Professional Documents
Culture Documents
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INHOUD .N 180
Vrye Weekblad Is'nona1hankllke nuustydskrlf wal ultgegee word deur Wendln9 Publlkasles
Beperk (Reg. No. 88140168106).
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Vrt9WeeWad word gec\'uk duCaxtJn Boperk, Kornmardoweg. Induslria.
Vry.WttkbladIaR2,20 Oftkos Rt10(BTWenan-tng vir'll JUlinIIltkal\
en A;() (BlWIrgosItAI) vir Ite lIII8ndt. In Nambla, Swaziland, LMOIto en Botswana koo d1Ilfdsl<rl R2,20
pbvorl<oop8boltsll ralltwt n bo.iItltndtt l1Itl<lnare Isby....VY8lI9 by(011) btsl<I<baar.
Probltme molvol8plVldhg matl word unI.ouYlI1nB d IrtntZLlu by(011) 836-2151
..
KUNS EN VERMAAK
12 SUSAN COETZER SLAAN 'N DODELIKE ROL LOS
29 ANDREAVINASSAKYK NA'N PAAR NUWE MOVIES
GlOSE
30 WATTER MOVIE WYS WAAR
32 VRYE KEUSE
AKTUEEL
5 ONDERHANDELINGE: WAT GAAN NOU GEBEUR?
9 HENNIE SERFONTEIN VERTEL VAN SONDAG SMM
MET NELSON A
18 'NVRUGTELOSE PARLEMENTSITTING, SE SAMPlE
TERREBLANCHE
INTERNASIONAAL
19 APROFILE OF ABDOU DIOUF
MENSE
17 PASOP VIR 'N VAAL EENVORMIGHEID,
SE CHERYL CAROLUS
BOEKE &FIKSIE
22 'N KORlVERHML DEUR HANS PIENMR
- CHARLESMALANBESINOOR'NGRIETSETRAGEDIE
RUBRIEKE&MENINGS
4 BRIEWE VAN ONS LESERS
11 BROLLOKS &BlffiRGAL EN OOR OP DIE GROND
23 L1BERTYN SEAL DIE DEURE IS NOU OOP ------
26 GESELS EN SPORTRUBRIEK .
24 NETTIE PIKEUR EN PLANT 'N BOOM
25 ELMARI RAUTENBACH OOR DIE WEEK SE lV
< '---
610 EYES FROM OUTSIDE THE CALL FOR
INTERNATIONAL MONITORS.
SPECIAL REPORT: INVESTIGATING THE
.INVESTIGATORS. THE ROLE Of THE SECURITY
FORCES IN THE TOWNSHIP VIOLENCE, .
BY IVOR POWELL AND ESMA ANDERSON.
13 15 DIE TELEVANGELISTE IS OP ONS!
DIE AMERIKAANSETV-PREDIKERS WAT '.
CHRISTELIKE lVOORHEERS, TREKTALLE
- KYKERS -NIE NET OOR DIE BOODSKAP -
, . NIE, MAAR OOK DIE SKOUSPEL WAT
HULLE BlED, SKRYf INAVAN DER LINDE.
";
.,'
'\ 20 PEARLIE OP DIE LANG PAD '. DIE TREINSPOOR NA
" MOLTENO LOOP DEUR 'N DUN STUKKIE LAND WAT
. SODS 'N LIP TUSSEN TRANSKEI EN CISKEI LE. OP DIE
TREINROOSTER IS MOLTENO SOMMER NET NOG -
;' . 'N DORPIE TUSSEN DIE STORMBERGE OP
DIE AMATOLA-TREIN TUSSEN
JOHANESBURG EN OOS-
0" LONDEN. MAAR DIE MENSE
WAT DMR WIL NOOIT
WEGGMNNIE,ONTDEK -
PEARLIE JOUBERT
- 26 28 GUESS WHAT?0
" . ITS GRAHAMSTOWN AGAINI
-OFTHE ALMOST 300 SHOWS
. KATHY BERMAN, ASHRAF . .
. JAMAL AND CHARL BLIGNAUT
ONLY LOOK AT 3-
..
2- .
A
SO SE HULLE
"I can no longer explain to our people why we continue to
talkto a government which is murdering our people."
NELSON MANDELA after the Bolpatang massacre.
"Ek is vervul metbesondere deernis vir die swart
gemeenskap wat in die kruisvuur van 'npolitieke
magstryd vasgevang is."
FW DE KLERK oar dieBalpatang-slagtlng
"Statepresident FWde Klerkhasbecome addicted to the
international glitter of foreign visits andlikegeneral
Smuts, while world leaderswineanddine him, themajor-
ity of the people inhis own country despise him."
JANNIE MOMBERG, Independent MPfar Simanstawn, this
week at anANCrally
"Eenvan diemees ontstellende tonele tydens die
bloedige menseslagting in die Boipatong-woonbuurt in die
Vaaldriehoek, was die waarin'n polisiesersant selfmoord
wou pleeg, en toedeur 'n kollega gered is."
Berigdeur LEON COETZEE In Rapport (21 Junle 1992)
'The causes of violence in this country arecomplex."
PIK BOTHA an theBalpatang massacre
"Intakingrevenge a manis but even with his enemy, but
in passing it overheis superior."
FRANCIS BACON (1561 - 1626)
ALISTAIRFINDLAY IN CITY PRESS
HET JY GEWEET?
Diegetalle mense wat tot die wAreld se versklllende godsdienste
bahoort, Iyk na skattlng s6:
1 669 520 440 Is Chrlstene (32,9%vandiewreldb9valking);
880552210 is Moslems (17,4%);
663495450 is Hlndoes (13,1%);
311 836 170 is Boeddhlste (6,1%);
229 711 410 Is ateTste(4,5%);
172 278 230 behoort tot Chinese volksgodsdlenste (3,4%);
111 911 560 bahoort tot nuwe godsdlenstlge groepe (2,20-');
92040570 behoort tot stamgodsdlenste(1,8%);
18169340 is Jode (0,3%);
17187390 is Sikhs (0,3%);
12381 640 is SJamanlste (O,?A,);
6 188 160 is Confuclsne (0,1%);
4 691 890 is Baha'Is (0,1%);
3 55 690 is Jalns (0,1%);
3379030 is ShlntoTste (0,1%);
8 221 480 (0,2%) behoort tot snder gelowe en
886 759 660 (17,1%) Is nie-geiowiges.
VRYDAGOGGEND
MET MAX DU PREEZ
WAT DE DUIWEL Her VERKEERD GEGAAN?
WAARSKYNLIK die meeste Suid-Afrikaners begin nou besefdat hulle - of liewer ons, want ek is ook een
van hulle - die laaste jaar of twee, in 'n droomwereldvanwensdenkery gelewe het.
Ons het met groottevredenheid virmekaar vertel hoeveel welwillendheid daar onderdie mense van
Suid-Afrika is. Onshet opgewondegeselsoor hoeons land 'n voorbeeldvirdieresvanAfrika gaanword;
hoeons diedie subkontinent gaanlei. Ons het ens sit enverwonderoor hoe diebuitewereld weer syarms
vir ons oopgemaak het. Onshet lekkertrots gevoel oor onssportmense wat 'n slagweerintemasionaal
kan meeding, en die keeral ons landsburgers kan verteenwoordig.
Ons het 'n bietjie geklaen geskinder oor Nelson Mandela aan die een kanten fW de Klerk en die NP
aan die ander kant, maar eintlik het ons half rustig gevoel datdie kombinasie uiteindelik die wa deur die
drifgaan trek.
Ons het onsself gebluf. Geslagte van onreg en onderdrukking word nie 56maklik met praatjies en
ooreenkomste ongedaan gemaak nie. Ons het 'n transformasie van ons hele gerneenskap nodig, nie
hervorming nie. . .
Die van ons wat gedink het die NP en die regering was emstig om deel te word van 'n werklik
demokratiesebestel, moes tot ons ontsteltenis agterkom ditwas weer lippetaal, wanttoe dit by die punt
kom waar hulle die laaste ooreenkorns moes maak wat tot gevolg sou he dat die meerderheid ook
wesenlike mag sou bekom, toe trek hulle kleinkoppie. .
Q
AARDIETRUUKINKodesa seWerkgroep 2 sal nogin diegeskiedenis uitstaanas diegrootste flater wat die
DeKlerk-bewindgemaak het. Hulle hethullehandhopeloos oorspeel en nooitweersalhulleditso maklik
he nie.
Want daardieonbuigsaamheid het minof meer onvermydelik gelei tot dieANC se strategie vanmass
action- watteranderwapens het dieANC omte keerdatdieNP nieoor hulle hardloop inonderhandelinge
nie?
Dieaankondiging vanmass actionhetgelei tot'npropaganda-oorlogvan diekantvandieregeringsoos
ons laas in die dae vandieTotaleAanslag gesien het. Ensoos in die ou dae het dieSAUK en koerante
soos veral Rapport en TheCitizen lustig en geesdriftig meegedoen.
Dit alles het die politieke temperatuurskerp laat styg.
Soweto-dag op 16 Junie - Swart Dinsdag, het Rapport vooraf aangekondig - was toe heeltemal
envreedsaam.
Daar was net eengroot fout met 16junie: FWde Klerk het gedoen wat 'n Staatsleer l-student vooraf
vir hom sou kon se was 'n reusagtige flater: hy het op Ulundi in KwaZulu gaanpraat. Of dit nou 'n ou
spraak was of nie, dit wasuiters dwaas- of, sal partysiniese mense dalk se, koelbloedig - van DeKlerk.
En'n klompieurelatertoe sak 'n spul Zoeloe-sprekendes - as hullenie Inkatha-impi's was nie, eet ek
my kar en my huis op - op Boipatong toe en slagveertig of meer mense.
Envroeg die volgende dag blameer die polisie en die regering mass action daarvoor!
Boipatongwas'n soort strooi wat die kameel se ruggebreek het. Die woedeen bitterheid wat dit in
-'
televangeliste
i
II
BLYEBOODSKAPOFPIETISTIESEONTVLUGTING?
DieAmerikaansetelevangelistewat ChristelikeTVoorheers, trektalle kykers - nie net ocr dieboodskap nie, maar
oakdieskouspel wat hullebied, skryf INAVAN DERLINDE. Daar'sbyvoorbeelddiekragmannevandie Kruis wat
sielawendeurhul spieretebun. Maarisdieskitterwit programmetersakeindiemultikunureleSuid-Afrika1Engaan '
alles suiwer cor godsdiens - of wordAmen'kaanse kunurele imperialisme oakbevorder? '---
"MY NAME IS JOHN JACOBS," se die
oorgroeide skoolseun. "1amthe leader
and founder of the Power Team. I
don't have a PhD or a Masters degree,
but I'm an expert because 1have been
visiting hundreds of schools."
En die skole is vrot van die okkulte,
selfmoord, satanisme, dwelmversla-
wing, pornografie en tienerswang-
erskappe. Dis omdat hulle hclde Ma-
donna en Prince is. Die kinders het
nuwe helde nodig, se hy: vyfmanne
wat meer as 300 pond elk weeg met
biseps van 21 duim in deursnee.
Dis Vrydagoggend op kanaal een
en tyd vir Christelike lV (CIV), wat
weeksoggende tussen negeen half-
tien op die skerrn jou sitkamer omskep
in die vreemde wereld van die
e1ektroniese kerk op die Amerikaanse
charismatiese patroon. crv het ]unie
verlede jaar begin uitsaai - en stof
geskop in die oe van Goeie Nuus
Televisie, wat die tradisione1e kerke
seTV-stasiesou wees. Goeie Nuus lV,
wat die meerderheid kerke in die land
verteenwoordig, moes toemaak omdat
dit te duur geword het.
En moontlik orndat hulle nie
dieselfde vermaaklikheidswaarde ge-
had het as CIV nie. Kyk nou maar vir
johnjacobs, die man met arms so dik
soos boomstompe. Die kamera neem
'-- - -
hom van onder af en die spreiligte
spee1 soos 'nstralekrans omsy kop. Sy
boodskap is eenvoudig: Jesus is die
antwoord op al jou probleme; en
hoogs vermaaklik- vra maar 'nkollega
se seuntjie, wat dit verkies b6 die
oggend-comics op Goete More SA.
Hy begin met "n boodskap oor
mense wat inhul verlede blyleef. Soos
Tom. .........
Tom, verte1]ohn]acobs, was
II
televangeliste
eng plet istlese escapism. Die
televangeliste spreek liefs nie sake
soos rassisme, die ultdaging van
versoening, ekonomiese herstruk-
turering engeregtigheid in die Suid-
Afrikaanse konteks aan nle,
Voorts behoort daar - hoewel mens
dit nog nie eintlik teekorn nie - 'n sterk
reaksie te wees daarteen dat die
televangellste nie net 'ngodsdienstige
boodskap bring nie, maar ook 'nsterk
ekonomiese en politieke boodskap.
Die boodskap het in die VSAuitgeloop
op die ontstaan van die sogenaamde
"New Right", wat saamgetrek is met
die verkiesing van Ronald Reagan in
1980 as president.
J Die waardes van die sogenaamde
!Religious Broadcasters is sterk
, kapitalisties ensterk fundamentalisties,
, met 'n donker kant: destyds het Iarnes
Robison, 'n evangelis van Dallas,
bekend geword vir sy bitter aanvalle
op gays en liberale. Jimmy Swaggart
het gespesialiseer in kritiek teen die
Katolieke. Jerry Falwell het 'n onheil-
spellende organisasie begin, bekend
as die Moral Majority, wat liberale
waardes met ywer aangeval het.
Fallwell en van sy geestesgenote
soos Robert Schuller, Jim en Tammy
Faye Bakker, Gene Scott en Jimmy
Swaggart het geldelike probleme en
ander skandale om hulle versamel,
wat die beweging 'n knou gegee het.
Ons het egter nog nie die laaste van
die New Right gehoor nie, want so pas
is 'nnuwe nasionale organisasie gestig
rondom 'n voormalige president-
skandidaat enevangelis, Pat Robertson.
Onder die naam Christian Coalition,
word kerkgangers ywerig as kiesers
geregistreer, en hard na sogenaamde
pro-gesins-kiesers gevry.
Hoewel die Charismatics en die
Pentekostaliste in Suid-Afrika beslis
meer sosiaal-bewus geword het en
Rhema en die AGS aktiewe sosiale
opheffingsprogramme aan die gang
het, deel hulle die ekonomiese en
funclamentalistiese waardes van die
New Right. Die vraag wat aan crv
gevra moet word, is of hulle in die lig i
van die ingrypende politleke en
ekonomiese veranderinge in die land
die weelde van irrelevante en
oppervlakkige Amerikaanse televange-
liste kan bekostig.
MAAR MEER GEWIGTIG as die
skinderstories rondom TBN - daar is
nog nie bewys dat Crouch iets
onwettigs gedoen het nie - is die
kritiekteen die Amerikaanse kulturele
imperialisme wat CTV se gods-
diensprogramme oorheers. In 'n
multikulturele land soos Suid-Afrika,
met sy ryke nasionale, maatskaplike
en godsdienstige verskeidenheid, het
Amerikaanse televangeliste minbegrip
vir die kenmerke, behoeftes,
geskiedenis en belange van die
plaaslike situasie.
In 'n tyd waarin Suid-Afrikaanse
kerke worstel met plaaslike
vraagstukke en hoe om die Evangelie
relevant te maak, kies hulle kortpad
verby kontekstuele kwessies met 'n
Engelse dienste word om historiese
en politieke redes deur die hoof-
str60mkerke .en veral wit, Afrikaans-
sprekende gereformeerdes oorheers.
Die Charisrnatiese en Pentekostalistiese
kerke, deeIs weens hul heelwat kleiner
steunonder wit kykerslluisteraars, het
dus min voordeel getrek uit die vrye
programtydvir godsdlensprogramme.
Vir TBN met sy baie geld en bale
surplus-programme erigesoflstikeerde
tegnologiese kennis was hierdie dus
'n vrugbare sosiale teelaarde om in
wortel te skiet.
Maar ofTBN die beste bedmaat vir
die Charismatics en Pentekostallste in
Suid-Afrika is, sal die tyd moet leer. In
1990 het TBN uit die etiek-komitee
van die National Religious Broadcast-
ers (NRB) - die waghondliggaam
waartoe byna alle televangeliste
behoort - bedank rui 'n ondersoek na
bewerings oor belastingontduiking en
flnansiele onreelmatlghede. Crouch
het gese hy sal nie toelaat dat NRBhul
neus in sy sake steek nie.
Kort hiema was die organisasie
betrokke in 'n hofsaak met werk-
nemers. Opsommenderwys beskryfdie
klagtes 'n organisasie waarin mense
en beginsels ondergeskik gestel word
aan Crouch se grootse visioen van 'n
wereldwye, ultgebreide radio- en
televisienetwerk. 'n Nuusbrief word
aangehaal waarin hy skryf: "The fact
that TBN programming canbeseen by
over one billion souls is nog enough!
We will keep taking back the airwaves
(from the secular world) until Jesus
comes!"
Geloofseriding (AGS) en die Hatfield
Christian Centre - elkeen 'n halfuur.
Die laaste uur of wat op 'n Sondag
behoort weer aan TBN.
V1RTBNENSYtelevangeliste was dit nie
moeilik om vastrapplek in Suid-Afrika
te key nie, In Suid-Afrika verskaf die
SAUK'n uitgebreide nie-kommersiele
radio- en televisie-diens vir god-
sdiensprogrammewat deur syele gods-
diensdepartement vervaardig word.
Naas gereelde eredienstewat inbykans
al die landstale uitgesaai word, staan
die SAUK ook ruim tyd af aan
godsdienstige (lees: Chrlstelike)
aktuele ennuus-programme. Oor TVI
word eredienste selfs in spitskyktyd
uitgesaai, ennie net indie sogenaamde
"ghetto-tyd" soggens tussen agt en
tien nie,
Maar die SAUK se Afrikaanse en
TERWYL MENSE SOOS Martin Brink,
sekretaris van die bestuur van CIV en
'n lidmaat van die Hatfield Christian
Centre. en pastoorJohannes Steynvan
die AGS kritiek het teen die inhoud
vansommigeTBN-programme, ishulle
eintlik in 'n Catch 22-situasie: sonder
TBN-kan hulle nie aangaan nie.
