The Project Gutenberg EBook of The Rowley Poems, by Thomas Chatterton

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Title: The Rowley Poems

Author: Thomas Chatterton

Release Date: July 28, 2004 [EBook #13037]

Language: English

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THE

ROWLEY POEMS

BY

THOMAS CHATTERTON

REPRINTED FROM TYRWHITT'S THIRD EDITION

EDITED, WITH AN INTRODUCTION, BY MAURICE EVAN HARE

MCMXI

CONTENTS.

EDITOR'S INTRODUCTION

I. CHATTERTON'S LIFE AND DEATH AND THE GENESIS OF THE ROWLEY POEMS

II. THE VALUE OF THE ROWLEY POEMS

III. BIBLIOGRAPHY
 IV. NOTE ON THE TEXT

V. NOTES

VI. APPENDIX ON THE ROWLEY CONTROVERSY

REPRINT OF THE EDITION OF 1778. (The Table of Contents follows the

1778 title-page.)

EDITOR'S INTRODUCTION.

I. CHATTERTON'S LIFE AND DEATH AND THE GENESIS OF THE ROWLEY POEMS

Thomas Chatterton was born in Bristol on the 20th of November 1752.

His father--also Thomas--dead three months before his son's birth, had
been a subchaunter in Bristol Cathedral and had held the mastership
in a local free school. We are told that he was fond of reading and
music; that he made a collection of Roman coins, and believed in magic
(or so he said), studying the black art in the pages of Cornelius
Agrippa. With all the self-acquired culture and learning that raised
him above his class (his father and grandfathers before him for
more than a hundred years had been sextons to the church of St. Mary
Redcliffe) he is described as a dissipated, 'rather brutal fellow'.
Lastly, he appears to have been 'very proud', self-confident, and
self-reliant.

Of Chatterton's mother little need be said. Gentle and rather foolish,

she was devoted to her two children Mary and, his sister's junior by
two years, Thomas the Poet. Of these Mary seems to have inherited the
colourless character of her mother; but Thomas must always have been
remarkable. We have the fullest accounts of his childhood, and the
details that might with another be set down as chronicles of the
nursery will be seen to have their importance in the case of this boy
who set himself consciously to be famous when he was eight, wrote
fine imaginative verse before he was thirteen, and killed himself aged
seventeen and nine months.

Thomas, then, was a moody baby, a dull small boy who knew few of his
letters at four; and was superannuated--such was his impenetrability
to learning--at the age of five from the school of which his father
had been master. He was moreover till the age of six and a half so
frequently subject to long fits of abstraction and of apparently
causeless crying that his mother and grandmother feared for his
reason and thought him 'an absolute fool.' We are told also by his
sister--and there is no incongruity in the two accounts--that he
early displayed a taste for 'preheminence and would preside over his
playmates as their master and they his hired servants.' At seven and
a half he dissipated his mother's fear that she had borne a fool
by rapidly learning to read in a great black-letter Bible; for
characteristically 'he objected to read in a small book.' In a very
short time from this he appears to have devoured eagerly the contents
of every volume he could lay his hands on. He had a thirst for
knowledge at large--for any kind of information, and as the merest
child read with a careless voracity books of heraldry, history,
astronomy, theology, and such other subjects as would repel most
children, and perhaps one may say, most men. At the age of eight
we hear of him reading 'all day or as long as they would let him,'
confident that he was going to be famous, and promising his mother and
sister 'a great deal of finery' for their care of him when the day of
his fame arrived. Before he was nine he was nominated for Colston's
Hospital, a local school where the Bluecoat dress was worn and at
which the 'three Rs' were taught but very little else, so that the
boy, disappointed of the hope of knowledge, complained he could
work better at home. To this period we should probably assign the
delightful story of Chatterton and a friendly potter who promised to
give him an earthenware bowl with what inscription he pleased upon
it--such writing presumably intended to be 'Tommy his bowl' or 'Tommy
Chatterton'. 'Paint me,' said the small boy to the friendly potter,
'an Angel with Wings and a Trumpet to trumpet my Name over the World.'

At ten he was making progress in arithmetic, and it should be

mentioned that he 'occupied himself with mechanical pursuits so that
if anything was out of order in the house he was set to mend it.' At
school he read during play hours and made few friends, but those
were 'solid fellows,' his sister tells us; while at home he had
appropriated to himself a small attic where he would read, write
and draw pictures--a number of which are preserved in the British
Museum--of knights and churches, and heraldic designs in red and
yellow ochre, charcoal, and black-lead. In this attic too he had
stored--though at what date is uncertain--a number of writings on
parchment which had a rather singular history. In the muniment room
of St. Mary Redcliffe, the church in which Chatterton's ancestors had
served as sextons, there were six or seven great oak chests, of which
one, greater than the others and secured by no fewer than six locks,
was traditionally called 'Canynges Cofre' after William Canynge the
younger, with whose name the erection and completion of St. Mary's
were especially associated. These had contained deeds and papers
dealing with parochial matters and the affairs of the Church, but some
years before Chatterton's birth the Vestry had determined to examine
these documents, some of which may have been as old as the building
itself. The keys had in the course of time been lost, and the
vestrymen accordingly broke open the chests and removed to another
place what they thought of value, leaving Canynge's Coffer and its
fellows gutted and open but by no means void of all their ancient
contents. Such parchments as remained Chatterton's father carried
away, whole armfuls at a time, using some to cover his scholars' books
and giving others to his wife, who made them into thread-papers and
dress patterns.

In the house to which Mrs. Chatterton had moved upon her husband's
death there was still a sufficient number of these old manuscripts to
make a considerable trove for the boy who, then nine or ten years old,
had first learnt to read in black-letter and was in a few years to
produce poetry which should pass for fifteenth century with many
well-reputed antiquaries. It was no doubt on blank pieces of these
parchments that he inscribed the matter of the few Rowley documents
which he ever showed for originals. We have the account of a certain
Thistlethwaite, one of the 'solid lads' with whom Chatterton had made
friends at school, that his friend Thomas in the summer of 1764
told him 'he was in possession of some old MSS. which had been found
deposited in a chest in Redcliffe Church, and that he had lent some or
one of them to Thomas Phillips'--an usher at Colston's, an earnest
and thoughtful man fond of poetry, and a great friend of Chatterton's.
'Within a day or two after this,' (Thistlethwaite wrote to Dean
Milles,) 'I saw Phillips ... who produced a MS. on parchment or vellum
which I am confident was "Elenoure and Juga"[1] a kind of pastoral
eclogue afterwards published in the _Town and Country Magazine_ for
May 1769. The parchment or vellum appeared to have been closely pared
round the margin for what purpose or by what accident I know not ...
The writing was yellow and pale manifestly as I conceive occasioned by
age.'

This was the beginning of the Rowley fiction--which might be

metaphorically described as a motley edifice, half castle and half
cathedral, to which Chatterton all his life was continually adding
columns and buttresses, domes and spires, pediments and minarets,
in the shape of more poems by Thomas Rowley (a secular priest of St.
John's, Bristol); or by his patron the munificent William Canynge
(many times Mayor of the same city); or by Sir Thibbot Gorges, a
knight of ancient family with literary tastes; or by good Bishop
Carpenter (of Worcester) or John � Iscam (a Canon of St. Augustine's
Abbey, also in Bristol); together with plays or portions of
plays which they wrote--a Saxon epic translated--accounts of
Architecture--songs and eclogues--and friendly letters in rhyme or
prose. In short, this clever imaginative lad had evolved before he
was sixteen such a mass of literary and quasi-historical matter of
one kind or another that his fictitious circle of men of taste and
learning (living in the dark and unenlightened age of Lydgate and the
other tedious post-Chaucerians) may with study become extraordinarily
familiar and near to us, and was certainly to Chatterton himself quite
as real and vivid as the dull actualities of Colston's Hospital and
the Bristol of his proper century.

Chatterton's own circle of acquaintance was far less brilliant. His

principal patrons were Henry Burgum and George Catcott, a pair of
pewterers, the former vulgar and uneducated but very ambitious to be
thought a man of good birth and education, the latter a credulous,
selfish and none too scrupulous fellow, a would-be antiquary, of
whom there is the most delightfully absurd description in Boswell's
_Johnson_. The biographer relates that in the year 1776 Johnson and
he were on a visit to Bristol and were induced by Catcott to climb the
steep flight of stairs which led to the muniment room in order to
see the famous 'Rowley's Cofre'. Whereupon, when the ascent had been
accomplished, Catcott 'called out with a triumphant air of lively
simplicity "I'll make Dr. Johnson a convert" (to the view then still
largely obtaining that Rowley's poems were written in the fifteenth
century) and he pointed to the "Wondrous chest".' '"_There_" said
he 'with a bouncing confident credulity "_There is the very chest
itself_"!' After which 'ocular demonstration', Boswell remarks, 'there
was no more to be said.' It was to such men as these that Chatterton
read his 'Rouleie's' poems. Another of his audience was Mr. Barrett, a
surgeon, who collected materials for a history of Bristol, which,
when published after the boy-poet's death, was found to contain
contributions (supplied by Chatterton) in the unmistakable and unique
'Rowleian' language--valuable evidence about old Bristol miraculously
preserved in Rowley's chest.

We hear also of Michael Clayfield, a distiller, one of the very few

men in Bristol whom Chatterton admired and respected; of Baker, the
poet's bedfellow at Colston's, for whom Chatterton wrote love poems,
as Cyrano de Bergerac did for Christian de Neuvillette, to the address
of a certain Miss Hoyland--thin, conventional silly stuff, but Roxane
was probably not very critical; of Catcott's brother, the Rev. A.
Catcott, who had a fine library and was the author of a treatise on
the Deluge; of Smith, a schoolfellow; of Palmer an engraver, and a
number of others--mere names for the most part. Baker, Thistlethwaite
and a few more were contemporaries of the poet, but the rest of the
circle consisted mainly of men who had reached middle age--dullards,
perhaps, who condescended to clever adolescence, whom Chatterton
certainly mocked bitterly enough in satires which he wrote apparently
for his own private satisfaction, but whom he nevertheless took
considerable pains to conciliate as being men of substance who could
lend books and now and then reward the Muse with five shillings.
For Burgum the poet invented, and pretended to derive from numerous
authorities (some of which are wholly imaginary), a magnificent
pedigree showing him descended from a Simon de Seyncte Lyse _alias_
Senliz Earl of Northampton who had come over with the Conqueror. To
this he appended a portion of a poem not included in this edition,
entitled the 'Romaunte of the Cnyghte', composed by John de Bergham
about A.D. 1320. It was some years before Mr. Burgum applied to the
College of Heralds to have his pedigree ratified, but when he did so
he was informed that there had never been a de Bergham entitled to
bear arms.

With a second instalment of the genealogical table were copies of

the poems called _The Tournament_ and _The Gouler's_ (i.e. Usurer's)
_Requiem_, which are printed in this volume. Mr. Burgum was completely
taken in, and, exulting in his new-found dignity, acknowledged the
announcement of his splendid birth with a present of five shillings.
It is worthy of notice that the pedigree made mention of a certain
Radcliffe Chatterton de Chatterton, but Burgum's suspicions were not
aroused by the circumstance.

In July 1765, that is to say when the boy was aged about 13, the
authorities of Colston's Hospital apprenticed him to John Lambert, a
Bristol attorney. He had chosen the calling himself, but it was not
long before the life became intolerable to him. It was arranged
that he should board with Lambert, and the attorney made him share a
bedroom with the foot-boy and eat his meals in the kitchen. Further,
though his sister has recorded that the work was light, the
practice being inconsiderable, Lambert always tore up any writing of
Chatterton's that he could find if it did not relate to his business.
'_Your stuff_!' he would say. Nevertheless he admitted that his
apprentice was always to be found at his desk, for he often sent the
footman in to see. And no doubt on some of these occasions Chatterton
was copying the legal precedents of which 370 folio pages, neatly
written in a well-formed handwriting, remain to this day as evidence
of legitimate industry. At other times he was certainly composing
poems by Rowley.

Perhaps at this point it would be well to give some account of

Chatterton's method in the production of ancient writings. First it
seems he wrote the matter in the ordinary English of his day. Then he
would with the help of an English-Rowley and Rowley-English Dictionary
(which he had laboriously compiled for himself out of the vocabulary
to Speght's _Chaucer_, Bailey's _Universal Etymological Dictionary_,
and Kersey's _Dictionarium Anglo-Britannicum_) translate the work
into what he probably thought was a very fair imitation of fifteenth
century language. His spelling Professor Skeat characterizes as
'that debased kind which prevails in Chevy Chase and the Battle of
Otterbourn in Percy's _Reliques_, only a little more disguised.'
Percy's _Reliques_ were not published till 1765, but it is natural to
suppose that Chatterton when he was 'wildly squandering all he got
On books and learning and the Lord knows what,' and thereby involving
himself in some little debt, would have bought the volume very soon
after its publication. Finally as to the production of 'an original'.
We have two accounts; one of which represents the pseudo-Rowley
rubbing a parchment upon a dirty floor after smearing it with ochre
and saying 'that was the way to antiquate it'; the other, even more
explicit, is the testimony of a local chemist, one Rudhall, who was
for some time a close friend of Chatterton's. The incident in which
Rudhall appears is worth relating at length.

In the month of September 1768 an event of some importance occurred at

Bristol--a new bridge that had been built across the Avon to supersede
a structure dating from the reign of the second Henry being formally
thrown open for traffic. At the time when this was the general talk
of the city Chatterton had left with the editor of _Felix Farley's
Bristol Journal_ a description of the 'Fryars passing over the Old
Bridge taken from an ancient manuscript.' This account was in the best
Rowleian manner, with strange spelling and uncouth words, but for
the most part quite intelligible to the ordinary reader. The editor
accordingly published it (no payment being asked) and great curiosity
was aroused in consequence. Where had this most interesting document
come from? Were there others like it? The Bristol antiquaries,
rather a large body, were all agog with excitement. Ultimately they
discovered that the unknown contributor, of whom the editor could
say nothing more than that his 'copy' was subscribed _Dunclinus
Bristoliensis_, was Thomas Chatterton the attorney's apprentice. Now
the amazing credulity of these learned people is one of the least
comprehensible circumstances of our poet's strange life. For on being
asked how he had come by his MSS. he refused at first to give any
answer. Then he said he was employed to transcribe some old writings
by 'a gentleman whom he had supplied with poetry to send to a lady the
gentleman was in love with'--the excuse being suggested no doubt by
the case of Miss Hoyland and his friend Baker. Finally when, as we
can only conclude, this explanation was disproved or disbelieved, he
announced that the account was copied from a manuscript his father
had taken from Rowley's chest. And this explanation was considered
perfectly satisfactory.

Yet it seemed obvious that the antiquaries would demand to see the
manuscript, and Chatterton, contrary to his usual practice of secrecy,
called upon his friend Rudhall and, having made him promise to tell
nothing of what he should show him, took a piece of parchment
'about the size of a half sheet of foolscap paper,' wrote on it in
a character which the other did not understand, for it was 'totally
unlike English,' and finally held what he had written over a candle
to give it the 'appearance of antiquity,' which it did by changing the
colour of the ink and making the parchment appear 'black and a little
contracted.' Rudhall, who kept his secret till 1779 (when he bartered
it for �10, to be given to the poet's mother, at that time in
great poverty), believed that no one was shown or asked to see this
document. Why, it is impossible to say.

The present volume contains a reproduction[2] in black and white of

the original MS. of Chatterton's '_Accounte of W. Canynges Feast_'.
This was written in red ink. The parchment is stained with brown,
except one corner, and the first line written in a legal texting hand.
The ageing of his manuscript of the _Vita Burtoni_, to take a further
instance, was effected by smearing the middle of it with glue or
varnish. This document was also written partly in an attorney's
regular engrossing[3] hand. During the next four years Chatterton
'transcribed' a great quantity of ancient documents, including
_�lla, a Tragycal Enterlude_--far the finest of the longer Rowleian
poems--the _Songe to �lla_ and _The Bristowe Tragedy_ (the authorship
of which last he appears in an unguarded moment to have acknowledged
to his mother). He told her also that he had himself written one of
the two poems _Onn oure Ladies Chyrche_--which one, Mrs. Chatterton
could not remember[4], but if it was the first of the two printed in
this edition (p. 275) it was a strange coincidence indeed that led
him to repudiate the antiquity of the only two Rowley poems which
are really at all like 'antiques'--Professor Skeat's convenient
expression. The two Battles of Hastings were written during this
period, and it appears that Barrett the surgeon, on being shown the
first poem, was for once very insistent in asking for the original,
whereupon Chatterton in a momentary panic confessed he had written the
verses for a friend; but he had at home, he said, the copy of what was
really the translation of Turgot's Epic--Turgot was a Saxon monk of
the tenth century--by Rowley the secular priest of the fifteenth. This
was the second _Battle of Hastings_ as printed in this book. Again
this strange explanation, so laboured and so patently disingenuous,
was accepted without comment though probably not believed. And if
it appears matter for surprise that there should ever have been any
controversy about the authorship of the Rowley writings, in view of
the lad's admission that he had written three such signal pieces as
the _Bristowe Tragedy_, the first _Battle of Hastings_, and _Onn oure
Ladies Chyrche_, it must be considered that the production of
the greater part of the poems by a poorly educated boy not turned
seventeen would naturally appear a circumstance more surprising than
that such a boy should tell a lie and claim some of them as his own.

With his acknowledged work, as with Rowley, Chatterton by dint of

continued application was making good progress. In 1769 he had become
a frequent contributor to the _Town and Country Magazine_, to which
he sent articles on heraldry, imitations of Ossian (whom he very much
admired) and various other papers; and in December of this year he
wrote to Dodsley, the well-known publisher, acquainting him that
he could 'procure copies of several ancient poems and an interlude,
perhaps the oldest dramatic piece extant, wrote by one Rowley, a
Priest in Bristol, who lived in the reign of Henry the Sixth and
Edward the Fourth * * * If these pieces would be of any service to
Mr. Dodsley copies should be sent.' The publisher returned no answer.
Chatterton waited two months, then wrote again and enclosed a specimen
passage from _�lla_. He could procure a copy of this work, he wrote,
upon payment of a guinea to the present owner of the MS. Again Mr.
Dodsley lay low and said nothing, and so the incident closed.

Dodsley having failed him, Chatterton next took the bolder step of
writing to Horace Walpole, who must have been much in his mind for
some years before his sending the letter. Some one has made the
ingenious suggestion that a consideration of Walpole's delicate
connoisseurship sensibly coloured Chatterton's account of the life
of Mastre William Canynge. More than this, his delight in the
Medi�val--the Gothic--and his content with what may be termed a
purely impressionistic view of the past, was singularly akin to the
Bristol poet's own outlook on these matters. Walpole had further some
three years before this time indulged in the very harmless literary
fraud of publishing his _Castle of Otranto_ as a translation from a
medi�val Italian MS., only confessing his own authorship upon
the publication of the second edition. To Walpole then Chatterton
addressed a short letter enclosing some verses by John � Iscam and
a manuscript on the _Ryse of Peyncteyning yn Englande wroten by T.
Rowleie 1469 for Mastre Canynge_[5] with the suggestion that it might
be of service to Mr. Walpole 'in any future edition of his truly
entertaining anecdotes of painting.' This drew from the connoisseur
one of the politest letters[6] that have been written in English, in
which the simple and elegant sentences expressed with a very charming
courtesy the interest and curiosity of its author. He gave his
correspondent 'a thousand thanks'; 'he would not be sorry to print'
(at his private press) 'some of Rowley's poems'; and added--which
reads strangely in the light of what follows--'I would by no means
borrow and detain your MS.' Now Chatterton's _Peyncteyning yn
Englande_ is the clumsiest fraud of all the Rowley compositions,
with the single exception of a letter from the secular Priest
which exhibits the exact style and language of de Foe's _Robinson
Crusoe_.[7] Professor Skeat has pointed out that the Anglo-Saxon
words, which occur with tolerable frequency in the _Ryse_, begin
almost without exception with the letter _A_, and concludes that
Chatterton had read in an old English glossary, probably Somners,
no farther than _Ah_. Walpole however 'had not the happiness of
understanding the Saxon language,' and it was not until after he had
received a second letter from Chatterton, enclosing more Rowleian
matter both prose and verse, that he consulted his friends Gray
and Mason, who at once detected the forgery. If, as seems certain,
_Elinoure and Juga_ was among the pieces sent, it was inevitable
that Gray should recognize lines 22-25 of that poem as a striking if
unconscious reminiscence of his own _Elegy in a Country Churchyard_.
Now Walpole had some years before introduced Ossian's poems to
the world and his reputation as a critic had suffered when their
authenticity was generally disputed. Accordingly he wrote Chatterton
a stiff letter suggesting that 'when he should have made a fortune he
might unbend himself with the studies consonant to his inclination';
and in this one must suppose that he was actuated by a very natural
irritation at having been duped a second time by an expositor
of antique poetry, rather than by any snobbish contempt for his
correspondent, who had frankly confessed himself an attorney's
apprentice. Chatterton then wrote twice to have his MS. returned,
asserting at the same time his confidence in the authenticity of the
Rowley documents. Walpole for some reason returned no answer to either
application, but left for Paris, where he stayed six weeks, returning
to find another letter from Chatterton written with considerable
dignity and restraint--a last formal demand to have his manuscript
returned. Whereupon, amazed at the boy's 'singular impertinence,' the
great man snapped up both letters and poems and returned them in a
blank cover--that is to say without a word of apology or explanation.
He might have acted otherwise if he had been a more generous spirit,
but an attempt had been made to impose upon him which had in part
succeeded, and he can hardly be blamed for showing his resentment by
neglecting to return the forgeries. One may notice in passing that
when Chatterton, more than a year later, committed suicide there were
not wanting a great many persons absurd enough to accuse Walpole of
having driven him to his death--a contemptible suggestion. Yet the
connoisseur's credit certainly suffers from the fact that he gave
currency to a false account of the transaction in the hope of
concealing his first credulity.[8]

We now come to the circumstance which procured Chatterton's release

from his irksome apprenticeship--his threat of suicide. He had often
been heard to speak approvingly of suicide, and there is a story,
which has, however, little authority, that once in a company of
friends he drew a pistol from his pocket, put it to his head, and
exclaimed 'Now if one had but the courage to pull the trigger!'
This anecdote--if not in fact true--illustrates very well the gloomy
depression of spirit which alternated with those outbursts of feverish
energy in which his poems were composed. And he had much to make
him miserable when with a change of mood he lost his buoyancy and
confidence of ultimate fame and success. His ambition was boundless
and his audience was as limited in numbers as in understanding. He
was as proud as the poor Spaniard who on a bitter day rejected the
friendly offer of a cloak with the words 'A gentleman does not feel
the cold,' and his pride was continually fretted. He was keenly
conscious of the indignity of his position in Lambert's kitchen; he
seems to have been pressed for money, and though he 'did not owe five
pounds altogether' he probably smarted under the thought that all
his hard work, all the long nights of study and composition in the
moonlight which helped his thought, could not earn him even this
comparatively small sum. Again, he was not restrained from a
contemplation of suicide by any scruples of religion--for he has left
his views expressed in an article written some few days before his
death. He believed in a daemon or conscience which prompted every
man to follow good and avoid evil; but--different men different
daemons--his held self-slaughter justified when life became
intolerable; with him therefore it would be no crime. Wilson suggests
too that the boy who had read theology, orthodox and the reverse, held
to the common eighteenth century view that death was annihilation; and
this may well have been the case. One thing at any rate is certain,
that Chatterton on the 14th of April 1770 left on his desk a number of
pieces of paper filled with a jumble of satiric verse, mocking prose,
and directions for the construction of a medi�val tomb to cover the
remains of his father and himself. Part of this strange document
was headed in legal form--'This is the last Will and Testament of me
Thomas Chatterton,' and contained the declaration that the Testator
would be dead on the evening of the following day--'being the feast of
the resurrection.' The bundle was dated and endorsed 'All this wrote
between 11 and 2 o'clock Saturday in the utmost distress of mind.' Now
while one need not doubt that the distress was perfectly genuine, it
is tolerably certain that Chatterton intended his master to find what
he had written and draw his own conclusions as to the desirability of
dismissing his apprentice. The attorney (who is represented as timid,
irritable and narrow-minded)[9] did in fact find the document, was
thoroughly frightened, and gave the boy his release. He was now free
to starve or earn a living by his pen--so no doubt he represented
the alternative to his mother. He must go to London, where he would
certainly make his fortune. He had been supplying four or five London
journals of good standing with free contributions for some time past,
and had received it appears great encouragement from their editors. He
gained his point and started out for the great city.

His letters show that he called upon four editors the very day he
arrived. These were Edmunds of the _Middlesex Journal_; Fell of the
_Freeholders Magazine_; Hamilton of the _Town and Country Magazine_;
and Dodsley--the same to whom he had sent a portion of _�lla_--of the
_Annual Register_. He had received, he wrote, 'great encouragement
from them all'; 'all approved of his design; he should soon be
settled.' Fell told him later that the great and notorious Wilkes
'affirmed that his writings could not be the work of a youth and
expressed a desire to know the author.' This may or may not have
been true, but it is certain that Fell was not the only newspaper
proprietor who was ready to exchange a little cheap flattery for
articles by Chatterton that would never be paid for.[10]

We know very little about Chatterton's life in London--but that little

presents some extraordinarily vivid pictures. He lodged at first with
an aunt, Mrs. Ballance, in Shoreditch, where he refused to allow his
room to be swept, as he said 'poets hated brooms.' He objected to
being called Tommy, and asked his aunt 'If she had ever heard of a
poet's being called Tommy' (you see he was still a boy). 'But she
assured him that she knew nothing about poets and only wished he would
not set up for being a gentleman.' He had the appearance of being much
older than he was, (though one who knew him when he was at Colston's
Hospital described him as having light curly hair and a face round as
an apple; his eyes were grey and sparkled when he was interested or
moved). He was 'very much himself--an admirably expressive phrase.
He had the same fits of absentmindedness which characterized him as
a child. 'He would often look stedfastly in a person's face without
speaking or seeming to see the person for a quarter of an hour or
more till it was quite frightful.' We have accounts of his sitting
up writing nearly the whole of the night, and his cousin was almost
afraid to share a room with him 'for to be sure he was a spirit and
never slept.'[11]

He wrote political letters in the style of Junius--generally signing

them Decimus or Probus--that kind of vague libellous ranting which
will always serve to voice the discontent of the inarticulate. He
wrote essays--moral, antiquarian, or burlesque; he furbished up his
old satires on the worthies of Bristol; he wrote songs and a comic
opera, and was miserably paid when he was paid at all. None of his
work written in these veins has any value as literature; but the skill
with which this mere lad not eighteen years old gauged the taste
of the town and imitated all branches of popular literature would
probably have no parallel in the history of journalism should such a
history ever come to be written.

His letters to his mother and sister were always gay and contained
glowing accounts of his progress; but in reality he must have been
miserably poor and ill-fed.

In July he changed his lodgings to the house of a Mrs. Angel, a sacque

maker in Brook Street, Holborn; the dead season of August was coming
on and probably he wanted to conceal his growing embarrassment from
his aunt, who might have sent word of it to his mother at Bristol.

His opera was accepted--it is a spirited and well written piece--and

for this he was paid five pounds, which enabled him to send a box of
presents to his mother and sister bought with money he had earned.
He had dreamed of this since he was eight. But his _Balade of
Charitie_--the most finished of all the Rowley poems--was refused by
the _Town and Country Magazine_ about a month before the end; which
came on August 24th. He was starving and still too proud to accept the
invitations of his landlady and of a friendly chemist to take various
meals with them. He was offended at the good landlady's suggestion
that he should dine with her; for 'her expressions seemed to hint'
(to _hint_) 'that he was in want'--no cloak for Thomas Chatterton! He
could have borrowed money and gone back to Bristol, but there are many
precedents for beaten generalissimos falling on their swords rather
than return home defeated and disgraced. How could he return? He had
set out so confidently; had boasted not a little of his powers, and
had satirized all the good people in Bristol _de haut en bas_. Think
of the jokes and commiserations of Burgum, Catcott, and the rest!
'Well, here you are again, boy; but of course _we_ knew it would come
to this!' He could not endure to hear that.

Accordingly on Friday the 24th August 1770 he tore up his manuscripts,

locked his door, and poisoned himself with arsenic.

Southey, Byron, and others have supposed that Chatterton was mad; it
has been suggested that he was the victim of a suicidal mania. All
the evidence that there is goes to show that he was not. He was
very far-sighted, shrewd, hard-working, and practical, for all his
imaginative dreaming of a non-existent past; and this at least may
be said, that Chatterton's suicide was the logical end to a very
remarkably consistent life.

Chatterton's character has suffered a good deal from three accusations

vehemently urged by Maitland and his eighteenth-century predecessors.
The first is that the boy was a 'forger'; the second that he was a
freethinker; the third that he was a free-liver.

To examine these in turn: the first admits of no denial as a question

of fact, but justification may be pleaded which some will accept as a
complete exculpation and others perhaps will hardly comprehend.

Chatterton could only produce poetry in his fifteenth-century vein;

his imagination failed him in modern English. No one who has any
appreciation of Rowley's poems will consider that the _African
Eclogues_ are for a moment comparable with them. If he was to write at
all he must produce antiques, and, as it happened, interest had been
aroused in ancient poetry, largely by the publication of Percy's
_Reliques_ and of the spurious Ossian. Appearing at this juncture,
then, as ancient writings taken from an old chest, his poems would be
read and their value appreciated; while no one would trouble to make
out the professed imitations--not by any means easy reading--of an
attorney's apprentice. Probably if an adequate audience had been
secured in his lifetime, Chatterton would have revealed the secret
when it had served its purpose--just as Walpole confessed to the
authorship of _Otranto_ only when that book had run into a second
edition.

To the second count of the indictment no defence is urged. Chatterton

was too honest and too intelligent to accept traditional dogmatics
without examination.

Finally, he was no free-liver in the sense in which that objectionable

expression is used. Rather he was an ascetic who studied and wrote
poetry half through the night, who ate as little as he slept, and
would make his dinner off 'a tart and a glass of water.' He was
devoted to his mother and sister and to his poetry; and what spare
time was not occupied with the latter he seems to have spent largely
with the former. The attempt to represent him as a sort of
provincial Don Juan--though in the precocious licence of a few of his
acknowledged writings he has even given it some colour himself--cannot
be reconciled with the recorded facts of his life.

Equally ill judged is that picture which is presented by Professor

Masson and other writers less important--of a truant schoolboy,
a pathetic figure, who had petulantly cast away from him the
consolations of religion. Monsieur Callet, his French biographer, knew
better than this: 'Il fallait l'admirer, lui, non le plaindre,' is the
last word on Chatterton.

[Footnote 1: An extraordinary production for a boy of twelve, but we

need not suppose that if 'Elenoure and Juga' were written in 1764 and
not published until 1769 no alterations and improvements were made by
its author in the period between these dates.]

[Footnote 2: From the engraving in Tyrwhitt's edition.]

[Footnote 3: See Southey and Cottle's edition, quoted in Skeat, ii, p.

123.]

[Footnote 4: Dean Milles has a delightful account of the reception

accorded to Rowley in the Chatterton household. Neither mother nor
sister would appear to have understood a line of the poems, but
Mary Chatterton (afterwards Mrs. Newton) remembered she had been
particularly wearied with a 'Battle of Hastings' of which her brother
would continually and enthusiastically recite portions.]

[Footnote 5: Wilson believed that Chatterton never sent the _Ryse_,

&c., at all (see page 173 of his _Chatterton: A Biographical Study_),
but this is disposed of by the fact that the _Ryse of Peyncteyning_ is
the only piece of Chatterton's which contains _Saxon_ words.]

[Footnote 6: March 28th, 1769.]

[Footnote 7: _An account of Master William Canynge written by Thos.

Rowlie Priest in_ 1460. Skeat, Vol. III, p. 219; W. Southey's edition,
Vol. III, p. 75. See especially the last paragraph.]

[Footnote 8: See _Letters of Horace Walpole_, edited by Mrs. Paget

Toynbee (Clarendon Press), Vol. XIV, pp. 210, 229; Vol. XV, p. 123.]

[Footnote 9: But attorneys are seldom 'in regrate' with the friends of
Poetry.]

[Footnote 10: Masson's reconstruction of the scene between Chatterton

and the editor of the _Freeholder's Magazine_ is very convincing (see
his _Chatterton: a Biography_, p. 160).]

[Footnote 11: Almost everything that we know of Chatterton in London

was ascertained by Sir H. Croft and printed in his _Love and Madness_
(see Bibliography).]
II. THE VALUE OF ROWLEY'S POEMS--PHILOLOGICAL AND LITERARY

As imitations of fifteenth-century composition it must be confessed

the Rowley poems have very little value. Of Chatterton's method
of antiquating something has already been said. He made himself an
antique lexicon out of the glossary to Speght's _Chaucer_, and such
words as were marked with a capital O, standing for 'obsolete' in the
Dictionaries of Kersey and Bailey. Now even had his authorities been
well informed, which they were not by any means, and had Chatterton
never misread or misunderstood them, which he very frequently did, it
was impossible that his work should have been anything better than
a mosaic of curious old words of every period and any dialect. Old
English, Middle English, and Elizabethan English, South of England
folk-words or Scots phrases taken from the border ballads--all
were grist for Rowley's mill. It is only fair to say that he seldom
invented a word outright, but he altered and modified with a free
hand. Professor Skeat indeed estimates that of the words contained in
Milles' Glossary to the Rowley Poems only seven percent are genuine
old words correctly used. The Professor in his modernized edition is
continually pointing out with kindly reluctance that such and such
a word never bore the meaning ascribed to it--that because, for
instance, Bailey had explained _Teres major_ as a smooth muscle of the
arm it was not therefore any legitimate inference of Chatterton's
that _tere_ (singular form) meant a muscle and could be translated
'health'. Only occasionally does one find the note (written with an
obviously sincere pleasure) 'This word is correctly used.' Of
course it was impossible that Chatterton should have produced even a
colourable imitation of fifteenth-century poetry at a time when
even Malone--for all his acknowledged reputation as an English
Scholar--could not quote Chaucer so as to make his lines scan. The
_Rowley Poems_ and Percy's _Reliques_ mark the beginning of that
renascence of our older poetry so conspicuous in the time of Lamb
and Hazlitt. Before this epoch was the Augustan age, much too
well satisfied with its own literature to concern itself with an
unfashionable past.

But, after all, however absurd from any historical point of view the
language and metres of the boy-poet may be, at least he invented a
practicable language which admirably conveyed his impression of the
latest period of the middle ages--that after-glow which began with
the death of Chaucer. Chatterton's poetry is a pageant staged by an
impressionist. It cannot be submitted to a close examination, and it
is all wrong historically, yet it presents a complete picture with an
artistic charm that must be judged on its own merits. An illusion
is successfully conveyed of a dim remote age when an idle-strenuous
people lived only to be picturesque, to kill one another in tourneys,
to rear with painful labour beautiful elaborate cathedrals, and yet
had so much time on their hands that they could pass half their lives
cracking unhallowed sconces in the Holy Land and, in that part of
their ample leisure which they devoted to study, spell 'flourishes' as
'Florryschethe'. But if any one still anxious for literal truth should
insist--'Is not the impression as false as the medium that conveys
it? Were the middle ages really like that? Is it not a fact that the
average baron stayed at home in his castle devising abominable schemes
to wring money or its equivalent from miserable and half-starved
peasants?'--such a one can only be answered with another question: 'Is
Pierrot like a man, and has it been put beyond question that
Pontius Pilate was hanged for beating his wife?' The Rowley writings
are--properly considered--entirely fanciful and unreal. They have
many faults, but are seen at their worst when Chatterton is trying
to exhibit some eternal truth. There is a horrible (but perfectly
natural) didacticism--the inevitable priggishness of a clever
boy--which occasionally intrudes itself on his best work. Thus that
charming fanciful fragment which begins--

As onn a hylle one eve fittynge

At oure Ladie's Chyrche mouche wonderynge

embodies this truism fit for a bread-platter--or to be the 'Posy of a

ring'--'Do your best.'

Canynges and Gaunts culde doe ne moe.

And the poet's boyishness demands still further consideration. He

has a crude violence of expression which is apt to shock the mature
person--some of the descriptions of wounds in the two Battles of
Hastings would sicken a butcher; while in another vein such a phrase
as

Hee thoughte ytt proper for to cheese a wyfe,

And use the sexes for the purpose gevene.
(_Storie of William Canynge_)

has an absurd affectation of straightforward good sense divested of

sentiment which could not appeal to any one on a higher plane of
civilization than a medical student.

And this is easily explicable if only it is borne in mind that the

Rowley poems were written by a boy, and that such lovely things as
the Dirge in _�lla_ suggest a maturity that Chatterton did not by any
means perfectly possess. In some respects he was as childish (to use
the word in no contemptuous sense) as in others he was precocious. And
it is a thousand pities that the difficulties of Chatterton's language
and the peculiar charm and invention of his metrical technique cannot
be appreciated till the boyish love of adventure, delight in imagined
bloodshed, and ignorance of sentimental love, have generally been left
behind. Nothing--to give an example--could be more frigid than the
description of Kennewalcha--

White as the chaulkie clyffes of Brittaines isle,

Red as the highest colour'd Gallic wine

(an unthinkable study in burgundy and whitewash, _Battle of Hastings_,

II, 401); nothing, on the other hand, more vivid, more obviously
written with a pen that shook with excitement, than

The Sarasen lokes _owte_: he doethe feere, &c.

(_Eclogue the Second_, 23.)

Soe wylle wee beere the Dacyanne armie downe,

And throughe a storme of blodde wyll reache the champyon crowne.
(_�lla_, 631.)
 Loverdes, how doughtilie the tylterrs joyne!
(_Tournament_, 92.).

In fine, there is no poet, one may boldly declare,

whose pages are so filled with battle, murder and sudden death, as
Chatterton's are; and this is perhaps the clearest indication he gives
of immaturity.

But if his ideas were sometimes crude and boyish they were not by any
means always so; he has flashes of genius, sudden beauties that take
away the breath. A better example than this of what is called the
sublime could not be found:

See! the whyte moone sheenes onne hie;

Whyterre ys mie true loves shroude;
Whyterre yanne the mornynge skie,
Whyterre yanne the evenynge cloude.
(_�lla_, 872.)

and, from the _Songe bie a Manne and Womanne_,

I heare them from eche grene wode tree,

Chauntynge owte so blatauntlie,
Tellynge lecturnyes to mee,
Myscheefe ys whanne you are nygh.
(_�lla_, 107.)

Did ever shepherd's pipe play a prettier tune?

He has some fine martial sounds, as for instance:
Howel ap Jevah came from Matraval
(_Battle of Hastings_, I, 181.)

He rarely employs personifications, but no poet used the figure more

convincingly. The third Mynstrelle's description of Autumn is a
lovely thing, and one will not easily forget his Winter's frozen blue
eyes--though unfortunately that is not in Rowley.

His art was essentially dramatic, and he has some fine dramatic
moments, as for example when the Usurer soliloquizing miserably on his
certain ultimate damnation suddenly cries out

O storthe unto mie mynde! I goe to helle.

(_Gouler's Requiem_.)

The word 'storthe' is a good example of Chatterton's use of strange

words. The effect of a sudden outcry which it produces would be lost
in a modernized version which rendered it 'death'.

Mr. Watts-Dunton in his article on Chatterton in Ward's _English

Poets_ speaks of his extraordinary metrical inventiveness and of his
ultimate responsibility for such lines as these--

And Christabel saw the lady's eye

And nothing else she saw thereby
Save the boss of the shield of Sir Leoline tall
Which hung in a murky old niche in the wall--

the anapaestic dance of which breaks in upon the normal iambic

movement of the poem with a natural dramatic propriety. He compares
too _The Eve of St. Agnes_ with the _Excelente Balade of Charitie_,
remarking that it was only in his latest work that Keats attained
to that dramatic objectivity which was 'the very core and centre of
Chatterton's genius.'

Another writer, Mr. Thomas Seccombe, speaks of his 'genuine lyric

fire, a poetic energy, and above all an intensity remote from his
contemporaries and suggestive (as Cimabue in his antique and primitive
manner is suggestive of Giotto and Angelico) of Shelley and Keats.'

Chatterton's influence on the great body of poets of the generation

succeeding his own was very considerable--Mr. Watts-Dunton indeed
declares him to have been the father of the New Romantic School--and
the affection with which Keats, Coleridge, Wordsworth and many others
regarded him was extraordinary. He was their pioneer, who had lost
his life in a heroic attempt to penetrate the dull crassness of the
mid-eighteenth century.

He had great originality and the gift of an intense imagination. If

he is sometimes crude and immature in thought and expression--if his
images sometimes weary by their monotony--it is accepted that a poet
is to be judged by his highest and not his lowest; and Chatterton's
best work has an inspiration, a singular and unique charm both of
thought and of music that is of the first order of English poetry.

III. BIBLIOGRAPHY.

A great deal more has been written about Chatterton than it is worth
anybody's while to read. To begin with, there are all the volumes and
pamphlets concerning themselves with the question whether the Rowley
poems were written by Chatterton or by Rowley, or by both (Chatterton
adding matter of his own to existing poems written in the fifteenth
century), or by neither. It may be said that these problems were not
conclusively and finally solved till Professor Skeat brought out his
edition of Chatterton in 1871.

Then again there are the various lives of the poet; for the most part
mere random aggregations of such facts, true or imagined, as fell
in the editor's way, filled out with pulpit commonplaces and easy
paragraphs beginning 'But it is ever the way of Genius ...' Professor
Wilson's _Chatterton: a Biographical Study_ is as final in its own way
as Professor Skeat's two volumes. It is a scholarly compilation of
all previous accounts, very well digested and arranged. Moreover,
the Professor has for the most part left the facts to tell their
own story; and thus his book is free from such absurdities as the
sentimental regrets of Gregory and Professor Masson that Chatterton
was led into a course of folly ending in suicide through being
deprived of a father's care. Such a father as Chatterton's was!

While premising that any one who wishes to learn the facts of the
boy-poet's life--his circumstances and surroundings--can find them
all set forth in Professor Wilson's book: while equally if he is
interested in the pseudo-Rowley's language, philologically considered,
he will find this elaborately examined in Professor Skeat's second
volume; it has been thought that the following bibliography of books
dealing with various aspects of the poet which were read and valued in
their day may be found of interest to students of literary history.

1598. Speght's edition of Chaucer, the glossary of which Chatterton

used in the compilation of his Rowley Dictionary.

1708. Kersey's _Dictionarium Anglo-Britannicum_, and

1737. Bailey's _Universal Etymological Dictionary_. (8th Enlarged

Edition.) Bailey is largely copied from Kersey, but Chatterton
certainly used both dictionaries in making his antique language.

1777. Tyrwhitt's edition of the Rowley poems. Tyrwhitt was

Chatterton's first editor and in his edition many of the poems
were printed for the first time. 'The only really good edition is
Tyrwhitt's.' 'This exhibits a careful and, I believe, extremely
accurate text ... an excellent account of the MSS. and transcripts
from which it was derived. It is a fortunate circumstance that the
first editor was so thoroughly competent.' (Professor Skeat, Introd.
to Vol. II of his 1871 edition.)

1778. Tyrwhitt's third edition, from which the present edition is

printed. With this was printed for the first time 'An appendix ...
tending to prove that the Rowley poems were written not by any ancient
author but entirely by Thomas Chatterton.' This edition follows the
first nearly page for page; but was reset.

1780. _Love and Madness_ by Sir Herbert Croft. This strange book
deserves a brief description as it is the source of almost all our
knowledge of Chatterton.

A certain Captain Hackman, violently in love with a Miss Reay,

mistress of the Earl of Sandwich, and stung to madness by his jealousy
and the hopelessness of his position, had in 1779 shot her in the
Covent Garden Opera House and afterwards unsuccessfully attempted
to shoot himself. Enormous public interest was excited, and
Croft--baronet, parson, and literary adventurer--got hold of copies
which Hackman had kept of some letters he had sent to the charming
Miss Reay. These he published as a sensational topical novel in
epistolary form, calling it _Love and Madness_. This is quite worth
reading for its own sake, but much more so for its 49th letter,
which purports to have been written by Hackman to satisfy Miss Reay's
curiosity about Chatterton. As a matter of fact Croft, who had been
very interested in the boy-poet and had collected from his relations
and those with whom he had lodged in London all they could
possibly tell him, wrote the letter himself and included it rather
inartistically among the genuine Hackman-Reay correspondence. Amongst
other valuable matter, this letter 49 contains a long account of her
brother by Mary Chatterton.--(See _Love letters of Mr. Hackman and
Miss Reay_, 1775-79, introduction by Gilbert Burgess: Heinemann,
1895.) 1774-81. Warton's _History of English Poetry_, in Volume II of
which there is an account of Chatterton.

1781. Jacob Bryant's _Observations upon the Poems of T. Rowley in

which the authenticity of those poems is ascertained_. Bryant was a
strong Pro-Rowleian and argues cleverly against the possibility of
Chatterton's having written the poems. He shows that Chatterton in his
notes often misses Rowley's meaning and insists that he neglected to
explain obvious difficulties because he could not understand them.
Bryant is the least absurd of the Pro-Rowleians.

1782. Dean Milles' edition of the Rowley poems--a splendid quarto with
a running commentary attempting to vindicate Rowley's authenticity.
Milles was President of the Society of Antiquaries and his commentary
is characterized by Professor Skeat as 'perhaps the most surprising
trash in the way of notes that was ever penned.

1782. Mathias' _Essay on the Evidence ... relating to the poems called
Rowley's_--he is pro-Rowleian and criticizes Tyrwhitt's appendix.

1782. Thomas Warton's _Enquiry ... into the Poems attributed to Thomas
Rowley_--Anti-Rowleian.

1782. Tyrwhitt's _Vindication_ of his Appendix. Tyrwhitt had

discovered Chatterton's use of Bailey's Dictionary and completely
refutes Bryant, Milles, and Mathias. It may be observed in passing
that though Goldsmith upheld Rowley, Dr. Johnson, the two
Wartons, Steevens, Percy, Dr. Farmer, and Sir H. Croft pronounced
unhesitatingly in favour of the poems having been written by
Chatterton: while Malone in a mocking anti-Rowleian pamphlet shows
that the similes from Homer in the _Battle of Hastings_ and elsewhere
have often borrowed their rhymes from Pope!

1798. _Miscellanies in Prose and Verse_ by Edward Gardner (two

volumes). At the end of Volume II there is a short account of the
Rowley controversy and, what is more important, the statement that
Gardner had seen Chatterton antiquate a parchment and had heard him
say that a person who had studied antiquities could with the aid of
certain books (among them Bailey) 'copy the style of our elder poets
so exactly that the most skilful observer should not be able to detect
him. "No," said he, "not Mr. Walpole himself."' But perhaps this
should be taken _cum grano_.

1803. Southey and Cottle's edition in three volumes with an account

of Chatterton by Dr. Gregory which had previously been published as an
independent book. Southey and Cottle's edition is very compendious so
far as matter goes, and contains much that is printed for the first
time. Gregory's life is inaccurate but very pleasantly written.

1837. Dix's life of Chatterton, with a frontispiece portrait of

Chatterton aged 12 which was for a long time believed to be authentic.
No genuine portrait of Chatterton is known to be in existence;
probably none was ever made. Dix's life, not a remarkable work in
itself, has some interesting appendices; one of which contains a
story--extraordinary enough but well supported--that Chatterton's
body, which had received a pauper's burial in London, was secretly
reburied in St. Mary's churchyard by his uncle the Sexton.

1842. Willcox's edition printed at Cambridge; on the whole a slovenly

piece of work with a villainously written introduction.

1854. George Pryce's _Memorials of Canynges Family_; which contains

some notes of the coroner's inquest on Chatterton's body, which would
have been most interesting if authentic, but were in fact forged by
one Gutch.

1856. _Chatterton: a biography_ by Professor Masson--published

originally in a volume of collected essays; re-published and in
part re-written as an independent volume in 1899. The Professor
reconstructs scenes in which Chatterton played a part; but it is
suggested (with diffidence) that his treatment is too sentimental, and
the boy-poet is Georgy-porgied in a way that would have driven him
out of his senses, if he could have foreseen it. The picture is
fundamentally false.

1857. _An Essay on Chatterton_ by S.R. Maitland, D.D., F.R.S., and

F.S.A. A very monument of ignorant perversity. The writer shamelessly
distorts facts to show that Chatterton was an utterly profligate
blackguard and declares finally that neither Rowley nor Chatterton
wrote the poems.

1869. Professor D. Wilson's _Chatterton: a Biographical Study_, and

1871. Professor W.W. Skeat's _Poetical Works of Thomas Chatterton_ (in

modernized English) of which mention has been made above.

1898. A beautifully printed edition of the Rowley poems with decorated

borders, edited by Robert Steele. (Ballantyne Press.)

1905 and 1909. The works of Chatterton, with the Rowley poems in
modernized English, edited with a brief introduction by Sidney Lee.

1910. _The True Chatterton--a new study from original documents_ by

John H. Ingram. (Fisher Unwin.)

Besides all these serious presentations of Chatterton there are a

number of burlesques--such as _Rowley and Chatterton in the Shades_
(1782) and _An Arch�ological Epistle to Jeremiah Milles_ (1782),
which are clever and amusing, and three plays, two in English, and
one in French by Alfred de Vigny, which represents the love affair of
Chatterton and an apocryphal Mme. Kitty Bell.

The whole of Chatterton's writings--Rowley, acknowledged poems, and

private letters, have been translated into French prose. _Oeuvres
compl�tes de Thomas Chatterton traduites par Javelin Pagnon, pr�c�d�es
d'une Vie de Chatterton par A. Callet_ (1839). Callet's treatment of
Chatterton is very sympathetic and interesting.

Finally for further works on Chatterton the reader is referred to

Bohn's Edition of Lowndes' _Bibliographer's Manual_--but the most
important have been enumerated above.

IV. NOTE ON THE TEXT.

This edition is a reprint of Tyrwhitt's third (1778) edition, which it

follows page for page (except the glossary; see note on p. 291). The
reference numbers in text and glossary, which are often wrong in 1778,
have been corrected; line-numbers have been corrected when wrong, and
added to one or two poems which are without them in 1778, and the text
has been collated throughout with that of 1777 and corrected from it
in many places where the 1778 printer was at fault. These corrections
have been made silently; all other corrections and additions are
indicated by footnotes enclosed in square brackets.

V. NOTES.

1. _The Tournament_, lines 7-10.

Wythe straunge depyctures, Nature maie nott yeelde, &c.

'This is neither sense nor grammar as it stands' says Professor Skeat.

But Chatterton is frequently ungrammatical, and the sense of the
passage is quite clear if either of the two following possible
meanings is attributed to _unryghte_.

(1)=to present an intelligible significance otherwise than by

writing--as 'rebus'd shields' do (un-write);

or (2) = to misrepresent (un-right).

With pictures of strange beasts that have no counterpart in Nature and

appear to be purely fantastic ('unseemly to all order') yet none the
less make known to men good at guessing riddles ('who thyncke and
have a spryte') what the strange heraldic forms
express-without-use-of-written-words ('unryghte')--or (taking
the second meaning of unryghte--misrepresent)
present-with-a-disregard-of-truth-to-nature.

2. _Letter to the Dygne Mastre Canynge_, line 15.

Seldomm, or never, are armes vyrtues mede, (that is to say, coats of arms)
Shee nillynge to take myckle aie dothe hede

i.e. 'She unwilling to take much aye doth heed'; 'which is nonsense'
says Prof. Skeat. But the sentence is an example of ellipse, a figure
which Chatterton affected a good deal, and fully expressed would run
'She--not willing to take much, ever doth heed not to take
much', which would of course be intolerably clumsy but perfectly
intelligible.

3. _�lla_, line 467.

Certis thie wordes maie, thou motest have sayne &c.

Prof. Skeat 'can make nothing of this' and reads 'Certes thy wordes
mightest thou have sayn'.

A simple emendation of _maie_ to _meynte_ would give very good sense.

4. _�lla_, line 489.

Tyrwhitt has _sphere_--evidently a mistake in the MS. for _spere_

which he overlooked. It is not included in his errata. In the 1842
edition the meaning 'spear' is given in a footnote.

5. _Englysh Metamorphosis_.

Prof. Skeat was the first to point out that this piece is an imitation
of _The Faerie Queene_, Bk. ii, Canto X, stanzas 5-19.

6. _Battle of Hastings_, II, line 578.

To the ourt arraie of the thight Saxonnes came

Prof. Skeat explains _ourt_ as 'overt' and observes that it

contradicts _thight_, which he renders 'tight'. But really there is
not even an antithesis. _Ourt arraie_ is what a military handbook
calls 'open order' and _thight_ is 'well-built', well put together
(Bailey's Dictionary). The Saxons were well-built men marching in open
order.

VI. APPENDIX.

BRIEF SYNOPSIS OF THE ARGUMENTS USED IN THE ROWLEY CONTROVERSY.

(Taken mainly from Gregory's _Life of Chatterton_.)

_Against Rowley_.

1. So few originals produced--not more than 124 verses.

2. Chatterton had shown (by his article on Christmas games, &c.) that
he had a strong turn for antiquities. He had also written poetry. Why
then should he not have written Rowley's poems?

3. His declaration that the _Battle of Hastings_ I was his own.

4. Rudhall's testimony.

5. Chatterton first exhibited the _Songe to �lla_ in his own

handwriting, then gave Barrett the parchment, which contained strange
textual variations.

6. Rowley's very existence doubtful.

William of Worcester, who lived at his time and was himself of

Bristol, makes no mention of him, though he frequently alludes to
Canynge. Neither Bale, Leland, Pitts nor Turner mentions Rowley.

7. Improbability of there being poems in a muniment chest. 8. Style

unlike other fifteenth century writings.

9. No medi�val learning or citation of authority to be found in

Rowley; no references to the Round Table and stories of chivalry.

10. Stockings were not knitted in the fifteenth century (_�lla_). MSS.
are referred to as if they were rarities and printed books common.

11. Metres and imitation of Pindar absurdly modern.

12. Mistakes cited which are derived from modern dictionaries

(Tyrwhitt).

13. Existence of undoubted plagiarisms from Shakespeare, Gray, &c.

_For Rowley_.

1. Chatterton's assertion that they were Rowley's, his sister having

represented him as a 'lover of truth from the earliest dawn of
reason.'

