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as a
Decadence
of History
Theory
Neville Morley
The
one's
Thomas
The
of decadence,
concept
a culture
is closely
criticism,
on
It rests
change.
also
of
when
present
impotence.
436
Doctor Faustus,
Mann,
to a society or
applied
as a term
used
to ideas of temporality
related
sense
when
especially
cases
in many
but
difference
between
of
aesthetic
and historical
and
past
it,
of
and
present,
that we
character.
are
modern
partly
culture
or
has
This
this
lateness,
features
developed
from
drawn
is seen
narrative
to be
applied
Spengler's
its particular
that,
is
particular
partly
usually
explains
why
contrast
and
through
are identified
treated
as "decadent."
as a
narrative
grand
us
tells
present
by-product
of
history.
cycle
view
of
the
offered
cyclical:
repetitiveness?Vico's
barism,
to
this following-on,
"decadence"
discussions,
conclusion
the explanation
when
through
a
in itself
"Decadence"
late; and
In historical
of
becomes
phases,
and
that
"eras,
and
cultures
rise
and
fall.
are
ever
barbarism-heroicism-classicism-bar
epochs,
situations,
persons
historical
development.2
Societies
and
cultures
are
seen
as
natural
seasonal
objects following
rhythms of nature, or as
same life courses
to
as
entities
the
higher-order
biological
subject
individual animals;
inevitably, therefore,
they pass through
twilight as
as well as spring, and
well as dawn, autumn
of decline
and
periods
as well as periods of growth and maturity.
decadence
"Let the words
the diurnal
and
574
NEW
youth,
growth,
maturity,
and
decay?hitherto,
used
tions
of
of
an
that
believing
organic
place,
as the inevitable
in
metaphor?or,
ever,
case
the
consequence
of
of
Spengler,
were
and "Modern Civilization"
literally
it is not quite this straightforward.
In the first
However,
sense
the
than
"the Classical"
entities.
organic
more
idea of decadence
adopting
today
HISTORY
states."3
organic
The
LITERARY
of
lateness
and
decline
comes
if not
that
such
pervades
narratives
at making
first,
always
inspires the attempt
we
to
confirm
that
be
this
More
way.
History
ought
feeling
importantly,
on a single theory of
the idea of decadence
is not dependent
history for
its intellectual underpinning,
and it is not necessarily
tied to the organic
often
it does
metaphor?though
and
the
"natural."
unvarying
organic
seen
as
alternative
writers
where
point
that.
the
conceivable?although
as to what
will,
or
so far
been
using
the
of
when
should,
and
terms
of
a
imply
its
nature
single,
itself; itmay
or
begins
enough
is little
neces
instead be
endings,
the future
take
ideas
does
possible
weakens
present
course
of
there
I. Decadence
I have
even
"Decadence"
range
the moment
It marks
the
terminus,
not
does
a cycle repeats
before
stage
to
connection
concept
to demand
penultimate
reach,
among
all,
the
as a beginning.
within
the
towards a specified
seems
metaphor
a close
retain
Above
trajectory
sarily mark
and
even
to come
to make
an
agreement
place.
Decline
"decadence"
and
"decline"
almost
to be related but
the two terms are considered
Usually,
interchangeably.
on
one
in
the face of it, only
is generally
acceptable
quite distinct; and,
iden
An
survey
bibliographical
admittedly
unsystematic
historiography.
tified
twenty-three
entries
concerned
with
"decadence"
and
"history,"
all
or exclusively
as an aesthetic
decadence
primarily
above all on the late nineteenth
term, focusing
century. A search for
146 items: objects
"decline" and "history," on the other hand, produced
as
the
Roman
in
decline
include
Britain,
Empire, Roman
perceived
of which
dealt with
the Hapsburg
Sicily, medieval
Grimsby,
Empire, medieval
towns, the Liberal party (indeed, virtually every book on the
Liberal party seems to take "decline" as its organizing
theme), British
and
the
Bristol
music
hall.