/ Aan die hoofvanTBN- volgens die
/ tydskrif Christianity Todaydiewereld
! se grootste eienaar van te1evisiestasies
! (by die 300) - staan Paul Crouch. In
\ Suicl-Afrika het hy bekend geword as
\ die man wat verkondig dat 'n groep
DAN pandemonium los. \'Finse geoloe glo ontdek het dat die
'5panmetdiePowerT-hemdestorm nth 1 1 (15 km) d di
paar hope betonstene _ elke hoop in 't \ e_ nege. my . on .. t:
drie kolomme gestapel. Terwyl party 10 verre Noord-Sibene gelee
paraffien op die hope gooi, dit aan die /tS.
brand steek en sommer so deur die Crouch se die geoloe het 'n hoogs
vuur die stene stukkend moker, is (I sensitiewe mikrofoon in 'n gat in die
ander besig om ysterpale te buig en gebied laat afsak - toe hoor hulle
met hul koppe ysblokke van 'n meter \ "duisende en selfs miljoene gillende
hoog, rniddeldeur te slaan. G'n won- \ gefolterde siele". Dieselfde nag het
?er hulle het nie PhD's nie. . \ daar glo 'n gloeiende gas uit die gat
> So breek hulle kettings \ gespuit. Uit die gas verskyn daar toe 'n
en boele, en telefoonboeke op. 'glinsterende wese met die vlerke van
Eenou gaanIeop n spykerbed. Opsy 'nYlennuis, wat op Russies aankondig:
maag kom nog 'n spykerbeden bo-op oorwin!"
die spykerbed kom 'n soliede blok ys TBNwas maande lank betrokke in
van lxl meter. 'nAnder kragman slaat samesprekings met die SAUK om TV-
ys. met Die tyd te bekom, en stoot jaarliks R3.5
. koolkinders 10 die reusesaal Jutg. rniljoen in om CIV lewensvatbaar te
Die Pouerconnecuonisvervaardig maak. Plaaslike kerke gee ook R3 5
deur Trinity Broadcasting Network
(TBN), met sy hoofkantoor in Tustin, en adverteerders kom), maar het
Kallfornle, TBN isverantwoordelikvir heelwat minder uitsaaltyd omdat
al di Am ik
' e er aanse programme wat plaaslike programme so duur is om te
oor CIVuitgesaai word. Die afgelope maak.
twee weke het ons nle net die Power-
manne gehad nie, maar ook 'n paar
doodgewone opgejazzde predikers uit
die Amerikaanse Pentakostalistiese en
herlewingstradisie, en goeie ou South-
ern Baptists.
Maar dan is daar ook Kenneth
Copeland, wat soos 'n hiper-aktiewe
kind onophoudelik babbel en die
duiwel met die Bybel oor die kop tik.
"Knock Satanright onthe head and
say shut up, in the name ofJesus, right
up in his ugly old face. Ha-ha."
CIV saai nie net Amerikaanse pro-
gramme uit nie. Sondag-oggende het
Ray McCauley en die Rhema-kerk 'n
tydgleuf, en so ook die Apostoliese
tien jaar gelede die atletiekkampioen
van sy skool. Maar toe oorval die
tragedie hom. Hy breek 'n been en
daarna kon hy net nooit weer die
ntletiekspan haal nie. Hy skud sy kop
meewarig. "Weetjullehoekommense
. so ongelukkig is?"
Nog harder: "Weet julie hoekom
mense onge1ukkig is?!"
Omdat hulle terugkyk. "He re-
.hearsed it, nursed it and cursed it. But'
.he did not allowGod to reverse it." 'n
Teksvers - en siedaar, die probleem is
opgelos. Of soos Mike,' wat sy hele
skoolloopbaan aan disleksie gely het,
en nou heeltemal genees is, Praise the
Lord.
14
televangeliste
Kruis en Kroniek het 'n mooi nuwe baadjie, skryf INAVAN DER
LINDE, maar dit sit neg heeltemal te knap
AFRIKAANSE Christellke programme oor
TV1 op Sondagaande Is steeds wit,
standaard-Afrlkaans, gereformeerd en
behalwe vir 'n vroullke aanbleder,
oorheersend manIlk. I
Kruls en Kron/ek (KK), veteraan-
godsdlensprogram Sondagaande oor
TV1, het voorverlede Sondag met' 'n
algehele vernuwlng van die program
gekom In 'n poglng om weg te beweeg
vandie saal ultsendlngsvan Soos
die aanbleder, Yolanda Dreyer, dit stel:
die program het 'n nuwe baadjie
aangetrek.
'n Moedlge poglng wat opwlndende en
tot dusver verbode - In kerktaal is die
kcdewoord "sensltlewe" - onderwerpe
1 anpak, maartog nle daarlnslaag om van
die te klein baadjle ontslaete raak nle. 'n
Baadjle met 'n nuwe styl en kleur dus,
maar steeds heeltemal te knap.
Kom ons begin by die sty!. Weg Is die
vroulike aanbleder met die stroperige
Sondagskool-stemmetJie wat kykers
onmlddellik laat verstaan het: ons Is nou
hler met "geestelike" sake besig. Die
benaderlng het gesorg dat 'n kloof so
groot soos die Visrlvler-canyon gegaap
het tussen ons - die sondige kykers - en
die aanbleder op haar gevorderde pad
van hellfgmaklng.
in die nuwe KK het ons die meer
robuuste Yolanda Dreyer - ja symste, die
eerste vroullke predlkant wat op 'n
preekstoel In die Hervormde Kerk gekllm
het - gemakllk, Informeel en volkome in
eheer van die programmaterlaai.
Moontlik t9 robuust, want plek-plek slaan
'n prekerigheld deur - 'n styl waarvan die
program tot elke prys ontslae sal moet
raak.
Oleprogram is verdeelln vyf rubrieke.
Dieeerste, "Konteks", plaasallerlei temas
in moderne konteks; "Deurbraak" handel
oor sendi ngprojekte (die kerk se
"getuienlstaak"); "Lledjlesen Wysies
ft
stel
goele, smaakvolle kontemporsre muslek
bekend; die hoofprogram, "Aktualltelt"
,bespreek relevante en aktuele
onderwerpe, gevolg deur 'n resensie van
rolprente en boeke; en dan "Mens tot
Mens", 'n vrae-rubriek oor onderwerpe
wat die mens se bastaan raak.
OMTERUG TE KOM tot die prekies: Enige
aktualiteitsprogram se doodsteek Is
wanneer die dunskeidsiyn tussenInligting
verskaf en propaganda maak, oorgesteek
word. Dlt gebeur wanneer 'n aanbieder
aan die kyker wil voorskryf hoe om na 'n
saak te kyk en haarlhom nle toelaat om
self 'n menlng te vorm nle.
Miskien moet KK by hul TV-kolJega
Freek Robinson gaan kers opsteek. Die
goue word In albel die rubrleke,
"Konteks"en"Aktualitelr oortreawanneer
die aanbleder reg teen die elnde as
vertolker-plus optree deur vir diekyker te
vertel wat ander sprekers nou eintlik
bedoel het, In stede van te volstaan met
'n opsomming deur een van. die
deeinemers self.
Endie k1eur: dietreffende nuweklingel,
ultstekendefotografieenbeeldmaterlaal,
pragtlge muslek. In die rubrlek "Konteks"
slaan die besonderse kunswerke,
gebrandskllderde glas, argltektuur en
beeldhouwerk wat as beeldmaterlaal
gebruik is, skoon die asem weg. Dit dien
as agtergrond' om die kwessle van die
letterllke ultbeeldingvan God enChrlstus
deurdie eeue aan te spreek.
Olehoofprogram, "Aktualiteir, metNaas
Ferreira as reglsseur, het 'n w6nderlike
onderwerp wat uitstekend hanteer word:
'n Groot aantal mense wat hulself steeds
asChristene beskou, het die tradlslonele
arke verlaat omdat hul kritlese vrae nle
ar geduld 6f beantwoord word nle.
eyer praat met 'n hele aantal sulkes.
Soo prof Johan DeQ:naar, afgetrede
hoogleraar InStaatsfilosofie aanUS, w.at
op sy rustlge manler dat hy deesdae
I
""Ie meer so bale In die kerk belangstel
nle,maar meerbelangstelln diebetekenls
vandie lewe". Hy haal Albert Camusaan
but exhaust the limits ofthe possible: Dis
die ultdaglng wat rykdom aan die lewe
gee, Degenaar.
Ander dealnemers, soos dr Willie van
der Merwe enprof Ferdinand Deist(albei
US), hoe die kerk sal moet aanpas om
dienodlge ruimtete bled vlrsulke Iidmate.
OleprogramIsnetjles aanmekaargesit,
die beeldmateriaal pulk, die fotografie
uitstekend an die deelnemars goele
kommunlkaarders, en as bonus pryk die
met mls behangde Stellenbosch-berge
van tyd tot tyd op die agtergrond.
MAARIN ALBEI genoemde rubrlekeis die
daelnemerswit, Afrikaans, manlikenkom
hulle6f ult die Hervormde Kerk, 6f ult die
NG Kerk. Ole enigste gekleurde In die
hele program van 40 minute is Peter
Tarental van Operasle Mobilisasie wat
sendlngwerkinHongaryedoen- enhy sal
nleindie Hervormde Kerktoegelaatword
nie.
Maar wat van die brulnmense, die
Plnkstermense, die charismatics en ja,
selts die Doppers, want ook hulle het in
die nuwe KKgeskltter Inhul afweslgheid.
Dan praat ons nognle eens van
swartmense nle, waarvan bale tog
Afrikaans magtlg Is.
OatKKbeginhat omsulke onderwerpe
aan te pak Is 'n opwlndende nuwe tree
wat moontllklndie toekoms, te oordeel na
uitsprake van die hoof van die SAUK se
Godsdlens-afdellng, drJohan Bultendag,
kanlei tot 'nalgemene verbreding van die
teologlese grondslag van die program.
Daarvoor hetdie KK-span genoeg talent,
soos duldellk blyk lilt die loodsprogram.
Voorts: Ole afdellng wat vir die pro-'
grammeverantwoordellkis. staan bekend
as dieGodsdlens-afdelfng. Die benamlng
Isverkeerd.Dit hoort elntJikdie Christellke
Godsdlens-afdellng te heet, want van al
die ander In die land slen of hoor
ons noolt nle, al Is hulle ook
belastingbetalers. As godsdlensvryheld-
soos die beoogde Handves vir
. Menseregte - deel gaan wees van 'n
nuwe grondwet, beteken dlt dat die
Chrlstelike godsdiens se TV-monopolle
lets van die verlede Is. En sal 'n Kaapse
Maleler nle mool op Afrikaans oor die
Islam kan praat nle?
TEN SLOTTE: Mens glo dat ander
hlnderlikhede mettertyd uitgestryk sal
word. Een Is die manler waarop
deelnamersaandie kykervoorgestel word
bloot as "dr Johan Steyn", "dr Loffle
Naucte", "dr Willievander Merwe (dosent,
US)". Ek weet toevalllg wle die ouens Is,
,maar weat tant Sannle van Wellington?
Ten dlepste gaandit oor respek vir die
kyker, wat wil weet of die ou wat so
kontant Is met sy oplnles, die reg verdlen
hetomgehoor te word.Opgrond waarvan
kan Loffle Naude oor rolprente praat? Is
Van der Merwe 'n fllosoof of 'n teoloog?
W1e Is Johan Steyn en Cornell du Toit?
Nag 'nhlnderllkheldIsdlemanlerwaarop
'n onderwerp aan die orde gestel word.
Hoekom Is byvoorbeeld besluit om te
praat oor die Tweede Gebod (gesnede
beelde) In "Konteks?" Hoe stult dit aan by
die kyker se onmlddellike
(aktueel), ottewel hoekomIsdlt op daardle
oombllk nuuswaardig?
En waarom die teks wat aan die elnde
van"Aktualltelt", nadatdieKK-Iogo reeds
verskyn het, op die skerm flits? Uit die
bloute lees mens: "Ek wag op die Here
meer as wat die wagteop diemOrewag...
Ps 130:6". '
Dit hou geen verband met die
voorafgaande nle. Moontlik'n pleldool vir
'n bletJlegeduld vandie kant van die KK-
span?
15
rubrieke
:. MAAKTENNISAANSKOULIKER
" .
SE11M SANDHAM IN DIE WEEK SE SPORTRUBRIEK
HALF-PAD deur Wunbledon '92 en dlt is reeds duidelik dat
die spelers met groot afslaanhoue besig is om'n wurggreep
op tennis toe te pas. Diespelerswordgeweldig bevoordeel
deur die grasbaanwat veroorsaak dat die hal onspeelbaar
vinnig deursklet na die opponent. Modeme tennisrakette
. dra natuurllk by. .
. Iemand met baie tyd om te verspil het uitgewerk dat
. .' tydens verlede jaar se eindstryd, wat ongeveer twee en
. 'n half uur geduur het, die batslegs sowat negeminute in spel was. Hoewel die
syfers effens misleidend is omdat rustye tussen pone word en
die bal meestal teen meer as 100 kilometer per uur deur die lug beweeg, dui dit
tog daarop dat 'n nuwe patroon in die spel het .. is.dit 'n
onaanskoulike patroon. 'n Reeks kis- en dodelike mokerhoue by die ne,t 15,:",el
opwindend, maar dit is nie so aantreklik soos 'n reeks uitgerekte verwisseling
van houe nie. "
In die opsig is die Franse Ope 'n aanskouliker toemooi. Die stadiger kleibane
neem die angel uit die vurigste afslane. Spelers durf mekaar op 'n meer gelyke
grondslag aan. Die lang verwisselings is soortgelyk aan 'n skaakwedstryd waar
die spelers hul opponente moet maneuvreer om die finale slag te kan slaan.
'.. Spelers met groot afslane is niksnuuts nie. In 1985 het Kevin Curren onder
andere McEnroe en Connors vandie baangevee omin die eindstryd teenBecker
, Ie speel, In die 1979-fmaalhet Roscoe Tanner vir Bjorn Borg vyf stelle lank met
sy reuse-afslaan gebombardeer. Hulle was egter die uitsonderings, deesdae is
daar :n aantaI spelers in die top-honderd wat deur middel van hulle afslaan en
relatief min ander tennisvaardighede die kwart- en halfeindrondes kan behaal.
Dit is duideIik dat iets gedoen moet word om manstennis aantreklik te hou.
Die reels moet op een of ander wyse aangepas word. Om die baan kleiner te
maak is nie 'n oplossing nie. Die opwinding van 'n speler wat van een kantlyn
na die ander hardloop om 'n sekere wenner sentimeters van die grond af terug
te speeI, kan toeskouers nie ontneem word nie. Dit sou ook beteken dat elke
klubbaan in elke uithoek van die wereld aangepas sal moet word.
Toe 'n paar jaar gelede voorgestel is dat die tweede diens afgeskaf word, het
spelers soos Pat Cash('n diens- envlughoudeskundige) geprotesteer dat dit die
hele aard van tennis sal verander. Die aard van tennis het reeds verander. am
die raket kleiner te maak is 'n ander moontlikheid. Die 200km/h-plus snelhede
waarteen gedien word, laat niks van die spel oor nie. Uiteindelik ontaard
wedstryde in 'n dienkompetisie. Die volgende stap is dat twee spelers 'n aantal
I.louedien teen 'n elektroniese toestel wat bepaal wie het mees konsekwent die
vinnigste gedien. .
Die internasionale rugbygemeenskap poog voortdurend om rugby meer
aanskoulik te maak en die tennisgemeenskap kan gerus daarop let. Die goeie
spelers sal aanpas en die toeskouers sal weer die genot van verskeidenheid
smaak - delikate valhoue, kragtige bo-tol voorarm-verbyhoue, geslepe lughoue
en sldderende mokerhoue.
ENGELAND EN DIE sokkergeesdriftiges dwarsoor die wereld het die week die
einde van die internasionale loopbaan van Gary Lineker aanskou. Ongelukkig
het die Engelse span se neerlaag teen Swede gesorg clathy nie die afskeid gekry
het wat hy verdien nie. Stanley Matthews is tot ridder geslaan vir sy bydra tot
Britse sokker, en 'n soortgelyke huldeblyk aan Lineker sal nie onvanpas wees
rue.
.Hy het bewys dat sekere opvattings omtrent sokker nlewaar 'hoef te wees nie.
Hywas nooit so flambojant soos sommige vansytydgenote nie, tog het hy doele-
aangeteken. Die ou gesegde "soccer is a gentleman's game played by hooligans",
is ook verkeerd bewys. In 'n loopbaan van 512 klub- en 74 internasionale
wedstryde is hy nooit afgestuur nie en het hy nooit eens 'n geel kaart gekry nie.
In 'nsport waar vloek oftecugpraat met die skeidsregter rede vic 'nwaarskuwing
.is, is dit niks anders as merkwaardig nie.
Dit gaan interessant wees om sy loopbaan in die Iapanse klubliga te volg.
Anders as tydens sy tydperk in Barcelona, sal hy nie oor naweke huis toe kan
gaan as hy bietjie verlang nie. ammet 'n vreemde taal en kultuur te worstel en
steeds sokker van 'nhoe gehalte te speel kanveeleisendwees. Lineker het egter
die vermoe om sokker in japan tot nuwe hoogtes en populariteit te voer.
DIE SUID-AFRIKAANSE atletiekspan neem tans deel aan die Afrika-spele ln
Mauritius. Daar is heelwat ooreenkomste tussen die twee lande. Albei is
aanvanklik deur Nederland as nedersettings bewoon, het sterk Franse wortels
en is later deur Brittanje gekoloniseer.
Albei is lande met geweldige diversiteit sover dit taal, kultuur en velkleur
betref. Soos Suid-Mrika het Mauritius deur 'n pynlike proses gegaan vanaf
oligargie na demokrasie. Soos Suid-Afrika is Mauritius deel van maar tog apart
van Afrika. Die spele bled geleentheid vic albei om nader te beweeg aan die res
vandie vasteland. Of dit'ngoeie idee was omdie spele daar te hou is betwisbaar.
Volgens geskiedskrywer Auguste Toussaint: "... this island climate does not
encourage sustained effort." Beslis slegte nuus vir die langafstand-atlete.