2. Catcott's assertion that Chatterton on their first acquaintance had

mentioned by name almost all the poems which have since appeared in
print (Bryant).

3. Smith had seen parchments in the possession of Chatterton, some as

broad as the bottom of a large-sized chair. (Bryant.)

4. Even Mr. Clayfield and Rudhall believed Chatterton incapable of

composing Rowley's poems.

5. Undoubtedly there were ancient MSS. in the 'cofre'.

6. Chatterton would never have had time to write so much. He did not
neglect his work in the attorney's office and he read enormously.

7. Chatterton made many mistakes in his transcription of Rowley and in

his notes to the poems. (Bryant's main contention.)

8. If Leland never mentioned Rowley it is equally true he says nothing

of Canynge, Lydgate, or Occleve.

_For Rowley_.

1. The poems contain much historical allusion at once true and

inaccessible to Chatterton.

2. The admitted poems are much below the standard of Rowley.

3. The old octave stanza is not far removed from the usual stanza of
Rowley.

4. If Rowley's language differs from that of other fifteenth

century writers, the difference lies in provincialisms natural to an
inhabitant of Bristol.

5. Plagiarisms from modern authors may in some cases have been

introduced by Chatterton but in others they are the commonplaces of
poetry.

_Against Rowley_.
1. No writings or chest deposited in Redcliffe Church are mentioned in
Canynge's Will.

2. The Bristol library was in Chatterton's time of general access, and

Chatterton was introduced to it by Rev. A. Catcott (Warton).

3. Facts about Canynge may be found in his epitaph in Redcliffe

Church; and the account of Redcliffe steeple--(which had been
destroyed by fire before Chatterton's time) came from the bottom of an
old print published in 1746.

4. The parchments were taken from the bottom of old deeds where a
small blank space was usually left--hence their small size.

POEMS,

SUPPOSED TO HAVE BEEN WRITTEN AT BRISTOL,

BY THOMAS ROWLEY, AND OTHERS, IN THE FIFTEENTH CENTURY.

POEMS,

SUPPOSED TO HAVE BEEN WRITTEN AT BRISTOL, BY THOMAS ROWLEY,

AND OTHERS, IN THE FIFTEENTH CENTURY. THE THIRD EDITION; TO
WHICH IS ADDED AN APPENDIX, CONTAINING SOME OBSERVATIONS UPON
THE LANGUAGE OF THESE POEMS; TENDING TO PROVE, THAT THEY WERE
WRITTEN, NOT BY ANY ANCIENT AUTHOR, BUT ENTIRELY BY THOMAS
CHATTERTON.

THE CONTENTS OF THIS VOLUME.

The Preface
Introductory Account of the Several Pieces
Advertisement
Eclogue the First
Eclogue the Second
Eclogue the Third
Elinoure and Juga
Verses to Lydgate
Songe to �lla
Lydgate's Answer
The Tournament
The Dethe of Syr Charles Bawdin
Epistle to Mastre Canynge on �lla
Letter to the dygne M. Canynge
Entroductionne
�lla; a Tragycal Enterlude
Goddwyn; a Tragedie. (A Fragment.)
 Englysh Metamorphosis, B.I.
Balade of Charitie
Battle of Hastings, No. 1.
Battle of Hastings, No. 2.
Onn oure Ladies Chyrche
On the same
Epitaph on Robert Canynge
The Storie of William Canynge
On Happienesse, by William Canynge
Onn Johne a Dalbenie, by the same
The Gouler's Requiem, by the same
The Accounte of W. Canynge's Feast
GLOSSARY

PREFACE.

The Poems, which make the principal part of this Collection, have
for some time excited much curiosity, as the supposed productions of
THOMAS ROWLEY, a priest of Bristol, in the reigns of Henry VI. and
Edward IV. They are here faithfully printed from the most authentic
MSS that could be procured; of which a particular description is given
in the _Introductory account of the several pieces contained in this
volume_, subjoined to this Preface. Nothing more therefore seems
necessary at present, than to inform the Reader shortly of the manner
in which these Poems were first brought to light, and of the authority
upon which they are ascribed to the persons whose names they bear.

This cannot be done so satisfactorily as in the words of Mr. George

Catcott of Bristol, to whose very laudable zeal the Publick is
indebted for the most considerable part of the following collection.
His account of the matter is this: "The first discovery of certain MSS
having been deposited in Redclift church, above three centuries ago,
was made in the year 1768, at the time of opening the new bridge at
Bristol, and was owing to a publication in _Farley's Weekly Journal_,
1 October 1768, containing an _Account of the ceremonies observed at
the opening of the old bridge_, taken, as it was said, from a very
antient MS. This excited the curiosity of some persons to enquire
after the original. The printer, Mr. Farley, could give no account of
it, or of the person who brought the copy; but after much enquiry
it was discovered, that the person who brought the copy was a youth,
between 15 and 16 years of age, whose name was Thomas Chatterton, and
whose family had been sextons of Redclift church for near 150 years.
His father, who was now dead, had also been master of the free-school
in Pile-street. The young man was at first very unwilling to discover
from whence he had the original; but, after many promises made to him,
he was at last prevailed on to acknowledge, that he had received this,
_together with many other MSS_, from his father, who had found them
in a large chest in an upper room over the chapel on the north side of
Redclift church."

Soon after this Mr. Catcott commenced his acquaintance with young
Chatterton[1], and, partly as presents partly as purchases, procured
from him copies of many of his MSS. in in prose and verse. Other
copies were disposed of, in the same way, to Mr. William Barrett, an
eminent surgeon at Bristol, who has long been engaged in writing
the history of that city. Mr. Barrett also procured from him several
fragments, some of a considerable length, written upon vellum[2],
which he asserted to be part of his original MSS. In short, in the
space of about eighteen months, from October 1768 to April 1770,
besides the Poems now published, he produced as many compositions,
in prose and verse, under the names of Rowley, Canynge, &c. as would
nearly fill such another volume.

In April 1770 Chatterton went to London, and died there in the August
following; so that the whole history of this very extraordinary
transaction cannot now probably be known with any certainty. Whatever
may have been his part in it; whether he was the author, or only
the copier (as he constantly asserted) of all these productions; he
appears to have kept the secret entirely to himself, and not to have
put it in the power of any other person, to bear certain testimony
either to his fraud or to his veracity.

The question therefore concerning the authenticity of these Poems must

now be decided by an examination of the fragments upon vellum, which
Mr. Barrett received from Chatterton as part of his original MSS.,
and by the internal evidence which the several pieces afford. If the
Fragments shall be judged to be genuine, it will still remain to be
determined, how far their genuineness should serve to authenticate the
rest of the collection, of which no copies, older than those made by
Chatterton, have ever been produced. On the other hand, if the writing
of the Fragments shall be judged to be counterfeit and forged by
Chatterton, it will not of necessity follow, that the matter of
them was also forged by him, and still less, that all the other
compositions, which he professed to have copied from antient MSS.,
were merely inventions of his own. In either case, the decision must
finally depend upon the internal evidence.

It may be expected perhaps, that the Editor should give an opinion

upon this important question; but he rather chooses, for many reasons,
to leave it to the determination of the unprejudiced and intelligent
Reader. He had long been desirous that these Poems should be printed;
and therefore readily undertook the charge of superintending the
edition. This he has executed in the manner, which seemed to him best
suited to such a publication; and here he means that his task should
end. Whether the Poems be really antient, or modern; the compositions
of Rowley, or the forgeries of Chatterton; they must always be
considered as a most singular literary curiosity.

[Footnote 1: The history of this youth is so intimately connected with

that of the poems now published, that the Reader cannot be too early
apprized of the principal circumstances of his short life. He was born
on the 20th of November 1752, and educated at a charity-school on St.
Augustin's Back, where nothing more was taught than reading, writing,
and accounts. At the age of fourteen, he was articled clerk to an
attorney, with whom he continued till he left Bristol in April 1770.

Though his education was thus confined, he discovered an early turn

towards poetry and English antiquities, particularly heraldry. How
soon he began to be an author is not known. In the _Town and Country
Magazine_ for March 1769, are two letters, probably, from him, as they
are dated at Bristol, and subscribed with his usual signature, D.B.
The first contains short extracts from two MSS., "_written three
hundred years ago by one Rowley, a Monk_" concerning dress in the age
of Henry II; the other, "ETHELGAR, _a Saxon poem_" in bombast prose.
In the same Magazine for May 1769, are three communications from
Bristol, with the same signature, D.B. _viz_. CERDICK, _translated
from the Saxon_ (in the same style with ETHELGAR), p.
233.--_Observations upon Saxon heraldry_, with drawings of _Saxon
atchievements_, &c. p. 245.--ELINOURE and JUGA, _written three hundred
years ago by_ T. ROWLEY, _a secular priest_, p. 273. This last poem is
reprinted in this volume, p. 19. In the subsequent months of 1769 and
1770 there are several other pieces in the same Magazine, which are
undoubtedly of his composition.

In April 1770, he left Bristol and came to London, in hopes of

advancing his fortune by his talents for writing, of which, by this
time, he had conceived a very high opinion. In the prosecution of this
scheme, he appears to have almost entirely depended upon the patronage
of a set of gentlemen, whom an eminent author long ago pointed out, as
_not the very worst judges or rewarders of merit_, the booksellers of
this great city. At his first arrival indeed he was so unlucky as to
find two of his expected M�cenases, the one in the King's Bench, and
the other in Newgate. But this little disappointment was alleviated
by the encouragement which he received from other quarters; and on the
14th of May he writes to his mother, in high spirits upon the change
in his situation, with the following sarcastic reflection upon his
former patrons at Bristol. "_As to Mr.----, Mr.----, Mr.----, &c. &c.
they rate literary lumber so low, that I believe an author, in their
estimation, must be poor indeed! But here matters are otherwise. Had_
Rowley _been a_ Londoner _instead of a_ Bristowyan, _I could have
lived by_ copying _his works_."

In a letter to his sister, dated 30 May, he informs her, that he is to

be employed "_in writing a voluminous history of_ London, _to appear
in numbers the beginning of next winter_." In the mean time, he had
written something in praise of the Lord Mayor (Beckford), which had
procured him the honour of being presented to his lordship. In the
letter just mentioned he gives the following account of his reception,
with some curious observations upon political writing: "The Lord
Mayor received me as politely as a citizen could. But the devil of
the matter is, there is no money to be got of this side of the
question.--But he is a poor author who cannot write on both
sides.--Essays on the patriotic side will fetch no more than what
the copy is sold for. As the patriots themselves are searching for a
place, they have no gratuity to spare.--On the other hand, unpopular
essays will not even be accepted; and you must pay to have them
printed: but then you seldom lose by it, as courtiers are so sensible
of their deficiency in merit, that they generously reward all who know
how to dawb them with the appearance of it."

Notwithstanding his employment on the History of London, he continued

to write incessantly in various periodical publications. On the 11th
of July he tells his sister that he had pieces last month in the
_Gospel Magazine_; the _Town and Country, viz._ Maria Friendless;
False Step; Hunter of Oddities; To Miss Bush, &c. _Court and City;
London; Political Register &c._ But all these exertions of his
genius brought in so little profit, that he was soon reduced to real
indigence; from which he was relieved by death (in what manner is not
certainly known), on the 24th of August, or thereabout, when he wanted
near three months to complete his eighteenth year. The floor of his
chamber was covered with written papers, which he had torn into small
pieces; but there was no appearance (as the Editor has been credibly
informed) of any writings on parchment or vellum.]

[Footnote 2: One of these fragments, by Mr. Barrett's permission, has

been copied in the manner of a _Fac simile_, by that ingenious artist
Mr. Strutt, and an engraving of it is inserted at p. 288. Two other
small fragments of Poetry are printed in p. 277, 8, 9. See the
_Introductory Account_. The fragments in prose, which are considerably
larger, Mr. Barrett intends to publish in his History of Bristol,
which, the Editor has the satisfaction to inform the Publick, is
very far advanced. In the same work will be inserted _A Discorse on
Bristowe_, and the other historical pieces in prose, which Chatterton
at different times delivered out, as copied from Rowley's MSS.; with
such remarks by Mr. Barrett, as he of all men living is best qualified
to make, from his accurate researches into the Antiquities of
Bristol.]

INTRODUCTORY ACCOUNT

OF THE

SEVERAL PIECES

CONTAINED IN THIS VOLUME.

ECLOGUE THE FIRST. p. 1

ECLOGUE THE SECOND. 6
ECLOGUE THE THIRD. 12

These three Eclogues are printed from a MS. furnished by Mr. Catcott,
in the hand-writing of Thomas Chatterton. It is a thin copy-book in
4to. with the following title in the first page. "_Eclogues and other
Poems by_ Thomas Rowley, _with a Glossary and Annotations by_ Thomas
Chatterton."

There is only one other Poem in this book, viz. the fragment of
"_Goddwyn, a Tragedie_," which see below, p. 173.

ELINOURE AND JUGA.

This Poem is reprinted from the _Town and Country Magazine_ for May
1769, p. 273. It is there entitled, "_Elinoure and Juga. Written three
hundred years ago by T. Rowley, a secular priest_." And it has the
following subscription; "D.B. Bristol, May, 1769." Chatterton soon
after told Mr. Catcott, that he (Chatterton) inserted it in the
Magazine.

The present Editor has taken the liberty to supply [between books][1]
the names of the speakers, at ver. 22 and 29, which had probably been
omitted by some accident in the first publication; as the nature of
the composition seems to require, that the dialogue should proceed by
alternate stanzas.
 VERSES TO LYDGATE. p. 23
SONGE TO �LLA. Ibid.
LYDGATE'S ANSWER. 26

These three small Poems are printed from a copy in Mr. Catcott's
hand-writing. Since they were printed off, the Editor has had an
opportunity of comparing them with a copy made by Mr. Barrett from the
piece of vellum, which Chatterton formerly gave to him as the original
MS. The variations of importance (exclusive of many in the spelling)
are set down below [2].

[Footnote 1: Misspelled as hooks in the original.--PG editor]

[Footnote 2: _Verses to Lydgate_.

In the title for _Ladgate_, r. _Lydgate_.

ver. 2. r. _Thatt I and thee_.
3. for _bee_, r. _goe_.
7. for _fyghte_, r. _wryte_.]

THE TOURNAMENT. p. 28

This Poem is printed from a copy made by Mr. Catcott, from one in
Chatterton's hand-writing.

_Songe to �lla_.

The title in the vellum MS. was simply "_Songe toe �lle_," with a
small mark of reference to a note below, containing the following
words--"_Lorde of the castelle of Brystowe ynne daies of yore_."
It may be proper also to take notice, that the whole song was there
written like prose, without any breaks, or divisions into verses.

ver. 6. for _brastynge_, r. _burslynge_.

11. for _valyante_, r. _burlie_.
23. for _dysmall_, r. _honore_.

_Lydgate's answer_.

No title in the vellum MS.

ver. 3. for _varses_, r. _pene_.

antep. for _Lendes_, r. _Sendes_.
ult. for _lyne_, r. _thynge_.

Mr. Barrett had also a copy of these Poems by Chatterton, which

differed from that, which Chatterton afterwards produced as the
original, in the following particulars, among others.

In the title of the _Verses to Lydgate_.

Orig. _Lydgate_ Chat. _Ladgate_.

ver. 3. Orig, _goe_. Chat. _doe_.
7. Orig. _wryte_. Chat. _fyghte_.
 _Songe to �lla_. ver. 5. Orig. _Dacyane_. Chat. _Dacya's_.
Orig. _whose lockes_ Chat. _whose hayres_.
11. Orig. _burlie_. Chat. _bronded_.
22. Orig. _kennst_. Chat. _hearst_.
23. Orig. _honore_. Chat. _dysmall_.
26. Orig. _Yprauncynge_ Chat. _Ifrayning_,
30. Orig. _gloue_. Chat. _glare_.

Sir Simon de Bourton, the hero of this poem, is supposed to have been
the first founder of a church dedicated to _oure Ladie_, in the place
where the church of St. Mary Ratcliffe now stands. Mr. Barrett has a
small leaf of vellum (given to him by Chatterton as one of Rowley's
original MSS.), entitled, "_Vita de Simon de Bourton_," in which
Sir Simon is said, as in the poem, to have begun his foundation in
consequence of a vow made at a tournament.

THE DETHE OF SYR CHARLES BAWDIN. p. 44

This Poem is reprinted from the copy printed at London in 1772, with
a few corrections from a copy made by Mr. Catcott, from one in
Chatterton's hand-writing.

The person here celebrated, under the name of _Syr Charles Bawdin_,
was probably _Sir Baldewyn Fulford_, Knt. a zealous Lancastrian, who
was executed at Bristol in the latter end of 1461, the first year of
Edward the Fourth. He was attainted, with many others, in the general
act of Attainder, 1 Edw. IV. but he seems to have been executed under
a special commission for the trial of treasons, &c. within the town of
Bristol. The fragment of the old chronicle, published by Hearne at the
end of _Sprotti Chronica_, p. 289, says only; "Item _the same yere_ (1
Edw. IV.) _was takin Sir Baldewine Fulford and behedid att Bristow_."
But the matter is more fully stated in the act which passed in 7 Edw.
IV. for the restitution in blood and estate of Thomas Fulford, Knt.
eldest son of Baldewyn Fulford, late of Fulford, in the county of
Devonshire, Knt. _Rot. Pat._ 8 Edw. IV. p. 1, m. 13. The preamble of
this act, after stating the attainder by the act 1 Edw. IV. goes on
thus: "And also the said Baldewyn, the said first yere of your noble
reign, at Bristowe in the shere of Bristowe, before Henry Erle of
Essex William Hastyngs of Hastyngs Knt. Richard Chock William Canyng
Maire of the said towne of Bristowe and Thomas Yong, by force of your
letters patentes to theym and other directe to here and determine all
treesons &c. doon withyn the said towne of Bristowe before the vth day
of September the first yere of your said reign, was atteynt of dyvers
tresons by him doon ayenst your Highnes &c." If the commission sate
soon after the vth of September, as is most probable, King Edward
might very possibly be at Bristol at the time of Sir Baldewyn's
execution; for, in the interval between his coronation and the
parliament which met in November, he made a progress (as the
Continuator of Stowe informs us, p. 416.) by the South coast into
the West, and was (among other places) at Bristol. Indeed there is a
circumstance which might lead us to believe, that he was actually a
spectator of the execution from the minster-window, as described in
the poem. In an old accompt of the Procurators of St. Ewin's church,
which was then the minster, from xx March in the 1 Edward IV. to 1
April in the year next ensuing, is the following article, according to
a copy made by Mr. Catcott from the original book.
 Item _for washynge the church payven ageyns } iiij d. ob.
Kynge Edward 4th is comynge._ }

�LLA, a tragycal enterlude. p. 65

This Poem, with the _Epistle, Letter_, and _Entroductionne_, is

printed from a folio MS. furnished by Mr. Catcott, in the beginning
of which he has written, "Chatterton's transcript. 1769." The whole
transcript is of Chatterton's hand-writing.

GODDWYN, a Tragedie. p. 173

This Fragment is printed from the MS. mentioned above, p. xv. in

Chatterton's hand-writing.

ENGLYSH METAMORPHOSIS. p. 196

This Poem is printed from a single sheet in Chatterton's hand-writing,

communicated by Mr. Barrett, who received it from Chatterton.

BALADE OF CHARITIE. p. 203

This Poem is also printed from a single sheet in Chatterton's

hand-writing. It was sent to the Printer of the _Town and Country
Magazine_, with the following letter prefixed:

"To the Printer of the Town and Country Magazine.

SIR,

If the Glossary annexed to the following piece will make the language
intelligible; the Sentiment, Description, and Versification, are
highly deserving the attention of the literati.

July 4, 1770. D.B."

BATTLE OF HASTINGS, No. 1. p. 210

BATTLE OF HASTINGS, No. 2. 237

In printing the first of these poems two copies have been made use of,
both taken from copies of Chatterton's hand-writing, the one by
Mr. Catcott, and the other by Mr. Barrett. The principal difference
between them is at the end, where the latter has fourteen lines from
ver. 550, which are wanting in the former. The second poem is printed
from a single copy, made by Mr. Barrett from one in Chatterton's
hand-writing.

It should be observed, that the Poem marked No. 1, was given to Mr.
Barrett by Chatterton with the following title; "_Battle of Hastings,
wrote by Turgot the Monk, a Saxon, in the tenth century, and
translated by Thomas Rowlie, parish preeste of St. Johns in the city
of Bristol, in the year 1465.--The remainder of the poem I have
not been happy enough to meet with._" Being afterwards prest by Mr.
Barrett to produce any part of this poem in the original hand-writing,
he at last said, that he wrote this poem himself for a friend; but
that he had another, the copy of an original by Rowley: and being then
desired to produce that other poem, he, after a considerable interval
of time, brought to Mr. Barrett the poem marked No. 2, as far as ver.
530 incl. with the following title; "_Battle of Hastyngs by Turgotus,
translated by Roulie for W. Canynge Esq._" The lines from ver. 531
incl. were brought some time after, in consequence of Mr. Barrett's
repeated sollicitations for the conclusion of the poem.

ONN OURE LADIES CHYRCHE. p. 275

ON THE SAME. 276

The first of these Poems is printed from a copy made by Mr. Catcott,
from one in Chatterton's hand-writing.

The other is taken from a MS. in Chatterton's hand-writing, furnished

by Mr. Catcott, entitled, "_A Discorse on Bristowe, by Thomas
Rowlie_." See the Preface, p. xi. n.

EPITAPH ON ROBERT CANYNGE. p. 277

This is one of the fragments of vellum, given by Chatterton to Mr.

Barrett, as part of his original MSS.

THE STORIE OF WILLIAM CANYNGE. p. 278

The 34 first lines of this poem are extant upon another of the
vellum-fragments, given by Chatterton to Mr. Barrett. The remainder
is printed from a copy furnished by Mr. Catcott, with some corrections
from another copy, made by Mr. Barrett from one in Chatterton's
hand-writing. This poem makes part of a prose-work, attributed to
Rowley, giving an account of _Painters, Carvellers, Poets_, and other
eminent natives of Bristol, from the earliest times to his own.
The whole will be published by Mr. Barrett, with remarks, and large
additions; among which we may expect a complete and authentic history
of that distinguished citizen of Bristol, Mr. William Canynge. In the
mean time, the Reader may see several particulars relating to him in
_Cambden's Britannia_, Somerset. Col. 95.--_Rymers Foedera,_ &c.
ann. 1449 & 1450.--_Tanner's Not. Monast._ Art. BRISTOL and
WESTBURY.--_Dugdale's Warwickshire_, p. 634.

It may be proper just to remark here, that Mr. Canynge's brother,

mentioned in ver. 129, who was lord mayor of London in 1456, is called
_Thomas_ by Stowe in his List of Mayors, &c.

The transaction alluded to in the last Stanza is related at large in

some Prose Memoirs of Rowley, of which a very incorrect copy has been
printed in the _Town and Country Magazine_ for November 1775. It is
there said, that Mr. Canynge went into orders, to avoid a marriage,
proposed by King Edward, between him and a lady of the Widdevile
family. It is certain, from the Register of the Bishop of Worcester,
that Mr. Canynge was ordained _Acolythe_ by Bishop Carpenter on
19 September 1467, and received the higher orders of _Sub-deacon,
Deacon_, and _Priest_, on the 12th of March, 1467, O.S. the 2d and
16th of April, 1468, respectively.

ON HAPPIENESSE, by WILLIAM CANYNGE. p. 286

ONNE JOHNE A DALBENIE, by the same. Ibid.
THE GOULER'S REQUIEM, by the same. 287
THE ACCOUNTE OF W. CANYNGE'S FEASTE. 288

Of these four Poems attributed to Mr. Canynge, the three first are
printed from Mr. Catcott's copies. The last is taken from a fragment
of vellum, which Chatterton gave to Mr. Barrett as an original. The
Editor has doubts about the reading of the second word in ver. 7,
but he has printed it _keene_, as he found it so in other copies. The
Reader may judge for himself, by examining the _Fac simile_ in the
opposite page.

With respect to the three friends of Mr. Canynge mentioned in the last
line, the name of _Rowley_ is sufficiently known from the preceding
poems. _Iscamm_ appears as an actor in the tragedy of _�lla_, p.
66. and in that of _Goddwyn_, p. 174.; and a poem, ascribed to him,
entitled "_The merry Tricks of Laymington_," is inserted in the
"_Discorse of Bristowe_". Sir _Theobald Gorges_ was a knight of an
antient family seated at Wraxhall, within a few miles of Bristol [See
_Rot. Parl._ 3 H. VI. n. 28. _Leland's Itin._ vol. VII. p. 98.]. He
has also appeared above as an actor in both the tragedies, and as
the author of one of the _Mynstrelles songes_ in _�lla_, p. 91. His
connexion with Mr. Canynge is verified by a deed of the latter,
dated 20 October, 1467, in which he gives to trustees, in part of a
benefaction of �500 to the Church of St. Mary Redcliffe, "_certain
jewells of_ Sir _Theobald Gorges_ Knt." which had been pawned to him
for �160.

ADVERTISEMENT.

_The Reader is desired to observe, that the notes at the bottom of

the several pages, throughout the following part of this book, are all
copied from MSS. in the hand-writing of_ Thomas Chatterton.

POEMS, &c.

ECLOGUE THE FIRST.

Whanne Englonde, smeethynge[1] from her lethal[2] wounde,

From her galled necke dyd twytte[3] the chayne awaie,
Kennynge her legeful sonnes falle all arounde,
(Myghtie theie fell, 'twas Honoure ledde the fraie,)
Thanne inne a dale, bie eve's dark surcote[4] graie, 5
Twayne lonelie shepsterres[5] dyd abrodden[6] flie,
(The rostlyng liff doth theyr whytte hartes affraie[7],)
And wythe the owlette trembled and dyd crie;
 Firste Roberte Neatherde hys sore boesom stroke.
Then fellen on the grounde and thus yspoke. 10

ROBERTE.

Ah, Raufe! gif thos the howres do comme alonge,

Gif thos wee flie in chase of farther woe,
Oure fote wylle fayle, albeytte wee bee stronge,
Ne wylle oure pace swefte as oure danger goe.
To oure grete wronges we have enheped[8] moe, 15
The Baronnes warre! oh! woe and well-a-daie!
I haveth lyff, bott have escaped soe,
That lyff ytsel mie Senses doe affraie.
Oh Raufe, comme lyste, and hear mie dernie[9] tale,
Comme heare the balefull[10] dome of Robynne of the Dale. 20

RAUFE.

Saie to mee nete; I kenne thie woe in myne;

O! I've a tale that Sabalus[11] mote[12] telle.
Swote[13] flouretts, mantled meedows, forestes dygne[14];
Gravots[15] far-kend[16] arounde the Errmiets[17] cell;
The swote ribible[18] dynning[19] yn the dell; 25
The joyous daunceynge ynn the hoastrie[20] courte;
Eke[21] the highe songe and everych joie farewell,
Farewell the verie shade of fayre dysporte[22]:
Impestering[23] trobble onn mie heade doe comme,
Ne on kynde Seyncte to warde[24] the aye[25] encreasynge dome. 30

ROBERTE.

Oh! I coulde waile mie kynge-coppe-decked mees[26],

Mie spreedynge flockes of shepe of lillie white,
Mie tendre applynges[27], and embodyde[28] trees,
Mie Parker's Grange[29], far spreedynge to the syghte,
Mie cuyen[30] kyne [31], mie bullockes stringe[32] yn syghte, 35
Mie gorne[33] emblaunched[34] with the comfreie[35] plante,
Mie floure[36] Seyncte Marie shotteyng wythe the lyghte,
Mie store of all the blessynges Heaven can grant.
I amm duressed[37] unto sorrowes blowe,
Ihanten'd[38] to the peyne, will lette ne salte teare flowe. 40

RAUFE.

Here I wille obaie[39] untylle Dethe doe 'pere,

Here lyche a foule empoysoned leathel[40] tree,
Whyche sleaeth[41] everichone that commeth nere,
Soe wille I fyxed unto thys place gre[42].
I to bement[43] haveth moe cause than thee; 45
Sleene in the warre mie boolie[44] fadre lies;
Oh! joieous I hys mortherer would slea,
And bie hys syde for aie enclose myne eies.
Calked[45] from everych joie, heere wylle I blede;
Fell ys the Cullys-yatte[46] of mie hartes castle stede. 50

ROBERTE.

Oure woes alyche, alyche our dome[47] shal bee.

 Mie sonne, mie sonne alleyn[48], ystorven[49] ys;
Here wylle I staie, and end mie lyff with thee;
A lyff lyche myn a borden ys ywis.
Now from een logges[50] fledden is selyness[51], 55
Mynsterres[52] alleyn[53] can boaste the hallie[54] Seyncte,
Now doeth Englonde weare a bloudie dresse
And wyth her champyonnes gore her face depeyncte;
Peace fledde, disorder sheweth her dark rode[55],
And thorow ayre doth flie, yn garments steyned with bloude. 60

[Footnote 1: _Smething_, smoking; in some copies _bletheynge_, but in

the original as above.]

[Footnote 2: deadly.]

[Footnote 3: pluck or pull.]

[Footnote 4: _Surcote_, a cloke, or mantel, which hid all the other

dress.]

[Footnote 5: shepherds.]

[Footnote 6: abruptly, so Chaucer, Syke he abredden dyd attourne.]

[Footnote 7: affright.]

[Footnote 8: Added.]

[Footnote 9: sad.]

[Footnote 10: woeful, lamentable.]

[Footnote 11: the Devil.]

[Footnote 12: might.]

[Footnote 13: sweet.]

[Footnote 14: good, neat, genteel.]

[Footnote 15: groves, sometimes used for a coppice.]

[Footnote 16: far-seen.]

[Footnote 17: Hermit.]

[Footnote 18: violin.]

[Footnote 19: sounding.]

[Footnote 20: inn, or public-house.]

[Footnote 21: also.]

[Footnote 22: pleasure.]

[Footnote 23: annoying.]

[Footnote 24: to keep off.]

[Footnote 25: ever, always.]

[Footnote 26: meadows.]

[Footnote 27: grafted trees.]

[Footnote 28: thick, stout.]

[Footnote 29: liberty of pasture given to the Parker.]

[Footnote 30: tender.]

[Footnote 31: cows.]

[Footnote 32: strong.]

[Footnote 33: garden.]

[Footnote 34: whitened.]

[Footnote 35: cumfrey, a favourite dish at that time.]

[Footnote 36: marygold.]

[Footnote 37: hardened.]

[Footnote 38: accustomed.]

[Footnote 39: abide. This line is also wrote, "Here wyll I obaie
untill dethe appere," but this is modernized.]

[Footnote 40: deadly.]

[Footnote 41: destroyeth, killeth.]

[Footnote 42: grow.]

[Footnote 43: lament.]

[Footnote 44: much-loved, beloved.]

[Footnote 45: cast out, ejected.]

[Footnote 46: alluding to the portcullis, which guarded the gate, on

which often depended the castle.]

[Footnote 47: fate.]

[Footnote 48: my only son.]

[Footnote 49: dead.]

[Footnote 50: cottages.]

[Footnote 51: happiness.]

[Footnote 52: monasterys.]

[Footnote 53: only.]

[Footnote 54: holy.]

[Footnote 55: complexion.]

ECLOGUE THE SECOND.

Sprytes[1] of the bleste, the pious Nygelle sed,

Poure owte yer pleasaunce[2] onn mie fadres hedde.

Rycharde of Lyons harte to fyghte is gon,

Uponne the brede[3] sea doe the banners gleme[4];
The amenused[5] nationnes be aston[6], 5
To ken[7] syke[8] large a flete, syke fyne, syke breme[9].
The barkis heafods[10] coupe[11] the lymed[12] streme;
Oundes[13] synkeynge oundes upon the hard ake[14] riese;
The water slughornes[15] wythe a swotye[16] cleme[17]
Conteke[18] the dynnynge[19] ayre, and reche the skies. 10
Sprytes of the bleste, on gouldyn trones[20] astedde[21],
Poure owte yer pleasaunce onn mie fadres hedde.

The gule[22] depeyncted[23] oares from the black tyde,

Decorn[24] wyth fonnes[25] rare, doe shemrynge[26] ryse;
Upswalynge[27] doe heie[28] shewe ynne drierie pryde, 15
Lyche gore-red estells[29] in the eve[30]-merk[31] skyes;
The nome-depeyncted[32] shields, the speres aryse,
Alyche[33] talle roshes on the water syde;
Alenge[34] from bark to bark the bryghte sheene[35] flyes;
Sweft-kerv'd[36] delyghtes doe on the water glyde. 20
Sprites of the bleste, and everich Seyncte ydedde,
Poure owte youre pleasaunce on mie fadres hedde.

The Sarafen lokes owte: he doethe feere,

That Englondes brondeous[37] sonnes do cotte the waie.
Lyke honted bockes, theye reineth[38] here and there, 25
Onknowlachynge[39] inne whatte place to obaie[40].
The banner glesters on the beme of daie;
The mittee[41] crosse Jerusalim ys seene;
Dhereof the syghte yer corrage doe affraie[42],
In balefull[43] dole their faces be ywreene[44]. 30
Sprytes of the bleste, and everich Seyncte ydedde,
Poure owte your pleasaunce on mie fadres hedde.

The bollengers[45] and cottes[45], soe swyfte yn fyghte,

Upon the sydes of everich bark appere;
Foorthe to his offyce lepethe everych knyghte, 35
Eftsoones[46] hys squyer, with hys shielde and spere.
The jynynge shieldes doe shemre and moke glare[47];
The dotheynge oare doe make gemoted[48] dynne;
The reynyng[49] foemen[50], thynckeynge gif[51] to dare,
Boun[52] the merk[53] swerde, theie seche to fraie[54], theie blyn[55].
 Sprytes of the bleste, and everyche Seyncte ydedde,
Powre oute yer pleasaunce onn mie fadres hedde.

Now comm the warrynge Sarasyns to fyghte;

Kynge Rycharde, lyche a lyoncel[56] of warre,
Inne sheenynge goulde, lyke feerie[57] gronfers[58], dyghte[59],
Shaketh alofe hys honde, and seene afarre. 45
Syke haveth I espyde a greter starre
Amenge the drybblett[60] ons to sheene fulle bryghte;
Syke sunnys wayne[61] wyth amayl'd[62] beames doe barr
The blaunchie[63] mone or estells[64] to gev lyghte. 50
Sprytes of the bleste, and everich Seyncte ydedde,
Poure owte your pleasaunce on mie fadres hedde.

Distraughte[65] affraie[66], wythe lockes of blodde-red die,

Terroure, emburled[67] yn the thonders rage,
Deathe, lynked to dismaie, dothe ugsomme[68] flie, 55
Enchasynge[69] echone champyonne war to wage.
Speeres bevyle[70] speres; swerdes upon swerdes engage;
Armoure on armoure dynn[71], shielde upon shielde;
Ne dethe of thosandes can the warre assuage,
Botte salleynge nombers sable[72] all the feelde. 60
Sprytes of the bleste, and everych Seyncte ydedde,
Poure owte youre pleasaunce on mie fadres hedde.

The foemen fal arounde; the cross reles[73] hye;

Steyned ynne goere, the harte of warre ys seen;
Kyng Rycharde, thorough everyche trope dothe flie, 65
And beereth meynte[74] of Turkes onto the greene;
Bie hymm the floure of Asies menn ys sleene[75];
The waylynge[76] mone doth fade before hys sonne;
Bie hym hys knyghtes bee formed to actions deene[77],
Doeynge syke marvels[78], strongers be aston[79]. 70
Sprytes of the bleste, and everych Seyncte ydedde,
Poure owte your pleasaunce onn mie fadres hedde.

The fyghte ys wonne; Kynge Rycharde master is;

The Englonde bannerr kisseth the hie ayre;
Full of pure joie the armie is iwys[80], 75
And everych one haveth it onne his bayre[81];
Agayne to Englonde comme, and worschepped there.
Twyghte[82] into lovynge armes, and feasted eft[83];
In everych eyne aredynge nete of wyere[84],
Of all remembrance of past peyne berefte. 80
Sprites of the bleste, and everich Seyncte ydedde,
Syke pleasures powre upon mie fadres hedde.

Syke Nigel sed, whan from the bluie sea

The upswol[85] sayle dyd daunce before his eyne;
Swefte as the withe, hee toe the beeche dyd flee. 85
And founde his fadre steppeynge from the bryne.
Lette thyssen menne, who haveth sprite of loove,
Bethyncke untoe hemselves how mote the meetynge proove.

[Footnote 1: Spirits, souls.]

[Footnote 2: pleasure.]
[Footnote 3: broad.]

[Footnote 4: shine, glimmer.]

[Footnote 5: diminished, lessened.]

[Footnote 6: astonished, confounded.]

[Footnote 7: see, discover, know.]

[Footnote 8: such, so.]

[Footnote 9: strong.]

[Footnote 10: heads.]

[Footnote 11: cut.]

[Footnote 12: glassy, reflecting.]

[Footnote 13: waves, billows.]

[Footnote 14: oak.]

[Footnote 15: a musical instrument, not unlike a hautboy.]

[Footnote 16: sweet.]

[Footnote 17: sound.]

[Footnote 18: confuse, contend with.]

[Footnote 19: sounding.]

[Footnote 20: thrones.]

[Footnote 21: seated.]

[Footnote 22: red.]

[Footnote 23: painted.]

[Footnote 24: carved.]

[Footnote 25: devices.]

[Footnote 26: glimmering.]

[Footnote 27: rising high, swelling up.]

[Footnote 28: they.]

[Footnote 29: a corruption of _estoile_, Fr. a star.]

[Footnote 30: evening.]

[Footnote 31: dark.]

[Footnote 32: rebus'd shields; a herald term, when the charge of the
shield implies the name of the bearer.]

[Footnote 33: like.]

[Footnote 34: along.]

[Footnote 35: shine.]

[Footnote 36: short-lived.]

[Footnote 37: furious.]

[Footnote 38: runneth.]

[Footnote 39: not knowing.]

[Footnote 40: abide.]

[Footnote 41: mighty.]

[Footnote 42: affright.]

[Footnote 43: woeful.]

[Footnote 44: covered.]

[Footnote 45: different kinds of boats.]

[Footnote 46: full soon, presently.]

[Footnote 47: glitter.]

[Footnote 48: united, assembled.]

[Footnote 49: running.]

[Footnote 50: foes.]

[Footnote 51: if.]

[Footnote 52: make ready.]

[Footnote 53: dark.]

[Footnote 54: engage.]

[Footnote 55: cease, stand still.]

[Footnote 56: a young lion.]

[Footnote 57: flaming.]

[Footnote 58: a meteor, from _gron_, a fen, and _fer_, a corruption of

fire; that is, a fire exhaled from a fen.]

[Footnote 59: deckt.]

[Footnote 60: small, insignificant.]

[Footnote 61: carr.]

[Footnote 62: enameled.]

[Footnote 63: white, silver.]

[Footnote 64: stars.]

[Footnote 65: distracting.]

[Footnote 66: affright.]

[Footnote 67: armed.]

[Footnote 68: terribly.]

[Footnote 69: encouraging, heating.]

[Footnote 70: break, a herald term, signifying a spear broken in

tilting.]

[Footnote 71: sounds.]

[Footnote 72: blacken.]

[Footnote 73: waves.]

[Footnote 74: many, great numbers.]

[Footnote 75: slain.]

[Footnote 76: decreasing.]

[Footnote 77: glorious, worthy.]

[Footnote 78: wonders.]

[Footnote 79: astonished.]

[Footnote 80: certainly.]

[Footnote 81: brow.]

[Footnote 82: plucked, pulled.]

[Footnote 83: often.]

[Footnote 84: grief, trouble.]

[Footnote 85: swollen.]

ECLOGUE THE THIRD.

 Wouldst thou kenn nature in her better parte?
Goe, serche the logges [1] and bordels[2] of the hynde[3];
Gyff[4] theie have anie, itte ys roughe-made arte,
Inne hem[5] you see the blakied[6] forme of kynde[7].
Haveth your mynde a lycheynge[8] of a mynde? 5
Woulde it kenne everich thynge, as it mote[9] bee?
Woulde ytte here phrase of the vulgar from the hynde,
Withoute wiseegger[10] wordes and knowlache[11] free?
Gyf soe, rede thys, whyche Iche dysporteynge[12] pende;
Gif nete besyde, yttes rhyme maie ytte commende. 10

MANNE.

Botte whether, fayre mayde, do ye goe?

O where do ye bende yer waie?
I wille knowe whether you goe,
I wylle not bee asseled[13] naie.

WOMANNE.

To Robyn and Nell, all downe in the delle, 15

To hele[14] hem at makeynge of haie.

MANNE.

Syr Rogerre, the parsone, hav hyred mee there,

Comme, comme, lett us tryppe ytte awaie,
We'lle wurke[15] and we'lle synge, and wylle drenche[16] of stronge beer
As longe as the merrie sommers daie. 20

WOMANNE.

How harde ys mie dome to wurch!

Moke is mie woe.
Dame Agnes, whoe lies ynne the Chyrche
With birlette[17] golde,
Wythe gelten[18] aumeres[19] stronge ontolde, 25
What was shee moe than me, to be soe?

MANNE.

I kenne Syr Roger from afar

Tryppynge over the lea;
Ich ask whie the loverds[20] son
Is moe than mee. 30

SYR ROGERRE.

The sweltrie[21] sonne dothe hie apace hys wayne[22],

From everich beme a seme[23]; of lyfe doe falle;
Swythyn[24] scille[25] oppe the haie uponne the playne;
Methynckes the cockes begynneth to gre[26] talle.
Thys ys alyche oure doome[27]; the great, the smalle, 35
Mofte withe[28] and bee forwyned[29] by deathis darte.
See! the swote[30] flourette[31] hathe noe swote at alle;
Itte wythe the ranke wede bereth evalle[32] parte.
The cravent[33], warrioure, and the wyse be blente[34],
Alyche to drie awaie wythe those theie dyd bemente[35]. 40

MANNE.

All-a-boon[36], Syr Priest, all-a-boon,

Bye yer preestschype nowe saye unto mee;
Syr Gaufryd the knyghte, who lyvethe harde bie,
Whie shoulde hee than mee
Bee moe greate, 45
Inne honnoure, knyghtehoode and estate?

SYR ROGERRE.

Attourne[37] thine eyne arounde thys haied mee,

Tentyflie[38] loke arounde the chaper[39] delle[40];
An answere to thie barganette[41] here see,
Thys welked[42] flourette wylle a leson telle: 50
Arist[43] it blew[44], itte florished, and dyd welle,
Lokeynge ascaunce[45] upon the naighboure greene;
Yet with the deigned[46] greene yttes rennome[47] felle,
Eftsoones[48] ytte shronke upon the daie-brente[49] playne,
Didde not yttes loke, whilest ytte there dyd stonde, 55
To croppe ytte in the bodde move somme dred honde.

Syke[50] ys the waie of lyffe; the loverds[51] ente[52]

Mooveth the robber hym therfor to slea[53];
Gyf thou has ethe[54], the shadowe of contente,
Beleive the trothe[55], theres none moe haile[56] yan thee. 60
Thou wurchest[57]; welle, canne thatte a trobble bee?
Slothe moe wulde jade thee than the roughest daie.
Couldest thou the kivercled[58] of soughlys[59] see,
Thou wouldst eftsoones[60] see trothe ynne whatte I saie;
Botte lette me heere thie waie of lyffe, and thenne 65
Heare thou from me the lyffes of odher menne.

MANNE.

I ryse wythe the sonne,

Lyche hym to dryve the wayne[61],
And eere mie wurche is don
I synge a songe or twayne[62]. 70
I followe the plough-tayle,
Wythe a longe jubb[63] of ale.
Botte of the maydens, oh!
Itte lacketh notte to telle;
Syr Preeste mote notte crie woe, 75
Culde hys bull do as welle.
I daunce the beste heiedeygnes[64],
And foile[65] the wysest feygnes[66].
On everych Seynctes hie daie
Wythe the mynstrelle[67] am I seene, 80
All a footeynge it awaie,
Wythe maydens on the greene.
But oh! I wyshe to be moe greate,
In rennome, tenure, and estate.

SYR ROGERRE.
 Has thou ne seene a tree uponne a hylle, 85
Whose unliste[68] braunces[69] rechen far toe fyghte;
Whan fuired[70] unwers[71] doe the heaven fylle,
Itte shaketh deere[72] yn dole[73] and moke affryghte.
Whylest the congeon[74] flowrette abessie[75] dyghte[76],
Stondethe unhurte, unquaced[77] bie the storme: 90
Syke is a picte[78] of lyffe: the manne of myghte
Is tempest-chaft[79], hys woe greate as hys forme,
Thieselfe a flowrette of a small accounte,
Wouldst harder felle the wynde, as hygher thee dydste mounte.

[Footnote 1: lodges, huts.]

[Footnote 2: cottages.]

[Footnote 3: servant, slave, peasant.]

[Footnote 4: if.]

[Footnote 5: a contraction of _them_.]

[Footnote 6: naked, original.]

[Footnote 7: nature.]

[Footnote 8: liking.]

[Footnote 9: might. The sense of this line is, Would you see every
thing in its prim�val state.]

[Footnote 10: wise-egger, a philosopher.]

[Footnote 11: knowledge.]

[Footnote 12: sporting.]

[Footnote 13: answered.]

[Footnote 14: aid, or help.]

[Footnote 15: work.]

[Footnote 16: drink.]

[Footnote 17: a hood, or covering for the back part of the head.]

[Footnote 18: guilded.]

[Footnote 19: borders of gold and silver, on which was laid thin
plates of either metal counterchanged, not unlike the present spangled
laces.]

[Footnote 20: lord.]

[Footnote 21: sultry.]

[Footnote 22: car.]

[Footnote 23: seed.]

[Footnote 24: quickly, presently.]

[Footnote 25: gather.]

[Footnote 26: grow.]

[Footnote 27: fate.]

[Footnote 28: a contraction of wither.]

[Footnote 29: dried.]

[Footnote 30: sweet.]

[Footnote 31: flower.]

[Footnote 32: equal.]

[Footnote 33: coward.]

[Footnote 34: ceased, dead, no more.]

[Footnote 35: lament.]

[Footnote 36: a manner of asking a favour.]

[Footnote 37: turn.]

[Footnote 38: carefully, with circumspection.]

[Footnote 39: dry, sun-burnt.]

[Footnote 40: valley.]

[Footnote 41: a song, or ballad.]

[Footnote 42: withered.]

[Footnote 43: arisen, or arose.]

[Footnote 44: blossomed.]

[Footnote 45: disdainfully.]

[Footnote 46: disdained.]

[Footnote 47: glory.]

[Footnote 48: quickly.]

[Footnote 49: burnt.]

[Footnote 50: such.]

[Footnote 51: lord's.]

[Footnote 52: a purse or bag.]

[Footnote 53: slay.]

[Footnote 54: ease.]

[Footnote 55: truth.]

[Footnote 56: happy.]

[Footnote 57: workest.]

[Footnote 58: the hidden or secret part of.]

[Footnote 59: souls.]

[Footnote 60: full soon, or presently.]

[Footnote 61: car.]

[Footnote 62: two.]

[Footnote 63: a bottle.]

[Footnote 64: a country dance, still practised in the North.]

[Footnote 65: baffle.]

[Footnote 66: a corruption of _feints_.]

[Footnote 67: a minstrel is a musician.]

[Footnote 68: unbounded.]

[Footnote 69: branches.]

[Footnote 70: furious.]

[Footnote 71: tempests, storms.]

[Footnote 72: dire.]

[Footnote 73: dismay.]

[Footnote 74: dwarf.]

[Footnote 75: humility.]

[Footnote 76: decked.]

[Footnote 77: unhurt.]

[Footnote 78: picture.]

[Footnote 79: tempest-beaten.]

ELINOURE AND JUGA.

Onne Ruddeborne[1] bank twa pynynge Maydens fate,

Theire teares faste dryppeynge to the waterre cleere;
Echone bementynge[2] for her absente mate,
Who atte Seyncte Albonns shouke the morthynge[3] speare.
The nottebrowne Elinoure to Juga fayre 5
Dydde speke acroole[4], wythe languishment of eyne,
Lyche droppes of pearlie dew, lemed[5] the quyvryng brine.

ELINOURE.

O gentle Juga! heare mie dernie[6] plainte,

To fyghte for Yorke mie love ys dyghte[7] in stele;
O maie ne sanguen steine the whyte rose peyncte, 10
Maie good Seyncte Cuthberte watche Syrre Roberte wele.
Moke moe thanne deathe in phantasie I feele;
See! see! upon the grounde he bleedynge lies;
Inhild[8] some joice[9] of lyfe or else mie deare love dies.

JUGA.

Systers in sorrowe, on thys daise-ey'd banke, 15

Where melancholych broods, we wyll lamente;
Be wette wythe mornynge dewe and evene danke;
Lyche levynde[10] okes in eche the odher bente,
Or lyche forlettenn[11] halles of merriemente,
Whose gastlie mitches[12] holde the traine of fryghte[13], 20
Where lethale[14] ravens bark, and owlets wake the nyghte.

[ELINOURE.]

No moe the miskynette[15] shall wake the morne,

The minstrelle daunce, good cheere, and morryce plaie;
No moe the amblynge palfrie and the horne
Shall from the lessel[16] rouze the foxe awaie; 25
I'll seke the foreste alle the lyve-longe daie;
Alle nete amenge the gravde chyrche[17] glebe wyll goe,
And to the passante Spryghtes lecture[18] mie tale of woe.

[JUGA.]

Whan mokie[19] cloudis do hange upon the leme

Of leden[20] Moon, ynn sylver mantels dyghte; 30
The tryppeynge Faeries weve the golden dreme
Of Selyness[21], whyche flyethe wythe the nyghte;
Thenne (botte the Seynctes forbydde!) gif to a spryte
Syrr Rychardes forme ys lyped, I'll holde dystraughte
Hys bledeynge claie-colde corse, and die eche daie ynn thoughte. 35

ELINOURE.

Ah woe bementynge wordes; what wordes can shewe!

Thou limed[22] ryver, on thie linche[23] maie bleede
Champyons, whose bloude wylle wythe thie waterres flowe,
And Rudborne streeme be Rudborne streeme indeede!
 Haste, gentle Juga, tryppe ytte oere the meade, 40
To knowe, or wheder we muste waile agayne,
Or wythe oure fallen knyghtes be menged onne the plain.

Soe sayinge, lyke twa levyn-blasted trees,

Or twayne of cloudes that holdeth stormie rayne;
Theie moved gentle oere the dewie mees[24], 45
To where Seyncte Albons holie shrynes remayne.
There dyd theye fynde that bothe their knyghtes were slayne,
Distraughte[25] theie wandered to swollen Rudbornes syde,
Yelled theyre leathalle knelle, sonke ynn the waves, and dyde.

[Footnote 1: Rudborne (in Saxon, red-water), a River near Saint

Albans, famous for the battles there fought between the Houses of
Lancaster and York.]

[Footnote 2: lamenting.]

[Footnote 3: murdering.]

[Footnote 4: faintly.]

[Footnote 5: glistened.]

[Footnote 6: sad complaint.]

[Footnote 7: arrayed, or cased.]

[Footnote 8: infuse.]

[Footnote 9: juice.]

[Footnote 10: blasted.]

[Footnote 11: forsaken.]

[Footnote 12: ruins.]

[Footnote 13: fear.]

[Footnote 14: deadly or deathboding.]

[Footnote 15: a small bagpipe.]

[Footnote 16: in a confined sense, a bush or hedge, though sometimes

used as a forest.]

[Footnote 17: church-yard.]

[Footnote 18: relate.]

[Footnote 19: black.]

[Footnote 20: decreasing.]

[Footnote 21: happiness.]

[Footnote 22: glassy.]

[Footnote 23: bank.]

[Footnote 24: meeds.]

[Footnote 25: distracted.]

TO JOHNE LADGATE.

[Sent with the following _Songe to �lla._]

Well thanne, goode Johne, sythe ytt must needes be soe,

Thatt thou & I a bowtynge matche must have,
Lette ytt ne breakynge of oulde friendshyppe bee,
Thys ys the onelie all-a-boone I crave.

Rememberr Stowe, the Bryghtstowe Carmalyte, 5

Who whanne Johne Clarkynge, one of myckle lore,
Dydd throwe hys gauntlette-penne, wyth hym to fyghte,
Hee showd smalle wytte, and showd hys weaknesse more.

Thys ys mie formance, whyche I nowe have wrytte,

The best performance of mie lyttel wytte. 10

SONGE TO �LLA, LORDE OF THE CASTEL OF BRYSTOWE YNNE DAIES OF YORE.

Oh thou, orr what remaynes of thee,

�lla, the darlynge of futurity,
Lett thys mie songe bolde as thie courage be,
As everlastynge to posteritye.

Whanne Dacya's sonnes, whose hayres of bloude-redde hue 5

Lyche kynge-cuppes brastynge wythe the morning due,
Arraung'd ynne dreare arraie,
Upponne the lethale daie,
Spredde farre and wyde onne Watchets shore;
Than dyddst thou furiouse stande, 10
And bie thie valyante hande
Beesprengedd all the mees wythe gore.

Drawne bie thyne anlace felle,

Downe to the depthe of helle
Thousandes of Dacyanns went; 15
Brystowannes, menne of myghte,
Ydar'd the bloudie fyghte,
And actedd deeds full quent.

Oh thou, whereer (thie bones att reste)

Thye Spryte to haunte delyghteth beste, 20
Whetherr upponne the bloude-embrewedd pleyne,
 Orr whare thou kennst fromm farre
The dysmall crye of warre,
Orr seest somme mountayne made of corse of sleyne;
Orr seest the hatchedd stede, 25
Ypraunceynge o'er the mede,
And neighe to be amenged the poynctedd speeres;
Orr ynne blacke armoure staulke arounde
Embattel'd Brystowe, once thie grounde,
And glowe ardurous onn the Castle steeres; 30

Orr fierye round the mynsterr glare;

Lette Brystowe stylle be made thie care;
Guarde ytt fromme foemenne & consumynge fyre;
Lyche Avones streme ensyrke ytte rounde,
Ne lette a flame enharme the grounde, 35
Tylle ynne one flame all the whole worlde expyre.

The underwritten Lines were composed by JOHN LADGATE, a Priest in

London, and sent to ROWLIE, as an Answer to the preceding _Songe of
�lla_.