To this list can
British
the
economy,
industry,
is not a historio
Decline inHistory, which
be added J. K.J. Thompson's
use of the concept but a synthetic work that takes
study of the
graphical
the idea of "decline" entirely for granted as a transhistorical
reality and
Roman
towns,
medieval
AS A THEORY
DECADENCE
575
OF HISTORY
seeks to establish
its typology. We may
a term used by professional
historians
studies
the
adopt
an
almost
and
separate
quite
label
obsession.
usage.
acceptable
The
latter
point
themselves;
The
clear
easily
is
separable,
except where
"decline," on
is that
implication
and
that
two
the
are
concepts
is
simply
"decadence"
as a rhetorical
true?but
clearly
that "decadence"
is not
the objects of their
the other hand,
is
conclude
convention
not
rather
than a methodological
it is a word one does not use, rather
premise;
than a set of ideas that one does not employ. Moreover,
like many of the
of historical writing,
conventions
the rule is unwritten;
internalized
by
the historian
rather than imposed, absorbed
the
imitation of
through
rather than taught.4 Various works on histori
accepted historical models
cal theory include discussions
about the identification
of "progress" or
"decline" in history. For the most part they reject such
metaphysical
the notion
that what
"[s]uch sweeping surveys, embodying
speculation:
was
attract
to
bound
their
happened
happen,
by
simplicity but are
historians
undermined
the
habits
of caution and
among good
readily
by
are
in
which
E.
H.
trained."5
in
who
believed
Carr,
particular
study
they
the reality of historical progress, dismissed Toynbee's
as
cyclical history
"the characteristic
ideology of a society in decline," while A. L. Rowse
characterized
account as "utterly tendentious
and inspired by
Spengler's
the gloomy genius of German
Because
the
Germans were
Schadenfreude.
Western
defeated,
is to be
civilisation
as
regarded
"decadence";
historians'
"decadence"
Firstly,
professional
reality,
may
historiography
Its aim
is to
nonfigurative.7
courses?or,
be
only
clearly
too
be
obviously
is realism:
differentiated
rather,
to
a true,
produce
from
the
produce
of
the
The
appearance
other
of
of
the
rhetoric
nonliterary,
of past
dis
competing
such
of
basis
without
thought,
unadorned,
plain,
literal
representation
or
of
concept
the rejection
metaphorical.
fiction
end."6
the
on
imagined,
habitual
behavior
and patterns
of substantiating
these hypotheses.
possibility
of
can
motives
to an
coming
More
literal
true,
Historical
is not in fact transparent
or free
representation.
language
from figures and metaphors;
it is simply that they tend to be "dead,"
as such?birth,
figures of speech that are not immediately
recognized
evolution,
maturity,
decline.
development,
Perhaps
"decadence"
is insuf
in comparison,
still too obviously
ficiently moribund
literary, not least
because of its specific association with figures
like J.-K. Huysmans
and
Oscar Wilde. That does not of course make
"decline" a less figurative
term
of
Perhaps
analysis.
because
of
their
anxieties,
historians
subconscious
of decline
expend
or
not,
considerable
about
effort
the
in
576
NEW
trying
to establish
apparently,
authoritative
the
its historical
be measured,
most
reality. Decline
demonstrated,
language
science;
of
example
in
an
that can,
in
and
graphs
book
Thompson's
such
HISTORY
is something
expressed
of physical
comprehensive
LITERARY
the
is simply
Decadence
approach.
on a different model
and subjective; it depends
of
are
of
the
medical
surface
which
taken
symptoms
knowledge,
diagnosis
an underlying
condition.