16
DIESPEURDERENDIEHOLLANDER
ANTON GOOSEN VERTELVAN SYVALLEIIN DIE WEEK SE
GESELSRUBRIEK
DIE Hollander oorkant die rivier hou nie van verskillende soorte klanke nie - hy
is into angle grinders en chain saws, maar hy hou nie eens van LiveJimi
se musiek nie. Ook nie Dead Elvis Hendrix rue. hou ook nie claarvan dat die
Black Water Blues Band enjack Hammer hier op die plaas in die rehearsal room
met die eierdoppe oefen nie. Dus is hy toe cops toe. Nie sommer enige cops nie,
die speurafdeling. , '. .
Die speurafdeling is amused, soos ek, en ons_ het n heerlike oggend en bate
tee. Die speuchoof stem ook saamdat die nie elntlik die saak sy lewe is
hom bale beroemd gaan maak nie. Ons stem ook saam dat die Hollander me
eintlik 'n musiek-fan is nie.
Maar in die dae van heavy geweld kan 'n rusverstoringsaak heerlike comic
relief word. "Ons kan die hele PR-irnage van die cops bale nice by die ding
insleep, enek het 'n CDwat moet uitkomen dan kan ons almallekker publisiteit
rnaak," stel ek voor.
Nee, hy reken nie dis nodig om so ver te gaan met die Hollander nie. Hy's
simply net 'n "moeilike aanpasser in die Vallei", 'n waarskuwing om in die dae
nie moeilikheid te maak nie, sal dalk help. 'n Moeilikheidrnakende inkommer.
. Dus: hier gaan ons, verklarings en alles. En ons, die sersant en ek, drink weer
bale tee enalles - die slag is dit op home ground, omdie koue oggendkampvuur,
maar met 'n lekker wintersonnetjie. Dis baie amptelik en ek besluit om rue die
sersant op te chat nie, want om die kampvuur is baie heilig. Maar die oggend
en die kampvuur is eintlik koud. En daar buite brand die land.
DIE KAMPVUUR, koud of warm, het ook al heelwat situasies dopgehou: 'n
kosmiese middelpunt. So kaalgat-die-waarheid-in-teleskoop. Selfs bedags. 'n
Kosmiese roadhouse. God's playin' marbles oncosmicwheels-plek. Baievan die
simboliese "God's marbles" wat van die wa afval, kom kuier gewoonlik in hul
huidige aardse vorm. Endisgewoonlik 'n weirdvorm. Nie in looks nie. Net weird
mense. Opgefoktes. Marbles wat gechip is. Maak nie saak wie se marbles dit is
nie.
'n Kampvuur kan nie die rus verstoor nie. Almal stem saam. Nie eens met
brandende kole nie. Nee, dit wat die Hollander gehoor het, was kosrniese kole.
Noises in die head.
DIE RASSIS WAT voorheen almal geslaan het en daarmee weggekom het, se
ommekeertjie - 'n "Bats to Bible"-ommekeertjie - hou nou al amper ses maande.
Die ingeboude verkleurmannetjie in almal van ons. Mind you, die dreigemente
het baie gehelp.
ja, se die hervormde rassis omdie kampvuurtydens die eendag-ommeswaaitjie,
voete op die kampvuurmuur, bier in die hart. Ongeloof in my en my drummer
se oe, (Van "reed tot pecci", het iemand dit in sy taal beskryf.) Ja, se die
hervormde rassis, hy ken ook goeie swartmense want hy't gehoor die eenmeisie
vandie BBCwat hier was, is swart. Hy't ook gehoor sy's nogal mooi, al is syswart.
Hy mind ook nie oorbelle en vieslike lang hare nie. Meidnaai en daggaroker, is
wat hy eindik seker wou gese het, maar ek het rue om bevestiging gevra nie. Hy
ook nie.
VREDE. MAAR hy't nog 'n lang pad om te loop voordat die Rockeystraat-trendies
die storie sal koop. Black Label-bier is nie genoegnie. Hoe sal hulle ook tog weet?
Maar altwee werelde gelyktydig is nogal nice. Dis soos om op twee kontinente
te woon. Hoekom nie?
Daar's dus vrede indieVallei. Vrolikewintersvrede op die fisieke geweldsvlak.
Maar almal is deel ook van die groter nuwe en armer en steeds heavy
problematiese Suid-Afrika. Weghardloop en van 'n afstand staan en pis, is nie
die antwoord nie. Doen is. Maar baie mense is kwaad. Dit was nie ons skuld nie.
A1mal suffer. Period-pyne vir 'n nuwe Suid-Afrika, Maar die hassles sal seker
kleiner word. Hier ook.
Anna-hulle drink nog steeds heavy, maar sy't die dope gelos. Die kinders op
die berg snuif steeds gom. En hier is 'n kilometer poskantoorkabel gesteel op
padjo'burg toe. Die fone van die hele Vallei en baie ander Valleie om ons was
'n paar dae af. Dit was nogal lekker.
Vanoggend het die gawe sersant gebel om te se die staatsaanklaer het seker
bale gelag, maar hy het die rusverstoringklag uitgegool. Relief. The country lives
another day.
TWO TONE JAZZ LEGENDS
COL LEe T ION PU-LL- 0 UT
E H T
FORTHELOVEOFJAZZ '<
SHADO TWALA
InourlastissuewefeaturedastoryonBasil Breakey's
outstanding jazzphotographs collected inthebook
wepreviewed asTheJazzWitness. Thismonth Two
Toneoffers youapull-out poster from hispriceless
collection.
Theonlytypes ofmusic I remember hearing asalittle
girl were jazzandmbaqanga blaring fromjust about
everyhousehold. Itseemed at the time thatjazz was
only listened to by the older folk and the kind of
'yuppie' of the '60s. These were the more sophisti-
cated folk and the jazz they played was mostly
American - Johnny Hodges, Jimmy Smith, Count
Basie, DukeEllington - thelist is endless. Allon vinyl
78 and 33 speed. This is the sound that became
imprinted onmymind astownship jazz. Thetrouble
is, I never saw Hodges, Ellington or Smith in the
neighbourhood. I saw and heard of Silgee, Early
Mabuza, Ben Masinga, Phillip Tabane, Gideon
Nxumalo andthelikeinthetownship- but Iseldom
heard their music played. Everybody talked about
themas THE musicians but very fewmanaged to
attendtheir performances: pass laws andobscure
venues being themain reason. Theradio, if Iremem-
ber well, would play some music recorded by these
musicians even though itwashardtoobtain atrecord
stores.
Nowonder, then, thatitwasbothembarassing, and
verypainful formetodiscover JohnnyDyani's music
onlylongafter hisdeath and milesaway from home.
It wasduring atripto Holland, where I was invited
to ajazzalbum launch byjazz pianist Jackvan Poll,
that I metChris Joris. Chris hadsharedthestagewith
numerousSouthAfricanmusiciansinexileand spent
a fewyearsparticularly with JohnnyDyani. On learn-
ing that I was from South Africa andassuming that I
knewJohnny well, he began to reminisce about the
man and hismusic. His last few performances, his
experiences, hislaughter, his pain andmost gratify-
ing, hismusic. Bythisstageoftheconversation Chris
had alsogiven me a compact disc recording of his
tribute to Johnny Dyani called 'Songs for Mbizo'.
Listening to Chris and feeling his dedication was a
sad, beautiful experience for me. The recording
madeit possible formetotry and recapture someof
the traits that made Johnny Dyani one of the best
musicians tocome fromour part of theworld.
TwoTonethismonth givesyou an opportunity to
get toknowthe man andhismusic. Pallo Jordan tells
all abouttheman we never got to know; and Chris
Joris has sent us 10 exclusive compact discs of
'SongsforMbizo' foryourenjoyment asasubscriber.
M o R F
JOHHHVDYI AND CHRIS JORIS 1885
PRINCE LENGOASE
FE.ATURES
cape town gets the union blues 4
aphoto essay: the soul jazzmen at kippie's 6
ajohnny retrospective by pallo joIdan 11
the moses family 18
\ " apoem for bra ntemi 16
the jazz debate continues 16
DEPARTMENTS
: blue notes 3
the jazz dial 5
backstage with sarna 10
PROFI LES
upfront with sanxm8
phuthuIm nhleko listens to jazz fantazia by gideon
nxumalo 9
the multi-talented prince lengoase 15
COVER PICTURE:
JOHNNYDYANI
BY GEORGE HALLETT
DESIGN:
Anton Sassenberg
ADVERTISING:
1I11e van der Walt
REVIEWS
jonas gwangwa adds warmth to the winter jazz season, 19
richard haslop listens to newjazz releases 22
the jazz and world music collaboration 18
teboga alexander visits cape town's green dolphin 20
CONTRIBUTORS:
,- Teboga Alexander, Rob Tebaga Naledi,
Ophir Jackman, Pallo Jordan, Keorapetse Kgositsile,-
Rashid lombard, Basil Breakey, Musa Ndwandwe,
, Phuthuma Nhleko, Richard Haslop,
Rashid Imie and Pieter Uys
, '
'I
PRINTED BY: CAXTON LTD ONMONDllEXT
CORRESPONDENCEllWOTONE, POBOXvtt, NEWTOWN 2113
NEXT ISSUE: JULY24,1992
twOTONE ISA JOINTtwo TONEtVRvE WEEKBLAD PUBUCATION JOHAS GWAHGWA
\
TWO T O r N E
CAL L I H GAL L - C L U B S I
IF YOU HAVEA UST1NG FOR THE
MONTH OFAUGUST FOR 'ROUND
MIDNIGHT, YOUR NATIONAL a:
GUIDE,PHONEIN(011)83621510R
FAX IN (011) 8385901 YOUR DE-
TAILS J.S SOONAS CONFIRMED IN
ORDER TO BE (\CCOMMODATED.
JOHANNESBURG
Market Theatre: Instrumentallrio, Tananas,
join forces with The Soweto String Quartet for
afour-days-only-not-to-be-missed concert at
the Main Theatre. Tananas are Steve
Newman (gunar), Glto Salol (bass) and Ian
Herman (drums), and the Soweto String
Quartet are 5andile and Ihamserqa
Khemese on voillns, Makhosifini Mnguni
(vbla) andMalusa Khemese (cello). The
concert, between Thursday, j,me25 28, will
feature composillon from Tananas new
album, TIme. Entrance Is at8pm, atacost of
R15 per seat For further Information call
Rosalie Katz (011) 4025046
Angus Steak House: ASlJe way tostart your
weekend bycoming tothis central Joburg
venue, opening wayFriday, with the
wonderful music of Ghana-born reedman
George Lee's band, induding drummer Lulu
Gonlsana andgunarlsl Themba Mokoena,
amongst others. Opens at5pm unlillate. Call
(011) 3376189 for details.
K1pple's: The Jo'burg music capital has The
Retsl Pule Trio on weekdays, and back on
K1pple's stage alter atwo-year absence isthe
Robert Nkosl Clufntet on weekends, both up to
A J ~ 5;Babes Mbau (weedays) and Sipho
"Hotstix' Mabusa (weekends), nming
between July 7..u1y 26); Philip Tabane's
magical MaJombo will take you Inlo August .
(9th); Then forone week oriy Istrio, Tananas
(11 to16August). For more Information
conlad Grace Mokoena orCindy Harris at
(011) 8321641
CAPE TOWN-
The Green Dolphin: Thfs warm 'ncosy venue
on the V1dorla &Alfred Waterlront offers a
1azz menu' featuring Tony SChIlder Trio
(June 26, 27); Cape blues singer Don
Tshomela onfavourltes sud!as Stormy
Monday, Unforgettable (June 28-30) with the
.backfng of Dave Ledbetter Trio. For July, the
highlight IsMerton Barrowandhis Wednes-
day All Stars with Ezra Ngcukana, Jan Hough,
cedi Ricca, Richard Pld<ett). Other highlights
Ior..klty are The Tony SChilder Quartet,
Moments Notice and Don Tshomela, who has
proven tobeagreat success. Phone (021) 21
.7471 for reservations.
DURBAN
Zlm Ngqawana's quintet feallle atLegends
Cafe on Sunday (..une 28). Then there's
. pianist Melvyn Peters with an as yet unamed
group fealtrfng ciummer George 8llson the
5th. TheStIldayof the 5th J ~ was tobe the
last gig of the BIg ChID festival, bullhere's a
strong possibility of acontinuallon for the
remainder of winter. Jhefollowlng SlIlday
J ~ y 12) features NUJazz Comection.
Legends Cafe Issituated a1the Playhouse
Complex. There's ac:Ner ofR6. For ftrther
information call Patrick, John orMandy at
(031) 304 3297/8.
PRETORIA
Theatre Rendezvous: Thfs venue, attheState
Theatre, continues itsJazz For You series
presented bythe PerformIng Arts Company of
the Tranvaal -thislimewith pianist Archie
Silansky &Company, onFriday July 3at8
pm. The Company being Dan Hill, Bob Hill
and Oems Dormlly. For further information
Therese Pretor/Us (012) 3221665.
s E T
TEBOGOALEXAND ER B Y
o
LED
MONTREUX JAZZ:
Husbandand wife teamof singer Letta Mbulu andcomposer/aranger Calphus Semenya are heading for the MontreuxJazz
Festival this month. Believed accompanyingthemIsareanumber of local musicians, amongthemIstrumpeterPrinceLengoase
andsinging group, Pallsa. Also saidto beheading that directionIs HughMasekela, accompanied bylocal versionof Lerapo in
bassBaklthl Khumaloandpianist Moss Molelekwa. An appearancefromlocal so-called MangoGroove Is on the cards.
BROTHERHOOD COMING: .
Thesupergroupof SouthAfricanexiledmusicians, Brotherhoodof Breath,couldperformon homegroundfor thefirsttimebefore
theyear ends.Twolocalpromoters, DarrylHoneyand CherylSack arepresently negotiatingwithBrotherhood's managerTheo
Meyer. Should the tour succeedit will beona bUdget of over R1-mllllon, asthere'll be a minimumof 14band members, then
there'sthe costsof-equipment hireand travel expenses. At the time of goingtopress a television station, aswell asa bank, had
shownInterestInbankrolling theventure.TheEuropean-based group,formedduringthe'Seventies,wasformedfromthe chore
of the Blue Notes, but over the years hasfeatured top exiledSouth African musicians.
INKOSI'S CHORE: .
Listeningto thechoregroupbackingMothobl Motluatse's latest musical, Inkosll The HealingSong,I wasmoved. I'venot heard
a bandlike this Ina longtime-If ever. Motluatse's musical celebrating95-yearhistoryof the Influential "national anthem", Nkosl
Sikelel' IAfrlca, was honoured the participation of some of Jo'burg's best musicians. As musical director trumpeter Prince
Lengoaseled Umbongo members, Glen Mafoko (b), SiphoMtshall (d) and Vivian Majola (s). There's alsoSakhlle's Khaya
Mahlangu(s) andThemba Mkhlze(p). Alsofeatured areguitarist Shekl Khozaandtrombonist Bhekl Mbatha. MaraLouwsings.
BLACKBIRD LABEL:
Anewrecord label, Blackbird Jazz, will appear on the southernAfrican market as of OCtober. Acquired by Lee Thorpe En
tertalnment,theBerlin-based label emphasises onjazzlfuslon,modernjazzlrockvocal,andtheafro-jazzartists.Itsartistsinclude
ethno-jazzguitaristsJean-Michel KajdanandKahlil Chahine. Blackbird Music's local distribution will behandledby EM!.
GENUINE JAZZ:
Whilethe CapeTownghoemaband,TheGenulnes, Is currentlyontourIn Europe, preparationsareunderway tocompletetheir
first jazzprojectfor release next year.TheGenulnes attainedfame afterpopularlslng Capetraditionalmusic, ghoema.Presently
untitled, work onthe upcomIng albumbegan a year ago, but becauseof financial difficulties, couldn't becompleted.That was
whenIndependentCaperecord company,Mountain Records, took over theproject. Mountain'sPatrick Lee-Thorpleaves for
Germanylater thisyear,where the project"wlII becompleted, and readyfor asimultaneouslocalandEuropean release. Some
of the musIciansfeature on the albumInclude RobbieJansen and Jack Momple.
VUSI'S BAND:
Notwastinganytimeaftertouringwith HughMasekela's Lerapo,drummerVuslKhumalohas alreadybegan workinganewunit.
Theunit will featuretheLerapodrummer, bassist VictorMasondo,gUitariSt/percussionist SasleMahlasela, pianist Paul Hamner
andSakhile's KhayaMahlangu. The Intended conceptwill use talenteddancerThule Ngcobodancfng tobebop- modelled on .
British saxmanCourtneyPine'sperformancewithfourdancersatthefirstMandelaConcertat Wembley. Rehearsalsarecurrently
underway.
LERAPO BACK:
HughMasekelaandLerapo havereturnedfromathree-month UnitedStatestour, wheretheyperformed atpopularAfricanmusic
venues as NewYork'sHarambee andWashington DC's Killmanjaro. Thefinal gig,at the NewOrleans JazzFestival, wasshared
with choir Sounds of Blackness and the Neville Brothers. Lerapo alsoplayed InPhiladelphiaandLosAngeles, and briefly
jammmedonthesunnyVirgin Islands.WhileInLA, drummerVusl Khumalojammed withourlocal trumpetwonderThaboMashlshl
(Who's schoolingthere)andJapaneseguItarist HeDay (oftheHeathBrothers) atdrummer BillyHiggins' club,TheWorldStage.
Lerapowas expected toIncludeJapanandAustralia onthetour. But sincethenonlypianist MossMolelekwa andbassist Baklthi
Khumalo have been recalled by Masekela.
MAKING MUSIC:
NotableadvancesIntheCapeTown musIcscene Isthat of the recording andconsultancy company, Making Music,which has
just movedIntobigger centrallysituatedoffices takingIntoaccount ItsquIckgrowth. Runby SteveGordon, Chrisde Vries and
ChristianSyren, thecompany will concentrate ItsactivitiesInthe areaofjazz, aswel.1 as Africanmusic, reggae andrap.Services
provided by Making Music Includerecording, staging live events, tour packaging, and evenorganising festivals. Thecompany
IsalsoInvolvedIndevelopmental workthroughItsassociatIonwithDukeNgcukana'sMAPP.MoreInformationaboutthecompany
and Itsservices can beobtainedfrom (021) 236330. ' .
AWARD FOR VOORENDYK: .' , .. .
Walking off withtheStarTonlghtl TVAwards'BestMusic,VarietyProgrammecategorywasDickVoorendyk, whowrotethe script
of ''The History of Jazz", This highly acclaimed serieslookedat the story of jazzIn South Africa, andwaspresentedby Victor
Ntonl, a renownedjazz bassist and president of the SouthAfrican Muslcfans Alliance.
