Chaminade

Flute Music by French Composers
Prlude et Scherzo
CompositionNotes
"Prelude et Scherzo, Op. 35," for flute and piano, was composed circa the turn of the 20th century. Busser
dedicated this piece to the virtuoso flutist and educator, Paul Taffanel.
A cadenza introduces and concludes the prelude section of the work, which serves as an introduction to
"Scherzo." A cadenza is a solo virtuosic passage that can be written or improvised and usually serves as a
conclusion or introduction to a movement or work. An ethereal melody is presented between the two
cadenzas, giving this particular prelude a three part scheme.
A scherzo is a composition written in a fast 2/4 or 3/4 meter with a lively, light and sometimes humorous
character and usually serves as a dance movement. This particular scherzo is a highly spirited work in a
fast tempo that alternates between 9/8 and 3/4 meters.
Composer - Bsser, Henri

Biographical material is not included with this accompaniment.
Arranger - Moyse, Louis

Concertino, Op. 107

CompositionNotes
ed. by Louis Moyse
"Concertino, Op. 107" was originally composed the for flute and orchestra in 1902 as an examination piece
for the Paris Conservatory. The word concertino literally means "little concerto." It is a composition in the
style of a concerto, with a soloist and orchestral accompaniment, but in a more freely composed form. It is
usually in one movement and contains several sections of contrasting tempo and style.
This particular concertino begins with a lyrical melody that is repeated with a quick legato scalar variation.
The next section is quicker and more agitated, and leads into a rapid triplet episode. The ABA scheme of
this piece is called Ternary form. Ternary form contains an initial theme followed by a contrasting section,
then restates the initial theme.
Composer - Chaminade, C.
Cecile Louise Stephanie Chaminade was born in Paris on August 8, 1857, and died in Monte Carlo on
April 13, 1944. During her lifetime she was best known as a concert pianist. She wrote about four hundred
compositions, all thoroughly grounded in the Romantic style.
Chaminade learned to play the piano from her mother. Although her father forbade her to enroll in the Paris
Conservatoire of Music, she studied piano and composition there. Her first compositions included an
opera-comique, a dramatic symphony, and a ballet.
In 1890, she embarked upon a career as a concert pianist, playing her own compositions almost
exclusively. Her concerts became enormously popular in France, Great Britain and the United States. By
the turn of the century she became so popular that fan clubs, called "Chaminade Clubs," sprang up in
Europe and America. She received many awards, including the Legion of Honor from France; she was the
first female composer accorded that honor.
After World War I, interest in her work waned. Her compositions are often dismissed as salon music, the
19th century equivalent of easy-listening music. However, at its best, her music is charming and has
tuneful, elegant melodies usually predominating over a relatively simple harmony.

Concertino, Op. 45
CompositionNotes
"Concertino. Op. 45," for flute and piano or orchestral accompaniment, was composed for the Paris
Conservatory in 1899. This piece is one of many that were requested for an annual contest that was held
at the conservatory during an era when France was known worldwide for great flute literature.
The word concertino literally means "little concerto." It is a composition in the style of a concerto, with a
soloist and orchestral accompaniment, but in a more freely composed style. Usually one movement,
concertinos contain several sections of contrasting style and tempo.
This particular concertino has three main sections, which is typical of Classical Concerto form consisting of
three movements. The first section, marked "Andantino," is similar to a fantasie in melodic organization.
The second section, marked "Lento," serves as both a second movement and a prelude to the final
section. The third section, marked "Vif," is in an ABA scheme called Ternary form. Ternary form contains an
initial theme followed by a contrasting section, then restates the initial theme. A coda is added to the
restatement of the A section to conclude the work.
Composer - Duvernoy, Alph.


Cantabile et Presto
CompositionNotes
"Cantabile et Presto," for flute and piano, was composed in 1904 while Enesco resided in Paris, France.
Enesco composed in many styles throughout his life. The "Cantabile et Presto," a relatively brief work, is
evidence of this with the usage of both contemporary techniques as well as being somewhat neo-classical
in an analytical sense. The "Cantabile," marked "Andante ma non troppo," presents an extended lyrical
melody that is repeated. When the melody is repeated, it is almost unrecognizable at times because of the
embellishments added to it. A florid coda concludes the movement.
Though "Presto" doesn't strictly adhere to the form of a Rondo, it does contain elements of Rondo form.
Rondo form is a multi-sectional form that contains a principal theme (A) that alternates with secondary
sections (B, C, etc...) called couplets or episodes. A flourishing coda brings the work to its conclusion.
Composer - Enesco, Georges

