HUSL 6350

Darwin and 19th-c Fiction:

Ideas of Inheritance, Heredity and Evolution

1st 5 week session, Summer 2009 MW. 1-5:30 pm

Prof. Pamela Gossin Office JO 5.304

Office Phone: 972. (UTD) 883.2071 Office Hours: M, by appt;
Email: psgossin@utdallas.edu and W.12:15-12:45p

Course Description:

2009 marks the 200th anniversary of the birthday of Charles Darwin and the 150th anniversary of
the publication of The Origin of Species. In this course we will explore various concepts of inheritance,
heredity and evolutionary natural development as they were expressed within literary, philosophical and
natural historical inquiry produced in Great Britain during the long nineteenth century. We will examine
diverse forms of prose fiction – ranging from short stories, novellas, novels and one example of a “great”
(BIG!) classic Victorian novel as well as selections of Darwin’s works (equally “big” and “classic”). The
texts will include many styles and modes of prose narrative including examples of gothic writing, realism
and naturalism, fantasy and detection, the sensuous and sensational, melodrama and science fiction. In
the process of reading and discussing these works, we will consider 19th-century ideas about concepts of
progress, gender, race, class, aesthetic and moral values, God, nature, the Industrial Revolution,
Darwinism, and cosmology.

The class is designed to encourage open, friendly discussion and participation, enhanced with
informational background lectures and extra credit / enrichment videos. * NOTE: Although the historical
contexts of scientific and technological change will inform our reading and discussion, no previous
background in science or technology is required. *

This course should be of special value to beginning and advanced graduate students interested in
developing a broader understanding of the development of late 18th and 19th-c prose fiction, and the
interdisciplinary relations between the history of science, literature and the humanities.

Course objectives:

Students will read and discuss a wide variety of literary forms and genres, demonstrating the ability to
interpret and analyze themes and issues using various critical methods, including formal, historical,
biographical and cultural approaches. Students will write one or more brief critiques and one mid-length
analytical and interpretative paper, using primary and secondary sources. A variety of additional extra
credit writing assignments will also be available.

Required Texts

Appleman, P, ed.. Darwin, Norton Critical 3rd Edition

Horace Walpole, The Castle of Otranto, Oxford R.L. Stevenson, Dr Jekyll and Mr. Hyde, Signet
Mary Shelley, Frankenstein, Penguin Oscar Wilde, Picture of Dorian Gray Prestwick
Emily Bronte, Wuthering Heights A. C. Doyle, Adventures of Sherlock Holmes Penguin
Charles Dickens, Bleak House, Penguin H.G. Wells, Time Machine, Penguin
Recommended Texts: Critical/Historical perspectives

(ALL STUDENTS MUST CHOOSE at least 1 TEXT from “Rec’d” or “Related” lists as scholarly
work(s) to be used in final seminar paper)

* Barash, David and Nanelle, Madame Bovary's Ovaries: A Darwinian Look at Literature,
Dell, 2008; ISBN-10: 0440241847 / # ISBN-13: 978-0440241843

* Beer, Gillian, Darwin's Plots: Evolutionary Narrative in Darwin, George Eliot and Nineteenth-Century
Fiction, Cambridge University Press; 2 edition, 2000; ISBN-10: 0521783925 / ISBN-13:
978-0521783927

* Browne, Janet, Darwin's Origin of Species: A Biography, Atlantic Monthly Press, 2007;
ISBN-10: 0871139537 / ISBN-13: 978-0871139535

* Carroll, Joseph, Literary Darwinism: Evolution, Human Nature, and Literature, Routledge, 2004;
ISBN-10: 0415970148 / ISBN-13: 978-0415970143

* Dawson, Gowan, Darwin, Literature and Victorian Respectability (Cambridge Studies in

Nineteenth-Century Literature and Culture) Cambridge University Press, 2007; ISBN-10:
0521872499 / ISBN-13: 978-0521872492

* The Literary Animal: Evolution and the Nature of Narrative (Rethinking Theory), Jonathan Gottschall
and David Sloan Wilson, eds., Northwestern University Press, 2005; ISBN-10: 0810122871 /
ISBN-13: 978-0810122871

