Professional Documents
Culture Documents
Declaring the year 2009 as the European Year of Creativity and Innovation is a way
of helping to meet these challenges by raising public awareness, disseminating
information about good practices, stimulating creativity and innovation and
promoting policy debate and change at European level.
Duration: 2007-2013
European citizenship
Participation of young people
Cultural diversity
Inclusion of young people with fewer opportunities
The following examples of good practice projects were selected from decentralised
sub-Actions of the Youth in Action Programme with a specific focus on Innovation
and Creativity. These projects are often small-scale projects undertaken by local
organisations. Nevertheless, despite their modest means, these projects bring
innovative approaches to non-formal learning process in youth work, which is just
as important as the results obtained during the project. The aim of the projects
presented here is to share and disseminate good practices and to inspire young
people by showing them that even through small projects, change and creative
adventure are possible.
Bird watching, bird ringing, and classes in drawing and mapping endangered species
were the main activities in this group cooperation project in Poland and Turkey.
The exchanges helped shape and reinforce a sense of responsibility and ecologic
awareness, promoted the exchange of practical experiences and methods of work,
and developed new ways of group cooperation. But it also involved outdoor games,
a Turkish and a Polish day, dance workshops, an excursion to the Davaz mountains
and a visit to the ancient Sagallasos castle, as well as meetings with representatives
of local professions and the mosque.
The cultural aspects were an important part of the project, which was also aimed
at mutual social and cultural recognition, especially challenge the ideas of young
Poles about Turkey and life in the provinces. The participants were able to learn about
customs, social traditions and the role of religion in the life of Turks, and to form
their own opinions on the subject. At the same time, the young people could develop
their passions and interests in bird protection, in raising environmental awareness,
and in technical skills such as preparation of maps of areas inhabited by endangered
species.
Aleksandra:“For me participating was primarily a great occasion to widen my mental horizons and to
question the stereotypes that people naturally have when they think about unknown ‘differences’.”
Marta :“I am really glad that I was given the chance to get to know Turkey ‘behind the scenes’. I have
abandoned stereotypes about Turkish people, started many new friendships and become really motivated to
learn the Turkish language.”
A fairy tale provides a creative way for learning together how to understand
and tolerate each other
“The Ugly Duck” was a multilateral exchange project about tolerance that involved
young people aged 17-25 from six countries. It was initiated by youth group from
Raseiniai art school’s theatre”. Recognising that a lack of tolerance often creates
serious problems of discrimination, cruelty and violence, the members of the group
chose the well-known Hans Kristian Andersen tale of “The Ugly Duckling” as the
central theme for the project.
During the exchange, they used theatre, music, art and dance to learn to understand
and tolerate each other, despite cultural, economic and religious differences. During
the theatre workshops they created a pageant based on the “The Ugly Duck” tale,
and performed it for the local community. During national evenings they shared
characteristics of their own cultures and national dishes.
And it encouraged people in Bucharest to leave their cars at home for a day with
the “My day off!” activity. Many types of support were used to draw attention to the
campaign - flyers, debates, the media and the internet, street theatre, face painting,
videos… The innovative methods had real impact on people and encouraged reflection
on the danger the planet is facing. And the team involved in the project learned more
about each method and gained communication skills and experience in working with
people, and in working in a team with respect, tolerance and patience.
Some 30 young people had the opportunity to learn about the music industry - and at
the same time, about creativity and communication - in the Zero Gravity Toilet project.
A collective of artists, musicians and young people exchanged views about the
necessary steps in creating an album: writing the music, and rehearsing as a group
rather than as individuals; production, recording, and mixing, with all the related
technical skills; and distribution, from printing the album and setting up promotion
to contacting radio stations and journalists.
Through this process, every participant also had the chance to increase personal
competences and potentialities, to get acquainted with a professional environment
at local and regional level, and to face the political and social challenge of creating a
European group as a focus point for other young people – emphasising youth rather
than profits. New partnerships with foundations and organisations, universities and
local administrations were developed. Seminars, live performances, the production
of merchandising, the creation of a website, the publishing of a CD and the production
of two documentaries were some of the outputs.