Georges Enesco (real name George Enescu) was born on August 19, 1881, in Liveni Virnav, Rumania and
died on May 4, 1955, in Paris. He was a composer, conductor, teacher, and violin virtuoso of international
renown and the most famous Rumanian composer of the 20th century.
Enesco was a child prodigy, beginning violin at age four, composing by age five, and graduating from the
famous Gesellschaft der Musikfreunde in Vienna at age seven. He enrolled at the Paris Conservatory,
studying with the great French teachers of the day, including Faure and Massenet. His early compositions
were greatly influenced by these men. While his compositions were solidly grounded in the harmonic
vocabulary of the 19th century, they also showed the influence of Rumanian folk music. The exotic
sonorities, elaborate ornamentation, and chromatic and melodic complications of this folk music began to
have a greater influence on the style of his later works. These works have the melodic complexity of
Rumanian gypsy music and are richly spiced with chromatic harmony in a style similar to Bela Bartok, a
Hungarian contemporary. Enescu's output is small, thirty-three opus numbers, because he was very busy
as a conductor, teacher, performer, and champion of music in his native Rumania.
His last years were spent in Paris in poverty and poor health. In spite of his differences with the
communists of his native country, upon his death, his native village, a street in Bucharest and the state
Philharmonic Orchestra were named after him.

Fantasie, Op. 79
CompositionNotes
"Fantasie, Op. 79," for flute and piano, was composed in June and July of 1898 for a competition at the
Paris Conservatory, where it was first performed on July 28th, 1898. It is dedicated to the great flutist and
educator Paul Taffanel. In 1957 the accompaniment was orchestrated by Louis Aubert and premiered by
Jean-Pierre Rampal at the Salle Gaveau on February 24, 1957.
A fantasie is a composition in which a fanciful style takes precedence over the conventions of form. There
are several styles of fantasie. This work would be considered a character piece of the Romantic era (18201900) that suggests a dream-like mood or whimsical notion.
This particular fantasie has two main sections. The first, marked "Andantino," is a self-contained section in
the style of a sicilienne, which is a dance in a moderate 6/8 meter that is usually in a minor key and having
a soft, lyrical melody. The second section, marked "Allegro," is in 2/4 meter. This section is the body of the
work, in which a linear melody is presented in the flute part supported by a simple accompaniment.
Composer - Faur, Gabriel

Gabriel Urbain Faure was born in Pamiers, France on May 12, 1845, and died in Paris on November 4,
1924. He is generally acknowledged to be the greatest composer of French songs. Faure's works mark the
end of the Romantic era (1800-1900) and form a link with the musical innovations that occurred in the 20th
century. Trained in music from early childhood, Faure completed his education by studying with Camille
Saint-Saens, a noted French organist and composer. He began his professional life as an organist,
eventually succeeding Saint-Saens at St. Sulpice. Faure became professor of composition at the Paris
Conservatory as well as its director in 1905. Two of his pupils, Maurice Ravel and Nadia Boulanger,
became influential composers and teachers of the next several generations of composers in Europe and
America. Faure's early compositions reflect the language of 19th century Romanticism, but eventually he
developed his own personal style. His harmonic usage never destroyed the feeling of tonality, but he liked
to use rapid modulations to remote keys, unresolved discords, and the old church modes in his writing.
These devices were derived from, and were always subservient to, beautifully lyrical melodies. Faure was
primarily a composer of small forms; the song, small chamber works, and short piano pieces. But he also
composed two operas and his "Requiem" for chorus and orchestra. In 1920, Faure resigned as Director of
the Conservatory because of deafness. His last years were spent in declining health, due to sclerosis and
breathing difficulties from heavy smoking.

Andante et Scherzo
CompositionNotes
"Andante et Scherzo," for flute and piano, was written in the latter portion of the 19th century placing it in
the Romantic era (1820-1900). It is dedicated to the virtuoso flutist and educator Paul Taffanel.
"Andante et Scherzo" has two main sections. The first section, marked "Andante," is in an ABA scheme
called Ternary form. Ternary form contains an initial theme followed by a contrasting section, then restates
the initial theme. The "Andante" section concludes with a cadenza that serves as an introduction to the
"Scherzo" section marked "Allegro." A scherzo is a composition written in a fast 2/4 or 3/4 meter with a
lively, light and sometimes humorous character and usually serves as a dance movement.
Composer - Ganne, Louis

Louis Ganne was born on April 5, 1862, in Buxieres-les-Mines, France and died on July 13, 1923, in Paris,
France. He was a French conductor and composer who wrote more than two hundred works. Ganne is
best known for his two patriotic tunes, "La Marche Lorraine" and "Le Pere de la Victoire."
Ganne studied with Theodore Dubois, Jules Massenet and Cesar Franck at the Paris Conservatory. His
debut as a composer came at the Folies-Bergere in Paris with the performance of "La Source du Nil" in
1882. Ganne wrote several other ballets and a number of operettas. He also conducted the orchestra for
the balls at the Paris Opera as well as at Royan and Monte Carlo.