It assumes that a society or
together to indicate
appears more
culture
is
elusive
an
interconnected
in which
whole
certain
parts?artistic
orientation,
(as in Spengler's
thought
of
and
and
quantum
theory
relativity)?reflect
idiosyncratic
reading
reveal its true state.8 But so, implicitly, does "decline," as historians move
a bewildering
attributes
range of more or less measurable
rapidly from
technique,
forms
spiritual
food
shortages,
literacy levels, territorial
levels of overseas
trade, and population
returns,
(declining marginal
and political
fragmentation,
to more
decline)
of
The
subjective?conclusions.
general?and
of
history
a decline
in the number
of
offers a good
late antiquity
example:
elite
benefac
recording urban building projects funded by
inscriptions
in urban building
tion is taken to indicate a decline
activity, which
in either the wealth or the civic pride, or both, of
indicates a decline
social malaise.9 Each of
in turn indicates a general
urban elites, which
steps can be disputed; but what matters here is the
interpretative
to that of decadence,
of the
exactly parallel
assumption,
underlying
those
"microcosm"
the
(and
reflecting
chance
The
the whole.
of
particular
on measurement
survival
emphasis
of
types
and
evidence)
is
"tangibility"
both
the
a
as
"Decadence"
past.
of
way
pejorative
the
describing
can
antonym
all-purpose
sort
any
of
change?but
seen
be
readily
so too
as
"decline."
"in
that, in R. G. Collingwood's
phrase,
long been recognized
are no mere phenomena
as
there
of
it
decay:
actually happens
history
failures
is also a rise, and it is only the historian's personal
every decline
or sympathy that prevent him from seeing this double
of knowledge
It has
character,
at
once
and
creative
of
destructive,
any
historical
process."10
and
a matter
decline
decay,
of
of choice
and
these
transition:
rather
presentation
are
than
loaded
equally
"objective
reality."
to a "grand narrative" of
is closely connected
like decline,
Decadence,
are objects of
like
and
historical
metaphors,
grand narratives,
change,
most
to
their
unavoidable
and
historians,
despite
anxiety
suspicion
dependence
on
them
as
a means
of
making
sense
of
the
past.11
The
AS A THEORY
underlying
aim of history
coherence
in
not
but
events
too much
577
OF HISTORY
DECADENCE
than
rather
order
a certain
is to discern
and
level of order
contingency?
to
tend
emphasize
Historians
coherence.
and
and
randomness
pure
to
wish
tell
or
are
to
conditioned
expect,
given
set
particular
of
about
past.
This
finally
the
provide
on
grounds
historians
which
another.
concept
of
or
"transition,"
of the concepts,
which
one
rather
select
minded
story
historians
help
than
the authorita
the majority
work?though
have long since abandoned
"late
as a
antiquity"
its own
in
period
of
the
right?and
apparently has not been irrevocably tainted by the example
to choose between
it seems difficult
of Spengler. Otherwise
the two
terms:
equally
and political
baggage
even
when
of
value-laden,
purposes.
"decadence"
open
to be
that
replicating
precisely
equally
It seems
persuades
the
decadence
for
exploitation
simply
the
to
historians
employ
moves
and
interpretative
polemical
literary and
artistic
"decline"
assump
of decay.
II. Historicizing:
Both
to
and decline
its location
Past,
Present,
and
are historicizing
in relation to other
Future
concepts;
a society's
and societies
temporal context,
periods
and within a grander narrative of historical development,
is taken
a clear indication
and a sufficient
of
its
condition
explanation
prospects.14
"decadence"
The words
carries
refer backwards?as
certain
"previousness"?but
Richard
Gilman
to more
to be
and
suggested,
than
one
578
LITERARY
NEW
difference
between
morals,
and
past
or
sense,
religious
or
mentality,
Hesiod
present
age
of
iron,
violence,
characterized
in culture,
identified
lumped
an
in
together
and
from
estrangement
by
toil,
Rome
all
interrelated
the necessity
of
and Augustan
whether
present,
HISTORY
the
gods,
the brevity
looked back
of human
life. Late
to the virtuous
early
pagans like Libanius
Fourth-century
Constantine.
