There Are 138 Pieces of Music Composed by Beethoven and

There are 138 pieces of music composed by Beethoven and numbered by himself
or his publishers. These numbers are called Opus numbers.
There are also 205 works without opus numbers. They were published after
Beethoven's death and were numbered with WoO numbers (Werke ohne Opuszahl
- Works without Opus number).
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Opus SubOp Name Midi Mp3 Dates Dedicatee Notes More
1 1 Piano Trio No. 1 in 1792 - Prince Karl
E flat major 1793 Lichnowsky
G major 1794 Lichnowsky
C minor: later 1794 Lichnowsky
arranged for string
quintet as Opus 104
2 1 Piano Sonata No. 1 1793 - Franz Joseph
in F minor: second 1795 Haydn
movement uses
material from the
Piano Quartet WoO
36 #3
in A major 1795 Haydn
in C major: first 1795 Haydn
movement uses
material from the
Piano Quartet WoO
36 #3
3 String Trio in E flat 1794
major: an
incomplete piano
trio arrangement
exists as Hess 47;
also Hess 25 may
be an earlier version
of the finale
4 String Quintet in E 1795
flat major: after the
Octet Opus 103
5 1 Sonata No. 1 for 1796 King Friedrich
Piano & Cello in F Wilhelm II of
major Prussia
5 2 Sonata No. 2 for 1796 King Friedrich
Piano & Cello in G Wilhelm II of
minor Prussia
6 Sonata for Piano 1796 -
Duet in D major 1797
7 Piano Sonata No. 4 1796 - Countess
in E flat major 1797 Barbara von
Keglevics
8 Serenade for String 1796 -
Trio in D major: 1797
(arranged later for
piano & viola Opus
42)
9 1 String Trio in G 1797 - Count Johann
major: Hess 28 is a 1798 Georg Browne
second Trio for the
Scherzo
9 2 String Trio in D 1797 - Count Johann
major 1798 Georg Browne
9 3 String Trio in C 1797 - Count Johann
minor 1798 Georg Browne
10 1 Piano Sonata No. 5 1795 - Countess Anna
in C minor: also see 1797 Margarete
WoO 52, WoO 53 Browne
and Hess 69
in F major 1797 Margarete
Browne
in D major 1798 Margarete
Browne
11 Trio for Piano, 1797 - Countess Maria
Clarinet or Violin, 1798 Wilhelmine von
& Cello in B flat Thun
major
12 1 Sonata No. 1 for 1797 - Antonio Salieri
Piano & Violin in D 1798
major
Piano & Violin in A 1798
major
Piano & Violin in E 1798
flat major
13 Piano Sonata No. 8 1797 - Prince Karl
in C minor: 1798 Lichnowsky
"Pathétique"
14 1 Piano Sonata No. 9 1798 - Baroness
in E major: also 1799 Josephine von
arranged for String Braun
Quartet Hess 34
14 2 Piano Sonata No. 1799 Baroness
10 in G major Josephine von
Braun
15 Concerto No. 1 for 1795 - Princess
Piano & Orchestra 1800 Barbara
in C major Odescalchi (neé
Keglevics)
16 Quintet for Piano, 1796 - Prince Joseph also arranged for piano quartet,
Oboe, Clarinet, 1797 Johann zu Biamonti 131
Horn & Bassoon in Schwarzenberg
E flat major
16 Piano Quartet in E 1796 - Prince Joseph also arranged for piano, oboe,
flat major 1797 Johann zu clarinet, horn & bassoon,
Schwarzenberg Biamonti 130
17 Sonata for Piano & 1800 Baroness written with optional cello part
French Horn in F Josephine von
major Braun
18 1 String Quartet No. 1798 - Prince 2nd mvmt: scene in burial vault
1 in F major: Hess 1800 Ferdinand of Romeo & Juliet