Fantaisie
CompositionNotes
"Fantaisie," for flute and piano, was composed in the early part of the twentieth century while Gaubert was
a professor at the conservatory of music in Paris. This piece is one of many that were requested for an
annual contest that was held at the conservatory during a era when France was known worldwide for great
flute literature.
A fantasie is a composition in which a fanciful style takes precedence over the conventions of form. There
are several styles of fantasie. This work would be considered a character piece, which developed in the
Romantic era (1820-1900). This type of fantasie is meant to suggest a dream-like mood or whimsical
notion.
This particular fantasie opens with a florid section that introduces a lyrical melody. A cadenza serves as a
prelude to the last main section, marked "Vif." This section presents flurried scalar passages interrupted by
more lyrical melodies continuing to the end of the piece.
Composer - Gaubert, Philippe

Philippe Gaubert was born on July 4, 1879, in Cahors, France and died on July 10, 1941, in Paris, France.
He was a French flutist, composer and conductor, best remembered for his contributions to the flute
repertoire.
Gaubert received his first musical training from his father. At the age of seven he went to Paris and, in
1890, began flute studies with the famous flutist Paul Taffanel. Gaubert studied harmony and composition
at the Paris Conservatoire where, in 1894, he also won first prize in flute performance. In 1904, even
though he had no conducting experience, Gaubert was appointed Assistant Conductor of the Societe des
Concerts. A year later, at twenty-six, he won second prize in the 'Prix de Rome' composition competition.
By the time Gaubert was twenty-seven, he was dividing his time between flute performance, conducting
and composing, though conducting eventually became his primary activity. Gaubert was appointed Chief
Conductor of the Societe des Concerts (1919) and Conductor of the Paris Opera (1920). He became
Director of Music at the Opera in 1931, requiring him to leave his post as Professor of Flute at the Paris
Conservatoire. Gaubert eventually became Professor of Conducting at the Conservatoire, succeeding Paul
Dukas and Vincent d'Indy.
As a composer, Gaubert's output encompasses most musical genres including opera, ballet, orchestra,
solo with orchestra, chamber music and songs. He also wrote many transcriptions for the flute. The
Taffanel-Gaubert "Flute Method," first appearing in 1923, is still one of the most popular flute method books
in use today.

Nocturne et Allegro Scherzando

CompositionNotes
"Nocturne et Allegro Scherzando," for flute and piano, was composed in 1906 while Gaubert was assistant
conductor of the Societe des Concerts in Paris. This work has two main sections marked "Andante" and
"Allegro Scherzando."
The first section is a type of work called "Nocturne." A nocturne is a composition that has a lyrical melody
depicting the calm beauty of night. The ABA scheme of this particular nocturne is called Ternary form.
Ternary form first states an initial theme followed by a contrasting section, then restates the initial theme.
The second section is written in the style of a fantasie. A fantasie is a freely played, ornate composition in
which the form is of secondary importance. There are several styles of fantasie depending upon the date
of composition. This work, considered a character piece of the Romantic era (1820-1900), expresses a
carefree mood.
Composer - Gaubert, Philippe

Philippe Gaubert was born on July 4, 1879, in Cahors, France and died on July 10, 1941, in Paris, France.
He was a French flutist, composer and conductor, best remembered for his contributions to the flute
repertoire.
Gaubert received his first musical training from his father. At the age of seven he went to Paris and, in
1890, began flute studies with the famous flutist Paul Taffanel. Gaubert studied harmony and composition
at the Paris Conservatoire where, in 1894, he also won first prize in flute performance. In 1904, even
though he had no conducting experience, Gaubert was appointed Assistant Conductor of the Societe des
Concerts. A year later, at twenty-six, he won second prize in the 'Prix de Rome' composition competition.
By the time Gaubert was twenty-seven, he was dividing his time between flute performance, conducting
and composing, though conducting eventually became his primary activity. Gaubert was appointed Chief
Conductor of the Societe des Concerts (1919) and Conductor of the Paris Opera (1920). He became
Director of Music at the Opera in 1931, requiring him to leave his post as Professor of Flute at the Paris
Conservatoire. Gaubert eventually became Professor of Conducting at the Conservatoire, succeeding Paul
Dukas and Vincent d'Indy.
As a composer, Gaubert's output encompasses most musical genres including opera, ballet, orchestra,
solo with orchestra, chamber music and songs. He also wrote many transcriptions for the flute. The
Taffanel-Gaubert "Flute Method," first appearing in 1923, is still one of the most popular flute method books
in use today.