Havynge wythe mouche attentyonn redde

Whatt you dydd to mee sende,
Admyre the varses mouche I dydd,
And thus an answerr lende.

Amongs the Greeces Homer was 5

A Poett mouche renownde,
Amongs the Latyns Vyrgilius
Was beste of Poets founde.

The Brytish Merlyn oftenne hanne

The gyfte of inspyration, 10
And Afled to the Sexonne menne
Dydd synge wythe elocation.

Ynne Norman tymes, Turgotus and

Goode Chaucer dydd excelle,
Thenn Stowe, the Bryghtstowe Carmelyte, 15
Dydd bare awaie the belle.

Nowe Rowlie ynne these mokie dayes

Lendes owte hys sheenynge lyghtes,
And Turgotus and Chaucer lyves
Ynne ev'ry lyne he wrytes. 20

THE TOURNAMENT.

AN INTERLUDE.
ENTER AN HERAWDE.

The Tournament begynnes; the hammerrs sounde;

The courserrs lysse[1] about the mensuredd[2] fielde;
The shemrynge armoure throws the sheene arounde;
Quayntyssed[3] fons[4] depictedd[5] onn eche sheelde.
The feerie[6] heaulmets, wythe the wreathes amielde[7], 5
Supportes the rampynge lyoncell[8] orr beare,
Wythe straunge depyctures[9], Nature maie nott yeelde,
Unseemelie to all orderr doe appere,
Yett yatte[10] to menne, who thyncke and have a spryte[11],
Makes knowen thatt the phantasies unryghte. 10

I, Sonne of Honnoure, spencer[11] of her joies,

Muste swythen[12] goe to yeve[13] the speeres arounde,
Wythe advantayle[14] & borne[15] I meynte[16] emploie,
Who withoute mee woulde fall untoe the grounde.
Soe the tall oake the ivie twysteth rounde; 15
Soe the neshe[17] flowerr grees[18] ynne the woodeland shade.
The worlde bie diffraunce ys ynne orderr founde;
Wydhoute unlikenesse nothynge could bee made.
As ynn the bowke[19] nete[20] alleyn[21] cann bee donne,
Syke[22] ynn the weal of kynde all thynges are partes of onne. 20

Enterr SYRR SYMONNE DE BOURTONNE.

Herawde[23], bie heavenne these tylterrs staie too long.

Mie phantasie ys dyinge forr the fyghte.
The mynstrelles have begonne the thyrde warr songe,
Yett notte a speere of hemm[24] hath grete mie syghte.
I feere there be ne manne wordhie mie myghte. 25
I lacke a Guid[25], a Wyllyamm[26] to entylte.
To reine[27] anente[28] a fele[29] embodiedd knyghte,
Ytt gettes ne rennome[30] gyff hys blodde bee spylte.
Bie heavenne & Marie ytt ys tyme they're here;
I lyche nott unthylle[31] thus to wielde the speare. 30

HERAWDE.

Methynckes I heare yer slugghornes[32] dynn[33] fromm farre.

BOURTONNE.

Ah! swythenn[34] mie shielde & tyltynge launce bee bounde [35].
Eftsoones[36] beheste[37] mie Squyerr to the warre.
I flie before to clayme a challenge grownde.
[_Goeth oute_.

HERAWDE.

Thie valourous actes woulde meinte[38] of menne astounde;

Harde bee yer shappe[39] encontrynge thee ynn fyghte;
Anenst[40] all menne thou bereft to the grounde,
Lyche the hard hayle dothe the tall roshes pyghte[41].
As whanne the mornynge sonne ydronks the dew,
Syche dothe thie valourous actes drocke[42] eche knyghte's hue. 40

THE LYSTES. THE KYNGE. SYRR SYMONNE DE BOURTONNE, SYRR HUGO

 FERRARIS, SYRR RANULPH NEVILLE, SYRR LODOVICK DE CLYNTON,
SYRR JOHAN DE BERGHAMME, AND ODHERR KNYGHTES, HERAWDES,
MYNSTRELLES. AND SERVYTOURS[43].

KYNGE.

The barganette[44]; yee mynstrelles tune the strynge,

Somme actyonn dyre of auntyante kynges now synge.

MYNSTRELLES.

Wyllyamm, the Normannes floure botte Englondes thorne,

The manne whose myghte delievretie[45] hadd knite[46],
Snett[46] oppe hys long strunge bowe and sheelde aborne[47], 45
Behesteynge[48] all hys hommageres[49] to fyghte.
Goe, rouze the lyonn fromm hys hylted[50] denne,
Lett thie floes[51] drenche the blodde of anie thynge bott menne.

Ynn the treed forreste doe the knyghtes appere;

Wyllyamm wythe myghte hys bowe enyronn'd[52] plies[53]; 50
Loude dynns[54] the arrowe ynn the wolfynn's eare;
Hee ryseth battent[55] roares, he panctes, hee dyes.
Forslagenn att thie feete lett wolvynns bee,
Lett thie floes drenche theyre blodde, bott do ne bredrenn flea.

Throwe the merke[56] shade of twistynde trees hee rydes; 55

The flemed[57] owlett[58] flapps herr eve-speckte[59] wynge;
The lordynge[60] toade ynn all hys passes bides;
The berten[61] neders[62] att hymm darte the stynge;
Styll, stylle, hee passes onn, hys stede astrodde,
Nee hedes the daungerous waie gyff leadynge untoe bloodde. 60

The lyoncel, fromme sweltrie[63] countries braughte,

Coucheynge binethe the sheltre of the brierr,
Att commyng dynn[64] doth rayse hymselfe distraughte[65],
He loketh wythe an eie of flames of fyre.
Goe, sticke the lyonn to hys hyltren denne. 65
Lette thie floes[66] drenche the blood of anie thynge botte menn.

Wythe passent[67] steppe the lyonn mov'th alonge;

Wyllyamm hys ironne-woven bowe hee bendes,
Wythe myghte alyche the roghlynge[68] thonderr stronge;
The lyonn ynn a roare hys spryte foorthe sendes. 70
Goe, slea the lyonn ynn hys blodde-steyn'd denne,
Botte bee thie takelle[69] drie fromm blodde of odherr menne.

Swefte fromm the thyckett starks the stagge awaie;

The couraciers[70] as swefte doe afterr flie.
Hee lepethe hie, hee stondes, hee kepes att baie, 75
Botte metes the arrowe, and eftsoones[71] doth die.
Forslagenn atte thie fote lette wylde beastes bee,
Lett thie floes drenche yer blodde, yett do ne bredrenn slee.

Wythe murtherr tyredd, hee sleynges hys bowe alyne[72].

The stagge ys ouch'd[73] wythe crownes of lillie flowerrs. 80
Arounde theire heaulmes theie greene verte doe entwyne;
Joying and rev'lous ynn the grene wode bowerrs.
Forslagenn wyth thie floe lette wylde beastes bee,
Feeste thee upponne theire fleshe, doe ne thie bredrenn flee.

KYNGE.

Nowe to the Tourneie[74]; who wylle fyrste affraie[75]? 85

HERAULDE.

Nevylle, a baronne, bee yatte[76] honnoure thyne.

BOURTONNE.

I clayme the passage.

NEVYLLE.

I contake[77] thie waie.

BOURTONNE.

Thenn there's mie gauntlette[78] onn mie gaberdyne[79].

HEREHAULDE.

A leegefull[80] challenge, knyghtes & champyonns dygne[81],

A leegefull challenge, lette the flugghorne sounde. 90
[Syrr Symonne _and_ Nevylle _tylte_.
Nevylle ys goeynge, manne and horse, toe grounde.
[Nevylle _falls_.
Loverdes, how doughtilie[82] the tylterrs joyne!
Yee champyonnes, heere Symonne de Bourtonne fyghtes,
Onne hee hathe quacedd[83], assayle[84] hymm, yee knyghtes.

FERRARIS.

I wylle anente[85] hymm goe; mie squierr, mie shielde; 95

Orr onne orr odherr wyll doe myckle[86] scethe[87]
Before I doe departe the lissedd[88] fielde,
Mieselfe orr Bourtonne hereupponn wyll blethe[89].
Mie shielde.

BOURTONNE.

Comme onne, & fitte thie tylte-launce ethe[90].

Whanne Bourtonn fyghtes, hee metes a doughtie foe. 100
[_Theie tylte_. Ferraris _falleth_.
Hee falleth; nowe bie heavenne thie woundes doe smethe[91];
I feere mee, I have wroughte thee myckle woe[92].

HERAWDE.

Bourtonne hys seconde beereth to the feelde.

Comme onn, yee knyghtes, and wynn the honnour'd sheeld.

BERGHAMME.

I take the challenge; squyre, mie launce and stede. 105

I, Bourtonne, take the gauntlette; forr mee staie.
 Botte, gyff thou fyghteste mee, thou shalt have mede[93];
Somme odherr I wylle champyonn toe affraie[94];
Perchaunce fromme hemm I maie possess the daie,
Thenn I schalle bee a foemanne forr thie spere. 110
Herehawde, toe the bankes of Knyghtys saie,
De Berghamme wayteth forr a foemann heere.

CLINTON.

Botte longe thou schalte ne tend[95]; I doe thee fie[96].

Lyche forreying[97] levynn[98], schalle mie tylte-launce flie.
[Berghamme & Clinton _tylte_. Clinton _fallethe_.
BERGHAMME.

Nowe, nowe, Syrr Knyghte, attoure[99] thie beeveredd[100] eyne.

I have borne downe, and este[101] doe gauntlette thee.
Swythenne[102] begynne, and wrynn[103] thie shappe[104] orr myne;
Gyff thou dyscomfytte, ytt wylle dobblie bee.
[Bourtonne & Burghamm _tylteth_. Berghamme _falls_.

HERAWDE.

Symonne de Bourtonne haveth borne downe three,

And bie the thyrd hathe honnoure of a fourthe. 120
Lett hymm bee sett asyde, tylle hee doth see
A tyltynge forr a knyghte of gentle wourthe.
Heere commethe straunge knyghtes; gyff corteous[105] heie[106],
Ytt welle beseies[107] to yeve[108] hemm ryghte of fraie[109].

FIRST KNYGHTE.

Straungerrs wee bee, and homblie doe wee clayme 125

The rennome[110] ynn thys Tourneie[111] forr to tylte;
Dherbie to proove fromm cravents[112] owre goode name,
Bewrynnynge[113] thatt wee gentile blodde have spylte.

HEREHAWDE.

Yee knyghtes of cortesie, these straungerrs, saie,

Bee you fulle wyllynge forr to yeve hemm fraie? 130
[_Fyve Knyghtes tylteth wythe the straunge Knyghte, and bee
everichone[114] overthrowne._

BOURTONNE.

Nowe bie Seyncte Marie, gyff onn all the fielde

Ycrasedd[115] speres and helmetts bee besprente[116],
Gyff everyche knyghte dydd houlde a piercedd[117] sheeld,
Gyff all the feelde wythe champyonne blodde bee stente[118],
Yett toe encounterr hymm I bee contente. 135
Annodherr launce, Marshalle, anodherr launce.
Albeytte hee wythe lowes[119] of fyre ybrente[120],
Yett Bourtonne woulde agenste hys val[121] advance.
Fyve haveth fallenn downe anethe[122] hys speere,
Botte hee schalle bee the next thatt falleth heere. 140

Bie thee, Seyncte Marie, and thy Sonne I sweare,

Thatt ynn whatte place yonn doughtie knyghte shall fall
 Anethe[123] the stronge push of mie straught[124] out speere,
There schalle aryse a hallie[125] chyrches walle,
The whyche, ynn honnoure, I wylle Marye calle, 145
Wythe pillars large, and spyre full hyghe and rounde.
And thys I faifullie[126] wylle stonde to all,
Gyff yonderr straungerr falleth to the grounde.
Straungerr, bee boune[127]; I champyonn[128] you to warre.
Sounde, sounde the flughornes, to bee hearde fromm farre. 150
[Bourtonne & _the_ Straungerr _tylt_. Straunger _falleth_.

KYNGE.

The Mornynge Tyltes now cease.

HERAWDE.

Bourtonne ys kynge.
Dysplaie the Englyshe bannorre onn the tente;
Rounde hymm, yee mynstrelles, songs of achments[129] synge;
Yee Herawdes, getherr upp the speeres besprente[130];
To Kynge of Tourney-tylte bee all knees bente. 155
Dames faire and gentle, forr youre loves hee foughte;
Forr you the longe tylte-launce, the swerde hee shente[131];
Hee joustedd, alleine[132] havynge you ynn thoughte.
Comme, mynstrelles, sound the strynge, goe onn eche syde,
Whylest hee untoe the Kynge ynn state doe ryde. 160

MYNSTRELLES.

Whann Battayle, smethynge[133] wythe new quickenn'd gore,

Bendynge wythe spoiles, and bloddie droppynge hedde,
Dydd the merke[134] woode of ethe[135] and rest explore,
Seekeynge to lie onn Pleasures downie bedde,
Pleasure, dauncyng fromm her wode, 165
Wreathedd wythe floures of aiglintine,
Fromm hys vysage washedd the bloude,
Hylte[136] hys swerde and gaberdyne.

Wythe syke an eyne shee swotelie[137] hymm dydd view,

Dydd foe ycorvenn[138] everrie shape to joie, 170
Hys spryte dydd chaunge untoe anodherr hue,
Hys armes, ne spoyles, mote anie thoughts emploie.
All delyghtsomme and contente,
Fyre enshotynge[139] fromm hys eyne,
Ynn hys arms hee dydd herr hente[140], 175
Lyche the merk[141]-plante doe entwyne.
Soe, gyff thou lovest Pleasure and herr trayne,
Onknowlachynge[142] ynn whatt place herr to fynde,
Thys rule yspende[143], and ynn thie mynde retayne;
Seeke Honnoure fyrste, and Pleasaunce lies behynde. 180

[Footnote 1: sport, or play.]

[Footnote 2: bounded, or measured.]

[Footnote 3: curiously devised.]

[Footnote 4: fancys or devices.]

[Footnote 5: painted, or displayed.]

[Footnote 6: fiery.]

[Footnote 7: ornamented, enameled.]

[Footnote 8: a young lion.]

[Footnote 9: drawings, paintings.]

[Footnote 10: that.]

[Footnote 11: soul.]

[Footnote 11: dispenser.]

[Footnote 12: quickly.]

[Footnote 13: give.]

[Footnote 14: armer.]

[Footnote 15: burnish.]

[Footnote 16: many.]

[Footnote 17: young, weak, tender.]

[Footnote 18: grows.]

[Footnote 19: body.]

[Footnote 20: nothing.]

[Footnote 21: alone.]

[Footnote 22: so.]

[Footnote 23: herald.]

[Footnote 24: a contraction of _them_.]

[Footnote 25: _Guie de Sancto Egidio_, the most famous tilter of his
age.]

[Footnote 26: William Rufus.]

[Footnote 27: run.]

[Footnote 28: against.]

[Footnote 29: feeble.]

[Footnote 30: honour, glory.]

[Footnote 31: useless.]

[Footnote 32: a kind of claryon.]

[Footnote 33: sound.]

[Footnote 34: quickly.]

[Footnote 35: ready.]

[Footnote 36: soon.]

[Footnote 37: command.]

[Footnote 38: most.]

[Footnote 39: fate, or doom.]

[Footnote 40: against.]

[Footnote 41: pitched, or bent down.]

[Footnote 42: drink.]

[Footnote 43: servants, attendants.]

[Footnote 44: song, or ballad.]

[Footnote 45: activity.]

[Footnote 46: joined (_1842; left blank in 1777 and 1778_)]

[Footnote 46: bent.]

[Footnote 47: burnished.]

[Footnote 48: commanding.]

[Footnote 49: servants.]

[Footnote 50: hidden.]

[Footnote 51: arrows.]

[Footnote 52: worked with iron.]

[Footnote 53: bends.]

[Footnote 54: sounds.]

[Footnote 55: loudly.]

[Footnote 56: dark, or gloome.]

[Footnote 57 & 58: frighted owl.]

[Footnote 59: marked with evening dew.]

[Footnote 60: standing on their hind legs.]

[Footnote 61: venemous.]

[Footnote 62: adders.]

[Footnote 63: hot, sultry.]

[Footnote 64: sound, noise.]

[Footnote 65: distracted.]

[Footnote 66: arrows.]

[Footnote 67: walking leisurely.]

[Footnote 68: rolling.]

[Footnote 69: arrow.]

[Footnote 70: horse coursers.]

[Footnote 71: full soon.]

[Footnote 72: across his shoulders.]

[Footnote 73: garlands of flowers being put round the neck of the
game, it was said to be _ouch'd_, from _ouch_, a chain, worn by earls
round their necks.]

[Footnote 74: Turnament.]

[Footnote 75: fight, or encounter.]

[Footnote 76: that.]

[Footnote 77: dispute.]

[Footnote 78: glove.]

[Footnote 79: a piece of armour.]

[Footnote 80: lawful.]

[Footnote 81: worthy.]

[Footnote 82: furiously.]

[Footnote 83: vanquished.]

[Footnote 84: oppose.]

[Footnote 85: against.]

[Footnote 86: much.]

[Footnote 87: damage, mischief.]

[Footnote 88: bounded.]

[Footnote 89: bleed.]

[Footnote 90: easy.]

[Footnote 91: smoke.]

[Footnote 92: hurt, or damage.]

[Footnote 93: reward.]

[Footnote 94: fight or engage.]

[Footnote 95: attend or wait.]

[Footnote 96: defy.]

[Footnote 97 & 98: destroying lightening.]

[Footnote 99: turn.]

[Footnote 100: beaver'd.]

[Footnote 101: again.]

[Footnote 102: quickly.]

[Footnote 103: declare.]

[Footnote 104: fate.]

[Footnote 105: worthy.]

[Footnote 106: they.]

[Footnote 107: becomes.]

[Footnote 108: give.]

[Footnote 109: fyght.]

[Footnote 110: honour.]

[Footnote 111: Tournament.]

[Footnote 112: cowards.]

[Footnote 113: declaring.]

[Footnote 114: every one.]

[Footnote 115: broken, split.]

[Footnote 116: scatter'd.]

[Footnote 117: broken, or pierced through with darts.]

[Footnote 118: stained.]

[Footnote 119: flames.]

[Footnote 120: burnt.]

[Footnote 121: healm.]

[Footnote 122: beneath.]

[Footnote 123: against.]

[Footnote 124: stretched out.]

[Footnote 125: holy.]

[Footnote 126: faithfully.]

[Footnote 127: ready.]

[Footnote 128: challenge.]

[Footnote 129: atchievements, glorious actions.]

[Footnote 130: broken spears.]

[Footnote 131: broke, destroyed.]

[Footnote 132: only, alone.]

[Footnote 133: smoaking, steaming.]

[Footnote 134: dark, gloomy.]

[Footnote 135: ease.]

[Footnote 136: hid, secreted.]

[Footnote 137: sweetly.]

[Footnote 138: moulded.]

[Footnote 139: shooting, darting.]

[Footnote 140: grasp, hold.]

[Footnote 141: night-shade.]

[Footnote 142: ignorant, unknowing.]

[Footnote 143: consider.]

BRISTOWE TRAGEDIE:

OR THE DETHE OF

SYR CHARLES BAWDIN.

The featherd songster chaunticleer
Han wounde hys bugle horne,
And tolde the earlie villager
The commynge of the morne:

Kynge EDWARDE sawe the ruddie streakes 5

Of lyghte eclypse the greie;
And herde the raven's crokynge throte
Proclayme the fated daie.

"Thou'rt ryght," quod hee, "for, by the Godde

That syttes enthron'd on hyghe! 10
CHARLES BAWDIN, and hys fellowes twaine,
To-daie shall surelie die."

Thenne wythe a jugge of nappy ale

Hys Knyghtes dydd onne hymm waite;
"Goe tell the traytour, thatt to-daie 15
Hee leaves thys mortall state."

Syr CANTERLOUE thenne bendedd lowe,

Wythe harte brymm-fulle of woe;
Hee journey'd to the castle-gate,
And to Syr CHARLES dydd goe. 20

Butt whenne hee came, hys children twaine,

And eke hys lovynge wyfe,
Wythe brinie tears dydd wett the floore,
For goode Syr CHARLESES lyfe.

"O goode Syr CHARLES!" sayd CANTERLOUE, 25

"Badde tydyngs I doe brynge."
"Speke boldlie, manne," sayd brave Syr CHARLES,
"Whatte says thie traytor kynge?"

"I greeve to telle, before yonne sonne

Does fromme the welkinn flye, 30
Hee hath uponne hys honour sworne,
Thatt thou shalt surelie die."

"Wee all must die," quod brave Syr CHARLES;

"Of thatte I'm not affearde;
Whatte bootes to lyve a little space? 35
Thanke JESU, I'm prepar'd."

"Butt telle thye kynge, for myne hee's not,

I'de sooner die to-daie
Thanne lyve hys slave, as manie are,
Tho' I shoulde lyve for aie." 40

Thenne CANTERLOUE hee dydd goe out,

To telle the maior straite
To gett all thynges ynne reddyness
For goode Syr CHARLESES fate.

Thenne Maisterr CANYNGE saughte the kynge, 45

 And felle down onne hys knee;
"I'm come," quod hee, "unto your grace
To move your clemencye."

Thenne quod the kynge, "Youre tale speke out,

You have been much oure friende; 50
Whatever youre request may bee,
Wee wylle to ytte attende."

"My nobile leige! alle my request

Ys for a nobile knyghte,
Who, tho' may hap hee has donne wronge, 55
He thoghte ytte stylle was ryghte."

"Hee has a spouse and children twaine,

Alle rewyn'd are for aie;
Yff thatt you are resolv'd to lett
CHARLES BAWDIN die to-daie." 60

"Speke nott of such a traytour vile,"

The kynge ynne furie sayde;
"Before the evening starre doth sheene,
BAWDIN shall loose hys hedde."

"Justice does loudlie for hym calle, 65

And hee shalle have hys meede:
Speke, Maister CANYNGE! Whatte thynge else
Att present doe you neede?"

"My nobile leige!" goode CANYNGE sayde,

"Leave justice to our Godde, 70
And laye the yronne rule asyde;
Be thyne the olyve rodde."

"Was Godde to serche our hertes and reines,

The best were synners grete;
CHRIST'S vycarr only knowes ne synne, 75
Ynne alle thys mortall state."

"Lett mercie rule thyne infante reigne,

'Twylle faste thye crowne fulle sure;
From race to race thy familie
Alle sov'reigns shall endure." 80

"But yff wythe bloode and slaughter thou

Beginne thy infante reigne,
Thy crowne uponne thy childrennes brows
Wylle never long remayne."

"CANYNGE, awaie! thys traytour vile 85

Has scorn'd my power and mee;
Howe canst thou thenne for such a manne
Intreate my clemencye?"

"My nobile leige! the trulie brave

Wylle val'rous actions prize, 90
Respect a brave and nobile mynde,
Altho' ynne enemies."
"CANYNGE, awaie! By Godde ynne Heav'n
Thatt dydd mee beinge gyve,
I wylle nott taste a bitt of breade 95
Whilst thys Syr CHARLES dothe lyve."

"By MARIE, and alle Seinctes ynne Heav'n,

Thys sunne shall be hys laste."
Thenne CANYNGE dropt a brinie teare,
And from the presence paste. 100

Wyth herte brymm-fulle of gnawynge grief,

Hee to Syr CHARLES dydd goe,
And satt hymm downe uponne a stoole,
And teares beganne to flowe.

"Wee all must die," quod brave Syr CHARLES; 105

"Whatte bootes ytte howe or whenne;
Dethe ys the sure, the certaine fate
Of all wee mortall menne.

"Saye why, my friend, thie honest soul

Runns overr att thyne eye; 110
Is ytte for my most welcome doome
Thatt thou dost child-lyke crye?"

Quod godlie CANYNGE, "I doe weepe,

Thatt thou so soone must dye,
And leave thy sonnes and helpless wyfe; 115
'Tys thys thatt wettes myne eye."

"Thenne drie the tears thatt out thyne eye

From godlie fountaines sprynge;
Dethe I despise, and alle the power
Of EDWARDE, traytor kynge. 120

"Whan throgh the tyrant's welcom means

I shall resigne my lyfe,
The Godde I serve wylle soone provyde
For bothe mye sonnes and wyfe.

"Before I sawe the lyghtsome sunne, 125

Thys was appointed mee;
Shall mortal manne repyne or grudge
Whatt Godde ordeynes to bee?

"Howe oft ynne battaile have I stoode,

Whan thousands dy'd arounde; 130
Whan smokynge streemes of crimson bloode
Imbrew'd the fatten'd grounde:

"How dydd I knowe thatt ev'ry darte,

Thatt cutte the airie waie,
Myghte nott fynde passage toe my harte, 135
And close myne eyes for aie?

"And shall I nowe, forr feere of dethe,

Looke wanne and bee dysmayde?
Ne! fromm my herte flie childyshe feere,
Bee alle the manne display'd. 140

"Ah, goddelyke HENRIE! Godde forefende,

And guarde thee and thye sonne,
Yff 'tis hys wylle; but yff 'tis nott,
Why thenne hys wylle bee donne.

"My honest friende, my faulte has beene 145

To serve Godde and mye prynce;
And thatt I no tyme-server am,
My dethe wylle soone convynce.

"Ynne Londonne citye was I borne,

Of parents of grete note; 150
My fadre dydd a nobile armes
Emblazon onne hys cote:

"I make ne doubte butt hee ys gone

Where soone I hope to goe;
Where wee for ever shall bee blest, 155
From oute the reech of woe:

"Hee taughte mee justice and the laws

Wyth pitie to unite;
And eke hee taughte mee howe to knowe
The wronge cause fromm the ryghte: 160

"Hee taughte mee wythe a prudent hande

To feede the hungrie poore,
Ne lett mye sarvants dryve awaie
The hungrie fromme my doore:

"And none can saye, butt alle mye lyfe 165

I have hys wordyes kept;
And summ'd the actyonns of the daie
Eche nyghte before I slept.

"I have a spouse, goe aske of her,

Yff I defyl'd her bedde? 170
I have a kynge, and none can laie
Blacke treason onne my hedde.

"Ynne Lent, and onne the holie eve,

Fromm fleshe I dydd refrayne;
Whie should I thenne appeare dismay'd 175
To leave thys worlde of payne?

"Ne! hapless HENRIE! I rejoyce,

I shalle ne see thye dethe;
Moste willynglie ynne thye just cause
Doe I resign my brethe. 180

"Oh, fickle people! rewyn'd londe!

Thou wylt kenne peace ne moe;
Whyle RICHARD'S sonnes exalt themselves,
Thye brookes wythe bloude wylle flowe.
"Saie, were ye tyr'd of godlie peace, 185
And godlie HENRIE'S reigne,
Thatt you dydd choppe youre easie daies
For those of bloude and peyne?

"Whatte tho' I onne a sledde bee drawne,

And mangled by a hynde, 190
I doe defye the traytor's pow'r,
Hee can ne harm my mynde;

"Whatte tho', uphoisted onne a pole,

Mye lymbes shall rotte ynne ayre,
And ne ryche monument of brasse 195
CHARLES BAWDIN'S name shall bear;

"Yett ynne the holie booke above,

Whyche tyme can't eate awaie,
There wythe the sarvants of the Lorde
Mye name shall lyve for aie. 200

"Thenne welcome dethe! for lyfe eterne

I leave thys mortall lyfe:
Farewell, vayne worlde, and alle that's deare,
Mye sonnes and lovynge wyfe!

"Nowe dethe as welcome to mee comes, 205

As e'er the moneth of Maie;
Nor woulde I even wyshe to lyve,
Wyth my dere wyfe to staie."

Quod CANYNGE, "'Tys a goodlie thynge

To bee prepar'd to die; 210
And from thys world of peyne and grefe
To Godde ynne Heav'n to flie."

And nowe the bell beganne to tolle,

And claryonnes to sounde;
Syr CHARLES hee herde the horses feete 215
A prauncyng onne the grounde:

And just before the officers,

His lovynge wyfe came ynne,
Weepynge unfeigned teeres of woe,
Wythe loude and dysmalle dynne. 220

"Sweet FLORENCE! nowe I praie forbere,

Ynne quiet lett mee die;
Praie Godde, thatt ev'ry Christian soule
Maye looke onne dethe as I.

"Sweet FLORENCE! why these brinie teeres? 225

Theye washe my soule awaie,
And almost make mee wyshe for lyfe,
Wyth thee, sweete dame, to staie.

"'Tys butt a journie I shalle goe

Untoe the lande of blysse; 230
Nowe, as a proofe of husbande's love,
 Receive thys holie kysse."

Thenne FLORENCE, fault'ring ynne her saie,

Tremblynge these wordyes spoke,
"Ah, cruele EDWARDE! bloudie kynge! 235
My herte ys welle nyghe broke:

"Ah, sweete Syr CHARLES! why wylt thou goe,

Wythoute thye lovynge wyfe?
The cruelle axe thatt cuttes thye necke,
Ytte eke shall ende mye lyfe." 240

And nowe the officers came ynne

To brynge Syr CHARLES awaie,
Whoe turnedd toe his lovynge wyfe,
And thus toe her dydd saie:

"I goe to lyfe, and nott to dethe; 245

Truste thou ynne Godde above,
And teache thye sonnes to feare the Lorde,
And ynne theyre hertes hym love:

"Teache them to runne the nobile race

Thatt I theyre fader runne: 250
FLORENCE! shou'd dethe thee take--adieu!
Yee officers, leade onne."

Thenne FLORENCE rav'd as anie madde,

And dydd her tresses tere;
"Oh! staie, mye husbande! lorde! and lyfe!"-- 255
Syr CHARLES thenne dropt a teare.

'Tyll tyredd oute wythe ravynge loud,

Shee fellen onne the flore;
Syr CHARLES exerted alle hys myghte,
And march'd fromm oute the dore. 260

Uponne a sledde hee mounted thenne,

Wythe lookes fulle brave and swete;
Lookes, thatt enshone ne moe concern
Thanne anie ynne the strete.

Before hym went the council-menne, 265

Ynne scarlett robes and golde,
And tassils spanglynge ynne the sunne,
Muche glorious to beholde:

The Freers of Seincte AUGUSTYNE next

Appeared to the syghte, 270
Alle cladd ynne homelie russett weedes,
Of godlie monkysh plyghte:

Ynne diffraunt partes a godlie psaume

Moste sweetlie theye dydd chaunt;
Behynde theyre backes syx mynstrelles came, 275
Who tun'd the strunge bataunt.

Thenne fyve-and-twentye archers came;

 Echone the bowe dydd bende,
From rescue of kynge HENRIES friends
Syr CHARLES forr to defend. 280

Bolde as a lyon came Syr CHARLES,

Drawne onne a clothe-layde sledde,
Bye two blacke stedes ynne trappynges white,
Wyth plumes uponne theyre hedde:

Behynde hym fyve-and-twentye moe 285

Of archers stronge and stoute,
Wyth bended bowe echone ynne hande,
Marched ynne goodlie route:

Seincte JAMESES Freers marched next,

Echone hys parte dydd chaunt; 290
Behynde theyre backs syx mynstrelles came,
Who tun'd the strunge bataunt:

Thenne came the maior and eldermenne,

Ynne clothe of scarlett deck't;
And theyre attendyng menne echone, 295
Lyke Easterne princes trickt:

And after them, a multitude

Of citizenns dydd thronge;
The wyndowes were alle fulle of heddes,
As hee dydd passe alonge. 300

And whenne hee came to the hyghe crosse,

Syr CHARLES dydd turne and saie,
"O Thou, thatt savest manne fromme synne,
Washe mye soule clean thys daie!"

Att the grete mynsterr wyndowe sat 305

The kynge ynne myckle state,
To see CHARLES BAWDIN goe alonge
To hys most welcom fate.

Soone as the sledde drewe nyghe enowe,

Thatt EDWARDE hee myghte heare, 310
The brave Syr CHARLES hee dydd stande uppe,
And thus hys wordes declare:

"Thou seest mee, EDWARDE! traytour vile!

Expos'd to infamie;
Butt bee assur'd, disloyall manne! 315
I'm greaterr nowe thanne thee.

"Bye foule proceedyngs, murdre, bloude,

Thou wearest nowe a crowne;
And hast appoynted mee to dye,
By power nott thyne owne. 320

"Thou thynkest I shall dye to-daie;

I have beene dede 'till nowe,
And soone shall lyve to weare a crowne
For aie uponne my browe:
"Whylst thou, perhapps, for som few yeares, 325
Shalt rule thys fickle lande,
To lett them knowe howe wyde the rule
'Twixt kynge and tyrant hande:

"Thye pow'r unjust, thou traytour slave!

Shall falle onne thye owne hedde"-- 330
Fromm out of hearyng of the kynge
Departed thenne the sledde.

Kynge EDWARDE'S soule rush'd to hys face,

Hee turn'd hys hedde awaie,
And to hys broder GLOUCESTER 335
Hee thus dydd speke and saie:

"To hym that soe-much-dreaded dethe

Ne ghastlie terrors brynge,
Beholde the manne! hee spake the truthe,
Hee's greater thanne a kynge!" 340

"Soe lett hym die!" Duke RICHARD sayde;

"And maye echone oure foes
Bende downe theyre neckes to bloudie axe,
And feede the carryon crowes."

And nowe the horses gentlie drewe 345

Syr CHARLES uppe the hyghe hylle;
The axe dydd glysterr ynne the sunne,
Hys pretious bloude to spylle.

Syrr CHARLES dydd uppe the scaffold goe,

As uppe a gilded carre 350
Of victorye, bye val'rous chiefs
Gayn'd ynne the bloudie warre:

And to the people hee dydd saie,

"Beholde you see mee dye,
For servynge loyally mye kynge, 355
Mye kynge most rightfullie.

"As longe as EDWARDE rules thys lande,

Ne quiet you wylle knowe;
Youre sonnes and husbandes shalle bee slayne.
And brookes wythe bloude shalle flowe. 360

"You leave youre goode and lawfulle kynge.

Whenne ynne adversitye;
Lyke mee, untoe the true cause stycke,
And for the true cause dye."

Thenne hee, wyth preestes, uponne hys knees, 365

A pray'r to Godde dydd make,
Beseechynge hym unto hymselfe
Hys partynge soule to take.

Thenne, kneelynge downe, hee layd hys hedde

Most seemlie onne the blocke; 370
 Whyche fromme hys bodie fayre at once
The able heddes-manne stroke:

And oute the bloude beganne to flowe,

And rounde the scaffolde twyne;
And teares, enow to washe't awaie, 375
Dydd flowe fromme each mann's eyne.

The bloudie axe hys bodie fayre

Ynnto foure parties cutte;
And ev'rye parte, and eke hys hedde,
Uponne a pole was putte. 380

One parte dydd rotte onne Kynwulph-hylle,

One onne the mynster-tower,
And one from off the castle-gate
The crowen dydd devoure:

The other onne Seyncte Powle's goode gate, 385

A dreery spectacle;
Hys hedde was plac'd onne the hyghe crosse,
Ynne hyghe-streete most nobile.

Thus was the ende of BAWDIN'S fate:

Godde prosper longe oure kynge, 390
And grante hee maye, wyth BAWDIN'S soule,
Ynne heav'n Godd's mercie synge!

�LLA:

TRAGYCAL ENTERLUDE,

OR

DISCOORSEYNGE TRAGEDIE,

WROTENN BIE

THOMAS ROWLEIE;

PLAIEDD BEFORE

MASTRE CANYNGE, ATTE HYS HOWSE NEMPTE THE RODDE LODGE;

[ALSOE BEFORE THE DUKE OF NORFOLCK, JOHAN HOWARD.]

PERSONNES REPRESENTEDD.
 �LLA, bie _Thomas Rowleie_, Preeste, the Aucthoure.

CELMONDE, _Johan Iscamm_, Preeste.

HURRA, Syrr _Thybbotte Gorges_, Knyghte.

BIRTHA, Mastre _Edwarde Canynge_.

Odherr Partes bie _Knyghtes Mynstrelles_.

EPISTLE TO MASTRE CANYNGE ON �LLA.

'Tys songe bie mynstrelles, thatte yn auntyent tym,

Whan Reasonn hylt[1] herselfe in cloudes of nyghte,
The preeste delyvered alle the lege[2] yn rhym;
Lyche peyncted[3] tyltynge speares to please the syghte,
The whyche yn yttes felle use doe make moke[4] dere[5], 5
Syke dyd theire auncyante lee deftlie[6] delyghte the eare.

Perchaunce yn Vyrtues gare[7] rhym mote bee thenne,

Butt eefte[8] nowe flyeth to the odher syde;
In hallie[9] preeste apperes the ribaudes[10] penne,
Inne lithie[11] moncke apperes the barronnes pryde: 10
But rhym wythe somme, as nedere[12] widhout teethe,
Make pleasaunce to the sense, botte maie do lyttel scathe[13].

Syr Johne, a knyghte, who hath a barne of lore[14],

Kenns[15] Latyn att fyrst syghte from Frenche or Greke,
Pyghtethe[16] hys knowlachynge[17] ten yeres or more, 15
To rynge upon the Latynne worde to speke.
Whoever spekethe Englysch ys despysed,
The Englysch hym to please moste fyrste be latynized.

Vevyan, a moncke, a good requiem[18] synges;

Can preache so wele, eche hynde[19] hys meneynge knowes 20
Albeytte these gode guyfts awaie he flynges,
Beeynge as badde yn vearse as goode yn prose.
Hee synges of seynctes who dyed for yer Godde,
Everych wynter nyghte afresche he sheddes theyr blodde.

To maydens, huswyfes, and unlored[20] dames, 25

Hee redes hys tales of merryment & woe.
Loughe[21] loudlie dynneth[22] from the dolte[23] adrames[24];
He swelles on laudes of fooles, tho' kennes[25] hem soe.
Sommetyme at tragedie theie laughe and synge,
At merrie yaped[26] fage[27] somme hard-drayned water brynge. 30

Yette Vevyan ys ne foole, beyinde[28] hys lynes.

Geofroie makes vearse, as handycraftes theyr ware;
Wordes wythoute sense fulle grossyngelye[29] he twynes,
Cotteynge hys storie off as wythe a sheere;
Waytes monthes on nothynge, & hys storie donne, 35
Ne moe you from ytte kenn, than gyf[30] you neere begonne.
 Enowe of odhers; of mieselfe to write,
Requyrynge whatt I doe notte nowe possess,
To you I leave the taske; I kenne your myghte
Wyll make mie faultes, mie meynte[31] of faultes, be less. 40
�LLA wythe thys I sende, and hope that you
Wylle from ytte caste awaie, whatte lynes maie be untrue.

Playes made from hallie[32] tales I holde unmeete;

Lette somme greate storie of a manne be songe;
Whanne, as a manne, we Godde and Jesus treate, 45
In mie pore mynde, we doe the Godhedde wronge.
Botte lette ne wordes, whyche droorie[33] mote ne heare,
Bee placed yn the same. Adieu untylle anere[34].

THOMAS ROWLEIE.

[Footnote 1: hid, concealed.]

[Footnote 2: law.]

[Footnote 3: painted.]

[Footnote 4: much.]

[Footnote 5: hurt, damage.]

[Footnote 6: sweetly.]

[Footnote 7: cause.]

[Footnote 8: oft.]

[Footnote 9: holy.]

[Footnote 10: rake, lewd person.]

[Footnote 11: humble.]

[Footnote 12: adder.]

[Footnote 13: hurt, damage.]

[Footnote 14: learning.]

[Footnote 15: knows.]

[Footnote 16: plucks or tortures.]

[Footnote 17: knowledge.]

[Footnote 18: a service used over the dead.]

[Footnote 19: peasant.]

[Footnote 20: unlearned.]

[Footnote 21: laugh.]

[Footnote 22: sounds.]

[Footnote 23: foolish.]

[Footnote 24: churls.]

[Footnote 25: knows.]

[Footnote 26: laughable.]

[Footnote 27: tale, jest.]

[Footnote 28: beyond.]

[Footnote 29: foolishly.]

[Footnote 30: if.]

[Footnote 31: many.]

[Footnote 32: holy.]

[Footnote 33: strange perversion of words. _Droorie_ in its antient

signification stood for _modesty_.]

[Footnote 34: another.]

LETTER TO THE DYGNE MASTRE CANYNGE.

Straunge dome ytte ys, that, yn these daies of oures,

Nete[35] butte a bare recytalle can hav place;
Nowe shapelie poesie hast loste yttes powers,
And pynant hystorie ys onlie grace;
Heie[36] pycke up wolsome weedes, ynstedde of flowers, 5
And famylies, ynstedde of wytte, theie trace;
Nowe poesie canne meete wythe ne regrate[37],
Whylste prose, & herehaughtrie[38], ryse yn estate.

Lette kynges, & rulers, whan heie gayne a throne,

Shewe whatt theyre grandsieres, & great grandsieres bore, 10
Emarschalled armes, yatte, ne before theyre owne,
Now raung'd wythe whatt yeir fadres han before;
Lette trades, & toune folck, lett syke[39] thynges alone,
Ne fyghte for sable yn a fielde of aure;
Seldomm, or never, are armes vyrtues mede, 15
Shee nillynge[40] to take myckle[41] aie dothe hede.

A man ascaunse upponn a piece maye looke,

And shake hys hedde to styrre hys rede[42] aboute;
Quod he, gyf I askaunted oere thys booke,
Schulde fynde thereyn that trouthe ys left wythoute; 20
Eke, gyf[43] ynto a vew percase[44] I tooke
The long beade-rolle of al the wrytynge route,
Asserius, Ingolphus, Torgotte, Bedde,
 Thorow hem[45] al nete lyche ytte I coulde rede.--

Pardon, yee Graiebarbes[46], gyff I saie, onwise 25

Yee are, to stycke so close & bysmarelie[47]
To hystorie; you doe ytte tooe moche pryze,
Whyche amenused[48] thoughtes of poesie;
Somme drybblette[49] share you shoulde to yatte[50] alyse[51],
Nott makynge everyche thynge bee hystorie; 30
Instedde of mountynge onn a wynged horse,
You onn a rouncy[52] dryve yn dolefull course.

Cannynge & I from common course dyssente;

Wee ryde the stede, botte yev to hym the reene;
Ne wylle betweene crased molterynge bookes be pente, 35
Botte soare on hyghe, & yn the sonne-bemes sheene;
And where wee kenn somme ishad[53] floures besprente,
We take ytte, & from oulde rouste doe ytte clene;
Wee wylle ne cheynedd to one pasture bee,
Botte sometymes soare 'bove trouthe of hystorie. 40

Saie, Canynge, whatt was vearse yn daies of yore?

Fyne thoughtes, and couplettes fetyvelie[54] bewryen[55],
Notte syke as doe annoie thys age so sore,
A keppened poyntelle[56] restynge at eche lyne.
Vearse maie be goode, botte poesie wantes more, 45
An onlist[57] lecturn[58], and a songe adygne[59];
Accordynge to the rule I have thys wroughte,
Gyff ytt please Canynge, I care notte a groate.

The thynge yttself moste bee ytts owne defense;

Som metre maie notte please a womannes ear. 50
Canynge lookes notte for poesie, botte sense;
And dygne, & wordie thoughtes, ys all hys care.
Canynge, adieu! I do you greete from hence;
Full soone I hope to taste of your good cheere;
Goode Byshoppe Carpynter dyd byd mee saie, 55
Hee wysche you healthe & selinesse for aie.

T. ROWLEIE.

[Footnote 35: nought.]

[Footnote 36: they.]

[Footnote 37: esteem.]

[Footnote 38: heraldry.]

[Footnote 39: such.]

[Footnote 40: unwilling.]

[Footnote 41: much.]

[Footnote 42: wisdom, council.]

[Footnote 43: if.]

[Footnote 44: perchance.]

[Footnote 45: them.]

[Footnote 46: Greybeards.]

[Footnote 47: curiously.]

[Footnote 48: lessened.]

[Footnote 49: small.]

[Footnote 50: that.]

[Footnote 51: allow.]

[Footnote 52: cart-horse.]

[Editor's note: ll. 15-16 _See Introduction_ p. xli]

[Footnote 53: broken.]

[Footnote 54: elegantly.]

[Footnote 55: declared, expressed.]

[Footnote 56: a pen, used metaphorically, as a muse or genius.]

[Footnote 57: boundless.]

[Footnote 58: subject.]

[Footnote 59: nervous, worthy of praise.]

ENTRODUCTIONNE.

Somme cherisounce[60] it ys to gentle mynde,

Whan heie have chevyced[61] theyre londe from bayne[62],
Whan theie ar dedd, theie leave yer name behynde,
And theyre goode deedes doe on the earthe remayne;
Downe yn the grave wee ynhyme[63] everych steyne, 5
Whylest al her gentlenesse ys made to sheene,
Lyche fetyve baubels[64] geasonne[65] to be seene.

�LLA, the wardenne of thys[66] castell[67] stede,

Whylest Saxons dyd the Englysche sceptre swaie,
Who made whole troopes of Dacyan men to blede, 10
Then seel'd[68] hys eyne, and seeled hys eyne for aie,
Wee rowze hym uppe before the judgment daie,
To saie what he, as clergyond[69], can kenne,
And howe hee sojourned in the vale of men.

[Footnote 60: comfort.]

[Footnote 61: preserved.]

[Footnote 62: ruin.]

[Footnote 63: inter.]

[Footnote 64: jewels.]

[Footnote 65: rare.]

[Footnote 66: Bristol.]

[Footnote 67: castle.]

[Footnote 68: closed.]

[Footnote 69: taught.]

�LLA.

CELMONDE, att BRYSTOWE.

Before yonne roddie sonne has droove hys wayne

Throwe halfe hys joornie, dyghte yn gites[1] of goulde,
Mee, happeless mee, hee wylle a wretche behoulde,
Mieselfe, and al that's myne, bounde ynne myschaunces chayne.

Ah! Birtha, whie dydde Nature frame thee fayre? 5

Whie art thou all thatt poyntelle[2] canne bewreene[3]?
Whie art thou nott as coarse as odhers are?--
Botte thenn thie soughle woulde throwe thy vysage sheene,
Yatt shemres onn thie comelie semlykeene[4],
Lyche nottebrowne cloudes, whann bie the sonne made redde, 10
Orr scarlette, wythe waylde lynnen clothe ywreene[5],
Syke[6] woulde thie spryte upponn thie vysage spredde.
Thys daie brave �lla dothe thyne honde & harte
Clayme as hys owne to be, whyche nee fromm hys moste parte.

And cann I lyve to see herr wythe anere[7]! 15

Ytt cannotte, muste notte, naie, ytt shalle not bee.
Thys nyghte I'll putte stronge poysonn ynn the beere,
And hymm, herr, and myselfe, attenes[8] wyll slea.
Assyst mee, Helle! lett Devylles rounde mee tende,
To slea mieselfe, mie love, & eke mie doughtie[9] friende. 20

�LLA, BIRTHA.

�LLA.

Notte, whanne the hallie prieste dyd make me knyghte,

 Blessynge the weaponne, tellynge future dede,
Howe bie mie honde the prevyd[10] Dane shoulde blede,
Howe I schulde often bee, and often wynne, ynn fyghte;

Notte, whann I fyrste behelde thie beauteous hue, 25

Whyche strooke mie mynde, & rouzed mie softer soule;
Nott, whann from the barbed horse yn fyghte dyd viewe
The flying Dacians oere the wyde playne roule,
Whan all the troopes of Denmarque made grete dole,
Dydd I fele joie wyth syke reddoure[11] as nowe, 30
Whann hallie preest, the lechemanne of the soule,
Dydd knytte us both ynn a caytysnede[12] vowe:
Now hallie �lla's selynesse ys grate;
Shap[13] haveth nowe ymade hys woes for to emmate[14].

BIRTHA.

Mie lorde, & husbande, syke a joie ys myne; 35

Botte mayden modestie moste ne soe saie,
Albeytte thou mayest rede ytt ynn myne eyne,
Or ynn myne harte, where thou shalte be for aie;
Inne sothe, I have botte meeded oute thie faie[15];
For twelve tymes twelve the mone hathe bin yblente[16], 40
As manie tymes hathe vyed the Godde of daie,
And on the grasse her lemes[17] of sylverr sente,
Sythe thou dydst cheese mee for thie swote to bee,
Enactynge ynn the same moste faiefullie to mee.

Ofte have I seene thee atte the none-daie feaste, 45

Whanne deysde bie thieselfe, for wante of pheeres[18],
Awhylst thie merryemen dydde laughe and jeaste,
Onn mee thou semest all eyne, to mee all eares.
Thou wardest mee as gyff ynn hondred feeres,
Alest a daygnous[19] looke to thee be sente, 50
And offrendes[20] made mee, moe thann yie compheeres,
Offe scarpes[21] of scarlette, & fyne paramente[22];
All thie yntente to please was lyssed[23] to mee,
I saie ytt, I moste streve thatt you ameded bee.

�LLA.

Mie lyttel kyndnesses whyche I dydd doe, 55

Thie gentleness doth corven them soe grete,
Lyche bawsyn[24] olyphauntes[25] mie gnattes doe shewe;
Thou doest mie thoughtes of paying love amate[26].
Botte hann mie actyonns straughte[27] the rolle of fate,
Pyghte thee fromm Hell, or broughte Heaven down to thee, 60
Layde the whol worlde a falldstole atte thie feete,
On smyle woulde be suffycyll mede for mee.
I amm Loves borro'r, & canne never paie,
Bott be hys borrower stylle, & thyne, mie swete, for aie.

BIRTHA.

Love, doe notte rate your achevmentes[28] soe smalle; 65

As I to you, syke love untoe mee beare;
For nothynge paste wille Birtha ever call,
Ne on a foode from Heaven thynke to cheere.
 As farr as thys frayle brutylle flesch wylle spere,
Syke, & ne fardher I expecte of you; 70
Be notte toe slacke yn love, ne overdeare;
A smalle fyre, yan a loude flame, proves more true.

�LLA.

Thie gentle wordis doe thie volunde[29] kenne

To bee moe clergionde thann ys ynn meyncte of menne.

�LLA, BIRTHA, CELMONDE, MYNSTRELLES.

CELMONDE.

Alle blessynges showre on gentle �lla's hedde! 75

Oft maie the moone, yn sylverr sheenynge lyghte,
Inne varied chaunges varyed blessynges shedde,
Besprengeynge far abrode mischaunces nyghte;
And thou, fayre Birtha! thou, fayre Dame, so bryghte,
Long mayest thou wyth �lla fynde muche peace, 80
Wythe selynesse, as wyth a roabe, be dyghte,
Wyth everych chaungynge mone new joies encrease!
I, as a token of mie love to speake,
Have brought you jubbes of ale, at nyghte youre brayne to breake.

�LLA.

Whan sopperes paste we'lle drenche youre ale soe stronge, 85

Tyde lyfe, tyde death.

CELMONDE.

Ye Mynstrelles, chaunt your songe.

_Mynstrelles Songe, bie a Manne and Womanne._

MANNE.

Tourne thee to thie Shepsterr[30] swayne;

Bryghte sonne has ne droncke the dewe
From the floures of yellowe hue;
Tourne thee, Alyce, backe agayne. 90

WOMANNE.

No, bestoikerre[31], I wylle goe,

Softlie tryppynge o'ere the mees[32],
Lyche the sylver-footed doe,
Seekeynge shelterr yn grene trees.

MANNE.

See the moss-growne daisey'd banke, 95

 Pereynge ynne the streme belowe;
Here we'lle sytte, yn dewie danke;
Tourne thee, Alyce, do notte goe.

WOMANNE.

I've hearde erste mie grandame saie,

Yonge damoyselles schulde ne bee, 100
Inne the swotie moonthe of Maie,
Wythe yonge menne bie the grene wode tree.

MANNE.

Sytte thee, Alyce, sytte, and harke,

Howe the ouzle[33] chauntes hys noate,
The chelandree[34], greie morn larke, 105
Chauntynge from theyre lyttel throate;

WOMANNE.

I heare them from eche grene wode tree,

Chauntynge owte so blatauntlie[35],
Tellynge lecturnyes[36] to mee,
Myscheefe ys whanne you are nygh. 110

MANNE.

See alonge the mees so grene

Pied daisies, kynge-coppes swote;
Alle wee see, bie non bee scene,
Nete botte shepe settes here a fote.

WOMANNE.

Shepster swayne, you tare mie gratche[37]. 115

Oute uponne ye! lette me goe.
Leave mee swythe, or I'lle alatche.
Robynne, thys youre dame shall knowe.

MANNE.

See! the crokynge brionie

Rounde the popler twyste hys spraie; 120
Rounde the oake the greene ivie
Florryschethe and lyveth aie.

Lette us seate us bie thys tree,

Laughe, and synge to lovynge ayres;
Comme, and doe notte coyen bee; 125
Nature made all thynges bie payres.
Drooried cattes wylle after kynde;
Gentle doves wylle kyss and coe.

WOMANNE.

Botte manne, hee moste bee ywrynde,

Tylle syr preeste make on of two. 130
 Tempte mee ne to the foule thynge;
I wylle no mannes lemanne be;
Tyll syr preeste hys songe doethe synge,
Thou shalt neere fynde aught of mee.

MANNE.

Bie oure ladie her yborne, 135

To-morrowe, soone as ytte ys daie,
I'lle make thee wyfe, ne bee forsworne,
So tyde me lyfe or dethe for aie.

WOMANNE.

Whatt dothe lette, botte thatte nowe

Wee attenes[38], thos honde yn honde, 140
Unto divinistre[39] goe,
And bee lyncked yn wedlocke bonde?

MANNE.

I agree, and thus I plyghte

Honde, and harte, and all that's myne;
Goode syr Rogerr, do us ryghte, 145
Make us one, at Cothbertes shryne.

BOTHE.

We wylle ynn a bordelle[40] lyve,

Hailie, thoughe of no estate;
Everyche clocke moe love shall gyve;
Wee ynne godenesse wylle bee greate. 150

�LLA.

I lyche thys songe, I lyche ytt myckle well;

And there ys monie for yer syngeynge nowe;
Butte have you noone thatt marriage-blessynges telle?

CELMONDE.

In marriage, blessynges are botte fewe, I trowe.

MYNSTRELLES.

Laverde[41], wee have; and, gyff you please, wille synge, 155
As well as owre choughe-voyces wylle permytte.

�LLA.

Comme then, and see you swotelie tune the strynge,

And stret[42], and engyne all the human wytte,
Toe please mie dame.

