Clarinet Fingerings

Table des matires
Chalumeau Register: E3 to B4....................................................................................................1

Clarion Register: B4 to C6..........................................................................................................3
Lower Altissimo Register: C6 to G6...........................................................................................5
Upper Altissimo Register: G6 to A...........................................................................................6
Alternate !ingering Chart "or Boehm#$%stem Clarinet.................................................................1&
Chalumeau Register: E3 to B4..................................................................................................1&
Clarion Register: B4 to C6........................................................................................................15
Upper Altissimo Register: G6 to A.........................................................................................&1
'ultiphoni( !ingering Chart "or Boehm#$%stem $oprano Clarinet..............................................&
Arrange) *% lowest note o" multiphoni(s.................................................................................&
+rill !ingering Chart "or Boehm#$%stem Clarinet.........................................................................&,
+rill "ingering : Chalumeau Register: E3 to B4........................................................................&,
+rill "ingering : Clarion Register: B4 to C6..............................................................................3&
+rill "ingering : Altissimo Register: C6 to C...........................................................................35
Chalumeau Register: E
3
to B
4
This fingering chart includes the primary fingerings learned by all clarinetists.
These fingerings are the same on all sizes of Boehm-system clarinets unless
specified otherwise.
Note Written Fingering Description
E
3
F
3
T 123
E
|
123
Use in combination with fingerings using
right little finger or no little fingers.
T 123|
123
E
left little finger or no little fingers.
T 123
E
|
123
F
Use in combination with F
3
or C
5
.
E
3
F
3

T 123|
123
F
T 123
F
|
123
F
3
G
3

T 123
F#
|
123
T 123|
123
F#
T 123
F#
|
123
F
3
or C
5
.
G
3

T 123|123 Basic.
G
3
A
3

T 123|
123
G#
Basic.
T 123
G#
|
123
For models with ! "# $ey% use in
combination with fingerings using right
little finger or no little fingers.
A
3

T 123|12- Basic.
A
3
B
3

T 123|1-- Basic.
B
3
C
4
T 123|-2- Basic.
B
3
C
4
T 123|--- Basic.
C
4
D
4

T
123
C#
|---
Basic.
D
4

T 12-|--- Basic.
D
4
E
4

T 12-|
4
---
Basic.
T 12
Eb
-|---
Chromatic and trill fingering% use in
combination with &
'
and (
5
.
T 1--|1--
)harp% use in combination with fingerings
in*ol*ing +! ,.
E
4
F
4
T 1--|--- Basic.
E
4
F
4
T ---|--- Basic.
F
4
G
4
1--|--- Basic.
T ---|
34
--- Chromatic% use in combination with F
'
.
G
4

---|--- Basic.
G
4
A
4

G#
---|---
Basic.
A
4

A---|--- Basic.
A
4
B
4

R A---|--- Basic.
A---|
2
--- Trill fingering with (
'
.
Clarion Register: B
4
to C
6

<< Back to Chalumeau Register
B
4
C
5

RT 123
E
|
123
RT 123|
123
E
RT 123
E
|
123
F
Use in combination with C
5
.
B
4
C
5
RT 123|
123
F
RT 123
F
|
123
C
5
D
5

RT 123
F#
|
123
RT 123|
123
F#
RT 123
F#
|
123
F
5
.
D
5

RT 123|
123
Basic.
D
5
RT 123|
123
G#
Basic.
E
5

RT 123
G#
|
123
combination with fingerings using right
little finger or no little fingers.
E
5
F
5

RT 123|
12-
Basic.
E
5
F
5
RT 123|
1--
Basic.
F
5
G
5

RT 123|-
2-
Basic.
RT 123|1-
B
-
Chromatic% use in combination with Bb
'
or
F
5
.
G
5

RT 123|--- Basic.
G
5
A
5

RT
123
C#
|---
Basic.
RT 12-|
12-
Use in combination with fingerings
in*ol*ing the right hand fingers.
A
5

RT 12-|--- Basic.
A
5
B
5

RT 12-|
4
---
Basic.
RT
12
Eb
-|---
combination with &
'
and (
5
.
RT 1--|1--
in*ol*ing +! ,.
RT 1--|-2-
)harp% use for facility in combination with
fingerings in*ol*ing +! -.
B
5
C
RT 1--|--- Basic.
B
5
C
RT ---|--- Basic.
Lower Altissimo Register: C
6
to G
6