Ballade
CompositionNotes
"Ballade," for flute and piano, was composed in 1903 and dedicated to the accomplished flutist and
educator Paul Taffanel. A ballade is a song based on forms of French poetry of the 14th and 15th
centuries. Common themes of ballades usually depict love or romance. This particular ballade presents a
slow lyrical melody contrasted by a faster solo line that is supported by a strong accompaniment. The
piece concludes with a coda that is marked "Lent."
Composer - Prilhou, A.

Andante Pastoral et Scherzettino

CompositionNotes
"Andante Pastoral et Scherzettino," for flute and piano, is a two movement work that was composed in
1907 as an examination piece for the Paris Conservatory. It is dedicated to Taffanel's pupil, Philippe
Gaubert.
The first movement, "Andante Pastoral," begins with a prelude prior to the body of the work. Based on
literary works, a pastoral is a composition that depicts life in the country, usually about shepherds. This
particular pastoral presents a flowing melody with alternating compound meters. The ABA scheme of this
piece is called Ternary form. Ternary form first states an initial theme followed by a contrasting section,
then restates the initial theme.
The second movement, "Scherzettino," has similar characteristics to that of the scherzo but is shorter in
length. A scherzo is a light, playful piece with a quick tempo in 3/4 or 2/4. Traditionally, this type of work
was used as part of a collection, such as a movement from a suite. The ABA scheme of this movement is
called Ternary form. Ternary form first states an initial theme followed by a contrasting section, then
restates the initial theme.
Composer - Taffanel, Paul


Flauta de msica de compositores franceses

Prlude et Scherzo
CompositionNotes
"Prelude et Scherzo, op. 35," para flauta y piano, fue compuesta alrededor de la
vuelta del siglo 20. Busser dedic esta pieza a la flautista virtuoso y educador,
Paul Taffanel.
Una cadencia introduce y concluye la seccin de preludio de la obra, que sirve
como introduccin a "Scherzo". Una cadencia es un pasaje solista virtuoso que
puede ser escrita o improvisada y por lo general sirve como una conclusin o la
introduccin de un movimiento o trabajo. Una meloda etrea se presenta entre
las dos cadencias, dando a este preludio de un rgimen particular, la tercera
parte.
Un scherzo es una composicin escrita de una forma rpida 04.02 o 03.04
metros con un carcter festivo, ligero y gracioso a veces y por lo general sirve
como un movimiento de baile. Este scherzo en particular es una obra muy
alegre en un tempo rpido, que alterna entre 8.9 y 4.3 metros.
Compositor - Bsser, Henri
material biogrfico no se incluye con este acompaamiento.
Arreglista - Moyse, Louis
Concertino op. 107
CompositionNotes
ed. por Louis Moyse
"Concertino op. 107" fue compuesta originalmente para flauta y orquesta en
1902 como una pieza de examen para el Conservatorio de Pars. El concertino
palabra significa literalmente "pequeo concierto." Es una composicin al estilo
de un concierto, con un acompaamiento solista y orquesta, pero en una forma
ms libre composicin. Por lo general, en un solo movimiento y contiene varias
secciones de contraste de ritmo y estilo.
Este concertino particular, comienza con una meloda lrica que se repite con
una variacin legato escalar rpido. La siguiente seccin es ms rpido y ms
agitada, y lleva a un episodio triplete rpida. El esquema ABA de esta pieza se
llama forma ternaria. forma ternaria contiene un tema inicial seguida por una
seccin de contraste, a continuacin, reitera el tema inicial.
Compositor - Chaminade, C.
Ccile Louise Stephanie Chaminade naci en Pars el 8 de agosto de 1857, y
muri en Monte Carlo el 13 de abril de 1944. Durante su vida fue conocido
como concertista de piano. Escribi alrededor de cuatro centenares de
composiciones, todas completamente basada en el estilo romntico.
Chaminade aprendi a tocar el piano de su madre. Aunque su padre le prohibi
inscribirse en el Conservatorio de Msica de Pars, estudi piano y composicin
all. Sus primeras composiciones incluyen una pera-comique, una sinfona
dramtica, y un ballet.
En 1890, se embarc en una carrera como concertista de piano, tocando sus