TONI FOR HINES: .
Anotheraward wasrecentlygiven out, but thistimefromthe more prestigious theatricalawards.Gregory Hines, theAmerican
Dancer/actorGregoryHines(of White NightsandTaps fame) has wona Toni Award for his performance on a musical about
the lifeof Jelly Roll Morton, the early 1900musician who once remarkedInanIssueof Downbeat: -NewOrleansIsthe cradle
of jazz, and I myself happened to be the creator In the year 1902." . .
EXPORTS VISIT HOME: ..' .
Thetalented (andlargelyunrecognised)CapeTownpianistMikePerrywasrecently Inthecountryto attach himselfto his roots.
Andsowas bassistCarloMombelll. PerryhadabrilliantperformanceIna unit ledby saxman MankunkuNgozl.Therelationship
between the two extends way back to the mld-1970s Mankunkualbum.Jlka.
RASHID MOVES: .
CapeTown photographer Rashid Lombardhas given uphis duties as musical director for the Waterfront venue, Rosie's and
All ThatJazz. Respected Inthe cfty'smusicandmediacfrcles, Lombardsaidhiswork at Rosie'smadeItdifficult toconcentrate
on hisphotography, which Iswhere he wantsto focus ail his energies. Retaining his Rosie'sshares, hehopes to build his
photographicportfoliowhichIncludeone of the best recordsof the CapeJazz scene.
MSELEKU CELEBRATES: - .
Word fromLondonIsthatBheklMseleku, theexiledformerSpiritsRejoicepianist, hasjust releasedanalbum, calledCelebration.
Sourcestold_TwoTonethattheLondon-basedmusician'snewrecording,produced bydrummerMervynSmithwhoalsoperforms
on thealbum, is a masterpiece. Watch thisspace for an update.
N
COM P
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3
T W o T 0 N E
ISOLATED FROM SOUTH AFRICA'S MUSIC CAPITAL JOHANNESBURG, MUSICIANS IN CAPE TOWN SEEM
CONTENT TOGOSOLO OUTSIDE A UNION TOLOOK AFTER THEIR INTERESTS, REPORTS OPHIR JACKMAN.
SINGINGTHEUNIONBLUESI DOt-WJ) TSOHMELA HASBEEN INVOLVED INAmMPTS TO ORGANISE MUSICIANS SINCE THE'SOS
PIes RASHID LOMBARD.
"It's askewed developmentproblem. CapeTownIs
very marglnallsed musically. Although very strong
musicians comeout of Cape Townonce they reacha
certain levelof professionalism, they have to moveto
Johannesburg to record, or theyleavethe country.
"It will take five toten years for CapeTownto even
approach makingan Impact on the national scene,"
Gordon believes.
"ForthemusicIndustryto haveacoherent unionand
Infrastructure, work codes and protection of musi-
cians haveto be discussed - half of the musicians
cannot even understandtheir contracts,"
While musicians don't havetimeto organise them-
selves, It does not Imply that organisers will not be
answerable to them, says Gordon.
Duke Ngcukana, musicianandorganlser at Mapp,
says: "ThemajorproblemwithCapemusicians Isthat
manyhavejobs Intheday as well,andthereforeunion
matters are not critical to them. Even professional
musicians leada 'hobo life'- theyhavea low esteem
andlackconfidence.-
Tshomela has also been trying to organise musi-
cians since1988. "The musicians I tried to organise
became despondent, because they thought I was
going to providejobs for them. ThereIsalso nobody
to market black artists In South Africa. Black artists
have talent, but someof us haveno sducatlon," says
Tshomela.
Atthispointintimethe futureIsbleak, at least until
arestructured, andthoroughlynational. SarnaIssetIn
motion. 9
activists organising them, oftenrejecting attempts.
CapeTown'sIsolation alsohampers efforts:About
90 to 95 percent of the music Industry Is based In
Johannesburg, as Is Sama - the only "progressive-
national bodycatering for musicians. Political organi-
sations' headquarters are alsoin Johannesburg, and
all debatesaffecting musicians take placethere.
TheSouthAfricanBroadcasting Corporation'shead-
quartersaresituated IncentralJohannesburg,asare
all the major recording companies.
Thevast populanon In theVaal regionalso makes
touring more lucrative and the large urban black
middle classcanaffordhigher gate fees.
It Is this stateof affairsthat make peoplelikelocal
organlser Steve Gordonsceptical aboutunlonlslng In
Cape Town. He believes there Is no focal point for
organising hereas most of the bands work the club
circuit and play coverversions.
GordonIsadamant that unlonlsatlonshouldnotbe
separatedfromdeveloping proper musicalInfrastruc-
ture, and initiatives liketheCape Festival shouldalso
help developlocal music activityIn the coastal city.
But musicians are difficult to organise: they are
nomadic, their workpatternsare Irregular and so is
their Income. One promoter belligerently calls them
the most 'unco-operanve people".
Thefact thatMappevolved IntoatrainingInstitution
revealsthe specific needsof Cape Townmusicians,
Gordon says. "Mapp Is not like a union, but an
educational body. This shows the Cape needs to
developmusicians-
OTHER CAPE Initiatives have fizzled out, largely
becauseof poor attendance, lackof resources, and
poor administration.
AlsoCapeTown musicians havebeendistrustfulof
has long been home to someof the country's most
respected musiclans. Yet, thecity'smuslcanshavefor
years beenstruggling along without a union to look
after their interests.
The Gugulethu-based Music Action for People's
Progress (MAPP), formed inthemid-eighties toteach
music, Is perhaps theclosest Mother City musicians
havecometo forming a union.
Buttherehavebeen attempts sincethe 'Rftiestoget
a union off the ground. Musician Donald Tshomela
recallsthe1952formation of the Performing Artistsof
SouthAfricain Cape Town.
"Theytriedto organiseblackmusiciansfrom allover
CapeTownbut it didn't work," Tshomelasays.
Africans were not allowed to be self-employed In
CapeTownInthosedays, andanyattemptsat aunion
would result In work permits being revoked by the
authorities.
"In Johannesburg, muslcans at least had the privi-
legeof being artlsts," Tshomela says.
Vaal musicians founded Dorkay Housetowards the
"mid-'Flftles.
'We hadtogotoJohannesburg tojoin, but thepass
laws madethat very difficult.-
AnotherCapeTown attempt atformlngamusicians
union was made In 1958. From 1960 until the fate
'Eighties, political uprisings and theexodus of artists
madeorganising Impossible. A more recent Initiative
that also never got off the ground has been the
WesternCapeMusicians' InterimCommittee(Wecmlc)
which operated from late1990to mld-1991.
ChristianSyren, whowasInvolvedinWecmlc,says:
'Wecmlc consulted onthecultural boycott and rela-
tionswithperforming artscouncils, as well as looking
at Issuesaffecting grassroots organisations.
"Initially there was excitement as people rallied
arounda primary Issue. But after about three meet-
Ings,everything would fizzleout. While musiciansare
hardtogetholdof,Itlsamajortasktoorganiseaunion
fromscratch without asslstance.-
Wecmlcwas Ineffective, Syrenbelieves, but suc-
ceeded In making theCapePerforming Arts Council
(Capab) aware of performers other than Its own
classical musicians.
Wecmlc disbanded to make way for the South
AfricanMusicians' Alliance (Sama) to open a Cape
Townoffice- butsamastilidoesnothave an officeIn
the city. Though It Is hoped, as was promised, that
some of the financial contribution to the Johannes-
burg-based "Alliance- made by Paul SimondUring his
recent Born at the Right Time tour will go to open
officesIn othernational cltles,lIkeCape Town.
This will be finalised at the musicians body's
upcoming meeting aimed at resolving all controversy
surrounding Sama's operations.
T w o T o N E
4
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SOUNDS LIK E
J A Z Z
. .. ON YOUR RAD IO
Forthosemomentswhenthewalk to your turntablebecomesunbearable- there
Is an altematlve - tune Inl
Art Tatum In ;t.In Panalley
Radio South Africa (FMl 04 -107)
Aseriesof 13 programmescompiledbylonglimeTatumdevoteeWilf Loweinthe
Durban studios to illustrateTatum's thrilling Interpretationsof the standards.
Jau At.
Radio South Africa (FM104-107)
This is a two-month old serieswhich began with recordings of the European-
basedContemporaryBebopQuintet. Thisexcitingprogrammetakeslistenersto
some of the hottest jazzgigs around the country without leaving the comfort of
their homes. Tune in on Saturday (8:45pm) and Tuesday (11 :15am)
JVC Jazz Date
RadioSouth Africa (FM 104-107)
Atouchofmainstream,adashoffuslon andalsoforaysIntoprogressivejazzfrom
International and locai artists presented by local jazz critic Don Albert every
Saturday. There's alsoa radiogame, 'Jazz Anagram' witharareCDtobe given
away every week fromnowuntil the end of September(9:45pm).
Swing, Sing end All That Jazz
Radio South Africa (FM104-107)
The HenryHolloway-presentedprogramme"fills agapInthemusicrosterthat Is
Important to many listeners: the Swing era' reads thepressrelease. Big band
afficlandos like Don Matteracan tune Into SwingSingandAll That Jazz every
Wednesday at midnight.
Mill s After Midnight
Radio South Africa (FM104-107)
Here, former drummer, DavidMillspults his personal collectionof ' jazzandother
good stuff"for an hour'slisteningevery Thursday at midnight.
Sorry I'm Late
Accept Nigel Vermaas' apologyandtune Into his series for'afair dollopof jazz"
every Saturday evening at 11:15.
In the Beat of the Night
Radio South Africa (FM104-107)
All you night owls and those suffering from insomnia can listen out for Stella
Heyer's programmeto roundoffyour Saturday evening of Jazzon RadioSouth
Africa.
Jazz Comer
Radio Bop (MW504khzlFM 1098khz)
Bophutatswana's queen of the airwaves Nothemba Madumo presents her
mixtureof SWing, blues, bebopandcontemporarystyles everySundaybetween
7pmand9pm. What makes Nothemba'sshowuniqueisshetakes requests from
listeners and enthusiasts may alsocall Inand chat about jazz.
Jazz wit h Mesh Mepetla
Radio Metro 576 khz MW
This two-hour programme features an hour of contemporary and another of
mainstream, not necessarily in that order. The mainstream segment Is the
recommended listeningbecause of Mesh'sknowledge andtastes. TuneInevery
SUnday (lOam to noon).
Coastal Jazz
Radio Xhosaprovides aJazz-fusion programme everyThursday night between
21:30 and 24:00 presented by Llfa Mslmanga. On Sunday morning FezJle
Wotshelaplays straight jazz forone hour starting at 10:00. Fromwhat I gather,
not haVi nglistened yet,bothprogrammes arepresented in Xhosa and arenot to
be missed.
Sunday Night Jazz
Radio 702 (MW 702 khz)
If youareintosomeexotictypesofjazz then tuneintoSUnday NightJazzon702
from22:00- 24:00. ShadoTwalaInterviewsmusicianswhileplaying acombina-
tionof musicfromherpersonalcollection. HughMasekela, AbdullahIbrahlm,Zim
Nqawana, KlausKrezeuder, LettaMbulu, GeorgeLee, GarloMombellland,more
recently, the Safari Sounds Band are some of the voices that have been heard
on this programme.
Jazz for the Asking
BBC (MW 1197 khz after dark; SW3.225, 6.190, 21.660)
OnSaturdaysat 22.30and 24.30, with a repeat onWednesdaysat 12.30, BBC
hasa jazzrequest programme coverlnga broad spectrumof the music. They'll
also sendlistings of jazz and specialist record ~ o p s
Jazz Now and Then
.BBC (MW1197 khz;SW3.225, 6.190, 21.660) _
OnSatUrdays at 12.05; aten-minutesoundportrait ofsomejazzpersonality, style
or theme.
JlveZone
BBC (MW11971<hz; SW 3.225, 6.190, 21. 660)
Thursdays at 21.30with a repeat on Sundays at 09.30, MaxJarrett features all
kinds of Africanmusic, IncludingAfrlcan jazz.
Spice Taxi
BBC (MW1197 khz; SW3.225, 6.190,21.660) -
Tuesdays at 21.30 with a repeat on saturdays at 17.00. Toyin Fanlkayode
presents an eclectic artsprogramme which sometimes features jazz Items.
'I
I
VryeWeekblad
5
T w o T o N . E
'.
E
-. .;-:
H T
F o
,
\
N
ajazz clubfrequently does:takingtheknlfe-and-forkstandards
of AutumnLeavesvintage, turning themInside-out and coming
up with a few surprising and delightful angles. Then the
memories of a particular time, place and vibe: the 1969 of
Inhlupeko, surelyoneof the most evocativethemes penned
about the blues of the South AfricanJazz life. After that, the
evening fragments Into smoke-wreathed images; a Basil
Breakey photo come to life Ntsele's mobile face living the
emotionsof whathisfingerswerewalking, Mpale's risk-taking
horn, Makasl opening hearts with his sax as deftly as any
locksmith. Behind it ali,Tete Mbamblsa's piano- graceful,
relaxedand seriously thoughtfulall at the same time.
What was newaboutthe SoulJazzmenwasalsowhatwas
old: an approach tothemusicdatingfromtheMoroka-Jabavu
Jazz Festival erawhich consciously triedtomeldtheaudacity
of modernAmerican jazzwiththetone valuesandImprovlsa- d'
tlonal patternsof African roots. It's an approach which fusion
riffs andfacileAmerican licks havemadeunfashionable today
Insome musiccircles - but It stili works, andthe Mbamblsa
band madeit sound asfresh astomorrow. e
A PE PHOENIX came to Joburg In mid-June
with the resurrection of Tete Mbamblsa's Soul
Jazzmen at Klpples: Mbambisa on plano, Duke 9
Makasl on reeds, Peter Jackson on horn, "Big r :- ~ ~
Ntsele on bassand Mafufa Jamaon drums. ~
In a sense, It wasa trip downmemory lane- 6>
everybody'smemories, ina first set which didwhat anight at ,
r
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T w o T o N E
6
VryeWBUkblad
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OGI.VY &MATHER. llAKJH 885511RfV
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TWO TON E
IN T ERN A T ION A L
T o
R F u 5 E
.; 0 -,
IT'S anInstantlyrecognisablesound:that soaringand
exqulsltlvely lushblast of saxophone that could only
beDavidSanborn's. ConstantlyInnovativeandchang-.
lng, Sanborn'scareer hasspanned thesonic globe
between R&B, rock and jazz, garnering a dazzling
reputation among peers andmusiclovers alike.
His latest offering, Upfront fusesa pulsing vibrant
senseof freedom, anunmlstablemusIcal honestywith .
his style "luxurious timbre that seems to gain more
lustre and greater11ft with eachpassing year".
It'shardtothinkwhatSanborn couldpossiblydofor
an encore.ButthemarkofthegreatartistsIs constant
.evolution - so, withtherelease of Upfront, the legen-
darysaxophonist takes himself back tothe percolat-
lng, Improvisatory flights of hisSt louis roots.
"This recordhasareal senseof Immediacyto it,"he
explains. "Werehearsed forfiveor sixdays, and then
went Inthe studioand cut It. It's loose, like a jam - It
gives you a feelingof latenight, Intheback room."
From the fluid,lazyfeel of Bennytoafunkified take
on OrnetteColeman's Ramblln', to thespontaneous,
Insistent percussive throb of the first single, Snakes,
to Full House's bluesy all star jam (whose cast In-
cludes guitarist Eric Clapton and saxman Randy
Brecker), Upfront takes pleasure Inturning musical
assumptions Inside out- and tossing themaside.
Evokinga warmnostalgic ambience of the under-
ground of the Seventies, Sanborn's new album Is
thoroughly enjoyable. For those who are fond of
oldies, this onewill take your heart away, while still
appealing to themodernity Inyou.
Thanks must be given to whoever decided to re-
lease the James Brown threeCD-set, Star Time. "It
was a point of departure, the genesis of Upfront;
Sanborn explains. . \
"Idon't thinktherecord ended upsounding anything
likeJames Brown,butIt's what Marcus (Miller, pro-
ducerlbasslstlsongwrlter) and I havebeen listening
to."
Onthe record, theInfluence manifests Itself "Inthe
use of Instruments, specifically the Hammond B3
organ, whichIsthecenterpiece of thesound. I always
carryJamesBrownontheroad withme," headds, "but
being Inundatedwithallthose CD'sofgreatstuff: Cold
Sweat, to meIsoneofthelandmarkmusical moments.
ItdefinedpoplR&Blfunk andgospel, andRay's voice
- it wasthe inspiration formeto become a musician.
SANBORN WAS 11 at thetime. Bythe age of 15,
hewasalreadysittinginwithR&Bplayersandjazzmen
inSt Louis' Gaslight Square.
"BeforethatI'dbeen playing to records andwith my
friend whohadasnaredrum; helaughs. "Thefirst real
playing I did was when I sat Inwith Little Milton at a
place calledSunset Teen Town. Hewaskind enough
not to throw me out, hewas really nice to me, and
encouraging."
After highschool, Sanborn hooked upwith the Don
James organ groupIn East St louis, and, gigging
PIC, LYMN GOLDSMITH
around town, became established among a groupof
R&Bplayers.After astintat NorthwesternUniversity,
the saxophonist headed west, Joining the Butterfield
Blues BandIn 1967.
"We cameonrightbeforeJiml HendriX,"herecalls.
"I remember being in a helicopter over the NewYork
throughway, and It was a parking lot. And then,
hangingout withallthesepeople- Hendrix, theBand,
CosbyStills,andNash- backstage, goingonwhenthe
sunwas coming outandstillseeing 300000to400000
THE DAVID SANBORN DISCOGRAPHY:
TAKING OFF
SANBORN
PROMISE METOTHE MOON
HEART TOHEART
VOYEUR.
ASWE SPEAK
STRAIGHT TOTHE HEART
DOUBLEVISION
WITH BOB JAMES
CHICAGO SONG
CLOSEUP
ANOTHER HAND
peopleout there.":
His recording career credits Include twelve solo
albums,fourgoldandoneplatinum, andsessionswith
theworld'smoststellartalent, Including Stevie Won-
der, Paul Simon and theRolling Stones.
SANBORNwentsoloIn1975,withthreealbums, the
first being Taking Off. Following in quick succession
was the 1978recording, Heart to Heart. then there
was 1980's breakthrough gold disc, Hideaway. which
stayedonthe R&Bchartsfor morethan a year, and
was nominated for as Grammy for best R&B Instru-
mental Performance.
