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Live Recording



The Official Fruity Loops Manual
Chapter 5: Live Recording





Writers: Sam Scott, Rob Conde

Lemon Boy image and name used by
permission of www.lemonboy.com


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In earlier chapters, we encouraged you to tweak the TS-404 settings like cutoff and resonance while the
loop was playing. If you never tried that, try it now - it sounds cool. We also introduced you to some of
the other run-time effects supported by Fruity. You may have noticed that many of these effects can be
tweaked while the loop is playing. In this chapter we'll show you how to record your tweakings so that
they get played back every time you listen to the song.

This chapter will teach you how to:

SET UP YOUR EXTERNAL MIDI CONTROLLER
If you have a PhatBoy
TM
, DrehBank, or some other
external controller, read this first. If not, you can skip
this section.

RECORD YOUR LIVE TWEAKING
How to have Fruity remember your tweaking
for future playback.

MODIFY YOUR RECORDING WITH THE EVENT EDITOR
How to go in and tweak your tweaking so it's
exactly how you want it.



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SET UP YOUR EXTERNAL MIDI CONTROLLER

An external MIDI controller is basically a big fancy joystick to control the wheels and switches in Fruity
Loops. The main difference is that you have to tell Fruity ahead of time what you want each knob on
the controller to do. Each knob on the controller can be linked to a different wheel or slider on Fruity
Loops. If you have a controller, this section will tell you how to make it work with Fruity. If you don't
have one, get one! First we'll introduce two of the more popular controllers, and then we'll tell you how
to set them up.

The PhatBoy
TM


The PhatBoy
TM
is one of the most affordable (hence most popular) MIDI controllers, made by KeyFax
at www.keyfax.com. It's small, with only 13 knobs, but that's as big as most people will ever need
(you've only got two hands!).





The DrehBank

Another popular choice is the DrehBank from Doepfer at www.doepfer.de. This baby gives you 64
knobs instead of 13!


The Boss
Who you
callin "phat"?
Only I may own
a Drehbank.
They are not for
manual writers!


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1. Get a MIDI cable and plug in your controller. Look on the back of your computer. If you see
two or three round, 5-pin connectors labeled "MIDI", then you're in business. If not, look for a 15-
pin trapezoidal joystick port. If you have the round connectors, you need a cable to go from "MIDI
Out" on your controller to "MIDI In" on your computer. If you only have a game controller
connection, you'll need a special cable that has two round MIDI plugs at one end and a trapezoidal
plug at the other. Both these types of cables should be available at any music store specializing in
keyboards and synthesizers (but if you ask for them in a computer store, you may just get blank
looks.)

2. Turn on the controller and start up Fruity Loops. If you have a PhatBoy
TM
, make sure the power
switch is set to mode "III". If you have a DrehBank, hold down the "Bank 1" button when you plug
in the power cable. Try turning the knobs on your controller. If everything is ok, you should see a
little red light flash in the bottom right-hand corner of Fruity Loops every time you turn a knob. If
that works, great! You can skip steps 3 to 5. If not, read on my friend.

3. Enable MIDI Remote Control. From the options menu, click on "MIDI Remote Control". This
should make the red light appear, but it might not be enough to make Fruity aware of the controller
and start responding to your twiddling...






Sam: Yo, check it out. I need a cable
with MIDI connections on one end and a
joystick plug on the other. I'm gonna be
the next "Crystal Method!"

Computer Store Guy: What's mee dee?
The little
red light
(I guess he
didn't know!)


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hERETIC

4. Set Your MIDI Input Device. If the light is still not coming on when you turn knobs on your
controller, go into "MIDI Settings" (from the "Options" menu or by hitting F5). Check out the
"Remote Control Input" box. If you see the word "(none)" there, then you've got to select an input.
Typically, you will be presented with a number of choices, and you'll just have to try them all to
figure out which one is right.







5. Troubleshooting checklist. If the red light is still not coming on when you turn the knobs on your
controller, here's a list of things you should check.

Did you select the correct PhatBoy
TM
or DrehBank mode in step 2?
Did you enable "MIDI Remote Control" in step 3?
Did you select the correct MIDI input in step 4?
Are your MIDI In and Out cables reversed?
Did you plug the controller into a power outlet?







Select an
input here
Are you ready to rock?


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6. Link a Fruity wheel to your controller. OK, load up any loop you have that uses the a TS-404
channel. SecondLoop.flp from Chapter 2 might be a good one to start with. Right-click on the
master volume control, then click on "Link to MIDI Controller", to pop up the "MIDI Remote
Controlling" window.







7. Turn a knob on your controller. You should see the "Channel" and "Controller" numbers change.
Now click "OK", and turn the same knob. You should see the volume slider move up and down and
hear the volume of the loop change. You're in business!


8. Try the same thing on a TS-404 channel. Open the channel settings window for the TS-404
channel (by clicking on the name of the channel), and follow the same procedure to link the cutoff
and resonance wheels to knobs on your controller. Finally, you're making music with your hands
instead of mous-clicks! Note that once a wheel is linked to the controller, you can change it any
time, even if the channel settings window is closed.








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9. Set the Buffer Length as low as you can. Chapter 1 explained the buffer length slider (get to it by
hitting F6). This slider determines the delay time between you turning a knob and the sound of
Fruity changing. So you want to set it low. But if you set it too low, the sound will become choppy.
So try to find a happy medium. If you can't get it low enough to do what you want, then I guess you
need a faster computer. Sorry, dude.