32 is an early Lobkowitz
version
18 2 String Quartet No. 1798 - Prince
2 in G major: 1800 Ferdinand
"Compliments Lobkowitz
Quartet"
18 3 String Quartet No. 1798 - Prince earliest of op 18
3 in D major 1800 Ferdinand
Lobkowitz
4 in C minor 1800 Ferdinand
Lobkowitz
5 in A major 1800 Ferdinand
Lobkowitz
6 in B flat major 1800 Ferdinand
Lobkowitz
19 Concerto No. 2 for 1788 - Carl Nicklas
Piano & Orchestra 1801 Edler von
in B flat major Nickelsberg
20 Septet for Clarinet, 1799 Empress Maria the theme of the Menuetto was
Bassoon, Horn, Theresia of taken from the Piano Sonatta in G
Violin, Viola, Austria Opus 49 #2
Cello, Bass in E flat
major: also
arranged for piano
trio Opus 38
21 Symphony No. 1 in 1799 - Baron Gottfried
C major 1800 van Swieten
22 Piano Sonata No. 1800 Count Johann
11 in B flat major Georg Browne
23 Sonata No. 4 for 1800 - Count Moritz
Piano & Violin in A 1801 von Fries
minor
24 Sonata No. 5 for 1800 - Count Moritz
Piano & Violin in F 1801 von Fries
major: "Frühlings -
Sonate" (Spring)
25 Serenade for Flute, 1801
Violin & Viola in D
major: (transcribed
later for Flute &
Piano Opus 41)
26 Piano Sonata No. 1800 - Prince Karl
12 in A flat major: 1801 Lichnowsky
"Funeral March";
third movement
arranged for
"Leonore Prohaska"
WoO 96
27 1 Piano Sonata No. 1801 Princess von
13 in E flat major: Leichtenstein
"Sonata quasi una
Fantasia"
27 2 Piano Sonata No. 1800 - Countess named by Ludwig Rellstab
14 in C sharp 1801 Giulietta
minor: Guicciardi
"Mondschein-
Sonate"
(Moonlight);
"Sonata quasi una
Fantasia"
28 Piano Sonata No. 1801 Joseph
15 in D major: Sonnenfels
"Pastorale"
29 String Quintet in C 1801 Count Moritz
major von Fries
30 1 Sonata No. 6 for 1801 - Czar Alexander H:\MP3 Files\Classical Concert Y
Piano & Violin in A 1802 I of Russia Podcasts\theconcert76
major Beethoven.mp3
30 2 Sonata No. 7 for 1801 - Czar Alexander
Piano & Violin in C 1802 I of Russia
minor
30 3 Sonata No. 8 for 1801 - Czar Alexander
Piano & Violin in G 1802 I of Russia
major
31 1 Piano Sonata No. 1802
16 in G major
31 2 Piano Sonata No. 1802
17 in D minor:
"Sturm-Sonate"
(Tempest)
31 3 Piano Sonata No. 1802 Y
18 in E flat major
32 Song: "An die 1804 - Countess words: Tiedge
Hoffnung"; from 1805 Josephine
Tiedge’s "Urania"; Deym (née
"Die du so gern in Brunsvik)
heilgen Nächten
feierst" (1st
setting); 2nd setting
is Opus 94
33 1 Bagatelle for Piano 1801 -
in E flat major: 1802
Andante grazioso
quasi allegretto; #1
of 7 Bagatelles
in C major: 1802
Scherzo; #2 of 7
Bagatelles
in F major: 1802
Allegretto; #3 of 7
Bagatelles
in A major: 1802
Andante; #4 of 7
Bagatelles
in C major: Allegro 1802
ma non troppo; #5
of 7 Bagatelles
in D major: 1802
Allegretto quasi
andante; #6 of 7
Bagatelles
in A flat major: 1802
Presto; #7 of 7
Bagatelles
34 6 Variations for 1802 Princess
Piano in F major: Barbara
on an original Odescalchi (neé
theme Keglevics)
35 15 Variations with 1802 Prince Karl
Fugue for Piano in Lichnowsky
E flat major:
"Eroica-
Variationen"; on a
theme from the
ballet "Die
Geschopfe des
Prometheus"