C
RT -23|12- Basic.
D

RT -23|1--
G#
Basic.
RT
G#
---|
4
---
ess flat% trill fingering with C
5
.
RT
G#
---|---
Trill fingering with C
5
.
D
RT -23|1-
B
-
G#
Basic.
RT -23|--3
G#
Use in combination with lower clarion
notes.
RT -23|-2-
G#
Flat% use for facility% trill fingering with
C#
5
.
E
RT -23|---
G#
Basic.
E

RT -23
C#
|---
G#
Basic.
RT 123
C#
|
123
Use for slurring with lower registers and
for pp.
F

RT -2-|---
G#
Basic.
RT 12-|
4
---
G#
(ccurate pitch. )pea$s easily in all
dynamics. "ood for wide s$ips.
RT 12-|
123
G#
Use for slurs with lower registers% more
stable% good for pp and ff.
G

RT -2-|12-
G#
Basic.
RT 1--|12-
G#
Use for slurs from clarion notes.
RT --3
C#
|---
F#
Trill fingering with F
5
.
RT -2-|
4
---
G#
Trill fingering with F#
5
.
Upper Altissimo Register: G
6
to A
7
This fingering chart includes both basic fingerings and alternati*es that are
more appropriate in some passages. )ome alternate fingerings are designed for
fast passages% while others modify the tone% color% or pitch at normal and
e.treme dynamic le*els. These fingerings apply to all sizes of Boehm-system
clarinet unless specified otherwise. There is also an alternate fingering chart for
Boehm-system alto% bass% and contrabass clarinet% which includes additional
alternate chalumeau and altissimo fingerings for those models.
!rc"
G

RT -23
F#
|
1-3

RT -23|1-
3
F#

RT ---|
4
---
G#
+esponds well at all dynamics with
accurate pitch.
"/
RT ---|1--
G#
0asy to finger in all conte.ts with
e.cellent tuning. Top note of (b
arpeggio with basic 0b
1
fingering.
"/
R 1--|12-
G#
"ood response at ff and accurate
pitch.
"/
RT -23|-2-
F

RT -23
F
|-
2-

RT -23|1-
B
-
G#

RT -23|1--
F#

RT -23
F#
|
1--

RT -2-|-2-
G#

RT -2-|
34
---

RT --3
C#
|
12
---

RT --3
C#
|
12
---
G#

RT --3|1--
G#
&"
RT --3|1--
F#
)harper. &"
RT
G#
1--|--
3
G#

RT
C#
|
3
-
G#
Use for fast chromatic passages
between 0
1
and "#
1
.
2C
A

RT -23|---
F

RT
-23
F
|---

RT -23|---
F#

RT
-23
F#
|---

RT -23|
4
---
F#

RT -23
F#
|
4
---

RT
G#
-
23
C#
|-
23
F#

RT
G#
-23|
12
-2-
F#

R -23|1-
3
F#
+esponds 3uic$ly and in tune. "/
R ---|12-
F#
A

RT
G#
-
23
C#
|---
G#

RT
G#
-
23
C#
|---
F#

RT
G#
-
23|---
F#

RT
G#
-
23
C#
|
34
---
"ood intonation% easy response. 45
RT 123
C#
|
123
F

RT 123
C#
|
123
G#

RT 123
F
|
123
G#
&"
RT
G#
123
F
|
123
G#
)harper. &"
RT 123|
123
F

RT 123
F
|
123

RT -23
C#
|
123
F

-2-|--- )
R -2-|--- )harper than pre*ious fingering. )
B
C
#

RT
G#
12-|
12-

RT 12-|
12-
F#

RT 12-
F
|
12-
F#
(B
RT
G#
12-|
12-
F#

RT
G#
12-
F#
|12-
G#

RT
G#
12-
C#
|12-
G#

RT -2-
F#
|
12-
G#

B
C
#

RT
G#
1--|
1--
F#

RT
G#
1--
F#
|1--

RT
G#
1--
C#
|1--

RT
G#
---|
1--
G#

RT 1--
C#
|
1--
G#
05
RT 1--|1--
F

RT 1--
F
|
1--

RT 1--
F
|
1--
F#
(B
RT 1-
Eb
-|
1-
B
-
G#

RT 1--|1--
G#
4)
RT A1--|--
G#
Better response than RT 1--|1--
G#
.
4)
RT A1--|
1--
G#