* Levine, George, Darwin Loves You: Natural Selection and the Re-enchantment of the World
Princeton University Press, 2008; ISBN-10: 0691136394 / ISBN-13: 978-0691136394

* Ruse, Michael, Darwinism and its Discontents, Cambridge University Press, 2008;
ISBN-10: 052172824X / ISBN-13: 978-0521728249

* Young, Robert M. Darwin’s Metaphor, Cambridge University Press, 1985;

ISBN-10: 0521317428 / ISBN-13: 978-0521317429

Of related interest (try UTD Library, Amazon, Half-Price etc)

Browne, Janet, Charles Darwin: Voyaging, Princeton University Press, 1996; ISBN-10: 0691026068 /
ISBN-13: 978-0691026060 (biog. vol. 1)

Browne, Janet, Charles Darwin: The Power of Place, Princeton University Press, 2003; ISBN-10:
0691114390 / ISBN-13: 978-0691114392

Dale, Peter Allan, In Pursuit of Scientific Culture

Dawkins, Richard, The God Delusion

Desmond, Adrian and James Moore, Darwin's Sacred Cause: How a Hatred of Slavery Shaped Darwin's
Views on Human Evolution, Houghton Mifflin Harcourt, 2009; ISBN-10: 0547055269 /
ISBN-13: 978-0547055268
Gopnik, Adam, Angels and Ages: A Short Book About Darwin, Lincoln, and Modern Life, Knopf, 2009;
ISBN-10: 0307270785 / ISBN-13: 978-0307270788

Levine, George, Darwin and the Novelists: Patterns of Science in Victorian Fiction
University Of Chicago Press, 1992; ISBN-10: 0226475743 / ISBN-13: 978-0226475745

Miller, Kenneth, Finding Darwin's God: A Scientist's Search for Common Ground Between God and
Evolution; Harper Perennial, 2007; ISBN-10: 0061233501 / ISBN-13: 978-0061233500

Morton, Peter, Vital Science: Biology and the Literary Imagination 1860-1900

Other Suggested Fiction:

Samuel Butler, Erewhon Bibliobazaar

Wilkie Collins, Woman in White Penguin
H. Rider Haggard, She Oxford
Mary Shelley, The Last Man (any edition available)
Thomas Hardy, A Pair of Blue Eyes, Penguin
or The Return of the Native Penguin
Bram Stoker, Dracula Prestwick
Oscar Wilde, The Happy Prince and Other Fairy Tales, Dover
Joseph Conrad, Heart of Darkness Prestwick

Video Suggestions * = required for film critiques; may do others for extra credit!

* Frankenstein: Boris Karloff classic, 1931; Mary Shelley’s Frankenstein, w/Kenneth Branagh, 1994;
Young Frankenstein ?

* Wuthering Heights: Prof’s personal fave: 1939 w/ Laurence Olivier and Vivien Leigh; 1992 w/Juliette
Binoche and Ralph Fiennes; 1998 Masterpiece Theater version.

Sherlock Holmes: classic films with Basil Rathbone; Prof’s choice: any episode with Jeremy Brett (any
available) or Rupert Everett (Case of the Silk Stockings); Young Sherlock Holmes ok too.

Bleak House: view any episode(s) of the new PBS adaptation (with Gillian Anderson) – you may do
multiple episodes for extra credit.

* Time Machine: classic 1960 version is better than Guy Pearce’s 2002 one, imho (great for a “retro”
night party!) but either is ok.
 COURSE CALENDAR / DAILY ASSIGNMENTS

* Please have all readings listed under a particular class day, read FOR that class day’s discussion. *

Basically our goal for each summer seminar meeting is to complete a day and a half’s worth of a regular
semester’s seminar’s reading/discussion. This way you’ll get the “full semester’s” worth of info/ideas –
just in compressed form!

WK 1:
1. W. May 27: Introduction to the course: class cards; syllabus; course objectives and themes;
Discuss class structure / time frame
Historical and Literary Background: Gothic Conventions / Brief Bio: Horace Walpole
Library info?

WK 2:
2. M. June 1: Discuss: Castle of Otranto: How do conventions become “conventional”? Social and
economic importance of inheritance
Break
Presentations on “Current state of the field” of Gothic lit:
_______________________, __________________________

Presentations on literary critical articles about C of O.