propias composiciones casi exclusivamente. Sus conciertos se hizo
enormemente popular en Francia, Gran Bretaa y los Estados Unidos. Con el
cambio de siglo que se hizo tan popular que los clubes de seguidores, llamados
"Clubes Chaminade," surgieron en Europa y Amrica. Recibi muchos premios,
incluyendo la Legin de Honor de Francia, que fue el primer compositor
mujeres concedido ese honor.
Despus de la Primera Guerra Mundial, el inters en su trabajo disminuy. Sus
composiciones son a menudo desestimada como msica de saln, el
equivalente del siglo 19 de msica fcil de escuchar. Sin embargo, en su mejor
momento, su msica es encantadora y tiene sus melodas armnicas y
elegante por lo general predomina la armona en un relativamente simple.
Concertino op. 45
CompositionNotes
"Concertino. Op. 45," para flauta y piano o el acompaamiento de orquesta, fue
compuesta para el Conservatorio de Pars en 1899. Esta pieza es uno de los
muchos que fueron solicitados para un concurso anual que se celebr en el
jardn de invierno en una poca en que Francia era conocido en todo el mundo
para la literatura gran flauta.
El concertino palabra significa literalmente "pequeo concierto." Es una
composicin al estilo de un concierto, con un acompaamiento solista y
orquesta, pero en un estilo ms libre composicin. Por lo general, un
movimiento, concertinos contiene varias secciones de contrastar el estilo y el
tempo.
Este concertino particular, tiene tres secciones principales, que es tpico de la
forma clsica Concierto consta de tres movimientos. En la primera seccin,
marcada "Andantino", es similar a una fantasia en la organizacin meldica. La
segunda seccin, marcados "Lento", sirve como un segundo movimiento y un
preludio de la ltima seccin. La tercera seccin, que llevar el Vif, "est en un
rgimen de ABA llama forma ternaria. forma ternaria contiene un tema inicial
seguida por una seccin de contraste, a continuacin, reitera el tema inicial.
Una coda se agrega a la actualizacin de la seccin de la A a la conclusin de
la obra.
Compositor - Duvernoy, Alf.
Cantabile et Presto
CompositionNotes
"Cantabile et Presto", para flauta y piano, fue compuesta en 1904, mientras que
Enesco resida en Pars, Francia. Enesco compuesta en muchos estilos a lo
largo de su vida. El "Cantabile et Presto", una obra relativamente breve, es
prueba de ello con el uso de ambas tcnicas contemporneas, adems de ser
un tanto neo-clsico en un sentido analtico. El "Cantabile", marcada "Andante
ma non troppo", presenta una meloda lrica extendida que se repite. Cuando la
meloda se repite, es casi irreconocible en ocasiones debido a los adornos
agregado a l. Una coda florida llega a la conclusin del movimiento.
Aunque "Presto" no se adhiere estrictamente a la forma de Rondo, que
contiene elementos de la forma rond. forma Rondo es un formulario de varias
secciones que contiene un tema principal (A), que alterna con secciones de
secundaria (B, C, etc ..) o episodios llamados coplas. Una coda floreciente trae
la obra hasta su conclusin.
Compositor - Enesco, Georges
Georges Enesco (cuyo nombre real es George Enescu) naci el 19 de agosto
de 1881, en Liveni Virnav, Rumania y muri el 4 de mayo de 1955, en Pars.
Fue un compositor, director, maestro y virtuoso del violn de fama internacional
y el compositor rumano ms famoso del siglo 20.
Enesco fue un nio prodigio, a partir de violn a los cuatro aos, la composicin
por edad de cinco aos, y se gradu de la famosa Gesellschaft der
Musikfreunde en Viena a la edad de siete aos. Se matricul en el
Conservatorio de Pars, a estudiar con los grandes maestros franceses del da,
incluyendo Faure y Massenet. Sus primeras composiciones fueron muy
influenciados por estos hombres. Mientras que sus composiciones se basaban
firmemente en el vocabulario armnico del siglo 19, que tambin mostr la
influencia de la msica folclrica rumana. Las sonoridades exticas,
ornamentacin elaborada, y las complicaciones cromtica y meldicos de esta
msica popular comenz a tener una mayor influencia en el estilo de sus obras
posteriores. Estas obras tienen la complejidad meldica de la msica gitana
rumana y estn ricamente aderezado con la armona cromtica en un estilo
similar al de Bela Bartok, un hngaro contemporneo. salida de Enescu es
pequeo, treinta y tres nmeros de opus, porque l estaba muy ocupado como
director de orquesta, profesor, intrprete y defensor de la msica en su pas
natal, Rumana.
Sus ltimos aos los pas en Pars, en la pobreza y mala salud. A pesar de sus
diferencias con los comunistas de su pas natal, despus de su muerte, su
pueblo natal, una calle de Bucarest y la Orquesta Filarmnica del Estado fueron
nombrados despus de l.
Fantasa, op. 79
CompositionNotes
"Fantasa, Op. 79.", Para flauta y piano, fue compuesta en junio y julio de 1898
para un concurso en el Conservatorio de Pars, donde fue estrenada el 28 de
julio de 1898. Se dedica a la gran flautista y pedagogo Paul Taffanel. En 1957,
el acompaamiento fue orquestado por Louis Aubert y estrenada por JeanPierre Rampal en la Salle Gaveau el 24 de febrero de 1957.
Una fantasia es una composicin en la que un estilo de fantasa tiene prioridad
sobre los convenios de la forma. Hay varios estilos de la fantasia. Este trabajo
sera considerado como una pieza de carcter de la poca romntica (18201900) que sugiere un estado de nimo como un sueo o idea caprichosa.
Este fantasie particular, tiene dos secciones principales. El primero,
denominado "Andantino", es una seccin de auto-contenida en el estilo de un