36 Symphony No. 2 in 1801 - Prince Karl Also: Piano Trio in D major: after
D major 1802 Lichnowsky the Symphony No. 2 in D
37 Concerto No. 3 for . 1800 - Prince Louis H:\MP3 Files\Classical
Piano & Orchestra 1803 Ferdinand of Music\BEETHOVEN\Beethoven
in C minor Prussia Piano Concertos
also see Gardi 5
38 Trio for Piano, 1802 - Johann A.
Clarinet or Violin, 1803 Schmidt
& Cello in E flat
major: after the
Septet Opus 20
39 1 Prelude for Piano or 1789
Organ in C major:
through the 12
major keys
39 2 Prelude for Piano or 1789
Organ in C major:
through the 12
major keys
40 Romance No. 1 for 1800 -
Violin & Orchestra 1802
in G major
41 Serenade for Piano 1803 Beethoven corrected & approved
& Flute in D major: the arrangement
after the Serenade
Opus 25; arranged
by Franz Xaver
Kleinheinz
42 Notturno for Piano 1803 -
& Viola in D major: 1804
after Opus 8;
arranged by Franz
Xaver Kleinheinz
43 Ballet Music and . 1800 - Princess ballet by Salvatore Viganò
overture: "Die 1801 Christiane
Geschöpfe des Lichnowsky
Prometheus" (The (née Thun)
Creatures of
Prometheus); also
arranged for piano
Hess 90
44 14 Variations for 1792 sketched in 1792; date of
Piano Trio in E flat composition unknown
major: on a theme
from Dittersdorf’s
"Das rote
Käppchen"
45 1 March for Piano 1803 Princess Maria

Duet in C major Esterházy
Duet in E flat major Esterházy
Duet in D major Esterházy
46 Song: "Adelaide"; 1794 - Friedrich von poem by Matthison
"Einsam wandelt 1795 Matthisson
dein Freund"
47 Sonata No. 9 for 1802 - Rodolphe original dedicatee was George
Piano & Violin in A 1803 Kreutzer Bridgetower
major: "Kreutzer -
Sonate"
48 1 Song: "Bitten" 1801 - Count Johann words: Christian Fürchtegott
(Prayer); "Gott, 1802 Georg Browne Gellert
deine Güte reicht so
weit"
48 2 Song: "Die Liebe 1801 - Count Johann words: Christian Fürchtegott
des Nächsten" 1802 Georg Browne Gellert
(Love of my
neighbor); "So
jemand spricht: Ich
liebe Gott!"
48 3 Song: "Vom Tode" 1801 - Count Johann words: Christian Fürchtegott
(Of Death); "Meine 1802 Georg Browne Gellert
Lebenszeit
verstreicht"
48 4 Song: "Die Ehre 1801 - Count Johann words: Christian Fürchtegott
Gottes aus der 1802 Georg Browne Gellert
Natur" (God’s
Glory told in
Nature); "Die
Himmel rühmen
des Ewigen Ehre"
48 5 Song: "Gottes 1801 - Count Johann words: Christian Fürchtegott
Macht und 1802 Georg Browne Gellert
Vorsehung" (God’s
Might and
Providence); "Gott
ist mein Leid!"
48 6 Song: "Bußlied" 1801 - Count Johann words: Christian Fürchtegott
(Song of 1802 Georg Browne Gellert
Repentance); "An
dir allein, an dir hab
ich gesündigt"
49 1 Easy Piano Sonata 1797
No. 19 in G minor
49 2 Easy Piano Sonata 1795 -
No. 20 in G major 1796
50 Romance No. 2 for 1798
Violin & Orchestra
in F major
51 1 Rondo for Piano in 1796 -
C major 1797
51 2 Rondo for Piano in 1798 Countess
G major Henriette
Lichnowsky
52 1 Song: "Urians Reise 1785 - words: Matthias Claudius; most
um die Welt"; 1793 of the songs were written in the
"Wenn jemand eine 1790s, but they were probably
Reise tut" revised shortly before publication
52 2 Song: "Feuerfarb’"; 1785 - words: Sophie Mereau; most of
"Ich weiß eine 1793 the songs were written in the
Farbe" 1790s, but they were probably
revised shortly before publication
52 3 Song: "Das 1785 - words: Ueltzen; most of the songs
Liedchen von der 1793 were written in the 1790s, but
Ruhe" (The Song of they were probably revised
Rest); "Im Arm der shortly before publication
Liebe ruht sich’s
wohl"
52 4 Song: "Maigesang 1785 - words: Goethe; most of the songs
(Mailied)" 1793 were written in the 1790s, but
(Maysong); "Wie they were probably revised
herrlich leuchtet shortly before publication
mir dir Natur"
52 5 Song: "Mollys 1785 - words: G A Bürger; most of the
Abschied"; "Lebe 1793 songs were written in the 1790s,
wohl, du Mann" but they were probably revised
shortly before publication
52 6 Song: "Die Liebe" 1785 - words: Lessing; most of the songs
(Love); "Ohne 1793 were written in the 1790s, but
Liebe lebe wer da they were probably revised
kann" shortly before publication
52 7 Song: "Marmotte"; 1785 - words: Goethe; most of the songs
"Ich komme schon 1793 were written in the 1790s, but
durch manches they were probably revised
Land" shortly before publication
52 8 Song: "Das 1785 - words: Bürger; most of the songs
Blümchen 1793 were written in the 1790s, but
Wunderhold"; "Es they were probably revised
blüht ein Blümchen shortly before publication
irgendwo"
53 Piano Sonata No. 1803 - Count
21 in C major: 1804 Ferdinand von