RT A1--|
12-
G#

C
#
D
#

RT 123|
123
G#

RT 1--|
234
1--
F

RT 1--
F
|
234
1--

RT
G#
1--|
234
1--
F#

RT
G#
1--
F#
|
234
1--

RT -23|-
23
G#

D
#
RT --3|--
3
G#

RT --3|
34
---

RT -23|---
RT -23|---
G#
RT 123|
12-
E

D
#
E
#

RT 123
E
|
123
F

RT -23|1-
3

E
#
F
#

RT 12-|
123
G#

RT 1--|
123
G#

R+
G#
1--.
1&3
G#
+esponds well with a clear sound.
For all dynamics.
&2
E
#
F
#

RT 123|
123

RT A1--|
12
--3
G#

F
#
G
#

RT 123|
123
G#

RT -23|1-
3
G#

G
#

RT 12-|
123

RT -2-
E
|-
2-
G#

G
#
A
#
RT
G#
2
E
|2
G#
+e3uires much effort. (C
A
#

R+ -
&3.---
G#
)lightly flat. "ood for ff. 6C
R+ -
&3
C#
.---
G#
)lightly sharp. "ood for mp. 6C
B$
#

Submit a fingering for this note or for a
higher note.

Alternate Fingering Chart for Boehm!"stem Clarinet
Chalumeau Register: E
3
to B
4
This fingering chart includes both basic fingerings and alternati*es that are
more appropriate in some passages. )ome alternate fingerings are designed for
fast passages% while others modify the tone% color% or pitch at normal and
e.treme dynamic le*els. These fingerings apply to all sizes of Boehm-system
clarinet unless specified otherwise. There is also an alternate fingering chart for
Boehm-system alto% bass% and contrabass clarinet% which includes additional
alternate chalumeau and altissimo fingerings for those models.

!rc"
E
3
F
3
T 123
E
|
123
using right little finger or no little
fingers.

T 123|
123
E
using left little finger or no little
fingers.

T 123
E
|
123
F
3
or C
5
.

E
3
F
3
T 123|
123
F
fingers.

T 123
F
|
123
fingers.

F
3
G
3
T 123
F#
|
123
fingers.

T 123|
123
F#
fingers.

T 123
F#
|
123
F
3
or C
5
.

G
3

T 123|
123
Basic.
G
3
A
3
T 123|
123
G#
Basic.
T 123
G#
|
123
For models with ! " $ey% use in
combination with fingerings using

A
3

T 123|12- Basic.
A
3
B
3
T 123|1-- Basic.
B
3
C
4

T 123|-2- Basic.
T 123|1-
B
-
Chromatic% use in combination with
Bb
3
or F
'
.

B
3
C
4
T 123|--- Basic.
C
4
D
4
T
123
C#
|---
Basic.
D
4

T 12-|--- Basic.
D
4
E
4

T 12-|
4
---
Basic.
T
12
Eb
-|---
combination with &
'
and (
5
.

T 1--|1--
)harp% use for facility in
combination with fingerings
in*ol*ing +! ,.

T 1--|-2-
in*ol*ing +! -.

T 1-3|---
For 7-ring models% use in
combination with C
'
.

E
4
F
4

T 1--|--- Basic.
T 1-
Eb
-|
4
--3
F
+ounder and lower in pitch than
basic fingering.
/C
T 1-
Eb
-
C#
|
4
123
F
8roduces louder% clear sound%
especially useful for long notes.
)C
E
4
F
4
T ---|--- Basic.
F
4
1--|--- Basic.
G
4

T ---|
34
---
F
'
.

1--|123
Try different +! combinations for
better intonation and tone.

T ---|
34
123

G
4

---|--- Basic.
---|123

G
4
A
4
G#
---|---
Basic.
T
G#
---|
34
---
'
.
G#
-23|
4
1--
Flatter.
G#
---|123

T
G#
---|
34
123

+ 1--.
2
---
Use in combination with 0
'
. "
'
is
sharp.
56
A
4

A---|--- Basic.
A---|-23
F
Fuller sound without sounding airy.
44
E%&
A-23|-
23
F
Flatter.
A---|123

A
4
B
4

R A---|--- Basic.
A---|
2
--- Trill fingering with (
'
.