Later historians
have
in antiquity
the
(classical Greece,
Republican
Republic: heroic, frugal, preimperial.
looked back to the period before
identified
still more Golden Ages,
of
the
Hellenistic
and later
cities, and the age of the Antonines)
apogee
the France of Louis XIV, and
(Golden Age Spain, Elizabethan
England,
the early American
is highly
The approach
among many).
Republic,
and any
flexible, since any period can be elevated as ideal or normative,
from
change
state
that
can
be
as decline?as
figured
can
the
absence
of
change. Of course it
back in time, to show
to the glories of the
sown by the second
Nietzsche,
themselves
were
to be capable of declining.16
the terms look back to an analogous
stage. The past offers
Secondly,
not only the image of the ideal, but also an idea of what it is to be in
a set of
decline. The concept
of decadence
is based on a pathology,
drawn
from
earlier
symptoms,
examples:
Pierre
Chaunu
"la d?cadence,
it,
puts
but
Nero,
Belle
tend
also
and
Alexandria
above
c'est
all,
for
Byzantium;
Rome
imperial
Rome"),
especially
modern
(as
under
perspectives,
"declines";
again,
is (in a sense)
a
from
largely
the Roman
idealized;
selection
than a rounded
Empire
of
is the
literary
and
Here
archetype.
a set of symbols
it offers
artistic
too,
the
of degradation
past
drawn
rather
representations,
or realistic
of
picture of an epoch. Not all narratives
decline
look back in this way; ancient accounts find analogies
for the
state of society in their (equally caricatured)
present
images of foreign
or
like
Persia
Modern
studies
draw on a wider
contemporaries
Carthage.
to see
of
historical
and
almost
choose
range
examples
invariably
themselves
they
as
repeating
preexisting
pattern?or
at
least
to
fear
that
are.18
Thirdly,
destination;
such
accounts
decadence
look back
may
implies
trajectory
to the past
and
standing
diate
for a sense
as
an
of
interme
a necessary
as
ways:
579
OF HISTORY
AS A THEORY
DECADENCE
to
transition
(Christian
stage
higher
in
society,
as the end of
in Marx),
feudalism
and Toynbee;
both G. W. F Hegel
or as the beginning
of a new,
civilization for a millennium
(Max Weber),
more
Germanic
culture
twentieth-century
vigorous
(early
can
seen
therefore
be
Modern
decadence
German
in
evalists).19
as
the
preparation
an
appropriate
suggest
a new
for
or
stage,
simply
for
response,
as
an
the
example,
medi
same
the
terms,
even
end;
this may
"new
monasticism"
Berman
for the twilight of American
culture
by Morris
or
the
tactics
of
Isaac
Asimov's
Foundation,
not).
consciously
(imitating
The crucial question
for twentieth-century
historians
of decline was
to collapse,
since civilization had already shown its propensity
whether,
was
to
that
it
be
inevitable.
Toynbee
repetition
argued
might
possible
a
if
stave off collapse
the
West
introduced
world
govern
indefinitely,
once civilization
ment
to religion;
to collapse,
and returned
began
proposed
the
however,
Western
as
society
which
the Second
some
The
modern
a
hand
and
has
earlier
now
from
separation
The
combination
Now
the
and
plants;
traces
finds
tremendous
modern
science
as much
M.
self
I. Rostovtzeff,
confirmed
this
the
explained
tendency
in the eyes
theory which,
as
of
periods
become
and
on
perspective
sense
decadence
within
and
modern,
to
all
caricatured
to
seeks
past
and
past
and fulfillment
contain
superiority
is neatly
the
between
continuity
is the culmination
age
what
Even
reflected
dominant
modern
of
of
possibilities
return."21
of
culture.23
one
ments,
decay
new
never
and
Law of Thermodynamics?a
authors,
contemporary
the
ripen,
the masses?"22
penetrate
of
arise,
its own
has
presented
was
fate
whose
phenomenon
pondering
wondered,
with
culture
in contrast,
Spengler,
unstoppable.20
limited
strictly
"each
predetermined;
expression
was
process
present,
familiar
the
hand
on
previous,
as
of all previous
themselves
other
nonmodern,
on
combine
the
develop
elements
a
sense
of
societies.