"Waldstein- Waldstein
Sonate"; "Aurora";
the "Andante
favori" WoO 57
was originally
intended to be this
work’s slow
movement
54 Piano Sonata No. 1804
22 in F major
55 Symphony No. 3 in 1803 Prince Napoleon Bonaparte was
E flat major: Ferdinand originally intended as dedicatee;
"Eroica" Lobkowitz finale uses theme from "Die
Geschöpfe des Prometheus" Opus
43
56 Concerto for Piano, . 1804 - Archduke
Violin, Cello & 1805 Rudolph of
Orchestra in C Austria
major:
"Tripelkonzert"
(Triple Concerto)
57 Piano Sonata No. 1804 - Count Anatol
23 in F minor: 1805 Brunsvik
"Appassionata"
58 Concerto No. 4 for 1804 - Archduke
Piano & Orchestra 1807 Rudolph of
in G major Austria
59 1 String Quartet No. 1806 Count Andreas
7 in F major: Kirillovich
"Rasumowsky- Razumovsky
Quartett"
(Razumovsky) #1
8 in E minor: Kirillovich
Quartett"
(Razumovsky) #2
9 in C major: Kirillovich
Quartett"
(Razumovsky) #3
60 Symphony No. 4 in 1806 Count Franz H:\MP3 Files\Classical Y
B flat major von Music\BEETHOVEN\Beethoven
Oppersdorff Symphony #04.mp3
61 Concerto for Violin 1806 Stephan von
& Orchestra in D Breuning
major: also
arranged as a piano
concerto (same
Opus)
61 Concerto for Piano 1807 Julie von new cadenzas composed for the
& Orchestra in D Breuning (née 1st & 3rd movements
major: after the Vering)
Violin Concerto
(same Opus)
62 Overture: 1807 Heinrich Collin words by H J Collin
"Coriolan"
63 Piano Trio in E flat
major: after the
string quintet Opus
4; arranged by
someone else,
possibly without
Beethoven’s
knowledge
64 Sonata for Piano &
Cello in E flat
major: after the
string trio Opus 3; ;
arranged by
someone else,
possibly without
Beethoven’s
knowledge, but
some authorities
believe it is
probably genuine
65 Scene & Aria: "Ah! 1796 words: Pietro Metastasio (Scene);
Perfido"; for Anon. (Aria)
soprano with
orchestra
66 12 Variations for 1796
Piano & Cello in F
major: on "Ein
Mädchen oder
Weibchen" from
Mozart’s
"Zauberflöte"
67 Symphony No. 5 in 1803 - Prince
C minor 1808 Lobkowitz and
Count
Rasumovsky
68 Symphony No. 6 in 1807 - Prince
F major: 1808 Lobkowitz and
"Pastorale" Count
(Pastoral) Rasumovsky
69 Sonata No. 3 for 1807 - Baron Ignaz "between tears & lamentation" -
Piano & Cello in A 1808 von LvB
major Gleichenstein
70 1 Piano Trio in D . 1808 Countess Anna
major: "Geister- Marie Erdödy
Trio" (Ghost)
70 2 Piano Trio in E flat . 1808 Countess Anna
major Marie Erdödy
71 Sextet for Clarinets, 1792 -
Horns & Bassoons 1796
in E flat major
72 Overture: "Leonore 1804 -
II" ; written for 1805
1805 version of
"Leonore"
72 1 Overture: "Leonore 1805 -
III", called Opus 1806
72a; written for
1806 version of
"Leonore"
72 2 Overture: "Fidelio" 1814
called Opus 72b
72 Opera: "Leonore, 1804 - Libretto: Joseph Sonnleithner
oder Der Triumph 1805 after Jean-Nicolas Bouilly
der ehelichen
Liebe" (Leonore, or
The Triumph of
Married Love);
1805 version of
"Fidelio"with
overture "Leonore
II"
72 Opera: "Leonore, 1805 - Libretto: Joseph Sonnleithner,
oder Der Triumph 1806 revised by Stephan von Breuning
der ehelichen
Liebe" (Leonore, or
The Triumph of
Married Love);
1806 version of
"Fidelio" with
overture "Leonore
III"
72 Opera: "Fidelio", 1814 Libretto: Joseph Sonnleithner &
Opera in 2 Acts, Georg Friedrich Treitschke (CD1)
with overture
"Fidelio"
73 Concerto No. 5 for 1808 - Archduke
Piano & Orchestra 1809 Rudolph of
in E flat major: Austria
"Emperor"
74 String Quartet No. 1809 Prince
10 in E flat major: Ferdinand
"Harfenquartett" Lobkowitz
(Harp)
75 1 Song: "Mignon" 1809 Princess words: Goethe
"Kennst du das Caroline Kinsky
Land"
75 2 Song: "Neue Liebe, 1809 Princess words: Goethe
neues Leben" (New Caroline Kinsky
love, new life);
"Herz, mein Herz,
was soll das
geben?" (2nd
setting); 1st setting
is WoO 127
75 3 Song: "Aus Goethes 1809 Princess words: Goethe; originally drafted
Faust" (Mephisto’s Caroline Kinsky c. 1792-3
Song of the Flea);
"Es war einmal ein
König"
75 4 Song: "Gretels 1809 Princess words: G A von Halem
Warnung"; "Mit Caroline Kinsky
Liebesblick und
Spiel"
75 5 Song: "An den 1809 Princess words: C L Reissig
fernen Geliebten"; Caroline Kinsky
"Einst wohnten
süsse Ruh’"
75 6 Song: "Der 1809 Princess words: Christian Ludwig Reissig
Zufriedene" (The Caroline Kinsky
Contented Man);
"Zwar schuf das
Glück hienieden"
76 6 Variations for 1809 Franz Oliva
Piano in D major:
on a original theme,
used again for "The
Ruins of Athens"
Opus 113
77 Fantasia for Piano 1809 Count Anatol
in G minor Brunsvik
78 Piano Sonata No. 1809 Therese
24 in F sharp major: Brunsvik
"À Thérèse"