10. Learn more about the "MIDI Remote Controlling" window. At this point, you pretty much
know everything you need to know to use your controller. But for the sake of completeness, here are
some final notes. The first picture fully explains the "MIDI Remote Controlling" window, and the
other pictures show which wheels, sliders, and switches can be externally controlled. If you're not
sure whether a wheel can be controlled, just right-click it. If a dialog pops up, then you can control
it remotely.


























Jaha
Stop two wheels being
linked to the same knob
on your controller.
If you don't check this,
you have to set channel
and controller manually.
If this text turns red, you have
already assigned this current
knob somewhere else.
Accept or reject
the current choice.
Turn off external control.
Specifies which
controller knob
to link to. Gets
set magically
when you turn
the knob.
I wish Fruity Loops could
remove all of my conflicts


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11. What can be controlled externally? The following pictures show which parts of Fruity can be
linked to your external controller. In addition to what is shown here, some VST plugins (see
Chapter 4) can also have some or all of their wheels and sliders controlled externally. For instance,
Fruity Balance, JS Equalizer, and the VPP demos have wheels that can be remote controlled. The
way to find out what can be controlled is to experiment!


On the main screen, only the master sliders and channel wheels
can be controlled externally. But any TS-404 or delay wheel can.



Even these switches can be
controlled externally.
You too can be a DJ!
(All you need now is a
LapTop)


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RECORD YOUR LIVE TWEAKING

Whether or not you have an external controller, you can still add "Live" tweaking effects to your songs.
This section will tell you how.

1. Open up a loop that uses the playlist. If you don't have one, use secondloop.flp from chapter 2,
with the playlist set up as shown below.





2. Press the record button and start the loop. Make sure you are in loop mode, so that Fruity is
using the playlist.



Record
Button
Loop
Mode
Yo! In Record mode,
Fruity goes through
the playlist once
only. It won't loop.
Umm That ain't
too original, dude!


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3. Change stuff while the loop is playing. Tweak away! Any changes you make to the master
sliders, channel wheels, TS-404 wheels, or delay wheels will be remembered. Basically, anything
that can be controlled externally (see the first part of the chapter) can be tweaked live. Why not start
with cutoff and resonance on the TS-404?


4. Turn record mode off and play back the loop. Fruity will play back your live tweaking!


5. Set the buffer length low. You may have noticed that there is a short delay between your tweaking
and Fruity's response. That's controlled by the buffer length (see Chapter 1 - hit F6 to get to it
quickly). The lower you set this slider, the faster Fruity will respond. But don't set it too low, or the
sound will be choppy.

Don't look at me, dude. I'm
fresh outta stupid jokes.


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THE EVENT EDITOR: Modifying Your Recording

Unless you're a real pro, and you have a buffer length of zero milliseconds, you'll probably find that the
live recordings don't always sound exactly perfect. That's where the event editor comes in. Each time
you move a wheel during a recording session, the new setting is stored as an "event" for that wheel at
that moment in the loop. With the event editor, you have complete control over how the sound is
tweaked during playback.

1. Record some live tweaking on a particular wheel. The cutoff on the TS-404, for instance.

2. Stop Fruity, and open the event editor. Right-click on the wheel you modified, and select "Edit
Events" from the pop-up menu. The screen you are looking at now is a lot like the Graph Editor
described in Chapters 2 and 3. The difference is that this graph controls the level of a single wheel
or slider at a particular point in the song (that is, at a particular point on the play list). The graph
editor has three modes, which are explained below.









3. Draw mode. In this mode, the mouse pointer looks like a pencil . You can add new single events
by left-clicking in the main window. You can also left-click and drag to draw multiple events, or
right-click and drag to draw a line of events.


4. Delete mode. Click on the delete symbol to change to this mode. You can delete events by
clicking on them, or click and drag to delete a series of events. (The events are the bright vertical
lines on the main window.)


Each number is a dot from the playlist (a
single bar for you musical types).
Edit mode
selection
Mouse pointer Events


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5. Smooth mode. Click on the smoothing symbol to change to this mode. You can click and drag
to highlight a region. When you let go of the mouse button, the events will be smoothed out, instead
of looking choppy like above.



After a recording session



After smoothing the events



After deleting some events
Yo! Here's
some pretty
pictures for ya.


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6. Setting the initial event. You will notice that after live recording, the wheel you recorded
sometimes doesn't start in a sensible place when you play back the loop. This can be fixed by
turning the wheel to a good start position, and then right-clicking the wheel and selecting "Init
Events With This Position". This sets the very first event so that the wheel will always start where
you want it.


7. Get a feel for it. It takes some practice to master the event editor, and to be able to get a song to
sound exactly the way you want it, but it's definitely worth it. Keep practicing until you get it right!


8. Miscellaneous facts.

If you start to record a wheel that already has some events on it, Fruity will stop moving the
wheel for the remainder of the song, effectively erasing the previous events and replacing them
with the new ones.

If a wheel has some events recorded on it, you can no longer just set it anywhere you want. You
have to go through the Event Editor or start a new live recording session to change it.

If you cut and paste patterns in the playlist, the recorded events will not be cut and pasted as
well. This option will be added in a future release.







Lemon Boy's Live Recording Advice

Try to get your song laid out the way you want it before you start live
recording. Once you have events recorded, it is difficult to change the
layout of the playlist in a way that will still sound good.

Always save a backup copy of your loop before you start any live
recording. That way if you mess things up or change your mind, you
can go back to the clean copy.

Save your loop frequently during live recording. If you accidentally
tweak something and erase some events, you can always go back to
the previous version.

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