The document analyzes Yiruma's piece "River Flows in You" in relation to musical concepts. It discusses the piece's 4/4 time signature and changing tempo used to portray emotion. It notes the piece is homophonic with a sparse texture except in section B. The melody is played softly in the right hand while the left hand plays a heavy, resonating bass ostinato. Dynamics and techniques like pauses are used gradually or suddenly to portray emotion. The piece is in A major and uses conjunct intervals and legato articulation to create a smooth, flowing sound. It has five distinct sections that repeat with variation, and an overarching theme provides foundation for the sound to develop around.
The document analyzes Yiruma's piece "River Flows in You" in relation to musical concepts. It discusses the piece's 4/4 time signature and changing tempo used to portray emotion. It notes the piece is homophonic with a sparse texture except in section B. The melody is played softly in the right hand while the left hand plays a heavy, resonating bass ostinato. Dynamics and techniques like pauses are used gradually or suddenly to portray emotion. The piece is in A major and uses conjunct intervals and legato articulation to create a smooth, flowing sound. It has five distinct sections that repeat with variation, and an overarching theme provides foundation for the sound to develop around.
The document analyzes Yiruma's piece "River Flows in You" in relation to musical concepts. It discusses the piece's 4/4 time signature and changing tempo used to portray emotion. It notes the piece is homophonic with a sparse texture except in section B. The melody is played softly in the right hand while the left hand plays a heavy, resonating bass ostinato. Dynamics and techniques like pauses are used gradually or suddenly to portray emotion. The piece is in A major and uses conjunct intervals and legato articulation to create a smooth, flowing sound. It has five distinct sections that repeat with variation, and an overarching theme provides foundation for the sound to develop around.
FOCUS QUESTION: Analyse the piece River Flows in You by
Yiruma in relation to the concepts of music. Duration -
4/4 time signature (4 crotchets in a bar)
Tempo is changing throughout the piece (to portray emotion) Example (EXAMPLE Start of chorus to octave drop) The speech change shows emotion. Slow is sad, fast is excited and happy. Starts with rubato, an adjustment of tempo for expressive purposes (EXAMPLE intro). Gives more natural sound Throughout the entire piece, ostinato is used, with parts being slightly modified (EXAMPLE B right hand) A consistent ostinato is the bass (EXAMPLE left hand progression). It acts as a foundation for the other sounds to revolve around. It also assists in making the division between sections more obvious.
Texture -
Is a homophonic piece, melody and accompaniment.
Generally sparse in activity except B. (EXAMPLE chorus) The right hand plays the melody while the left hand plays the bass, both played quite differently, with the melody being soft and light, and the bass heavy and resonating (EXAMPLE intro and B), creating contrast Dynamics and Expressive Techniques - Volume fluctuations are generally gradual (EXAMPLE A) however; some are quite sudden (EXAMPLE intro). - Also portray emotion, with loud representing determined while soft represents a more withdrawed, relaxed mood. - Pauses and mordents within (EXAMPLE intro, A, B). - Increases tension created by the contrast. - Legato is used to create a smooth flowing sound that expresses the emotion of the piece. Helps elicit emotion Pitch - A major, conjunct intervals (small steps) (EXAMPLE A) - Regular, predictable. - Left hand, ostinato bass primarily same. Right hand is in the mid/upper register. - Piece climaxes in B, where the pitch is the highest. (EXAMPLE B) After the climax, the pitch generally gets lower. (EXAMPLE A2) Tone Colour - Sound is hollow, acoustic and resonant as written for piano - Legato gives a smooth, emotional feeling. The role of the sound is melodic, and is created through articulation and dynamics (EXAMPLE A). - This articulation creates a warm, flowing, resonant sound through its smooth, flowing playing style. - In addition, it also shows the similarities between sections, as a similar style is used (EXAMPLE intro/A). Structure - 5 distinct sections intro, A, B, C and coda/ending. - A and B are repeated multiple times with slight variations and development (EXAMPLE B, with and without mordent). - The theme is introduced in A (EXAMPLE A)
MIGUEL RAMIREZ
VIVA VOCE -
Having this overarching theme works similarly to the ostinato
bass, in that it provides a foundation where the sound develops around. This is to highlight changes and variations in the piece.