79 Piano Sonata No. 1809
25 in G major
80 Fantasia for Piano, . 1808 - King words: Christoph Kuffner?
Chorus & Orchestra 1809 Maximilian
in C minor: Joseph of
"Chorfantasie" Bavaria
(Choral Fantasy)
81 1 Piano Sonata No. 1809 - Archduke
26 in E flat major: 1810 Rudolph of
"Les Adieux"; "Das Austria
Lebewohl,
Abwesenheit und
Wiedersehen";
called Opus 81a
81 2 Sextet for Horns, 1795
Violins, Viola &
Cello in E flat
major: called Opus
81b
82 1 Arietta: 1809 - words: Anonymous
"Hoffnung"; 1810
"Dimmi, ben mio,
che m’ami"
82 2 Arietta: "Liebes- 1809 - words: Pietro Metastasio
Klage"; "T’intendo, 1810
si, mio cor"
82 3 Arietta: "L’amante 1809 - words: Pietro Metastasio
impatiente (Stille 1810
Frage)", Arietta
buffa; "Che fa il
mio bene?"
82 4 Arietta: "L’amante 1809 - words: Pietro Metastasio
impatiente 1810
(Liebesungeduld)",
Arietta assai
seriosa; "Che fa il
mio bene?"
82 5 Duet: 1809 - words: Pietro Metastasio
"Lebensgenuß"; 1810
"Odi l’aura che
dolce sospira"
83 1 Song: "Wonne der 1810 Princess words: Goethe
Wehmut" (The joy Caroline Kinsky
of melancholy);
"Trocknet nicht,
Tränen der ewigen
Liebe!"
83 2 Song: "Sensucht" 1810 Princess words: Goethe
(Yearning); "Was Caroline Kinsky
zieht mir das Herz
so?"
83 3 Song: "Mit einem 1810 Princess
gemalten Band" Caroline Kinsky
(With a painted
ribbon); "Kleine
Blumen, kleine
Blätter streuen wir
mit leichter Hand"
84 Overture in F 1809 -
minor: "Egmont", 1810
Incidental Music to
Goethe’s Tragedy
84 Incidental Music 1809 -
for Solo Voice(s) & 1810
Orchestra:
"Egmont",
Incidental Music to
Goethe’s Tragedy
85 Oratorio: "Christus 1803 - written in 14 days; words: Franz
am Ölberge" (Christ 1804 Xaver Huber
on the Mount of
Olives)
86 Mass in C major 1807 Prince
Ferdinand
Kinsky
87 Trio for Oboes & 1794 -
English Horn in C 1795
major
88 Song: "Vita felice", 1803 from Loschenkohl
"Das Gluck der
Freundschaft
(Lebensglück)"
(The Joy of
Friendship) "Der
lebt ein Leben
wonniglich"
89 Polonaise for Piano 1814 Empress
in C major Elisabeth
Alexiewna of
Russia
90 Piano Sonata No. 1814 Count Moritz
27 in E minor Lichnowsky
91 Battle Symphony: 1813 Prince Regent
"Wellingtons Sieg, (later King)
oder die Schlacht George IV of
bei Vittoria" England
(Wellington’s
Victory, or the
Battle of Vittoria);
originally written
for panharmonikon,
Hess 108
92 Symphony No. 7 in 1811 - Count Moritz arrangements for piano (2 & 4
A major 1812 von Fries hands) and two pianos dedicated
to Elisabeth Alexiewna, Empress
of Russia
93 Symphony No. 8 in 1812 (none)
F major
94 Song: "An die . 1813 - words: Tiedge
Hoffnung" (To 1815
Hope); from
Tiedge’s "Urania"
(Ob ein Gott
sei?/Die du so gern)
(2nd setting); 1st
setting is Opus 32
95 String Quartet No. 1810 - Nikolaus
11 in F minor: 1811 Zmeskall
"Quartetto serioso"
96 Sonata No. 10 for 1812 Archduke
Piano & Violin in G Rudolph of
major Austria
97 Piano Trio in B flat 1810 - Archduke
major: "Erzherzogs- 1815 Rudolph of
Trio" (Archduke) Austria
98 1 Song Cycle: "An 1816 Prince words: A. Jeitteles
die ferne Geliebte" Ferdinand
(To the Distant Lobkowitz
Beloved), #1 of 6:
"Auf dem Hügel
sitz’ ich, spähend"
Beloved), #2 of 6:
"Wo die Bergen so
blau"
Beloved), #3 of 6:
"Leichte Segler in
den Höhen"
Beloved), #4 of 6:
"Diese Wolken in
den Höhen"
Beloved), #5 of 6:
"Es kehret der
Maien, es blühet die
Au"
Beloved), #6 of 6:
"Nimm sie hin
denn, diese Lieder"
99 Song: "Der Mann 1816 words: F A Kleinschmid
von Wort" (The
Man of his Word);
"Du sagtest,
Freund"
100 Song: 1815 from J B Rupprecht
"Merkenstein"; duo