After Hideaway camethat memorablealbum, Vo-
yeur. In 1982, As We Speak first assembled the
eclectic mix of Jazz and funk talent which was to
become oneof his trademarks. Straight tothe Heart
was a live recording, followed by 1986's Grammy
winning platinum Double Vision with BobJamesand
the gold instrumental winner, Chicago Song. and
1988'sCloseup.
The late, lamented Night Music TVshowwas an-
other high pointinSanborn'sforever-versatile career.
"I was able to play Sonny Rollins, Phil Woods, Hank
Crawford, David Newman guys that had really
lnsoplred meto play thesaxophone," he declares.
"It wasanopportunity to get so manypeople on TV
that wouldn't haveotherwise had the chance - Little
Milton, Sun Ra, AI Green, Sonic Youth, John Zorn...
Nick Cave andToots Thielman and Charlie Haden
playing atunetogether,'
"It was a chance to see musicians finding that
common ground, that threadthat connects all music."
Sanborn made his Elektra debut In 1991 with the
heavilyjazz-Influenced Another Hand, which again
earned several Grammy nominationsand all-around
critical acclaim.
"Thelastrecord wasapoint of departure, explains
Sanborn. "Ireally hadtobrake myself,stopwhatI was
doing- usingwherebeing Inthe studiohadbeenmore
of a building, I felt Inhibited, becauseIt sounded like
everything else 1was hearing. I want to something
different. 1wanttoget backto what It wasliketo play."
"His gorgeous sound remains intact and he aug-
mentshisefforts by enlistinga varietyof challenging
players," noted the Boston Globe praising his new
album, whileMusiciandeclared thedisc "full of vision
abndvariety" andSanbornwas "stretching inadeeply
felt manner."
Duringtheconcerttourthat followed, TheNewYork
Times noted his"sumptuous tone andurgent vibrato"
and NewYork Newsdaypralsed"thegorgeous, luxu-
rious timbre that seems to gain more lustre and
greaterlift witheach passingyear.
A five time Grammy-award winner, Sanborn has
alsobecome afamiliarfigure ontheairwaves through
his critically acclaimed TV series, Night Music, syndi-
catedradioshowandappearances onLateNight with
DavidLetterman. 9
T w o T o N E
8
VryeW8Ukbiad
PHUTHUMA NHLEKO
e
DISCOVERS ONE OF
T H,E-- MAS T E R S 0 F
SOUTH AFRICANJAZZ
WITH THE RERELEASE OF
I KNOW that there is a school of thought which
maintains that apartheid tends to carry more than its
fair share of blame for the present national Ills. It Is
however, also true that a close examination of the
history of education and art In the blackcommunity
shows a retrogressive trend after 1948,when theNats
came into power.
Thisdecadenceworsened after the latefifties.
Musichistorianscancite indetail howthedraconian
legislation affected the very lives of creative musi-
cians. This situationbecame so Intolerable thatthere
was a flight of talent to overseas countries. Under
these circumstances once cannoteasilyoverstatethe
effect of apartheid on many spheres of life Including
music. To me this indisputable fact was reinforced
whilst I listened to a recording of the late Gideon
Nxumalo's calledJazz Fantasia.
JAZZ FANTASIAwasrecorded liveat theUniversity
of theWItwatersrand InSeptember 1962. The band
comprisedKlppleMoeketsl (alto)MartinMgijima(bass),
MakayaNtshoko(drums) andGideonNxumalo(chopl-
xylophone). The albumIs decidedly avant-garde In
nature.
I found the compositions andstyleIntrlguelng when
vlewed Inthe contextof whatwas popularIncontem-
poraryjazz musicof thatera.The bigband sound was
'In' andImitationof African-American jazzvocals was
the order of theday.
Herewas aneffort toutilizethe African Heritage In
an experimental project. Put another way, It was
experimenting withthe'jazzmode' whilemaintaining
adistinctAfricansound.Interestinglyenough, Ameri-
can musicians such as Coltrane were at the same
period breakinginto 'free music', whichIsessentially
avant-garde.
Local criticswerenotaltogether appreciative ofthis
music. Typically, Peter Radloff wrote; "Some drum
workfollows,thenafewtrlcks,somenoise,afinalblow
andthat Isthat."
"Tosumup, thisrecord canbe regardedassuggest-
IngtheImportance of theIntellectualto African Jazz.
Composed music of the sort to be found here Is
Important, andwehopetohear muchmore of It Inthe
future, but it seems likely that this Is not the main-
streamof local jazz evolution. That will be provided
through the Influence which this musicundoubtedly
has uponothers."
Well, that's a bit of a back handed compliment. It
does, however, Imply that the musicwassomewhat
aheadof Its time.
I mustadmitthat beforethis recording washanded
tome,l hadnever heardofGideonNxumalo.1 amsure
that Is true for a lot of ardent jazz followers In this
country.
GIDEON NXUMALOwas a pianist, composer and
arranger, bornInKimberley on 15thJune 1929. He
was educated at 5t. Boniface Mission School In
Kimberley and graduated from Roma University In
Lesotho. Laterhewas employedasarecord Librarian
atthe SABe ('54-'64). Hewasalsoresponsible forthe
orchestrations for the production of KingKong('SD-
'61).
Muchof Gideon's time was spent on researching
Indigenous African music touseInhiscompositions.
Thepolnttobe madeIsthatNxumaloIsoneof many
talented creative artists who 'diSintegrated', left the
country or sImply becametotally disillusioned under
the heavy apartheid bureaucracy. More Important Is
the fact that the unfavourabl& conditions precluded
theseartists fromsharingtheirtalentwiththeyounger
generation.
JazzInthiscountrysimplybegan adownwardspiral
whichlefteverybodypoorerIntheirappreclatlonofthe
music. ItIsnottoo hardto Imaginewhere we would be
hadourjazzmusiciansbeenInapositiontocreateand
Interface unhindered for thelast 44years.
Jazz Fantasia is currently dlstrlbu1ed under the
African Heritage Label. 6t
VryeWeekblad
9
T w o T o N E
CKSTAGE
FROM THE AUDIENCE, MUSICIANS UP ONTHE STAGE MAY LOOK AS THOUGH THEY'RE HAVING ONE
HELL OF A GOOD TIME. BUT MUSICIANS KNOW THAT THE LIFE IS HARD: SOMETIMES A NEVER-ENDING
ROUND OF HASSLES WITH MANAGERS ANDPROMOTERS, SIMPLY TO EARN ENOUGH TO SURVIVE. TO
DEAL WITH THIS ASPEa OF MUSIC, lWO TONE IS INTRODUCING A REGULAR PAGE OF NEWS, VIEWS AND
DISCUSSION FROM AND ABOUT SAMA(THE SOUTH AFRICAN MUSICIANS' ALLIANCE).
THIS IS NOT JUST A PAGE OF ANNOUNCEMENTS. Irs A BACKSTAGE AREA ON PAPER; WHERE MUSICIANS
ANDTHE PUBLIC AT LARGE CAN MEET, RAp, EXCHANGE VIEWS AND PICK UP NEWS ABOUT THE ISSUES
WHICH AFFEa MUSICIANS AS WORKERS. IT'S UP TO YOU TOMAKE IT HAPPEN, BY SENDING US YOUR
QUESTIONS, COMMENTS, COMPLAINTS ANDCONTRIBUTIONS.WE'LL TRY TODEAL WITH AS MANY INPUTS
AS WE CAN EVERY MONTH. MUSICIANS: THIS IS YOUR PAGE... .
WHY JOINSAMA?
As a SAMAmember, you will be able to benefitfromallof SAMA'smanyservices. You'll be involved in ensuring a fairerdeal foryourself and other musicians.
Morethanthis, you'll beone of thepeopleshaping thedirection ofculture inapost-apartheidSouthAfrica. You will haveavoice ininfluencing thepolicy anddirection
oftheorganisation and can become an important 'cultural player.'
Butthe onlywayyou can achieveanyof thisisbybecoming a partof theorganisation andmaking it work. Asa member, you areSAMA. If you areunhappy about
something it is doing or failing to do, you havethepower to raisethat issue and, if others agree with you, to changeit through democratic action. If you are not a
member, youcan change nothing.
SAMAmembership fees, asof February 1992, areR30:00 ayear.Membership entitlesyoutoall SAMA'sfree services, plus subsidisedindividual legal advice (see
below). .
Formoreinformation about SAMA and why you should be a member, contact:
WHAT IS SAMA?
SAMA is anorganisation formed toassist all of thosewhomake all
or part of their living fromtheperformance of music.
SAMA sees its main aim as being to safeguard the interests of
musicians, andto ensurethe best, non-exploitative working condi-
tions for them. We believethatthis is notpossiblewhile themajority
of South Africans arenot free. That is why SAMAbelieves that to
achieve itsmain aim, it must align itself with the broad democratic
forces in this country.
HOW DOES SAMA FUNCTION?
SAMA hasa three-part structure, consisting of:
theAlliance
theAdvice Office
theUnion
TheAllianceconsistsof direct members (i.e thosewhoaremembers
ofabranch ofSAMA,suchastheJohannesburg branch) andindirect
members (musicianswhoare members oforganisations affiliated to
SAMA such as MAPP in Cape Town, MANA in Durban and a
collective of musicians in P.E.)
SAMA's office isin Mega Music, at 60 PimSt, Newtown, Johannesburg - just next to Kippie's at the
Market Theatre.
WHAT ABOUT THE UNION? ISN'T SAMA ALREADY A UNION?
SAMA'swork, asyou can see, is much broader than the work of organising and negotiating which a
musician's Union would undertake. But South African musicians desperately need a union, and
launching one isahighpriority withSAMA. When we haveformed aunion, it will deal withthefollowing
l
the provision of medical aid insurance of instruments discounts on instrument purchase.
negotiation of contracts onbehalf of members .
As a member, youwill be able to suggest other areas of action for the union.
WHAT DOES SAMA'S ADVICE OFFICE DO?
We haveanAdvice Officewhichprovides either freeor subsidised legal aid. On issuesof rights which
affectall musicians, or onmattersof principle (suchastheimpact ofthelaw) the aidwill befree. Ifyou
havean individual problem - if, for example, you needlegal advice about yourcontract- theaid will be
providedona subsidised basis (i.eyouwill only pay part of thelegal costs.)
TheOffice alsooffers advice on a range of general issues such as venues, agents, etc.
Wearealso intheprocess of organising aseries of seminars andworkshops ontopicssuch astrade
unionism,the functioning of the South African musicindustry, theright musicians shouldhave andthe
role of musicians in thechanging South Africa. Send usyour ideas for additional topics.
FOR ALL
.ANNUAL GENERAL MEETING
toplan policy for the comIng year
WHEN?
31 July 1992
WHERE?
Kipples, Market Theatre complex, Jhb.
TIME?
12noon
Join SAMAr Come tothe AGMI
Help toshape the music Murel
SAMA'S RASHID LAMIE(LEFT) AM) SlPHOMABUSE (CEHTRE) WITH PIANIST IDRISHOlE' GALETA.
PICI RASHID LOMBARD
-
RASHID LANIE,
.TEL: 834-4461 FAX:8344451
t ORWRITETOSAMAc/O TWOTONE
10
'VTyeW88kblad
E N L s s A 8 E H
T
N
JOHNNY MBIZO DYANI, one of
the most accomplished bassists to
havecomeout ofSouthAfrica, diedon
stageat theBerlinFestival onOctober
24th, 1986. He was born In East lon-
don on November 30, 1945. His first
Instrument was the plano, but he was
later attracted to the bass which, to
him, had the deep notes resonant of
the folk choirs back home.
Hispathto musicbegan like that of
manyothers, Inthebustlingtownships
of SouthAfrica's urbanareas. But he
wasfortunateInonesingular respect:
an early exposure to some of the
leading musicians of the black com-
munity.
From an early age Dyanl rubbed
shoulders with seasoned profession-
als.Hishome, InEastlondon, hadfor
years been a regular stopover for
musicians on the road. Muchof their
skillwaspassedonto theImpression-
ableyouth.
Hedisplayed a precocious Interest
Inthedouble bass,first picking uptips
fromitinerant musicians, then begin-
ningto play with his peergroup.
TheformativeInfluenceat this point
In his life was Tete Mbambisa, an
exceptional pianist,composer andar-
ranger. It was as part of a quintet of
singeranddancers,ledbyMbamblsa,
that Johnny made his stage debut.
Throughout hismusical career singing
remained one of his great passions.
Touring the coastal cities alongthe
garden route, the qUintet made a big
hitwiththeirspiritedandhighlyoriginal
renditions ofsuchstandards asA String
of Pearls, My Sugar (Is so Refined),
This Can't be Love and others.
It Isa lasting testament to both his
talent and perseverance that from
these small beginnings, innon-ampli-
fied, dingy, draughty dancehalls, he
grewIntoamuchsought-after Interna-
tionaltalent.
During the 1950s, thedecade dur-
ingwhichDyanl entered histeens, the
most Influential band In East London
was led by Eric Nomvete. Playing a
very eclectic repertoire that Included
jazz standards from the swing era,
waltzes, thetango, mbaqanga, bebop
and a host of otherdancehall favour-
ites, this band, together with others,
directly impactedthe moulding of his
tastesand the breadth of his musical
Vision.
ButthedecisiveInfluenceof o h n n y ~
musical career camefrom outsidehis
Immediate environment.
In CapeTown, Port Elizabeth, Jo-
hannesburg, Queenstown and East
london atinyfraternityof blackmusi-
cians found an affinity with the plo-
neersofthemodernJazz movement In
the United States Charlie Parker,
Dizzy Gillespie and Thelonlus Monk.
Theywereavidcollectorsofrecords
and sheet music, and Incorporated
the Influences of the be-bopstyle In
their own music. Many of the names
that havesincebecomelegendary In
blackSouthAfricanmusicweremem-
bersofthisgroup.Onethinksofnames
such as Kippie Moeketsl, Mackay
Davashe, Sol Klaaste, Christopher
Columbus Ngcukana, Cups 'n Sau-
cers Kanuka, Gideon Nxumalo.
And, amongstthe youngergenera-
tion of musicians, Abdullah Ibrahim
(then Dollar Brand), DuduPukwana,
Chris McGregor, Hugh Masekela,
Jonas Gwangwa andJohnny Gertze.
THE MODERN JAZZ movement
struck roots Inthemajormetropolitan
areas, especially theport cities of the
Cape, through whichthemusicalJour-
nals and records from abroad were
Imported. It was a movement of the
young, daring andtalented.
From the beginning modern Jazz
was a minority taste, patronised by
black workers andIntellectuals Inthe
urban areas, a grOWing number of
off-beaf white students and artists,
and the occasional music business
Impresario. Itsbreedinggroundswere
JOHMHY DYANI AT DORKAY HOUSE (1962)
PIC! BASIL BREAKEY
centres suchas Dorkay HouseInJo-
hannesburg, runbytheUnionArtists,
the Ambassadors JazzClub InCape
Town, the Blue Notecafe In Durban
and university campuses.
Duringthisperiodthevery notion of
an African making a career in music
was legally impossible. That a musi-
cian shouldhopeto prosper by play-
Ing modern Jazz was even more
farfetched. But despltethis, the pio-
neers of the movement were pre-
pared to bravethe worst adversities.
Perhaps It was their youth; that'
most did not have the additional re-
sponsibilityofraising afamilyenabled
them to steer the perilous course be-
tween the shoals of racist laws and
discriminatorypractice. lifeItselfwas
a tight-ropeact, governed by numer- J
ous dodges to circumvent the pass
laws, the Urban Areas Act, and the
GroupAreasAct.Allthismadeithard
toformstablebandsorgroups. Record
dates were evenharder to comeby.
At the time, the major outlet for
blacktalent wastheAfricanJazzand
Variety Show, owned and managed
by musical huckster Aif Herbert.
Most of the adherents of the mod-
".
ern Jazz movement had passed
throughthemllfofAfrican Jazz, where
they had learnt the bitter lessons of
cultural exploitation andartistic pros-
titutlonHerbertwasnotorlousfor.Their
determination to preserve their cul-
tural andmusical IntegritywasIngreat
measureadirectconsequence ofthis
experience.
One of the country's first stable
modernjazz groupswasmade upof
Moeketsl (alto), Masekela (trumpet),
Gwangwa (trombone), Ibrahim (pi-
ano), Gertze (bass) and Makhaya
Ntshoko(drums). At thetime Ibrahim
also led his own Cape-based trio,
composing Gertze and Makhaya
Ntshoko, which regUlarly featured at
the Ambassadors JazzClub in Cape,
Town.
It was Intothis milieu that a bright
student of the SA College of Music
entered. His name, Chris McGregor,
the Transkel-born scion of whitemis-
sionaries. McGregor wasstronglyin-
fluenced by the Intellectual currents
affectingEuropeandthe UnitedStates
In the period immediately after the
Korean War.
Hehadbecome awell knownfigure
In CapeTownartistic circles ...........
as an exponent of exlsten- ~
t1allsm and a modern jazz
lryeWsukblad
11
T w o T o N E
c
....
....
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u
a
u
u
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V
U
.....
CI
c
-
1
Z I
o
o
u
tf)
o
Z
w
t9
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o
J-
N
N
E N o T o w T
NAME .
ADDRESS..................................
.............................CODE .
Johnny Dyanl.
GUEST Afl.TIST: BOB STEWART
I .',
maladjusted nonconformistsandsocial outcasts. What
is equally undeniableis thatthemostmiserableoften
created masterpieceswhilealot of themost comfort- .
able often produceddross. .
Finally, Naledl asks If It Is"00 much to dream"that
Gallo might put funds back Into this country's jazz
development. Well,Idon'tslgnthecompany'scheques
but I'mreliably lntormsd that Gallodoes help under-
write various programmes and organisations which .
arehelpingto maintainandupliftthestandardsoflocal
music,thoughnot necessarily just jazz.
As for the proceeds from archive projects and
reissues, those go directly to the people who most
deserve them: the artists and composers, whether
their works were originallybought outright or not.
As concerns the obligatorycodaabout the evilsof
capitalism, I don't really see how a discussion of
economicsystemsisspecifically relevanttoanyofthe
foregoing, but yes, I totallyagree with Naled!. Capital-
IsmIsaterrible(ital) system...andstillbetter thanany
of the others.
