aweatss MARVEL COMICS GROUP. | lia: eT Ne seer rTaes ) WARR/OR OF Slam. Lee THE WORLDSH » ReEEU DES PEPRESSED ? SEEKING AWAY O/T? TAKE YOUR secretes PICK. THE 1990'S HAP MANY DIVERSIONS FOR YOUR NASHVILLE ENTE RTANMENT. OLE PLEASURE, BEYOND THE NATURAL TENNESSEE |i «AMUSEMENTS vou eT Fieee Ar BETH... AND EVEN OSUIGE ZOE Ws . Coes MAN INTO WEREWOLF! SPECTACULAR? PON'T BELIEVE (T? TRY THE MURAL IN 19H, YES, BUT i 2O19, TRANSFOR - ponies LIVE YOLIR OWN MATIONS ARE MUCH MORE BIZARRE...{ >. ADVENTURE. ne WHERE “Your ai ANP THE CHANGELING CONCEPT Ss ae IS NOT 4 SPECTATOR SPORT 3 ~. Se cS = Oe e ANY LONGER’ wi ie ~U see KILLFPAVEN ane & HIS FREEMEN are = TIREP ANP LOST ANP NOT OVERLY Con- ‘ CERNEP WITH THE HUSK THAT OF FERS HAVEN FOR THE MIGHT. MUST YOU BE 4S THEP LL. REGRET THAT oo TEMPERAMEN TAL OVERSIGHT. eeee ye cE OS EVERYONE ELSE = IN THIS GROUP? PON M°GREGOR | CRAIS RUSSELL | DAN GREEN) Dave AVE HUNT, LET TERER LEN WEIN A G., COLORIST WRITER ARTIST iINKER EPITOR AMAZING ADVENTURES, Starring KILLRAVEN' is published by MARVEL COMICS GROUP. OFFICE OF PUBLICATION: 575 Madison Avenue, New York, N.Y. 10022, Published Bi-monthly, Copyright (C}1975 by Marvel Comics Group, A Division of Cadence Industries Corporation, All rights reserved 575 Maclison Avenue, New York, N.¥. 10022. Vol. 1, No. 32, September, 1975 issue. Price 25¢ per copy in the U.S. and Canada, No similarity between any of the names, characters, persons and/or institutions in this magazine with any living or dead person or institution is intended, and any such similarity which may exist is purely coincidental. Printed in the United States of America.YOU'LL ADMIT. NY YOU EVER THINK ABOUT THE PAYS YEAH, g IT 1S AN WHEN /AAN HELP REIGN ON His AOME- CEILINGS MAPE INTRIGUING WORLP ANO CIP NOT HAVE TO - OUTTA MIRRORS. BUILPING...1 BATTLE FOR THE TITLE? . WONPER WHAT IT WAS BEFORE i ; YOu FORGET, .. YOU REALL THE MARTIANS A : Pic “EM. A E THE MARTIAN AT LEAST YOU HAVE SOME, \ OF LATE, I'VE YOU'VE GONE IT AGAIN! ng . ANC $0 HE HAD THE BOARD Mi. MEMBERS ALSO “Fe ~_>f WHISPERED "WHAT? HE SAY P™ 2 BENEATH HIS BOOTS. A WOMB CONSUREP BY §. INTRICACY. OWS Hid ALONG ITH iment? : ANP THERE IS MOTHING/ ANP THERE PULSING / IS EVERYTHING! CARRYING/ LIF TING/ HURTLING/OUTWARE/BEYONE/ WITHIN WITHOUT / AMPLIFIEP AWARENESS! GLORIFIEP tothe a = ee hae MILLRAVEN I§ AT THE PIRECT CENTER OF TOUCHES IT... HIS FOR- GOTTEN PAST... ANP HIS PESTINY/A flute mourning the death of galaxies, Chase it, Killraven! Reach for the note...or is it too distant? Do you sense