MYNSTRELLES.

We'lle strayne owre wytte and synge.

_Mynstrelles Songe._

FYRSTE MYNSTRYLLE.

The boddynge flourettes bloshes atte the lyghte; 160

The mees be sprenged wyth the yellowe hue;
Ynn daiseyd mantels ys the mountayne dyghte;
The nesh[43] yonge coweslepe bendethe wyth the dewe;
The trees enlefed, yntoe Heavenne straughte.
Whenn gentle wyndes doe blowe, to whestlyng dynne ys broughte. 165

The evenynge commes, and brynges the dewe alonge;

The roddie welkynne sheeneth to the eyne;
Arounde the alestake Mynstrells synge the songe;
Yonge ivie rounde the doore poste do entwyne;
I laie mee onn the grasse; yette, to mie wylle, 170
Albeytte alle ys fayre, there lackethe somethynge stylle.

SECONDE MYNSTRELLE.

So Adam thoughtenne, whann, ynn Paradyse,

All Heavenn and Erthe dyd hommage to hys mynde;
Ynn Womman alleyne mannes pleasaunce lyes;
As Instrumentes of joie were made the kynde. 175
Go, take a wyfe untoe thie armes, and see
Wynter, and brownie hylles, wyll have a charme for thee.

THYRDE MYNSTRELLE.

Whanne Autumpne blake[44] and sonne-brente doe appere,

With hys goulde honde guylteynge the falleynge lefe,
Bryngeynge oppe Wynterr to folfylle the yere, 180
Beerynge uponne hys backe the riped shefe;
Whan al the hyls wythe woddie sede ys whyte;
Whanne levynne-fyres and lemes do mete from far the syghte;

Whann the fayre apple, rudde as even skie,

Do bende the tree unto the fructyle grounde; 185
When joicie peres, and berries of blacke die,
Doe daunce yn ayre, and call the eyne arounde;
Thann, bee the even foule, or even fayre,
Meethynckes mie hartys joie ys steynced wyth somme care.

SECONDE MYNSTRELLE.

Angelles bee wrogte to bee of neidher kynde; 190

Angelles alleyne fromme chafe[45] desyre bee free;
Dheere ys a somwhatte evere yn the mynde,
Yatte, wythout wommanne, cannot stylled bee;
Ne seyncte yn celles, botte, havynge blodde and tere[46],
Do fynde the spryte to joie on syghte of womanne fayre: 195

Wommen bee made, notte for hemselves, botte manne,

Bone of hys bone, and chyld of hys desire;
Fromme an ynutyle membere fyrste beganne,
Ywroghte with moche of water, lyttele fyre;
Therefore theie seke the fyre of love, to hete 200
The milkyness of kynde, and make hemselfes complete.
 Albeytte, wythout wommen, menne were pheeres
To salvage kynde, and wulde botte lyve to flea,
Botte wommenne efte the spryghte of peace so cheres,
Tochelod yn Angel joie heie Angeles bee; 205
Go, take thee swythyn[47] to thie bedde a wyfe,
Bee bante or blessed hie, yn proovynge marryage lyfe.

_Anodher Mynstrelles Songe_, bie Syr _Thybbot Gorges_.

As Elynour bie the green lesselle was syttynge,

As from the sones hete she harried,
She sayde, as herr whytte hondes whyte hosen was knyttynge, 210
Whatte pleasure ytt ys to be married!

Mie husbande, Lorde Thomas, a forrester boulde,

As ever clove pynne, or the baskette,
Does no cherysauncys from Elynour houlde,
I have ytte as soone as I aske ytte. 215

Whann I lyved wyth mie fadre yn merrie Clowd-dell.

Tho' twas at my liefe to mynde spynnynge,
I stylle wanted somethynge, botte whatte ne coulde telle,
Mie lorde fadres barbde haulle han ne wynnynge.
Eche mornynge I ryse, doe I sette mie maydennes, 220
Somme to spynn, somme to curdell, somme bleachynge,
Gyff any new entered doe aske for mie aidens,
Thann swythynne you fynde mee a teachynge.

Lorde Walterre, mie fadre, he loved me welle,

And nothynge unto mee was nedeynge, 225
Botte schulde I agen goe to merrie Cloud-dell,
In sothen twoulde bee wythoute redeynge.

Shee sayde, and lorde Thomas came over the lea,

As hee the fatte derkynnes was chacynge,
Shee putte uppe her knyttynge, and to hym wente shee; 230
So wee leave hem bothe kyndelie embracynge.

�LLA.

I lyche eke thys; goe ynn untoe the feaste;

Wee wylle permytte you antecedente bee;
There swotelie synge eche carolle, and yaped[48] jeaste;
And there ys monnie, that you merrie bee; 235
Comme, gentle love, wee wylle toe spouse-feaste goe,
And there ynn ale and wyne bee dreyncted[49] everych woe.

�LLA, BIRTHA, CELMONDE, MESSENGERE.

MESSENGERE.

�lla, the Danes ar thondrynge onn our coaste;

Lyche scolles of locusts, caste oppe bie the sea,
 Magnus and Hurra, wythe a doughtie hoaste, 240
Are ragyng, to be quansed[50] bie none botte thee;
Haste, swyfte as Levynne to these royners flee:
Thie dogges alleyne can tame thys ragynge bulle.
Haste swythyn, fore anieghe the towne theie bee,
And Wedecesterres rolle of dome bee fulle. 245
Haste, haste, O �lla, to the byker flie,
For yn a momentes space tenne thousand menne maie die.

�LLA.

Beshrew thee for thie newes! I moste be gon.

Was ever lockless dome so hard as myne!
Thos from dysportysmente to warr to ron, 250
To chaunge the selke veste for the gaberdyne!

BIRTHA.

O! lyche a nedere, lette me rounde thee twyne,

And hylte thie boddie from the schaftes of warre.
Thou shalte nott, must not, from thie Birtha ryne,
Botte kenn the dynne of slughornes from afarre. 255

�LLA.

O love, was thys thie joie, to shewe the treate,

Than groffyshe to forbydde thie hongered guestes to eate?

O mie upswalynge[51] harte, whatt wordes can saie

The peynes, thatte passethe ynn mie soule ybrente?
Thos to bee torne uponne mie spousalle daie, 260
O! 'tys a peyne beyond entendemente.
Yee mychtie Goddes, and is yor favoures sente
As thous faste dented to a loade of peyne?
Moste wee aie holde yn chace the shade content.
And for a bodykyn[52] a swarthe obteyne? 265
O! whie, yee seynctes, oppress yee thos mie fowle?
How shalle I speke mie woe, mie freme, mie dreerie dole?

CELMONDE.

Sometyme the wyseste lacketh pore mans rede.

Reasonne and counynge wytte efte flees awaie.
Thanne, loverde, lett me saie, wyth hommaged drede
(Bieneth your fote ylayn) mie counselle saie; 271
Gyff thos wee lett the matter lethlen[53] laie,
The foemenn, everych honde-poyncte, getteth fote.
Mie loverde, lett the speere-menne, dyghte for fraie,
And all the sabbataners goe aboute. 275
I speke, mie loverde, alleyne to upryse
Youre wytte from marvelle, and the warriour to alyse.

�LLA.

Ah! nowe thou pottest takells[54] yn mie harte;

Mie soulghe dothe nowe begynne to see herselle;
I wylle upryse mie myghte, and doe mie parte, 280
To flea the foemenne yn mie furie felle.
 Botte howe canne tynge mie rampynge fourie telle.
Whyche ryseth from mie love to Birtha fayre?
Ne coulde the queede, and alle the myghte of Helle,
Founde out impleasaunce of syke blacke a geare. 285
Yette I wylle bee mieselfe, and rouze mie spryte
To acte wythe rennome, and goe meet the bloddie fyghte.

BIRTHA.

No, thou schalte never leave thie Birtha's syde;

Ne schall the wynde uponne us blowe alleyne;
I, lyche a nedre, wylle untoe thee byde; 290
Tyde lyfe, tyde deathe, ytte shall behoulde us twayne.
I have mie parte of drierie dole and peyne;
Itte brasteth from mee atte the holtred eyne;
Ynne tydes of teares mie swarthynge spryte wyll drayne,
Gyff drerie dole ys thyne, tys twa tymes myne. 295
Goe notte, �lla; wythe thie Birtha staie;
For wyth thie femmlykeed mie spryte wyll goe awaie.

�LLA.

O! tys for thee, for thee alleyne I fele;

Yett I muste bee mieselfe; with valoures gear
I'lle dyghte mie hearte, and notte mie lymbes yn stele, 300
And shake the bloddie swerde and steyned spere.

BIRTHA.

Can �lla from hys breaste hys Birtha teare?

Is shee so rou and ugsomme[55] to hys fyghte?
Entrykeynge wyght! ys leathall warre so deare?
Thou pryzest mee belowe the joies of fyghte. 305
Thou scalte notte leave mee, albeytte the erthe
Hong pendaunte bie thie swerde, and craved for thy morthe.

�LLA.

Dyddest thou kenne howe mie woes, as starres ybrente,

Headed bie these thie wordes doe onn mee falle,
Thou woulde stryve to gyve mie harte contente, 310
Wakyng mie slepynge mynde to honnoures calle.
Of selynesse I pryze thee moe yan all
Heaven can mee sende, or counynge wytt acquyre,
Yette I wylle leave thee, onne the foe to falle,
Retournynge to thie eyne with double fyre. 315

BIRTHA.

Moste Birtha boon requeste and bee denyd?

Receyve attenes a darte yn selynesse and pryde?
Doe staie, att leaste tylle morrowes sonne apperes.

�LLA.

Thou kenneste welle the Dacyannes myttee powere;

Wythe them a mynnute wurchethe bane for yeares; 320
Theie undoe reaulmes wythyn a syngle hower.
 Rouze all thie honnoure, Birtha; look attoure
Thie bledeynge countrie, whych for hastie dede
Calls, for the rodeynge of some doughtie power,
To royn yttes royners, make yttes foemenne blede. 325

BIRTHA.

Rouze all thie love; false and entrykyng wyghte!

Ne leave thie Birtha thos uponne pretence of fyghte.

Thou nedest notte goe, untyll thou haste command

Under the sygnette of oure lorde the kynge.

�LLA.

And wouldest thou make me then a recreande? 330

Hollie Seyncte Marie, keepe mee from the thynge!
Heere, Birtha, thou hast potte a double stynge,
One for thie love, anodher for thie mynde.

BIRTHA.

Agylted[56] �lla, thie abredynge[57] blynge[58].

Twas love of thee thatte foule intente ywrynde. 335
Yette heare mie supplycate, to mee attende,
Hear from mie groted[59] harte the lover and the friende.
Lett Celmonde yn thie armour-brace be dyghte;
And yn thie stead unto the battle goe;
Thie name alleyne wylle putte the Danes to flyghte, 340
The ayre thatt beares ytt woulde presse downe the foe.

�LLA.

Birtha, yn vayne thou wouldste mee recreand doe;

I moste, I wylle, fyghte for mie countries wele,
And leave thee for ytt. Celmonde, sweftlie goe,
Telle mie Brystowans to bedyghte yn stele; 345
Tell hem I scorne to kenne hem from afar,
Botte leave the vyrgyn brydall bedde for bedde of warre.

�LLA, BIRTHA.

BIRTHA.

And thou wylt goe; O mie agroted harte!

�LLA.

Mie countrie waites mie marche; I muste awaie;

Albeytte I schulde goe to mete the darte 350
Of certen Dethe, yette here I woulde notte staie.
Botte thos to leave thee, Birtha, dothe asswaie
Moe torturynge peynes yanne canne be sedde bie tyngue,
Yette rouze thie honoure uppe, and wayte the daie,
 Whan rounde aboute mee songe of warre heie synge. 355
O Birtha, strev mie agreeme[60] to accaie[61],
And joyous see mie armes, dyghte oute ynn warre arraie.

BIRTHA.

Difficile[62] ys the pennaunce, yette I'lle strev

To keepe mie woe behyltren yn mie breaste.
Albeytte nete maye to mee pleasaunce yev, 360
Lyche thee, I'lle strev to sette mie mynde atte reste.
Yett oh! forgeve, yff I have thee dystreste;
Love, doughtie love, wylle beare no odher swaie.
Juste as I was wythe �lla to be bleste,
Shappe foullie thos hathe snatched hym awaie. 365
It was a tene too doughtie to bee borne,
Wydhoute an ounde of teares and breaste wyth syghes ytorne.

�LLA.

Thie mynde ys now thieselfe; why wylte thou bee

All blanche, al kyngelie, all soe wyse yn mynde,
Alleyne to lett pore wretched �lla see, 370
Whatte wondrous bighes[63] he nowe muste leave behynde?
O Birtha fayre, warde everyche commynge wynde,
On everych wynde I wylle a token sende;
Onn mie longe shielde ycorne thie name thoul't fynde.
Butte here commes Celmonde, wordhie knyghte and friende. 375

�LLA, BIRTHA, CELMONDE

_speaking._

Thie Brystowe knyghtes for thie forth-comynge lynge[64];

Echone athwarte hys backe hys longe warre-shield dothe slynge.

�LLA.

Birtha, adieu; but yette I cannotte goe.

BIRTHA.

Lyfe of mie spryte, mie gentle �lla staie. 380

Engyne mee notte wyth syke a drierie woe.

�LLA.

I muste, I wylle; tys honnoure cals awaie.

BIRTHA.

O mie agroted harte, braste, braste ynn twaie.

�lla, for honnoure, flyes awaie from mee.

�LLA.
 Birtha, adieu; I maie notte here obaie. 385
I'm flyynge from mieselfe yn flying thee.

BIRTHA.

O �lla, housband, friend, and loverde, staie.

He's gon, he's gone, alass! percase he's gone for aie.

CELMONDE.

Hope, hallie suster, sweepeynge thro' the skie,

In crowne of goulde, and robe of lillie whyte, 390
Whyche farre abrode ynne gentle ayre doe flie,
Meetynge from dystaunce the enjoyous fyghte,
Albeytte efte thou takest thie hie flyghte
Hecket[65] ynne a myste, and wyth thyne eyne yblente,
Nowe commest thou to mee wythe starrie lyghte; 395
Ontoe thie veste the rodde sonne ys adente[66];
The Sommer tyde, the month of Maie appere,
Depycte wythe skylledd honde upponn thie wyde aumere.

I from a nete of hopelen am adawed,

Awhaped[67] atte the fetyveness of daie; 400
�lla, bie nete moe thann hys myndbruche awed,
Is gone, and I moste followe, toe the fraie.
Celmonde canne ne'er from anie byker staie.
Dothe warre begynne? there's Celmonde yn the place.
Botte whanne the warre ys donne, I'll haste awaie.
The reste from nethe tymes masque must shew yttes face. 405
I see onnombered joies arounde mee ryse;
Blake[68] stondethe future doome, and joie dothe mee alyse.

O honnoure, honnoure, whatt ys bie thee hanne?

Hailie the robber and the bordelyer, 410
Who kens ne thee, or ys to thee bestanne,
And nothynge does thie myckle gastness fere.
Faygne woulde I from mie bosomme alle thee tare.
Thou there dysperpellest[69] thie levynne-bronde;
Whylest mie soulgh's forwyned, thou art the gare; 415
Sleene ys mie comforte bie thie ferie honde;
As somme talle hylle, whann wynds doe shake the ground,
Itte kerveth all abroade, bie brasteynge hyltren wounde.

Honnoure, whatt bee ytte? tys a shadowes shade,

A thynge of wychencref, an idle dreme; 420
On of the fonnis whych the clerche have made
Menne wydhoute sprytes, and wommen for to fleme;
Knyghtes, who efte kenne the loude dynne of the beme,
Schulde be forgarde to syke enfeeblynge waies,
Make everych acte, alyche theyr soules, be breme, 425
And for theyre chyvalrie alleyne have prayse.
O thou, whatteer thie name,
Or Zabalus or Queed,
Comme, steel mie sable spryte,
For fremde[70] and dolefulle dede. 430
MAGNUS, HURRA, _and_ HIE PREESTE, _wyth the_ ARMIE, _neare_ Watchette.

MAGNUS.

Swythe[71] lette the offrendes[72] to the Goddes begynne.

To knowe of hem the issue of the fyghte.
Potte the blodde-steyned sword and pavyes ynne;
Spreade swythyn all arounde the hallie lyghte.

HIE PREESTE _syngeth_.

Yee, who hie yn mokie ayre 435

Delethe seasonnes foule or fayre,
Yee, who, whanne yee weere agguylte,
The mone yn bloddie gyttelles[73] hylte,
Mooved the starres, and dyd unbynde
Everyche barriere to the wynde; 440
Whanne the oundynge waves dystreste,
Stroven to be overest,
Sockeynge yn the spyre-gyrte towne,
Swolterynge wole natyones downe,
Sendynge dethe, on plagues astrodde, 445
Moovynge lyke the erthys Godde;
To mee send your heste dyvyne,
Lyghte eletten[74] all myne eyne,
Thatt I maie now undevyse
All the actyonnes of th'empprize. 450
[_falleth downe and efte rysethe._
Thus sayethe the Goddes; goe, yssue to the playne;
Forr there shall meynte of mytte menne bee slayne.

MAGNUS.

Whie, foe there evere was, whanne Magnus foughte.

Efte have I treynted noyance throughe the hoaste,
Athorowe swerdes, alyche the Queed dystraughte, 455
Have Magnus pressynge wroghte hys foemen loaste.
As whanne a tempeste vexethe soare the coaste,
The dyngeynge ounde the sandeie stronde doe tare,
So dyd I inne the warre the javlynne toste,
Full meynte a champyonnes breaste received mie spear. 460
Mie sheelde, lyche sommere morie gronfer droke,
Mie lethalle speere, alyche a levyn-mylted oke.

HURRA.

Thie wordes are greate, full hyghe of sound, and eeke

Lyche thonderre, to the whych dothe comme no rayne.
Itte lacketh notte a doughtie honde to speke; 465
The cocke saiethe drefte[75], yett armed ys he alleyne.
Certis thie wordes maie, thou motest have sayne
Of mee, and meynte of moe, who eke canne fyghte,
Who haveth trodden downe the adventayle,
And tore the heaulmes from heades of myckle myghte. 470
Sythence syke myghte ys placed yn thie honde,
Lette blowes thie actyons speeke, and bie thie corrage stonde.

MAGNUS.

Thou are a warrioure, Hurra, thatte I kenne,

And myckle famed for thie handie dede.
Thou fyghtest anente[76] maydens and ne menne, 475
Nor aie thou makest armed hartes to blede.
Efte I, caparyson'd on bloddie stede,
Havethe thee seene binethe mee ynn the fyghte,
Wythe corses I investynge everich mede,
And thou aston, and wondrynge at mie myghte. 480
Thanne wouldest thou comme yn for mie renome,
Albeytte thou wouldst reyne awaie from bloddie dome?

HURRA.

How! butte bee bourne mie rage. I kenne aryghte

Bothe thee and thyne maie ne bee wordhye peene.
Eftsoones I hope wee scalle engage yn fyghte; 485
Thanne to the souldyers all thou wylte bewreene.
I'll prove mie courage onne the burled greene;
Tys there alleyne I'll telle thee whatte I bee.
Gyf I weelde notte the deadlie sphere adeene,
Thanne lett mie name be fulle as lowe as thee. 490
Thys mie adented shielde, thys mie warre-speare,
Schalle telle the falleynge foe gyf Hurra's harte can feare.

MAGNUS.

Magnus woulde speke, butte thatte hys noble spryte

Dothe soe enrage, he knowes notte whatte to saie.
He'dde speke yn blowes, yn gottes of blodde he'd wryte, 495
And on thie heafod peyncte hys myghte for aie.
Gyf thou anent an wolfynnes rage wouldest staie,
'Tys here to meet ytt; botte gyff nott, bee goe;
Lest I in furrie shulde mie armes dysplaie,
Whyche to thie boddie wylle wurche[77] myckle woe. 500
Oh! I bee madde, dystraughte wyth brendyng rage;
Ne seas of smethynge gore wylle mie chafed harte asswage.

HURRA.

I kenne thee, Magnus, welle; a wyghte thou art

That doest aslee alonge ynn doled dystresse,
Strynge bulle yn boddie, lyoncelle yn harte, 505
I almost wysche thie prowes were made lesse.
Whan �lla (name drest uppe yn ugsomness[78]
To thee and recreandes[79]) thondered on the playne,
Howe dydste thou thorowe fyrste of fleers presse!
Swefter thanne federed takelle dydste thou reyne. 510
A ronnynge pryze onn seyncte daie to ordayne,
Magnus, and none botte hee, the ronnynge pryze wylle gayne.

MAGNUS.

Eternalle plagues devour thie baned tyngue!

Myrriades of neders pre upponne thie spryte!
 Maiest thou fele al the peynes of age whylst yynge, 515
Unmanned, uneyned, exclooded aie the lyghte,
Thie senses, lyche thieselfe, enwrapped yn nyghte,
A scoff to foemen & to beastes a pheere;
Maie furched levynne onne thie head alyghte,
Maie on thee falle the fhuyr of the unweere; 520
Fen vaipoures blaste thie everiche manlie powere,
Maie thie bante boddie quycke the wolfome peenes devoure.

Faygne woulde I curse thee further, botte mie tyngue

Denies mie harte the favoure soe toe doe.

HURRA.

Nowe bie the Dacyanne goddes, & Welkyns kynge, 525

Wythe fhurie, as thou dydste begynne, persue;
Calle on mie heade all tortures that bee rou,
Bane onne, tylle thie owne tongue thie curses fele.
Sende onne mie heade the blyghteynge levynne blewe,
The thonder loude, the swellynge azure rele[80]. 530
Thie wordes be hie of dynne, botte nete besyde;
Bane on, good chieftayn, fyghte wythe wordes of myckle pryde.

Botte doe notte waste thie breath, lest �lla come.

MAGNUS.

�lla & thee togyder synke toe helle!

Bee youre names blasted from the rolle of dome! 535
I feere noe �lla, thatte thou kennest welle.
Unlydgefulle traytoure, wylt thou nowe rebelle?
'Tys knowen, thatte yie menn bee lyncked to myne,
Bothe sente, as troopes of wolves, to sletre felle;
Botte nowe thou lackest hem to be all yyne. 540
Nowe, bie the goddes yatte reule the Dacyanne state,
Speacke thou yn rage once moe, I wyll thee dysregate.

HURRA.

I pryze thie threattes joste as I doe thie banes,

The sede of malyce and recendize al.
Thou arte a steyne unto the name of Danes; 545
Thou alleyne to thie tyngue for proofe canst calle.
Thou beest a worme so groffile and so smal,
I wythe thie bloude woulde scorne to foul mie sworde,
Botte wythe thie weaponnes woulde upon thee falle,
Alyche thie owne feare, slea thee wythe a worde. 550
I Hurra amme miesel, & aie wylle bee,
As greate yn valourous actes, & yn commande as thee.

MAGNUS, HURRA, ARMYE & MESSENGER.

MESSENGERE.
 Blynne your contekions[81], chiefs; for, as I stode
Uponne mie watche, I spiede an armie commynge,
Notte lyche ann handfulle of a fremded[82] foe, 555
Botte blacke wythe armoure, movynge ugsomlie,
Lyche a blacke fulle cloude, thatte dothe goe alonge
To droppe yn hayle, & hele the thonder storme.

MAGNUS.

Ar there meynte of them?

MESSENGERR.

Thycke as the ante-flyes ynne a sommer's none, 560

Seemynge as tho' theie stynge as persante too.

HURRA.

Whatte matters thatte? lettes sette oure warr-arraie.

Goe, sounde the beme, lette champyons prepare;
Ne doubtynge, we wylle stynghe as faste as heie.
Whatte? doest forgard[83] thie blodde? ys ytte for feare? 565
Wouldest thou gayne the towne, & castle-stere,
And yette ne byker wythe the soldyer guarde?
Go, hyde thee ynn mie tente annethe the lere;
I of thie boddie wylle keepe watche & warde.

MAGNUS.

Oure goddes of Denmarke know mie harte ys goode. 570

HURRA.

For nete uppon the erthe, botte to be choughens foode.

MAGNUS, HURRA, ARMIE, SECONDE MESSENGERRE.

SECONDE MESSENGERRE.

As from mie towre I kende the commynge foe,

I spied the crossed shielde, & bloddie swerde,
The furyous �lla's banner; wythynne kenne
The armie ys. Dysorder throughe oure hoaste 575
Is fleynge, borne onne wynges of �lla's name;
Styr, styr, mie lordes!

MAGNUS.

What? �lla? & soe neare?

Thenne Denmarques roiend; oh mie rysynge feare!

HURRA.

What doeste thou mene? thys �lla's botte a manne.

 Nowe bie mie sworde, thou arte a verie berne[84]. 580
Of late I dyd thie creand valoure scanne,
Whanne thou dydst boaste soe moche of actyon derne.
Botte I toe warr mie doeynges moste atturne,
To cheere the Sabbataneres to deere dede.

MAGNUS.

I to the knyghtes onne everyche syde wylle burne, 585

Telleynge 'hem alle to make her foemen blede;
Sythe shame or deathe onne eidher syde wylle bee,
Mie harte I wylle upryse, & inne the battelle slea.

�LLA, CELMONDE, & ARMIE _near_ WATCHETTE.

�LLA.

Now havynge done oure mattynes & oure vowes,

Lette us for the intended fyghte be boune, 590
And everyche champyone potte the joyous crowne
Of certane mastershhyppe upon hys glestreynge browes.

As for mie harte, I owne ytt ys, as ere

Itte has beene ynne the sommer-sheene of fate,
Unknowen to the ugsomme gratche of fere; 595
Mie blodde embollen, wythe masterie elate,
Boyles ynne mie veynes, & rolles ynn rapyd state,
Impatyente forr to mete the persante stele,
And telle the worlde, thatte �lla dyed as greate
As anie knyghte who foughte for Englondes weale. 600
Friends, kynne, & soldyerres, ynne blacke armore drere,
Mie actyons ymytate, mie presente redynge here.

There ys ne house, athrow thys shap-scurged[85] isle,

Thatte has ne loste a kynne yn these fell fyghtes,
Fatte blodde has sorfeeted the hongerde soyle, 605
And townes enlowed[86] lemed[87] oppe the nyghtes.
Inne gyte of fyre oure hallie churche dheie dyghtes;
Oure sonnes lie storven[88] ynne theyre smethynge gore;
Oppe bie the rootes oure tree of lyfe dheie pyghtes,
Vexynge oure coaste, as byllowes doe the shore. 610
Yee menne, gyf ye are menne, displaie yor name,
Ybrende yer tropes, alyche the roarynge tempest flame.

Ye Chrystyans, doe as wordhie of the name;

These roynerres of oure hallie houses slea;
Braste, lyke a cloude, from whence doth come the flame, 615
Lyche torrentes, gushynge downe the mountaines, bee.
And whanne alonge the grene yer champyons flee,
Swefte as the rodde for-weltrynge[89] levyn-bronde,
Yatte hauntes the flyinge mortherer oere the lea,
Soe flie oponne these royners of the londe. 620
Lette those yatte are unto yer battayles fledde,
Take slepe eterne uponne a feerie lowynge bedde.
 Let cowarde Londonne see herre towne onn fyre,
And strev wythe goulde to staie the royners honde,
�lla & Brystowe havethe thoughtes thattes hygher, 625
Wee fyghte notte forr ourselves, botte all the londe.
As Severnes hyger lyghethe banckes of sonde,
Pressynge ytte downe binethe the reynynge streme,
Wythe dreerie dynn enswolters[90] the hyghe stronde,
Beerynge the rockes alonge ynn fhurye breme, 630
Soe wylle wee beere the Dacyanne armie downe,
And throughe a storme of blodde wyll reache the champyon crowne.

Gyff ynn thys battelle locke ne wayte oure gare,

To Brystowe dheie wylle tourne yeyre fhuyrie dyre;
Brystowe, & alle her joies, wylle synke toe ayre, 635
Brendeynge perforce wythe unenhantende[91] fyre:
Thenne lette oure safetie doublie moove oure ire,
Lyche wolfyns, rovynge for the evnynge pre,
See[ing] the lambe & shepsterr nere the brire,
Doth th'one forr safetie, th'one for hongre slea; 640
Thanne, whanne the ravenne crokes uponne the playne,
Oh! lette ytte bee the knelle to myghtie Dacyanns slayne.

Lyche a rodde gronfer, shalle mie anlace sheene,

Lyche a strynge lyoncelle I'lle bee ynne fyghte,
Lyche fallynge leaves the Dacyannes shalle bee sleene, 645
Lyche [a] loud dynnynge streeme scalle be mie myghte.
Ye menne, who woulde deserve the name of knyghte,
Lette bloddie teares bie all your paves be wepte;
To commynge tymes no poyntelle shalle ywrite,
Whanne Englonde han her foemenn, Brystow slepte. 650
Yourselfes, youre chyldren, & youre fellowes crie,
Go, fyghte ynne rennomes gare, be brave, & wynne or die.

I saie ne moe; youre spryte the reste wylle saie;

Youre spryte wylle wrynne, thatte Brystow ys yer place;
To honoures house I nede notte marcke the waie; 655
Inne youre owne hartes you maie the foote-pathe trace.
'Twexte shappe & us there ys botte lyttelle space;
The tyme ys nowe to proove yourselves bee menne;
Drawe forthe the bornyshed bylle wythe fetyve grace,
Rouze, lyche a wolfynne rouzing from hys denne. 660
Thus I enrone mie anlace; goe thou shethe;
I'lle potte ytt ne ynn place, tyll ytte ys sycke wythe deathe.

SOLDYERS.

Onn, �lla, onn; we longe for bloddie fraie;

Wee longe to here the raven synge yn vayne;
Onn, �lla, onn; we certys gayne the daie, 665
Whanne thou doste leade us to the leathal playne.

CELMONDE.

Thie speche, O Loverde, fyrethe the whole trayne;

Theie pancte for war, as honted wolves for breathe;
Go, & sytte crowned on corses of the slayne;
Go, & ywielde the massie swerde of deathe. 670
SOLDYERRES.

From thee, O �lla, alle oure courage reygnes;

Echone yn phantasie do lede the Danes ynne chaynes.

�LLA.

Mie countrymenne, mie friendes, your noble sprytes

Speke yn youre eyne, & doe yer master telle.
Swefte as the rayne-storme toe the erthe alyghtes, 675
Soe wylle we fall upon these royners felle.
Oure mowynge swerdes shalle plonge hem downe to helle;
Theyre throngynge corses shall onlyghte the starres;
The barrowes brastynge wythe the sleene schall swelle,
Brynnynge[92] to commynge tymes our famous warres; 680
Inne everie eyne I kenne the lowe of myghte,
Sheenynge abrode, alyche a hylle-fyre ynne the nyghte.

Whanne poyntelles of oure famous fyghte shall saie,

Echone wylle marvelle atte the dernie dede,
Echone wylle wyssen hee hanne seene the daie, 685
And bravelie holped to make the foemenn blede;
Botte for yer holpe oure battelle wylle notte nede;
Oure force ys force enowe to staie theyre honde;
Wee wylle retourne unto thys grened mede,
Oer corses of the foemen of the londe. 690
Nowe to the warre lette all the slughornes sounde,
The Dacyanne troopes appere on yinder rysynge grounde.

Chiefes, heade youre bandes, and leade.

DANES _flyinge, neare_ WATCHETTE.

FYRSTE DANE.

Fly, fly, ye Danes; Magnus, the chiefe, ys sleene;

The Saxonnes comme wythe �lla atte theyre heade; 695
Lette's strev to gette awaie to yinder greene;
Flie, flie; thys ys the kyngdomme of the deadde.

SECONDE DANE.

O goddes! have thousandes bie mie anlace bledde,

And muste I nowe for safetie flie awaie?
See! farre besprenged alle oure troopes are spreade, 700
Yette I wylle synglie dare the bloddie fraie.
Botte ne; I'lle flie, & morther yn retrete;
Deathe, blodde, & fyre, scalle[93] marke the goeynge of my feete.

THYRDE DANE.

Enthoghteynge forr to scape the brondeynge foe,

As nere unto the byllowd beche I came, 705
 Farr offe I spied a fyghte of myckle woe,
Oure spyrynge battayles wrapte ynn sayles of flame.
The burled Dacyannes, who were ynne the same,
Fro syde to syde fledde the pursuyte of deathe;
The swelleynge fyre yer corrage doe enflame, 710
Theie lepe ynto the sea, & bobblynge yield yer breathe;
Whylest those thatt bee uponne the bloddie playne,
Bee deathe-doomed captyves taene, or yn the battle slayne.

HURRA.

Nowe bie the goddes, Magnus, dyscourteous knyghte,

Bie cravente[94] havyoure havethe don oure woe, 715
Dyspendynge all the talle menne yn the fyghte,
And placeyng valourous menne where draffs mote goe.
Sythence oure fourtunie havethe tourned foe,
Gader the souldyers lefte to future shappe,
To somme newe place for safetie wee wylle goe, 720
Inne future daie wee wylle have better happe.
Sounde the loude flughorne for a quicke forloyne[95];
Lette alle the Dacyannes swythe untoe oure banner joyne.

Throw hamlettes wee wylle sprenge sadde dethe & dole,

Bathe yn hotte gore, & wasch oureselves thereynne; 725
Goddes! here the Saxonnes lyche a byllowe rolle.
I heere the anlacis detested dynne.
Awaie, awaie, ye Danes, to yonder penne;
Wee now wylle make forloyne yn tyme to fyghte agenne.

CELMONDE, _near_ WATCHETTE.

O forr a spryte al feere! to telle the daie, 730

The daie whyche scal astounde the herers rede,
Makeynge oure foemennes envyynge hartes to blede,
Ybereynge thro the worlde oure rennomde name for aie.

Bryghte sonne han ynne hys roddie robes byn dyghte,

From the rodde Easte he flytted wythe hys trayne, 735
The howers drewe awaie the geete of nyghte,
Her sable tapistrie was rente yn twayne.
The dauncynge streakes bedecked heavennes playne,
And on the dewe dyd smyle wythe shemrynge eie,
Lyche gottes of blodde whyche doe blacke armoure steyne, 740
Sheenynge upon the borne[96] whyche stondeth bie;
The souldyers stoode uponne the hillis syde,
Lyche yonge enlefed trees whyche yn a forreste byde.

�lla rose lyche the tree besette wyth brieres;

Hys talle speere sheenynge as the starres at nyghte, 745
Hys eyne ensemeynge as a lowe of fyre;
Whanne he encheered everie manne to fyghte,
Hys gentle wordes dyd moove eche valourous knyghte;
Itte moovethe 'hem, as honterres lyoncelle;
In trebled armoure ys theyre courage dyghte; 750
 Eche warrynge harte forr prayse & rennome swelles;
Lyche flowelie dynnynge of the croucheynge streme,
Syche dyd the mormrynge sounde of the whol armie seme.

Hee ledes 'hem onne to fyghte; oh! thenne to saie

How �lla loked, and lokyng dyd encheere, 755
Moovynge alyche a mountayne yn affraie,
Whanne a lowde whyrlevynde doe yttes boesomme tare,
To telle howe everie loke wulde banyshe feere,
Woulde aske an angelles poyntelle or hys tyngue.
Lyche a talle rocke yatte ryseth heaven-were, 760
Lyche a yonge wolfynne brondeous & strynge,
Soe dydde he goe, & myghtie warriours hedde;
Wythe gore-depycted wynges masterie arounde hym fledde.

The battelle jyned; swerdes uponne swerdes dyd rynge;

�lla was chased, as lyonns madded bee; 765
Lyche fallynge starres, he dydde the javlynn flynge;
Hys mightie anlace mightie menne dyd slea;
Where he dydde comme, the flemed[97] foe dydde flee,
Or felle benethe hys honde, as fallynge rayne,
Wythe syke a fhuyrie he dydde onn 'hemm dree, 770
Hylles of yer bowkes dyd ryse opponne the playne;
�lla, thou arte--botte staie, mie tynge; saie nee;
Howe greate I hymme maye make, stylle greater hee wylle bee.

Nor dydde hys souldyerres see hys actes yn vayne.

Heere a stoute Dane uponne hys compheere felle; 775
Heere lorde & hyndlette sonke uponne the playne;
Heere sonne & fadre trembled ynto helle.
Chief Magnus sought hys waie, &, shame to telle!
Hee soughte hys waie for flyghte; botte �lla's speere
Uponne the flyynge Dacyannes schoulder felle. 780
Quyte throwe hys boddie, & hys harte ytte tare,
He groned, & sonke uponne the gorie greene,
And wythe hys corse encreased the pyles of Dacyannes sleene.

Spente wythe the fyghte, the Danyshe champyons stonde,

Lyche bulles, whose strengthe & wondrous myghte ys fledde; 785
�lla, a javelynne grypped yn eyther honde,
Flyes to the thronge, & doomes two Dacyannes deadde.
After hys acte, the armie all yspedde;
Fromm everich on unmyssynge javlynnes flewe;
Theie straughte yer doughtie swerdes; the foemenn bledde; 790
Fulle three of foure of myghtie Danes dheie slewe;
The Danes, wythe terroure rulynge att their head,
Threwe downe theyr bannere talle, & lyche a ravenne fledde.

The soldyerres followed wythe a myghtie crie,

Cryes, yatte welle myghte the stouteste hartes affraie. 795
Swefte, as yer shyppes, the vanquyshed Dacyannes flie;
Swefte, as the rayne uponne an Aprylle daie,
Pressynge behynde, the Englysche soldyerres slaie.
Botte halfe the tythes of Danyshe menne remayne;
�lla commaundes 'heie shoulde the sleetre staie, 800
Botte bynde 'hem prysonners on the bloddie playne.
The fyghtynge beynge done, I came awaie,
In odher fieldes to fyghte a moe unequalle fraie.
 Mie servant squyre!

CELMONDE, SERVITOURE.

CELMONDE.

Prepare a fleing horse,

Whose feete are wynges, whose pace ys lycke the wynde, 805
Whoe wylle outestreppe the morneynge lyghte yn course,
Leaveynge the gyttelles of the merke behynde.
Somme hyltren matters doe mie presence fynde.
Gyv oute to alle yatte I was sleene ynne fyghte.
Gyff ynne thys gare thou doest mie order mynde, 810
Whanne I returne, thou shalte be made a knyghte;
Flie, flie, be gon; an howerre ys a daie;
Quycke dyghte mie beste of stedes, & brynge hymm heere--awaie!

CELMONDE.

�lla ys woundedd sore, & ynne the toune

He waytethe, tylle hys woundes bee broghte to ethe. 815
And shalle I from hys browes plocke off the croune,
Makynge the vyctore yn hys vyctorie blethe?
O no! fulle sooner schulde mie hartes blodde smethe,
Fulle soonere woulde I tortured bee toe deathe;
Botte--Birtha ys the pryze; ahe! ytte were ethe 820
To gayne so gayne a pryze wythe losse of breathe;
Botte thanne rennome �terne[98]--ytte ys botte ayre;
Bredde ynne the phantasie, & alleyn lyvynge there.

Albeytte everyche thynge yn lyfe conspyre

To telle me of the faulte I nowe schulde doe, 825
Yette woulde I battentlie assuage mie fyre,
And the same menes, as I scall nowe, pursue.
The qualytyes I fro mie parentes drewe,
Were blodde, & morther, masterie, and warre;
Thie I wylle holde to now, & hede ne moe 830
A wounde yn rennome, yanne a boddie scarre.
Nowe, �lla, nowe Ime plantynge of a thorne,
Bie whyche thie peace, thie love, & glorie shalle be torne.

BRYSTOWE.

BIRTHA, EGWINA.

BIRTHA.

Gentle Egwina, do notte preche me joie;

I cannotte joie ynne anie thynge botte weere[99]. 835
Oh! yatte aughte schulde oure sellynesse destroie,
 Floddynge the face wythe woe, & brynie teare!

EGWINA.

You muste, you muste endeavour for to cheere

Youre harte unto somme cherisaunced reste.
Youre loverde from the battelle wylle appere. 840
Ynne honnoure, & a greater love, be dreste;
Botte I wylle call the mynstrelles roundelaie;
Perchaunce the swotie sounde maie chafe your wiere[99] awaie.

BIRTHA, EGWINA, MYNSTRELLES.

MYNSTRELLES SONGE.

O! synge untoe mie roundelaie,

O! droppe the brynie teare wythe mee, 845
Daunce ne moe atte hallie daie,
Lycke a reynynge[100] ryver bee;
Mie love ys dedde,
Gon to hys death-bedde,
Al under the wyllowe tree. 850

Blacke hys cryne[101] as the wyntere nyghte,

Whyte hys rode[102] as the sommer snowe,
Rodde hys face as the mornynge lyghte,
Cale he lyes ynne the grave belowe;
Mie love ys dedde, 855
Gon to hys deathe-bedde,
Al under the wyllowe tree.

Swote hys tyngue as the throstles note,

Quycke ynn daunce as thoughte canne bee,
Defte hys taboure, codgelle stote, 860
O! hee lyes bie the wyllowe tree:
Mie love ys dedde,
Gonne to hys deathe-bedde,
Alle underre the wyllowe tree.

Harke! the ravenne flappes hys wynge, 865

In the briered delle belowe;
Harke! the dethe-owle loude dothe synge,
To the nyghte-mares as heie goe;
Mie love ys dedde,
Gonne to hys deathe-bedde, 870
Al under the wyllowe tree.

See! the whyte moone sheenes onne hie;

Whyterre ys mie true loves shroude;
Whyterre yanne the mornynge skie,
Whyterre yanne the evenynge cloude: 875
Mie love ys dedde,
Gon to hys deathe-bedde,
Al under the wyllowe tree.
 Heere, uponne mie true loves grave,
Schalle the baren fleurs be layde. 880
Nee one hallie Seyncte to save
Al the celness of a mayde.
Mie love ys dedde,
Gonne to hys death-bedde,
Alle under the wyllowe tree. 885

Wythe mie hondes I'lle dente the brieres

Rounde his hallie corse to gre,
Ouphante fairie, lyghte youre fyres,
Heere mie boddie stylle schalle bee.
Mie love ys dedde, 890
Gon to hys death-bedde,
Al under the wyllowe tree.

Comme, wythe acorne-coppe & thorne,

Drayne mie hartys blodde awaie;
Lyfe & all yttes goode I scorne, 895
Daunce bie nete, or feaste by daie.
Mie love ys dedde,
Gon to hys death-bedde,
Al under the wyllowe tree.

Waterre wytches, crownede wythe reytes[103], 900

Bere mee to yer leathalle tyde.
I die; I comme; mie true love waytes.
Thos the damselle spake, and dyed.

BIRTHA.

Thys syngeyng haveth whatte coulde make ytte please;

Butte mie uncourtlie shappe benymmes mee of all ease. 905

�LLA, _atte_ WATCHETTE.

Curse onne mie tardie woundes! brynge mee a stede!

I wylle awaie to Birtha bie thys nyghte:
Albeytte fro mie woundes mie soul doe blede,
I wylle awaie, & die wythynne her syghte.
Brynge mee a stede, wythe eagle-wynges for flyghte; 910
Swefte as mie wyshe, &, as mie love ys, stronge.
The Danes have wroughte mee myckle woe ynne syghte,
Inne kepeynge mee from Birtha's armes so longe.
O! whatte a dome was myne, sythe masterie
Canne yeve ne pleasaunce, nor mie londes goode leme myne eie! 915

Yee goddes, howe ys a loverres temper formed!

Sometymes the samme thynge wylle bothe bane, & blesse;
On tyme encalede[104], yanne bie the same thynge warmd,
Estroughted foorthe, and yanne ybrogten less.
'Tys Birtha's loss whyche doe mie thoughtes possesse; 920
I wylle, I muste awaie: whie staies mie stede?
 Mie huscarles, hyther haste; prepare a dresse,
Whyche couracyers[105] yn hastie journies nede.
O heavens! I moste awaie to Byrtha eyne,
For yn her lookes I fynde mie beynge doe entwyne. 925

CELMONDE, _att_ BRYSTOWE.

The worlde ys darke wythe nyghte; the wyndes are stylle;

Fayntelie the mone her palyde lyghte makes gleme;
The upryste[106] sprytes the sylente letten[107] fylle,
Wythe ouphant faeryes joynyng ynne the dreme;
The forreste sheenethe wythe the sylver leme; 930
Nowe maie mie love be sated ynn yttes treate;
Uponne the lynche of somme swefte reynyng streme,
Att the swote banquette I wylle swotelie eate.
Thys ys the howse; yee hyndes, swythyn appere.

CELMONDE, SERVYTOURE.

CELMONDE.

Go telle to Birtha strayte, a straungerr waytethe here. 935

CELMONDE, BIRTHA.

BIRTHA.

Celmonde! yee seynctes! I hope thou haste goode newes.

CELMONDE.

The hope ys loste: for heavie newes prepare.

BIRTHA.

Is �lla welle?

CELMONDE.

Hee lyves; & stylle maie use

The behylte[108] blessynges of a future yeare.

BIRTHA.

Whatte heavie tydynge thenne have I to feare? 940

Of whatte mischaunce dydste thou so latelie saie?

CELMONDE.

For heavie tydynges swythyn nowe prepare.

�lla sore wounded ys, yn bykerous fraie;
In Wedecester's wallid toune he lyes.

BIRTHA.

O mie agroted breast!

CELMONDE:

Wythoute your syghte, he dyes. 945

BIRTHA.

Wylle Birtha's presence ethe herr �lla's payne?

I flie; newe wynges doe from mie schoulderrs sprynge.

CELMONDE.

Mie stede wydhoute wylle deftelie beere us twayne.

BIRTHA.

Oh! I wyll flie as wynde, & no waie lynge;

Sweftlie caparisons for rydynge brynge; 950
I have a mynde wynged wythe the levyn ploome.
O �lla, �lla! dydste thou kenne the stynge,
The whyche doeth canker ynne mie hartys roome,
Thou wouldste see playne thieselfe the gare to bee;
Aryse, uponne thie love, & flie to meeten mee. 955

CELMONDE.

The stede, on whyche I came, ys swefte as ayre;

Mie servytoures doe wayte mee nere the wode;
Swythynne wythe mee unto the place repayre;
To �lla I wylle gev you conducte goode.
Youre eyne, alyche a baulme, wylle staunche hys bloode, 960
Holpe oppe hys woundes, & yev hys harte alle cheere;
Uponne your eyne he holdes hys lyvelyhode[109];
You doe hys spryte, & alle hys pleasaunce bere.
Comme, lette's awaie, albeytte ytte ys moke,
Yette love wille bee a tore to tourne to feere nyghtes smoke. 965

BIRTHA.

Albeytte unwears dyd the welkynn rende,

Reyne, alyche fallynge ryvers, dyd ferse bee,
Erthe wythe the ayre enchased dyd contende,
Everychone breathe of wynde wythe plagues dyd flee,
Yette I to �lla's eyne eftsoones woulde flee; 970
Albeytte hawethornes dyd mie fleshe enseme,
Owlettes, wythe scrychynge, shakeynge everyche tree,
And water-neders wrygglynge yn eche streme,
 Yette woulde I flie, ne under coverte staie,
Botte seke mie �lla owte; brave Celmonde, leade the waie. 975

A WODE.

HURRA, DANES.

HURRA.

Heere ynn yis forreste lette us watche for pree,

Bewreckeynge on oure foemenne oure ylle warre;
Whatteverre schalle be Englysch wee wylle slea,
Spreddynge our ugsomme rennome to afarre.
Ye Dacyanne menne, gyff Dacyanne menne yee are, 980
Lette nete botte blodde suffycyle for yee bee;
On everich breaste yn gorie letteres scarre,
Whatt sprytes you have, & howe those sprytes maie dree.
And gyf yee gette awaie to Denmarkes shore,
Eftesoones we will retourne, & vanquished bee ne moere. 985

The battelle loste, a battelle was yndede;

Note queedes hemselfes culde stonde so harde a fraie;
Oure verie armoure, & oure heaulmes dyd blede,
The Dacyannes, sprytes, lyche dewe drops, fledde awaie.
Ytte was an �lla dyd commaunde the daie; 990
Ynn spyte of foemanne, I moste saie hys myghte;
Botte wee ynn hynd-lettes blodde the loss wylle paie,
Brynnynge, thatte we knowe howe to wynne yn fyghte;
Wee wylle, lyke wylfes enloosed from chaynes, destroie;--
Oure armoures--wynter nyghte shotte oute the daie of joie. 995

Whene swefte-fote tyme doe rolle the daie alonge,

Somme hamlette scalle onto oure fhuyrie brende;
Brastynge alyche a rocke, or mountayne stronge,
The talle chyrche-spyre upon the grene shalle bende;
Wee wylle the walles, & auntyante tourrettes rende, 1000
Pete everych tree whych goldyn fruyte doe beere,
Downe to the goddes the ownerrs dhereof sende,
Besprengynge alle abrode sadde warre & bloddie weere.
Botte fyrste to yynder oke-tree wee wylle flie;
And thence wylle yssue owte onne all yatte commeth bie. 1005

ANODHER PARTE OF THE WOODE.

CELMONDE, BIRTHA.

BIRTHA.

Thys merkness doe affraie mie wommanns breaste.

Howe sable ys the spreddynge skie arrayde!
 Hailie the bordeleire, who lyves to reste,
Ne ys att nyghtys flemynge hue dysmayde;
The starres doe scantillie[110] the sable brayde; 1010
Wyde ys the sylver lemes of comforte wove;
Speke, Celmonde, does ytte make thee notte afrayde?

CELMONDE.

Merker the nyghte, the fitter tyde for love.

BIRTHA.

Saiest thou for love? ah! love is far awaie.

Faygne would I see once moe the roddie lemes of daie. 1015

CELMONDE.

Love maie bee nie, woulde Birtha calle ytte here.

BIRTHA.

How, Celmonde, dothe thou mene?

CELMONDE.

Thys Celmonde menes.

No leme, no eyne, ne mortalle manne appere,
Ne lyghte, an acte of love for to bewreene;
Nete in thys forreste, botte thys tore[111], dothe sheene, 1020
The whych, potte oute, do leave the whole yn nyghte;
See! howe the brauncynge trees doe here entwyne,
Makeynge thys bower so pleasynge to the syghte;
Thys was for love fyrste made, & heere ytt stondes,
Thatte hereynne lovers maie enlyncke yn true loves bondes. 1025

BIRTHA.

Celmonde, speake whatte thou menest, or alse mie thoughtes

Perchaunce maie robbe thie honestie so fayre.

CELMONDE.

Then here, & knowe, hereto I have you broughte,

Mie longe hydde love unto you to make clere.

BIRTHA.

Oh heaven & earthe! whatte ys ytt I doe heare? 1030

Am I betraste[112]? where ys mie �lla, saie!

CELMONDE.

O! do nete nowe to �lla syke love bere,

Botte geven some onne Celmondes hedde.

BIRTHA.

Awaie!
 I wylle be gone, & groape mie passage oute,
Albeytte neders stynges mie legs do twyne aboute. 1035

CELMONDE.

Nowe bie the seynctes I wylle notte lette thee goe,

Ontylle thou doeste mie brendynge love amate.
Those eyne have caused Celmonde myckle woe,
Yenne lette yer smyle fyrst take hymm yn regrate.
O! didst thou see mie breastis troblous state, 1040
Theere love doth harrie up mie joie, and ethe!
I wretched bee, beyonde the hele of fate,
Gyss Birtha stylle wylle make mie harte-veynes blethe.
Softe as the sommer flowreets, Birtha, looke,
Fulle ylle I canne thie frownes & harde dyspleasaunce brooke. 1045

BIRTHA.

Thie love ys foule; I woulde bee deafe for aie,

Radher thanne heere syche deslavatie[113] sedde.
Swythynne flie from mee, and ne further saie;
Radher thanne heare thie love, I woulde bee dead.
Yee seynctes! & shal I wronge mie �lla's bedde, 1050
And wouldst thou, Celmonde, tempte me to the thynge?
Lett mee be gone--alle curses onne thie hedde!
Was ytte for thys thou dydste a message brynge!
Lette mee be gone, thou manne of sable harte!
Or welkyn[114] & her starres wyll take a maydens parte. 1055

CELMONDE.

Sythence you wylle notte lette mie suyte avele,

Mie love wylle have yttes joie, altho wythe guylte;
Youre lymbes shall bende, albeytte strynge as stele;
The merkye seesonne wylle your bloshes hylte[115].

BIRTHA.

Holpe, holpe, yee seynctes! oh thatte mie blodde was spylte! 1060

CELMONDE.

The seynctes att distaunce stonde ynn tyme of nede.

Strev notte to goe; thou canste notte, gyff thou wylte.
Unto mie wysche bee kinde, & nete alse hede.

BIRTHA.

No, foule bestoykerre, I wylle rende the ayre,

Tylle dethe do staie mie dynne, or somme kynde roder heare. 1065
Holpe! holpe! oh godde!

CELMONDE, BIRTHA, HURRA, DANES.

HURRA.

Ah! thatts a wommanne cries.

I kenn hem; saie, who are you, yatte bee theere?

CELMONDE.

Yee hyndes, awaie! orre bie thys swerde yee dies.

HURRA.

Thie wordes wylle ne mie hartis sete affere.

BIRTHA.

Save mee, oh! save mee from thys royner heere! 1070

HURRA.

Stonde thou bie mee; nowe saie thie name & londe;
Or swythyne schall mie swerde thie boddie tare.

CELMONDE.

Bothe I wylle shewe thee bie mie brondeous[116] honde.

HURRA.

Besette hym rounde, yee Danes.

CELMONDE.

Comme onne, and see

Gyff mie strynge anlace maie bewryen whatte I bee. 1075
[_Fyghte al anenste_ Celmonde, _meynte Danes he fleath,
and faleth to_ Hurra.

CELMONDE.

Oh! I forslagen[117] be! ye Danes, now kenne,

I amme yatte Celmonde, seconde yn the fyghte,
Who dydd, atte Watchette, so forslege youre menne;
I fele myne eyne to swymme yn �terne nyghte;--
To her be kynde. [_Dieth_.

HURRA.

Thenne felle a wordhie knyghte. 1080

Saie, who bee you?

BIRTHA.

I am greate �lla's wyfe.

HURRA.

Ah
BIRTHA.

Gyff anenste hym you harboure soule despyte,

Nowe wythe the lethal anlace take mie lyfe,
Mie thankes I ever onne you wylle bestowe,
From ewbryce[118] you mee pyghte, the worste of mortal woe. 1085

HURRA.

