({euondo) aucydesain uolssnaiag Aueyxny redwing ny suing redwing PE seg yeduinay 4g puz ouelg veduuruy 49 381 4eyng, ‘auoydoxes auoqueg 43 pio. seun5 ‘auoydoxes oval NOLMINGWAULSNI STTVYOW NI4I Aq pabuosiy AAI NYH yseidiymNOTES TO THE CONDUCTOR sed by Henry J. (Hank) Levy (1927-2001) and was the opening cut on the trumpeter/ lis version and the Alfred Publishing Co/Bel jening at wwnw. alfred.com/downloads. jinal composition alsc featured 14/8 but | simplified it in this arrange- 1urposes. Most of the chart follows the eighth note subdivision of [2+2+242+3+3] or 2/4 + 2/4 + 6/8 \e eighth note remaining constant. | recommend rehearsing this chart at a slower tempo and gradually the band becomes more comfortable. +his chart—pay attention to the staccatos. For the solos, there is only one chord change, to focus on solo development. The solo sts should pace themselves, build and catch the ts to relax and be free to express! sat measure 85 where the char \troduces mixed eighth note subdivisions. The changes in subdivisions are he score and farts to simplify the learning process. In e ge band which included strings and a French horn. it about conducting, try to avoid a symphonic approach by attempting to conduct each beat; instead. strive to ythm pattern as youconduct. The simpler, the better! voks harder than its te play. You and the band will discover that after some time spent in these time signatures, logical and flow quite well.The following isan easy exercise to try with the entire ensemble, Have 2veryone st eighth note of every subdivided beat beginning with the primary pattern of [2+2+24243431, Then, once for the band, ‘epeat the exercise with the other subdivisions begi this until ly execute the axercise comfortably as an ensemble. By doing this exercise the players will gain a better ve music. at measure 85. —Erik Morales Erik Morales Erik Morales began his compos- ing career shortly after graduation from high school in south Florida. He studied composition at Florida University of Louisiana at Lafayette. Accessible at all levels, the music of Erik Morales ras a unique melod- ic and harmonic vocabulary that appeals to audiences worldwide. His published works encompass @ large variety of styles and settings, including works for concert, oches- tral, jazz and chamber ensembles and have been part of featured performances across the globe. 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