Professional Documents
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DODHO
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Dodho Magazine is a free independent magazine and publishing house based in Barcelona.
We live, breathe and move by the passion that
awakes photography in all their ambits. Since its
launch in april of 2013, dodho.com has continued to be the fastest growing photography magazine, and currently has more than 500.000
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Dodho Magazine features the best of contemporary photography, bringing together diverse
bodies of work by established and emerging artists from around the globe.
MONOGRAPH
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monograph@dodho.com
Monographs dual mission is to exhibit and promote the work of talented artists and to provide
the public with an opportunity to see and learn
about contemporary photography in a more accessible milieu than that offered by website. The
Monographic focused on the presentation of
only one photographer and their work.
The Monograph project is committed to working
with galeries, agencies and other dealers to advance the careers of the artists we published.
LILITH
INTERVIEW
I am Henritte van Gasteren (Sevenum, 1964), using the artist name Lilith. Besides
being a mother of three children I am a storyteller with a passion for photography. Since
2006 my self-portraits have been telling my stories. My recurring themes have been
women, vulnerability, identity, female archetypes, gender bending and of course life itself. But above all freedom and equality.
As a child I dreamt about becoming a dancer: show ballet, classical ballet. Ive been
brought up in a very strict religious way and my parents wouldnt let me. They were
convinced the world of dance, of arts, is a dangerous one. It was hard for me to deal
with, because I was told I was talented and I loved to dance. As I grew older I managed
to live with this tough decision, because I understood my parents loved me that much
and therefore tried to protect me for all possible dangers. I also was fond of writing
and drawing, an alternative way to express myself.
In 2005 I started writing stories, which I published on internet. A good friend of mine
gave me a 2nd hand webcam. Then I found out I could tell stories with my face and
body as well. I never knew that before. I started creating illustrations (self-portraits) for
my stories using that webcam. From then on slowly my way of story-telling changed.
Body language suits me better than written words and nowadays my self-portraits are
telling my stories. Sometimes I write a little poem to illustrate a self-portrait, but its the
opposite now.
Thanks to photography I feel Ive become a dancer after all, since I am telling stories
using body language like a dancer does.
Life is my inspiration. My work is from a 1st person perspective but my story is not
only about me. Its about women. Its about people fighting for their identity. Being a
woman is not always easy in a world dominated by men. Being gay neither is, despite
being a man. Being black in a world dominated by white people isnt easy as well. And
so on. I recognize the struggle. Its also my intention to support the underdog with
performances falling somewhere between the real and apparent, my alter egos holding up a dead sharp mirror in front of women and men calling out societys ancient
convictions.I do admire Anton Corbijn, Guy Bourdin, Ellen von Unwerth, Helmut Newton for example.
I photograph using a Nikon D800 or D700, a tripod, Hhnel remote control. Sometimes
I use one studio light but prefer natural light.ve created humorous, ironic self-portraits
around my own home.
A house shows who we are and over 5 years I shared my home with my audience.
Every corner of the room appears in my photography. In 2012 the time for change had
come. For my latest series of self-portraits home owners unknown to me have offered
their houses as sets. After I contacted the newspapers dozens of house owners offered
their homes for my new self-portraits. I visited the houses, often without the presence
of the owner, their faith in me shown by giving me their house keys and carte blanche
to use the rooms as I wished. This series is called A house is not a home.
In both my life and my work I communicate with the things discovered around me so
in these new and strange sites the artistic possibilities explode with sometimes surprising results. My photography changed but still remained unmistakably Lilith
Since I am telling my story through my self-portraits I photograph myself how I feel that
day. It all has to do with emotions. I cannot make plans days in advance. When I enter
those strangers houses with a small basket filled with random props I am completely
blanc. I start to communicate with the environment, with the people who arent present
at that very moment. The thing that really surprised me is that even though those house
owners arent present, they still influence my work by the first impression I got from
them. (Most of the time I paid one visit to them to introduce myself.) That fact made
me wonder about freedom. Are we ever completely free or are we always taking account of others, of society and its rules, (un)knowingly?
That varies a lot. Sometimes the first shot during light measuring is usable and sometimes I need 30 or even 200 photos. It depends on what I am doing. I always need just
one photo of a certain situation.
Just follow your intuition, listen to your heart and be sincere in what you intend to show
the world. Stick to yourself. Being faithful to oneself makes you stronger and is a guarantee for honest work. Its all about emotions, the photography itself comes secondly.
Since I am a mother of three children theres never enough time to photograph. That
keeps me eager. So when I have a little time on my own I just start photographing.
Luckily I am always inspired. There is so much going on in this world, in my life.
A house shows who we are. But so does a circle of acquaintances, family members
and good friends. Thats why I recently started shooting self-portraits together with
all those people in my life. One or two persons in a self-portrait with me. They are
the most important person in every single picture and I am the bit player.
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ABOUT LILITH
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Liliths work has received critical and public acclaim. She has won several national and
international photography awards, including in 2014 the public choice award as well as
the 2nd jury prize in AVROs national photo contest for self-portraits. Her work is included
in numerous private and public collections including museum those of the Van Bommel
van Dam (Venlo Netherlands), museum Ikob (Eupen Belgium), Limburgs Museum (Venlo
Netherlands), Generali Insurance Company (Diemen Netherlands), Atrium Hospital (Heerlen Netherlands), Eduard Planting Fine Art Photographs (Amsterdam Netherlands)
and the Torch Gallery (Amsterdam Netherlands). In 2013, a book was published providing an overview of her self-portraits from 2006 till 2013, entitled, A house is not a
home.
Lilith uses self-portraits to provide a commentary on the image of women today. Recurring themes in her work include identity, gender roles, freedom, equality, religion and
the positive and negative aspects of human experience. Her work is sometimes humorous, often sensual, frequently confrontational, and always original and insightful.
Her portraits, especially those of religious themes, have met with some controversy. Her
self-portrait Father, forgive me for. was removed from an exhibition held in a former
seminary in 2011. That portrait was later published on the front page of a national newspaper, Sp!ts, which deplored censorship and restraints placed on artistic expression.
In 2012, Lilith made a photo documentary about Risja, a young woman suffering from
Lyme disease. In an honest and realistic manner, the pictures capture Risja's beauty,
her power and bravery, but also her moments of pain and sorrow. The photos have been
compiled in a book (Risja, a story by Lilith- This is bugging me) which was released
with a traveling exhibition in 2012. The benefits from the sale of the book are being provided to a new foundation, Stichting TeekOnMe, which supports research in the field of
Lyme disease.
Liliths home has served as the backdrop for the majority of her photographs. In 2012,
for the series: A house is not a home, Lilith invited home owners throughout the Netherlands to open their homes to her to use as settings for a series of self-portraits. Dozens of people invited Lilith to use their homes. In these borrowed homes, she was able
to work, in complete privacy, to combine her portraiture with a vision of home in the houses of friends and strangers.
Lilith currently resides and works in the Netherlands. She has prepared a series of blackand-white portraits using a cell-phone for exhibition in 2015 (Intrauterine) and is preparing a series of new projects for release in 2015/2016.
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