______________________ , __________________________

3. W. June 3: Lecture: History of Science Background to Frankenstein: It’s Alive!:

Experimental Physiology and the Science of “Life” in the 19th c.
Presentations: Life and Work of Mary Shelley

___________________________ , ________________________
Break
Discuss Frankenstein
Presentations: “Current state” of Frankenstein studies
__________________________ , _________________________

Turn in / discuss film critiques; View brief adaptation of Frankenstein

WK 3:
4. M. June 8 Lecture: Natural History background to Bronte: Evolutionary Ideas re Generation and
Inherited Characteristics before Darwin (“human” animal husbandry,
breeding and the family tree)
Presentations: Life and Work of Emily Bronte
___________________________ , __________________________

Break
Discuss Wuthering Heights
Turn in / discuss: 1-2 pp film critiques of Wuthering Heights film

5. W. June 10 Presentations: Life and Work of A. C. Doyle

__________________________ , ___________________________
 Discuss A. C. Doyle and Sherlock Holmes; developments in “scientific hero,” evidence
and detection
Break
View and discuss: selected episode of BBC production of SH.
Discuss paper ideas - abstracts? bibliographies?

WK 4:
6. M. June 15 Presentations: Life and Work of Charles Dickens
_______________________ , _____________________________

Discuss Bleak House; social, historical background to mid-Victorian era, “two nations”
problem, Malthus and proto-social Darwinism.
Break
Presentations: Current State of Dickens criticism / BH scholarship

_______________________ , _____________________________

View and discuss: selected episode of PBS adaptation of Bleak House (?)

7. W. June 17 Continue/conclude: Discussion of Bleak House

Presentations: Life and Work of R. L. Stevenson
______________________ , ______________________________
Break
Discuss Dr. Jekyll and Mr. Hyde; “scientific” theories of human development, good/evil,
19th-c psychology, criminology
Presentations: Current scholarship on Stevenson / Dr. J and Mr H

______________________ , _____________________________

WK 5
8. M. June 22: Presentations: Life and Work of Charles Darwin
______________________ , _____________________________

Discuss Origin of Species

Presentations: Reception of Darwinism

______________________ , _____________________________
Video: Flock of Dodos / OU symposium?

9. W. June 24: Presentations: Life and Work of Oscar Wilde

______________________, ______________________________
Discuss: Picture of Dorian Gray; other theories of human psychology; art and morality,
aesthetic movement
Break
Presentations: Life and Work of H.G. Wells
 ______________________ , ____________________________

Discuss Time Machine

Turn in / discuss film adaptation of Time Machine; end-of-century science/ technology
Discuss “works in progress”

10. M. June 29: Individual email / phone seminar paper consultation session (if desired)

* SEMINAR PAPERS DUE: Fri. July 3 (listen for announcements on acceptable form/formats) *

Grading / Course Requirements

- Attendance / participation (including extra credit): 1/3

- 1 in-class biographical “life” presentation w/ accompanying 2pp summary/brief + 1 in-class critical

perspective/scholarly critique w/ 2 pp summary/brief + 3 film critiques, averaged: 1/3

- 10-12 pp paper on topic discussed in class and with prof.: 1/3

* This course will be graded using the + / - scale *

Course & Instructor Policies

Please inform the professor in advance (via phone / voice mail x2071 or utd email ) of any
possible absences or situations that may keep you from submitting assignments on time. I’ll try to help in
any way I can. Late assignments will not be accepted nor absences excused without such prior notice.
Because attendance and participation count as a substantial part of your grade in this course, unexcused
absences, tardy arrivals, early departures will count against this portion of your grade.

Note: for internet security reasons, I do not accept email submissions / attachments for any regular
course work, extra credit or final papers. Please turn in hard copies for all graded / X-credit work.

In accordance with university policy and my personal and professional values, this is a drug-free,
alcohol-free, smoke-free, barrier-free classroom. In the interests of promoting a comfortable learning
environment, all students and the professor pledge to respectfully consider the expression of ideas and
opinions by others regardless of political, philosophical, religious, intellectual, cultural, racial,
generational or gender differences.

All descriptions and timelines are subject to change at the discretion of the Professor.

Students are responsible for listening for in-class announcements/changes and checking
WebCT for additional messages or postings.
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