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It may become
like the sea-monsters of the past or the
flying saucers of yesterday. I shouldn' t
really care, for as the new myth grows
on its own, without reference to anything
in particular, the artist may achieve
a beautiful privacy, famed for somethin g
purely imaginary, while free to explore
something nobody will notice." The
Happener, jealous of his freedom, deflects
public attention away from what he actually
does, to a myth about it instead. The
Happening? It was somewhere, some time
ago; and besides, nobody does those
things anymore. . .
There are presently more than forty men
and women " doing" some kind of
Happening. They live in Japan, Holland,
Czechoslovakia, Denmark, France, Argentina ,
Sweden, Germany, Spain, Austria, Iceland,
-as well as in the United States.
Probably ten of these are first rate talents.
Moreover, at least a dozen volumes on or
related to the subject are currently
available: Wolf Vostell's Decollage No .
4, Koln, 1963, published by the author;
An Anthology, edited and published by
Jackson MacLow and La Monte Young,
N.Y. , 1963; George Brecht's Water Yam,
Fluxus Publications, N.Y. , 1963; Fluxus 7,
an anthology edited by George Maciunas,
also Fluxus Publicati ons, N.Y., 1964;
Richard Higgins' Postface and Jefferson's
Birthday, Somethin g Else Press, N.Y. ,
1964; Michael Ki rby' s Happenin gs,
E. P. Dutton , N.Y., 1964; Yoko Ono' s
Grapefruit, Wunternau m Press, L.l.,
N.Y., 1964; Jurgen Becker's and Wolf
Vostell's Happenings, Fluxus, Pop Art,
Nouveau Realisme, Rowohlt Verlag,
Hamburg, 1965; Galerie Parnass (in
Wuppertal) 24 Stunden, Verlag Hansen
& Hansen, ltzehoe Vosskate, 1965; AI
Hansen's Primer of Happenin gs and
Time Space Art; and Four Suits,
works by Philip Corner, Alison Knowles,
Ben Patterson and Tomas Schmit, both
released by the Somethin g Else Press; and
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