I wylle; ytte scalle bee foe: yee Dacyans, heere.

Thys �lla havethe been oure foe for aie.
Thorrowe the battelle he dyd brondeous teare,
Beyng the lyfe and head of everych fraie;
From everych Dacyanne power he won the daie, 1090
Forslagen Magnus, all oure schippes ybrente;
Bie hys felle arme wee now are made to straie;
The speere of Dacya he ynne pieces shente;
Whanne hantoned barckes unto our londe dyd comme,
�lla the gare dheie sed, & wysched hym bytter dome. 1095

BIRTHA.

Mercie!

HURRA.

Bee stylle.
Botte yette he ys a foemanne goode and fayre;
Whanne wee are spente, he foundethe the forloyne;
The captyves chayne he tosseth ynne the ayre,
Cheered the wounded bothe wythe bredde & wyne;
Has hee notte untoe somme of you bynn dygne? 1100
You would have smethd onne Wedecestrian fielde,
Botte hee behylte the flughorne for to cleyne,
Throwynge onne hys wyde backe, hys wyder spreddynge shielde.
Whanne you, as caytysned, yn fielde dyd bee,
Hee oathed you to bee stylle, & strayte dydd sette you free. 1105

Scalle wee forslege[119] hys wyfe, because he's brave?

Bicaus hee fyghteth for hys countryes gare?
Wylle hee, who havith bynne yis �lla's slave,
Robbe hym of whatte percase he holdith deere?
Or scalle we menne of mennys sprytes appere, 1110
Doeynge hym favoure for hys favoure donne,
Swefte to hys pallace thys damoiselle bere,
Bewrynne oure case, and to oure waie be gonne?
The last you do approve; so lette ytte bee;
Damoyselle, comme awaie; you safe scalle bee wythe mee. 1115

BIRTHA.

Al blessynges maie the seynctes unto yee gyve!

Al pleasaunce maie youre longe-straughte livynges bee!
�lla, whanne knowynge thatte bie you I lyve,
Wylle thyncke too smalle a guyfte the londe & sea.
O Celmonde! I maie deftlie rede bie thee, 1120
Whatte ille betydethe the enfouled kynde;
Maie ne thie cross-stone[120] of thie cryme bewree!
 Maie alle menne ken thie valoure, fewe thie mynde!
Soldyer! for syke thou arte ynn noble fraie,
I wylle thie goinges 'tende, & doe thou lede the waie. 1125

HURRA.

The mornynge 'gyns alonge the Easte to sheene;

Darklinge the lyghte doe onne the waters plaie;
The feynte rodde leme slowe creepeth oere the greene,
Toe chase the merkyness of nyghte awaie;
Swifte flies the howers thatte wylle brynge oute the daie; 1130
The softe dewe falleth onne the greeynge grasse;
The shepster mayden, dyghtynge her arraie,
Scante[121] sees her vysage yn the wavie glasse;
Bie the fulle daylieghte wee scalle �lla see.
Or Brystowes wallyd towne; damoyselle, followe mee. 1135

AT BRYSTOWE.

�LLA AND SERVITOURES.

�LLA.

'Tys nowe fulle morne; I thoughten, bie laste nyghte

To have been heere; mie stede han notte mie love;
Thys ys mie pallace; lette mie hyndes alyghte,
Whylste I goe oppe, & wake mie slepeynge dove.
Staie here, mie hyndlettes; I shal goe above. 1140
Nowe. Birtha, wyll thie loke enhele mie spryte,
Thie smyles unto mie woundes a baulme wylle prove;
Mie ledanne boddie wylle bee sette aryghte.
Egwina, haste, & ope the portalle doore,
Yatte I on Birtha's breste maie thynke of warre ne more. 1145

�LLA, EGWINA.

EGWINA.

Oh �lla!

�LLA.

Ah! that semmlykeene to mee

Speeketh a legendary tale of woe.

EGWINA.

Birtha is--

�LLA.
 Whatt? where? how? saie, whatte of shee?

EGWINA.

Gone--

�LLA.

Gone! ye goddes!

EGWINA.

Alas! ytte ys toe true.

Yee seynctes, hee dies awaie wythe myckle woe! 1150
�lla! what? �lla! oh! hee lyves agen.

�LLA.

Cal mee notte �lla; I am hymme ne moe.

Where ys shee gon awaie? ah! speake! how? when?

EGWINA.

I will.

�LLA.

Caparyson a score of stedes; flie, flie.

Where ys shee? swythynne speeke, or instante thou shalte die. 1155

EGWINA.

Stylle thie loud rage, & here thou whatte I knowe.

�LLA.

Oh! speek.

EGWINA.

Lyche prymrose, droopynge wythe the heavie rayne,

Laste nyghte I lefte her, droopynge wythe her wiere,
Her love the gare, thatte gave her harte syke peyne--

�LLA.

Her love! to whomme?

EGWINA.

To thee, her spouse alleyne[122]. 1160

As ys mie hentylle everyche morne to goe,
I wente, and oped her chamber doore ynn twayne,
Botte found her notte, as I was wont to doe;
Thanne alle arounde the pallace I dyd seere[123],
Botte culde (to mie hartes woe) ne fynde her anie wheere. 1165
�LLA.

Thou lyest, foul hagge! thou lyest; thou art her ayde
To chere her louste;--botte noe; ytte cannotte bee.

EGWINA.

Gyff trouthe appear notte inne whatte I have sayde,

Drawe forthe thie anlace swythyn, thanne mee flea.

�LLA.

Botte yette ytte muste, ytte muste bee foe; I see, 1170
Shee wythe somme loustie paramoure ys gone;
Itte moste bee foe--oh! how ytte wracketh mee!
Mie race of love, mie race of lyfe ys ronne;
Nowe rage, & brondeous storm, & tempeste comme;
Nete lyvynge upon erthe can now enswote mie domme. 1175

�LLA, EGWINA, SERVYTOURE.

SERVYTOURE.

Loverde! I am aboute the trouthe to saie.

Laste nyghte, fulle late I dydde retourne to reste.
As to mie chamber I dydde bende mie waie,
To Birtha onne hys name & place addreste;
Downe to hym camme shee; butte thereof the reste 1180
I ken ne matter; so, mie hommage made--

�LLA.

O! speake ne moe; mie harte flames yn yttes heste;

I once was �lla; nowe bee notte yttes shade.
Hanne alle the fuirie of mysfortunes wylle
Fallen onne mie benned[124] headde I hanne been �lla stylle. 1185

Thys alleyn was unburled[125] of alle mie spryte;

Mie honnoure, honnoure, frownd on the dolce[126] wynde,
Thatte steeked on ytte; nowe wyth rage Im pyghte;
A brondeous unweere ys mie engyned mynde.
Mie hommeur yette somme drybblet joie maie fynde, 1190
To the Danes woundes I wylle another yeve;
Whanne thos mie rennome[127] & mie peace ys rynde,
Itte were a recrandize to thyncke toe lyve;
Mie huscarles, untoe everie asker telle,
Gyffe noblie �lla lyved, as noblie �lla felle. 1195
[_Stabbeth hys breste_.

SERVYTOURE.

�lla ys sleene; the flower of Englonde's marrde!

�LLA.
 Be stylle: swythe lette the chyrches rynge mie knelle.
Call hyther brave Coernyke; he, as warde
Of thys mie Brystowe castle, wyll doe welle.
[_Knelle ryngeth_.

�LLA, EGWINA, SERVYTOURE, COERNYKE.

�LLA.

Thee I ordeyne the warde; so alle maie telle. 1200

I have botte lyttel tym to dragge thys lyfe;
Mie lethal tale, alyche a lethalle belle,
Dynne yn the eares of her I wyschd mie wyfe!
Botte, ah! shee maie be fayre.

EGWINA.

Yatte shee moste bee.

�LLA.

Ah! saie notte foe; yatte worde woulde �lla dobblie flee. 1205

�LLA, EGWINA, SERVYTOURE, COERNYKE, BIRTHA, HURRA.

�LLA.

Ah! Birtha here!

BIRTHA.

Whatte dynne ys thys? whatte menes yis leathalle knelle?

Where ys mie �lla? speeke; where? howe ys hee?
Oh �lla! art thou yanne alyve and welle!

�LLA.

I lyve yndeed; botte doe notte lyve for thee.

BIRTHA.

Whatte menes mie �lla?

�LLA.

Here mie meneynge see. 1210

Thie foulness urged mie honde to gyve thys wounde,
Ytte mee unsprytes[128].
BIRTHA.

Ytte hathe unspryted mee.

�LLA.

Ah heavens! mie Birtha fallethe to the grounde!

Botte yette I am a manne, and so wylle bee.

HURRA.

�lla! I amme a Dane; botte yette a friende to thee. 1215

Thys damoyselle I founde wythynne a woode,

Strevynge fulle harde anenste a burled swayne;
I sente hym myrynge ynne mie compheeres blodde,
Celmonde hys name, chief of thie warrynge trayne.
Yis damoiselle foughte to be here agayne; 1220
The whyche, albeytte foemen, wee dydd wylle;
So here wee broughte her wythe you to remayne.

COERNIKE.

Yee nobylle Danes! wythe goulde I wyll you fylle.

�LLA.

Birtha, mie lyfe! mie love! oh! she ys fayre.

Whatte faultes coulde Birtha have, whatte faultes could �lla feare?

BIRTHA.

Amm I yenne thyne? I cannotte blame thie feere.

Botte doe reste mee uponne mie �lla's breaste;
I wylle to thee bewryen the woefulle gare.
Celmonde dyd comme to mee at tyme of reste,
Wordeynge for mee to flie, att your requeste, 1230
To Watchette towne, where you deceasynge laie;
I wyth hym fledde; thro' a murke wode we preste,
Where hee foule love unto mie eares dyd saie;
The Danes--

�LLA.

Oh! I die contente.-- [_dieth_.

BIRTHA.

Oh! ys mie �lla dedde?

O! I will make hys grave mie vyrgyn spousal bedde. 1235
[Birtha _feyncteth_.

COERNYKE.

Whatt? �lla deadde! & Birtha dyynge toe!

Soe falles the fayrest flourettes of the playne.
Who canne unplyte the wurchys heaven can doe,
 Or who untweste the role of shappe yn twayne?
�lla, thie rennome was thie onlie gayne; 1240
For yatte, thie pleasaunce, & thie joie was loste.
Thie countrymen shall rere thee, on the playne,
A pyle of carnes, as anie grave can boaste;
Further, a just amede to thee to bee,
Inne heaven thou synge of Godde, on erthe we'lle synge of thee. 1245

THE ENDE.

[Footnote 1: robes, mantels.]

[Footnote 2: a pen.]

[Footnote 3: express.]

[Footnote 4: countenance.]

[Footnote 5: covered.]

[Footnote 6: such.]

[Footnote 7: another.]

[Footnote 8: at once.]

[Footnote 9: mighty.]

[Footnote 10: hardy, valourous.]

[Footnote 11: violence.]

[Footnote 12: binding, enforcing.]

[Footnote 13: fate.]

[Footnote 14: lessen, decrease.]

[Footnote 15: faith.]

[Footnote 16: blinded.]

[Footnote 17: lights, rays.]

[Footnote 18: fellows, equals.]

[Footnote 19: disdainful.]

[Footnote 20: presents, offerings.]

[Footnote 21: scarfs.]

[Footnote 22: robes of scarlet.]

[Footnote 23: bounded.]

[Footnote 24: large.]

[Footnote 25: elephants.]

[Footnote 26: destroy.]

[Footnote 27: stretched.]

[Footnote 28: services.]

[Footnote 29: memory, understanding.]

[Footnote 30: Shepherd.]

[Footnote 31: deceiver.]

[Footnote 32: meadows.]

[Footnote 33: The black bird.]

[Footnote 34: Gold-finch.]

[Footnote 35: loudly.]

[Footnote 36: lectures.]

[Footnote 37: Apparel.]

[Footnote 38: At once.]

[Footnote 39: a divine.]

[Footnote 40: A cottage.]

[Footnote 41: Lord.]

[Footnote 42: stretch.]

[Footnote 43: tender.]

[Footnote 44: Naked.]

[Footnote 45: Hot.]

[Footnote 46: health.]

[Footnote 47: Quickly.]

[Footnote 48: Laughable.]

[Footnote 49: Drouned.]

[Footnote 50: Stilled, quenched.]

[Footnote 51: Swelling.]

[Footnote 52: Body, substance.]

[Footnote 53: Still, dead.]

[Footnote 54: arrows, darts.]

[Footnote 55: Terrible.]

[Footnote 56: Offended.]

[Footnote 57: upbraiding.]

[Footnote 58: cease.]

[Footnote 59: swollen.]

[Footnote 60: Torture.]

[Footnote 61: asswage.]

[Footnote 62: difficult.]

[Footnote 63: Jewels.]

[Footnote 64: stay.]

[Footnote 65: Wrapped closely, covered.]

[Footnote 66: fastened.]

[Footnote 67: astonish'd.]

[Footnote 68: Naked.]

[Footnote 69: Scatterest.]

[Footnote 70: Strange.]

[Footnote 71: Quickly.]

[Footnote 72: offerings.]

[Footnote 73: mantels.]

[Footnote 74: Enlighten.]

[Footnote 75: Least.]

[Editor's note: l. 467 _see Introduction p._ xli]

[Footnote 76: Against.]

[Footnote 77: Work.]

[Editor's note: l. 489 sphere: _see note on p_. xli]

[Footnote 78: Terror.]

[Footnote 79: cowards.]

[Footnote 80: Wave.]

[Footnote 81: Contentions.]

[Footnote 82: frighted.]

[Footnote 83: Lose.]

[Footnote 84: Child.]

[Footnote 85: Fate-scourged.]

[Footnote 86: flamed, fired.]

[Footnote 87: lighted.]

[Footnote 88: dead.]

[Footnote 89: blasting.]

[Footnote 90: swallows, sucks in.]

[Footnote 91: unaccustomed.]

[Footnote 92: Declaring.]

[Footnote 93: Shall.]

[Footnote 94: Coward.]

[Footnote 95: Retreat.]

[Footnote 96: Burnish.]

[Footnote 97: Frighted.]

[Footnote 98: Eternal.]

[Footnote 99: Grief.]

[Footnote 100: Running.]

[Footnote 101: hair.]

[Footnote 102: complexion.]

[Footnote 103: Water-flags.]

[Footnote 104: Frozen, cold.]

[Footnote 105: horse coursers, couriers.]

[Footnote 106: Risen.]

[Footnote 107: church-yard.]

[Footnote 108: Promised.]

[Footnote 109: Life.]

[Footnote 110: Scarcely, sparingly.]

[Footnote 111: Torch.]

[Footnote 112: Betrayed.]

[Footnote 113: Letchery.]

[Footnote 114: heaven.]

[Footnote 115: hide.]

[Footnote 116: Furious.]

[Footnote 117: slain.]

[Footnote 118: Adultery.]

[Footnote 119: Slay.]

[Footnote 120: Monument.]

[Footnote 121: Scarce.]

[Footnote 122: Only, alone.]

[Footnote 123: Search.]

[Footnote 124: Cursed, tormented.]

[Footnote 125: unarmed.]

[Footnote 126: soft, gentle.]

[Footnote 127: renown.]

[Footnote 128: Un-souls.]

GODDWYN;

A TRAGEDIE.

BY THOMAS ROWLEIE.

PERSONS REPRESENTED.

HAROLDE, bie _T. Rowleie_, the Aucthoure.

GODDWYN, bie _Johan de Iscamme_.
ELWARDE, bie Syrr _Thybbot Gorges_.
ALSTAN, bie Syrr _Alan de Vere_.
KYNGE EDWARDE, bie Mastre _Willyam Canynge_.
 Odhers bie _Knyghtes Mynnstrells_.

PROLOGUE,

Made bie Maistre WILLIAM CANYNGE.

Whylomme[1]bie pensmenne[2] moke[3] ungentle[4] name

Have upon Goddwynne Erie of Kente bin layde:
Dherebie benymmynge[5] hymme of faie[6] and fame;
Unliart[7] divinistres[8] haveth faide,
Thatte he was knowen toe noe hallie[9] wurche[10]; 5
Botte thys was all hys faulte, he gyfted ne[11] the churche.

The aucthoure[12] of the piece whiche we enacte,

Albeytte[13] a clergyon[14], trouthe wyll wrytte.
Inne drawynge of hys menne no wytte ys lackte;
Entyn[15] a kynge mote[16] bee full pleased to nyghte. 10
Attende, and marcke the partes nowe to be done;
Wee better for toe doe do champyon[17] anie onne.

GODDWYN; A TRAGEDIE.

GODDWYN AND HAROLDE.

GODDWYN.

Harolde!

HAROLDE.

Mie loverde[18]!

GODDWYN.

O! I weepe to thyncke,
What foemen[19] riseth to ifrete[20] the londe.
Theie batten[21] onne her fleshe, her hartes bloude dryncke,
And all ys graunted from the roieal honde.

HAROLDE.

Lette notte thie agreme[22] blyn[23], ne aledge[24] stonde; 5

Bee I toe wepe, I wepe in teres of gore:
Am I betrassed[25], syke[26] shulde mie burlie[27] bronde
Depeyncte[28] the wronges on hym from whom I bore.

GODDWYN.

I ken thie spryte[29] ful welle; gentle thou art,

Stringe[30], ugsomme[31], rou[32], as smethynge[33] armyes seeme; 10
 Yett efte[34], I feare, thie chefes[35] toe grete a parte,
And that thie rede[36] bee efte borne downe bie breme[37].
What tydynges from the kynge?

HAROLDE.

His Normans know.

I make noe compheeres of the shemrynge[38] trayne.

GODDWYN.

Ah Harolde! tis a syghte of myckle woe, 15

To kenne these Normannes everich rennome gayne.
What tydynge withe the foulke[39]?

HAROLDE.

Stylle mormorynge atte yer shap[40], stylle toe the kynge

Theie rolle theire trobbles, lyche a sorgie sea.
Hane Englonde thenne a tongue, butte notte a stynge? 20
Dothe alle compleyne, yette none wylle ryghted bee?

GODDWYN.

Awayte the tyme, whanne Godde wylle sende us ayde.

HAROLDE.

No, we muste streve to ayde oureselves wyth powre.

Whan Godde wylle sende us ayde! tis fetelie[41] prayde.
Moste we those calke[42] awaie the lyve-longe howre? 25
Thos croche[43] oure armes, and ne toe lyve dareygne[44].
Unburled[45] undelievre[46], unespryte[47]?
Far fro mie harte be fled thyk[48] thoughte of peyne,
Ile free mie countrie, or Ille die yn fyghte.

GODDWYN.

Botte lette us wayte untylle somme season fytte. 30

Mie Kentyshmen, thie Summertons shall ryse;
Adented[49] prowess[50] to the gite[51] of witte,
Agayne the argent[52] horse shall daunce yn skies.
Oh Harolde, heere forstraughteynge[53] wanhope[54] lies.
Englonde, oh Englonde, tys for thee I blethe[55]. 35
Whylste Edwarde to thie sonnes wylle nete alyse[56],
Shulde anie of thie sonnes fele aughte of ethe[57]?
Upponne the trone[58] I sette thee, helde thie crowne;
Botte oh! twere hommage nowe to pyghte[59] thee downe.
Thou arte all preeste, & notheynge of the kynge. 40
Thou arte all Norman, nothynge of mie blodde.
Know, ytte beseies[60] thee notte a masse to synge;
Servynge thie leegefolcke[61] thou arte servynge Godde.

HAROLDE.

Thenne Ille doe heaven a servyce. To the skyes

The dailie contekes[62] of the londe ascende. 45
The wyddowe, fahdrelesse, & bondemennes cries
 Acheke[63] the mokie[64] aire & heaven astende[65]
On us the rulers doe the folcke depende;
Hancelled[66] from erthe these Normanne[67] hyndes shalle bee;
Lyche a battently[68] low[69], mie swerde shalle brende[70]; 50
Lyche fallynge softe rayne droppes, I wyll hem[71] slea[72];
Wee wayte too longe; our purpose wylle defayte[73];
Aboune[74] the hyghe empryze[75], & rouze the champyones strayte.

GODDWYN.

Thie suster--

HAROLDE.

Aye, I knowe, she is his queene.

Albeytte[76], dyd shee speeke her foemen[77] fayre, 55
I wulde dequace[78] her comlie semlykeene[79],
And foulde mie bloddie anlace[80] yn her hayre.

GODDWYN.

Thye fhuir[81] blyn[82].

HAROLDE.

No, bydde the leathal[83] mere[84]

Upriste[85] withe hiltrene[86] wyndes & cause unkend[87],
Beheste[88] it to be lete[89]; so twylle appeare, 60
Eere Harolde hyde hys name, his contries frende.
The gule-steynct[90] brygandyne[91], the adventayle[92],
The feerie anlace[92] brede[93] shal make mie gare[94] prevayle.

GODDWYN.

Harolde, what wuldest doe?

HAROLDE.

Bethyncke thee whatt.

Here liethe Englonde, all her drites [95] unfree, 65
Here liethe Normans coupynge[96] her bie lotte,
Caltysnyng[97] everich native plante to gre[98],
Whatte woulde I doe? I brondeous[99] wulde hem slee[100];
Tare owte theyre sable harte bie ryghtefulle breme[101];
Theyre deathe a meanes untoe mie lyfe shulde bee, 70
Mie spryte shulde revelle yn theyr harte-blodde streme.
Eftsoones I wylle bewryne[102] mie ragefulle ire,
And Goddis anlace[103] wielde yn furie dyre.

GODDWYN.

Whatte wouldest thou wythe the kynge?

HAROLDE.

Take offe hys crowne;

The ruler of somme mynster[104] hym ordeyne; 75
Sette uppe fom dygner[105] than I han pyghte[106] downe;
 And peace in Englonde shulde be brayd[107] agayne.

GODDWYN.

No, lette the super-hallie[108] seyncte kynge reygne,

Ande somme moe reded[109] rule the untentyff[110] reaulme;
Kynge Edwarde, yn hys cortesie, wylle deygne 80
To yielde the spoiles, and alleyne were the heaulme:
Botte from mee harte bee everych thoughte of gayne,
Not anie of mie kin I wysche him to ordeyne.

HAROLDE.

Tell me the meenes, and I wylle boute ytte strayte;

Bete[111] mee to slea[112] mieself, ytte shalle be done. 85

GODDWYN.

To thee I wylle swythynne[113] the menes unplayte[114],

Bie whyche thou, Harolde, shalte be proved mie sonne.
I have longe seen whatte peynes were undergon,
Whatte agrames[115] braunce[116] out from the general tree;
The tyme ys commynge, whan the mollock[117] gron[118] 90
Drented[119] of alle yts swolynge[120] owndes[121] shalle bee;
Mie remedie is goode; our menne shall ryse:
Eftsoons the Normans and owre agrame[122] flies.

HAROLDE.

I will to the West, and gemote[123] alle mie knyghtes,

Wythe bylles that pancte for blodde, and sheeldes as brede[124] 95
As the ybroched[125] moon, when blaunch[126] shedyghtes[127]
The wodeland grounde or water-mantled mede;
Wythe hondes whose myghte canne make the doughtiest[128] blede,
Who efte have knelte upon forslagen[129] foes,
Whoe wythe yer fote orrests[130] a castle-stede[131], 100
Who dare on kynges for to bewrecke[123] yiere woes;
Nowe wylle the menne of Englonde haile the daie,
Whan Goddwyn leades them to the ryghtfulle fraie.

GODDWYN.

Botte firste we'll call the loverdes of the West,

The erles of Mercia, Conventrie and all; 105
The moe wee gayne, the gare[133] wylle prosper beste,
Wythe syke a nomber wee can never fall.

HAROLDE.

True, so wee sal doe best to lyncke the chayne,

And alle attenes[134] the spreddynge kyngedomme bynde.
No crouched[135] champyone wythe an harte moe feygne 100
Dyd yssue owte the hallie[136] swerde to fynde,
Than I nowe strev to ryd mie londe of peyne.
Goddwyn, what thanckes owre laboures wylle enhepe!
I'lle ryse mie friendes unto the bloddie pleyne;
I'lle wake the honnoure thatte ys now aslepe. 115
When wylle the chiefes mete atte thie feastive halle,
 That I wythe voice alowde maie there upon 'em calle?

GODDWYN.

Next eve, mie sonne.

HAROLDE.

Nowe, Englonde, ys the tyme,

Whan thee or thie felle foemens cause moste die.
Thie geason[137] wronges bee reyne[138] ynto theyre pryme; 120
Nowe wylle thie sonnes unto thie succoure flie.
Alyche a storm egederinge[139] yn the skie,
Tys fulle ande brasteth[140] on the chaper[141] grounde;
Sycke shalle mie fhuirye on the Normans flie,
And alle theyre mittee[142] menne be sleene[143] arounde. 125
Nowe, nowe, wylle Harolde or oppressionne falle,
Ne moe the Englyshmenne yn vayne for hele[144] shal calle.

KYNGE EDWARDE AND HYS QUEENE.

QUEENE.

Botte, loverde[145], whie so manie Normannes here?

Mee thynckethe wee bee notte yn Englyshe londe.
These browded[146] straungers alwaie doe appere, 130
Theie parte yor trone[147], and sete at your ryghte honde.

KYNGE.

Go to, goe to, you doe ne understonde:

Theie yeave mee lyffe and dyd mie bowkie[148] kepe;
Theie dyd mee feeste, and did embowre[149] me gronde;
To trete hem ylle wulde lette mie kyndnesse slepe. 135

QUEENE.

Mancas[150] you have yn store, and to them parte;

Youre leege-folcke[151] make moke[152] dole[153], you have theyr worthe
asterte[154].

KYNGE.

I heste[155] no rede of you. I ken mie friendes.

Hallie[156] dheie are, fulle ready mee to hele[157].
Theyre volundes[158] are ystorven[159] to self endes; 140
No denwere[160] yn mie breste I of them fele:
I muste to prayers; goe yn, and you do wele;
I muste ne lose the dutie of the daie;
Go inne, go ynne, ande viewe the azure rele[161],
Fulle welle I wote you have noe mynde toe praie. 145

QUEENE.
 I leeve youe to doe hommage heaven-were[162];
To serve yor leege-folcke toe is doeynge hommage there.

KYNGE AND SYR HUGHE.

KYNGE.

Mie friende, Syr Hughe, whatte tydynges brynges thee here?

HUGHE.

There is no mancas yn mie loverdes ente[163];

The hus dyspense[164] unpaied doe appere; 150
The laste receivure[165] ys eftesoones[166] dispente[167].

KYNGE.

Thenne guylde the Weste.

HUGHE.

Mie loverde, I dyd speke

Untoe the mitte[168] Erle Harolde of the thynge;
He raysed hys honde, and smoke me onne the cheke,
Saieynge, go beare thatte message to the kynge. 155

KYNGE.

Arace[169] hym of hys powere; bie Goddis worde,

Ne moe thatte Harolde shall ywield the erlies swerde.

HUGHE.

Atte seeson fytte, mie loverde, lette itt bee;

Botte nowe the folcke doe soe enalse[170] hys name,
Inne strevvynge to slea hymme, ourselves wee slea; 160
Syke ys the doughtyness[171] of hys grete fame.

KYNGE.

Hughe, I beethyncke, thie rede[172] ys notte to blame.

Botte thou maiest fynde fulle store of marckes yn Kente.

HUGHE.

Mie noble loverde, Godwynn ys the same

He sweeres he wylle notte swelle the Normans ent. 165

KYNGE.

Ah traytoure! botte mie rage I wylle commaunde.

Thou arte a Normanne, Hughe, a straunger to the launde.

Thou kenneste howe these Englysche erle doe bere

 Such stedness[173] in the yll and evylle thynge,
Botte atte the goode theie hover yn denwere[174], 170
Onknowlachynge[175] gif thereunto to clynge.

HUGHE.

Onwordie syke a marvelle[176] of a kynge!

O Edwarde, thou deservest purer leege[177];
To thee heie[178] shulden al theire mancas brynge;
Thie nodde should save menne, and thie glomb[179] forslege[180]. 175
I amme no curriedowe[181], I lacke no wite [182],
I speke whatte bee the trouthe, and whatte all see is ryghte.

KYNGE.

Thou arte a hallie[183] manne, I doe thee pryze.

Comme, comme, and here and hele[184] mee ynn mie praires.
Fulle twentie mancas I wylle thee alise [185], 180
And twayne of hamlettes[186] to thee and thie heyres.
So shalle all Normannes from mie londe be fed,
Theie alleyn[187] have syke love as to acquyre yer bredde.

CHORUS.

Whan Freedom, dreste yn blodde-steyned veste,

To everie knyghte her warre-songe sunge, 185
Uponne her hedde wylde wedes were spredde;
A gorie anlace bye her honge.
She daunced onne the heathe;
She hearde the voice of deathe;
Pale-eyned affryghte, hys harte of sylver hue, 190
In vayne assayled[188] her bosomme to acale[189];
She hearde onflemed[190] the shriekynge voice of woe,
And sadnesse ynne the owlette shake the dale.
She shooke the burled[191] speere,
On hie she jeste[192] her sheelde, 195
Her foemen[193] all appere,
And flizze[194] alonge the feelde.
Power, wythe his heasod[195] straught[196] ynto the skyes,
Hys speere a sonne-beame, and his sheelde a starre,
Alyche[197] twaie[198] brendeynge[199] gronfyres[200] rolls hys eyes, 200
Chastes[201] with hys yronne feete and soundes to war.
She syttes upon a rocke,
She bendes before his speere,
She ryses from the shocke,
Wieldynge her owne yn ayre. 205
Harde as the thonder dothe she drive ytte on,
Wytte scillye[202] wympled[203] gies[204] ytte to hys crowne,
Hys longe sharpe speere, hys spreddynge sheelde ys gon,
He falles, and fallynge rolleth thousandes down.
War, goare-faced war, bie envie burld[205], arist[206], 210
Hys feerie heaulme[207] noddynge to the ayre,
Tenne bloddie arrowes ynne hys streynynge fyste--
 * * * * *

[Footnote 1: Of old, formerly.]

[Footnote 2: writers, historians.]

[Footnote 3: much.]

[Footnote 4: inglorious.]

[Footnote 5: bereaving.]

[Footnote 6: faith.]

[Footnote 7: unforgiving.]

[Footnote 8: divines, clergymen, monks.]

[Footnote 9: holy.]

[Footnote 10: work.]

[Footnote 11: not.]

[Footnote 12: author.]

[Footnote 13: though, notwithstanding.]

[Footnote 14: clerk, or clergyman.]

[Footnote 15: entyn, even.]

[Footnote 16: might.]

[Footnote 17: challenge.]

[Footnote 18: Lord.]

[Footnote 19: foes, enemies.]

[Footnote 20: devour, destroy.]

[Footnote 21: fatten.]

[Footnote 22: Grievance; a sense of it.]

[Footnote 23: cease, be still.]

[Footnote 24: idly.]

[Footnote 25: deceived, imposed on.]

[Footnote 26: so.]

[Footnote 27: fury, anger, rage.]

[Footnote 28: paint, display.]

[Footnote 29: soul.]

[Footnote 30: strong.]

[Footnote 31: terrible.]

[Footnote 32: horrid, grim.]

[Footnote 33: smoking, bleeding.]

[Footnote 34: oft.]

[Footnote 35: heat, rashness.]

[Footnote 36: counsel, wisdom.]

[Footnote 37: strength, also strong.]

[Footnote 38: taudry, glimmering.]

[Footnote 39: People.]

[Footnote 40: fate, destiny.]

[Footnote 41: nobly.]

[Footnote 42: Cast.]

[Footnote 43: cross, from crouche, a cross.]

[Footnote 44: attempt, or endeavour.]

[Footnote 45: unarmed.]

[Footnote 46: unactive.]

[Footnote 47: unspirited.]

[Footnote 48: such.]

[Footnote 49: fastened, annexed.]

[Footnote 50: might, power.]

[Footnote 51: mantle, or robe.]

[Footnote 52: white, alluding to the arms of Kent, a horse saliant,

argent.]

[Footnote 53: distracting.]

[Footnote 54: despair.]

[Footnote 55: bleed.]

[Footnote 56: allow.]

[Footnote 57: ease.]

[Footnote 58: throne.]

[Footnote 59: pluck.]

[Footnote 60: Becomes.]

[Footnote 61: subjects.]

[Footnote 62: contentions, complaints.]

[Footnote 63: choke.]

[Footnote 64: dark, cloudy.]

[Footnote 65: astonish.]

[Footnote 66: cut off, destroyed.]

[Footnote 67: slaves.]

[Footnote 68: loud roaring.]

[Footnote 69: flame of fire.]

[Footnote 70: burn, consume.]

[Footnote 71: them.]

[Footnote 72: slay.]

[Footnote 73: decay.]

[Footnote 74: make ready.]

[Footnote 75: enterprize.]

[Footnote 76: Notwithstanding.]

[Footnote 77: foes.]

[Footnote 78: mangle, destroy.]

[Footnote 79: beauty, countenance.]

[Footnote 80: an ancient sword.]

[Footnote 81: fury.]

[Footnote 82: cease.]

[Footnote 83: deadly.]

[Footnote 84: lake.]

[Footnote 85: swollen.]

[Footnote 86: hidden.]

[Footnote 87: unknown.]

[Footnote 88: command.]

[Footnote 89: still.]

[Footnote 90: Red-stained.]

[Footnotes 91, 92: parts of armour.]

[Footnote 93: broad.]

[Footnote 94: cause.]

[Footnote 95: rights, liberties.]

[Footnote 96: cutting, mangling.]

[Footnote 97: forbidding.]

[Footnote 98: grow.]

[Footnote 99: furious.]

[Footnote 100: slay.]

[Footnote 101: strength.]

[Footnote 102: declare.]

[Footnote 103: sword.]

[Footnote 104: Monastery.]

[Footnote 105: more worthy.]

[Footnote 106: pulled, plucked.]

[Footnote 107: displayed.]

[Footnote 108: over-righteous.]

[Footnote 109: counselled, more wise.]

[Footnote 110: uncareful, neglected.]

[Footnote 111: Bid, command.]

[Footnote 112: slay.]

[Footnote 113: presently.]

[Footnote 114: explain.]

[Footnote 115: grievances.]

[Footnote 116: branch.]

[Footnote 117: wet, moist.]

[Footnote 118: fen, moor.]

[Footnote 119: drained.]

[Footnote 120: swelling.]

[Footnote 121: waves.]

[Footnote 122: grievance.]

[Footnote 123: assemble.]

[Footnote 124: broad.]

[Footnote 125: Horned.]

[Footnote 126: white.]

[Footnote 127: decks.]

[Footnote 128: mightiest, most valiant.]

[Footnote 129: slain.]

[Footnote 130: oversets.]

[Footnote 131: a castle.]

[Footnote 132: revenge.]

[Footnote 133: cause.]

[Footnote 134: at once.]

[Footnote 135: One who takes up the cross in order to fight against
the Saracens.]

[Footnote 136: holy.]

[Footnote 137: rare, extraordinary, strange.]

[Footnote 138: run, shot up.]

[Footnote 139: assembling, gathering.]

[Footnote 140: bursteth.]

[Footnote 141: dry, barren.]

[Footnote 142: Mighty.]

[Footnote 143: slain.]

[Footnote 144: help.]

[Footnote 145: Lord.]

[Footnote 146: embroidered; 'tis conjectured, embroidery was not used

in England till Hen. II.]

[Footnote 147: throne.]

[Footnote 148: person, body.]

[Footnote 149: lodge.]

[Footnote 150: Marks.]

[Footnote 151: subjects.]

[Footnote 152: much.]

[Footnote 153: lamentation.]

[Footnote 154: neglected, or passed by.]

[Footnote 155: require, ask.]

[Footnote 156: holy.]

[Footnote 157: help.]

[Footnote 158: will.]

[Footnote 159: dead.]

[Footnote 160: doubt.]

[Footnote 161: waves.]

[Footnote 162: heaven-ward, or God-ward.]

[Footnote 163: Purse, used here probably as a treasury.]

[Footnote 164: expence.]

[Footnote 165: receipt.]

[Footnote 166: soon.]

[Footnote 167: expended.]

[Footnote 168: a contradiction of mighty.]

[Footnote 169: Divest.]

[Footnote 170: embrace.]

[Footnote 171: mightiness.]

[Footnote 172: counsel.]

[Footnote 173: Firmness, stedfastness.]

[Footnote 174: doubt, suspense.]

[Footnote 175: not knowing.]

[Footnote 176: wonder.]

[Footnote 177: homage, obeysance.]

[Footnote 178: they.]

[Footnote 179: frown.]

[Footnote 180: kill.]

[Footnote 181: curriedowe, flatterer.]

[Footnote 182: reward.]

[Footnote 183: holy.]

[Footnote 184: help.]

[Footnote 185: allow.]

[Footnote 186: manors.]

[Footnote 187: alone.]

[Footnote 188: Endeavoured.]

[Footnote 189: freeze.]

[Footnote 190: undismayed.]

[Footnote 191: armed, pointed.]

[Footnote 192: hoisted on high, raised.]

[Footnote 193: foes, enemies.]

[Footnote 194: fly.]

[Footnote 195: head.]

[Footnote 196: stretched.]

[Footnote 197: Like.]

[Footnote 198: two.]

[Footnote 199: flaming.]

[Footnote 200: meteors.]

[Footnote 201: beats, stamps.]

[Footnote 202: closely.]

[Footnote 203: mantled, covered.]

[Footnote 204: guides.]

[Footnote 205: armed.]

[Footnote 206: arose.]

[Footnote 207: helmet.]

ENGLYSH METAMORPHOSIS:

Bie T. ROWLEIE.

BOOKE 1st[1].

Whanne Scythyannes, salvage as the wolves theie chacde,

Peyncted in horrowe[2] formes bie nature dyghte,
Heckled[3] yn beastskyns, slepte uponne the waste,
And wyth the morneynge rouzed the wolfe to fyghte,
Swefte as descendeynge lemes[4] of roddie lyghte 5
Plonged to the hulstred[5] bedde of laveynge seas,
Gerd[6] the blacke mountayn okes yn drybblets[7] twighte[8],
And ranne yn thoughte alonge the azure mees,
Whose eyne dyd feerie sheene, like blue-hayred defs[9],
That dreerie hange upon Dover's emblaunched[10] clefs. 10

Soft boundeynge over swelleynge azure reles[11]

The salvage natyves sawe a shyppe appere;
An uncouthe[12] denwere[13] to theire bosomme steles;
Theyre myghte ys knopped[14] ynne the froste of fere.
The headed javlyn lisseth[15] here and there; 15
Theie stonde, theie ronne, theie loke wyth eger eyne;
The shyppes sayle, boleynge[16] wythe the kyndelie ayre,
Ronneth to harbour from the beateynge bryne;
Theie dryve awaie aghaste, whanne to the stronde
A burled[17] Trojan lepes, wythe Morglaien sweerde yn honde. 20

Hymme followede eftsoones hys compheeres[18], whose swerdes

Glestred lyke gledeynge[19] starres ynne frostie nete,
Hayleynge theyre capytayne in chirckynge[20] wordes
Kynge of the lande, whereon theie set theyre fete.
The greete kynge Brutus thanne theie dyd hym greete, 25
Prepared for battle, mareschalled the syghte;
Theie urg'd the warre, the natyves fledde, as flete
As fleaynge cloudes that swymme before the syghte;
Tyll tyred with battles, for to ceese the fraie,
Theie uncted[21] Brutus kynge, and gave the Trojanns swaie. 30

Twayne of twelve years han lemed[22] up the myndes,

Leggende[23] the salvage unthewes[24] of theire breste,
Improved in mysterk[25] warre, and lymmed[26] theyre kyndes,
Whenne Brute from Brutons sonke to �terne reste.
 Eftsoons the gentle Locryne was possest 35
Of swaie, and vested yn the paramente[27];
Halceld[28] the bykrous[29] Huns, who dyd infeste
Hys wakeynge kyngdom wyth a foule intente;
As hys broade swerde oer Homberres heade was honge,
He tourned toe ryver wyde, and roarynge rolled alonge. 40

He wedded Gendolyne of roieal sede,

Upon whose countenance rodde healthe was spreade;
Bloushing, alyche[30] the scarlette of herr wede,
She sonke to pleasaunce on the marryage bedde.
Eftsoons her peaceful joie of mynde was fledde; 45
Elstrid ametten with the kynge Locryne;
Unnombered beauties were upon her shedde,
Moche fyne, moche fayrer thanne was Gendolyne;
The mornynge tynge, the rose, the lillie floure,
In ever ronneynge race on her dyd peyncte theyre powere. 50

The gentle suyte of Locryne gayned her love;

Theie lyved soft momentes to a swotie[31] age;
Eft[32] wandringe yn the coppyce, delle, and grove,
Where ne one eyne mote theyre disporte engage;
There dydde theie tell the merrie lovynge sage[33], 55
Croppe the prymrosen floure to decke theyre headde;
The feerie Gendolyne yn woman rage
Gemoted[34] warriours to bewrecke[35] her bedde;
Theie rose; ynne battle was greete Locryne sleene;
The faire Elstrida fledde from the enchased[36] queene. 60

A tye of love, a dawter fayre she hanne,

Whose boddeynge morneyng shewed a fayre daie,
Her fadre Locrynne, once an hailie manne.
Wyth the fayre dawterre dydde she haste awaie,
To where the Western mittee[37] pyles of claie 65
Arise ynto the cloudes, and doe them beere;
There dyd Elstrida and Sabryna staie;
The fyrste tryckde out a whyle yn warryours gratch[38] and gear;
Vyncente was she ycleped, butte fulle soone fate
Sente deathe, to telle the dame, she was notte yn regrate[39]. 70

The queene Gendolyne sente a gyaunte knyghte,

Whose doughtie heade swepte the emmertleynge[40] skies,
To slea her wheresoever she shulde be pyghte[41],
Eke everychone who shulde her ele[42] emprize[43].
Swefte as the roareynge wyndes the gyaunte flies, 75
Stayde the loude wyndes, and shaded reaulmes yn nyghte,
Stepte over cytties, on meint[44] acres lies,
Meeteynge the herehaughtes of morneynge lighte;
Tyll mooveynge to the Weste, myschaunce hys gye[45],
He thorowe warriours gratch fayre Elstrid did espie. 80

He tore a ragged mountayne from the grounde,

Harried[46] uppe noddynge forrests to the skie,
Thanne wythe a fuirie, mote the erthe astounde[47],
To meddle ayre he lette the mountayne flie.
The flying wolfynnes sente a yelleynge crie; 85
Onne Vyncente and Sabryna felle the mount;
To lyve �ternalle dyd theie eftsoones die;
 Thorowe the sandie grave boiled up the pourple founte,
On a broade grassie playne was layde the hylle,
Staieynge the rounynge course of meint a limmed[48] rylle. 90

The goddes, who kenned the actyons of the wyghte,

To leggen[49] the sadde happe of twayne so fayre,
Houton[50] dyd make the mountaine bie theire mighte.
Forth from Sabryna ran a ryverre cleere,
Roarynge and rolleynge on yn course bysmare[51]; 95
From female Vyncente shotte a ridge of stones,
Eche syde the ryver rysynge heavenwere;
Sabrynas floode was helde ynne Elstryds bones.
So are theie cleped; gentle and the hynde
Can telle, that Severnes streeme bie Vyncentes rocke's ywrynde[52]. 100

The bawsyn[53] gyaunt, hee who dyd them slee,

To telle Gendolyne quycklie was ysped[54];
Whanne, as he strod alonge the shakeynge lee,
The roddie levynne[55] glesterrd on hys headde:
Into hys hearte the azure vapoures spreade; 105
He wrythde arounde yn drearie dernie[56] payne;
Whanne from his lyfe-bloode the rodde lemes[57] were fed,
He felle an hepe of ashes on the playne:
Stylle does hys ashes shoote ynto the lyghte,
A wondrous mountayne hie, and Snowdon ys ytte hyghte. 110

FINIS.

[Footnote 1: I will endeavour to get the remainder of these poems.]

[Footnote 2: unseemly, disagreeable.]

[Footnote 3: wrapped.]

[Footnote 4: rays.]

[Footnote 5: hidden, secret.]

[Footnote 6: broke, rent.]

[Footnote 7: small pieces.]

[Footnote 8: pulled, rent.]

[Footnote 9: vapours, meteors.]

[Footnote 10: emblaunched.]

[Editor's note: _Title: See Introduction_ p. xli]

[Footnote 11: Ridges, rising waves.]

[Footnotes 12, 13: unknown tremour.]

[Footnote 14: fastened, chained, congealed.]

[Footnote 15: boundeth.]

[Footnote 16: swelling.]

[Footnote 17: armed.]

[Footnote 18: companions.]

[Footnote 19: livid.]

[Footnote 20: a confused noise.]

[Footnote 21: Anointed.]

[Footnote 22: enlightened.]

[Footnote 23: alloyed.]

[Footnote 24: savage barbarity.]

[Footnote 25: mystic.]

[Footnote 26: polished.]

[Footnote 27: a princely robe.]

[Footnote 28: defeated.]

[Footnote 29: warring.]

[Footnote 30: Like.]

[Footnote 31: sweet.]

[Footnote 32: oft.]

[Footnote 33: a tale.]

[Footnote 34: assembled.]

[Footnote 35: revenge.]

[Footnote 36: heated, enraged.]

[Footnote 37: Mighty.]

[Footnote 38: apparel.]

[Footnote 39: esteem, favour.]

[Footnote 40: glittering.]

[Footnote 41: settled.]

[Footnote 42: help.]

[Footnote 43: adventure.]

[Footnote 44: Many.]

[Footnote 45: guide.]

[Footnote 46: tost.]

[Footnote 47: astonish.]

[Footnote 48: glassy, reflecting.]

[Footnote 49: lessen, alloy.]

[Footnote 50: hollow.]

[Footnote 51: Bewildered, curious.]

[Footnote 52: hid, covered.]

[Footnote 53: huge, bulky.]

[Footnote 54: dispatched.]

[Footnote 55: red lightning.]

[Footnote 56: cruel.]

[Footnote 57: flames, rays.]

AN EXCELENTE BALADE

OF CHARITIE:

As wroten bie the gode Prieste THOMAS ROWLEY[1],

1464.

In Virgyne the sweltrie sun gan sheene,

And hotte upon the mees[2] did caste his raie;
The apple rodded[3] from its palie greene,
And the mole[4] peare did bende the leafy spraie;
The peede chelandri[5] sunge the livelong daie; 5
'Twas nowe the pride, the manhode of the yeare,
And eke the grounde was dighte[6] in its mose defte[7] aumere[8].

The sun was glemeing in the midde of daie,

Deadde still the aire, and eke the welken[9] blue,
When from the sea arist[10] in drear arraie 10
A hepe of cloudes of sable sullen hue,
The which full fast unto the woodlande drewe,
Hiltring[11] attenes[12] the sunnis fetive[13] face,
And the blacke tempeste swolne and gatherd up apace.

Beneathe an holme, faste by a pathwaie side, 15

Which dide unto Seyncte Godwine's covent[14] lede,
A hapless pilgrim moneynge did abide,
Pore in his viewe, ungentle[15] in his weede,
Longe bretful[16] of the miseries of neede,
 Where from the hail-stone coulde the almer[17] flie? 20
He had no housen theere, ne anie covent nie.

Look in his glommed[18] face, his sprighte there scanne;

Howe woe-be-gone, how withered, forwynd[19], deade!
Haste to thie church-glebe-house[20], asshrewed[21] manne!
Haste to thie kiste[22], thie onlie dortoure[23] bedde. 25
Cale, as the claie whiche will gre on thie hedde,
Is Charitie and Love aminge highe elves;
Knightis and Barons live for pleasure and themselves.

The gatherd storme is rype; the bigge drops falle;

The forswat[24] meadowes smethe[25], and drenche[26] the raine; 30
The comyng ghastness do the cattle pall[27],
And the full flockes are drivynge ore the plaine;
Dashde from the cloudes the waters flott[28] againe;
The welkin opes; the yellow levynne[29] flies;
And the hot fierie smothe[30] in the wide lowings[31] dies. 35

Liste! now the thunder's rattling clymmynge[32] sound

Cheves[33] slowlie on, and then embollen[34] clangs,
Shakes the hie spyre, and losst, dispended, drown'd,
Still on the gallard[35] eare of terroure hanges;
The windes are up; the lofty elmen swanges; 40
Again the levynne and the thunder poures,
And the full cloudes are braste[36] attenes in stonen showers.

Spurreynge his palfrie oere the watrie plaine.

The Abbote of Seyncte Godwynes convente came;
His chapournette[37] was drented with the reine, 45
And his pencte[38] gyrdle met with mickle shame;
He aynewarde tolde his bederoll[39] at the same;
The storme encreasen, and he drew aside,
With the mist[40] almes craver neere to the holme to bide.

His cope[41] was all of Lyncolne clothe so fyne, 50

With a gold button fasten'd neere his chynne;
His autremete[42] was edged with golden twynne,
And his shoone pyke a loverds[43] mighte have binne;
Full well it shewn he thoughten coste no sinne;
The trammels of the palfrye pleasde his sighte; 55
For the horse-millanare[44] his head with roses dighte.

An almes, sir prieste! the droppynge pilgrim saide,

O! let me waite within your covente dore,
Till the sunne sheneth hie above our heade,
And the loude tempeste of the aire is oer; 60
Helpless and ould am I alas! and poor;
No house, ne friend, ne moneie in my pouche;
All yatte I call my owne is this my silver crouche

Varlet, replyd the Abbatte, cease your dinne;

This is no season almes and prayers to give; 65
Mie porter never lets a faitour[45] in;
None touch mie rynge who not in honour live.
And now the sonne with the blacke cloudes did stryve,
And shettynge on the grounde his glairie raie,
The Abbatte spurrde his steede, and eftsoones roadde awaie. 70
 Once moe the skie was blacke, the thounder rolde;
Faste reyneynge oer the plaine a prieste was seen;
Ne dighte full proude, ne buttoned up in golde;
His cope and jape[46] were graie, and eke were clene;
A Limitoure he was of order seene; 75
And from the pathwaie side then turned hee,
Where the pore almer laie binethe the holmen tree.

An almes, sir priest! the droppynge pilgrim sayde,

For sweete Seyncte Marie and your order sake.
The Limitoure then loosen'd his pouche threade, 80
And did thereoute a groate of silver take;
The mister pilgrim dyd for halline[47] shake.
Here take this silver, it maie eathe[48] thie care;
We are Goddes stewards all, nete[49] of oure owne we bare.

But ah! unhailie[50] pilgrim, lerne of me, 85

Scathe anie give a rentrolle to their Lorde.
Here take my semecope[51], thou arte bare I see;
Tis thyne; the Seynctes will give me mie rewarde.
He left the pilgrim, and his waie aborde.
Virgynne and hallie Seyncte, who sitte yn gloure[52], 90
Or give the mittee[53] will, or give the gode man power.

[Footnote 1: Thomas Rowley, the author, was born at Norton Mal-reward

in Somersetshire, educated at the Convent of St. Kenna at Keynesham,
and died at Westbury in Gloucestershire.]

[Footnote 2: meads.]

[Footnote 3: reddened, ripened.]

[Footnote 4: soft.]

[Footnote 5: pied goldfinch.]

[Footnote 6: drest, arrayed.]

[Footnote 7: neat, ornamental.]

[Footnote 8: a loose robe or mantle.]

[Footnote 9: the sky, the atmosphere.]

[Footnote 10: Arose.]

[Footnote 11: hiding, shrouding.]

[Footnote 12: at once.]

[Footnote 13: beauteous.]

[Footnote 14: It would have been _charitable_, if the author had not
pointed at personal characters in this Ballad of Charity. The Abbot
of St. Godwin's at the time of the writing of this was Ralph de
Bellomont, a great stickler for the Lancastrian family. Rowley was a
Yorkist.]
[Footnote 15: beggarly.]

[Footnote 16: filled with.]

[Footnote 17: beggar.]

[Footnote 18: clouded, dejected. A person of some note in the literary

world is of opinion, that _glum_ and _glom_ are modern cant words;
and from this circumstance doubts the authenticity of Rowley's
Manuscripts. Glum-mong in the Saxon signifies twilight, a dark or
dubious light; and the modern word _gloomy_ is derived from the Saxon
_glum_.]

[Footnote 19: dry, sapless.]

[Footnote 20: The grave.]

[Footnote 21: accursed, unfortunate.]

[Footnote 22: coffin.]

[Footnote 23: a sleeping room.]

[Footnote 24: sun-burnt.]

[Footnote 25: smoke.]

[Footnote 26: drink.]

[Footnote 27: _pall_, a contraction from _appall_, to fright.]

[Footnote 28: fly.]

[Footnote 29: lightning.]

[Footnote 30: steam, or vapours.]

[Footnote 31: flames.]

[Footnote 32: noisy.]

[Footnote 33: moves.]

[Footnote 34: swelled, strengthened.]

[Footnote 35: Frighted.]

[Footnote 36: burst.]

[Footnote 37: a small round hat, not unlike the shapournette in

heraldry, formerly worn by Ecclesiastics and Lawyers.]

[Footnote 38: painted.]

[Footnote 39: He told his beads backwards; a figurative expression to

signify cursing.]
[Footnote 40: poor, needy.]

[Footnote 41: a cloke.]

[Footnote 42: a loose white robe, worn by Priests.]

[Footnote 43: A lord.]

[Footnote 44: I believe this trade is still in being, though but

seldom employed.]

[Footnote 45: a beggar, or vagabond.]

[Footnote 46: A short surplice, worn by Friars of an inferior class,

and secular priests.]

[Footnote 47: joy.]

[Footnote 48: ease.]

[Footnote 49: nought.]

[Footnote 50: unhappy.]

[Footnote 51: a short under-cloke.]

[Footnote 52: Glory.]

[Footnote 53: mighty, rich.]

BATTLE OF HASTINGS.

[No 1.]