by Nietzsche:
of mankind
is only
the continuation
of the history
of animals
sea the universal
in the
of
the
still
historian
profoundest
depths
as
as at a miracle,
of himself
in
at
the
amazement,
slime;
living
gazing
course
at that even
mankind
has already
trembles
run, his gaze
history
even
more
man
modern
who
is capable
of
this
miracle,
himself,
astonishing
surveying
as he
He
and proud
stands high
the pyramid
of the world-process;
upon
seems
at the
of his
to call out to nature
top of it he
lays the keystone
knowledge
we
are
we
are nature
all around
him:
"We have
reached
the goal,
the goal,
course.
perfected."24
Decadence
past
offers
and present.
a very different
of the relation between
conception
It sees the past as fragmented
rather than unified;
580
NEW
is
modernity
others.
It
in
placed
questions
some
to
opposition
choice
modernity's
seen
parts,
of
LITERARY
as
HISTORY
to
analogous
not
classical
comparisons:
or
or Rome.
but Alexandria
It undermines
the Renaissance
on
sense
of
and
its
fear that
modernity's
superiority,
plays
deep-seated
the past has not in fact been overcome,
that the triumph over supersti
Greece
tion
and
has
autocracy
societies,
previous
overcome
and
in
replaced
III. Nature,
present,
seen
to be
not
of history
and
simply
the Return
of an emerging
change,
as
that,
overcome
having
continue
will
and
it will
be
turn.
its
a demand
creates
or
incomplete,
Culture,
A sense of historical
and
been
the process
a narrative
for
and
random
of
contingent,
of
the Past
difference
between
development;
as
but
change
coherent
and
past
is
reason. Modernity
to human
has offered narra
intelligible
on the emerging
the
the
self-consciousness
of
human mind,
of an innate instinct to accumulate,
the evolution
of social
fulfillment
structures
of class struggle
and technology,
and the dynamic
and
All of these theories tend to emphasize
the overcoming
of
exploitation.
nature, both of the natural world and of human nature itself; thus Hegel
ultimately
tives based
all
for
capacity
like Adam
the
implications
it.
stable
on
for
change
and Thomas
Smith
state,"
same
the
Humanity,
the
the
reveals
pattern
other
has
hand,
better."25
Early
and
itself,
an
actual
econo
political
Malthus
had been doubtful
about
to revert
of an agrarian economy
the tendency
of escaping
"stationary
the capacities
and
and
change,
the possibility
to
to
reverts
change
mists
one
"in nature,
remarks,
but
later
far more
were
writers
confident
about
ment.26
instead
often
Decadence
and decline
implicitly, presents
explicitly,
delu
the triumph of nature over civilization,
undercutting
modernity's
such constraints.
sion that it has somehow escaped
Civilization may be
construed
life-cycle.
Columella
as
a natural
"natural"
undergo
change
from
monarchy
addition?civilization
subject
unnatural.
an
hence
organism,
to
subject
a natural
writers
all; the agronomist
(but by no means
the idea as nefas [impious] ) it is considered
obvious
and
lose
its
old
while
grow
society is seen
strength,
regarded
that the world might
to
object,
In some ancient
to irresistible
Cicero
developments,
to
despotism.
and
society
natural
considered
forces,
the
as
can
account
Polybius's
Alternatively?or
seen
be
declining
Roman
in
as
unnatural
precisely
state
preserved,
as
of
the
in
sometimes
because
painting,
while Gibbon
objects
they are
subject
depicted
to
the Roman
gravity.