R A--3|1-
3
F
Better in tune and clearer than basic
fingering.
&+
R A--3
F
|
1-3
Better in tune and clearer than basic
fingering.
&+
R A---|
123

A---|
2
123

R A123|- "ood intonation and smooth
23 transitions with other notes.
R A-23|-
23
F
Fuller sound9 in tune9 less aw$ward.
44
E%&
R A--3|--
3
F
:n tune and fuller% less airy sound.
&"
'B
Clarion Register: B
4
to C
6

!rc"
B
4
C
5

R+ 1&3
E
.
1&3

fingers.

R+ 1&3.
1&3
E

fingers.

R+ 1&3
E
.
1&3
!

5
.

A###.
1
###

Trill fingering with (
'
.

R A###.
&
###

Trill fingering with Bb
'
.

R+ A1&3
E
.
1&3

)uitable for sustained notes. "i*es
a more open sound than basic
fingering.
+T
6+
R+ A1&3.
1&3
E

fingering.
+T
6+
R+ A1&3
E
.
1&3
!

fingering.
+T
6+
B
4
C
5

R+ 1&3.
1&3
!

fingers.

R+ 1&3
!
.
1&3

fingers.

R A###.
1
###

'
.

R A###.
1&
###

'
% more in
tune than pre*ious fingering.
05
C
5
D
5

R+ 1&3
!/
.
1&3

fingers.

R+ 1&3.
1&3
!/

fingers.

R+ 1&3
!/
.
1&3
!

5
.

D
5

R+ 1&3.
1&3
Basic.
D
5
E
5

R+ 1&3.
1&3
G/

Basic.
R+ 1&3
G/
.
1&3

combination with fingerings using

E
5
F
5

R+ 1&3.
1&#
Basic.
E
5
F
5

R+ 1&3.1##

Basic.
F
5
G
5

R+ 1&3.#&#

Basic.
R+ 1&3.1#
B
#

Bb
'
or F
5
.

R+ 1&3.##3

Use in combination with &
5
.

G
5

R+ 1&3.###

Basic.
G
5
A
5

R+
1&3
C/
.###

Basic.
R+ 1&#.1&#

in*ol*ing the right hand fingers.

A
5

R+ 1&#.###

Basic.
A
5
B
5

R+ 1&#.
4
###

Basic.
R+
1&
E*
#.###

combination with &
'
and (
5
.

R+
#&3
C/
.###

Trill fingering with (b
5
.

R+ 1##.1##

in*ol*ing +! ,.

R+ 1##.#&#

in*ol*ing +! -.

R+ 1#3.###

For 7-ring models. Use in
combination with "
5
.

R+ 1-3.
1&3
!

For ppp entrances. "/
B
5
C

R+ 1##.###

Basic.
R+ -&3
!/
.
1&3

Use in combination with lower
altissimo notes.

B
5
C

R+ ###.###

Basic.
R+ ##3.
4
1&3

Useful for pp attac$s and upward
s$ips from &
5
.
"/
R+ ---.
1&3
)uitable for large inter*al s$ips%
such as with &
5
% and for pp.
T8
R+ 1&
E*
-.
34
---
)lightly sharp. "ood for ff. Useful
in combination with Bb5.
T8
R+ 1&3.
1&3
G/

For legato slurring from &
1
.
"/
R+ -&3.
1&3
"ood intonation and good for ff. 4-
R+ -&3.
1&3
G/

"ood intonation and good for ff. 4-
R+ 0&3.
1&3
G/

For bass clarinet. Use in
combination with C
1
% &
1
% and 0
1
.
(+-
!rc"
C

RT -23|12- Basic.
RT ---|
34
--- Trill fingering with C
1
.

RT 1--|
4
--- Trill fingering with B
5
.
1--|---
!armonic ;F#
'
<.

RT
G#
123|
12-
G#
!armonic ;0
5
<.

R 123|
123
G#
Full sound and great response at
pp.
"/
D

RT -23|1--
G#
Basic.
RT ---|
2
--- Trill fingering with C
1
.

RT
G#
---|
4
---
ess flat% trill fingering with C
1
.

RT
G#
---|---
Trill fingering with C
1
.

RT ---|---
G#
!armonic ;"
'
<.

