure!
13

Ste*e Jobs (19::-,011), was an A!erican in*entor, entre$reneur, and the co-founder, chair!an and 3-; of A$$ e Dnc. 15 8he -*er . /rothers, Chi and 4on, were countr.-inf uenced A!erican roc" and ro sin#ers.

Itll be worse than the ashram believe me. SEM; Rolling Stones, Rolling Stones! Work for them. Man up. Step away from the glue bag. P; What are all these people doing on our private plane. Chang would never approve. L: He doesnt give a shit. O; When is dinner. Z; Dinner is over. O; Where is the horsehead I ordered. X; The horsemeat had turned and we had to drop it over Cleveland. SV; Are we over the Estados? I feel a chill! MAHA; How frightening. We could be hit by a Stinger or a machine gun. P; I wanna be sedated. Stewardness, Id like a sedation. Z; Short or tall. P; Venti doppio. Z; Self injection? P; Just shoot me! Z; Who are you? P; I am not necessarily stoned but beautiful. L; Who are you? P; Are you the lawyer for the Japanese singers or Svetland? Y; I am the lawyer for everyone on this plane. SV; One lawyer for everyone? Y; They are all suing each other from different countries and time zones. L; The better to eat you with my dear. Do you have a Chinese wall. SEM; This is a Chinese plane isnt it? Y; Yes. There is a firewall around every seat. SEM; I thought I felt like Joan of Arc.15 L; Where are we going ? Y; We are going to pursue most of the litigation on the plane to avoid court costs and international penalties etc. It will be a long flight. SEM; 24 hours. Y; We are flying around in a circle. To avoid the Jetsons.16 Its the word we use for the bombers that destroyed the Contessas estate. P: That estate was worth a fortune cookie. L: It was the size of Indiana. Y; It was carpet bombed as you left by unknown jets. SEM; Did you have anything to do with this. Y; I have to litigate the remains. SEM; There are oh so many. The giottos in the living room? P; There were 6 miles of the Great Wall of China, the biggest head of Lincoln in the world, what happened to all of it? Y; Part of it has been salvaged by the US Navy and reapropriated and re-appraised and you will get fair market value. SEM; What is the fair market value of a giotto the size of a football field? Y; The America Navy has appraised it at 5k. L; What about the collection of gold hypodermic needles? It was massive. It weighed tons. SV; Some of them belonged to the Contessa herself.
1:

Dn French, Jeanne dEArc, French heroine and 3atho ic saint, fou#ht the -n# ish in the &undred Fears )ar. 1? An A!erican ani!ated sitco! b. &anna-/arbera, ori#ina . fro! 19?,-3.

Y; They are only made out of gold. Gold is considered collateral divestiture. Z; That means it has the value of common sand or dirt. P; It took centuries to steal all that and reinvest and launder and plunder and suck it out of generations of people who gave their entire lives so that we could create this wealth. L; And you just bomb it and throw the rest away and give us shit for it? Pennies on the dollares! Y; And then there are all the peiple that are suing you. SV; Suing us?! How dare they! Who? Y; The Pet Shop Boys for malicious slander over thirty years has cut into their already vast profits. P; We didnt get any of it. SEM; But you prevented them from earning by slandering and inuendoing their work. P; I hate folk music. FANG; What about their library? CHAR; Get back on the wing! FANG; Its me Fangitu. SEM; Its the crane again! Shoot it. CHAR: Back on the wing! Y; You will be allocated another 5k SV; For all those rare books and bibles? L; Theres a first edition of Rubyfruit Jungle17, its 300 years old. O; And all the Harry Potters? Y; Theres nothing we can do. P; By the time this plane lands we will be poorer than ever. Y; You underestimate my powers. You will own this plane by the time we land. SV; I dont want a plane. I want the Pet Shop Boys off my back. FANG: Its me Fangitu!

[BLACKOUT and BAND # 5]

16

8he first no*e b. 9ita 1ae /rown, $ub ished in 1963. Dt was for the ti!e and hi#h . #ra$hic $ortra.a of esbianis!.