O Chryste, it is a grief for me to telle,

How manie a nobil erle and valrous knyghte
In fyghtynge for Kynge Harrold noblie fell,
Al sleyne in Hastyngs feeld in bloudie fyghte.
O sea-oerteeming Dovor! han thy floude, 5
Han anie fructuous entendement,
Thou wouldst have rose and sank wyth tydes of bloude.
Before Duke Wyllyam's knyghts han hither went;
Whose cowart arrows manie erles sleyne,
And brued the feeld wyth bloude as season rayne. 10

And of his knyghtes did eke full manie die,

All passyng hie, of mickle myghte echone,
Whose poygnant arrowes, typp'd with destynie,
Caus'd manie wydowes to make myckle mone.
Lordynges, avaunt, that chycken-harted are, 15
From out of hearynge quicklie now departe;
Full well I wote, to synge of bloudie warre
Will greeve your tenderlie and mayden harte.
Go, do the weaklie womman inn mann's geare,
 And scond your mansion if grymm war come there. 20

Soone as the erlie maten belle was tolde,

And sonne was come to byd us all good daie,
Bothe armies on the feeld, both brave and bolde,
Prepar'd for fyghte in champyon arraie.
As when two bulles, destynde for Hocktide fyghte, 25
Are yoked bie the necke within a sparre,
Theie rend the erthe, and travellyrs affryghte,
Lackynge to gage the sportive bloudie warre;
Soe lacked Harroldes menne to come to blowes,
The Normans lacked for to wielde their bowes. 30

Kynge Harrolde turnynge to hys leegemen spake;

My merrie men, be not caste downe in mynde;
Your onlie lode for aye to mar or make,
Before yon sunne has donde his welke, you'll fynde.
Your lovyng wife, who erst dyd rid the londe 35
Of Lurdanes, and the treasure that you han,
Wyll falle into the Normanne robber's honde,
Unlesse with honde and harte you plaie the manne.
Cheer up youre hartes, chase sorrowe farre awaie,
Godde and Seyncte Cuthbert be the worde to daie. 40

And thenne Duke Wyllyam to his knyghtes did saie;

My merrie menne, be bravelie everiche;
Gif I do gayn the honore of the daie,
Ech one of you I will make myckle riche.
Beer you in mynde, we for a kyngdomm fyghte; 45
Lordshippes and honores echone shall possesse;
Be this the worde to daie, God and my Ryghte;
Ne doubte but God will oure true cause blesse.
The clarions then sounded sharpe and shrille;
Deathdoeynge blades were out intent to kille. 50

And brave Kyng Harrolde had nowe donde hys saie;

He threwe wythe myghte amayne hys shorte horse-spear.
The noise it made the duke to turn awaie,
And hytt his knyghte, de Beque, upon the ear.
His cristede beaver dyd him smalle abounde; 55
The cruel spear went thorough all his hede;
The purpel bloude came goushynge to the grounde,
And at Duke Wyllyam's feet he tumbled deade:
So fell the myghtie tower of Standrip, whenne
It felte the furie of the Danish menne. 60

O Afflem, son of Cuthbert, holie Sayncte,

Come ayde thy freend, and shewe Duke Wyllyams payne;
Take up thy pencyl, all hys features paincte;
Thy coloryng excells a synger strayne.
Duke Wyllyam sawe hys freende sleyne piteouslie, 65
Hys lovynge freende whome he muche honored,
For he han lovd hym from puerilitie,
And theie together bothe han bin ybred:
O! in Duke Wyllyam's harte it raysde a flame,
To whiche the rage of emptie wolves is tame. 70

He tooke a brasen crosse-bowe in his honde,

And drewe it harde with all hys myghte amein,
Ne doubtyng but the bravest in the londe
Han by his soundynge arrowe-lede bene sleyne.
Alured's stede, the fynest stede alive, 75
Bye comelie forme knowlached from the rest;
But nowe his destind howre did aryve,
The arrowe hyt upon his milkwhite breste:
So have I seen a ladie-smock soe white,
Blown in the mornynge, and mowd downe at night. 80

With thilk a force it dyd his bodie gore,

That in his tender guttes it entered,
In veritee a fulle clothe yarde or more,
And downe with flaiten noyse he sunken dede.
Brave Alured, benethe his faithfull horse, 85
Was smeerd all over withe the gorie duste,
And on hym laie the recer's lukewarme corse,
That Alured coulde not hymself aluste.
The standyng Normans drew theyr bowe echone,
And broght full manie Englysh champyons downe. 90

The Normans kept aloofe, at distaunce stylle,

The Englysh nete but short horse-spears could welde;
The Englysh manie dethe-sure dartes did kille,
And manie arrowes twang'd upon the sheelde.
Kynge Haroldes knyghts desir'de for hendie stroke, 95
And marched furious o'er the bloudie pleyne,
In bodie close, and made the pleyne to smoke;
Theire sheelds rebounded arrowes back agayne.
The Normans stode aloofe, nor hede the same,
Their arrowes woulde do dethe, tho' from far of they came. 100

Duke Wyllyam drewe agen hys arrowe strynge,

An arrowe withe a sylver-hede drewe he;
The arrowe dauncynge in the ayre dyd synge,
And hytt the horse of Tosselyn on the knee.
At this brave Tosslyn threwe his short horse-speare; 105
Duke Wyllyam stooped to avoyde the blowe;
The yrone weapon hummed in his eare,
And hitte Sir Doullie Naibor on the prowe;
Upon his helme soe furious was the stroke,
It splete his bever, and the ryvets broke. 110

Downe fell the beaver by Tosslyn splete in tweine,

And onn his hede expos'd a punie wounde,
But on Destoutvilles sholder came ameine,
And fell'd the champyon to the bloudie grounde.
Then Doullie myghte his bowestrynge drewe, 115
Enthoughte to gyve brave Tosslyn bloudie wounde,
But Harolde's asenglave stopp'd it as it slewe,
And it fell bootless on the bloudie grounde.
Siere Doullie, when he sawe hys venge thus broke,
Death-doynge blade from out the scabard toke. 120

And now the battail closde on everych syde,

And face to face appeard the knyghts full brave;
They lifted up theire bylles with myckle pryde,
And manie woundes unto the Normans gave.
So have I sene two weirs at once give grounde, 125
White fomyng hygh to rorynge combat runne;
In roaryng dyn and heaven-breaking sounde,
Burste waves on waves, and spangle in the sunne;
And when their myghte in burstynge waves is fled,
Like cowards, stele alonge their ozy bede. 130

Yonge Egelrede, a knyghte of comelie mien,

Affynd unto the kynge of Dynefarre,
At echone tylte and tourney he was seene,
And lov'd to be amonge the bloudie warre;
He couch'd hys launce, and ran wyth mickle myghte 135
Ageinste the brest of Sieur de Bonoboe;
He grond and sunken on the place of fyghte,
O Chryste! to fele his wounde, his harte was woe.
Ten thousand thoughtes push'd in upon his mynde,
Not for hymselfe, but those he left behynde. 140

He dy'd and leffed wyfe and chyldren tweine,

Whom he wyth cheryshment did dearlie love;
In England's court, in goode Kynge Edwarde's regne,
He wonne the tylte, and ware her crymson glove;
And thence unto the place where he was borne, 145
Together with hys welthe & better wyfe,
To Normandie he dyd perdie returne,
In peace and quietnesse to lead his lyfe;
And now with sovrayn Wyllyam he came,
To die in battel, or get welthe and fame. 150

Then, swefte as lyghtnynge, Egelredus set

Agaynst du Barlie of the mounten head;
In his dere hartes bloude his longe launce was wett,
And from his courser down he tumbled dede.
So have I sene a mountayne oak, that longe 155
Has caste his shadowe to the mountayne syde,
Brave all the wyndes, tho' ever they so stronge,
And view the briers belowe with self-taught pride;
But, whan throwne downe by mightie thunder stroke,
He'de rather bee a bryer than an oke. 160

Then Egelred dyd in a declynie

Hys launce uprere with all hys myghte ameine,
And strok Fitzport upon the dexter eye,
And at his pole the spear came out agayne.
Butt as he drewe it forthe, an arrowe fledde 165
Wyth mickle myght sent from de Tracy's bowe,
And at hys syde the arrowe entered,
And oute the crymson streme of bloude gan flowe;
In purple strekes it dyd his armer staine,
And smok'd in puddles on the dustie plaine. 170

But Egelred, before he sunken downe,

With all his myghte amein his spear besped,
It hytte Bertrammil Manne upon the crowne,
And bothe together quicklie sunken dede.
So have I seen a rocke o'er others hange, 175
Who stronglie plac'd laughde at his slippry state,
But when he falls with heaven-peercynge bange
That he the sleeve unravels all theire fate,
And broken onn the beech thys lesson speak,
The stronge and firme should not defame the weake. 180

Howel ap Jevah came from Matraval,

Where he by chaunce han slayne a noble's son,
And now was come to fyghte at Harold's call,
And in the battel he much goode han done;
Unto Kyng Harold he foughte mickle near, 185
For he was yeoman of the bodie guard;
And with a targyt and a fyghtyng spear,
He of his boddie han kepte watch and ward;
True as a shadow to a substant thynge,
So true he guarded Harold hys good kynge. 190

But when Egelred tumbled to the grounde,

He from Kynge Harolde quicklie dyd advaunce,
And strooke de Tracie thilk a crewel wounde,
Hys harte and lever came out on the launce.
And then retreted for to guarde his kynge, 195
On dented launce he bore the harte awaie;
An arrowe came from Auffroie Griel's strynge,
Into hys heele betwyxt hys yron staie;
The grey-goose pynion, that thereon was sett,
Eftsoons wyth smokyng crymson bloud was wett. 200

His bloude at this was waxen flaminge hotte,

Without adoe he turned once agayne,
And hytt de Griel thilk a blowe, God wote,
Maugre hys helme, he splete his hede in twayne.
This Auffroie was a manne of mickle pryde, 205
Whose featliest bewty ladden in his face;
His chaunce in warr he ne before han tryde,
But lyv'd in love and Rosaline's embrace;
And like a useless weede amonge the haie
Amonge the sleine warriours Griel laie. 210

Kynge Harolde then he putt his yeomen bie,

And ferslie ryd into the bloudie fyghte;
Erle Ethelwolf, and Goodrick, and Alsie,
Cuthbert, and Goddard, mical menne of myghte,
Ethelwin, Ethelbert, and Edwyn too, 215
Effred the famous, and Erle Ethelwarde,
Kynge Harolde's leegemenn, erlies hie and true,
Rode after hym, his bodie for to guarde;
The reste of erlies, fyghtynge other wheres,
Stained with Norman bloude theire fyghtynge speres. 220

As when some ryver with the season raynes

White fomynge hie doth breke the bridges oft,
Oerturns the hamelet and all conteins.
And layeth oer the hylls a muddie soft;
So Harold ranne upon his Normanne foes. 225
And layde the greate and small upon the grounde,
And delte among them thilke a store of blowes,
Full manie a Normanne fell by him dede wounde;
So who he be that ouphant faieries strike,
Their soules will wander to Kynge Offa's dyke. 230
Fitz Salnarville, Duke William's favourite knyghte,
To noble Edelwarde his life dyd yielde;
Withe hys tylte launce hee stroke with thilk a myghte,
The Norman's bowels steemde upon the feeld.
Old Salnarville beheld hys son lie ded, 235
Against Erie Edelward his bowe-strynge drewe;
But Harold at one blowe made tweine his head;
He dy'd before the poignant arrowe flew.
So was the hope of all the issue gone,
And in one battle fell the sire and son. 240

De Aubignee rod fercely thro' the fyghte,

To where the boddie of Salnarville laie;
Quod he; And art thou ded, thou manne of myghte?
I'll be revengd, or die for thee this daie.
Die then thou shalt, Erie Ethelwarde he said; 245
I am a cunnynge erle, and that can tell;
Then drewe hys swerde, and ghastlie cut hys hede,
And on his freend eftsoons he lifeless fell,
Stretch'd on the bloudie pleyne; great God forefend,
It be the fate of no such trustie freende! 250

Then Egwin Sieur Pikeny did attaque;

He turned aboute and vilely souten flie;
But Egwyn cutt so deepe into his backe,
He rolled on the grounde and soon dyd die.
His distant sonne, Sire Romara de Biere, 255
Soughte to revenge his fallen kynsman's lote,
But soone Erie Cuthbert's dented fyghtyng spear
Stucke in his harte, and stayd his speed, God wote.
He tumbled downe close by hys kynsman's syde,
Myngle their stremes of pourple bloude, and dy'd. 260

And now an arrowe from a bowe unwote

Into Erle Cuthbert's harte eftsoons dyd flee;
Who dying sayd; ah me! how hard my lote!
Now slayne, mayhap, of one of lowe degree.
So have I seen a leafic elm of yore 265
Have been the pride and glorie of the pleine;
But, when the spendyng landlord is growne poore.
It falls benethe the axe of some rude sweine;
And like the oke, the sovran of the woode,
It's fallen boddie tells you how it stoode. 270

When Edelward perceevd Erle Cuthbert die,

On Hubert strongest of the Normanne crewe,
As wolfs when hungred on the cattel flie,
So Edelward amaine upon him flewe.
With thilk a force he hyt hym to the grounde; 275
And was demasing howe to take his life,
When he behynde received a ghastlie wounde
Gyven by de Torcie, with a stabbyng knyfe;
Base trecherous Normannes, if such actes you doe,
The conquer'd maie clame victorie of you. 280

The erlie felt de Torcie's trecherous knyfe

Han made his crymson bloude and spirits floe;
And knowlachyng he soon must quyt this lyfe,
Resolved Hubert should too with hym goe.
He held hys trustie swerd against his breste, 285
And down he fell, and peerc'd him to the harte;
And both together then did take their reste,
Their soules from corpses unaknell'd depart;
And both together soughte the unknown shore,
Where we shall goe, where manie's gon before. 290

Kynge Harolde Torcie's trechery dyd spie,

And hie alofe his temper'd swerde dyd welde,
Cut offe his arme, and made the bloude to flie,
His proofe steel armoure did him littel sheelde;
And not contente, he splete his hede in twaine, 295
And down he tumbled on the bloudie grounde;
Mean while the other erlies on the playne
Gave and received manie a bloudie wounde,
Such as the arts in warre han learnt with care,
But manie knyghtes were women in men's geer. 300

Herrewald, borne on Sarim's spreddyng plaine,

Where Thor's fam'd temple manie ages stoode;
Where Druids, auncient preests, did ryghtes ordaine,
And in the middle shed the victyms bloude;
Where auncient Bardi dyd their verses synge 305
Of C�sar conquer'd, and his mighty hoste,
And how old Tynyan, necromancing kynge,
Wreck'd all hys shyppyng on the Brittish coaste,
And made hym in his tatter'd barks to flie,
'Till Tynyan's dethe and opportunity. 310

To make it more renomed than before,

(I, tho a Saxon, yet the truthe will telle)
The Saxonnes steynd the place wyth Brittish gore,
Where nete but bloud of sacrifices felle.
Tho' Chrystians, stylle they thoghte mouche of the pile, 315
And here theie mett when causes dyd it neede;
'Twas here the auncient Elders of the Isle
Dyd by the trecherie of Hengist bleede;
O Hengist! han thy cause bin good and true,
Thou wouldst such murdrous acts as these eschew. 320

The erlie was a manne of hie degree,

And han that daie full manie Normannes sleine;
Three Norman Champyons of hie degree
He lefte to smoke upon the bloudie pleine:
The Sier Fitzbotevilleine did then advaunce, 325
And with his bowe he smote the erlies hede;
Who eftsoons gored hym with his tylting launce,
And at his horses feet he tumbled dede:
His partyng spirit hovered o'er the floude
Of soddayne roushynge mouche lov'd pourple bloude. 330

De Viponte then, a squier of low degree,

An arrowe drewe with all his myghte ameine;
The arrowe graz'd upon the erlies knee,
A punie wounde, that causd but littel peine.
So have I seene a Dolthead place a stone, 335
Enthoghte to staie a driving rivers course;
But better han it bin to lett alone,
It onlie drives it on with mickle force;
The erlie, wounded by so base a hynde,
Rays'd furyous doyngs in his noble mynde. 340

The Siere Chatillion, yonger of that name,

Advaunced next before the erlie's syghte;
His fader was a manne of mickle fame,
And he renomde and valorous in fyghte.
Chatillion his trustie swerd forth drewe. 345
The erle drawes his, menne both of mickle myghte;
And at eche other vengouslie they flewe,
As mastie dogs at Hocktide set to fyghte;
Bothe scornd to yeelde, and bothe abhor'de to flie,
Resolv'd to vanquishe, or resolv'd to die. 350

Chatillion hyt the erlie on the hede,

Thatt splytte eftsoons his cristed helm in twayne;
Whiche he perforce withe target covered,
And to the battel went with myghte ameine.
The erlie hytte Chatillion thilke a blowe 355
Upon his breste, his harte was plein to see;
He tumbled at the horses feet alsoe,
And in dethe panges he seez'd the recer's knee:
Faste as the ivy rounde the oke doth clymbe,
So faste he dying gryp'd the recer's lymbe. 360

The recer then beganne to flynge and kicke,

And toste the erlie farr off to the grounde;
The erlie's squier then a swerde did sticke
Into his harte, a dedlie ghastlie wounde;
And downe he felle upon the crymson pleine, 365
Upon Chatillion's soulless corse of claie;
A puddlie streme of bloude flow'd oute ameine;
Stretch'd out at length besmer'd with gore he laie;
As some tall oke fell'd from the greenie plaine,
To live a second time upon the main. 370

The erlie nowe an horse and beaver han,

And nowe agayne appered on the feeld;
And manie a mickle knyghte and mightie manne
To his dethe-doyng swerd his life did yeeld;
When Siere de Broque an arrowe longe lett flie, 375
Intending Herewaldus to have sleyne;
It miss'd; butt hytte Edardus on the eye,
And at his pole came out with horrid payne.
Edardus felle upon the bloudie grounde,
His noble soule came roushyng from the wounde. 380

Thys Herewald perceevd, and full of ire

He on the Siere de Broque with furie came;
Quod he; thou'st slaughtred my beloved squier,
But I will be revenged for the same.
Into his bowels then his launce he thruste, 385
And drew thereout a steemie drerie lode;
Quod he; these offals are for ever curst,
Shall serve the coughs, and rooks, and dawes, for foode.
 Then on the pleine the steemie lode hee throwde,
Smokynge wyth lyfe, and dy'd with crymson bloude. 390

Fitz Broque, who saw his father killen lie,

Ah me! sayde he; what woeful syghte I see!
But now I must do somethyng more than sighe;
And then an arrowe from the bowe drew he.
Beneth the erlie's navil came the darte; 395
Fitz Broque on foote han drawne it from the bowe;
And upwards went into the erlie's harte,
And out the crymson streme of bloude 'gan flowe.
As fromm a hatch, drawne with a vehement geir,
White rushe the burstynge waves, and roar along the weir. 400

The erle with one honde grasp'd the recer's mayne,

And with the other he his launce besped;
And then felle bleedyng on the bloudie plaine.
His launce it hytte Fitz Broque upon the hede;
Upon his hede it made a wounde full slyghte, 405
But peerc'd his shoulder, ghastlie wounde inferne,
Before his optics daunced a shade of nyghte,
Whyche soone were closed ynn a sleepe eterne.
The noble erlie than, withote a grone,
Took flyghte, to fynde the regyons unknowne. 410

Brave Alured from binethe his noble horse

Was gotten on his leggs, with bloude all smore;
And now eletten on another horse,
Eftsoons he withe his launce did manie gore.
The cowart Norman knyghtes before hym fledde, 415
And from a distaunce sent their arrowes keene;
But noe such destinie awaits his hedde,
As to be sleyen by a wighte so meene.
Tho oft the oke falls by the villen's shock,
'Tys moe than hyndes can do, to move the rock. 420

Upon du Chatelet he ferselie sett,

And peerc'd his bodie with a force full grete;
The asenglave of his tylt-launce was wett,
The rollynge bloude alonge the launce did fleet.
Advauncynge, as a mastie at a bull, 425
He rann his launce into Fitz Warren's harte;
From Partaies bowe, a wight unmercifull,
Within his owne he felt a cruel darte;
Close by the Norman champyons he han sleine,
He fell; and mixd his bloude with theirs upon the pleine. 430

Erie Ethelbert then hove, with clinie just,

A launce, that stroke Partaie upon the thighe,
And pinn'd him downe unto the gorie duste;
Cruel, quod he, thou cruellie shalt die.
With that his launce he enterd at his throte; 435
He scritch'd and screem'd in melancholie mood;
And at his backe eftsoons came out, God wote,
And after it a crymson streme of bloude:
In agonie and peine he there dyd lie,
While life and dethe strove for the masterrie, 440
He gryped hard the bloudie murdring launce,
And in a grone he left this mortel lyfe.
Behynde the erlie Fiscampe did advaunce,
Bethoghte to kill him with a stabbynge knife;
But Egward, who perceevd his fowle intent, 445
Eftsoons his trustie swerde he forthwyth drewe,
And thilke a cruel blowe to Fiscampe sent,
That soule and bodie's bloude at one gate flewe.
Thilk deeds do all deserve, whose deeds so fowle
Will black theire earthlie name, if not their soule. 450

When lo! an arrowe from Walleris honde,

Winged with fate and dethe daunced alonge;
And slewe the noble flower of Powyslonde,
Howel ap Jevah, who yclepd the stronge.
Whan he the first mischaunce received han, 455
With horsemans haste he from the armie rodde;
And did repaire unto the cunnynge manne,
Who sange a charme, that dyd it mickle goode;
Then praid Seyncte Cuthbert, and our holie Dame,
To blesse his labour, and to heal the same. 460

Then drewe the arrowe, and the wounde did seck,

And putt the teint of holie herbies on;
And putt a rowe of bloude-stones round his neck;
And then did say; go, champyon, get agone.
And now was comynge Harrolde to defend, 465
And metten with Walleris cruel darte;
His sheelde of wolf-skinn did him not attend,
The arrow peerced into his noble harte;
As some tall oke, hewn from the mountayne hed,
Falls to the pleine; so fell the warriour dede. 470

His countryman, brave Mervyn ap Teudor,

Who love of hym han from his country gone,
When he perceevd his friend lie in his gore,
As furious as a mountayne wolf he ranne.
As ouphant faieries, whan the moone sheenes bryghte, 475
In littel circles daunce upon the greene,
All living creatures flie far from their syghte,
Ne by the race of destinie be seen;
For what he be that ouphant faieries stryke,
Their soules will wander to Kyng Offa's dyke. 480

So from the face of Mervyn Tewdor brave

The Normans eftsoons fled awaie aghaste;
And lefte behynde their bowe and asenglave.
For fear of hym, in thilk a cowart haste.
His garb sufficient were to move affryghte; 485
A wolf skin girded round his myddle was;
A bear skyn, from Norwegians wan in fyghte,
Was tytend round his shoulders by the claws:
So Hercules, 'tis sunge, much like to him,
Upon his sholder wore a lyon's skin. 490

Upon his thyghes and harte-swefte legges he wore

A hugie goat skyn, all of one grete peice;
A boar skyn sheelde on his bare armes he bore;
His gauntletts were the skynn of harte of greece.
They fledde; he followed close upon their heels, 495
Vowynge vengeance for his deare countrymanne;
And Siere de Sancelotte his vengeance feels;
He peerc'd hys backe, and out the bloude ytt ranne.
His bloude went downe the swerde unto his arme,
In springing rivulet, alive and warme. 500

His swerde was shorte, and broade, and myckle keene,

And no mann's bone could stonde to stoppe itts waie;
The Normann's harte in partes two cutt cleane,
He clos'd his eyne, and clos'd hys eyne for aie.
Then with his swerde he sett on Fitz du Valle, 505
A knyghte mouch famous for to runne at tylte;
With thilk a furie on hym he dyd falle,
Into his neck he ranne the swerde and hylte;
As myghtie lyghtenynge often has been founde,
To drive an oke into unfallow'd grounde. 510

And with the swerde, that in his neck yet stoke,

The Norman fell unto the bloudie grounde;
And with the fall ap Tewdore's swerde he broke,
And bloude afreshe came trickling from the wounde.
As whan the hyndes, before a mountayne wolfe, 515
Flie from his paws, and angrie vysage grym;
But when he falls into the pittie golphe,
They dare hym to his bearde, and battone hym;
And cause he fryghted them so muche before,
Lyke cowart hyndes, they battone hym the more. 520

So, whan they sawe ap Tewdore was bereft

Of his keen swerde, thatt wroghte thilke great dismaie,
They turned about, eftsoons upon hym lept,
And full a score engaged in the fraie.
Mervyn ap Tewdore, ragyng as a bear, 525
Seiz'd on the beaver of the Sier de Laque;
And wring'd his hedde with such a vehement gier,
His visage was turned round unto his backe.
Backe to his harte retyr'd the useless gore,
And felle upon the pleine to rise no more. 530

Then on the mightie Siere Fitz Pierce he flew,

And broke his helm and seiz'd hym bie the throte:
Then manie Normann knyghtes their arrowes drew,
That enter'd into Mervyn's harte, God wote.
In dying panges he gryp'd his throte more stronge, 535
And from their sockets started out his eyes;
And from his mouthe came out his blameless tonge;
And bothe in peyne and anguishe eftsoon dies.
As some rude rocke torne from his bed of claie,
Stretch'd onn the pleyne the brave ap Tewdore laie. 540

And now Erle Ethelbert and Egward came

Brave Mervyn from the Normannes to assist;
A myghtie siere, Fitz Chatulet bie name,
An arrowe drew, that dyd them littel list.
Erle Egward points his launce at Chatulet, 545
And Ethelbert at Walleris set his;
 And Egwald dyd the siere a hard blowe hytt,
But Ethelbert by a myschaunce dyd miss:
Fear laide Walleris flat upon the strande,
He ne deserved a death from erlies hande. 550

Betwyxt the ribbes of Sire Fitz Chatelet

The poynted launce of Egward did ypass;
The distaunt syde thereof was ruddie wet,
And he fell breathless on the bloudie grass.
As cowart Walleris laie on the grounde, 555
The dreaded weapon hummed oer his heade.
And hytt the squier thylke a lethal wounde,
Upon his fallen lorde he tumbled dead:
Oh shame to Norman armes! a lord a slave,
A captyve villeyn than a lorde more brave! 560

From Chatelet hys launce Erle Egward drew,

And hit Wallerie on the dexter cheek;
Peerc'd to his braine, and cut his tongue in two:
There, knyght, quod he, let that thy actions speak--

* * * * *

BATTLE OF HASTINGS.

[No 2.]

Oh Truth! immortal daughter of the skies,

Too lyttle known to wryters of these daies,
Teach me, fayre Saincte! thy passynge worthe to pryze,
To blame a friend and give a foeman prayse.
The sickle moone, bedeckt wythe sylver rays, 5
Leadynge a traine of starres of feeble lyghte,
With look adigne the worlde belowe surveies,
The world, that wotted not it coud be nyghte;
Wyth armour dyd, with human gore ydeyd,
She sees Kynge Harolde stande, fayre Englands curse and pryde. 10

With ale and vernage drunk his souldiers lay;

Here was an hynde, anie an erlie spredde;
Sad keepynge of their leaders natal daie!
This even in drinke, toomorrow with the dead!
Thro' everie troope disorder reer'd her hedde; 15
Dancynge and heideignes was the onlie theme;
Sad dome was theires, who lefte this easie bedde,
And wak'd in torments from so sweet a dream.
Duke Williams menne, of comeing dethe afraide,
All nyghte to the great Godde for succour askd and praied. 20

Thus Harolde to his wites that stoode arounde;

Goe, Gyrthe and Eilward, take bills halfe a score,
And search how farre our foeman's campe doth bound;
Yourself have rede; I nede to saie ne more.
My brother best belov'd of anie ore, 25
 My Leoswinus, goe to everich wite,
Tell them to raunge the battel to the grore,
And waiten tyll I sende the hest for fyghte.
He saide; the loieaul broders lefte the place,
Success and cheerfulness depicted on ech face. 30

Slowelie brave Gyrthe and Eilwarde dyd advaunce,

And markd wyth care the armies dystant syde.
When the dyre clatterynge of the shielde and launce
Made them to be by Hugh Fitzhugh espyd.
He lyfted up his voice, and lowdlie cryd; 35
Like wolfs in wintere did the Normanne yell;
Girthe drew hys swerde, and cutte hys burled hyde;
The proto-slene manne of the fielde he felle;
Out streemd the bloude, and ran in smokynge curles,
Reflected bie the moone seemd rubies mixt wyth pearles. 40

A troope of Normannes from the mass-songe came,

Rousd from their praiers by the flotting crie;
Thoughe Girthe and Ailwardus perceevd the same,
Not once theie stoode abashd, or thoghte to flie.
He seizd a bill, to conquer or to die; 45
Fierce as a clevis from a rocke ytorne,
That makes a vallie wheresoe're it lie;
[1]Fierce as a ryver burstynge from the borne;
So fiercelie Gyrthe hitte Fitz du Gore a blowe.
And on the verdaunt playne he layde the champyone lowe. 50

Tancarville thus; alle peace in Williams name;

Let none edraw his arcublaster bowe.
Girthe cas'd his weppone as he hearde the same,
And vengynge Normannes staid the flyinge floe.
The sire wente onne; ye menne, what mean ye so 55
Thus unprovokd to courte a bloudie fyghte?
Quod Gyrthe; oure meanynge we ne care to showe,
Nor dread thy duke wyth all his men of myghte;
Here single onlie these to all thie crewe
Shall shewe what Englysh handes and heartes can doe. 60

Seek not for bloude, Tancarville calme replyd,

Nor joie in dethe, lyke madmen most distraught;
In peace and mercy is a Chrystians pryde;
He that dothe contestes pryze is in a faulte.
And now the news was to Duke William brought, 65
That men of Haroldes armie taken were;
For theyre good cheere all caties were enthoughte,
And Gyrthe and Eilwardus enjoi'd goode cheere.
Quod Willyam; thus shall Willyam be founde
A friend to everie manne that treades on English ground. 70

Erie Leofwinus throwghe the campe ypass'd,

And sawe bothe men and erlies on the grounde;
They slepte, as thoughe they woulde have slepte theyr last,
And hadd alreadie felte theyr fatale wounde.
He started backe, and was wyth shame astownd; 75
Loked wanne wyth anger, and he shooke wyth rage;
When throughe the hollow tentes these wordes dyd sound,
Rowse from your sleepe, detratours of the age!
 Was it for thys the stoute Norwegian bledde?
Awake, ye huscarles, now, or waken wyth the dead. 80

As when the shepster in the shadie bowre

In jintle slumbers chase the heat of daie,
Hears doublyng echoe wind the wolfins rore,
That neare hys flocke is watchynge for a praie,
He tremblynge for his sheep drives dreeme awaie, 85
Gripes faste hys burled croke, and sore adradde
Wyth fleeting strides he hastens to the fraie,
And rage and prowess fyres the coistrell lad;
With trustie talbots to the battel flies,
And yell of men and dogs and wolfins tear the skies. 90

Such was the dire confusion of eche wite,

That rose from sleep and walsome power of wine;
Theie thoughte the foe by trechit yn the nyghte
Had broke theyr camp and gotten paste the line;
Now here now there the burnysht sheeldes and byll-spear shine; 95
Throwote the campe a wild confusionne spredde;
Eche bracd hys armlace siker ne desygne,
The crested helmet nodded on the hedde;
Some caught a flughorne, and an onsett wounde;
Kynge Harolde hearde the charge, and wondred at the sounde. 100

Thus Leofwine; O women cas'd in stele!

Was itte for thys Norwegia's stubborn sede
Throughe the black armoure dyd the anlace fele,
And rybbes of solid brasse were made to bleede?
Whylst yet the worlde was wondrynge at the deede. 105
You souldiers, that shoulde stand with byll in hand,
Get full of wine, devoid of any rede.
Oh shame! oh dyre dishonoure to the lande!
He sayde; and shame on everie visage spredde,
Ne sawe the erlies face, but addawd hung their head. 110

Thus he; rowze yee, and forme the boddie tyghte.

The Kentysh menne in fronte, for strenght renownd,
Next the Brystowans dare the bloudie fyghte,
And last the numerous crewe shall presse the grounde.
I and my king be wyth the Kenters founde; 115
Bythric and Alfwold hedde the Brystowe bande;
And Bertrams sonne, the man of glorious wounde,
Lead in the rear the menged of the lande;
And let the Londoners and Suffers plie
Bie Herewardes memuine and the lighte skyrts anie. 120

He saide; and as a packe of hounds belent,

When that the trackyng of the hare is gone,
If one perchaunce shall hit upon the scent,
With twa redubbled fhuir the alans run;
So styrrd the valiante Saxons everych one; 125
Soone linked man to man the champyones stoode;
To 'tone for their bewrate so soone 'twas done,
And lyfted bylls enseem'd an yron woode;
Here glorious Alfwold towr'd above the wites,
And seem'd to brave the fuir of twa ten thousand fights. 130
 Thus Leofwine; today will Englandes dome
Be fyxt for aie, for gode or evill state;
This sunnes aunture be felt for years to come;
Then bravelie fyghte, and live till deathe of date.
Thinke of brave �lfridus, yclept the grete, 135
From porte to porte the red-haird Dane he chasd,
The Danes, with whomme not lyoncels coud mate,
Who made of peopled reaulms a barren waste;
Thinke how at once by you Norwegia bled
Whilste dethe and victorie for magystrie bested. 140

Meanwhile did Gyrthe unto Kynge Harolde ride,

And tolde howe he dyd with Duke Willyam fare.
Brave Harolde lookd askaunte, and thus replyd;
And can thie say be bowght wyth drunken cheer?
Gyrthe waxen hotte; fhuir in his eyne did glare; 145
And thus he saide; oh brother, friend, and kynge,
Have I deserved this fremed speche to heare?
Bie Goddes hie hallidome ne thoughte the thynge.
When Tostus sent me golde and sylver store,
I scornd hys present vile, and scorn'd hys treason more. 150

Forgive me, Gyrthe, the brave Kynge Harolde cryd;

Who can I trust, if brothers are not true?
I think of Tostus, once my joie and pryde.
Girthe saide, with looke adigne; my lord, I doe.
But what oure foemen are, quod Girth, I'll shewe; 155
By Gods hie hallidome they preestes are.
Do not, quod Harolde, Girthe, mystell them so,
For theie are everich one brave men at warre.
Quod Girthe; why will ye then provoke theyr hate?
Quod Harolde; great the foe, so is the glorie grete. 160

And nowe Duke Willyam mareschalled his band,

And stretchd his armie owte a goodlie rowe.
First did a ranke of arcublastries stande,
Next those on horsebacke drewe the ascendyng flo,
Brave champyones, eche well lerned in the bowe, 165
Theyr asenglave acrosse theyr horses ty'd,
Or with the loverds squier behinde dyd goe,
Or waited squier lyke at the horses syde.
When thus Duke Willyam to a Monke dyd saie,
Prepare thyselfe wyth spede, to Harolde haste awaie. 170

Telle hym from me one of these three to take;

That hee to mee do homage for thys lande,
Or mee hys heyre, when he deceasyth, make,
Or to the judgment of Chrysts vicar stande.
He saide; the Monke departyd out of hande, 175
And to Kyng Harolde dyd this message bear;
Who said; tell thou the duke, at his likand
If he can gette the crown hee may itte wear.
He said, and drove the Monke out of his syghte,
And with his brothers rouz'd each manne to bloudie fyghte. 180

A standarde made of sylke and jewells rare,

Wherein alle coloures wroughte aboute in bighes,
An armyd knyghte was seen deth-doynge there,
 Under this motte, He conquers or he dies.
This standard rych, endazzlynge mortal eyes, 185
Was borne neare Harolde at the Renters heade,
Who chargd hys broders for the grete empryze
That straite the hest for battle should be spredde.
To evry erle and knyghte the worde is gyven,
And cries _a guerre_ and slughornes shake the vaulted heaven. 190

As when the erthe, torne by convulsyons dyre,

In reaulmes of darkness hid from human syghte,
The warring force of water, air, and fyre,
Brast from the regions of eternal nyghte,
Thro the darke caverns seeke the reaulmes of lyght; 195
Some loftie mountaine, by its fury torne,
Dreadfully moves, and causes grete affryght;
Now here, now there, majestic nods the bourne,
And awfulle shakes, mov'd by the almighty force,
Whole woods and forests nod, and ryvers change theyr course. 200

So did the men of war at once advaunce,

Linkd man to man, enseemed one boddie light;
Above a wood, yform'd of bill and launce,
That noddyd in the ayre most straunge to syght.
Harde as the iron were the menne of mighte, 205
Ne neede of slughornes to enrowse theyr minde;
Eche shootynge spere yreaden for the fyghte,
More feerce than fallynge rocks, more swefte than wynd;
With solemne step, by ecchoe made more dyre,
One single boddie all theie marchd, theyr eyen on fyre. 210

And now the greie-eyd morne with vi'lets drest,

Shakyng the dewdrops on the flourie meedes,
Fled with her rosie radiance to the West:
Forth from the Easterne gatte the fyerie steedes
Of the bright sunne awaytynge spirits leedes: 215
The sunne, in fierie pompe enthrond on hie,
Swyfter than thoughte alonge hys jernie gledes,
And scatters nyghtes remaynes from oute the skie:
He sawe the armies make for bloudie fraie,
And stopt his driving steeds, and hid his lyghtsome raye. 220

Kynge Harolde hie in ayre majestic raysd

His mightie arme, deckt with a manchyn rare;
With even hande a mighty javlyn paizde,
Then furyouse sent it whystlynge thro the ayre.
It struck the helmet of the Sieur de Beer; 225
In vayne did brasse or yron stop its waie;
Above his eyne it came, the bones dyd tare,
Peercynge quite thro, before it dyd allaie;
He tumbled, scritchyng wyth hys horrid payne;
His hollow cuishes rang upon the bloudie pleyne. 230

This Willyam saw, and soundynge Rowlandes songe

He bent his yron interwoven bowe,
Makynge bothe endes to meet with myghte full stronge,
From out of mortals syght shot up the floe;
Then swyfte as fallynge starres to earthe belowe 235
It slaunted down on Alfwoldes payncted sheelde;
 Quite thro the silver-bordurd crosse did goe,
Nor loste its force, but stuck into the feelde;
The Normannes, like theyr sovrin, dyd prepare,
And shotte ten thousande floes uprysynge in the aire. 240

As when a flyghte of cranes, that takes their waie

In householde armies thro the flanched skie,
Alike the cause, or companie or prey,
If that perchaunce some boggie fenne is nie.
Soon as the muddie natyon theie espie, 245
Inne one blacke cloude theie to the erth descende;
Feirce as the fallynge thunderbolte they flie;
In vayne do reedes the speckled folk defend:
So prone to heavie blowe the arrowes felle,
And peered thro brasse, and sente manie to heaven or helle. 250

�lan Adelfred, of the stowe of Leigh,

Felte a dire arrowe burnynge in his breste;
Before he dyd, he sente hys spear awaie,
Thenne sunke to glorie and eternal reste.
Nevylle, a Normanne of alle Normannes beste, 255
Throw the joint cuishe dyd the javlyn feel,
As hee on horsebacke for the fyghte addressd,
And sawe hys bloude come smokynge oer the steele;
He sente the avengynge floe into the ayre,
And turnd hys horses hedde, and did to leeche repayre. 260

And now the javelyns, barbd with deathhis wynges,

Hurld from the Englysh handes by force aderne,
Whyzz dreare alonge, and songes of terror synges,
Such songes as alwaies clos'd in lyfe eterne.
Hurld by such strength along the ayre theie burne, 265
Not to be quenched butte ynn Normannes bloude;
Wherere theie came they were of lyfe forlorn,
And alwaies followed by a purple floude;
Like cloudes the Normanne arrowes did descend,
Like cloudes of carnage full in purple drops dyd end. 270

Nor, Leofwynus, dydst thou still estande;

Full soon thie pheon glytted in the aire;
The force of none but thyne and Harolds hande
Could hurle a javlyn with such lethal geer;
Itte whyzzd a ghastlie dynne in Normannes ear, 275
Then thundryng dyd upon hys greave alyghte,
Peirce to his hearte, and dyd hys bowels tear,
He closd hys eyne in everlastynge nyghte;
Ah! what avayld the lyons on his creste!
His hatchments rare with him upon the grounde was prest. 280

Willyam agayne ymade his bowe-ends meet,

And hie in ayre the arrowe wynged his waie,
Descendyng like a shafte of thunder sleete,
Lyke thunder rattling at the noon of daie,
Onne Algars sheelde the arrowe dyd assaie, 285
There throghe dyd peerse, and stycke into his groine;
In grypynge torments on the feelde he laie,
Tille welcome dethe came in and clos'd his eyne;
Distort with peyne he laie upon the borne,
Lyke sturdie elms by stormes in uncothe wrythynges torne. 290

Alrick his brother, when hee this perceevd,

He drewe his swerde, his lefte hande helde a speere,
Towards the duke he turnd his prauncyng steede,
And to the Godde of heaven he sent a prayre;
Then sent his lethale javlyn in the ayre, 295
On Hue de Beaumontes backe the javelyn came,
Thro his redde armour to hys harte it tare,
He felle and thondred on the place of fame;
Next with his swerde he 'sayld the Seiur de Roe,
And braste his sylver helme, so furyous was the blowe. 300

But Willyam, who had seen hys prowesse great,

And feered muche how farre his bronde might goe,
Tooke a strong arblaster, and bigge with fate
From twangynge iron sente the fleetynge floe.
As Alric hoistes hys arme for dedlie blowe, 305
Which, han it came, had been Du Roees laste,
The swyfte-wyngd messenger from Willyams bowe
Quite throwe his arme into his syde ypaste;
His eyne shotte fyre, lyke blazyng starre at nyghte,
He grypd his swerde, and felle upon the place of fyghte. 310

O Alfwolde, saie, how shalle I synge of thee

Or telle how manie dyd benethe thee falle;
Not Haroldes self more Normanne knyghtes did slee,
Not Haroldes self did for more praises call;
How shall a penne like myne then shew it all? 315
Lyke thee their leader, eche Bristowyanne foughte;
Lyke thee, their blaze must be canonical,
Fore theie, like thee, that daie bewrecke yroughte:
Did thirtie Normannes fall upon the grounde,
Full half a score from thee and theie receive their fatale wounde. 320

First Fytz Chivelloys felt thie direful force;

Nete did hys helde out brazen sheelde availe;
Eftsoones throwe that thie drivynge speare did peerce
Nor was ytte stopped by his coate of mayle;
Into his breaste it quicklie did assayle; 325
Out ran the bloude, like hygra of the tyde;
With purple stayned all hys adventayle;
In scarlet was his cuishe of sylver dyde:
Upon the bloudie carnage house he laie,
Whylst hys longe sheelde dyd gleem with the sun's rysing ray. 330

Next Fescampe felle; O Chrieste, howe harde his fate

To die the leckedst knyghte of all the thronge!
His sprite was made of malice deslavate,
Ne shoulden find a place in anie songe.
The broch'd keene javlyn hurld from honde so stronge 335
As thine came thundrynge on his crysted beave;
Ah! neete avayld the brass or iron thonge,
With mightie force his skulle in twoe dyd cleave;
Fallyng he shooken out his smokyng braine,
As witherd oakes or elmes are hewne from off the playne. 340

For, Norcie, could thie myghte and skilfulle lore

 Preserve thee from the doom of Alfwold's speere;
Couldste thou not kenne, most skyll'd Astrelagoure.
How in the battle it would wythe thee fare?
When Alfwolds javelyn, rattlynge in the ayre, 345
From hande dyvine on thie habergeon came,
Oute at thy backe it dyd thie hartes bloude bear,
It gave thee death and everlastynge fame;
Thy deathe could onlie come from Alfwolde arme,
As diamondes onlie can its fellow diamonds harme. 350

Next Sire du Mouline fell upon the grounde,

Quite throughe his throte the lethal javlyn preste,
His soule and bloude came roushynge from the wounde;
He closd his eyen, and opd them with the blest.
It can ne be I should behight the rest, 355
That by the myghtie arme of Alfwolde felle,
Paste bie a penne to be counte or expreste,
How manie Alfwolde sent to heaven or helle;
As leaves from trees shook by derne Autumns hand,
So laie the Normannes slain by Alfwold on the strand. 360

As when a drove of wolves withe dreary yelles

Assayle some flocke, ne care if shepster ken't,
Besprenge destructione oer the woodes and delles;
The shepster swaynes in vayne theyr lees lement;
So foughte the Brystowe menne; ne one crevent, 365
Ne onne abashd enthoughten for to flee;
With fallen Normans all the playne besprent,
And like theyr leaders every man did flee;
In vayne on every syde the arrowes fled;
The Brystowe menne styll ragd, for Alfwold was not dead. 370

Manie meanwhile by Haroldes arm did falle,

And Leofwyne and Gyrthe encreasd the slayne;
'Twould take a Nestor's age to synge them all,
Or telle how manie Normannes preste the playne;
But of the erles, whom recorde nete hath slayne, 375
O Truthe! for good of after-tymes relate,
That, thowe they're deade, theyr names may lyve agayne,
And be in deathe, as they in life were, greate;
So after-ages maie theyr actions see,
And like to them �ternal alwaie stryve to be. 380

Adhelm, a knyghte, whose holie deathless fire

For ever bended to St. Cuthbert's shryne,
Whose breast for ever burnd with sacred fyre.
And een on erthe he myghte be calld dyvine;
To Cuthbert's church he dyd his goodes resygne, 385
And lefte hys son his God's and fortunes knyghte;
His son the Saincte behelde with looke adigne,
Made him in gemot wyse, and greate in fyghte;
Saincte Cuthberte dyd him ayde in all hys deedes,
His friends he lets to live, and all his fomen bleedes. 390

He married was to Kenewalchae faire,

The fynest dame the sun or moone adave;
She was the myghtie Aderedus heyre,
Who was alreadie hastynge to the grave;
 As the blue Bruton, rysinge from the wave, 395
Like sea-gods seeme in most majestic guise.
And rounde aboute the risynge waters lave,
And their longe hayre arounde their bodie flies,
Such majestic was in her porte displaid,
To be excelld bie none but Homer's martial maid. 400

White as the chaulkie clyffes of Brittaines isle,

Red as the highest colour'd Gallic wine,
Gaie as all nature at the mornynge smile,
Those hues with pleasaunce on her lippes combine,
Her lippes more redde than summer evenynge skyne, 405
Or Phoebus rysinge in a frostie morne,
Her breste more white than snow in feeldes that lyene,
Or lillie lambes that never have been shorne,
Swellynge like bubbles in a boillynge welle,
Or new-braste brooklettes gently whyspringe in the delle. 410

Browne as the fylberte droppyng from the shelle,

Browne as the nappy ale at Hocktyde game,
So browne the crokyde rynges, that featlie fell
Over the neck of the all-beauteous dame.
Greie as the morne before the ruddie flame 415
Of Phoebus charyotte rollynge thro the skie,
Greie as the steel-horn'd goats Conyan made tame,
So greie appeard her featly sparklyng eye;
Those eyne, that did oft mickle pleased look
On Adhelm valyaunt man, the virtues doomsday book. 420

Majestic as the grove of okes that stoode

Before the abbie buylt by Oswald kynge;
Majestic as Hybernies holie woode,
Where sainctes and soules departed masses synge;
Such awe from her sweete looke forth issuynge 425
At once for reveraunce and love did calle;
Sweet as the voice of thraslarkes in the Spring,
So sweet the wordes that from her lippes did falle;
None fell in vayne; all shewed some entent;
Her wordies did displaie her great entendement. 430

Tapre as candles layde at Cuthberts shryne,

Tapre as elmes that Goodrickes abbie shrove,
Tapre as silver chalices for wine,
So tapre was her armes and shape ygrove.
As skyllful mynemenne by the stones above 435
Can ken what metalle is ylach'd belowe,
So Kennewalcha's face, ymade for love,
The lovelie ymage of her soule did shewe;
Thus was she outward form'd; the sun her mind
Did guilde her mortal shape and all her charms refin'd. 440

What blazours then, what glorie shall he clayme,

What doughtie Homere shall hys praises synge,
That lefte the bosome of so fayre a dame
Uncall'd, unaskt, to serve his lorde the kynge?
To his fayre shrine goode subjects oughte to bringe 445
The armes, the helmets, all the spoyles of warre,
Throwe everie reaulm the poets blaze the thynge,
 And travelling merchants spredde hys name to farre;
The stoute Norwegians had his anlace felte,
And nowe amonge his foes dethe-doynge blowes he delte. 450

As when a wolfyn gettynge in the meedes

He rageth sore, and doth about hym slee,
Nowe here a talbot, there a lambkin bleeds,
And alle the grasse with clotted gore doth stree;
As when a rivlette rolles impetuouslie, 455
And breaks the bankes that would its force restrayne,
Alonge the playne in fomynge rynges doth flee,
Gaynste walles and hedges doth its course maintayne;
As when a manne doth in a corn-fielde mowe,
With ease at one felle stroke full manie is laide lowe. 460

So manie, with such force, and with such ease,

Did Adhelm slaughtre on the bloudie playne;
Before hym manie dyd theyr hearts bloude lease,
Ofttymes he foughte on towres of smokynge slayne.
Angillian felte his force, nor felte in vayne; 465
He cutte hym with his swerde athur the breaste;
Out ran the bloude, and did hys armoure stayne,
He clos'd his eyen in �ternal reste;
Lyke a tall oke by tempeste borne awaie,
Stretchd in the armes of dethe upon the plaine he laie. 470

Next thro the ayre he sent his javlyn feerce,

That on De Clearmoundes buckler did alyghte,
Throwe the vaste orbe the sharpe pheone did peerce,
Rang on his coate of mayle and spente its mighte.
But soon another wingd its aiery flyghte, 475
The keen broad pheon to his lungs did goe;
He felle, and groand upon the place of fighte,
Whilst lyfe and bloude came issuynge from the blowe.
Like a tall pyne upon his native playne,
So fell the mightie sire and mingled with the slaine. 480

Hue de Longeville, a force doughtre mere,

Advauncyd forwarde to provoke the darte,
When soone he founde that Adhelmes poynted speere
Had founde an easie passage to his hearte.
He drewe his bowe, nor was of dethe astarte, 485
Then fell down brethlesse to encrease the corse;
But as he drewe hys bowe devoid of arte,
So it came down upon Troyvillains horse;
Deep thro hys hatchments wente the pointed floe;
Now here, now there, with rage bleedyng he rounde doth goe. 490

Nor does he hede his mastres known commands,

Tyll, growen furiouse by his bloudie wounde,
Erect upon his hynder feete he staundes,
And throwes hys mastre far off to the grounde.
Near Adhelms feete the Normanne laie astounde, 495
Besprengd his arrowes, loosend was his sheelde,
Thro his redde armoure, as he laie ensoond,
He peercd his swerde, and out upon the feelde
The Normannes bowels steemd, a dedlie syghte!
He opd and closd hys eyen in everlastynge nyghte. 500
 Caverd, a Scot, who for the Normannes foughte,
A man well skilld in swerde and soundynge strynge,
Who fled his country for a crime enstrote,
For darynge with bolde worde hys loiaule kynge,
He at Erie Aldhelme with grete force did flynge 505
An heavie javlyn, made for bloudie wounde,
Alonge his sheelde askaunte the same did ringe,
Peered thro the corner, then stuck in the grounde;
So when the thonder rauttles in the skie,
Thro some tall spyre the shaftes in a torn clevis flie. 510

Then Addhelm hurld a croched javlyn stronge,

With mighte that none but such grete championes know;
Swifter than thoughte the javlyn past alonge,
Ande hytte the Scot most feirclie on the prowe;
His helmet brasted at the thondring blowe, 515
Into his brain the tremblyn javlyn steck;
From eyther syde the bloude began to flow,
And run in circling ringlets rounde his neck;
Down fell the warriour on the lethal strande,
Lyke some tall vessel wreckt upon the tragick sande. 520

CONTINUED.