RT
G#
-23|
12-
Full tone% good intonation% and
great response at pp.
"/
R 123|1-
3
G#
)ecure at pp% useful for wide
inter*al leaps.
"/
R+ -&3.-
&3
G#
"ood intonation and response.
6or$s well at mf to ff dynamics.
4-
D

RT -23|1-
B
-
G#
Basic.
RT -23|--
3
G#
Use in combination with lower
clarion notes.

RT -23|-2-
G#
Flat% use for facility% trill fingering
with C#
1
.

RT A---|---
G#
!armonic ;flat (
'
<.

R 123|-2-
G#
&ar$% co*ered sound. "reat for
pp passages.
"/
E

RT -23|---
G#
Basic.
RT
G#
-
23|---

R 123|---
G#

E
RT
-23
C#
|---
G#
Basic.
F

RT 123
C#
|
123
Use for slurring with lower
registers and for pp.

RT 123
C#
|
2
---
G#
Useful for wide inter*al s$ips
with any !-only fingering.
=uic$ response.
"/
RT
A123
C#
|---
0asy to finger ;! only<. Free
blowing and good for ff.
"/
RT
G#
-
23
C#
|---
G#

F

RT -2-|---
G#
Basic.
RT 12-|
123
G#
Use for slurs with lower registers%
more stable% good for pp and ff.

RT 12-|
4
---
G#
(ccurate pitch. )pea$s easily in
all dynamics. "ood for wide
s$ips.
"/
RT -2-|-2-
F#

R+ -&-.--
B
-
G#
)table. Use at mf to ff dynamics. &)
RT 12-|
1
---
G#
)table. Use in slurs from lower
registers. "ood for pp.

RT -23|
123
G#

RT 1--|-
23
F

RT 123|-
23
G#

RT 23
C#
|
3
-
G#
between 0
1
and "#
1
.
2C
G
RT -2-|12-
G#
Basic.
RT 1--|12-
G#
Use for slurs from clarion notes.
RT 1--|1--
G#

RT 1--|1--
F#
)harper than basic fingering. (non.
RT 1--|12-
G#

RT 1--|---
G#
For 3uic$ slurs with &
1
.
2"
RT
--3
C#
|---
F#
Trill fingering with F
1
.

RT -23|12-
G#
!armonic ;C#
1
<.

RT -23
C#
|
12-
G#
5ore secure than without ! C#
$ey.
/B-
((
RT -23|
123
F

RT -2-|1-
3
G#

RT
-2
Eb
-|---
G#

RT -2-|
4
---
G#
Trill fingering with F#
1
.

RT -2-|
4
--
B
-

RT
--3
C#
|---
G#

RT 1--|
123
G#
Use in combination with F#
1
;RT
12-|123
G#
<.
(B
RT 2
C#
|
3
-
G#
between 0
1
and "#
1
.
2C
Upper Altissimo Register: G
6
to A
7
!rc"
G

RT -23
F#
|
1-3

RT -23|1-
3
F#

RT ---|
4
---
G#
+esponds well at all dynamics with
accurate pitch.
"/
RT ---|1-- 0asy to finger in all conte.ts with "/
G#
e.cellent tuning. Top note of (b
arpeggio with basic 0b
1
fingering.
R 1--|12-
G#
"ood response at ff and accurate
pitch.
"/
RT -23|-2-
F