7.G, CHAR, F, Y, G; Can I talk to the lawyer? CHAR; Hes busy. G; What is that bird doing on the wing? How is it holding on? CHAR; Shall we shoot it off. G; Yes please it is really bothering me. F; Dont shoot its me Fangitu. G; It looks like its talking. Do you see a bird out there. O; Sort of a pelican? F; Its me Fangitu! G; Did it say something. COA; Shoot it off the wing its annoying. G; It will probably drop off eventually poor thing. I hate birds. And where are we going? O; We had to escape the destruction of the Contessas house. G; I think they were after the Kandinsky and Kokoshcha.18 They were said to have magical powers. Y; The Bewlay Brothers together intact are priceless. G; Theyll be sorry to own those things when they come alive. Y; They will be housed in an armory in Mandalay. G; The Infantas armony in Mandalay? That doesnt bode well. O; I hope Streisand survived the attacks. She was the first one out. F; Its me, Fangitu. [BLACKOUT and BAND #6]

8. SV,L,Y,P, SEM,COA,MAHA, Z, F SV; Are we in Houston? I hope not. Y; We arent going to Houston. The Hendrix dinner summit has been rescheduled for Pompeii. L; Its a dump. I know its a dump but we had to have it somewhere it is crucial to all our futures. Chang has rented it to us with option to buy. The Seminarina arranged it. The velveteen mafia. SEM: How dare you refer to me as velvet! P; Its still a dump. Z; Before we land I would like to invoke the invocation and bless this 130TH convocation of the Hendrix dinner. SEM; We havent even landed yet and where is your authority?
1<

;s"ar Go"osch"a (1<<?-19<0) was an Austrian $ a.wri#ht and artist, a !e!ber of the -0$ressionist schoo of artists. )assi . Gandins". (1<??-1955) a 9ussian abstract $ainter and art theorist.

L; You are a stewardess. P; She is the sister of the contessa, by blood she is first in line to invoke. SEM; Outrageous! This has always been invoked by a member of the church. G; The Vatican lost all its shares in Stratocaster. Begone! You have no power here! MAHA; Shouldnt we land first? Y; We have to hold the meeting in the air, some small revolutions have been reported on the ground. P; Invoke! SEM; Not invoke! Y; We must vote whether to invoke or not invoke. CHAR; Must we vote for every little thing. COA; Maids dont get a vote. F; Its me Fangitu I want to vote. Z; I hear the crying of the loons? L; Yes, how sad their plaintiff cry. F; Its me Fangitu. P; Put it out of its misery. Please! [SOUND Q: GUNSHOTS] L; I missed. MAHA; Mr Mizoguchi, are we legal to have this Hendrix convocation in the air? Y; Not necessarily stoned, but beautiful. MAHA; Excellent, proceed. SV: I wont have dinner in an airport! F; Its me Fangitu! P; Proceed stewardess! Z; If you can just get your mind together, then come on across to me. Well hold hands and then well watch the sun rise from the bottom of the seas. Y: (SONG) BUT FIRST, ARE YOU EXPERIENCED. HAVE YOU BEEN EXPERIENCED, WELL I HAVE. I KNOW, I KNOW YOULL PROBABLY SCREAM AND CRY THAT YOUR LITTLE WORLD WONT LET YOU GO. BUT WHO IN YOUR MEASLY LITTLE WORLD ARE YOU TRYING TO PROVE THAT YOU ARE MADE OUT OF GOLD AND CANT BE SOLD. SO ARE YOU EXPERIENCED? HAVE YOU EVER BEEN EXPERIENCED, WELL I HAVE. LET ME PROVE IT TO YOU. TRUMPETS AND VIOLINS I CAN HEAR IN THE DISTANCE MAYBE NOW YOU CANT HEAR THEM BUT YOU WILL IF YOU JUST TAKE A HOLD OF MY HAND. OH ARE YOU EXPERIENCED HAVE YOU EVER BEEN EXPERIENCE. NOT NECESSARILY STONED BUT BEAUTIFUL. [BAND FINISHES. SOUND: CHANGTHEME]