it? Your identity is locked within the metlody...but you don’t know the /yrics,..and can’t quite fathom the tune! Entering/absorbing/ absorbed / encased/ entombed/ thoughts and words and ideas fleshed into tangible shapes /touch the leadership cube/peer into its prisms within prisms/stand on the surface of its endless depths/a sliver of bravery slices past mangled fingers/a drum sounding military cadence/ march to the beat/in step, in step/another war/another army. Another mind,. apart, asks: “Which war? Not this war of worlds, but men against men in hideous forays, killing their own species!” A war he has never lived through or taken active part in, but his visions of it are intimate like one who has stood on the frontline of the battle. A racial memory! _.- Run it through, run it on down. The scale is the alphabet for expression! A mind, apart, asks: A /anguage that comes from where? Rip it out,., jazz musicians blurred in the smoke...smoke gets in your eyes...it stays in your hair...hit that note, Jack,.. spiraling upward,,, plunging downward! Think you can hit it? That pure note? That purest sound? A mind, apart, thinks; This is the past of Mibrary books. A past yellowing on crumbling pages and left in a_ few memories, Uncomprehended revelations / communication without words/ flying higher than /ow chariots/immense responsibility beckons behind a deceptive veil/responsibility so vast that he nearly shrinks away from it. A mind, apart, realizes: It is part of the future. Future and past, a// pasts, A/s pasts, dhe/r pasts. And though he does not understand, he knows...all are linked!NEVER HEARP iN HIS YOUTH. TENORS iG MERRY MEL SIMPLE AND CHARMING. HE LOOKS FOR THE E, HIS HAND REACH ING FOR THE HILT OF His SWoRD/ HEY, MR.OLP SKULL HEY, WHATCHA PoIN'? . MR, OLP SKULL _ HEY WHATCHA Say'IN’ , AIN'T THIS A RIOUS MORN FOR SAY SAYIN’ MORNIN’? KILLRAVEN LAUGHS. iT iS A PEEP LALIGH THAT BESPEAKS OF CARING, ANP FOR 4 MOMENT HIS WARRIOR'S EYES PONOT PE FLECT THE Pain ale SLIiMPsSe >VERCING BLAPES WITH VULNERAGLE EYE." |, MNSHLILLA STANDS : MIREP In MA as is GORE... A WAGNER- IAN AMLISIC PRAMA K\) COMPRISED OF GO AHEAD, EMBELLISH YOuR SsIT HAS GEEN A LOOMS TIME SINCE SUCH QUIET MOMENTS... ANP SUDDENLY VIVIPLY SHARE HE REMEMBERS THE LAST TIME HE STOOP THUS. THE MORNING BEFORE HE STROPE THE PESERT, RACING TO NOWHERE HORIZONS, ONLY TO ENP AT HIS FAMILY'S HOGAN ANP THEIR LAST RECKONING! THAT'S QUITE A BATTLE You WAGED, MUC-BROTHER. ARE YOu SURE YOU DON'T NEED ANY HELP? —, LOOKS LIKE HE COULP STAY HERE FOREVER. WHAT'S HE SMILIN’ AT-- MUP. BROTHER... 