(2nd setting); 1st
setting is WoO 144
101 Piano Sonata No. 1816 Baroness
28 in A major Dorothea von
Ertmann
102 1 Sonata No. 4 for 1815 Countess Anna
Piano & Cello in C Marie Erdödy
major
102 2 Sonata No. 5 for 1815 Countess Anna
Piano & Cello in D Marie Erdödy
major
103 Octet for Oboes, 1792 -
Clarinets, Horns & 1793
Bassoons in E flat
major: revised in
1796 as the String
Quintet Opus 4
104 String Quintet in C 1817 arranged by Kaufman, corrected
minor: after the by Beethoven
Piano Trio Opus 1
#3
105 1 Variations for Piano 1818 folk song setting: WoO 155 #3
& Flute or Violin in
G major: on a
Welsh air "The
Cottage Maid"; #1
of 6 Themes &
Variations
105 2 Variations for Piano 1818
C minor: on a
Scottish air "Von
edlem Geschlecht
war Shinken"; #2 of
6 Themes &
Variations
C major: on an
Austrian air "A
Schüssel und a
reindel ist all mein
Kuchelg’schirr"; #3
of 6 Themes &
Variations
105 4 Variations for Piano 1818 folk song setting: "Sad &
& Flute or Violin in Luckless was the Season", WoO
E flat major: on an 153 #6
Irish air "The Last
Rose of Summer";
#4 of 6 Themes &
Variations
E flat major: on an
Irish air "Chiling
O’Guiry": #5 of 6
Themes &
Variations
105 6 Variations for Piano 1818 folk song setting: "English Bulls;
& Flute or Violin in or, The Irishman in London",
D major: on an Irish WoO 152 #12
air "Paddy Whack";
#6 of 6 Themes &
Variations
106 Piano Sonata No. 1816 - Archduke "Here is something that will give
29 in B flat major: 1818 Rudolph of pianists some hard work when it
"Hammerklavier- Austria is played fifty years from now!" -
Sonate" LvB
107 1 Variations for Piano 1818 folk song setting: WoO 158a #5
E flat major: theme
& 4 variations on a
Tyrolian air "l bin a
Tiroler Bua"; #1 of
10 Themes &
Variations
107 2 Variations for Piano 1818 folk song setting: Op 108 #7
F major: theme & 4
variations on a
Scottish air "Bonnie
Laddie, Highland
Laddie"; #2 of 10
Themes &
Variations
G major: theme & 5
variations on a
Russian air; #3 of
10 Themes &
Variations
F major: theme & 4
variations on an
Irish air "St
Patrick’s Day"; #4
of 10 Themes &
Variations
F major: theme & 3
variations on a
Tyrolian air "A
Madel, ja a Madel":
#5 of 10 Themes &
Variations
E flat major: theme
& 4 variations on a
Welsh air "Merch
Megan", "Peggy’s
Daughter": #6 of 10
Themes &
Variations
A minor: theme & 6
variations on a
Russian air "Schöne
Minka"; #7 of 10
Themes &
Variations
D major: theme & 4
variations on a
Scottish air "O,
Mary at thy window
be"; #8 of 10
Themes &
Variations
E flat major: theme
& 5 variations on a
Scottish air "Oh,
Thou art the Lad of
my Heart"; #9 of 10
Themes &
Variations
G minor: theme & 5
variations on a
Scottish air "The
Highland Watch";
#10 of 10 Themes
& Variations
108 1 Folksong Setting: 1817 words: William Smyth
"Music, Love and
Wine"; "O let me
music hear, night
and day!" (Scottish)
108 2 Folksong Setting: 1818 words: Sir Walter Scott
"Sunset"; "The sun
upon the Weirdlaw
Hill" (Scottish)
"O sweet were the
hours" (Scottish)
"The Maid of Isla";
"O maid of Isla
from yon cliff"
(Scottish)
"The sweetest lad
was Jamie"
(Scottish)
108 6 Folksong Setting: 1815 words: William Brown
"Dim, dim is my
eye" (Scottish)
108 7 Folksong Setting: 1815 words: James Hogg
"Bonnie Laddie,
Highland Laddie";
"Where got ye that
siller moon"
(Scottish)
108 8 Folksong Setting: 1816 words: Robert Burns
"The lovely lass of
Inverness"
(Scottish)
"Behold, my Love";
"Behold my Love
how green the
groves" (Scottish)
"Sympathy"; "Why,
Julia, say, that
pensive mien?"