RT -23
F
|-
2-

RT -23|1-
B
-
G#

RT -23|1--
F#

RT -23
F#
|
1--

RT -2-|-2-
G#

RT -2-|
34
---

RT --3
C#
|
12
---

RT --3
C#
|
12
---
G#

RT --3|1--
G#
&"
RT --3|1--
F#
)harper. &"
RT
G#
1--|--
3
G#

RT
C#
|
3
-
G#
between 0
1
and "#
1
.
2C
A
RT -23|---
F

RT
-23
F
|---

RT -23|---
F#

RT
-23
F#
|---

RT -23|
4
---
F#

RT -23
F#
|
4
---

RT
G#
-
23
C#
|-
23
F#

RT
G#
-23|
12
-2-
F#

R -23|1-
3
F#
R ---|12-
F#
A

RT
G#
-
23
C#
|---
G#

RT
G#
-
23
C#
|---
F#

RT
G#
-
23|---
F#

RT
G#
-
23
C#
|
34
---
"ood intonation% easy response. 45
RT 123
C#
|
123
F

RT 123
C#
|
123
G#

RT 123
F
|
123
G#
&"
RT
G#
123
F
|
123
G#
)harper. &"
RT 123|
123
F

RT 123
F
|
123

RT -23
C#
|
123
F

-2-|--- )
R -2-|--- )harper than pre*ious fingering. )
B
C
#

RT
G#
12-|
12-

RT 12-|
12-
F#

RT 12-
F
|
12-
F#
(B
RT
G#
12-|
12-
F#

RT
G#
12-
F#
|12-
G#

RT
G#
12-
C#
|12-
G#

RT -2-
F#
|
12-
G#

B
C
#

RT
G#
1--|
1--
F#

RT
G#
1--
F#
|1--

RT
G#
1--
C#
|1--

RT
G#
---|
1--
G#

RT 1--
C#
|
1--
G#
05
RT 1--|1--
F

RT 1--
F
|
1--

RT 1--
F
|
1--
F#
(B
RT 1-
Eb
-|
1-
B
-
G#

RT 1--|1--
G#
4)
RT A1--|--
G#
Better response than RT 1--|1--
G#
.
4)
RT A1--|
1--
G#

RT A1--|
12-
G#

C
#
D
#

RT 123|
123
G#

RT 1--|
234
1--
F

RT 1--
F
|
234
1--

RT
G#
1--|
234
1--
F#

RT
G#
1--
F#
|
234
1--

RT -23|-
23
G#

D
#

RT --3|--
3
G#

RT --3|
34
---

RT -23|---
RT -23|---
G#

RT 123|
12-
E

D
#
E
#

RT 123
E
|
123
F

RT -23|1-
3

E
#
F
#

RT 12-|
123
G#

RT 1--|
123
G#

R+
G#
1--.
1&3
G#
+esponds well with a clear sound.
For all dynamics.
&2
E
#
F
#

RT 123|
123

RT A1--|
12
--3
G#

F
#
G
#

RT 123|
123
G#

RT -23|1-
3
G#

G
#

RT 12-|
123

RT -2-
E
|-
2-
G#

G
#
A
#
RT
G#
2
E
|2
G#
+e3uires much effort. (C
A
#

R+ -
&3.---
G#
)lightly flat. "ood for ff. 6C
R+ -
&3
C#
.---
G#
)lightly sharp. "ood for mp. 6C
B$
#

Submit a fingering for this note or for a
higher note.

#ultiphoni$ Fingering Chart for Boehm!"stem
!oprano Clarinet
Arrange% &" lowest note of multiphoni$s
This fingering chart includes multiphonics fingerings% which are fingerings
suited for playing two or more notes simultaneously. These fingerings apply to
soprano Boehm-system clarinets. (ll notes are specified to the nearest 3uarter
tone in terms of naturals ;no symbol<% 3uarter-tone sharps ; <% sharps ;#<% and
three-3uarter-tone sharps ; <. The fingerings are sorted by lowest note from
lowest to highest pitch.

Notes Written Fingering Description
!rc"
C
'
(
5

+ 1&3
C/
.
1&3
!/

C(
()3
&
'
B
5
+ 1-3.1&3
C(
()3
&
'
C
1
+ -&3.1&-
C(
()3
0
'

B
'

T
G#
123
E
|
123
"ood for pp. "5-
T
G#
123|
123
E
"ood for pp. "5-
0
'
C
5

+
G/
1&3.
1&3
!/

C(
()3
F
'
"
5
R+ 1&-.1&-
C(
()3
F
'
(
5

R+ 1&-.-&
B
-
G/

C(
()3
F
'
B
'

T A123|123
E
&rop >aw for easy
response.
)5-
T A123
E
|123
&rop >aw for easy
response.
)5-
'rill Fingering Chart for Boehm!"stem Clarinet
'rill fingering : Chalumeau Register: E
3
to B
4
This fingering chart includes trill fingerings% which are fingerings designed for
rapid alternation between two notes at an inter*al of a minor second ;semitone<
or a ma>or second ;whole tone< apart. 5any of these fingerings can also be used
as alternate fingerings for some fast passages. /eys to be trilled are indicated in
re). 6hen more than one $ey is to be trilled% the $eys should be simultaneously
pressed and simultaneously released% unless the description says to alternate
pressing and releasing the $eys. These fingerings apply to all sizes of Boehm-
system clarinet unless specified otherwise.

