Professional Documents
Culture Documents
drugs, including LSD (Singer and Mirhej 2006, 27). In the case of
Parker and the birth of bebop, heroine acted as a pacifier for
the enormous creative expectation he placed upon himself (Cuyjet
and Tolson 2007, 537). As Parker ventured into unknown artistic
territories, heroine provided a similar, unconventional
counterbalance (Cuyjet and Tolson 2007, 537). This pattern
directly emerged in many other notable bebop musicians as well as
indirectly with a younger generation who merely emulated Parker
(Cuyjet and Tolson 2007, 531). Thus Parkers entrenchment in the
depths of the heroine era was so deep, he unintentionally
furthered the impact of the drug in jazz music to the extent he
progressed bebop as a genre (Singer and Mirhej 2006, 17).
Lastly, it is important to understand how the pattern of
Parkers drug use, as previously outlined, emerged in the careers
of other jazz musicians to varying degrees. The strongest
correlation to Parker in terms of the extent of his involvement
in narcotics and the magnitude of his impact in jazz occurred
with Billi Holiday (Singer and Mirhej 2006, 19-24). Holidays
story almost directly parallels Parkers as she was exposed to an
extreme lifestyle at a very young age as a working prostitute
(Singer and Mirhej 2006, 21-22). She began her jazz career as a
passionate vocalist with severe technical setbacks, including a
very limited vocal range, much akin to Parkers early struggles
with musical proficiency (Cuyjet and Tolson 2007, 537). Much like
Russell, Ross. 1995. Bird Lives: The High Life and Hard Times of
Charlie (Yardbird) Parker. New York: Da Capo Press.
Singer, Merrill, and Greg Mirhej. 2006. "High Notes: The Role of
Drugs in the Making of Jazz." Journal of Ethnicity In Substance
Abuse 5 (4): 1-38. Accessed September 25, 2015.
doi:10.1300/J233v05n04-01.
Vail, Ken. 1996. Bird's Diary: The Life of Charlie Parker, 19451955. Chessington, Surrey: Castle Communications.