(Scottish)
"O! thou art the lad variations on this air: Op 107 #9
of my heart, Willy"
(Scottish)
108 12 Folksong Setting: 1816 words: Lord Byron
"O, had my fate
been join’d with
thine" (Scottish)
"Come fill, fill, my
good fellow!"
(English)
"O, how can I be
blithe and glad"
(Scottish)
108 15 Folksong Setting: 1816 words: Alexander Ballantyne
"O cruel was my
father" (Scottish)
"Could this ill
world have been
contriv’d"
(Scottish)
"O Mary, at thy
window be"
(Scottish)
"Enchantress,
farewell" (Scottish)
108 19 Folksong Setting: 1815 words: Joanna Baillie
"O swiftly glides
the bonny boat"
(Scottish)
108 20 Folksong Setting: 1813 words: Anne Grant
"Faithfu’ Johnie";
"When will you
come again"
(Scottish) (2nd
version); 1st
version is Hess 203
"Jeanie’s Distress";
"By William late
offended" (Scottish)
"The Highland
Watch"; "Old
Scotia, wake thy
mountain strain"
(Scottish)
108 23 Folksong Setting: 1818 words: Joanna Baillie
"The Shepherd’s
Song"; "The gowan
glitters on the
sward" (Scottish)
"Again, my Lyre,
yet once again"
(Scottish)
108 25 Folksong Setting: 1817 words: Henry Carey
"Sally in our
Alley"; "Of all the
girls that are so
smart" (Scottish)
109 Piano Sonata No. 1820 Maximiliane
30 in E major Brentano
110 Piano Sonata No. 1821 -
31 in A flat major 1822
111 Piano Sonata No. 1821 - Archduke English edition dedicated to
32 in C minor 1822 Rudolph of Antonie Brentano
Austria
112 Cantata: 1814 - Johann words: Goethe; sent to Goethe in
"Meeresstille & 1815 Wolfgang von 1822
glückliche Fahrt" Goethe
(Calm Sea &
Prosperous Voyage)
113 Overture: "Die 1811 music to Kotzebue’s festival play
Ruinen von Athen"
(The Ruins of
Athens)
113 Music for a drama 1811
for Orchestra,
Chorus & Solo
Voice(s): for
Kotzebue’s "Die
Ruinen von Athen"
(The Ruins of
Athens)
114 March for 1822 see Opus 113
Orchestra &
Chorus: for "Die
Weihe des Hauses";
1822 adaptation of
no. 6 from "Die
Ruinen von Athen"
115 Overture in C 1814 - Prince Anton
major: "Zur 1815 Heinrich
Namensfeier" Radziwill
(Name-Day)
116 Trio for Solo 1802 - words: Bettoni? Giovanni de
Voice(s) & 1814 Gamerra?