Where fruytlefs heathes and meadowes cladde in greie,

Save where derne hawthornes reare theyr humble heade,
The hungrie traveller upon his waie
Sees a huge desarte alle arounde hym spredde,
The distaunte citie scantlie to be spedde, 525
The curlynge force of smoke he sees in vayne,
Tis too far distaunte, and hys onlie bedde
Iwimpled in hys cloke ys on the playne,
Whylste rattlynge thonder forrey oer his hedde,
And raines come down to wette hys harde uncouthlie bedde. 530

A wondrous pyle of rugged mountaynes standes,

Placd on eche other in a dreare arraie,
It ne could be the worke of human handes,
It ne was reared up bie menne of claie.
Here did the Brutons adoration paye 535
To the false god whom they did Tauran name,
Dightynge hys altarre with greete fyres in Maie,
Roastynge theyr vyctimes round aboute the flame,
'Twas here that Hengyst did the Brytons slee,
As they were mette in council for to bee. 540

Neere on a loftie hylle a citie standes,

That lyftes yts scheafted heade ynto the skies,
And kynglie lookes arounde on lower landes,
And the longe browne playne that before itte lies.
Herewarde, borne of parentes brave and wyse, 545
Within this vylle fyrste adrewe the ayre,
A blessynge to the erthe sente from the skies,
 In anie kyngdom nee coulde fynde his pheer;
Now rybbd in steele he rages yn the fyghte,
And sweeps whole armies to the reaulmes of nyghte. 550

So when derne Autumne wyth hys sallowe hande

Tares the green mantle from the lymed trees,
The leaves besprenged on the yellow strande
Flie in whole armies from the blataunte breeze;
Alle the whole fielde a carnage-howse he sees, 555
And sowles unknelled hover'd oer the bloude;
From place to place on either hand he slees,
And sweepes alle neere hym lyke a bronded floude;
Dethe honge upon his arme; he sleed so maynt,
'Tis paste the pointel of a man to paynte. 560

Bryghte sonne in haste han drove hys fierie wayne

A three howres course alonge the whited skyen,
Vewynge the swarthless bodies on the playne,
And longed greetlie to plonce in the bryne.
For as hys beemes and far-stretchynge eyne 565
Did view the pooles of gore yn purple sheene,
The wolsomme vapours rounde hys lockes dyd twyne,
And dyd disfygure all hys femmlikeen;
Then to harde actyon he hys wayne dyd rowse,
In hyssynge ocean to make glair hys browes. 570

Duke Wyllyam gave commaunde, eche Norman knyghte,

That been war-token in a shielde so fyne,
Shoulde onward goe, and dare to closer fyghte
The Saxonne warryor, that dyd so entwyne,
Lyke the neshe bryon and the eglantine, 575
Orre Cornysh wrastlers at a Hocktyde game.
The Normannes, all emarchialld in a lyne,
To the ourt arraie of the thight Saxonnes came;
There 'twas the whaped Normannes on a parre
Dyd know that Saxonnes were the sonnes of warre. 580

Oh Turgotte, wheresoeer thie spryte dothe haunte,

Whither wyth thie lovd Adhelme by thie syde,
Where thou mayste heare the swotie nyghte larke chaunte,
Orre wyth some mokynge brooklette swetelie glide,
Or rowle in ferselie wythe ferse Severnes tyde, 585
Whereer thou art, come and my mynde enleme
Wyth such greete thoughtes as dyd with thee abyde,
Thou sonne, of whom I ofte have caught a beeme,
Send mee agayne a drybblette of thie lyghte,
That I the deeds of Englyshmenne maie wryte. 590

Harold, who saw the Normannes to advaunce,

Seizd a huge byll, and layd hym down hys spere;
Soe dyd ech wite laie downe the broched launce,
And groves of bylles did glitter in the ayre.
Wyth showtes the Normannes did to battel steere; 595
Campynon famous for his stature highe,
Fyrey wythe brasse, benethe a shyrte of lere,
In cloudie daie he reechd into the skie;
Neere to Kyng Harolde dyd he come alonge,
And drewe hys steele Morglaien sworde so stronge. 600
 Thryce rounde hys heade hee swung hys anlace wyde,
On whyche the sunne his visage did agleeme,
Then straynynge, as hys membres would dyvyde,
Hee stroke on Haroldes sheelde yn manner breme;
Alonge the field it made an horrid cleembe, 605
Coupeynge Kyng Harolds payncted sheeld in twayne,
Then yn the bloude the fierie swerde dyd steeme,
And then dyd drive ynto the bloudie playne;
So when in ayre the vapours do abounde,
Some thunderbolte tares trees and dryves ynto the grounde. 610

Harolde upreer'd hys bylle, and furious sente

A stroke, lyke thondre, at the Normannes syde;
Upon the playne the broken brasse besprente
Dyd ne hys bodie from dethe-doeynge hyde;
He tournyd backe, and dyd not there abyde; 615
With straught oute sheelde hee ayenwarde did goe,
Threwe downe the Normannes, did their rankes divide,
To save himselfe lefte them unto the foe;
So olyphauntes, in kingdomme of the sunne,
When once provok'd doth throwe theyr owne troopes runne. 620

Harolde, who ken'd hee was his armies staie,

Nedeynge the rede of generaul so wyse,
Byd Alfwoulde to Campynon haste awaie,
As thro the armie ayenwarde he hies,
Swyfte as a feether'd takel Alfwoulde flies, 625
The steele bylle blushynge oer wyth lukewarm bloude;
Ten Kenters, ten Bristowans for th' emprize
Hasted wyth Alfwoulde where Campynon stood,
Who aynewarde went, whylste everie Normanne knyghte
Dyd blush to see their champyon put to flyghte. 630

As painctyd Bruton, when a wolfyn wylde,

When yt is cale and blustrynge wyndes do blowe,
Enters hys bordelle, taketh hys yonge chylde,
And wyth his bloude bestreynts the lillie snowe,
He thoroughe mountayne hie and dale doth goe, 635
Throwe the quyck torrent of the bollen ave,
Throwe Severne rollynge oer the sandes belowe
He skyms alofe, and blents the beatynge wave,
Ne stynts, ne lagges the chace, tylle for hys eyne
In peecies hee the morthering theef doth chyne. 640

So Alfwoulde he dyd to Campynon haste;

Hys bloudie bylle awhap'd the Normannes eyne;
Hee fled, as wolfes when bie the talbots chac'd,
To bloudie byker he dyd ne enclyne.
Duke Wyllyam stroke hym on hys brigandyne, 645
And sayd; Campynon, is it thee I see?
Thee? who dydst actes of glorie so bewryen,
Now poorlie come to hyde thieselfe bie mee?
Awaie! thou dogge, and acte a warriors parte.
Or with mie swerde I'll perce thee to the harte. 650

Betweene Erie Alfwoulde and Duke Wyllyam's bronde

Campynon thoughte that nete but deathe coulde bee,
 Seezed a huge swerde Morglaien yn his honde,
Mottrynge a praier to the Vyrgyne:
So hunted deere the dryvynge hounds will flee, 655
When theie dyscover they cannot escape;
And feerful lambkyns, when theie hunted bee,
Theyre ynfante hunters doe theie oft awhape;
Thus stoode Campynon, greete but hertlesse knyghte,
When feere of dethe made hym for deathe to fyghte. 660

Alfwoulde began to dyghte hymselfe for fyghte,

Meanewhyle hys menne on everie syde dyd slee,
Whan on hys lyfted sheelde withe alle hys myghte
Campynon's swerde in burlie-brande dyd dree;
Bewopen Alfwoulde fellen on his knee; 665
Hys Brystowe menne came in hym for to save;
Eftsoons upgotten from the grounde was hee,
And dyd agayne the touring Norman brave;
Hee graspd hys bylle in syke a drear arraie,
Hee seem'd a lyon catchynge at hys preie. 670

Upon the Normannes brazen adventayle

The thondrynge bill of myghtie Alfwould came;
It made a dentful bruse, and then dyd fayle;
Fromme rattlynge weepons shotte a sparklynge flame;
Eftsoons agayne the thondrynge bill ycame, 675
Peers'd thro hys adventayle and skyrts of lare;
A tyde of purple gore came wyth the same,
As out hys bowells on the feelde it tare;
Campynon felle, as when some cittie-walle
Inne dolefulle terrours on its mynours falle. 680

He felle, and dyd the Norman rankes dyvide;

So when an oke, that shotte ynto the skie,
Feeles the broad axes peersynge his broade syde,
Slowlie hee falls and on the grounde doth lie,
Pressynge all downe that is wyth hym anighe, 685
And stoppynge wearie travellers on the waie;
So straught upon the playne the Norman hie

* * * * *

Bled, gron'd, and dyed; the Normanne knyghtes astound

To see the bawsin champyon preste upon the grounde. 690

As when the hygra of the Severne roars,

And thunders ugsom on the sandes below,
The cleembe reboundes to Wedecesters shore,
And sweeps the black sande rounde its horie prowe;
So bremie Alfwoulde thro the warre dyd goe; 695
Hys Kenters and Brystowans slew ech syde,
Betreinted all alonge with bloudless foe,
And seemd to swymm alonge with bloudie tyde;
Fromme place to place besmeard with bloud they went,
And rounde aboute them swarthless corse besprente. 700

A famous Normanne who yclepd Aubene,

Of skyll in bow, in tylte, and handesworde fyghte
That daie yn feelde han manie Saxons sleene,
 Forre hee in sothen was a manne of myghte;
Fyrste dyd his swerde on Adelgar alyghte, 705
As hee on horseback was, and peersd hys gryne,
Then upwarde wente: in everlastynge nyghte
Hee closd hys rollyng and dymsyghted eyne.
Next Eadlyn, Tatwyn, and fam'd Adelred,
Bie various causes sunken to the dead. 710

But now to Alfwoulde he opposynge went,

To whom compar'd hee was a man of stre,
And wyth bothe hondes a myghtie blowe he sente
At Alfwouldes head, as hard as hee could dree;
But on hys payncted sheelde so bismarlie 715
Aslaunte his swerde did go ynto the grounde;
Then Alfwould him attack'd most furyouslie,
Athrowe hys gaberdyne hee dyd him wounde,
Then soone agayne hys swerde hee dyd upryne,
And clove his creste and split hym to the eyne. 720

* * * * *

[Footnote 1: In Turgott's tyme Holenwell braste of erthe so fierce

that it threw a stone-mell carrying the same awaie. J. Lydgate ne
knowynge this lefte out o line.]

[Editor's note: l. 578 _see Introduction_ p. xlij]

ONN OURE LADIES CHYRCHE.

As onn a hylle one eve sittynge,

At oure Ladie's Chyrche mouche wonderynge,
The counynge handieworke so fyne,
Han well nighe dazeled mine eyne;
Quod I; some counynge fairie hande 5
Yreer'd this chapelle in this lande;
Full well I wote so fine a syghte
Was ne yreer'd of mortall wighte.
Quod Trouthe; thou lackest knowlachynge;
Thou forsoth ne wotteth of the thynge. 10
A Rev'rend Fadre, William Canynge hight,
Yreered uppe this chapelle brighte;
And eke another in the Towne,
Where glassie bubblynge Trymme doth roun.
Quod I; ne doubte for all he's given 15
His sowle will certes goe to heaven.
Yea, quod Trouthe; than goe thou home,
And see thou doe as hee hath donne.
Quod I; I doubte, that can ne bee;
I have ne gotten markes three. 20
Quod Trouthe; as thou hast got, give almes-dedes soe;
Canynges and Gaunts culde doe ne moe.

T.R.
ON THE SAME.

Stay, curyous traveller, and pass not bye,

Until this fetive pile astounde thine eye.
Whole rocks on rocks with yron joynd surveie,
And okes with okes entremed disponed lie.
This mightie pile, that keeps the wyndes at baie, 5
Fyre-levyn and the mokie storme defie,
That shootes aloofe into the reaulmes of daie,
Shall be the record of the Buylders fame for aie.

Thou seest this maystrie of a human hand,

The pride of Brystowe and the Westerne lande, 10
Yet is the Buylders vertues much moe greete,
Greeter than can bie Rowlies pen be scande.
Thou seest the saynctes and kynges in stonen state,
That seemd with breath and human soule dispande,
As payrde to us enseem these men of slate, 15
Such is greete Canynge's mynde when payrd to God elate.

Well maiest thou be astound, but view it well;

Go not from hence before thou see thy fill,
And learn the Builder's vertues and his name;
Of this tall spyre in every countye telle, 20
And with thy tale the lazing rych men shame;
Showe howe the glorious Canynge did excelle;
How hee good man a friend for kynges became,
And gloryous paved at once the way to heaven and fame.

EPITAPH ON ROBERT CANYNGE.

Thys mornynge starre of Radcleves rysynge raie,

A true manne good of mynde and Canynge hyghte,
Benethe thys stone lies moltrynge ynto claie,
Untylle the darke tombe sheene an eterne lyghte.
Thyrde fromme hys loynes the present Canynge came;
Houton are wordes for to telle hys doe;
For aye shall lyve hys heaven-recorded name,
Ne shall yt dye whanne tyme shalle bee no moe;
Whanne Mychael's trumpe shall sounde to rise the solle,
He'll wynge to heavn wyth kynne, and happie bee hys dolle.

THE STORIE OF WILLIAM CANYNGE.

Anent a brooklette as I laie reclynd,

Listeynge to heare the water glyde alonge,
Myndeynge how thorowe the grene mees yt twynd,
Awhilst the cavys respons'd yts mottring songe,
At dystaunt rysyng Avonne to be sped, 5
Amenged wyth rysyng hylles dyd shewe yts head;

Engarlanded wyth crownes of osyer weedes

And wraytes of alders of a bercie scent,
And stickeynge out wyth clowde agested reedes,
The hoarie Avonne show'd dyre semblamente, 10
Whylest blataunt Severne, from Sabryna clepde,
Rores flemie o'er the sandes that she hepde.

These eynegears swythyn bringethe to mie thowghte

Of hardie champyons knowen to the floude,
How onne the bankes thereof brave �lle foughte, 15
�lle descended from Merce kynglie bloude,
Warden of Brystowe towne and castel stede,
Who ever and anon made Danes to blede.

Methoughte such doughtie menn must have a sprighte

Dote yn the armour brace that Mychael bore, 20
Whan he wyth Satan kynge of helle dyd fyghte,
And earthe was drented yn a mere of gore;
Orr, soone as theie dyd see the worldis lyghte,
Fate had wrott downe, thys mann ys borne to fyghte.

�lle, I sayd, or els my mynde dyd saie, 25

Whie ys thy actyons left so spare yn storie?
Were I toe dispone, there should lyvven aie
In erthe and hevenis rolles thie tale of glorie;
Thie actes soe doughtie should for aie abyde,
And bie theyre teste all after actes be tryde. 30

Next holie Wareburghus fylld mie mynde,

As fayre a sayncte as anie towne can boaste,
Or bee the erthe wyth lyghte or merke ywrynde,
I see hys ymage waulkeyng throwe the coaste:
Fitz Hardynge, Bithrickus, and twentie moe 35
Ynn visyonn fore mie phantasie dyd goe.

Thus all mie wandrynge faytour thynkeynge strayde,

And eche dygne buylder dequac'd onn mie mynde,
Whan from the distaunt streeme arose a mayde,
Whose gentle tresses mov'd not to the wynde; 40
Lyche to the sylver moone yn frostie neete,
The damoiselle dyd come soe blythe and sweete.

Ne browded mantell of a scarlette hue,

Ne shoone pykes plaited o'er wyth ribbande geere,
Ne costlie paraments of woden blue, 45
Noughte of a dresse, but bewtie dyd shee weere;
Naked shee was, and loked swete of youthe,
All dyd bewryen that her name was Trouthe.

The ethie ringletts of her notte-browne hayre

What ne a manne should see dyd swotelie hyde, 50
Whych on her milk-white bodykin so fayre
Dyd showe lyke browne streemes fowlyng the white tyde,
Or veynes of brown hue yn a marble cuarr,
Whyche by the traveller ys kenn'd from farr.

Astounded mickle there I sylente laie, 55

Still scauncing wondrous at the walkynge syghte;
Mie senses forgarde ne coulde reyn awaie;
But was ne forstraughte whan shee dyd alyghte
Anie to mee, dreste up yn naked viewe,
Whych mote yn some ewbrycious thoughtes abrewe. 60

But I ne dyd once thynke of wanton thoughte;

For well I mynded what bie vowe I hete,
And yn mie pockate han a crouchee broughte,
Whych yn the blosom woulde such sins anete;
I lok'd wyth eyne as pure as angelles doe, 65
And dyd the everie thoughte of foule eschewe.

Wyth sweet semblate and an angel's grace

Shee 'gan to lecture from her gentle breste;
For Trouthis wordes ys her myndes face,
False oratoryes she dyd aie deteste: 70
Sweetnesse was yn eche worde she dyd ywreene,
Tho shee strove not to make that sweetnesse sheene.

Shee sayd; mie manner of appereynge here

Mie name and sleyghted myndbruch maie thee telle;
I'm Trouthe, that dyd descende fromm heavenwere, 75
Goulers and courtiers doe not kenne mee welle;
Thie inmoste thoughtes, thie labrynge brayne I sawe,
And from thie gentle dreeme will thee adawe.

Full manie champyons and menne of lore,

Payncters and carvellers have gaind good name, 80
But there's a Canynge, to encrease the store,
A Canynge, who shall buie uppe all theyre fame.
Take thou mie power, and see yn chylde and manne
What troulie noblenesse yn Canynge ranne.

As when a bordelier onn ethie bedde, 85

Tyr'd wyth the laboures maynt of sweltrie daie,
Yn slepeis bosom laieth hys deft headde,
So, senses sonke to reste, mie boddie laie;
Eftsoons mie sprighte, from erthlie bandes untyde,
Immengde yn flanched ayre wyth Trouthe asyde. 90

Strayte was I carryd back to tymes of yore,

Whylst Canynge swathed yet yn fleshlie bedde,
And saw all actyons whych han been before,
And all the scroll of Fate unravelled;
And when the fate-mark'd babe acome to syghte, 95
I saw hym eager gaspynge after lyghte.

In all hys shepen gambols and chyldes plaie.

In everie merriemakeyng, fayre or wake,
I kenn'd a perpled lyghte of Wysdom's raie;
He eate downe learnynge wyth the wastle cake. 100
As wise as anie of the eldermenne,
He'd wytte enowe toe make a mayre at tenne.
As the dulce downie barbe beganne to gre,
So was the well thyghte texture of hys lore;
Eche daie enhedeynge mockler for to bee, 105
Greete yn hys councel for the daies he bore.
All tongues, all carrols dyd unto hym synge,
Wondryng at one soe wyse, and yet soe yinge.

Encreaseynge yn the yeares of mortal lyfe,

And hasteynge to hys journie ynto heaven, 110
Hee thoughte ytt proper for to cheese a wyfe,
And use the sexes for the purpose gevene.
Hee then was yothe of comelie semelikeede,
And hee had made a mayden's herte to blede.

He had a fader, (Jesus rest hys soule!) 115

Who loved money, as hys charie joie;
Hee had a broder (happie manne be's dole!)
Yn mynde and boddie, hys owne fadre's boie;
What then could Canynge wissen as a parte
To gyve to her whoe had made chop of hearte? 120

But landes and castle tenures, golde and bighes,

And hoardes of sylver rousted yn the ent,
Canynge and hys fayre sweete dyd that despyse,
To change of troulie love was theyr content;
Theie lyv'd togeder yn a house adygne, 125
Of goode fendaument commilie and fyne.

But soone hys broder and hys syre dyd die,

And lefte to Willyam states and renteynge rolles,
And at hys wyll hys broder Johne supplie.
Hee gave a chauntrie to redeeme theyre soules; 130
And put hys broder ynto syke a trade,
That he lorde mayor of Londonne towne was made.

Eftsoons hys mornynge tournd to gloomie nyghte;

Hys dame, hys seconde selfe, gyve upp her brethe,
Seekeynge for eterne lyfe and endless lyghte, 135
And sleed good Canynge; sad mystake of dethe!
Soe have I seen a flower ynn Sommer tyme
Trodde downe and broke and widder ynn ytts pryme.

Next Radeleeve chyrche (oh worke of hande of heav'n,

Whare Canynge sheweth as an instrumente.) 140
Was to my bismarde eyne-syghte newlie giv'n;
'Tis past to blazonne ytt to good contente.
You that woulde faygn the fetyve buyldynge see
Repayre to Radcleve, and contented bee.

I sawe the myndbruch of hys nobille soule 145

Whan Edwarde meniced a seconde wyfe;
I saw what Pheryons yn hys mynde dyd rolle;
Nowe fyx'd fromm seconde dames a preeste for lyfe.
Thys ys the manne of menne, the vision spoke;
Then belle for even-songe mie senses woke. 150
ON HAPPIENESSE, by WILLIAM CANYNGE.

Maie Selynesse on erthes boundes bee hadde?

Maie yt adyghte yn human shape bee founde?
Wote yee, ytt was wyth Edin's bower bestadde,
Or quite eraced from the scaunce-layd grounde,
Whan from the secret fontes the waterres dyd abounde?
Does yt agrosed shun the bodyed waulke,
Lyve to ytself and to yttes ecchoe taulke?

All hayle, Contente, thou mayde of turtle-eyne,

As thie behoulders thynke thou arte iwreene,
To ope the dore to Selynesse ys thyne,
And Chrystis glorie doth upponne thee sheene.
Doer of the foule thynge ne hath thee seene;
In caves, ynn wodes, ynn woe, and dole distresse,
Whoere hath thee hath gotten Selynesse.

ONN JOHNE A DALBENIE, by the same.

Johne makes a jarre boute Lancaster and Yorke;

Bee stille, gode manne, and learne to mynde thie worke.

THE GOULER'S REQUIEM, by the same.

Mie boolie entes, adieu! ne moe the syghte

Of guilden merke shall mete mie joieous eyne,
Ne moe the sylver noble sheenynge bryghte
Schall fyll mie honde with weight to speke ytt fyne;
Ne moe, ne moe, alass! I call you myne: 5
Whydder must you, ah! whydder must I goe?
I kenn not either; oh mie emmers dygne,
To parte wyth you wyll wurcke mee myckle woe;
I muste be gonne, botte whare I dare ne telle;
O storthe unto mie mynde! I goe to helle. 10

Soone as the morne dyd dyghte the roddie sunne,

A shade of theves eche streake of lyght dyd seeme;
Whann ynn the heavn full half hys course was runn,
Eche stirryng nayghbour dyd mie harte afleme;
Thye loss, or quyck or slepe, was aie mie dreme; 15
For thee, O gould, I dyd the lawe ycrase;
For thee I gotten or bie wiles or breme;
Ynn thee I all mie joie and good dyd place;
Botte now to mee thie pleasaunce ys ne moe,
I kenne notte botte for thee I to the quede must goe. 20
THE ACCOUNTE OF W. CANYNGES FEAST.

Thorowe the halle the belle han sounde;

Byelecoyle doe the Grave beseeme;
The ealdermenne doe sytte arounde,
Ande snoffelle oppe the cheorte steeme.
Lyche asses wylde ynne desarte waste 5
Swotelye the morneynge ayre doe taste,

Syke keene theie ate; the minstrels plaie,

The dynne of angelles doe theie keepe;
Heie stylle the guestes ha ne to saie,
Butte nodde yer thankes ande falle aslape. 10
Thus echone daie bee I to deene,
Gyf Rowley, Iscamm, or Tyb. Gorges be ne seene.

THE END. [Illustration]

[NOTE ON THE GLOSSARY

The following glossary was compiled by Tyrwhitt before he had

discovered Chatterton's use of Kersey's and Bailey's dictionaries
(vide Introduction, p. xxviii) and a number of words were thus
necessarily left unexplained by him. The present editor has added,
in square brackets, explanations of all these words except about
half-a-dozen which neither Kersey's _Dictionarium Anglo-Britannicum
(K.)_, nor Bailey's _Universal Etymological Dictionary (B.)_, nor the
glossary to Speght's edition of Chaucer (_Speght_), nor the notes of
Prof. Skeat in his 1871 edition (_Sk._), nor any native ingenuity of
his own has served to elucidate.]

A GLOSSARY OF UNCOMMON WORDS IN THIS VOLUME.

_In the following Glossary, the explanations of words by CHATTERTON,

at the bottom of the several pages, are drawn together, and digested
alphabetically, with the letter C. after each of them. But it should
be observed, that these explanations are not to be admitted but with
great caution; a considerable number of them being (as far as
the Editor can judge) unsupported by authority or analogy. The
explanations of some other words, omitted by CHATTERTON, have been
added by the Editor, where the meaning of the writer was sufficiently
clear, and the word itself did not recede too far from the established
usage; but he has been obliged to leave many others for the
consideration of more learned or more sagacious interpreters._
EXPLANATION OF THE LETTERS OF REFERENCE.

� stands for _�lla; a tragycal enterlude_,

Ba. ------ _The dethe of Syr C. Bawdin_,
Ch. ------ _Balade of Charitie_,
E. I. ---- _Eclogue the first_,
E. II. --- _Eclogue the second_,
E. III. -- _Eclogue the third_,
El. ------ _Elinoure and Juga_,
Ent. ----- _Entroductionne to �lla_,
Ep. ------ _Epistle to M. Canynge_,
G. ------- _Goddwyn; a Tragedie_,
H. 1. ---- _Battle of Hastings, No 1._
H. 2. ---- _Battle of Hastings, No 2._
Le. ------ _Letter to M. Canynge_,
M. ------- _Englysh Metamorphosis_,
P.G. ----- _Prologue to Goddwyn_,
T. ------- _Tournament_,

The other references are made to the pages.

A GLOSSARY.

[B.=Bailey's _Universal Etymological Dictionary_ (8th ed. 1737).

K.=Kersey's _Dictionarium Anglo-Britannicum_ (1708).
Sk.=Prof. Skeat's Aldine Edition (1871).
Speght=Glossary to Speght's Chaucer (1598).
T.=Tyrwhitt.
C.=Chatterton's notes to the poems.]

Abessie, E. III. 89. _Humility_. C.

Aborne, T. 45. _Burnished_. C.

Abounde, H. 1. 55. [Evidently _avail_; K. B. and Speght do not help.]

Aboune, G. 53. _Make ready_. C.

Abredynge, �. 334. _Upbraiding_. C.

Abrewe, p. 281. 60. as _Brew_.

Abrodden, E. I. 6. _Abruptly_. C.

Acale, G. 191. _Freeze_. C.

Accaie, �. 356. _Asswage_. C.

Achments, T. 153. _Atchievements_. C.

Acheke, G. 47. _Choke_. C.

Achevments, �. 65. _Services_. C.

Acome, p. 283. 95. as _Come_.

Acrool, El. 6. _Faintly_. C.

Adave, H. 2. 402. [Probably _beheld_; cannot be explained from K., who

has nothing nearer than adawe (O.), _to awaken; awoke_ can hardly be
the meaning.]

Adawe, p. 282. 78. _Awake_.

Addawd, H. 2. 110. [_Limply_. Sk. translates _wakened_ from B.'s

addawe, _to waken_, which makes no sense. K. has 'adaw, _to awaken_;
but it is used by the poet Spencer _to slacken_'; hence the meaning I
have given.]

Adente, � 396. _Fastened_. C.

Adented, G. 32. _Fastened, annexed_. C.

Aderne, H. 2. 272. See _Derne, Dernie_. [_Sad, cruel_, from K.'s dern
(O.), _sad_, &c.]

Adigne. See _Adygne_.

Adrames, Ep. 27. _Churls_. C.

Adventaile, T. 13. _Armour_. C.

Adygne, Le. 46. _Nervous; worthy of praise_. C.

Affynd, H. 1. 132. _Related by marriage_.

Afleme, p. 287. 14. as _Fleme_; to drive away, to affright.

After la goure, H. 2. 353. should probably be _Astrelagour_;

Astrologer. [A singular mistake for B.'s Asterlagour _an astrolabe_.
Sk.]

[Agested, p. 278. 9. _Heaped up_ (B.). (For C.'s _clowde_ Sk. boldly
reads _clod_.)]

Agrame, G. 93. _Grievance_. C.

Agreme, � 356. _Torture_. C.--G. 5. _Grievance_. C.

Agrosed, p. 286. 6. as _Agrised_, terrified.

Agroted, �. 348. See _Groted_.

Agylted, �. 334. _Offended_. C.

Aidens, �. 222. _Aidance_.

Ake, E. II. 8. _Oak_. C.

Alans, H. 2. 124. _Hounds_.

Alatche, �. 117. [? _call for help_. K. has latch (O.) _release, let
go_, but this cannot be the meaning intended.]

Aledge, G. 5. _Idly_. C.

Alest, �. 50. _Lest_.

All a boon, E. III. 41. _A manner of asking a favour_. C.

Alleyn, E. I. 52. _Only_. C.

Almer, Ch. 20. _Beggar_. C.

[Alofe, H. 1. 292. _Aloft_.]

[Alse, �. 1063. _Else_.]

Aluste, H. i. 88. [The sense is clearly _draw himself out, release

himself_; but K. B. and Speght throw no light on the word.]

Alyne, T. 79. _Across his shoulders_. C.

Alyse, Le. 29. _Allow_. C.

Amate, �. 58. _Destroy_. C.

Amayld, E. II. 49. _Enameled_. C.

Ameded, �. 54. _Rewarded_.

Amenged, p. 278. 6. as _Menged_; mixed.

Amenused, E. II. 5. _Diminished_. C.

[Ametten, M. 46. _Met_.]

Amield, T. 5. _Ornamented, enameled_. C.

[Anenste, as _Anente_; against.]

Anente, �. 475. _Against_. C.

Anere, �. 15. _Another_. C. [Ep. 48. _another time or occasion_.]

Anete, p. 281. 64. [_put an end to_, from C.'s _nete, nothing_.]

Anie, p. 281. 59. as _Nie_; nigh.

[Anie, H. 1. 120. _Annoy_.]

Anlace, G. 57. _An ancient sword_. C.

Antecedent, �. 233. _Going before_.

Applings, E. I. 33. _Grafted trees_. C.

Arace, G. 156. _Divest_. C.

[Arcublaster, H. 2. 52. K. has arcubalista, _a warlike engine for
casting great stones_, and Speght has arblasters, _crosse-bowes_. This
last is evidently C.'s meaning.]

[Ardurous, p.25. 30. ? as if _ardourous_, valiant.]

Arist, Ch. 10. _Arose_. C.

Arrowe-lede, H. 1. 74. [Neither K.B. nor Speght throws any light on

_-lede_. Sk. reads _arrow-head_.]

Ascaunce, E. III. 52. _Disdainfully_. C.

Asenglave, H. 1. 117. [_Ashen-spear_. K. has glaive, _a weapon like a

halbert_.]

Askaunted, Le. 19. [_Look carelessly at_, from two words side by
side in K., askaunce (O.), _if by chance_, and askaunt (O.) _to look
askaunt i.e. to look sideways_.]

Aslee, � 504. [Probably _sidle_ would give the meaning. Sk. renders
_dost but slide away_.]

Asseled, E. III. 14. _Answered_. C.

Ashrewed. Ch. 24. _Accursed, unfortunate_. C.

Asswaie, E. 352. [There is no satisfactory explanation; the sense is

clearly _cause_.]

Astedde, E. II. II. _Seated_. C.

Astende, G. 47. _Astonish_. C.

Asterte, G. 137. _Neglected_. C.

Astoun, E. II. 5. _Astonished_. C.

Astounde, M. 83. _Astonish_. C.

Asyde, p. 282. 90. perhaps _Astyde_; ascended. [More probably _wyth

Trouthe asyde_ means _at the side of Truth_.]

Athur, H. 2. 466. as _Thurgh_; thorough.

Attenes, � 18. _At once_. C.

Attoure, T. 115. _Turn_. C.

Attoure, � 322. _Around_.

Ave, H. 2. 636. for _Eau_. Fr. Water.

Aumere, Ch. 7. _A loose robe, or mantle_. C.

Aumeres, E. III. 25. _Borders of gold and silver_, &c. C.

Aunture, H. 2. 133. as _Aventure_: adventure. Autremete, Ch. 52. _A
loose white robe, worn by priests_. C.

Awhaped, �. 400. _Astonished_. C.

Aynewarde, Ch. 47. _Backwards_. C.

B.

Bankes, T. III. _Benches_.

[Bante, �. 207. _Banned, cursed_.]

Barb'd hall, �. 219. [See Appendix, p. 317, � 8.]

Barbed horse, �. 27. _Covered with armour_.

[Bardi, H. 1. 305. _Bards_. (Latin plural!)]

Baren, �. 880, for _Barren_.

Barganette, E. III. 49. _A song, or ballad_. C.

Bataunt, Ba. 276. 292. [Evidently a musical instrument, but Sk. can
get no nearer an etymological explanation than O.F. _battant_, a
fuller's mallet.]

Battayles, �. 707. _Boats, ships_. Fr.

Batten, G. 3. _Fatten_. C.

Battent, T. 52. _Loudly_. C.

Battently, G. 50. _Loud roaring_. C.

Battone, H. 1. 520. _Beat with sticks_. Fr.

Baubels, Ent. 7. _Jewels_. C.

Bawfin, �. 57. _Large_. C.

Bayre, E. II. 76. _Brow_. C.

Beheste, G. 60. _Command_. C.

Behight, H. 2. 365. [_Name_; from _hight_, called.]

Behylte, �. 939. _Promised_. C.

Belent, H. 2. 121. [? from Speght's blent, _stayed, turned back_.]

Beme, �. 563. _Trumpet_.

Bemente, E. I. 45. _Lament_. C.

Benned, �. 1185. _Cursed, tormented_. C.

Benymmynge, P.G. 3. _Bereaving_. C.

Bercie, p. 278. 8. [No explanation.]

Berne, �. 580. _Child_. C.

Berten, T. 58. _Venomous_. C.

Beseies, T. 124. _Becomes_. C.

Besprente, T. 132. _Scattered_. C.

Bestadde, p. 286. 3. [_Lost_, K.'s _bestad_ (O.).]

Bestanne, �. 411. [=Bestadde.]

Bested, H. 2. 140. [_Contended_. ? from B.'s bestad, _beset,

oppressed_.]

Bestoiker, �. 91. _Deceiver_. C.

Bestreynts, H. 2. 634. [_Sprinkles_, from K.'s betreint (O.),

_sprinkled_; but affected by _bestrewed_.]

Bete, G. 85. _Bid_. C.

Betrassed, G. 7. _Deceived, imposed on_. C.

Betraste, �. 1031. _Betrayed_. C.

Betreinted, H. 2. [634] 707. [_Sprinkled_; from K.'s betreint (O.),

_sprinkled_.]

Bevyle, E. II. 57. _Break. A herald term signifying a spear broken in

tilting_. C.

Bewrate, H. 2. 127. [_Treachery_.]

Bewrecke, G. 101. _Revenge_. C.

Bewreen, �. 6. _Express_. C.

Bewryen, Le. 42. _Declared, expressed_. C.

Bewryne, G. 72. _Declare_. C.

Bewrynning, T. 128. _Declaring_. C.

Bighes, �. 371. _Jewels_. C.

Birlette, E. III. 24. _A hood, or covering for the back part of the
head_. C.

Bismarde, p. 285. 141. [_Curious, wondering_; from bismar, _curiosity_,

K.B. and Speght.]

Blake, �. 178. 407. _Naked_. C.

Blakied, E. III. 4. _Naked, original_. C.

Blanche, �. 369. _White, pure_.

Blaunchie, E. II. 50. _White_. C.

Blatauntlie, �. 108. _Loudly_. C.

[Blents, H. 2. 638. ?]

Blente, E. III. 39. _Ceased, dead_. C.

Blethe, T. 98. _Bleed_. C.

Blynge, �. 334. _Cease_. C.

Blyn, E. II. 40. _Cease, stand still_. C.

Boddekin, �. 265. _Body, substance_. C.

Boleynge, M. 17. _Swelling_. C.

[Bollen, II. 2. 636. _Swollen_ (K.).]

Bollengers and Cottes, E. II. 33. _Different kinds of boats_. C.

Boolie, E. I. 46. _Beloved_. C.

Bordel, E. III. 2. _Cottage_. C.

Bordelier, �. 410. _Cottager_.

Borne, T. 13. �. 741. _Burnish_. C.

[Borne, H. 2. 289. ?_ground_. (No satisfactory explanation.)]

Boun, E. II. 40. _Make ready_. C.

Bounde, T. 32. _Ready_. C.

Bourne, �. 483. [_Borne_.]

Bouting matche, p. 23. 2. [_Bout, trial of skill_.]

Bowke, T. 19.--Bowkie, G. 133. _Body_. C.

Brasteth, G. 123. _Bursteth_. C.

Brayd, G. 77. _Displayed_. C.

Brayde, � 1010. [cf. B.'s braid, _a small lace_, &c.]

Breme, subst. G. 12. _Strength_. C.

------adj. E. II. 6. _Strong_. C.

Brende, G. 50. _Burn, consume_. C.

Bretful, Ch. 19. _Filled with_. C.

[Brigandyne, H. 2. 645. _An old-fashioned coat of mail_, K.]

Broched, H. 2. 335. _Pointed_.

Brondeous, E. II. 24. _Furious_. C.

Browded, G. 130. _Embroidered_. C.

Brynnyng, �. 680. _Declaring_. C. [? contracted for _bewrynning_.]

Burled, M. 20. _Armed_. C.

Burlie bronde, G. 7. _Fury, anger_. C.

[Burne, �. 585. H. 2. 265. ? _Run_ (no explanation).]

Byelecoyle, p. 288. 2. _Bel-acueil_. Fr. the name of a personage in

the _Roman de la Rose_, which Chaucer has rendered _Fair welcoming_.
[Speght followed by K. has Bialacoyl [Fr. Bel-acueil], _faire
welcoming_. C. did not observe that the word was a proper name, but
uses it to mean _hospitality_.]

Byker, �. 246. _Battle_.

Bykrous, M. 37. _Warring_. C.

Bysmare, M. 95. _Bewildered, curious_. C.

Bysmarelie, Le. 26. _Curiously_. C.

C.

Cale, �. 854. _Cold_.

Calke, G. 25. _Cast_. C.

Calked, E. I. 49. _Cast out_. C.

Caltysning, G. 67. _Forbidding_. C.

Carnes, �. 1243. _Rocks, stones_. Brit.

Castle-stede, G. 100. _A Castle_. C.

Caties, H. 2. 67. _Cates_. [_Dainties_.]

Caytisned, �. 32. _Binding, enforcing_. C. [�. 1104. _Bound,

fettered_.]

Celness, �. 882. [Probably _coldness_; no explanation.]

Chafe, �. 191. _Hot_. C.

Chastes, G. 201. _Beats, stamps_. C.

Champion, v. P.G. 12. _Challenge_. C.

Chaper, E. III. 48. _Dry, sunburnt_. C.

Chapournette, Ch. 45. _A small round hat_. C.

Chefe, G. 11. _Heat, rashness_. C.

Chelandree, �. 105. _Gold-finch_. C.

Cheorte, p. 288. 4. [? _Pleasant;_ K. B. and Speght have chert,

cheorte, _love, jealousy_, and K. and B. have also chertes, _merry
people_.]

Cherisaunce, Ent. 1. _Comfort_. C.

Cherisaunied, �. 839. perhaps _Cherisaunced_. [The mistake is in C.'s

authorities; Cherisaunei (K.) Cherisaunie (B.).]

Cheves, Ch. 37. _Moves_. C.

Chevysed, Ent. 2. _Preserved_. C.

Chirckynge, M. 23. _A confused noise_. C.

Church-glebe-house, Ch. 24. _Grave_. C.

[Chyne, H. 2. 640. _Cut thro' the back_. K.]

[Cleembe, as _Cleme_.]

Cleme, E. II. 9. _Sound_. C.

Clergyon, P.G. 8. _Clerk, or clergyman_. C.

Clergyon'd, Ent. 13. _Taught_. C.

Clevis, H. 2. 46. [_Cliffs_, or _rocks_. K.]

Cleyne, �. 1102. [_Sound_. ? from clymbe (O.) _noise_. K.]

Clinie, H. 1. 431. [Apparently a _declination_, a stooping attitude;

part of the science of arms.]

Cloude-agested, p. 278. 9. [See _Agested_.]

Clymmynge, Ch. 36. _Noisy_. C.

Coistrell, H. 2. 88. [_A young lad_ (O.) K.]

Compheeres, M. 21. _Companions_. C.

Congeon, E. III. 89. _Dwarf_. C.

Contake, T. 87. _Dispute_. C.

Conteins, H. 1. 223. for _Contents_.

Conteke, E. II. 10. _Confuse; contend-with_. C.

Contekions, �. 553. _Contentions_. C.

Cope, Ch. 50. _A cloke_. C.

Corven, �. 56. See _Yeorven_.

Cotte, E. II. 24. _Cut_.

Cottes, E. II. 33. See _Bollengers_.

Coupe, E. II. 7. _Cut_. C.

Couraciers, T. 74. _Horse-coursers_. C.

Coyen, �. 125. _Coy_. q?

Cravent, E. III. 39. _Coward_. C.

Creand, �. 581. as _Recreand_.

Crine, �. 851. _Hair_. C.

Croched, H. 2. 511. perhaps _Broched_. [What is _broched_? Sk. renders

_crooked_, but surely a javelin should be straight. Perhaps C. was
thinking of the _cross_-piece of a halbert. Cf. _croche_.]

Croche, v. G. 26. _Cross_. C.

Crokynge, �. 119. _Bending_.

Cross-stone, �. 1122. _Monument_. C. [Crouchee, p. 281. 63. _Cross_;

from Speght's crouch, _cross_.]

Cuarr, p. 281. 53. _Quarry_. q?

[Cuishes, H. 2. 230. _Armour for the thighs_; cuisses K.]

Cullis-yatte, E. I. 50. _Portcullis-gate_. C.

Curriedowe, G. 176. _Flatterer_. C.

Cuyen kine, E. I. 35. _Tender cows_. C.

D.

Dareygne, G. 26. _Attempt, endeavour_. C.

Declynie, H. i. 161. _Declination_. q? [See _Clinie_.]

Decorn, E. II. 14. _Carved_. C.

Deene, E. II. 69. _Glorious, worthy_. C.

[Deene, p. 288. II. _Dine_?]

Deere, E. III. 88. _Dire_. C.

Defs, M. 9. _Vapours, meteors_. C.

Defayte, G. 52. _Decay_. C.

Defte, Ch. 7. _Neat, ornamental_. C.

Deigned, E. III. 53. _Disdained_. C.

Delievretie, T. 44. _Activity_. C.

Demasing, H. 1. 276. [?_Considering_; no explanation.]

Dente, �. 886. See _Adente_.

Dented, �. 263. See _Adented_.

Denwere, G. 141. _Doubt_. C.--M. 13. _Tremour_. C.

Dequace, G. 56. _Mangle, destroy_. C.

Dequaced, p. 280. 38. [_Dashed_ K. and Speght.]

Dere, Ep. 5. _Hurt, damage_. C.

Derkynnes, �. 229. _Young deer_. q?

Derne, �. 582.--H. 2. 522. [_Barbarous, cruel_ K.]

Dernie, E. I. 19. _Woeful, lamentable_. C.----M. 106. _Cruel_. C.

Deslavate, H. 2. 333. [_Lecherous, beastly_, from K.'s deslavy.]

Dellavatie, �. 1047. _Letchery_. C.

Detratours, H. 2. 78. [_Slanderous detractors_.]

Deysed, �. 46. _Seated on a deis_.

Dheie; _They_.

Dhere, �. 192. _There_.

Dhereof; _Thereof_.

Difficile, �. 358. _Difficult_. C.

Dighte, Ch. 7. _Drest, arrayed_. C.

Dispande, p. 276. _ult_. perhaps for _Disponed_. [B. has dispand, _to
stretch out_.] Dispone, p. 279. 27. _Dispose_.

Divinistre, �. 141. _Divine_. C.

Dolce, �. 1187. _Soft, gentle_. C.

Dole, n. G. 137. _Lamentation_. C.

Dole, adj. p. 283. 13. [_Doleful_.]

Dolte, Ep. 27. _Foolish_. C.

[Dolthead, H. 1. 335. _Blockhead_.]

Donde, H. 1. 51. [_Done, finished_.]

Donore, H. 1. 5. This line should probably be written thus; _O

sea-oerteeming Dovor_!

Dortoure, Ch. 25. _A sleeping room_. C.

Dote, p. 279. 20. perhaps as _Dighte_.

Doughtre mere, H. 2. 481. _D'outre mere_. Fr. From beyond sea.

[Draffs, �. 717. _Lees, dregs_, so _useless, worthless_.]

Dree, �. 983. [H. 2. 664. _? Work_, or _Drive_.]

Drefte, �. 466. _Least_. C.

[Drenche, �. 85. _Drink_. (Really _to dose with medicine_.)]

Drented, G. 91. _Drained_. C.

Dreynted, �. 237. _Drowned_. C.

Dribblet, E. II. 48. _Small, insignificant_. C.

Drites, G. 65. _Rights, liberties_. C.

Drocke, T. 40. _Drink_. C.

Droke, �. 461. [Meaning and source quite uncertain.]

Droorie, Ep. 47. See Chatterton's note. _Druerie_ is _Courtship,

gallantry_.

Drooried, �. 127. _Courted_. [Probably _modest_, from B.'s drury,

_modesty_.]

Dulce, p. 283. 103. as _Dolce_.

Duressed, E. I. 39. _Hardened_. C.

Dyd, H. 2. 9. should probably be _Dyght_.

Dygne, T. 89. _Worthy_. C.

[Dyngeynge, �. 458. _Dinging_ or _striking_.]

Dynning, E. I. 25. _Sounding_. C.

Dysperpellest, �. 414. _Scatterest_. C.

Dysporte, E. I. 28. _Pleasure_. C.

Dysportisment, �. 250. as _Dysporte_.

Dysregate, �. 542. [_? Deprive of command_.]

E.

Edraw, H. 2. 52. for _Ydraw_; Draw.

Eft, E. II. 78. _Often_. C.

Eftsoones, E. III. 54. _Quickly_. C.

Ele, M. 74. _Help_. C.

Eletten, �. 448. _Enlighten_. C.

Eke, E. I. 27. _Also_. C.

Emblaunched, E. I. 36. _Whitened_. C.

Embodyde, E. I. 33. _Thick, stout_. C.

[Embollen, �. 596. as _Bollen_.]

Embowre, G. 134. _Lodge_. C.

Emburled, E. II. 54. _Armed_. C.

Emmate, �. 34. _Lessen, decrease_. C.

Emmers, p. 287. 7. [_? coins_. No explanation.]

Emmertleynge, M. 72. _Glittering_. C.

[Emprize, M. 74. _Adventure_. C.]

Enalse, G. 159. _Embrace_. C.

Encaled, �. 918. _Frozen, cold_. C.

Enchased, M. 60. _Heated, enraged_. C.

Engyne, �. 381. _Torture_.

Enheedynge, p. 283. 105. [_Taking heed, studying_.]

Enlowed, �. 606. _Flamed, fired_. C.

Enrone, �. 661. [Evidently _Unsheath_; no explanation.]

Enseme, �. 971. _To make seams in_. q?

Enseeming, �. 746. as _Seeming_.

Enshoting, T. 174. _Shooting, darting_. C.

[Ensooned, H. 2. 497. Probably, _In a swoon_; not in K.B. or Speght.]

Enstrote, H. 2. 503. [No explanation.] Enswote, �. 1175. _Sweeten_. q?

Enswolters, �. 629. _Swallows, sucks in_. C.

Ensyrke, p. 25. 10. _Encircle_.

Ent, E. III. 57. _A purse or bag_. C.

Entendement, �. 261. _Understanding_.

Enthoghteing, �. 704. [_Thinking_; cf. _Enheedynge_.]

Entremed, p. 276. 4. [_Intermingled_, from Speght's Entremes,

_entermingled_. (Really _entremes_ means a side-dish.)]

Entrykeynge, �. 304. as _Tricking_.

Entyn, P.G. 10. _Even_. C.

Estande, H. 2. 271. for _Ystande_; Stand.

Estells, E. II. 16. A corruption of _Estoile_, Fr. A star. C.

Estroughted, �. 918. [_Stretched out_]

Ethe, E. III. 59. _Ease_. C.

Ethie, p. 280. 49. _Easy_.

Evalle, E. III. 38. _Equal_. C.

Evespeckt, T. 56. _Marked with evening dew_. C.

Ewbrice, �. 1085. _Adultery_. C.

Ewbrycious, p. 281. 60. _Lascivious_.

Eyne-gears, p. 279. 13. [Sk. considers this a compound of _eyne, eyes_

and _gear, tackle_ and renders _objects_.]

F.

Fage, Ep. 30. _Tale, jest_. C.

Faifully, T. 147. _Faithfully_. C.

Faitour, Ch. 66. _A beggar, or vagabond_. C.

Faldstole, �. 61. _A folding stool, or seat_. See Du Cange in v.

_Faldistorium_.

[Fay, H. 2. 144. _Faith_.]

[Faytour, p. 280. 37. as _Faitour_.]

Fayre, �. 1204. 1224. _Clear, innocent_.

Feere, �. 965. _Fire_.

Feerie, E. II. 45. _Flaming_. C.

Fele, T. 27. _Feeble_. C. [A Rowleian contraction, cf. _gorne_ for

_garden_.]

Fellen, E. I. 10. _Fell_ pa. t. sing. q?

Fetelie, G. 24. _Nobly_. C.

Fetive, Ent. 7. as _Festive_.

Fetivelie, Le. 42. _Elegantly_. C.

Fetiveness, �. 400. as _Festiveness_.

Feygnes, E. III. 78. A corruption of _feints_. C.

Fhuir, G. 58. _Fury_. C.

Fie, T. 113. _Defy_. C.

Flaiten, H. I. 84. [_Frightful_, from B.'s flaite, _to affright, to

scare_.]

Flanched, H. 2. 242. [_Arched_, from K.'s flanch, _in heraldry, an

ordinary made of an arch-line_.]

Flemed, T. 56. _Frighted_. C.

Flemie, p. 278. _ult_. [_Daunted_, from B.'s _flemed_.]

Flizze, G. 197. _Fly_. C.

Floe, H. 2. 54. _Arrow_.

Flott, Ch. 33. _Fly_. C.

[Flotting, H. 2. 42. _? Flying_, cf. _flott_; or _Whistling_, from B.'s

floting (O.), _whistling, piping_.]

Foile, E. III. 78. _Baffle_. C.

Fons, Fonnes, E. II. 14. _Devices_. C.

Forgard, �. 565. _Lose_. C.

Forletten, El. 19. _Forsaken_. C.

Forloyne, �. 722. _Retreat_. C.

Forreying, T. 114. _Destroying_. C.

Forslagen, �. 1076. _Slain_. C.

Forslege, �. 1106. _Slay_. C.

Forstraughte, p. 281. 58. _Distracted_.

Forstraughteyng, G. 34. _Distracting_. C.

Forswat, Ch. 30. _Sun-burnt_. C.

Forweltring, �. 618. _Blasting_. C.

Forwyned, E. III. 36. _Dried_. C.

Fremde, �. 430. _Strange_. C.

Fremded, �. 555. _Frighted_. C.

Freme, �. 267. [and Fremed, H. 2. 147. _Strange_, from K.'s fremd

(O.), _strange_.]

Fructile, �. 185. _Fruitful_.

[Furched, �. 519. _Forked_.]

G.

Gaberdine, T. 88. _A piece of armour_. C.

Gallard, Ch. 39. _Frighted_. C.

Gare, Ep. 7. _Cause_. C.

Gastness, �. 412. _Ghastliness_.

Gayne, � 821. To gayne so _gayne_ a pryze. _Gayne_ has probably been

repeated by mistake. [More probably C. intended it to mean _Worth
gaining_.]

Geare, �. 299. _Apparel, accoutrement_.

Geason, Ent. 7. _Rare_. C.--G. 120. _Extraordinary, strange_. C.

Geer, H. 2. 284. as _Gier_.

Geete, �. 736. as _Gite_.

Gemote, G. 94. _Assemble_. C.

Gemoted, E. II. 8. _United, assembled_. C.

Gerd, M. 7. _Broke, rent_. C.

Gies, G. 207. _Guides_. C.

Gier, H. 1. 527. _A turn, or twist_.

Gif, E. II. 39. _If_. C.

Gites, �. 2. _Robes, mantels_. C.

Glair, H. 2. 570. [? _Glare_.]

[Gledes.H. 2. 217. _Glides_]

Gledeynge, M. 22. _Livid_. C.

Glomb, G. 175. _Frown_. C.

Glommed, Ch. 22. _Clouded, dejected_. C.

Giytted, H. 2. 272. [_Glittered_.]

Gorne, E. I. 36. _Garden_. C.

Gottes, �. 740. _Drops_.

Gouler, p. 282. 76. [_Usurer_, from K.'s goule, _usury_.]

Graiebarbes, Le. 25. _Greybeards_. C.

Grange, E. I. 34. _Liberty of pasture_. C.

Gratche, �. 115. _Apparel_. C.

Grave, p. 288. 2. _Chief magistrate, mayor_. [Where does T. find this

meaning? B. and K. have grave, _a German title signifying a great lord
etc_., but no word of mayor.]

Gravots, E. I. 24. _Groves_. C.

Gree, E. I. 44. _Grow_. C.

Groffile, �. 547. [_Grovelling_, from K.'s groff or gruff (O.),

_groveling_.]

Groffish, �. 257. [_Gruffly_.]

Groffynglie, Ep. 33. _Foolishly_. C.

Gron, G. 90. _a fen, moor_. C.

Gronfer, E. II. 45. _A meteor_, from _gron_ a fen, and _fer_, a

corruption of fire. C. [? then whether C. does not mean a will o' the
wisp.]

Gronfyres, G. 200. _Meteors_. C.

Grore, H. 2. 27. [No explanation.]

Groted, �. 337. _Swollen_. C.

[Gryne, H. 2. 706. _Groin_.]

Gule-depeincted, E. II. 13. _Red-painted_. C.

Gule-steynct, G. 62. _Red-stained_. C.

[Guylde, G. 152. _Tax_.]

[Guylteynge, �. 179. _Gilding_.]

Glyttelles, �. 438. _Mantels_. C.

H.

[Habergeon. H. 2. 346. _A little coat of mail_ (K.).]

Haile, E. III. 60. _Happy_. C.

Hailie, �. 148. 410. as _Haile_.

Halceld, M. 37. _Defeated_. C.

Hailie, T. 144. _Holy_. C.

Hailie, �. 33. _Wholely_. [But here _Hallie_ would seem to be put for
hailie, _happy_. Sk. renders _blissful_.]

Halline, Ch. 82. _Joy_. C.

Hancelled, G. 49. _Cut off, destroyed_. C.

Han, �. 734. _Hath_. q? [One of C.'s fundamental mistakes.]

Hanne, �. 409. _Had_. particip. q?--�. 685. _Had_. pa. t. sing. q?

Hantoned, �. 1094. [A mistake for _hancelled; hanten_ in B.K. and

Speght means _use, accustom_.]

Harried, M. 82. _Tost_. C. [But in �. 209 plainly=_hurried_.]

Hatched, p. 25. I. [Probably C. meant _covered with a cloth exhibiting

its rider's coat of arms_. Cf. _Hatchments_.]

[Hatchments, H. 2. 489. In heraldry, _a coat of arms_. (K.).]

Haveth, E. I. 17. _Have_. 1st perf. q?

Heafods, E. II. 7. _Heads_. C.

Heavenwere, G. 146. _Heavenward_. C.

Hecked, �. 394. _Wrapped closely, covered_. C.

Heckled, M. 3. _Wrapped_. C.

Heie, E. II. 15. _They_. C.

Heiedeygnes, E. III. 77. _A country dance, still practised in the

North_. C.

Hele, n. G. 127. _Help_. C.

Hele, v. E. III. 16. _To help_. C.

Hem, T. 24. A contraction of _them_. C.

[Hendie, H. 1. 95. ? _Hand to hand_; K. B. and Speght all have _neat,

fine, genteel_, for this Chaucerian word.]

Hente, T. 175. _Grasp, hold_. C.

Hentyll, �. 1161. [Evidently _Custom_; no explanation.]

[Herehaughte, M. 78. _Herald_.]

Herselle, �. 279. _Herself_.

Herste, �. 1182. [? _Command_.]

Hilted, Hiltren, T. 47. 65. _Hidden_. C.

Hiltring, Ch. 13. _Hiding_. C.

Hoastrie, E. I. 26. _Inn, or publick house_. C.

[Hocktide, H. 1. 25. _A festival celebrated in England antiently

in memory of the sudden death of King Hardicanute A.C. 1042 and the
downfall of the Danes_. B.]

Holtred, �. 293. [? _Hidden_, from B.'s _hulstred_.]

Hommeur, �. 1190. [? _Honour_.]

Hondepoint, �. 273. [Sk. renders (_every_) _moment_; K.B. and Speght

give no help.]

Hopelen, �. 399. [_Hopelessness_--'I from a night of hopelessness am

awakened.']