Topretend that the alternatives have not unfailingly
led togeneral impoverishment (except, of course, for
thosefewwho rule in thename of ''the people"), and
a sharp dlmlnuatlon in intellectual and artistic
freedom...nowthere's a case of rewriting history! 9
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L .J
their archrlval, Trutone (the merger of the two con-
cerns occurred only later In 1962).
Thanks to the counsel of Ian Bernhardt and the
UnionOf South AfricanArtists, Mashlyane agreedto ;
switch labelsprovided he received a royalty contract
insteadof theusual flat fees. Ofcourse, word of this
arrangement quicklycirculatedamongst all the other
musiciansandthat was the endof theillegalitystory.
Over the next ten year period, royalty payments
becamean industry-wide standard.
Significantly, the changeoverocurred after thede-
parture of most of the jazz exiles whocontinued to
proclaimloudlyfromoverseasthat backhome,record
companieswere payingonlyflatfeesandthatthlswas
yet anotherexample of apartheid in action.
And speaking of exiles, let's examine Hugh
Masekela's claim that he was paid eleven poundsfor
his contribution to The Jazz Epistles album. I haven't
been able to independently verify this figure, but It
soundssomewhat low.
In 1960,theaverage- but negotiable - rate for two
sides of a '78was four poundswith an extra pound
payable for each composition. However, assuming
that elevenpounds was Indeedthe figure, the equiva-
lent of that sum In April 1992 terms turns' out to be
R400 (actually a conservative figure. because It Is
based on the consumer price Index where the true
effect of Inflation is minimisedfor political reasons).
If the Jazz EpistleslP had been recorded today, .
and given the fact that Masekela was one of six
musicians on the session and wrote one out of the
eight compositions, at a seven percent royalty rate
(perhaps somewhat low by modern standards). that
albumwouldhaveto sell 1130copies Inorderfor him
to take awayacheque for R400.
21
SALES DOCUMENTATION from that era no
longer exists. but It is my guessthat theLP probably
soldlessthanthatfigure. whichaccounts for therarity
of the original Issue today.
Inanyevent, theoft-repeatedclaimthatthesession
was yet another exampleof musicians being"ripped
oft" seemssomewhat exaggerated.
Naledi's account of "make this a short tune; the
engineer wants to go home" Is very colourful. I've
heardqulte afewstoriesof recording studio irregulari-
ties, butthisistrUly a newoneandI'dliketochallenge
her to verifythisparticular incident.
And, yes, I knowof several Instances of musicians
workingIncompany pressingplants andevenInstru-
ment factories - and not all of themwereblackeither.
Interestingly, theonly jazz musician thatI have Inter-
viewed who had a similar dual function Is guitarist
General Ouze, for many years theGallolibrarian.
Heconfirmed that he was always oncall to lenda
handInsessions when neededbutIf thisexperience
left himabitterman, heIscertainly adeptatconcealing
It.
ISGENERAL DUZEjust another example of view-
Ing the past through rose-coloured glasses or were
conditions in the industry at least somewhat better
than they arenowroutinely portrayed? .
. Also, isn't It just a little naive to hold the music
Industryresponsibleforthefateofeverymusicianwho
died penniless or an alcoholic?To put It somewhat
differently, since the Introduction of the royalty sys-
.tern,hastherebeena corresponding Improvement In
the average artolst's sense of financial Or
In hlslher alcohol (or drug) Intake?
Frankly, no-ons outsideSouthAfricacould getaway
with sucha suggestion.
As Naledl mentions American cornettist Six
Blederbecke, letus look at his case. Herewas aJazz
greatwhocamefromawhitemiddleclassbackground
and ended up dying young, broke and drunk, but I
haveyettoseeanyaccountblaming hisdeclineonflat
rate recording fees.
The fact Is that artists are by their very nature
WERE THERE REALLY HARD 11MES FOR MUSICIANS UKE KlPPlE
MOEKETSI, ORWERETHEYMEaELYSUFFERINGFROMSEIS-INFUCTED
WOUNDS? PIC: BASIL BREAKEY
tal picture of artists chainedtothe micrphone
and being Whipped unmercifully until they
produced a hit record).
THERE'S nodenyingthat'thelackof aroyalty system
wasunfair to musicians and- althoughIt tookthem a
while to realise it - dlsadvatageous to the record
companies aswell. Certainly, no-one Isadvocating a
return to the old flat feesystem but thereare a few
factual subtletieswhichhave been conveniently ig-
nored In the floodof righteous anger onthesubject.
First, consider the payment practicesof the South
African recordcompanies comparedtothestandards
obtaining in the rest of the world. Record royalties
were a relativelylate Innovation Inan Industry which
had existed for decades paying flat fees.
IntheUS, forexample, wherecommercial recording
began in the early 1890s, the American Musicians
Union called a strike against the record companies
only i" 1942toenforcetheirdemandfor royalties. (The
uniorf was concerned that juke boxes were taking
away gigging opportunities from their members). For
27 months, theAmerican recording Industry came to
a virtual standstill until the companies finally capitu-
lated.
In South Africa, in an economy which developed
considerablylaterthanthe US,theIndustrywasbarely
30yearsold whentheroyalty systembecame univer-
sal inthe 1960s,andItdidn'ttake arecording strike to
bring It Into being.
Thenthere's the fact that just as companies were
under no obligation to record every musician who
appeared on their doorstep - recording Is not some
Inalienablehumanright-musicianswerehardlyforced
to recordif the circumstances didn't sunthem.
In the flat fee days, If an artist felt the fee was
Inadequate, no-one could push him Intothe studio
against hisWill. Somedemandedmoremoneyandgot
It. Otherssimply refused to make records.
Dolly Rathebe, for one, has told me that for the
moneyofferedtoherInthefifties, recordingjustwasn't
"worthwhile" and unfortunately for posterity, thls Is
why her career Is scantily documentedcompared to
Dorothy Masuka and MiriamMakeba who between
them made hundreds of recordings, flat fees not
Withstanding.
lastly and perhapsmostImportantlyInthecontext
of present day criticism, the flat fee system wasnot
Imposed on a racial basis. Most white - and that
Included most Afrikaans - artists' recording andcom-
position rightswerealsopurchasedby.thecompanies
on an outright buyout basis. To be sure, In most
Instances, black artistswere probably paid less, but
the principlewas the same.
INTHE FIFTIES, when black musicians began to
askfor royalties,theywere routinely- andIncorrectly
- toldthat it was"Illegal" forcompaniestopaythemon
that basis. Eventually, acaseof ccmpetnonprovided
abreakthrough. In1958, Gallowasdesperatelytrying
to woo pennywhlstler Spokes Mashlyane awayfrom
Vrye"v88kblad
E N o T o
FeatUring:
R d odney
Jo hua edman
K nny Barron
Santi 0 briano
Grady Tate
w T
Hart,whilean IntrigUing medleywhich Includes pieces
by Ornette Colemanandfllm-maker Spike Leeworks
far betterthan onemight haveImagined. Importantly,
morethanhalf of the compositions are orlglnale and
theirmaturityandcomposure suggeststhat Blanchard
mayfinally havemovedoutoftheconsiderableshadow
cast bythe achievements of fellowNewOrleans-born
.
Art Blakey trumpet alumnusWynton Marsalis.
Marsalis himself is featured on Herbie Hancock
Quartet, which is one of a number of Hancock com-
pact discswhlch Columbia are promoting as part of
their NicePrice series.
Musical schizophrenia Is no newthing, but surely
theHerbie Hancockwho played piano for MilesDavis
in oneof the greatest groups of all time(andInone of
the most athletic of all rhythm sections), and the
Herbie Hancock who burped and belched his elee--
tronlcwaythrough much of the 70s and '80s playing
"all keybs" over some stultifylngly dull programmed
beatsaretwo different people, at leastin spirit.
Even more extraordinary Is the fact that Hancock
was able, Inthe midst of all thisthinlydisgUised disco
musicto release thewonderful V.S.O.P. - credited to
TheQuintet (HancockandtherestofthatMilesgroup,
with Freddie Hubbardtakingoverthetrumpet chair)
andthealmostas goodHerbie Hancock Quartet. Get
these two. For the other stuff, youwon't want more
than thehopelesslyinaccurately titledBest of Herbie
Hancock, and probably not even thatmuch. 9
23
dancetuneshows flair and a fair amount of cheek.
Ronnie Jordan Isanexcellentandfluid guitaristand
a promising composer but, mostof all, I like hisstyle.
TheorganIsmakinga bit of a comeback right now
as an Instrument of jazz and thetwenty one year old
JoeyDeFranCesco hasa lottodowiththat.Theterrific
Reboppln' (Columbiashowoffnotonlyhisoutstanding
skill on a notparticularly fashionable Instrument, but
alsoa prettydecent degreeof fluency as a trumpeter
as well.
Hemanages, Inthe course of a single album, to be
churchy androcking (HoraceSliver's Sister Sadie).
frenZiedly fast (Reboppln'), a tender Interpreter of
ballads(Someday My PriceWillComeandColtrane's
Nalma),funky (Miles' NewBlues), freeCNayneShort-
er's ESP) .and fiery. (his excellent guitarist Paul
Bollenback'sWookJes Revenge). You'll noticethatDe
Francesco doesn't write much himself. He doesn't
need to...yet.
SimplyStatedIs boththenameoftrumpeter Terence
Blanchard's most recent albumon Columbiaand of
thebsautltul,privateballadthat IsItstitletrack. Indeed
it's Blanchard's balladplaying - unhurried and unclut-
tered, emotional yet never too sentimental - whichIs
his great strenght. His quicker tempos, too, demon-
strateanabilitytoplay cleanly, melodicallyandwithout
the needtoshowoff his chope.
StanGetz's lovely Dear Old Stockholm Is notably
well handled and featuresa finealtosolofromAntonio
found acomfortable nichefor himselfseveral leagues
fromthe music's cutting edge, Is GroverWashington
Jr. His fans will be pleased to knowthat on Next Exit
(Columbia),hehasonceagaindeliverednomore (but
probably no less) than they've come to expect. Per-
sonally, though, I become ever more Irritatedat the
squandering of suchobviousabilityIna wasteland of
sheer blandness and predictability.
Take Rve (Take Another Rve) loses much of its
charm In an arrangement which Is far too smooth -
heavenly voiceschantthewords "takeanother five- to
Paul Desmond's famous rhythm as programmed
drums lose touch with the feel of the piece. Guest
appearances elsewhere by Nancy Wilson and the
Four Tops' Levi Stubbs are pleasant If typically
unchallenglng while Doug E Fresh's rapping on
narcissistic CheckoutGrover Isplain annoying.
Better by thefar inthefield of sleek pop-jazzIsThe
Antidote (Island) by young English guitarist
Jordan. Although he owes a too obvious debt to
George Benson, JordanIs enough of his ownmanto
suggest that theremaybeabright futurefor him-If he
canovercomethestigma of his Englishness (noeasy
task in the conservativeworld of commercial jazz).
Isabel Robertssingswell onthreeof thetrackswhile
rapping of IGactually enhancesGet To Grips. Blues
Grinder showsthat heknowsthefunkymoveswithout
ever really getting down in the gutbucket, but his
treatment of Miles Davis' great SoWhat asamodern
VryeWeekblad
InversionaInthecauldronthat IsGlgi Gryce's Minority
speakvolumesfor histechnique,bytheway,Is bril liant
as well.
A rather more famous altoist, and one who has
clearly one for the future. The tunes, which take in
compositions by Ellington, Strayhorn, Parker and
Porter, are well chosen and perhaps the only iffish
performence IsTate'svocal on thetitletrack, fromthe
samewritingteamthat gave us Satch's pop hit What
a Wonderful World.
BobbyWatson has been buildinganenviablerepu-
tation as altol st (he plays a sinewy soprano, too),
composer andleader ever since his departure from
Art Blakey's Jazz Messengers finishing school ten
years ago. His first album for -Columbia, Present
Tense, confirmsthe message of hisrecent BlueNote
recordings that Watson Is now a major artist. His
younggroup, Horizon, withtrumpeter Terrell Stafford
a standout, must be' one 0 fthe finest working
aggregations Inmodern jazz.
Fairly traditional in his approach , though not as
argumentatively so asformer Jazz Messengerscon-
temporary Wynton Marsalis, Watson nevertheless
showsoncompositionslikeMysteryof EbopandBush
Song thatheIs quite capable of holding his own and
more Inmodern company.
OndrummerVictor Lewis's DexMex, hiselongated
lines achievealyrical melodlclsmtomatchthat of any
of hiseverdiminishingbandof rivals,whilehisflashing
CD
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albumsontheRed
Baron label by a
group of ever-
changing per-
sonnel, ent itled
The Bob Thiele
Collective. Murray
was oncea mem-
ber of the group
and bassist Debrl-
anoIsjoinedforIts
most recent re-
lease.entitledLou-
Is Satchmo, byu
_thesomewhatsur-
prlslng combina-
tion by one-time
bebop -trumpeter
Red Rodney, the
everreliableGrady
Tate on drums,
widely recorded
pianist KennyBar-
ron .and tyro ten-
orlst, Joshua Redman, son of the fearsome Dewey.
It's a tribute to Thiele's percpetive combining of
apparentlydisparateelementsthat this workssowell.
./
Rodney gains a new lease of life while Redman is
22
therigorousstudyandgraspoftheInput Of arangeof
stylistsfromBenWebster through Paul Gonsalves to
AlbertAyler and beyond, that
makeshimsuch a monstrous
talent. Thus, on the recent
DavidMurrayQuartetrelease,
Black and Black (Red Baron)
heIsableto swaggerthrough
thebluesy Duke's Placewith
as much conviction and In-
tensity as he lends to the
headlong assault of his own
HeadOut, and withas much
good humour as hedisplays
onthesparkling Anti-Calypso.
The stellar rhythmsection
of Santi Debrlano and Roy
HaynesIsmagnificentthroug-
hout while the lesser known
Kirk Lightsey on plano as-
sumes a largely supportive
role In the face of Murray's
magnificence.
Producer Bob T1ele has
started to release aseries of
E N o T o w T
artistInthe sameyear was not especially unusual In
theJazz worldInthemidtolate'50s, and perhapseven
slightly later. Jazz being so fundamentally an
improsatory music, it was Important for musiciansto
get their ideason vinyul while they were fresh and
meaningful. The record companies Inturn, no doubt
working out fairly quickly that the limited but often
fanatical specialist market would gladly accept a
continuous flowof records by it's favourites, by and
large playedalong.
Moresophisticated marketing atragles have put a
stop to this in most cases It's become Increasingly
unusual not to havetowaltat least ayear, and often
more, between releases by a particular artist. David
Murray Is perhaps themost obvious exception to this
rule.
Recentlydescribed,arguablywithout exaggeration,
as "probably themostpowerful soloisttoarrive injazz
In thelastten years" (exceptthat heactually turnedup
Inthemid-70s), Murray'S output Is remarkable. Even
If hewas to bejUdged solelyonthesheer quantity of
his releases, he would be pretty amazing. That he
almost never falls below the Immense standard he
setsfor himself makes himjust about one of a kind.
Murray'sprodigioustechniquemaybeunsurpassed
among moderntenorplayersbutIt'shisuninterrupted
stream of ideas Influenced by an uncanny under-
standing of thescopeof hisInstrument and basedon
THE RELEASE
of two or three
albums by one
sruoo THP.EE Al.c:t:X1JQ5
1N S1 110N WITH A MIND OF iTS. 0 WN
. .
Medium Wave 540 kHz and on FM Stereo
I
suid-afrika se leiers
cheryl Carolus... "I will be damnecllfI leavemyfife andfutureInthehandsof thepoliticians." (Foto: SarahPralQ
IN 1976 IS Carolus na die Universiteit
van Wes-Kaapland waar sy 'n lid van
die swart bewussynsorganlsasle Saso
geword het. Sy word vir die eerste
maal vir vyf en 'n half maande sonder
verhoor aangehou. In 1986 is sy as
UDF-leiersfiguur vir drie en 'n half
maande, en in 1989 vir drie weke
aangehou. Maar sedert die middel van
1986, spog sy, het sy die langste van
enige UDF-leier ondergronds gewerk
sonder om in hegtenis geneem te
word.
Ons praat oor die pol itieke__
elesoortigheid van die Wes-Kaap, die
verskillende ideologiese strominge
tussen organisasies en selfs binne die
ANC.
Carolus se dit is nie 'n swakheid of
iets negatiefs nle, Sy beskou dit as 'n
bron van krag OOt daar vandag in die
ANCmensevanverskillende politieke
tradisies teenwoordig is.
"Ek is nie bang vir politieke
diversiteit nie," sesy. "Ons moet liewer
op ons hoede wees vir 'n vaal
eenvormigheid. Dis. 'n vee! groter
gevaar."
Daarom is niemand bo kritiek
verhewe nie. Sy se: "Nog Nelson
Mandela, nog Ray Alexander of Oscar
Moeta is so belangrik dat hulle nie
gekritiseer of bevraagteken mag word
nie."
Carolus beskou diversiteit as "n
gesonde praktyk. "Solank ons van die
grassroots hoer op aan dieselfde
beginsels glo, kan daar Hewer te veel
as te min politieke diversiteit wees.
Dis net die papbroeke wat bang is vir
'n kritiese benadering," skerts sy.
Sy is egter bekommerd of daar \
genoeg gedoen word omapartheid in
die praktyk af te breek. "Almalvanons
dra die kieme en die nagevolge van)
apartheid in ons rond, Ons sal nie van
apartheid ontslae raak as ons alma1 nie
eers daarin slaag om die oorblyfsels
daarvan in onsselfte konfronteer nie,"
se sy.
Carolus is 'n lid van die NECasook
die NWC (National Working Commit-
tee) - in wese die ANC se skadu-
kabinet, Sy dien ook in die sentrale
komitee vandie SAKP en is'n aktiewe
lid van die Anglikaanse Kerk.
Sy is getroud met Graeme Bloch, 'n
lektor in die regte aan die UWK, wat
tans in die VSAstudeer. Hulle het nie
kinders nie.
Haar pa was 'n assistent in die
drukkersbedryf en het 'n paar keer sy -
werk verloor omdat hy vir ander .
veronregte teen die base
opgestaanhet. " absolutewantroue
in die kapitalisties . stelsel spruit uit)'-
my pa se ervaringe, AI het hy in die
etiekvan harde werk geglo, het dit-
hom nie sy werk verseker nie."