Sicilienne, que es un baile en un moderado 6.8 metros de altura que suele ser
en un tono menor y con una suave meloda, lrica. La segunda seccin,
marcados "Allegro", est en 02.04 metros. Esta seccin es el cuerpo de la obra,
en la que se presenta una meloda lineal en la parte de flauta con el apoyo de
un simple acompaamiento.
Compositor - Faur, Gabriel
Gabriel Urbain Faur naci en Pamiers, Francia el 12 de mayo de 1845, y
muri en Pars el 4 de noviembre de 1924. Es generalmente reconocido como
el ms grande compositor de la cancin francesa. obras de Faure marcar el
final de la poca romntica (1800-1900) y forma un vnculo con las
innovaciones musicales que tuvieron lugar en el siglo 20. Formado en la
msica desde la primera infancia, Faure complet su educacin a travs del
estudio de Camille Saint-Saens, un destacado organista y compositor francs.
Comenz su vida profesional como organista, finalmente xito de Saint-Saens
en St. Sulpice. Faure se convirti en profesor de composicin en el
Conservatorio de Pars, as como su director en 1905. Dos de sus alumnos,
Maurice Ravel y Nadia Boulanger, se convirti en influyentes compositores y
maestros de las prximas generaciones de varios de los compositores de
Europa y Amrica. primeras composiciones de Faur reflejar el lenguaje del
romanticismo del siglo 19, pero con el tiempo desarroll su propio estilo
personal. Su uso armnico nunca destruyeron el sentimiento de la tonalidad,
pero le gustaba utilizar modulaciones rpido a las teclas de control remoto,
disonancias sin resolver, y los modos de la antigua iglesia en sus escritos.
Estos dispositivos se obtuvieron a partir, y siempre estuvieron supeditadas al
bonito melodas lricas. Faure fue sobre todo un compositor de pequeas
formas, la cancin, pequeas obras de cmara y piezas cortas de piano. Pero
tambin compuso dos peras y su "Requiem" para coro y orquesta. En 1920,
Faure renunci al cargo de Director de la causa de la sordera Conservatorio.
Sus ltimos aos los pas en el deterioro de la salud, debido a la esclerosis y
problemas respiratorios de fumar en exceso.
Andante et Scherzo
CompositionNotes
"Andante et Scherzo", para flauta y piano, fue escrito en la ltima parte del siglo
19 de colocarlo en la poca romntica (1820-1900). Se dedica a la flautista
virtuoso y pedagogo Pablo Taffanel.
"Andante et Scherzo" tiene dos secciones principales. En la primera seccin,
marcada "Andante", est en un rgimen de ABA llama forma ternaria. forma
ternaria contiene un tema inicial seguida por una seccin de contraste, a
continuacin, reitera el tema inicial. El "Andante" seccin concluye con una
cadencia que sirve como una introduccin a la "Scherzo" seccin marcada
"Allegro". Un scherzo es una composicin escrita de una forma rpida 04.02 o
03.04 metros con un carcter festivo, ligero y gracioso a veces y por lo general
sirve como un movimiento de baile.
Compositor - Ganne, Louis
Louis Ganne naci el 5 de abril de 1862, en Buxires-les-Mines, Francia y
muri el 13 de julio de 1923, en Pars, Francia. l era un conductor y
compositor francs que escribi ms de doscientas obras. Ganne es mejor