Helping young people make their own choices about European citizenship
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In the summer of 2008, the first children’s city of the future - “Kleinbergwerkstadt
Kolorino” -was created in Schwaz. In this fictional city, children and young people
were allowed to play the adult roles they chose, and to make their own decisions. It
was their contribution that influenced the development of the project. They could
study at university, or start a business or a political career. They could present
themselves as candidates and vote in elections, and election pledges had to be
kept, and responsibility taken for the consequences. Where problems such as high
redundancy or striking garbage collectors appeared in the facsimile city, solutions
had to be found. And in this way, young people were shown what it means to have
rights – and responsibilities.
They could also learn that businesses carry risks of failure when there is no demand
for products, and that integration is needed for people with different languages,
cultures and religions. A special focus of the project was on integration of children
of different origin. For children and young people, migration is a routine component
of their lives, since in the playground, the street or the classroom, children from
different cultures meet all the time. Young people were enabled to develop their
own perspectives about politics, economics, and social affairs. They were shown
that they have the right to choose and to organise themselves, rather than merely
consume what is pre-prepared for them.
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Some had never travelled, or came from disadvantaged areas, suffering from
geographical isolation or rural remoteness. Some had limited language skills, or had
mental health issues, or already had a criminal record. In each country, ministries of
justice, probation services, psychologists and youth welfare and street-level youth
workers prepared young people in advance of the project, then the participants
lived and worked together in a small rural community while they learnt through their
involvement new intercultural, personal and work skills, and became motivated to
go further, to discover Europe and to broaden their individual possibilities. Intensive
support and training was provided, including one-to-one mentoring, role play and
active participation, and small group English classes with professional teachers.
Local community volunteers worked alongside the group, and the very visible results
were very much valued by the community.
Markus:“For me it was my first international experience. And it was cool. I liked to be with other people. (…)
It was not always easy. I learnt to communicate with people with other languages. I learnt to orientate myself
in a new place. My self-confidence grew. I am very proud. It helped me so much and soon after the project I
found my first real job (which I still have!).”
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“Fair trade guerrillas” were among the devices used in this project to involve
underprivileged youth in work with a focus simultaneously on sustainable development
and on personal realisation. The project hosted volunteers from Lithuania, Germany
and Italy, who researched the benefits of intercultural cooperation and exchange of
good practices between European fair trade organisations, explored the link between
fair trade and sustainable development, and created new methods to promote fair
trade. Fair trade guerrillas were invented by one of the volunteers. They were a group
of eight people with painted faces who went together through the streets of Lund,
in Sweden, asking shop-owners about the conditions in the production of their
products.
Olga:“During this year I learned not only about Fair Trade but also about how we can work together toward
achieving sustainability in the globalizing world.”
Monica:“The idea of promoting and sensitizing people about such an important topic as Fair Trade was what
motivated me to start this project. I have always thought that it’s important to start with small things in order
to achieve bigger results! This is still my attitude towards Fair Trade and my project within EVS.”
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The universality of the language of art, and its influence in bringing people together,
made it the central tool of this project in Ankara with deaf youngsters from different
cultural backgrounds and five different countries. Painting, dancing and acting
provided a vehicle to integrate these physically disabled young people into social
life, and other non-formal learning activities helped them to communicate, share
their experiences as disabled youngsters in the community, and develop skills for
making partnerships.
Art helped create successful group dynamics. As they arrived, the participants were
hosted in the houses of Turkish participants, helping to break down prejudices and
promote a group atmosphere. During the project, 24 participants gave performances
demonstrating their special skills, which helped them to feel an important part of the
society and strengthened their self-confidence and self-esteem.