to a "natural"
fall
of
as a building
Empire
move
The
from
state:
a
Rome
countryside,
finally
and
a
to
reversion
other
"natural
a
sees
Rostovtzeff
is
as a return
presented
historians
economic
and
economy"
urban
fragile
of
by the force
down
brought
to barbarism
civilization
thus Weber
while
581
OF HISTORY
AS A THEORY
DECADENCE
see
in the
return
to
the
overcome
civilization
of the uncivilized
and unreconstructed
It is
peasantry.
far
Roman
civilization
is
located
how
(and
modern)
striking
imagina
to be the repository
of
tively in its cities, with the country assumed
tradition
the
thus
Morris
the
and
William
celebrates
natural;
changeless
return to a rural idyll of authentic
and real passions.27 The
feelings
are
seen to be ultimately
of
life
and
modern
artificiality
inauthenticity
the forces
by
unsustainable
before
impersonal
some
In
the
nature
human
and
the
itself.
is a
there
respects,
of
requirements
of nature
forces
resemblance
striking
the
between
perspec
tives of decadence
and those of more explicit and deliberate
critics of
as
or
such
Friedrich
Nietzsche.
These
writers
Schiller, Marx,
modernity,
too look to the past to highlight
the limitations
of modernity,
its
to
effects
and
its
with
human
and
incompatibility
alienating
happiness,
undermine
the
of
narratives
"otherness"
of
capitalists
on
is even
ary rhetoric
of
Nietzsche,
in
need
of
moribund
in need
are
also
modernity
of renewal
as
law of
be
overcome,
in
the
revolution
the
or
ideas of Marx
sense
the
that
or that
society
sense
that
is
is
modernity
and rebirth.
differences
striking
as
not
the
"eternal
deployed;
into
on
ancients
will
Sometimes,
explicitly
shades
reform,
there
sees
Marx
turn
its
through
and feeble,
However,
tives.
is
the
as an
to follow
professed
"decadence"
radical
in
alternative
offering
insistence
presented
capitalism
society
its dissolution.28
those who
term
that
modern
will collapse
capitalism
established
nearing
the
accounts
against
contrary,
now
"progress,"
Thus
Marx's
development.
thereby
the
of
mythology
antiquity,
and
nature";
and
self-serving
historical
between
decadent
but
as
these
having
perspec
of
elements
is one
There
dares
party
scientific
suspected.
horrors
everything
ful power
overworking
are turned
fact,
great
deny.
On
of
characteristic
the
one
hand,
no
this
there
our
have
19th
started
a fact which
century,
into life industrial
no
and
ever
human
had
history
of
far
the
symptoms
decay,
surpassing
of
recorded
the
latter
times
of
the Roman
In our
Empire.
days,
seems
with
its contrary.
the wonder
with
pregnant
Machinery,
gifted
we behold
of shortening
and fructifying
human
and
labour,
starving
forces,
On
which
the other
it. The
into
epoch
there
hand,
new-fangled
sources
of want.
of
sources
The
the
former
exist
of wealth,
victories
of
art
some
by
seem
strange
bought
weird
by
the
spell,
loss of
582
NEW
character.
progress
Marx's
in
life
into
seems
to become
seems
light of science
All our invention
of
ignorance.
forces with
background
material
endowing
a material
man
nature,
the pure
HISTORY
intellectual
life,
and
and
in
force.29
however
against nature and procivilization;
like
classical
of
historic
Greece?"the
childhood
stages
as superior
its most beautiful unfolding"?may
be perceived
is progressive,
history
earlier
much
the dark
to result
human
stultifying
on
but
seem
masters
that mankind
pace
or to his own
Even
infamy.
men
to shine
unable
humanity,
and
same
the
At
to other
enslaved
LITERARY
is no
there
desirable,
or he
child
to
returning
"a man
them:
cannot
become
decadence
The
of
of all
tradition
the
becomes
living.