Horrowe, M. 2. _Unseemly, disagreeable_. C.

Horse-millanar, Ch. 56. See C.'s note. [According to Steevens a

Bristol tradesman in 1776 so described himself over his shop-door.]

Houton, M. 93. _Hollow_. C.

Hulstred, M. 6. _Hidden, secret_. C.

Huscarles, �. 922. 1194. _House-servants_.

Hyger, �. 627. The flowing of the tide in the Severn was antiently
called the _Hygra_. Gul. Malmesb. de Pontif. Ang. L. iv. ['The eagre
or "bore" of the Severn is a large and swift tide-wave which sometimes
flows in from the Atlantic Ocean with great force.' Sk. II, p. 61,
note.]

Hylle-fyre, �. 682. _A beacon_.

Hylte, T. 168. _Hid, secreted_. C.--�. 1059. _Hide_. C.

[Hylted, Hyltren, T. 47 .65. _Hidden_. C.]

I., J.

Jape, Ch. 74. _A short surplice_, &c. C.

Jeste, G. 195. _Hoisted, raised_. C.

Ifrete, G. 2. _Devour, destroy_. C.

Ihantend, E. I. 40. _Accustomed_. C.

Jintle, H. 2. 82. for _Gentle_.

Impestering, E. I. 29. _Annoying_. C.

Inhild, E. I. 14. _Infuse_. C.

Ishad, Le. 37. _Broken_. C.

Jubb, E. III. 72. _A bottle_. C.

[Iwimpled, H. 2. 528. _Muffled_ (Speght).]

Iwreene, p. 286. 9. [Evidently the same as K.'s bewreen, _expressed,

shewn_.]

K.

Ken, E. II. 6. _See, discover, know_. C.

Kennes, Ep. 28. _Knows_. C.

Keppend, Le. 44. [_Careful, precise,_ from B.'s kepen, _keep, take
care of_.]

Kiste, Ch. 25. _Coffin_. C.

Kivercled, E. III. 63. _The hidden or secret part_. C.

Knopped, M. 14. _Fastened, chained, congealed_. C.

L.

[Lack in C. generally = _to be in need of_ rather than simply _to be

without_; cf. G. 176.]

Ladden, H. 1. 206. [_Lay_.]

Leathel, E. I. 42. _Deadly_. C.

Lechemanne, �. 31. _Physician_.

Leckedst, H. 2. 332. [No explanation.]

Lecturn, Le. 46. _Subject_. C.

Lecturnies, �. 109. _Lectures_. C.

Leden, El. 30. _Decreasing_. C.

Ledanne, �. 1143. [? _Leaden, heavy_; or it may be an adj. formed from

K.'s leden (O.), _languish_.]

[Lee, Ep. 6. _Lay_; or ? _lie_.]

Leege, G. 173. _Homage, obeysance_. C.

Leegefolcke, G. 43. _Subjects_. C.

[Leffed, H. 1. 141. _Left_.]

Lege, Ep. 3. _Law_. C.

[Legeful, E. I. 3. _Loyal_.]

Leggen, M. 92. _Lessen, alloy_. C.

Leggeude, M. 32. _Alloyed_. C.

Lemanne, �. 132. _Mistress_.

Lemes, � 42. _Lights, rays_. C.

Lemed, El. 7. _Glistened_. C.--�. 606. _Lighted_. C.

Lere, � 568. H. 2. 597. seems to be put for _Leather_.

Lessel, El. 25. _A bush or hedge_. C.

Lete, G. 60. _Still_. C.

Lethal, El. 21. _Deadly, or death-boding_. C.

Lethlen, �. 272. _Still, dead_. C.

Letten, �. 928. _Church-yard_. C.

Levynde, El. 18. _Blasted_. C.

Levynne, M. 104. _Lightning_. C.

Levyn-mylted, �. 462. _Lightning-melted_. q?

Liefe, �. 217. [? from K. and B.'s lief, _rather_. Sk. renders _at my
choice_.]

Liff, E. I. 7. _Leaf_.

Ligheth, �. 627. [? _Lay low_, from K.'s lig, _lie_.]

Likand, H. 2. 177. _Liking_.

Limed, El. 37. _Glassy, reflecting_. C.

Limmed, M. 90. _Glassy, reflecting_. C.

Lissed, T. 97. _Bounded_. C.

[List, H. 1. 544. ? _Pleasure_.]

Lithie, Ep. 10. _Humble_. C.

Loaste, �. 456. _Loss_.

[Lode, H. 1. 33. Probably as _load_, a _task_ or _burden_. Sk. renders

_praise_, as if _land_; this is far from convincing.]

Logges, E. I. 55. _Cottages_. C.

Lordinge, T. 57. _Standing on their hind legs_. C.

Loverd's, E. III. 29. _Lord's_. C.

Low, G. 50. _Flame of fire_. C.

Lowes, T. 137. _Flames_. C.

Lowings, Ch. 35. _Flames_. C.

[Lurdanes, H. 1. 36. From B.'s 'Lurdane, lordane, _a dull heavy

fellow_, derived by some from _Lord_ and _Dane_'. So the word becomes
for C. an opprobrious equivalent for _Dane_.]

[Lygheth, �. 627. _Lay_, from K.'s lig, _to lie_.]

[Lymed, E. II. 7. _Glassy, reflecting_. C.]

Lymmed, M. 33. _Polished_. C.

Lynch, El. 37. _Bank_. C.

Lynge, �. 376. _Stay_. C.

Lyoncel, E. II. 44. _Young lion_. C.

Lyped, El. 34. [? miswritten for _lithed_, Speght's lith, _to make
less_, so _wasted_. Sk. renders _wasted away_, deriving _lyped_ from
B.'s liposychy, _a small swoon_, which seems too far-fetched even for
Rowley.]

Lysse, T. 2. _Sport, or play_. C.

Lyssed, � 53. _Bounded_. C.

M.

Mancas, G. 136. _Marks_. C.

Manchyn, H. 2. 222. _A sleeve_. Fr.

[Mastie, H. 1. 348. 425. ? _Mastiff_.]

Maynt, Meynte, E. II. 66. _Many, great numbers_. C.

Mee, Mees, E. I. 31. _Meadow_. C.

Meeded, � 39. _Rewarded_. [The construction _meeded out_ is probably

affected by _meted out_.]

Memuine, H. 2. 120. [? _Body of troops_, ? _Command_. No explanation.]

Meniced, p. 285. 146. _Menaced_, q? [The sense is _threatened to make

him marry again_.]

Mere, G. 58. _Lake_. C.

Merk-plante, T. 176. _Night-shade_. C.

Merke, T. 163. _Dark, gloomy_. C.

Miesel, � 551. _Myself_.

Milkynette, El. 22. _A small bagpipe_. C.

Mist, Ch. 49. _Poor, needy_. C.

[Mister, Ch. 82. as _Mist_, poor, needy.]

Mitches, El. 20. _Ruins_. C.

Mittee, E. II. 28. _Mighty_. C.

Mockler, p. 283. 105. _More_.

Moke, Ep. 5. _Much_. C.

Mokie, El. 29. _Black_. C.

[Mokynge, H. 2. 584. K. and B. have moky (O.), _cloudy_; so perhaps

C. meant a brook the surface of which reflected the clouds. Sk. reads
_mocking_.]

Mole, Ch. 4. _Soft_. C.

Mollock, G. 90. _Wet, moist_. C.

Morglaien. M. 20. _The name of a sword_ [Morglay] _in some old

Romances_.

Morthe, � 307. [_Violent death_. K. has morth, _murder_.]

Morthynge, El. 4. _Murdering_. C.

Mote, E. I. 22. _Might_. C.

Motte, H. 2. 184. _Word, or motto_.

Myckle, Le. 16. _Much_. C.

Myndbruch, �. 401. [_A hurting of honour and worship_ (B.).]

Mynster, G. 75. _Monastery_. C.

Mysterk, M. 33. _Mystic_. C.

N.

[Nappy, Ba. 13. B. has nappy-ale, [_q. d. such as will cause persons
to take a nap_] _pleasant and strong_. But the word _nappy_ in this
connexion has nothing to do with causing sleep.]

Ne, P.G. 6. _Not_. C.

Ne, p. 281. 58. _Nigh_.

Nedere, Ep. II. _Adder_. C.

Neete, p. 280. 41. _Night_.

Nesh, T. 16. _Weak, tender_. C.

Nete, �. 399. _Night_.

Nete, T. 19. _Nothing_. C.

Nilling, Le. 16. _Unwilling_. C.

Nome-depeinted, E. II. 17. _Rebus'd shields_; a herald term, when the

charge of the shield implies the name of the bearer. C.

Notte-browne, p. 280. 49. _Nitt-brown_.

O.

Obaie, E. I. 41. _Abide_. C.

Offrendes, �. 51. _Presents, offerings_. C.

Olyphauntes, H. 2. 609. _Elephants_.

Onknowlachynge, E. II. 26 _Not knowing_. C. Onlight, �. 678. [_Put

out, extinguish_.]

Onlist, Le. 46. _Boundless_. C.

[Ore, H. 2. 25. Contracted for _other_.]

Orrests, G. 100. _Oversets_. C.

Ouchd, T. 80. See C.'s note.

Ouphante, �. 888. 929. _Ouphen, Elves_.

Ourt, H. 2. 578. [Contraction for B.'s _overt_.]

Ouzle, �. 104. _Black-bird_. C.

Owndes, G. 91. _Waves_. C.

P.

Pall, Ch. 31. Contraction from _appall_, to fright. C.

Paramente, �. 52. _Robes of scarlet_. C.--M. 36. _A princely robe_. C.

[Passante, El. 28. _Passing, going by_. (K.)]

Paves, Pavyes, �. 433. _Shields_.

Peede, Ch. 5. _Pied_. C.

[Peene, �. 484. _Pain_.]

Pencte, Ch. 46. _Painted_. C.

Penne, �. 728. _Mountain_.

Percase, Le. 21. _Perchance_. C.

'Pere, E. I. 41. _Appear_. C.

Perpled, p. 283. 99. _Purple_. q? [From B.'s disparpled, disperpled,

_in heraldry, scattered loosely_. T.'s suggestion is certainly wrong.]

Persant, �. 561. _Piereing_.

Pete, �. 1001. [as _Pighte_.]

Pheeres, �. 46. _Fellows, equals_. C.

Pheon, H. 2. 272. in Heraldry, _the barbed head of a dart_.

Pheryons, p. 285. 147. ['A mistake for pheons.' Sk.]

Picte, E. III. 91. _Picture_. C.

Pighte, T. 38. _Pitched, or bent down_. C.

Poyntel, Le. 44. _A pen_. C.

Prevyd, � 23. _Hardy, valourous_. C.

Proto-slene, H. 2. 38. _First-slain_.

Prowe, H. 1. 108. [?_Forehead_. No explanation.]

Pynant, Le. 4. _Pining, meagre_.

Pyghte, M. 73. _Settled_. C.

Pyghteth, Ep. 15. _Plucks, or tortures_. C.

[Pyke, Ch. 53. See _Shoone-pykes_.]

[Pynne, �. 213. Probably the peg which supported the target; which a
clever marksman might split. There is no satisfactory explanation of
'the basket'.]

Q.

Quaced, T. 94. _Vanquished_. C.

Quayntyssed. T. 4. _Curiously devised_. C.

Quansd, �. 241. _Stilled, Quenched_. C.

Queede, �. 284. 428. _The evil one; the Devil_.

R.

Receivure, G. 151. _Receipt_. C.

Recer, H. 1. 87. for _Racer_.

Recendize, �. 544. for _Recreandice; Cowardice_.

Recrandize, �. 1193. for _Recreandice; Cowardice_. [Though Sk. renders

_Recendize_ resentment.]

Recreand, �. 508. _Coward_. C.

Reddour, �. 30. _Violence_. C.

Rede, Le. 18. _Wisdom_. C.

Reded, G. 79. _Counselled_. C.

Redeyng, �. 227. _Advice_.

Regrate, Le. 7. _Esteem_. C.--M. 70. _Esteem, favour_. C.

Rele, n. �. 530. _Wave_. C.

Reles, v. E. II. 63. _Waves_. C.

Rennome, T. 28. _Honour, glory_. C.

Reyne, Reine, E. II. 25. _Run_. C.

Reyning, E. II. 39. _Running_. C.

Reytes, �. 900. _Water-flags_. C.

Ribaude, Ep. 9. _Rake, lewd person_. C.

Ribbande-geere, p. 280. 44. _Ornaments of ribbands_.

Rodded, Ch. 3. _Reddened_. C.

Rode, E. I. 59. _Complexion_. C.

Rodeing, �. 324. _Riding_.

Roder, �. 1065. _Rider, traveller_.

Roghling, T. 69. _Rolling_. C.

Roin, �. 325. _Ruin_.

Roiend, �. 578. _Ruin'd_.

Roiner, �. 325. _Ruiner_.

Rou, G. 10. _Horrid, grim_. C.

Rowney, Le. 32. _Cart-horse_. C.

Rynde, �. 1192. _Ruin'd_.

S.

Sabalus, E. I. 22. _The Devil_. C.

Sabbatanners, � 275. [_Soldiers_, from B.'s sabatans, _soldiers'

boots_; cf. Lat. _Caligati_.]

[Sarim, H. 1. 301. i.e. _Sarum_.]

Scalle, �. 703. _Shall_. C.

Scante, �. 1133. _Scarce_. C.

Scantillie, �. 1010. _Scarcely, sparingly_. C.

Scarpes, �. 52. _Scarfs_. C.

Seethe, T. 96. _Hurt or damage_. C.

Scille, E. III. 33. _Gather_. C.

Scillye, G. 207. _Closely_. C.

Scolles, �. 239. _Sholes_.

Scond, H. 1. 20. for _Abscond_.

Seck, H. 1. 461. for _Suck_.

Seeled, Ent. II. _Closed_. C.

Seere, �. 1164. _Search_. C.

Selyness, E. I. 55. _Happiness_. C.

Semblate, p. 281. 67. [=_Semblance_.]

Seme, E. III. 32. _Seed_. C.

Semecope, Ch. 87. _A short undercloke_. C.

Semmlykeed, �. 298. [as _Semlykeene_.]

Semlykeene, �. 9. _Countenance_. C. C.--G. 56. _Beauty, countenance_.

C.

Sendaument, p. 284. 126. [_Appearance_. The word has no authority; B.

and K. are silent.]

Sete, �. 1069. _Seat_.

Shappe, T. 36. _Fate_. C.

Shap-scurged, �. 603. _Fate-scourged_. C.

Shemring, E. II. 14. _Glimmering_. C.

Shente, T. 157. _Broke, destroyed_. C.

Shepen, p. 283. 97. [_Simple_, from K.'s shepen (O.), _simple,

fearful_.]

Shepstere, E. I. 6. _Shepherd_. C.

Shoone-pykes, p. 280. 44. _Shoes with piked toes_. The length of the
pikes was restrained to two inches, by 3 Edw. 4. c. 5.

Shrove, H. 2. 432. [It is difficult to discover the probable sense of

this word. Perhaps an allusion to an imaginary legend is intended; cf.
the reference (H. 2. 417) to Conyan's goats. Sk. has a note '_Shrove_
is the Rowleian for _shrouded_'; this is possible but hardly
convincing.]

[Slea, �. 18. _Slay_.]

[Sleeve, H. 1. 178. _Silk not yet twisted, floss._]

Sletre, �. 539. _Slaughter_.

Slughornes, E. II. 9. _A musical instrument not unlike a hautboy_.

C.--T. 31. A kind of clarion. C.

Smethe, T. 101. _Smoke_. C.

Smething, E. I. 1. _Smoking_. C.

Smore, H. 1. 412. [? _Smeared_ or _Smothered_.]

Smothe, Ch. 35. _Steam or vapours_. C.

Snett, T. 45. _Bent_. C.

[Sorgie, G. 17. _Surging_.]

Sothen, �. 227. _Sooth_, q?

Souten, H. 1. 252. for _Sought_. pa. t. sing. q?

Sparre, H. 1. 26. _A wooden bar_.

Speckle, H. 2. 525. [? _Spied_, or perhaps _Reached_.]

Spencer, T. 11. _Dispenser_. C.

Spere, �. 69. [_Spare, allow_.]

Spyryng, �. 707. _Towering_.

Staie, H. 1. 198. [B. has Stay, _stop, let, hindrance_; so possibly C.

uses it as a paraphrase for _armour_; or some special piece of armour
may be meant.]

Starks, T. 73. _Stalks_.

[Steeked, �. 1188. Not in K. B. or Speght, but Sk. notes that C. has

_steeked=stole_; so here the sense would be _stole upon_.]

Steeres, p. 25. 6. _Stairs_.

Stente, T. 134. _Stained_. C.

Steynced, �. 189. [?_Stinted_, from B.'s stent (Saxon),_stint_.]

Storthe, p. 287. 10. [_Death_; cf. _Storven_.]

Storven, �. 608. _Dead_. C.

Straughte, �. 59. _Stretched_. C.

[Stre, H. 2. 712. _Straw_.]

Stret, �. 158. _Stretch_. C.

Strev, �. 358. _Strive_.

Stringe, G. 10. _Strong_. C.

Suffycyl, �. 62. 981. [_Sufficient_.]

[Swanges, Ch. 210. _Swings_.]

Swarthe, �. 265. [A _swath_, or _swarth_ (so rarely, but cf. _Twelfth

Night_, II. iii, where Maria calls Malvolio 'an affectioned ass, that
cons state without book and utters it by great swarths') is as
much hay as the mower can cut at one movement of the scythe. So, an
unsubstantial thing compared with a _boddekin_.]

Swartheing, �. 295 [_Darkling_, _darkening_.]

Swarthless. II. 2. 563. [_Dark-less_, i.e. _pallid_.]

Sweft-kervd, E. II. 20. _Short-liv'd_. C.

Swoltering, �. 444. [?_Swallowing_.]

[Swote, E. I. 25. _Sweet_. C.]

Swotie, E. II. 9. _Sweet_. C.

Swythe, Swythen, Swythyn; _Quickly_. C.

Syke, E. II. 6. _Such, so_. C.

T.

Takelle. T. 72. _Arrow_. C.

[Talbot, H. 2. 89. _A kind of hunting dog_ (K.); _a dog with a

turned-up tail_(B.).]

Teint, H. 1. 462. for _Tent_. [_Bandage_.]

Tende, T. 113. _Attend, or wait_. C.

Tene, � 366. _Sorrow_.

Tentyflie, E. III. 48. _Carefully_. C.

Tere, � 194. _Health_. C.

Thoughten, � 172. 1136. for _Thought_, pa. t. sing. q?

[Thraslarkes, H. 2. 427. Presumably a kind of lark. K.B. and Speght

give no help.]

Thyghte, p. 283. 104. [II. 2. 578. _Well-built_.]

Thyssen, E. II. 87. _These_, or _those_. q?

Tochelod, � 205. [Perhaps a mistake for _Tochered_ = dowered. (Sk.)]

Tore, � 1020. _Torch_. C.

Trechit, H. 2. 93. for _Treget_; Deceit.

Treynted, � 454. [? _Scatter_, from K.'s Betreint (O.), _sprinkled_.]

Twyghte, E. II. 78. _Plucked, pulled_. C.

Twytte, E. I. 2. _Pluck, or pull_. C.

Tynge, Tyngue; _Tongue_.

U., V.
Val, T. 138. _Helm_. C.

Vernage, H. 2. II. _Vernaccia_ Ital. a sort of rich wine.

Ugsomeness, �. 507. _Terror_. C.

Ugsomme, E. II. 55. _Terribly_. C.--�. 303. _Terrible_. C.

[Virgyne, Ch. I. The sign of the zodiac, _Virgo_, which the sun enters
about the 21st of August.]

Unaknell'd, H. 1. 288. _Without any knell rung for them._ q?

[_unaknelled_ was Pope's reading of _unancaled_ in his edition of
_Hamlet_.]

Unburled, �. 1186. _Unarmed_. C.

Uncted, M. 30. _Anointed_. C.

Undelievre, G. 27. _Unactive_. C.

Unenhantend, �. 636. _Unaccustomed_. C.

Unespryte, G. 27. _Unspirited_. C.

[Uneyned, E. 516. _Blinded_.]

Unhailie, Ch. 85. _Unhappy_. C.

Unliart, P.G. 4. _Unforgiving_. C.

Unlift, E. III. 86. _Unbounded_. C.

Unlored, Ep. 25. _Unlearned_. C.

Unlydgefull, �. 537. [_Disloyal_.]

Unplayte, G. 86.--Unplyte, �. 1238. _Explain_. C.

Unquaced, E. III. 90. _Unhurt_. C.

[Unryghte. See Note I.]

Unsprytes, �. 1212. _Un-souls_. C.

Untentyff, G. 79. _Uncareful, neglected_. C.

Unthylle, T. 30. _Useless_. C.

Unwer, E. III. 87. _Tempest_. C.

Volunde, �. 73. _Memory, understanding_. C.--G. 140. _Will_. C.

Upriste, �. 928. _Risen_. C.

Upryne, H. 2. 719. [? _Raise up_, from B.'s uprist, _uprisen, risen

up_.]
Upswalynge, �. 258. _Swelling_. C.

W.

Walsome, H. 2. 92. _Wlatsome; loathsome_.

Wanhope, G. 34. _Despair_. C.

Waylde, �. 11. _Choice, selected_.

Waylinge, E. II. 68. _Decreasing_. C. [Wayled (O.), _grown old_ (K.).]

Wayne, E. III. 31. _Car_. C.

Weere, �. 835. _Grief_. C.

Welked, E. III. 50. _Withered_. C.

Welkyn, �. 1055. _Heaven_. C.

[Whaped, H. 2. 579. _Amazed_, from K.'s Awhaped (O.) _amazed_.]

Wiseegger, E. III. 8. _A philosopher_. C. [But used by C. as an

adjective.]

Wissen, �. 685. _Wish_.

Wite, G. 176. _Reward_. C.

Withe, E. III. 36. A contraction of _Wither_. C.

[Wolfynn, T. 51. &c. _Wolf_. Not in K. B. or Speght.]

Wolsome, Le. 5. See _Walsome_.

Wraytes. See _Reytes_.

Wrynn, T. 117. _Declare_. C.

Wurche, �. 500. _Work_. C.

Wychencref, �. 420. _Witchcraft_.

Wyere, E. II. 79. _Grief, trouble_. C.

Wympled, G. 207. _Mantled, covered_. C.

Wynnynge, �. 219. [The sense is 'which my father's hall had no

winning,' i.e. 'which I could never get in my father's hall.' Sk. is
almost certainly wrong here.]

Y.

Yan, �. 72. _Than_.

Yaped, Ep. 30. _Laughable_. C.

Yatte, T. 9. _That_. C.

Yblente, �. 40. _Blinded_. C.

Ybroched, G. 96. _Horned_. C.

[Ybrogten, �. 919. _Brought_]

Ycorne, �. 374. [Contracted for _ycorven_.]

Ycorven, T. 170. _To mould_. C.

[Ycrase, p. 287. 16. _Break_.]

Yceasedd, T. 132. _Broken_. C.

Yenne; _Then_.

Yer, E. II. 29. _Their_.

Yer, �. 152. _Your_.

Ygrove, H. 2. 434. [? _Shaped_, for _y-graven_.]

Yinder, �. 692. _Yonder_.

Yis; _This_.

Ylach'd, H. 2. 436. [? _Concealed_. B. has Lach, _catch_ or _snatch_;

but this is hardly to the point.]

Ynhyme, Ent. 5. _Inter_. C.

Ynutile, �. 198. _Useless_.

Yreaden, H. 2. 207. [_Ready_.]

Yroughte, H. 2. 318. for _Ywroughte_.

Ysped, M. 102. _Dispatched_. C.

Yspende, T. 179. _Consider_. C.

Ystorven, E. I. 53. _Dead_. C.

Ytfel, E. I. 18. _Itself_.

Ywreen, E. II. 30. _Covered_. C.

Ywrinde, M. 100. _Hid, covered_. C.

Yyne, �. 540. _Thine_.

Z.

Zabalus, �. 428. as _Sabalus_; the Devil.

APPENDIX;

CONTAINING SOME OBSERVATIONS UPON THE LANGUAGE OF THE POEMS ATTRIBUTED

TO ROWLEY;

TENDING TO PROVE, THAT THEY WERE WRITTEN, NOT BY ANY ANCIENT AUTHOR,
BUT ENTIRELY BY THOMAS CHATTERTON.

Tum levis haud ultra latebras jam qu�rit imago, Sed sublime volans
nocti se immiscuit atr�.

VIRGIL. �. X.

APPENDIX, &c.

When these Poems were first printed, it was thought best to leave the
question of their authenticity to the determination of the impartial
Public. The Editor contented himself with intimating his opinion,
[Pref. p. xii, xiii.] that the external evidence on both sides was
so defective as to deserve but little attention, and that the final
decision of the question must depend upon the internal evidence. To
shew that this opinion was not thrown out in order to mislead the
enquiries and judgements of the readers, I have here drawn together
_some observations upon_ THE LANGUAGE[1] _of the poems attributed to
Rowley_, which, I think, will be sufficient to prove, 1st, that they
were not written in the XV Century; and 2dly, that they were written
entirely by Thomas Chatterton.

The proof of the second proposition would in effect carry with it that
of the first; but, notwithstanding. I choose to treat them separately
and to begin with the first.

I shall premise only one _postulatum_, which is, that Poets of the
same age and country use the same language, allowances being made for
certain varieties, which may arise from the local situation, the rank
in life, the learning, the affectation of the writers, and from the
different subjects and forms of their compositions [2].

This being granted, I have nothing to do but to prove, that the

language of the poems attributed to Rowley (when every proper
allowance has been made) is totally different from that of the other
English writers of the XV Century, in many material particulars. It
would be too tedious to go through them all; and therefore I shall
only take notice of such as can be referred to three general heads;
the _first_ consisting of words not used by any other writer; the
_second_, of words used by other writers, but in a different sense;
and the _third_, of words inflected in a manner contrary to grammar
and custom.

Under the _first_ head I would recommend the following words to the
reader's consideration.

1. ABESSIE. E. III. 89.

Whylest the congeon flowrette _abessie_ dyghte.

2. ABORNE. T. 45.
Snett oppe hys long strunge bowe and sheelde _aborne_.

3. ABREDYNGE. � 334.
Agylted �lla, thie _abredynge_ blynge.

4. ACROOLE. El. 6.
Didde speke _acroole_, wythe languishment of eyne.

5. ADAVE. H. 2. 392.
The fynest dame the Sun or moon _adave_.

6. ADENTE. � 396. ADENTED. G. 32.

Ontoe thie veste the rodde sonne ys _adente_.
_Adented_ prowess to the gite of witte.

7. ADRAMES. Ep. 27.

Loughe loudlie dynneth from the dolte _adrames_.

8. ALATCHE. � 117.
Leave me swythe or I'lle _alatche_.

9. ALMER. Ch. 20.

Where from the hail-stone coulde the _almer_ flie?

10. ALUSTE. H. 1. 88.

That Alured coulde not hymself _aluste_.

11. ALYNE. T. 79.

Wythe murther tyred he flynges hys bowe _alyne_.

12. ALYSE. Le. 29.--G. 180.

Somme dryblette share you shoulde to that _alyse_.
Fulle twentie mancas I wylle thee _alise_.

13. ANERE. � 15.--Ep. 48.

And cann I lyve to see herr wythe _anere_?
----Adieu untylle _anere_.

14. ANETE. p. 281. 64.

Whych yn the blosom woulde such sins _anete_.

15. APPLINGS. E. I. 33.

Mie tendre _applynges_ and embodyde trees.

16. ARROW-LEDE. H. 1. 74.

Han by his soundynge _arrowe-lede_ bene sleyne.

17. ASENGLAVE. H. 1. 117.

But Harold's _asenglave_ stopp'd it as it flewe.

18. ASLEE. � 504.

That doest _aslee_ alonge ynn doled dystresse.
 19. ASSWAIE. � 352.
Botte thos to leave thee, Birtha, dothe _asswaie_
Moe torturynge peynes, &c.

20. ASTENDE. G. 47.

Acheke the mokie aire and heaven _astende_.

I stop here, not because the other Letters of the alphabet would not
afford a proportionable number of words which might be referred to
this head, but because I think these sufficient for my purpose. I
proceed therefore to set down an equal number of words under the
_second_ general head.

1. ABOUNDE. H. 1. 55.

His cristede beaver dyd him smalle _abounde_.

The common sense of _Abound_, a verb, is well known; but what can be
the meaning of it here?

2. ALEDGE. G. 5.

Lette notte thie agreme blyn ne _aledge_ stonde.

_Aledge_, or _Alege_, v. Fr. in Chaucer signifies _to alleviate_.

It is here used either as an adjective or as an adverb. Chatterton
interprets it to mean _idly_; upon what ground I cannot guess.

3. ALL A BOON. E. III. 41.--p. 23. l. 4.

_All-a-boon_, fyr Priest, _all-a-boon_.

Thys ys the onelie _all-a-boone_ I crave.

Here are three English words, the sense of which, taken separately,
is clear. As joined together in this passage they are quite
unintelligible.

4. ALLEYN. E. I. 52.

Mie sonne, mie sonne _alleyn_ ystorven ys.

Granting _alleyn_ to be rightly put for alone, no ancient writer, I

apprehend, ever used such a phrase as this; any more than we should
now say--_my son alone_ for _my only son_. 5. ASCAUNCE. E. III. 52.

Lokeynge _ascaunce_ upon the naighboure greene.

The usual sense of _ascaunce_ in Chaucer, and other old writers, has
been explained in a note on ver. 7327. of the Canterbury Tales. It
is used in the same sense by Gascoigne. The more modern adverb
_ascaunce_, signifying _sideways, obliquely_, is derived from the
Italian _a schiancio_, and I doubt very much whether it had been
introduced into the English language in the time of the supposed
Rowley.

6. ASTERTE. G. 137.
 ----You have theyr worthe _asterte_.

I despair of finding any authorized sense of the word _asterte_, that

will suit this passage. It cannot, I think, signifie _neglected or
passed by_, as Chatterton has rendered it.

7. AUMERE. �. 398.--Ch. 7. AUMERES. E. III. 25.

Depycte wyth skylled honde upponn thie wyde _aumere_.

And eke the grounde was dighte in its mose deste _aumere_.
Wythe gelten _aumeres_ stronge ontolde.

The only place in which I remember to have met with this word is in
Chaucer's Romant of the Rose, ver. 2271. and there it undoubtedly
signifies _a purse_; probably from the Fr. _Aumoniere. Aumere of silk_
is Chaucer's translation of _Bourse de foye_. In another place of
the same poem, ver. 2087. he uses _aumener_ in the same sense. The
interpretations given of this word by Chatterton will be considered
below.

8. BARBED. � 27. 219.

Nott, whan from the _barbed_ horse, &c.

Mie lord fadre's _barbde_ halle han ne wynnynge.

Let it be allowed, that _barbed horse_ was a proper expression, in the

XV Century, for _a horse covered with armour_, can any one conceive
that _barbed hall_ signified _a hall in which armour was hung_? or
what other sense can _barbde_ have in this passage?

9. BLAKE. � 178. 407.

Whanne Autumpne _blake_ and sonne-brente doe appere.

_Blake_ stondeth future doome, and joie doth mee alyse.

_Blake_, in old English, may signifie either _black_, or _bleak_.

Chatterton, in both these passages, renders it _naked_; and, in the
latter, some such signification seems absolutely necessary to make any
sense.

10. BODYKIN. � 265.

And for a _bodykin_ a _swarthe_ obteyne.

_Bodekin_ is used by Chaucer more than once to signifie a _bodkin_ or

_dagger_. I know not that it had any other signification in his time.
_Swarthe_, used as a noun, has no sense that I am acquainted with.

11. BORDEL. E. III. 2.--� 147. BORDELIER. � 410.

Goe serche the logges and _bordels_ of the hynde.

We wylle in a _bordelle_ lyve.
Hailie the robber and the _bordelyer_.

Though _bordel_, in very old French, signifies a _cottage_, and

_bordelier_ a _cottager_, Chaucer uses the first word in no other
sense than that of _brothel_ or _bawdy-house_; and _bordeller_ with
him means the keeper of such a house. After this usage of these words
was so established, it is not easy to believe that any later writer
would hazard them in their primitive sense.

12. BYSMARE. M. 95.

Roaringe and rolleyng on yn course _bysmare_.

_Bismare_, in Chaucer, signifies _abusive speech_; nor do I believe

that it ever had any other signification.

13. CHAMPYON, V. PG. 12.

Wee better for to doe do _champyon_ anie onne.

I do not believe that _champion_ was used as a verb by any writer much
earlier than Shakespeare.

14. CONTAKE. T. 87. CONTEKE. E. II. 10.

----I _contake_ thie waie.

_Conteke_ the dynnynge ayre and reche the skies.

_Conteke_ is used by Chaucer, as a _noun_, for _Contention_. I know no

instance of its being used as a _verb_.

15. DERNE. � 582. DERNIE. E. I. 19. El. 8. M. 106.

Whan thou didst boaste soe moche of actyon _derne_.

Oh Raufe, comme lyste and hear mie _dernie_ tale.
O gentle Juga, beare mie _dernie_ plainte.
He wrythde arounde yn drearie _dernie_ payne.

_Derne_ is a Saxon adj. signifying _secret, private_, in which sense

it is used more than once by Chaucer, and in no other.

16. DROORIE. Ep. 47.

Botte lette ne wordes, whiche _droorie_ mote ne heare,

Bee placed in the same ----.

The only sense that I know of _druerie_ is _courtship, gallantry_,

which will not suit with this passage.

17. FONNES. E. II. 14. � 421. FONS. T. 4.

Decorn wyth _fonnes_ rare ----

On of the _fonnis_ whych the clerche have made.
Quayntyssed _fons_ depictedd on eche sheelde.

A _fonne_ in Chaucer signifies a _fool_, and _fonnes--fools_; and

Spenser uses _fon_ in the same sense; nor do I believe that it ever
had any other meaning.

18. KNOPPED. M. 14.

Theyre myghte ys _knopped_ ynne the froste of fere.

_Knopped_ is used by Chaucer to signifie _fastened_ with a button,
from _knoppe_, a button; but what poet, that knew the meaning of his
words, would say that any thing was buttoned with _frost_?

19. LECTURN. Le. 46.

An onlist _lecturn_ and a songe adygne.

I do not see that _lecturn_ can possibly signifie any thing but _a
reading-desk_, in which sense it is used by Chaucer.

20. LITHIE. Ep. 10.

Inne _lithie_ moncke apperes the barronnes pryde.

If there be any such word as this, we should naturally expect it to

follow the signification of _lithe_; soft, limber: which will not suit
with this passage.

* * * * *

I go on to the _third_ general head of words inflected contrary to

grammar and custom. In a language like ours, in which the inflections
are so few and so simple, it is not to be supposed that a writer, even
of the lowest class, would commit very frequent offences of this sort.
I shall take notice of some, which I think impossible to have fallen
from a genuine Rowley.

1. CLEVIS. H. 2. 46.

Fierce as a _clevis_ from a rocke ytorne.

_Clevis_ or _cleves_ is the plural number of _Cleve_, a cliff. It

is so used by Chaucer. I cannot believe that it was ever used as a
singular noun.

EYNE. E. II. 79. T. 169. See also � 681.

In everich _eyne_ aredynge nete of wyere.

Wythe syke an _eyne_ shee swotelie hymm dydd view.

_Eyne_, a contraction of _eyen_, is the plural number of _eye_. It

is not more probable that an ancient writer should have used the
expressions here quoted, than that any one now should say--In _every
eyes_;--_With such an eyes_.

HEIE. E. II. 15. T. 123. Le. 5. 9. Ent. 2. � 355.

_Heie_, the old plural of _He_, was obsolete, I apprehend, in the time
of the supposed Rowley. At least it is very improbable that the same
writer, at any time, should use _heie_ and _theie_ indifferently, as
in these poems.

THYSSEN. E. II. 87.

Lette _thyssen_ menne, who haveth sprite of love.

I cannot believe that _thyssen_ was ever in use as the plural number
of _this_. The termination seems to have been added, for the sake of
the metre, by one who knew that many words formerly ended in _en_,
but was quite ignorant of what particular sorts they were. In the same
manner _coyen_, �. 125. and _sothen_, �. 227. are put for _coy_ and
_sothe_, contrary to all usage or analogy.

And this leads me to the capital blunder, which runs through all these
poems, and would alone be sufficient to destroy their credit; I mean,
the termination of _verbs in the singular number_ in _n_[3]. I will
set down a number of instances, in which _han_ is used for the present
or past time _singular_ of the v. _Have_; only premising, that _han_,
being an abbreviation of _haven_, is never used by any ancient writer
except in the present time _plural_ and the infinitive mode.

P. 26. v. 9. The Brytish Merlyn oftenne _hanne_

The gyfte of inspyration.

Ba. 2. The featherd songster chaunticleer

_Han_ wounde hys bugle horne.

�. 685. Echone wylle wyssen hee _hanne_ seene the daie.

734. Bryghte sonne _han_ ynne hys roddie robes byn dyghte.

650. Whanne Englonde _han_ her foemenn.

1137. ----Mie stede _han_ notte mie love.

1184. _Hanne_ alle the fuirie of mysfortunes wylle

Fallen onne mie benned headde I _hanne_ been �lla stylle.

G. 20. _Hane_ Englonde thenne a tongue butte notte a stynge?

M. 61. A tye of love a dawter faire she _hanne_.

H. 1. 74. Ne doubting but the bravest in the londe

_Han_ by his foundynge arrowe-lede bene sleyne.

182. Where he by chance _han_ slayne a noble's son.

184. And in the battel he much goode _han_ done.

188. He of his boddie _han_ kepte watch and ward.

207. His chaunce in warr he ne before _han_ tryde.

281. The erlie felt de Torcies trecherous knyfe

_Han_ made his crymson bloude and spirits floe.

319. O Hengist, _han_ thy cause bin good and true!

321. The erlie was a manne of hie degree.

And _han_ that daie full manie Normannes sleine.

337. But better _han_ it bin to lett alone.

If more instances should be wanted, see H. 1. 396. 429. 455. H. 2.

306. 703.--p. 275. ver. 4.--p. 281. ver. 63.--p. 288. ver. 1.
In the same irregular manner the following verbs are used
_singularly_.

E. I. 10. Then _fellen_ on the grounde and thus yspoke.

H. 2. 665. Bewopen Alfwoulde _fellen_ on his knee.

P. 287. ver. 17. For thee I _gotten_ or bie wiles or breme.

H. 1. 252. He turned aboute and vilely _souten_ flie.

H. 2. 339. Fallyng he _shooken_ out his smokyng braine.

H. 2. 334. His sprite--Ne _shoulden_ find a place in anie songe.

�. 172. So Adam _thoughtenne_ when ynn paradyse----

1136. Tys now fulle morne; I _thoughten_, bie laste nyghte--

Ch. 54. Full well it _shewn_, he _thoughten_ coste no sinne.

See also H. 2. 366. where _thoughten_, with the additional syllable,

not being quite long enough for the verse, has had another syllable
added at the beginning.

Ne onne abash'd _enthoughten_ for to flee.

And (what is still more curious) we have a participle of the present

tense formed from this fictitious past time, in �. 704.

_Enthoughteyng_ for to scape the _brondeynge_ foe--

Which would not have been a bit more intelligible in the XV Century
than it would be now. _Brondeynge_ will be taken notice of below.

Many other instances of the most unwarrantable anomalies might be

produced under this head; but I think I have said enough to prove,
that the language of these poems is totally different from that of the
other English writers of the XV Century; and consequently that they
were not written in that century; which was my first, proposition. I
shall now endeavour to prove, from the same internal evidence of the
language, that they were written entirely by Thomas Chatterton.

For this purpose it will only be necessary to have recourse to those

interpretations of words by way of Glossary, which were confessedly
written by him[4]. It will soon appear, if I am not much mistaken,
that the author of the Glossary was the author of the Poems.

Whoever will take the pains to examine these interpretations will

find, that they are almost all taken from SKINNER'S _Etymologicon
Lingu� Anglican�_[5]. In many cases, where the words are really
ancient, the interpretations are perfectly right; and so far
Chatterton can only be considered in the light of a commentator, who
avails himself of the best assistances to explane any genuine author.
But in many other instances, where the words are either not ancient
or not used in their ancient sense, the interpretations are totally
unfounded and fantastical; and at the same time the words cannot be
altered or amended consistently with any rules of criticism, nor can
the interpretations be varied without destroying the sense of
the passage. In these cases, I think, there is a just ground for
believing, that the words as well as their interpretations came from
the hand of Chatterton, especially as they may be proved very often to
have taken their rise either from blunders of Skinner himself, or from
such mistakes and misapprehensions of his meaning as Chatterton, from
haste and ignorance, was very likely to fall into.

I will state first some instances of words and interpretations which

have evidently been derived from blunders of Skinner.

ALL A BOON. E. III. 41. See before, p. 315. _A manner of asking a

favour_, says Chatterton.

Now let us hear Skinner.

"=All a bone=, exp. Preces, Supplex Libellus, Supplicatio, vel ut jam

loquimur Petitio viro Principi exhibita, ni fallor ab AS. Bene, unde
nostrum _Boon_ additis particulis Fr. G. A _la_. Ch. Fab. Mercatoris
fol. 30. p. i. Col. 2."

The passage of Chaucer which is referred to, as an authority for this

word, is the following, Canterb. Tales, ver. 9492.

"And alderfirst he bade them _all a bone_," i.e. he made a request to

them all. So that Skinner is entirely mistaken in making one phrase of
these three words; and it is surely more probable that the author of
the poems was misled by him, than that a really ancient writer mould
have been guilty of so egregious a blunder.

AUMERES. E. III. 25. is explained by Chatterton to mean _Borders of

gold and silver_, &c. And AUMERE in �. 398, and Ch. 7. seems to be
used in the same sense of _a border of a garment_. And so Skinner has
by mistake explained the word, in that passage of Chaucer which has
been mentioned above [See p. 316, where the true meaning of _Aumere_
is given].

"=Aumere= ex contextu videtur _Fimbria_ vel _Instita_, nescio an a

Teut. =Umbher=, Circum, Circa, q. d. Circuitus seu ambitus. _Ch_. f.
119. p. I.C. I."

BAWSIN. �. 57. _Large_. Chatterton. M. 101. _Huge, bulky_. Chatterton.

Without pretending to determine the precise meaning of Bawsin, I think

I may venture to say that there is no older or better authority for
rendering it large, than Skinner. "=Bawsin=, exp. _Magnus, Grandis_,
&c."

BRONDEOUS. E. II. 24. _Furious_. Chatterton. BRONDED. H. 2. 558.

BRONDEYNGE. �. 704. BURLIE BRONDE. G. 7. _Fury, anger_. Chatterton.
See also H. 2. 664. All these uses of _Bronde_, and its supposed
derivatives, are taken from Skinner. "Bronde, exp. _Furia_, &c."
though in another place he explains Burly brand (I believe, rightly)
to mean _Magnus ensis_. It should be observed, that the phrase _Burly
brand_, if used in its true sense, would still have been liable to
suspicion, as it does not appear in any work, that I am acquainted
with, prior to the _Testament of Creseide_, a Scottish composition,
written many years after the time of the supposed Rowley.

BURLED. M. 20. _Armed_. Chatterton. So Skinner, "Burled, exp.

_Armatus_, &c."

BYSMARE. M. 95. _Bewildered, curious_. Chatterton. BYSMARELIE. Le. 26.

_Curiously_. Chatterton. See also p. 285. ver. 141. BISMARDE.

It is evident, I think, that all these words are originally derived

from Skinner, who has very absurdly explained Bismare to mean
Curiosity. The true meaning has been stated above, p. 318.

CALKE. G. 25. _Cast_. Chatterton. CALKED. E. I. 49. _Cast out,

ejected_. Chatterton. This word appears to have been formed upon a
misapprehension of the following article in Skinner. "Calked, exp.
Cast, credo Cast up." Chatterton did not attend to the difference
between _casting out_ and _casting up_, i.e. _casting up figures in
calculation_. That the latter was Skinner's meaning may be collected
from his next article. "Calked for Calculated. Ch. the Frankeleynes
tale." It is probable too, I think, that in both articles Skinner
refers, by mistake, to a line of _the Frankelein's tale_, which in the
common editions stands thus:

"Ful subtelly he had _calked_ al this."

Where _calked_ is a mere misprint for _calculed_, the reading of the

MSS. See the late Edit. ver. 11596.

It would be easy to add many more instances of words, _either not

ancient or not used in their ancient sense_, which repeatedly occur
in these poems, and must be construed according to those fanciful
significations which Skinner has ascribed to them. How that should
have happened, unless either Skinner had read the Poems (which, I
presume, nobody can suppose,) or the author of the Poems had read
Skinner, I cannot see. It is against all odds, that two men, living
at the distance of two hundred years one from the other, should
accidentally agree in coining the same words, and in affixing to them
exactly the same meaning.

I proceed to state some instances of words and interpretations which

are evidently founded upon misapprehensions of passages in Skinner.

ALYSE. Le. 29. G. 180. _Allow_. Chatterton. See before, p. 314.

Till I meet with this word, in this sense, in some approved author, I
shall be of opinion that it has been formed from a mistaken reading
of the following article in Skinner. "Alised, Authori Dict. Angl. apud
quem folum occurrit, exp. Allowed, ab AS. Alised, &c." In the Gothic
types used by Skinner f might be easily mistaken for a long s.

BESTOIKER. �. 91. _Deceiver_. Chatterton. See also �. 1064.

This word also seems plainly to have originated from a mistake in

reading Skinner. "Bestwike, ab AS. Berpican, Spican, _Decipere_,
Fallere, Prodere, Spica, Proditor, _Deceptor_." Chatterton in his
hurry read this as Bestoike, and formed a noun from it accordingly.

BLAKE. �. 178. 407. _Naked_. Chatterton. BLAKIED. E. III. 4. _Naked,

original_. Chatterton. See before, p. 317.

Skinner has the following article. "Blake _and_ bare, videtur ex

contextu prorsus _Nuda_, sort. q. d. Bleak _and_ Bare, dum enim nudi
fumus e�que aeri expositi, pr� frigore pallescimus. Ch. sol. 184. p.
i. Col. i."

Chatterton has caught hold of _Nuda_, which in Skinner is the

exposition of _Bare_, as if it belonged to _Blake_.

HANCELLED. G. 49. _Cut off, destroyed_. Chatterton. _Hancelled_ from

erthe these Normanne hyndes shalle bee.

Skinner has the same word, which he thus explains. "Hanceled, exp. Cut
off, credo dici proprie, vel primario faltem, tantum de prima portione
feu segmento quod ad tentandam feu explorandam rem abscindimus, ut ubi
dicimus, _to_ Hansell _a pasty or a gammon of bacon_." Chatterton, who
had neither inclination nor perhaps ability to make himself master of
so long a piece of Latin, appears to have looked no further than
the two English words at the beginning of this explanation; and
understanding _Cut off_ to mean _Destroyed_, he has used _Hancelled_
in the same sense.

SHAP. �. 34. G. 18. _Fate_. Chatterton. SHAP-SCURGED. �. 603.

_Fate-scourged_. Chatterton.

_Shap_ haveth nowe ymade hys woes for to emmate. Stylle mormorynge
atte yer _shap_.----There ys ne house athrow thys _shap-scurged_
isle.

I never was able to conceive how _Shap_ should have been used in the
English language to signifie _Fate_, till I observed the following
article in Skinner, "Shap, _now is my_ Shap, nunc mihi _Fato_
pr�stitutum est (i.e.) _now is it_ shapen _to me_, ab AS. Sceapan,
&c." I suppose that the word _Fato_, in the Latin, led Chatterton to
understand _now is my shap_ to mean _now is my fate_.

The passage, to which Skinner refers, is in the Knight's tale of

Chaucer, ver. 1227.

_Now is me shape_ eternally to dwelle

Not only in purgatorie but in helle.

But in the Edit. of 1602, which Skinner appears to have made use
of, it is written _Now is me shap_. The putting of _my_ for _me_ was
probably a mistake of the Printer, as Skinner's explanation shews that
he read _me_. I fancy the generality of readers will be satisfied by
the foregoing quotations, that the Author of these poems had not only
read Skinner, but has also misapprehended and misapplied what he found
in him. If more instances should be wanted, a comparison of the words
explained by Chatterton with the same or similar words as explained by
Skinner, will furnish them in abundance[6]. I shall therefore conclude
this Appendix with a short view of the preceding argument. It has been
proved, that the poems attributed to Rowley were not written in the
XV Century; and it follows of course, that they were written, at a
subsequent period, by some impostor, who endeavoured to counterfeit an
author of that century.
It has been proved, that this impostor lived since Skinner, and that
the same person wrote the interpretations of words by way of Glossary,
which are subjoined to most of the poems.

It has also been proved, that Chatterton wrote those interpretations

of words.

Whether any thing further be necessary to prove, that the poems were
entirely written by Chatterton, is left to the reader's judgement.
If he should stick at the word _entirely_, which may possibly seem to
carry the conclusion a little beyond the premisses, he is desired to
reflect, that, the poems having been proved to be a forgery since the
time of Skinner, and to have been written in great part by Chatterton,
it is infinitely more probable that the remainder was also written by
him than by any other person. The great difficulty is to conceive that
a youth, like Chatterton, should ever have formed the plan of such an
imposture, and should have executed it with so much perseverance and
ingenuity; but if we allow (as I think we must) that he was the author
of those pieces to which he subjoined his interpretations, I can see
no reason whatever for supposing that he had any assistance in the
rest. The internal evidence is strong that they are all from one hand;
and external evidence there is none, that I have been able to meet
with, which ought to persuade us, that a single line, of verse or
prose, purporting to be the work of ROWLEY, existed before the time of
CHATTERTON.

[Footnote 1: I have chosen this _part_ of the internal evidence,

because the arguments, which it furnishes, are not only very decisive,
but also lie within a moderate compass. For the same reason of
brevity, I have confined my observations to a _part_ only of
this _part_, viz. to _words_, considered with respect to their
_significations_ and _inflexions_. A complete examination of this
subject _in all its parts_ would be a work of length.]

[Footnote 2: Of these varieties all, except the first, are more

properly varieties of _style_ than of _language_. The _local
situation_ of a writer may certainly produce a _provincial dialect_,
which will often differ essentially from the language used at the same
time in other parts of the same country. But this can only happen in
the case of persons of no education and totally illiterate; and such
persons seldom write. It is unnecessary however to discuss this point
very accurately, as nobody, I believe, will contend, that the poems
attributed to Rowley are written in any _provincial dialect_. If there
should be a few words in them, which are now more common at Bristol
than at London, it should be remembered that Chatterton was of
Bristol.]

[Footnote 3: It is not surprizing that Chatterton should have been

ignorant of a peculiarity of the English language, which appears to
have escaped the observation of a professed editor of Chaucer. Mr.
Urry has very frequently lengthened _verbs in the singular number_, by
adding _n_ to them, without any authority, I am persuaded, even from
the errors of former Editions or MSS. It might seem invidious to point
out living writers, of acknowledged learning, who have slipped into
the same mistake in their imitations of Chaucer and Spenser.]

[Footnote 4: This is a point so material to the following argument,

that, though it has never hitherto, I believe, been made a question,
it ought not perhaps to be assumed without some proof. It may be said,
that Chatterton was only the _transcriber_ of the Glossary as well
as of the Poems. If to such an attention we were to answer, that
Chatterton always declared himself the _author_ of the Glossaries,
we should be told perhaps, that with equal truth he always declared
Rowley to have been the author of the Poems. But (not to insist upon
the very different weight, which the same testimony might be allowed
to have in the two cases) it has happened luckily, that the Glossary
to the Poem, entitled "_Englysh Metamorphosis_," [See p. 196.] was
written down by Chatterton extemporally, without the assistance of any
book, at the desire and in the presence of Mr. Barrett. Whoever will
compare that Glossary with the others, will have no doubt of their
being all from the same hand.]

[Footnote 5: Printed at London, MDCLXXI. The part, which Chatterton

seems to have chiefly consulted, is that, which begins at Sign. U u u
u, and is entitled "_Etymologicon vocum omnium antiquarum Anglicarum,
qu� usque a Wilhelmo Victore invaluerunt, &c._"]

[Footnote 6: I will state shortly some of those words, which have

been cited above, p. 313. as _either not ancient or not used in their
ancient sense_, with their corresponding articles in Skinner.

ABESSIE; _Humility_. C.--Abessed;--_Humiliatus_. Sk.

ABORNE; _Burnished_, C.--Borne; _Burnish_. Sk. It was usual with

Chatterton to prefix _a_ to words of all sorts, without any regard to
custom or propriety. See in the Alphabetical Gloss. _Aboune, Abreave,
Acome, Aderne, Adygne, Agrame, Agreme, Alest_, &c.

ABOUNDE. This word Chatterton has not interpreted, but the context
shews that it is used in the sense of _good_. So that I suspect it was
taken from the following article in Skinner. Abone,--a Fr. G. Abonnir;
_Bonum_ facere.

ABREDYNGE: _Upbraiding_. C.--Abrede, exp. _Upbraid_. Sk.

ACROOL; _Faintly_. C.--Crool, exp. _Murmurare_. Sk. See the remark

upon ABORNE.

ADENTE, ADENTED: _Fastened, annexed_. C.--Adent;--_Configere,

Conjungere_. Sk.

ALUSTE has no interpretation: but it is used in the sense of _raise_.

Perhaps it may have been derived from a mistaken reading of Alust,
which is explained by Skinner to mean _Tollere_. See the remarks upon
_Alyse_ and _Bestoiker_, p. 328, 329.

DERNE, DERNIE; _Woeful, lamentable, cruel_. C.--Derne; _Dirus,

crudelis_. Sk.

DROORIE; _Modesty_. C.--Drury; _Modestia_. Sk.

FONS, FONNES; _Fancys, Devices_. C.--Fonnes; _Devises_. Sk.

KNOPPED; _Fastened, chained, congealed_. C.--Knopped; _Tied_. Sk.

LITHIE: _Humble_. C.--Lithy; _Humble_. Sk. But in truth I do not

believe that there is any such word. Skinner probably found it in his
edition of Chaucer's _Cuckow and Nightingale_, ver. 14. where the MSS.
have LITHER (_wicked_), which is undoubtedly the right reading.]

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