*rill Written Fingering Description
!rc"
E
3
+F
3
T 123
E
|123
F

T 123
F
|123
E

E
3
+F
3
F
3
+G
3
T 123
E
|123
F#

T 123
F#
|123
E

E
3
+F
3
F
3
+G
3

T 123
F#
|123
F

T 123
F
|123
F#

F
3
+G
3
T 123|123
F

T 123
F
|123

F
3
+G
3
T 123
F#
|123

T 123|123
F#

F
3
+G
3
G
3
+A
3
T 123
F#
|123
G#

G
3
+A
3
T 123|123
G#

G
3
+A
3
T 123|123
G
3
+A
3
T 123|123
G#

G
3
+A
3
A
3
+B
3
T 123|123
G#

T 123|123
G#

A
3
+B
3
T 123|12-
A
3
+B
3
T 123|12-
A
3
+B
3
B
3
+C
4
T 123|1-
B
-

A
3
+B
3
B
3
+C
4
T 123|1--
B
3
+C
4

T 123|-2-
B
3
+C
4
C
4
+D
4
T 123
C#
|-2-

T 123
C#
|1-
B
-
T 123
C#
|--3

B
3
+C
4
C
4
+D
4
T 123
C#
|---

C
4
+D
4

T 123|---
T 123|
4
---

C
4
+D
4
T 123
C#
|---

T 123
C#
|---

C
4
+D
4
D
4
+E
4
T 123
C#
|
4
---
D
4
+E
4
T 12-|
4
---
T 12
Eb
-|---

D
4
+E
4
T 12-|---
D
4
+E
4
E
4
+F
4
T 12-|
4
---

T 12
Eb
-|---

T 1--|1--
D
4
+E
4
E
4
+F
4

T 12-|
4
---

T 12
Eb
-|
34
---
E
4
+F
4
T 1--|---
E
4
+F
4
F
4
+G
4
T 1--|---
T 1--|
34
---

E
4
+F
4
F
4
+G
4

T ---|
34
---

F
4
+G
4

T
G#
---|---

T ---|---
F
4
+G
4
1--|---
F
4
+G
4
G
4
+A
4
T
G#
---|
34
---
G#
2--|---
! - closes ! , hole while
! , trills.
&?
G
4
+A
4

G#
---|---

G
4
+A
4

A---|---
G
4
+A
4
G#
---|
2
---
G
4
+A
4
A
4
+B
4
G#
---|
1
---
A
4
+B
4
A---|
2
---

A
4
+B
4

A---|
1
---

A
4
+B
4
B
4
+C
5
R A---|
2
---

A
4
+B
4
B
4
+C
5

R A---|
1
---

R A---|
12
---
5ore in tune than pre*ious
fingering.
05-
'rill fingering : Clarion Register: B
4
to C
6
!rc"
B
4
+C
5