Vandag, op 6o-jarige ouderdom, is
haar pa 'npensionaris met tuberkulose
die gevolg van sy
werkomstandighede.
Oor haar rna praat sy ewe lank. Na
19 operasies is sy' heelrernal genees
van epilepsie. Carolus se syis die stille
kragvandie gesin, wat die wa deur die
drif getrek het as verpleegstershulp in .
die tye toe haar pa werkloos was. \
"Sy her dit altyd by my ingeprent dat \
al is 'n mens hoe belangrik, jy andere I
altyd met waardigheidmoet behandel,"..J
se Carolus. .
Ie in my ouerhuis. My vader, Aubrey,
en moeder, Margaret, is van kleins af
veranrwoordelik vir my politlsering."
Dwarsdeur die gesprek 'n mens
sterk bewus van die hegte bande met
. haar ouers en haar drie susters - sy is
die tweede oudste.
"Ek glo eintlik in gewone,
konserwatiewe familiewaardes. My\
ouers was bale arm, maar ook trots, 1
waarvoor ek dankbaar moet wees. Ekr
het dikwels gesienhoearmoede mense
kan ontmenslik.
"Ons is van kleins af geleer om
nooit vir mense kaffer of baas te se nie
want, is aan ons gese, geen mens is
minder- of meerderwaardig as ander
nle."
Sy onthou twee voorvalle uit haar
jeug toe haar gesin die slagoffers van
rassisme was. Sy was maar skaars vier
jaar oud toe hulle uit "n"blanke" park
in Mowbrayverwilder is- daar was nie
parke in haar woonbuurt nie. "AI wat
ek vandag nog onthou, is die seer
uitdrukking op my vader se gesig."
Later, sy was toe sewe, is hulle van
"n "blanke" strand naby Kalkbaai
weggejaag. "Myouers se vernedering
sal ek nooit vergeet nie. Hulle was nie
eens kwaad nie. My hart het gebloei
vir my vader, maar hy het nooit weer
daaroor gepraat nie."
CAROLUS BESKOU HAAR politieke
loopbaan as 'n natuurlike proses wat
saam met haar grootgeword en
ontwikkel het. "My politieke wortels
reg om andere oor die politiekesituasie
te kritiseer tensy jy self regstreeks
daarby betrokke raak nie. "Sedert 2
Februarie 1990 sien mense vir FW de
Klerk en Nelson Mandela met mekaar
praat, maar hulle sit gerieflik in hul
gemakstoele en kyk op TVdaarna en
glo alles gaan regkom.
"Maar dis verkeerd. Solank daar
nog al die ongeregtigheid in die land
is, het ons almal 'n plig om dit aan te
pak. Ekglo'n dingis of reg 6fverkeerd,
en daar is sommer nog baieverkeerde
dinge in ons gerneenskap."
1
, Sy is reguit, vlymskerp en op die
persoon af. Voor ons onderhoud
amptelik begin, teken sy eers beswaar
aan teen my beriggewing teen die
einde van 1990 en begin 1991. Sywas
destyds woedend vir my en VWB, en
buiten een vorige konfrontasie, het
ons vir 18 maande nie met mekaar
gepraat nie. Maar die hoofstuk word
afgehandel en die borrelende
hartlikheid is weer daar,
"Ek was so kwaad ek kon slange
vang, maar ek glo ook vurig aan die
. vryheid van diie pers..."
'n Ding is 6f reg 6f verkeerd, en daar is sommer
nog baie verkeerde dinge in ons gemeenskap,
se Cheryl Carolus aan HENNIE SEAFONTEIN
"VIRMY gaandit in die politiek eerstens
am mense se verrnoe om hul
menslikheid, hul eie en ook die van
andere, bowe alles te laat seevier. Dit
naak nie saak waar jy polities staan
Ie."
Aan die woord is Cheryl Carolus,
35, aanvallig met die wuiwende bos
hare, groot De en vriendelike geslg
waarop "n bree glirnlag tydens ons
gesprek dikwels deurbreek.
Ons sit engesels in haar kantoor op
die 22e verdieplng van Shell House,
Johannesburg - die gebou waarin die
ANCse hoofkantoor gevestig is. Sy is
tans hoof van die Departement
Gesondheid van die ANC.
Tydens die ANC se Nasionale
Kongres verlede jaar in Julie was sy
22e op die gewildheidslys. Nelson
Mandela het al na haar verwys as 'n
moontllke opvolger vir hom en
voorspel dat synog by Rina Venter as
minister van Gesondheid gaan
oomeem.
Carolus se sy is eintlik glad nie 'n
politikus nie en voeg driftig by: "But I
will be damned if I leave my life and
future in the hands of the politicians."
Syis in Athlone gebore, ensoos alle
Kapenaars slaansymet gemak oorvan
Afrikaans na Engels en terug,
Carolus sesyglonie 'nmens het die
17
menings
SAMPlE
TERREBLAHCHE
apartheidsonder apartheid
VIND JOU LIEfLING STER
woordiging ontneem, dieNP regeer
steeds die land terwyl net 6,3persent
van die potenslele kiesers in 1989
daarvoor gestern het, die maatskaplike
besteding wat wetlik begroot is vir
1992/'93 diskrimineer steeds teen
swartmense in die mate dat byna vier
keer meer aan wit leerlinge bestee sal
word as aan swart leerlinge, die hoogs
partydlge burokrasie en die selfsmeer
partydige veiligheidsmagte is steeds
gekonsentreer in die hande van die
NP-regeringwat apartheid meer as 40
jaarlank instandgehou het (en steeds
probeer wettig). Boonop word die
netwerke van beskermheerskap en
korrupsie wat deur die 44 jaaroue NP-
bewind gevoed en "ontwikkel" is,
steeds voortgesit ondanks skandalige
onthullings. -
Die stelsel of struktuur van apart-
heid - soos in die Grondwet beJiggaarn
- bly in beheer van die mag, die
besittings en die voorregte wat deur
hoofsaaklikdie wit minderheid bekom
en versamel is gedurende dekades
van apartheid en diskriminasie.
OIT IS BETEKENISVOL (en baie
ontstellend) dat 'n oenskynlik on-
skuldige woord die laaste tyd die
wagwoord geword het in die propa-
ganda-woordeskat van die NP en sy
ondersteunende media. Die woord is I
"handhawing" - die handhawing van /'
standaarde, van waardes, van orde,
vaneiendomsregte, vanAfrikaans, ens, .1
ens.
Die propaganda-trunk agter die
klem op "handhawing" is slim. As
almal daarvan oortuig kan word dat
apartheid en diskriminasie afgeskaf is
en dat dit nou in Suid-Afrika se beste
belang is dat al die "goeie dinge"- wat
veral vir die bevoorregte minderheid
waardevol is - gehandhaaf word, dan
het die bourgeois establishment wat
die De Klerk-regering steun aile rede
omselfversekerd te voel. Dankan die
strategle van handhawing dieselfde
soort beskerming bied wat
apartheidswette tevore gebied het.
Om te verseker dat die strategievan
handhawing wye steun geniet, word
elkeen wat dit waag om hom of haar
uit te spreek teendie handhawing van
"goeie dinge", gebrandmerk as 'n
vernietiger wat bereid is om die
toekoms van die land in gevaar te stel.
Die NP se uiteindelike doel is om
a artheidsolankmoontliktehandhaaf.
Dis geen wonder nie dat die
parlement g'n werklike funksie meer
het enniks meer te doen het nie as om
sy rituele bewegings uit te voer, sy eie
voorregtevoort te sit, syeie (beweerde)
waardlgheld te beskerm (deur Jan van
Eckte skors) en sy eie irrelevansie te .
ndhaaf, soos in die vrugtelose sit-
gebeur het.
(Sa Ie Terreblanche Is professor In
ekonomle aan die Unlversltelt van
Stellenbosch)
HIEROIEIRONIESEsituasieis onlangs in
'n absurde een omgeskep deur die NP
se propaganda-veldtog. Veral in die
buiteland beweer dieNPdat (wetlike)
apartheid volslae afgeskaf is, dat aile
vorms van dlskrimlnasie verwyder is
en dat ons al klaar in die Nuwe Suid-
Afrika woon, Dis verbasend dat die
NPdie groot leuen kanverkondig- en
dannog kanbeweer dat dit die morele
opperhandbekomhet(en ditverdlen).
Die krag van propaganda is enorm.
Die waarheid - vir die wat nog
daarin belangstel - is: 7S persent van
diebevolking (byna 30rniljoenrnense)
is steeds van parlementere verteen-
onvermoe om sigself in 'n waarlik
demokratiese instelling om te skep is
'n treurige aanduiding van die mate
waarin dit in diskrediet gebring is en
onlegitiem geword het.
IN 1990 EN 1991 was dit nog vir die
. parlement moontlik om sy relevansie
indie hervormingsproses te toondeur
apartheidswette te skrap, soos die
Bevolkingsregistrasiewet, die Groeps-
gebiedewet, en die wette op grond.
Kykons vandag terug, besef ons die
De Klerk-regering was besig met niks
meer nie as die voltooiing van die
"hervormlngsproses" wat in die vroee
sewentigerjare deur John Vorster be-
gin is. Die hoofdoel daarvan was om
ontslae te raak van klein apartheid of
diskriminerende wetgewing, maar
sonder om die poJitieke magsver-
houdinge aan te tas.
Inteenstelling met die NP se propa-
ganda-veldtog, het die De Klerk-
regering se voItooiingvan Vorster se
"hervormingsproses" n6g die apart-
heidstelsel nog die grondwet waar-
volgens dit gestruktureer is n6g die
magsverhoudinge waarop die hele
struktuur gegrond is, tot 'n einde
gebring, Die apartheidstelsel, die
grondwet en die magsverhoudinge
staannognet sostewigenongeskonde
soos op die oggend van 2 Februarie
1990. In die opsig is apartheid nog
sprlnglewendig en is die diskri-
minerende, verwaarlosende en ont-
menslikende uitwerking daarvan op
die meeste Suid-Afrikaners steeds 'n
werklikheid.
Dis ironies dat De Klerk en sy
regering genoeg parlementeremag en
gesag het omapartheidswette te skrap,
maar dat hulle in meer as een sin van
die woord gevangenes geword het
vandie stelselen die magsverhoudinge
[
van apartheid - in die mate dat hulle
blykbaar nog die doelgerigtheid nog
die bereidwilligheid nog die verrnoe
het omontslaete raakvandie struktuur,
die mag en die voorregte wat deur die
apartheidstelsel aan hulle"toevertrou"
is. Gevolglik drlng dieNP daarop aan
datdie nuwe grondwets6gestruktureer
moet word dat die party sy greep op
die hefbome van staatsmagsal behou.
Verseker dat jyaltyd opdie regte oomblik opdie regte plekis.
Met behulp vandie omvattende40-50bladsyuitleg wat jygaan
kry, saljy buitengewone insig kry indit wat jyervaar en wat die I
ioekoms vir jou mjouindie maande wat voorle. Skakel nou en
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. 087-30-00-814
, MEDIA .
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sielsgenoot dalknet 'noproep ver.Ervaar dievertroue en
veiIigheid vanvolmaakte karakteraanpasbaarheid. Die
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Gay-Astro-Match biedjou'n lys vangepastenuwemaats asook
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ONTDEK JOU EIE MENSWEES
Die IIhandhawing" vandie "goeie dinge" - soos
standaarde, waardes, orde, elendomsrepte, Afrikaans,
ens - waarop die Naslonale Party deesdae so hamer, kom
eintlik maar neer opdiehandhawingvan wit ,
wat bekom isdeur apartheid. Dft sienn mens in
dieparlement, skryf SAMPlE TERREBLANCHE; \ .
NOUDAT die parlementsitting verby is, die parlementtot groter lrrelevansleas
besef mens geskokhoe vrugteloos dit ooittevoregedegradeer. Dieparlement
. was. Dit het niks bygedra tot die se opslgtelike onvermoe om enige
proses van grondwetlike hervorming bydrae tot die demokratisering van
met die oog op'ndemokratieseNuwe die grondwet te lewer, om
Suid-Afrika rue. 'gemstitusionaliseerde beskermheer-
Die meeste LPs het hul rituele 'skap en korrupsie te verwyder en om
handelinge meganiesuitgevoer en die 'n beleid van vergoeding en regstel-
indruk gewek dat hulle heeltemal lende optrede uit te voer, het
verwyder is vandiebulte-parlementere onderstreep dat dit nie meer werklik
werklikheid waar miljoene Suid- funksioneer nie en 'n groot klug
Afrikaners daagliks steeds gekon- geword het.
fronteer word met die aaklige Dieargument dat die parlement nie
oorblyfsels van apartheid. die leiding moet neem om 'n nuwe
, Indie eerste helftedie.sessiehet die . grondwet uit te vaardig rue, maar op
parlemenragter dieskermsgewag om Kodesa (of 'n ander onderhan-
wetllke bekragtiging te gee aan die' delingsforum,indiennodig)moetwag
ooreenkomste wat Kodesa 2 veron- voordat diehuidige grondwet statuter
derstel was om te bereik. Toe 'n vervang word deur 'n nuwe, het
dooiepunt op Kodesa 2 bereik is, is verdienste. Maar die parlement se
18
South Africans maywonder why PikBotha made arather last minute dash to Senegal before the Organisation of African
_Unity meeting tobe held inDakar thisyear. Oneof the reasons reported intheSenegalese press wasthatitwas torequest
President Abdou Dioufs mediation and helpinbreaking thedeadlock in Codesa, writes THANDEKAGQUBULE from Dakar.
But why Diouf? -.
Abdou Dlout and
Frederik vanZyl
Siabbertshake
hands
that Dioufrules ina different era, a less
romantic time than that of Senghor,
who rose at the time of and became
one of the greatest exponents of the
anti-colonial struggle and negritude,
its ideological sidekick.
Diouf came to power in a less
glorious fashion and has had to pre-
side over a country experiencing the
problem of neo-colonialism.
Bel die 'Wen met die ANC" kompetisie en jy kan 'n
fantastiese prys wen. Boonop sal die opbrengs van jou
oproep meehelp in die stryd om demokrasie.
Een gelukkige persoon wen
l l ~ ~
waf tydens 'n spesiale middagete deur
STEVE TSHWETE oorhandig sal word.
Wen een van
150 T-HE".,E,
PERSOONUK GETEKENDEURDIEANC I.EIERSKAR
'n Verdere 850 ANC T-HEMDE moet oak gewen word!
Om te kwalifiseer as 'n wenner, bel net die nommer
hieronder, en los jou naam en adres en jou eie
boodskap van solidariteit Aile wenners se name sal In
die ANC 58 maandelikse tydskrif, MAY/BUY, gepubliseer!
word., I
Bel
(ifIfil gJ) ~
Oproepe kosR5,97perminuut.
t Gemiddelde duur van oproep is2,5minute.
PHONE MEDIA cU2-1SOO
a significant place in Black history.
The Senegalese government has
through thisbeen able to attract much
tourism to Dakar, making the city an
international centre.
ClearlyDlouf's pensive, calculated,
deliberate and modest style of politics
have beenhis strength. His opponents
see him as a technocrat with no char-
acter. They often compare him to the
legendary Senghor. However it is true
pik Botha gave as one of the reasons
for his recent visit to Dakar, the wish
to consult President Dioufand request
his mediation in the deadlock at the
Codesa talks.
But more than this, Dlouf's
minimalist style of govemment and
accommodation of opposition has .
given the country much stability.
Diouf's maximfor government is "the
less we govern, the better". He is
aware that a large state bureaucracy
would weigh heavily on the poor
country's economy. He also believes a
large and cumbersome state bureauc-
racy would become inherently ineffi-
cient and undemocratic.
Unlike his neighbours to the west -
Ivory Coast and Togo, where much
unrest has come about due to the
demands of ordinary citizens for bet-
ter living conditions, access togovern-
ment and a democratic dispensation -
Senegal has experiencedrelativepeace
in the last ten years.
BUT ONE DOMESTIC problem still
plagues Diouf- the armed cessasionist
movement in Casamance in the south
of the country. The area shares a
border with Gambia.
Diouf also had problems in the
north of the country, where violence
broke out between Mauritanians and
Senegalese. The largelyethnic conflict
became violent and diplomatic rela-
tions between Mauritania and Senegal
were severed. It was partly due to
Diouf's efforts that some weeks ago
diplomatic relations between the two
countries were restored.
Diouf has concentrated on keeping
good relations with the countries of
the West.
For the French Diouf has always
been a reliable, dependable and has-
sle-free partner. The French still keep
a military presence in Senegal and it is
from Senegal that they launched their .
recent interventions into trouble-torn
zaire.
For the USAhis country is an oasis
of peace in the region. Although Sen-
egal is 90 percent Moslem, Diouf was
the first African president to send out
troops to fight on the side of the
Americans against SaddamHussein of
Iraq in the Gulf War. Even for US
interests in Liberia, which is currently
tom apart by a long bitter war.
Senegal has also played up the fact
that for many AfricanAmericans,Goree
Island off the coast of Dakar is a place
of great historic significance. Goree
Island's perfect location just off the
coast at Africa's westernmost point,
was the final gathering point for hun-
dreds of thousands of slaves destined
for the Americas in the 17th and 18th
centuries.
The island and Dakar thus occupy
APART from the fact that Diouf is the
current chairman of Ecowas, the West
Africanstructure for regional economic
cooperation, he is the chairman elect
of the OAD and likely to be faced with
the most difficult challenges in his
term of office.
One thorny question is that of the
admission of South Africa into the
OAU.
Diouf is increasingly seen as the
voice of reason in a turbulent conti-
nent. The 53-year-old statesman in-
deed has a unique style and approach
to government. ,
His manner is placid. He is soft
spoken and has an elegant turn of
phrase accompanied by very languid
gestures. The Senegalese say Diouf
never sweats. This is quite conceiv-
able as he never appears excited in
public - at most he smiles mildly.
The other reason why Diouf looms
large on the continent is purely physi-
cal. He is so tall he makes Nelson
Mandela looks like a dwarf, and so
smooth and elegant he makes Pik
Botha's best diplomatic attempts look
clumsy.
Over the past ten years Diouf has
tried to make Senegal, a relatively
poor country on the continent, the
intellectual and cultural capital of Af-
rica.
His efforts in this regard were made
easier by the foundation already laid
down by his predecessor, Leopold
Senghor, politician, philosopher, poet
and artist.