conocido por sus dos melodas patriticas, "La Marche Lorraine" y "Le Pere de
la Victoria."
Ganne estudi con Theodore Dubois, Jules Massenet y Csar Franck en el
Conservatorio de Pars. Su debut como compositor lleg en el Folies-Bergere
en Pars con la representacin de "La Source du Nil" en 1882. Ganne escribi
varios otros ballets y una serie de operetas. Tambin dirigi la orquesta de las
bolas en la pera de Pars, as como en Royan y Monte Carlo.
Fantaisie
CompositionNotes
"Fantasa", para flauta y piano, fue compuesta en la primera parte del siglo XX,
mientras que Gaubert fue profesor en el conservatorio de msica en Pars. Esta
pieza es uno de los muchos que fueron solicitados para un concurso anual que
se celebr en el conservatorio durante una poca en que Francia era conocido
en todo el mundo para la literatura gran flauta.
Una fantasia es una composicin en la que un estilo de fantasa tiene prioridad
sobre los convenios de la forma. Hay varios estilos de la fantasia. Este trabajo
sera considerado como una pieza de carcter, que se desarroll en la poca
romntica (1820-1900). Este tipo de la fantasia es la intencin de sugerir un
estado de nimo como un sueo o idea caprichosa.
Este fantasie particular, se abre con una seccin de florida, que introduce una
meloda lrica. Una cadencia sirve como preludio a la ltima seccin principal,
marcada "Vif". En esta seccin se presenta agitado pasajes escalar
interrumpida por las melodas ms lrico continuando hasta el final de la pieza.
Compositor - Gaubert, Philippe
Philippe Gaubert naci el 4 de julio de 1879, en Cahors, Francia y muri el 10
de julio de 1941, en Pars, Francia. Era un flautista compositor francs, y
director de orquesta, mejor recordado por sus contribuciones al repertorio de
flauta.
Gaubert recibi su primera formacin musical de su padre. A la edad de siete
aos fue a Pars y, en 1890, comenz estudios de flauta con el famoso flautista
Paul Taffanel. Gaubert estudi armona y composicin en el Conservatorio de
Pars donde, en 1894, tambin gan el primer premio de flauta. En 1904, a
pesar de que no tena experiencia en la conduccin, Gaubert fue nombrado
Director Asistente de la Socit des Conciertos. Un ao ms tarde, a los veinte
y seis aos, gan el segundo premio en el concurso de composicin "Premio
de Roma".
Por el momento Gaubert tena veintisiete aos, fue dividiendo su tiempo entre
la flauta, la realizacin y composicin, a pesar de llevar a cabo finalmente se
convirti en su principal actividad. Gaubert fue nombrado Director Titular de la
Socit des Concerts (1919) y director de la pera de Pars (1920). Se
convirti en Director de Msica de la pera en 1931, que le obligaba a dejar su
puesto como profesor de flauta en el Conservatorio de Pars. Gaubert
eventualmente se convirti en profesor de direccin orquestal en el
Conservatorio, sucediendo a Paul Dukas y Vincent d'Indy.
Como compositor, la produccin Gaubert abarca gneros musicales, entre ellos
la mayora de pera, ballet, orquesta, solista con orquesta, msica de cmara y

canciones. Tambin escribi muchas transcripciones de la flauta. El TaffanelGaubert "Mtodo de flauta", apareciendo por primera vez en 1923, sigue siendo
uno de los libros mtodo ms popular flauta en uso hoy en da.
Nocturne et Allegro Scherzando
CompositionNotes
"Nocturne et Allegro Scherzando," para flauta y piano, fue compuesta en 1906,
mientras que Gaubert fue director asistente de la Socit des conciertos en
Pars. Este trabajo tiene dos secciones principales marcados "Andante" y
"Allegro Scherzando."
La primera seccin es un tipo de trabajo llamado "Nocturne". Un nocturno es
una composicin que tiene una meloda lrica que representa la belleza
tranquila de la noche. El esquema ABA de este nocturno especial que se llama
forma ternaria. forma ternaria primeros estados en un tema inicial seguida por
una seccin contrastante, a continuacin, reitera el tema inicial.
La segunda seccin est escrito en el estilo de una fantasia. Una fantasia es un
jugador libre, la composicin adornado en el que la forma tiene una importancia
secundaria. Hay varios estilos de la fantasia, dependiendo de la fecha de
composicin. Esta obra, considerada una pieza de carcter de la poca
romntica (1820-1900), expresa una actitud despreocupada.
Compositor - Gaubert, Philippe
Philippe Gaubert naci el 4 de julio de 1879, en Cahors, Francia y muri el 10
de julio de 1941, en Pars, Francia. Era un flautista compositor francs, y
director de orquesta, mejor recordado por sus contribuciones al repertorio de
flauta.
Gaubert recibi su primera formacin musical de su padre. A la edad de siete
aos fue a Pars y, en 1890, comenz estudios de flauta con el famoso flautista
Paul Taffanel. Gaubert estudi armona y composicin en el Conservatorio de
Pars donde, en 1894, tambin gan el primer premio de flauta. En 1904, a
pesar de que no tena experiencia en la conduccin, Gaubert fue nombrado
Director Asistente de la Socit des Conciertos. Un ao ms tarde, a los veinte
y seis aos, gan el segundo premio en el concurso de composicin "Premio
de Roma".
Por el momento Gaubert tena veintisiete aos, fue dividiendo su tiempo entre
la flauta, la realizacin y composicin, a pesar de llevar a cabo finalmente se
convirti en su principal actividad. Gaubert fue nombrado Director Titular de la
Socit des Concerts (1919) y director de la pera de Pars (1920). Se
convirti en Director de Msica de la pera en 1931, que le obligaba a dejar su
puesto como profesor de flauta en el Conservatorio de Pars. Gaubert
eventualmente se convirti en profesor de direccin orquestal en el
Conservatorio, sucediendo a Paul Dukas y Vincent d'Indy.
Como compositor, la produccin Gaubert abarca gneros musicales, entre ellos
la mayora de pera, ballet, orquesta, solista con orquesta, msica de cmara y
canciones. Tambin escribi muchas transcripciones de la flauta. El TaffanelGaubert "Mtodo de flauta", apareciendo por primera vez en 1923, sigue siendo
uno de los libros mtodo ms popular flauta en uso hoy en da.