1 \ PON’'T THINK You'? oars ME IF I TOLP voTHEY BANE BEHING KILL RAVEN, THEM ACROSS THE PERCEPTION Alc, His FREEMEN! THEY HAVE FOLLOWED HIM wis rT... INP “GuEsT CONGUER THE a. MARTIANS... THEY ARE AN IMPLACABLE BEGINNING / Renae: A at leek Hi Ce AE CANNOT PECIPHER His Dwi IN- WARP PROGE...HIS PAST UNEAR THEP ARTIFACTS TOO RPECENTLY EXHUMED TO BE COMPLETELY UNPEPSTOOP IN HERE ALL NIGHT, ARE You? / |a THE SMELL OF A WORSHIPPERS (MPERMANENT fee, DON'T ATTENL FLESH CARRIES ha ek THE INCENSE ey (Par ee | 1 OF MORTALITY PAYS. PEA ON THE WINE --ANP THE GOUGEP CAVITY’ PLUNGEP INTO ' WMASTER COMPLITER THE CENTER OF HIS HEAD S&S Z OVERSEER 77 4 CIRCUITRY CONNECT LIKE A RIPE WouND = ze $§ LINKAGE COMMENCES? PULSES WITH ee of Ss ANALYSIS ANP CYCLOPEAN ae. Sh o PROGRESS OF SCRUTING co 6~XAGENT SKAR = a TO HIGH ae OVERLORD *" Lee _— —_— = THE LAST 20 eee CHECUIT IN THE ee e_ HIVE LOCATE BD ATALON ANP THE OVERSEER COMMLUNI- >=, C CO SACRIFICER. IT IS CATOR IS JOINER ANP a SKAR ANP THE HIGH OVERLORP APE MIND-LINKER HIS FREEMEN ANP ON THAT THEY WERE Us, RESPONSIBLE FOR THE BIRTHY ao Ureace THEM | st arTER POWN, SKARG? | SLAUGHTER KiLL- RAVEN ANP EACH OF HIS. FOLLOWERS, I'LL BRING BACK A PIECE OF EACH OF THEM FOR MEMENTOES $! : ww 1 o ash A 1}? TERMINATE | LINKAGES | iiTHIS NEEP OF MINE |S CHILP/ISH OR BETTER SUITEP For MOON- SiCK LOVERS. WATCH OUT ; YOU PAMN-FOOL CREATURE.’ THAT MANE OF YouRS | J i ISN'T MAPE OUT OF /\ FEATHERS. A , wns i {1 COULP GET yooF "k USEP TO IT. NOW...UH... WHERE WAS 1? SEEK OUT OTHER HUMANS... BANP THEM TOGETHER BEFORE WE MOVE ON-- je 7 A) SINCE WHEN... i> FEBRUARY >? MARCH? fi ~ ib EVER?-. ONE CaN DFFORP THAT. OLY SKULL, ,A HE LIKES TO LAUGH. WHAT GNVAMWS AT YOU, HAWK? THERE'S NOT AONE OF US HERE WHO HASN'T HAP TO FIGHT FoR AT LEAST SUPVIVAL.,.. NOT A ONE WHO ; HE HAS HASN’T BEEN LEFT A BITTER SS MORE THAN TASTE BY THE MARTIANS ONE. ATTACK--ee ae aa ed oe ee oT KNOW WHAT GAAMAS AT ME, KILLPAYE)) WEIKE GONE AYTHOLUT TELLING §~ OP THREE YEARS, oN a (ot A ae a on Ml nd Od THE ORIGINAL FREEME? AT STATEN ISLANE, ale me a LLY” ie ee as Cr ee ey ae ee) ee Like ic. € f ea TREATIES, ,.. Thi rd ey are ia ee ay CE“7 SUPPOSE OUR ARGUMENTS WERE AS PAINFUL TO HI AS THEY WERE TO ME, BUT IT HAS TAMEN ME OVER TWENTY YEARS TO GIVE Hi THAT DUE.” WHAT PO YOU THINK YOU'RE OF ENCHANTMENT POES NOT MAKE YOU FIRST THEY USEP OUR PEOPLE WITH WHISKEY... NOW WITH THIS HELLISH MONSTER ¥ i YOUR SENSES, FATHER, THEY CALL A TOY} HAVE YOU TAKEN _ LEAVE oF YouURS? HOW ABOUT