And
the dead
in creating
things,
of revolutionary
periods
their service
and borrow
present
borrowed
it has
before
Nietzsche
past
narrative
"birth
of
of
further
inspired
in
by
but
revolutionising
yet
the extent
in exposing
own
modernity's
as
in Greece
to the
needs
and
charter
He
by
myth,
of decadence
the moment
begin
this
cannot
century
with
itself
past.31
to which
desires.
and
disguise
It cannot
the future.
in regard
superstition
our
the brains
themselves
in such
existed,
precisely
to
up the spirits of the past
conjure
to
in order
battle
cries and costumes
from
only
on
nightmare
in this time-honoured
history
revolution
social
of the nineteenth
progress,
reason"
engaged
has never
they anxiously
them names,
from
like
weighs
of world
the past,
off all
stripped
goes
are
crisis
. . .The
language
its poetry
from
draw
the
scene
generations
seem
they
that
something
when
just
and
the new
of repetition:
all accounts
reinterpreting
the
and
of
the
undercuts
the
loss
of
of
culture
its mark
mankind:
the
"real"
is indeed
from
to age,
past,
untainted
by
our
own
"Historical
desires.32
there
pertains
an
appropriate
senile
occupa
of
up, of closing accounts,
looking back, of reckoning
what has been."33 At the
consolation
remembering
through
seeking
same time, however, Nietzsche
insists upon the necessity of such myths
and illusions for human existence.
"Decadence," which suggests that the
idea: "[I] s
future can only ever be a repetition of the past, is a dangerous
that humanity
is already
in this paralysing
there not concealed
belief
a
a
of
idea
inherited
Christian
misunderstanding
theological
declining
tion,
that of
that
from the Middle Ages, the idea that the end of the world is coming,
we are fearfully awaiting the Last Judgement?"34
It is in the end necessary
to hold
his
overcame
their
to accounts
fast
concludes
essay with
their
583
OF HISTORY
AS A THEORY
DECADENCE
on
dependence
creations
of
a culture
to create
others
of
own.35
IV. Conclusion
Marx and Nietzsche
insist on the necessity of forgetfulness,
of letting
"the
the dead bury their dead, in order that the past may not become
of
gravedigger
the
"Decadence"
present."36
on
insists
are
unconvinced
to
meaning
of a new
form
of
vague
promises
a
can
chosen
myth
consciously
one
Max
of
Weber
offers
the most
Marx's
by
assurances
Nietzsche's
or
society
still
that
existence.
in
remembering,
give
striking
well
cultural
a
level
of
never
civilisation
to tell a different
wish
the
possible,
end, because
a
become
barbarians
be truly said:
this nullity imagines
before
of
modern
man
stepping-stone
the unknown
than
to a time when
a
casts
decay
would
for
However
achieved.'"37
story, to return
narrative
powerful
prefer
his
'Specialists without
that it has attained
to have
progress
spell;
failed
may
seemed
in
perhaps,
utterly
Better
replacements.38
we
much
the
the
than to
familiar
future.
University
of
Bristol
NOTES
1
R. G. Collingwood,
The Idea ofHistory
Press, 1946), 63-68
(Oxford: Oxford
University
on Vico,
159-65 on Toynbee,
181-83 on Spengler.
Decadence:
Richard
Gilman,
Generally,
The Strange Life of an Epithet
Seeker & Warburg,
(London:
1979).
trans. Charles Francis
The Decline of theWest, vol. 1, Form and Actuality,
Oswald
2
Spengler,
Atkinson
3
4
Compare
111-27.
A. Knopf,
1947),
4.
Spengler,
Neville
Morley,
Writing
Ancient History
(London:
Duckworth,
1999),
Press, 1967),
University
1961), 43; A. L. Rowse,
12-13,
47.
The Use of
NEW
584
LITERARY
7
(Baltimore:
University
Johns Hopkins
Tropics of Discourse
Hayden White,
as Text and Discourse
F. Berkhofer,
Robert
Jr., Beyond the Great Story: History
MA: Harvard
Press, 1995).