Senghor encouraged many African
artists and created a home for themin
Senegal, finding funding andloans for
them to have their work appreciated
in the West.
NOWTHAT DAKAR IS is competing with
Abuja for the leadership stakes in
Africa, Dioufand his government have
invited hundreds of Third World and
other non-governmental organisations
to be based in Dakar. The IMF, the
World Bank, the Ford Foundationand
others operate large bureaus from
Dakar, like the Pan African News
Agency, The Union ofNational Televi-
sion and Radio Associations of Africa.
It is for this reason that most Pan-
African conferences in the past few
years havetakenplace in Dakar. Dakar
has become the continent's lacgest
talk shop and conference centre. The
Islamic world also sees Dakar as a
convenient meeting place. Many OAU
activities are likely to take place in
Senegal, the home of the chairman of
'the OAU.
It was in Dakar that a significant
meeting between the ANCand repre-
sentatives of the white South African
community took place in 1988. It is
perhaps with this history in mind that
pear1ie op die lang pad
Dietreinspoor naMolteno loop deur Indun stukkie land wat soos In liptussen Transkei en Ciskei Ie. Op die treinrooster
is Molteno sommer net nog 'n dorpie tussen die Stbrmberge opdie Amatola-trein tussen Johanesburg en Oos-Londen.
Maardie mense wat daar bly, wil niesommer weggaan nie, ontdek PEARLI EJOUBERT
DIE trein stop sowat 10 minut e op
Molteno en mense klim nie eintlik
halfnege in die aand hier op en af nie.
Die kondukteur se ek moes maar
Hewer op ' n grater dorp, soos
Queenstown, afgeklim het - en toe
Flippie, die barman, later die aand se
'dit word snags so koud as 12 grade
o nd e r vri e s punt, dink ek die
kondukteur was dalk reg.
Molteno, so genoern sedert 1874, Ie
halfpad tussen Bloemfontein en 005-
Londen, Dis die eerst e plek waar
steenkool gemyn is in Suid-Afrika - in
.1874, voordat die koal-neerslae aan
die Rand ontdek is. Disoak die dorpie,
vertel die inwoners, van waar die
eerste hoesmedisyne gekom het. En
die medisyne- boksie het glo steeds
die kerk se toring op.
Molteno is die skilder en skrywer
Johannes Meintjies se wereld. Hy het
Molteno die "Dorp van Drorne"
genoem en toe sommer oak 'n boek
met dieselfde naamgeskryf. Dit is oak
skaapwereld - mofskapies - en bees-
Will New Really be Different?
wereld, Langs die een dam buite die
dor p s ta a n 'n tr e inwa wa arin
vreemdel inge vir R5 'n nag kan gaan
slaap.
Die burgerneester van Molteno is 'n
Rooms-Katolieke Griek wat in die
kroeg vertel dat die Grieke nie aan
wereldsokker deelneem nie "caus e if
you give a Greek a corner, he opens a
cafe".
Verder het die dorp ook ' n paar
"bokryers"; braai d ie jongmanne sa ans
indie ysige koue vleisopdi e rugbyveld;
Iedie Dip-'n-Ouma-beskuit-fabriek net
buite die dorp: het 'n Molteno-kind
glo die eerste skoot in die Boere-
Oorlog geskiet met die Slag by
Stormberg; het Sar el du Plessis so 'n
maand gelede weer begin grawe vir
steenkool ; is da ar dr ie Ge reformee rde
Kerke op die dorp, waarvan die NGK
gebou is met stene wat in Molteno self .
gernaa k is; het genl Johann Coet zee
va n die polisie ' n tyd gel e d e
ereburgerskap van Molteno onrva ng:
het Annas en Elmien Marais die dorp
se eerste en eni gste 24 uur One Stop
Take Aways oopgemaak
met die lek kerste steak-
burgers in die kont rei ; sit
die spiedkop glo vir rwee
weke op dieselfde pl ek en
skryf n et tw ee spoed-
kaartjies uit; en dagvaar di e
balju net so el ke vyf jaar
iemand nadat die prokureur
hom ' n biet jie in die bek
geruk het.
MUNOELS18 158
PUBLIC &DEVELOPMENTMANAGEMENT PROGRAMME
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Wits meets the need for ski ll ed public service personnel to shape the policies for the futur e of our country.
21
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Thi s unique Post graduate Dipl oma
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Uni ver ity of the Wit watersr and.
Johan nesburg.
ALMAL WAT IN Molt eno
aankom, hull rwee rnaal ,
vertel die burgemeester.jim-
my Kocovaes, in die kroeg
van di e Phoenix Hotel. "Jy
hull as jy hier aank omomdat
dit so gevrek Iyk - en dan
hui l jy weer as jy moet
weggaan omdat jyso lekker
gebly het."
Onder die locals wat d ie
meeste aande van die we ek
in die kroeg sit, is die 66-
jarigeJimmyVice - die klein-
seun van die Vice w at
steenkoal ontdek het op
Cyphergat, die plaas waar
hy jonk begin boer her , en
wa t die eerste damme in d ie
omgewing gebou het en
gIo eenvan die eerste boere
was w at gro nd- e ro s ie
grootskaals op sy pla as
beveg het.
Die Vlce-voorouers was
van die eerste BritseSetlaa rs
wat in d ie Oos-Ka a p
aangekom het. j are da arna
peanie co aie lang paa
MAAR NIE AL die Moltenoers glo in
Molteno - d ie plek met die beste klei
in die land, die steenkool en die
Storrnberge - soos die Vice 's, die
Kocovaese'e en die Meintjies'e daarin
geglo her en glo nie. \
Die meest e van Nomonde se sowat \
18 000 inwone rs is werkloos, en so
ook di e meeste van die 500bruinmense)
in Dennekruin. Verlede jaar het die
ANC-tak in Nomonde 'n baikot ingestel
en die witmense vertel dat die rue van
sommige besighede op die dOfP
vandag nog gebreek is daardeur.
En in die kroeg sped Christ o, die
hotel-eienaar se skoonseun, Kerkorrel
se nuwe kasset: "Oooooo revolusie..."
Maar dit Iyk nie of enigiemand luister
nie . "0 0 0 000 revolusie.....
Baie plase in die omgewing staan
leeg en verlate en die spoorlyn deur
Molteno gaan blykbaar oak eersdaags
vir p assasiers toemaak. Flippie van die
kroeg se die plek kan maar st il en
verlate raak en hy mis $Oms die stad.
En selfs ou Bossie, Nomonde se
stadsklerk, dink aan weggaan as die
tyd reg is.
ook nie eintlik ooit gebore nie - ons _ ,
was te arm, tt lag Hansie. >:,.-:-
Sy pa was jare en jare die stadskierk.
Hansie was op 'n tyd 'n paar jaar weg,
toe kom hy in 1945 terug na Molteno
vir 'n vakansie . "en vandag is ek nog
hier", /
Hansie is nou die dorp se elektrisien
en almal lag nog .vir sy twee-weke-
kennis-storie : "000, dit was vir jou 'n
ding. So 'n jong dinge tjie soos jy roep
my uit na haar huis ense haar vacuum-
cleaner wil nie werk nie. Nou ja, ek en
die boy gaan toe soontoe en ons rnaak
die ding reg en so aan en die boy loop
uit en hy trek die deur toe. En toe gryp
daai dingetjie my .:ran agter af so om
my Iyf.
"Ek het geskrik, jong. En die eerste
ding wat e k toe aan kan dink om vir
ha ar te se, is sy rnoet my 14 dae notice
gee, want ek al 'n ou man.
"J ulle m oet nie lag nie - dis
benoudigheid daai .wat my so laat se .
Sy was dan aileen in die huis gewees."
Is hy getroud? "j a, ek het ' n
sertifikaat . Ek het rwee ander sertifikate
ook - my twee kinders s'n. Dis net om
te se dat hulle my kinders is."
HANSIE IS VOL Molteno-stories. Een
van sy gunstelinge is die eenvan Kotie
Smit en die nuwe rioolpype.
"Die manne was almal daar by die
hotel se kroeg en het lekker geblits
geraak. Nou net voor daai aand het
hull e begin om die rioolpype in te sit
en net so voor die kroeg was daar 'n
diep gat waaroor hulle 'n sinkplaat
gesit het. Nou, ou Kotie Smit was ook
daai aand in die kroeg. Hygaa n toe op
'n tyd bakkie toe om te gaan biltong
haa!.
"I OU dit het baie gereent in da ai ryd
en die pad was nat en ou Kotie moes
seker maar gegly het of iets. Maar na
so 'n ruk toe hoor ons ou Kotie kree
- en daar staan hy in die riool pyp met
net sy kop wat uitsteek, Toe besl uit
die mann e: hulle los hom da ar, Net
wanneer hy darem te vee! beginskree,
dan vat iemand vir hom 'n dop... Dit
was goeie dae daai gewees."
van Molteno, sal dit wees wanneer
hulle sy ou lyf daar tussen die "lang
borne" indraai.
/
Syvriend Bossie, se Annas, is "dom
van slimheid" en het;meer "sertiflkate
van slimheid" as enigiemand anders
op die dorp . Bossie lag net en se hy
hou van Nomonde, hy maak sy kinders
groot om nie teen swartmense se
diskrimineer n ie, hy is die Here se
kind .
In Bossie se kantoor in Nomonde
hang 'n koper-jesus aan 'n koper-
kruis. "Ek glo in daai man," se Bossie.
"Maar daai man," en hy beduie na die
Jesus, "is pa en ek's kind - en kinders
mag stout wees."
MOLTENOIS 'N STIL dorp. Saans, kort
voor die son sak, waai die koue van
die berge se kant af de ur die dorpie en
soggens vroeg is die boonste laag
water van die visdam hard gevries.
Swart vroue is al dou voor dag besig
om die gras los te skoffel op die
sypaadjies.
AI die manlike inwoners van Mol-
teno kom drink
ook nie skemertyd
'n dop in die Phoe-
nix nie. Bill Reed is
byvoorbeeld nie
die soort man wat
ooit in die hotel
gesien word nie.
Hy en sy vrou ,
Annette, is sen-
delinge wat op die
dorp woon "orndat
d ie Here hulle
soontoe gel ei het" ,
Hulle leer die
swartes "hoe om
hul self te help" en
in die Junie-
vakansies neem
hulle studente van
UPE, Stellenbosch
e n Tukkies o p
se ndel ing-kamp e
na Transkei "vir God om hulle te maak
die kalk van hulself afwas sodat hulle
eerlik en opreg kan word".
In Ree d se huis is ' n klomp
ornamente wat gemaak is deur sy
vrou, sy dogter envan die swartmense
van Nomonde - klei-ornamente met
"Jy is'n wonderlike mens" en "Ek is lief
vir jou" ensovoorts, 'n klomp varkies
en gansies en eendjies en mandjies.
Bill se hy is die soort man wat
enigiets kan doen - musi ek-instru-
ment s peel, potte maak en bak,
perdesaals van leer maak en deesdae,
se hy, maak hy ook vir die polisie
sulke leer-oortreksels wa arin hulle hul
polisi e-ID's kan sit.
Reed se hy en sy vrou het net
beplan om so dr ie maande op Molteno
te bly. "Maartoe se die Here ons moet
maar nog bly."
HANSIECOETZEEis een van die oudste
inwoners van Molteno. Maar soos die
ander mense se Hansie oak hy is nie
oud nie , want "niemand op Molteno
word ooit oud nie".
"Ek weet nie wanneer ek gebore is
nie . Maar die dorpsraad hier het vir my
so ' n goue plaat jie gemaak vir die dag
wanneer ek doodgaan en daarop het
iemand geskryf ek is in 19?i1 gebor e .
Ek stry nie met goue plaatjies ni e. Ek' s
doopdag 'n seunskind kan darem nie
'n vroumens se naam he nie en toe sit
hy die 's' by") en Elmien se Take
Away-wirtkel. Annas se sy vrou is
eintlik Maria Elizabeth, "maar ons roep
haar vir kort sommer Elmien".
Die One Stop is ook vroegoggend
- nog voor die son behoorlikop is - die
bymekaarkom-plek van al d ie
plaasboere wat ingekorn het dorp toe,
die garage-eienaar van langsaan, die
telefoon-regmaker en Annas se ander
vriende wat alma! verni et koffie key.
Elmien, wat ook as suster in di e
hospitaal werk, het 'n ooreenkoms
me t die swart t axi- bestu urders
aangegaan: as hulle by die One Stop
stop en kos koop , gee sy kos verniet
aan die best uurders.
"En my man," vertel Elmien, "was
maar nog $'I hele lewe lank so met die
dooies en scrap besig."
Annas lag en se hy bestuur 'n scrap-
winkel vandat hy teruggekom het
Molteno toe . Maar hy ry oak Iyke aan
vir die inwoners van Nomonde, die
township. "Maakie saak waar hulle
doodgaan nie. Ek
gaan haal hulle - in MOLTENO: DIE DORP VAN DROME
die Kaap, in Johan-
nesburg en in Dur-
ban. En as daar vio-
lence is, dan is ek
baie besig en ry die
Iyke vir die famil ie
aan."
Annas het d ie
vorige aand net 'n uur
geslaap, heelnag
kosgemaak en "kak
aangejaag". Saam met
sy eerste k opp i e
oggend-koffie, vra hy
of ek die erdwurmpie
ken. "j a rmie s it
eendag en trek 'n
erdwurmpie uit 'ngat
indie grond. Sy oupa
staan en kyk hom so
en se toe: jannie, as
jy daai wurmpie terug kan druk in d ie
gaatjie , dangee ek jou RI. Nou jy weet
mos 'n erdwurmpie is 'n pap ding. Nou
ja, Jannie hardloop toe in huis toe en
kom terug met sy rna se hairspray. En
hy sprei daa i wurmpie totdat hy
stoksryf is. En sy oupa gee hom toe die
rand. "
En Annas lag klaar met sulke dun-
getrekte ogies: "So 'n paar dae later to e
bringJannie se rna hom na die wirtkel
waar hy .vir hom 'n karretjie van die
rand koop . Sy oupa kom toe daar aan
en gee vir Jannie nog 'n rand. Maar
oupa het a! vir my 'n rand gegee, se
Jannie. Ja, se sy oupa, maar die een '
stuur jou ouma. Sy' s tog te dankbaar
vir jou plan."
En Anilas vou dubbeld soos hy lag.
ANNAS IS DIE soort man wat "Siena-
waar's-jou-man" vir Bossie Bosman,
die dorpsraadslid van die township,
oor die telefoan sing. Hy bel die een
sentrale-operateur twaalfuur die nag
en vra of sy 'n sak aartapp els wil koop
en hy bel eenuur die oggend sy
buurvrou en vra dat sy vir homservette
bring, dan stuur hy 'n steak saam terug
vir haar man. Behalwe as Elmien hom
wil "donder" in die winter, dra hy net
kortbroek. Hy ken al die mense op die
dorp en se as hy ooit weer weggaan
nog het mense laggend na die Vice's
verwys as die "Royal Family" van die
Oos-Kaap. Ou Ilmmy, wat baie trek op
sy grootoupa Vice, vertel vandag
nostalgies van sy oupa - die eerste
burgemeester van Molteno, glo 'n
moeilike ou patriarg wat Sondagsport
met men ing' beveg het, maar ook die
man wat die plaas Onverwacht by die
Stormbergspruit gegee het vir die bou
van die dorp.
Oubaas Vice het glo sommer self
ook besluit om die dorp te noem na
die premier van Kaapland in 1874 - sir
John Charles Molteno, die "Leeu van
Beaufort".
" NOU J A, nou weet jy alles - behalwe
dat al die strate in Molteno toe sommer
ook genoem is na die kabinetslede en
kollegas van sir John," se J immy Vice.
Ook in die kroeg isjan Coetzee, wat
by die sentrale werk. Hy se hy sal nooit
weer Kaap se kant toe gaan nie - want
met elke aardbewing, "ook die grote
wat Tulbach so hard geslaan het", was
hy erens tussen die berge. "Of in
Worcester, of in die Paarl- altyd iewers
waar 'n mens die bewing deur die
berge hoor aankorn,"
En dan is daar Kotie, wie se rna glo
doof is en nou kan Kotie nie meer sag
praat nie, maar net skree. Van die
manne in die kroeg noem Kotie
"Greri sve gter " omdat h y met sy
weermag-uniform in die kroeg sit.
Jimmy Kocovaes se Kotie soek vrou,
maa r Kotie skud net sy kop en se:
"Hou verby."
En agter die bar werk Flippie
Denysschen, wat op 1Augustus vanjaar
tien jaar lank op Molteno sal wees. Hy
was voorheen ook hier, maar het
wegg eg a an e n toe maar weer
teruggekom.
Flippie vertel dat die Phoenix nie
alryd di e locals se kuierplek was nie.
"Vroeer [are het die mense altyd na die
under hotel gegaan, maar toe gebeur
daar iets. Ek weet nie lekker wat nie,
maar toe kom almal maar hlerheen.".
Flippie is ook nog ongetroud - sy
verloofde van Bloemfontein het in 'n
stadium met 'n ander man "in die
moeilikh eid geraak" en toe wil hy met
die hele affere niks meer te doen he
nie, "Nou se ek maar soos die Engelse:
Love themall and marry none," lag hy.
Ook 'n gereelde gesig in die kroeg,
"maar net tot so sesuur elke aand", is
Piet Moolman, stadsklerk. Hy vertel
hoe sy vr ou gehuil het toe hulle in
Molteno aankom.
"Dit was Augustus-maand en die
wind het gewa ai en gewaai. Ek en my
vrou het al bei by die skool aansoek
gedoen as onderwysers. Ons motor
het aan die een kant so 'n gat in gehad
en ek het my vrou gevra o m tog voor
die gat te staan as die skoolhoof saam
uitstap . Maar toe kom die skoolhoof
uitgestap toe ons stilhou en hy was so
'n klein ou mannetjie. Myvrou dag toe
dis die opsigter en staan toe nie voor
die gat in die deur nie.
"Na da ai onderhoud, dit was op 'n
Saterdag, het my vrou al di e pad terug
King William's Town toe gehuil," se
Piet.
soTWEE BLOKKE duskant die Phoenix
is Annas C"ek het my rna se .naam
gekry, maar toe se die dominee op
21
. . ~
HANSPIENAAR
'N KORTVERHAAL DEUR HANS PIENAAR
In esun er nle
-fi ksie/bOeKe