Orchestra:
"Tremate, empi,
tremate"; for
soprano, tenor, &
bass with orchestra
117 Overture in E flat 1811
major: "König
Stephan" (King
Stephen)
117 Music for a drama 1811
for Orchestra,
Chorus & Solo
Voice(s): music to
Kotzebue’s festival
play "König
Stephan oder
Ungarns erster
Wohhtäter" (King
Stephen or
Hungary’s First
Benefactor)
118 Choral Part-Song 1814 Baron Johann words: Ignaz Franz von Castelli?;
for Solo Voice(s) & Baptist von written to commemorate the third
Instrument(s): Pasqualati anniversary of the death of
"Elegischer Pasqualati’s wife
Gesang" (Elegiac
Song); for 4 Voices
with String Qrt or
Piano
119 1 Bagatelle for Piano 1820 - some pieces were started as early
in G minor: 1822 as c. 1794
Allegretto; #1 of 11
Bagatelles
in C major: 1822 as c. 1794
Andante con moto;
#2 of 11 Bagatelles
in D major: A 1822 as c. 1794
l’Allemande; #3 of
11 Bagatelles
in A major: 1822 as c. 1794
Andante cantabile;
#4 of 11 Bagatelles
in C minor: 1822 as c. 1794
Risoluto; #5 of 11
Bagatelles
in G major: 1822 as c. 1794
Andante-Allegretto;
#6 of 11 Bagatelles
in C major: Allegro, 1821 as c. 1794
ma non troppo; #7
of 11 Bagatelles
{Rezeichnung}
in C major: 1821 as c. 1794
Moderato cantabile;
#8 of 11 Bagatelles
in A major: Vivace 1821 as c. 1794
moderato; #9 of 11
Bagatelles
in A major: 1821 as c. 1794
Allegramente; #10
of 11 Bagatelles
in B flat major: 1821 as c. 1794
Andante, ma non
troppo; #11 of 11
Bagatelles
120 33 Variations for 1819 - Antonie
Piano in C major: 1823 Brentano
on a Waltz by
Diabelli
121 1 10 Variations for . 1803 -
Piano Trio in G 1816
major: on Wenzel
Müller’s song "Ich
bin der Schneider
Kakadu" (I’m
Cockatoo, the
Tailor) from "Die
Schwestern von
Prag"; called Opus
121a
121 2 Choral Part-Song . 1822 - poem by Friedrich von Matthison;
for Orchestra, 1824 5 arrangements over 30 yrs
Chorus & Solo
Voice(s):
"Opferlied"
(Sacrificial Song)
"Die Flamme
lodert"; called Opus
121b; 2 versions:
1822 & 1824, with
different scorings;
also see WoO 126
& Hess 91
122 Song: "Bundeslied" . 1822 - words: Goethe
(Song of 1824
Fellowship) for 2
solo voices, chorus
& wind
instruments; Hess
92 is a piano
accompaniment
version
123 Mass in D major: 1819 - Archduke
"Missa Solemnis" 1823 Rudolph of
Austria
124 Overture in C 1822 Prince Nikolas
major: "Die Weihe Borissovich
des Hauses" (The Galitzin
Consecration of the
House)
125 Symphony No. 9 in 1817 - King Friedrich
D minor: "Choral" 1824 Wilhelm III of
Prussia
126 1 Bagatelle for Piano 1824
in G major:
Andante con moto;
#1 of 6 Bagatelles
in G minor:
Allegro; #2 of 6
Bagatelles
in E flat major:
Andante; #3 of 6
Bagatelles
in B minor: Presto;
#4 of 6 Bagatelles
in G major: Quasi
allegretto; #5 of 6
Bagatelles
in E flat major:
Presto-andante; #6
of 6 Bagatelles
127 String Quartet No. 1822 - Prince Nikolas
12 in E flat major 1825 Borissovich
Galitzin
128 Arietta: "Der Kuß" 1798 - Words: C. F. Weiße
(The Kiss); "Ich var 1822
bei Chloen ganz
allein"
129 Rondo A Capriccio 1795
for Piano in G
major: "Die Wut
über den verloren
Groschen" (Rage
over a Lost Penny);
completed by an
unknown editor
(probably Diabelli)
13 in B flat major: 1826 Borissovich
String Quartet with Galitzin
Große Fuge
13 in B flat major: 1826 Borissovich
alternate finale for Galitzin
String Quartet #13,
Opus 130
131 String Quartet No. 1825 - Baron Joseph "stolen & gathered together from
14 in C sharp minor 1826 von Stutterheim various things here & there" -
LvB
15 in A minor 1825 Borissovich
Galitzin
133 Fugue for String 1825 - Archduke Sonata-fugue separated from Op
Quartet in B flat 1826 Rudolph of 130
major: "Große Austria
Fuge" (Great
Fugue)
134 Fugue for Piano . 1826 Archduke
Duet: Große Fuge Rudolph of
for Piano Four Austria
Hands, after Opus
133
135 String Quartet No. 1826 Johann composed w/o commission
16 in F major Nepomuk muß es sein? es muß sein!
Wolfmayer
136 Cantata: "Der 1814 words: Aloys Weissenbach
glorreiche
Augenblick" (The
Glorious Moment)
137 Fugue for String 1817
Quintet in D major
138 Overture in C 1807
major: "Leonore I"

There Are 138 Pieces of Music Composed by Beethoven and

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There Are 138 Pieces of Music Composed by Beethoven and

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There are 138 pieces of music composed by Beethoven and numbered by himself

or his publishers. These numbers are called Opus numbers.

45 1 March for Piano 1803 Princess Maria

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