University
HISTORY
Press,
1978);
(Cambridge,
Decline, 377-428.
Spengler,
ed.
"The End of the Ancient
Liebeschuetz,
City," in The City in Late Antiquity,
Wolfgang
1-49.
Rich
MacMullen,
1992),
(London: Routledge,
Ramsay
"Quantifying
Compare
John
CT: Yale University
in Corruption and theDecline of Rome (New Haven,
Press, 1988),
Decline,"
9
1-15.
10
Collingwood,
11
Compare
164-65.
Idea ofHistory,
Berkhofer,
and Alex
Beyond,
and Narratives:
Theories
Callinicos,
Reflections
on
the Philosophy
of
8-43.
2002),
13 Berkhofer,
Beyond, 126-27.
Historicism
Paul Hamilton,
1996).
(London:
Routledge,
Generally,
5.
15 Gilman,
Decadence,
on "The Birth of Tragedy"
I. Porter, The Invention
16 James
of Dionysus: An Essay
102-6.
CA: Stanford University
Press, 2000),
especially
14
17
18
Histoire
Chaunu,
See, for example, Morris
Pierre
2000).
19 On
medievalists,
Lutterworth,
20 Arnold
21
22
1991),
J. Toynbee,
Decline,
Spengler,
M. I. Rostovtzeff,
et d?cadence
Berman,
see Norman
F. Cantor,
the Middle
Inventing
Ages
Duckworth,
(Cambridge:
on Trial
Civilization
(Oxford:
Oxford
University
Press,
1948).
21.
Social
and Economic
Press, 1957),
University
23
Decline,
420-22;
Spengler,
et d?cadence.
Histoire
History
of the Roman
Chaunu
takes
the
Law
Second
1988), 57.
"Political Economy
Morley,
no. 1 (1998): 95-114.
Empire,
2nd
ed.
(Oxford:
541.
Friedrich
Meditations,
25 G. W.
(London:
79-117.
Oxford
24
165.
1981),
(Paris: Perrin,
The Twilight ofAmerican Culture
(Stanford,
as his
starting
point
in
IN: Hackett,
26
and Classical
Antiquity,"
Journal
of theHistory
Chatto
of Ideas 59,
8c Windus,
1973);
a Utopian
151-64.
Helios 26, no. 2 (1999):
"Marx and the Failure of Antiquity,"
and Frederick
in Karl Marx
of the People's Paper
at the anniversary
(1856),
Speech
655-56.
Lawrence
8cWishart,
14 (London:
vol.
Collected
1980),
Works,
Engels,
111.
trans. Martin Nicolaus
30 Marx, Grundrisse,
1973),
(London:
Penguin,
and Frederick
in Karl Marx
The Eighteenth Brumaire of Louis Bonaparte,
31 Marx,
Engels,
8cWishart,
Lawrence
Selected Works in One Volume (London:
1968), 93, 95.
CA: Stanford University
Press,
32 Porter, Nietzsche and the Philology of theFuture (Stanford,
28
Morley,
29
225-88.
2000),
33 Nietzsche,
34
Nietzsche,
101.
101.
in Nietzsche
and the Uses of Antiquity,"
Greeks': Myth, History
"'Unhistorical
Morley,
UK: Camden
7-26.
ed. Paul Bishop
and Antiquity,
House,
2004),
(Woodbridge,
35
DECADENCE
36
37
AS A THEORY
OF HISTORY
(London: Routledge,
Politics and Modernity
585
the Spirit
Lawrence
Weber
Parsons
California
38
Press, 1989).
David Weir,
Compare
Massachusetts
time when
Decadence
and theMaking
Press,
1995), 202: "What is progress
to go forward?"
it was possible
(Amherst: University
ofModernism
now hut a desire
to go backward
of
to a