RESPECT? AVE YOU NO CONCERN FOR THE RESERVATION ih YOUR LOSS OF PIGNITY? ANP OUR HOGAN WALK INTO 4 STORE WITH Ea FORGET...I | ENJOY THESE OUR FIGHT IS REAL, THIS HOPIAH TWIST WAS MEVE, REAL/ a HE’S NOT REAL IN & FANTASY yy ae ew. NOW HE'S A| |WASTELAND..NEVER iA RACIST. YOU CAN'T! | COMING OUT INTO HAVE IT BOTH Way's, SON. SIT La i ® AND HE's AY How aBouT \ faut wHy woutr ||“aecause [PR , MACIST,“ / THAT. FIRST, YOU WANT TO MIPE ae ARE |e) ty A I'LL TELL YouLISTEN TO ME, =A JEA . THIS MAN'S ROAT WAS Selear CAN I KNOW; THAT BEFORE 'T ee HAPPENS? NOW, SHHS LISTEN... TO ME... — a) “BUT IT'S V OBSERVATION ISTHE MEY \ | Au, SON, FEEL THAT AMIST. 17 SOS 1 | SEAVONS, THERE AREN | ONE TO THE MARROW. i" \ SCRATCHES - HE: ON THIS MAN! me fey ps Ware Inga ATTACK! ‘i “ E ALSO, THE TRACKS ARE AMA- ALL WOULD , Mee) \TEL/RISH IN EXECUTION, THE IM- NOT BE $0 1 TPRESSIONS IN THE EARTH PIFFER ¢ ° FROM IMPRINT TO IMPRINT. WITH SUCH A PE- IT IS SAFE HE... HE COULDN'T ?“WHAT BRIGLY PEMON /S THIS, ROM HELL /TSELF 2 “FATHER EA BIT oR. THAN I BAR- WATEL Ours iT" 's GAINEP ON ENCOLIN TERING tA ‘T'S SO INEREPI@LY... REAL. EVEN THE MOST “ PEC. LiaR, BUT THE Pie. “DIPN'T I SAY THAT LINE?. ERS RIPPED On YELLOWISH TEETH... OR? WAS IT ONLY THE CHARACTER... CONRAD JEAVONS... bh LY REP HAIR, i] AND HiS FIMAL WORPS WERE: PIPN’T ed rr a I TELL YOU THIS WAS XJ ONE HELLUYA A WAS MY FEAR 41» SHOWS", < PART OF THE iN peat SCRIPT...OR MY ea OWN ACTIONS? pf wi , a 7 (a SX Sa ee? “WE'RE ( FREE lL NEVER COULP DETERMINE BUT IT WAS THE i) \ CAST TIME WE. (J~ EVER TALKED-- : | WATCH HERKIMER’ E CAN THW/AL A BALL ON HIS MOSE FOR HOURS/ Y HE'S RUNNIN’ THIS ONE INTA THE GROUNe. Y THROGMOIP... T'S \ (OLD SKULL, HE'S | PRAGON BREATH THAT FRU/TCAKE IN TROUBLE! APLAY'S ON THE Back WITH THE NATURAL OF OLP SKLLL‘S IRRY, NECK. THE Tiny ~~ WORM SCAMPERS WX : POWN HIS NECK. HE BUT IT = PROTECT HIMSELF!THE PRAGON SPEWS FLAME “ANP THE FLAME HURTS! FROM ITS NOSTRILS-- IT BLISTERS OLD SKLULL'S = . FLESH WHILE THE NOSTRILS SMOULPER LIKE CAULPRONS THREATENING TO OVERFLOW,’ Sg i Grr POAT WORRY, OL? SKULL I'M COMING! ea a 3 My THOLOGICAL FLAMES SEAR REALITY AS HE LEAPS. IS THI THE TIME... HE 1S TOO LATEmy, THE CREATURES EYES BLAZE mm. A MALEVOLENT YELLOM /TS a i, ATL am STYLIZER RAZORS SEEKING THE PRAGON BELLOWS BLT! i? HAS NOT EVEN FELT THE STEEL SEVERING (TS||ON HINE x: (a Se, 1 G = Seo VAL 2 ie Po ee et OULPN' T E WHAT YOu WERE FIGHTIN’... “1 BUT You SEEMEP TO E ON TH LOSIN’ ENP. TOOK A CHANCE AN PUSHE? THIS j GF -and that's the reality ver of it- .. WHE 25 TA