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Building bridges and mutual understanding among young people from Israel
and the Palestinian Authority and from Northern Ireland and Ireland
In this ambitious project, there was no escaping the challenging situations that arose
at some stages from cultural differences. But these episodes, and the resolution
of the issues they raised, resulted in significant learning for all participants. This
multicultural and international exchange of young people, with the topic ‘Our Rights
– Our Future’, took place in Dublin over seven days. It focused on non-formal methods
to help young people explore human rights and global equality, and encouraged
them to explore their own realities and values.
Before they came together, the groups created an internet forum to exchange ideas,
suggestions and photographs, and interactive workshops prior to the exchange
ensured they were all aware of the theme and that the project was in line with their
expectations. Talks, movies, debates, educational trips, street theatre and street
demonstrations and social events all played their part in developing knowledge,
social skills and awareness. The participants’ views were taken into account at all
times by the use of devices such as a graffiti wall, daily evaluations, and cluster
groups with individuals from different countries and ethnic backgrounds. A cultural
evening early in the exchange allowed participants to celebrate their diversity and to
break down barriers.
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Using the innovative ‘Green Drama’ methodology as a tool for environmental education
The purpose of the training course was to explore the Green Drama methods used in
the field of Environmental Education in international youth work and developed by
two Finnish educators. The aim of this method is to use drama to foster sustainable
ways of living and environmental consciousness amongst youth. The ultimate goal is
to transform individual actions and lifestyles so they become more environmentally
friendly. In Green Drama, everybody can be involved in the action. Instead of the
creation of a theatrical performance for an audience, the focus is on group interaction,
active partnership and personal experience of the participants. Together they create
an evolving story combining different viewpoints, and everyone is challenged to
evaluate their own opinions. Environmental issues take precedence over aesthetic
or other artistic elements. The method also develops intercultural dialogue between
the participants, since the drama is based on the participants’ own experiences and
knowledge. In the European context, it allows participants to recognise and compare
these experiences in different countries.
The methods used included practical testing and evaluation of Green Drama
methods, sharing methods on environmental education in promoter organizations,
and discussions on how to implement the new methods learned and disseminate the
methodological handbook which was developed during the training course in a new
context by youth workers and other multipliers.
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The seminar combined theoretical and practical elements, attaching special value
to group work oriented towards concrete results (e.g. the fixing of criteria) and
practical activities that might be used later with the target group. Theoretical inputs
alternated with practical sessions in different areas of outdoor education, such as
climbing, rope courses, canoeing, rafting, and land-art activities, and looked at
different national uses of the methods. Outdoor education methods provide a lot of
learning opportunities for personal and social competences for disabled people, and
this project is the first to explore how methods can be used specifically with young
people.
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A festival organised by young people and for young people to provide a creative space for
youth policy and youth involvement
The festival had three different “arenas”. In one of them, experienced project makers
shared their experiences and thoughts about creating local and international projects
with young people who came with their projects for help and advice, against a rich
background of art, live music, films, spoken words and live painting. Another arena
featured debates about democracy, environment, inclusion and exclusion, and the
city, with politicians and non-governmental organisations, leading to new ideas,
including the creation of a forum for youth politics. The third arena was the project
café, where funding organisation gave advice about fundraising and how to generate
eligible projects, and workshops were held about fundraising, marketing, idea
making and writing. The emphasis throughout was on the opportunities for young
people to be active and creative and to participate in the local community and in
society as a whole. The project succeeded in raising awareness of youth politics in
Copenhagen.
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Every evening, the young European deputies took part in cultural activities, and Europe
was always at the centre of the project, through Euroconcerts, tasting European
cooking brought by participants in the Eurovillage, and theatre improvisation.
The young people involved could thus “live” Europe, both formally and informally,
through common activities and encounters, and make new friendships. The project
offered young people a vivid idea of democracy and of the European institutions, and
they were surprised by their own skills in advancing their own opinions and being
actors in their own future.
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• conferences
• training activities
• seminars
• information activities
• networking activities
Duration of activities:
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Young people with few opportunities are the focus of this project in Stuttgart,
Palermo, Toledo and Bucharest. To assist their inclusion into society, the project trains
participants in web design and audio pod-casting, giving an impetus to their personal
development through the acquisition of skills, and encouraging active participation
to promote a sense of citizenship. Groups are trained, and they in turn train national
teams who work together to produce a four-language online radio-magazine, tackling
topics such as: “What has Europe to do with me” and “How can I make a difference”.