RT 123
E
|
123
F

RT 123
F
|
123
E

B
4
+C
5
C
5
+D
5

RT 123
E
|
123
F#

RT 123
F#
|
123
E

B
4
+C
5
C
5
+D
5

RT 123
F#
|
123
F

RT 123
F
|
123
F#

C
5
+D
5
RT 123|
123
F

RT 123
F
|
123

C
5
+
D
5

RT 123
F#
|
123

RT 123|
123
F#

C
5
+D
5
D
5
+E
5

RT 123
F#
|
123
G#

RT 123
F#
|
123
G#

D
5
+E
5

RT 123|
123
G#

D
5
+E
5
RT 123|123
D
5
+
E
5
E
5
+F
RT 123|
123
G#

5

D
5
+E
5
E
5
+F
5
RT 123|
123
G#

RT 123|
123
G#

E
5
+F
5

RT 123|12-
E
5
+F
5
F
5
+G
5

RT 123|12-
E
5
+F
5
F
5
+G
5

RT 123|1-
B
-

F
5
+G
5

RT 123|1--
F
5
+
G
5

RT 123|-2-
F
5
+G
5
G
5
+A
5

RT 123
C#
|-
2-

RT 123
C#
|--
3

RT 123
C#
|1-
B
-

RT 123|-2-
RT 123|1-
B
-

R+ 1&3
C#
.-
2-
For models with an articulated
C#@"# $ey.
5&
G
5
+A
5

RT
123
C#
|---

G
5
+A
5
RT 123|---
RT 123|
4
---

A
5

RT
123
C#
|---

RT
123
C#
|---

RT 12-|12-
A
5
+B
5

RT
123
C#
|---

RT 123
C#
|
4
---

RT 12-|12-
5

RT 12
Eb
-|---

RT 12-|
4
---

RT 12-|---
RT 12-|---
B
5
+C

RT 12-|
4
---

RT 1--|1--
B
5
+
C

RT 12-|
4
---

RT 12
Eb
-|
34
---

B
5
+C

RT 1--|---
+D

RT 1--|---
RT 1--|
34
---

RT 1--|
4
---

RT 1-3|123
B
5
+C
+D
RT ---|
34
---

C
+D

RT
G#
---|---

RT ---|
2
---

RT
G#
---|
4
---
For soprano models. (6-
R+ -&3.
1&3
G#
"ood intonation and response.
6or$s well at mf to ff dynamics.
4-
'rill fingering : Altissimo Register: C
6
to C
7
!rc"
C
+
D

RT -23|12-
RT
G#
-23|12
Full tone and e.cellent pitch
on &
1
.
"/
RT 1--|
2
---

C
+D
+E

RT -23|12-
RT -23|12-
G#

RT A-23|12-
D
+E

RT -23|1-
B
-
G#

RT
G#
-23|1--
G#
"reat for rapid trills. "/
D
+E

RT -23|1--
G#

D
+
E
+F

RT -23|--3
G#

RT -23|-2-
G#

RT -23
C#
|1-
B
-
G#

D
+E
+
F

RT -23|1-
B
-
G#

RT -23|-2-
G#

RT -23|--3
G#

E
+F

RT -23
C#
|---
G#

RT -23|
4
---
G#

E
+F
+G

RT -23|---
G#

E
+F
+G

RT -23
C#
|---
G#

RT -23
C#
|---
G#

RT -23
C#
|
4
---
G#

F
+G

RT -23
C#
|---
G#

F
+
G

RT -2-|
4
---
G#

RT -2
Eb
-|---
G#

RT 12-
C#
|123
G#

RT 12-|123
G#
(B
RT 123
C#
|123

RT 12-|
1
---
G#

F
+G
+A

RT -23|123
G#

RT -2-|
34
---
G#

RT -2-|1--
G#

RT 12-|
1
---

G
+A RT -23|12-
G#

RT --3
C#
|
4
---
G#

RT -2-|123
F

G
+A

RT -23|12-
G#

RT -2-|12-
G#

RT 1--|12-
G#

G
+
A
RT -23|-2-
F

RT -23|-2-
G#

RT -23|1--
F#

RT -23|1-3
F#

RT --3|1--
F#

RT -23|--3
F

RT -2-|-2-
G#

G
+A
+B

RT A-23|
34
---
G#

RT -23|-2-
G#

A
+B
RT
G#
-23
C#
|---F#
0.cellent pitch9 some left hand
coordination needed.
"/
RT -23|---F# )lightly flat Bb. "/
A
+B

RT A-23|123
F#
"/
RT A-23|12-
F#
)lightly sharper B. "/
A
+
B
+C
#

RT A
G#
-23
C#
|---

RT 123
C#
|123
F

A
+B RT
G#
123
C#
|123
F

+
C
#

RT
G#
123
C#
|123
F

B
+C
#
RT
G#
12-|12-
G#

RT 12-|12- )harp B. ?/
R A-23
C#
|12-
G#
"/
B
+C
#
C
#
+D
#

RT 12|12
B
G#
)li*er $ey $eeps pitch of C#
from going flat.
&"-
B
+C
#
C
#
+D
#

RT
G#
1--|
234
1--
F#

RT 1--|
234
1--
F

C
#
+D
#
R+ 1-3.1-3
G#
(lternate pressing both inde.
fingers and both ring fingers.
52
C
#
+
D
#

Submit a fingering for this trill or
for a higher trill.

Clarinet Fingerings

Uploaded by

Document Information

Original Title

Copyright

Available Formats

Share this document

Share or Embed Document

Sharing Options

Did you find this document useful?

Is this content inappropriate?

Copyright:

Available Formats

Clarinet Fingerings

Uploaded by

Copyright:

Available Formats

Table des matires

Chalumeau Register: E3 to B4....................................................................................................1

You might also like