Balada
CompositionNotes
"Ballade", para flauta y piano, fue compuesta en 1903 y dedicada a la flautista
logra y educador Paul Taffanel. Una balada es una cancin basada en las
formas de la poesa francesa de los siglos 14 y 15. Los temas comunes de las
baladas por lo general representan el amor o romance. Esta balada particular,
presenta una meloda lenta lrica contrasta con una lnea en solitario ms
rpido que con el apoyo de un acompaamiento fuerte. La obra concluye con
una coda que est marcado "Cuaresma".
Compositor - Prilhou, A.
Andante et Pastoral Scherzettino
CompositionNotes
"Andante et Scherzettino Pastoral", para flauta y piano, es un trabajo doble
movimiento que fue compuesta en 1907 como una pieza de examen para el
Conservatorio de Pars. Est dedicado a los alumnos Taffanel, Philippe
Gaubert.
El primer movimiento, "Andante pastoral", comienza con un preludio antes de
que el cuerpo de la obra. Basadas en obras literarias, una pastoral es una
composicin que describe la vida en el pas, generalmente cerca de los
pastores. Este particular pastoral presenta una meloda que fluye con la
alternancia de metros compuesto. El esquema ABA de esta pieza se llama
forma ternaria. forma ternaria primeros estados en un tema inicial seguida por
una seccin contrastante, a continuacin, reitera el tema inicial.
El segundo movimiento, "Scherzettino," tiene caractersticas similares a la del
scherzo, pero es ms corto en longitud. Un scherzo es un pedazo de luz,
juguetona con un ritmo rpido en 3 / 4 o 2 / 4. Tradicionalmente, este tipo de
trabajo se utiliz como parte de una coleccin, como un movimiento de una
suite. El esquema ABA de este movimiento se llama forma ternaria. forma
ternaria primeros estados en un tema inicial seguida por una seccin
contrastante, a continuacin, reitera el tema inicial.
Compositor - Taffanel, Paul
.

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Flute Music by French Composers

Composer - Bsser, Henri

Arranger - Moyse, Louis

Concertino, Op. 107

Arranger - Moyse, Louis

Composer - Duvernoy, Alph.

Arranger - Moyse, Louis

Composer - Enesco, Georges

Arranger - Moyse, Louis

Composer - Faur, Gabriel

Arranger - Moyse, Louis

Composer - Ganne, Louis

Arranger - Moyse, Louis

Composer - Gaubert, Philippe

Arranger - Moyse, Louis

Nocturne et Allegro Scherzando

Composer - Gaubert, Philippe

Arranger - Moyse, Louis

Arranger - Moyse, Louis

Andante Pastoral et Scherzettino

Composer - Taffanel, Paul

Arranger - Moyse, Louis

Flauta de msica de compositores franceses

En 1890, se embarc en una carrera como concertista de piano, tocando sus

denominado "Andantino", es una seccin de auto-contenida en el estilo de un

compositor francs que escribi ms de doscientas obras. Ganne es mejor

la mayora de pera, ballet, orquesta, solista con orquesta, msica de cmara y

Arreglista - Moyse, Louis

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