The resulting radio-magazine “Speak out! - Reach out!” is available online, providing
high visibility for the project. The new competences in IT tools and other skills help the
social engagement and job prospects of the young people taking part. The teaching
staff involved are invited to promote replications of the project in the future. Further
exposure is assured by dissemination material such as brochures and handbooks,
and through events such as open-door days in each partner country.
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The virtual world of “Second life” is being used in this project to provide novel non-
formal learning experiences that suit urban young people excluded from many other
learning opportunities. The project applies Flow methodology as proposed by positive
psychologist Mihály Csíkszentmihályi and explores new areas of youth work through
the combination of both creative and participative activities, picking up aspects of
everyday life and transferring them to online platforms (particularly the virtual world
of Second Life).
Young people are acquiring artistic skills and competences within the framework
of an international project, and youth workers are gaining familiarity with a new
methodology of non-formal education. Best practices in efficient and transferable
non-formal education methodologies benefiting from the FLOW methodology “label”
are being spread across the partner countries and beyond.
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Young people who live in disadvantaged urban areas often live in a virtual reality with
virtual relationships, characterised by a lack of human contact and emotion, but with
frequent use of chat-lines and mobile phone messages. The Raffaello project aims to
develop their expressive capabilities and skills by linking their use of communications
technology to their areas of interest (music, poetry, short stories….).
25
Digital cartography offering young people a sense of ownership of the town they live in
Through its interactive website, YouMap is supporting the digital mapping of eight
European towns by disadvantaged young people living there. The project allows
them to identify the places that matter to them. This includes social services such as
youth employment or training offices, youth and voluntary service information desks,
associations promoting European mobility, trade unions, health and social services.
But it also covers leisure and entertainment locations, such as intercultural centres or
sports centres, tourism aspects – with sightseeing points or other notable locations
identified in the map. The apprenticeship in cartography and web publishing, along
with the opportunity for exchanges, is a way to promote European citizenship and
a sense of the value of intercultural diversity among young people facing similar
difficulties. Dissemination activities help to improve access for marginalized young
people to their social and cultural urban services
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Public bodies and youth organisations involve young people in policy making
Contests on how to improve the quality of life for young people living in deprived
urban areas are a central feature of this project to engage disadvantaged young
people with few opportunities in policy-making. Young people are invited to submit
projects addressing this topic, and one selected project per participating country is
going to be implemented. The young people involved have the opportunity to attend
training sessions on youth work and project implementation.
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The activities of the project are carried out by the youngsters themselves. They produce
material targeting their peers through intensive use of IT tools. The associated youth
workers provide support in turning ideas into concrete implementation. The project
also paves the way for the development of a network of youth centres in deprived
urban areas, with the involvement of local authorities.
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The starting-point of this project was the following diagnostic: most young people with
court convictions come from disadvantaged urban areas suffering from segregation
or social exclusion. This project examines an alternative compensatory programme
for juvenile delinquents aged 16-18, seeking to engage them actively.
The project’s methodology is based on the screening of the different forms of youth
service (voluntary compensatory strategies) available at international level, leading
to the selection of youth custody centres suitable for performing case studies analysis
identifying cultural changes. The project is also developing prevention activities and
methodologies for improving the relationship between young delinquents and the
law, including training courses and support service programmes for delinquents,
educators, protectors and protégés.
The output is paving the way for a cooperative EU-level lobbying strategy aimed at
achieving accreditation for the complex training methodology at national level.
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European Commission ,
Directorate-General for Education and Culture (DG EAC)
Unit D2: Youth in Action Programme
B - 1049 Brussels
Tel: +32 2 299 11 11 - Fax: +32 2 295 76 33
E-mail: eac-youthinaction@ec.europa.eu
Website: http://ec.europa.eu/youth
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