Professional Documents
Culture Documents
mf
mf
q=120
Piano
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I: SWEETNESS
mf
sf
sf
Pno.
A:
mf
sf
sf
Pno.
sf
sf
q=100
B:
q=48
6
mp calmo
Pno.
B:
8
sff
Pno.
Pno.
rit.
(poco decresc.)
sff
q=80
10
mp calmo
12
A:
10
Pno.
Pno.
11 q=40
14
mp
mf
q=120
Piano
sf
II: SPARKLES
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Pno.
A:
B:
Twelve little crystals, wandering the world,
searching for a tiny box they could call home.
Pno.
mp
sf
q=110
sf
mp
sf
q=110
mp
sf
mp
sf
6
3
6
6
6
6
6
6
A:
Pno.
mp
sf
mp
sf
sf
Pno.
10
Pno.
sf
6
6
6
mp
mp
sf
6
6
6
6
mp
sf
6
6
mp
B:
10
sf
sf
mp
mp
Pno.
ff
mf
q=78
molto espress.
12
mf molto espress.
16
mp
q=110
Pno.
mp
14
Pno.
6
mp
q=70
B:
A:
12
6
mp
ff
mf
q=78
molto espress.
q=110
16
mp
14
molto espress.
4
A:
18
20
Pno.
mp
22
ff
B:
18
sf
sff
q=70
q=110
sf
6
sf
3
3
sf
mp
20
sff
22
mf
mf
mf
3
3
sf
Pno.
q=110
Pno.
q=70
A:
24
Pno.
26
Pno.
Pno.
sff
mf
26
q=110
B:
24
28
28
sff
mf
A:
30
Pno.
30
mp
f
mf
q=120
Piano
sf
sf
Pno.
poco meno f
sf
sf
sf
Pno.
sf
sf
sf
sf
p subito f 6
sf
10
Pno.
6f pi
B:
legato sempre
ppp make tiny dynamic-waves
18
q=120
q=80
Pno.
A:
Pno.
cresc.
q=80
15
poco accel.
q=120
legato sempre
ppp make tiny dynamic-waves
18
ppp
q=70
meno
15 q=70
q=120
ppp
q=120
q=120
q=80
B:
q=80
q=70
21
ppp
Pno.
q=80
ppp
27
ppp
ppp
q=120
f 6
q=120
ppp
f 6
ppp
27
q=120
24
q=70
q=70
q=120
q=80
Pno.
21
q=120
24
Pno.
A:
30
B:
A:
q=80
Pno.
ppp
q=80
33
ppp
Pno.
q=120
Pno.
mp
mf
36
q=120
30
ppp
q=70
q=70
33
ppp
mp
f pi
36
f pi
mf
A:
39
Pno.
f pi
B:
39
mf
Pno.
43
ppp
f pi
mf
p mp
q=120
Pno.
41
mp
41
q=70
q=120
43
ppp
46
ppp
f
6
6
q=80
Pno.
49
ppp
f
6
6
q=80
Pno.
q=120
q=120
52
legato sempre
6
6
ppp
q=80
Pno.
q=120
q=120
B:
46
f
q=70
ppp
q=120
q=70
49
ppp
q=120
q=70
52
legato sempre
ppp
Pno.
q=80
55
ppp
f
6
6
58
ppp
f
6
6
q=80
Pno.
B:
q=120
55
ppp
Pno.
q=120
58
ppp
q=70
64
ppp
ppp
q=120
q=70
q=80
64
q=120
q=70
q=120
f
6
Pno.
67
q=120
Piano
sf
IV A: BEASTIE BOY
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sf
sf
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Pno.
sf
mf
Pull the shorter edge of the plastic card (portrait position) as quick as possible over the strings of the lowest register.
(but going no higher than A2 i.e. A)
q=60
gl
iss
.
Pno.
q=46
rit.
sf
with the palm and four fingers of the left hand on the
see the picture no.2
wood (vertical).
with the tumb alone on the wood (horizontal)
ppp
Mirela Ivievi: The Choice is Yours - IV: Beastie Girl, Beastie Boy
q=60
sf
10
Pno.
q=60
sf
Pno.
sf
s.
g lis
mp
dolce
14
q=46
rit.
sf
3
sf
3
let
it ring:
sf sfff
Plucking the strings, and gradually going downwards in pitch. Start from the highest octave and go down to the lowest.
The pitches are mostly arbitrary: the two sixteenth-notes in a pair should both be of the same pitch though.
Also, the highest / starting pitch respectively the lowest / ending pitch should NOT be the lowest/highest pitch possible.
18
dolce
Pno.
Mirela Ivievi: The Choice is Yours - IV: Beastie Girl, Beastie Boy
gliss.
ff
Pno.
fff
Use this time to prepare the piano with glass: put the glass upside down on the strings so that
you get the tone C5# (cis 2) sounding prepared. (Well, broken, if you prefer;)).
Make this action as gentle and as toneless as possible, then sit back and play.
16
26
Pno.
Mirela Ivievi: The Choice is Yours - IV: Beastie Girl, Beastie Boy
IV B: BEASTIE GIRL
q=120
f
mf
mf
Pno.
sf
sf
Pno.
sf
sf
mf
sf
sf
sff
sff
Pno.
Get up peacefully and position yourself for playing the next passage.
Put your hand on the glass.
8
mf
sf
sf
Mirela Ivievi: The Choice is Yours - IV: Beastie Girl, Beastie Boy
Drag the glass with very little pressure over the surface of the strings of the middle register.
Starting position of the horizontal movement should be
somewhere around G4 (g1), and the vertical one somewhere around C3 (c) (depending on the piano-type).
q=60
horizontally
10
Pno.
gliss.
pp
14
ppp
mf
glis
s
gliss.
mf
pp
Pno.
glis
s
.
gliss
ppp
ppp
gliss.
mf
pp
mf
pp
pp
6
glis
s.
legato sempre
Pno.
ppp
q=74
18
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
sff pp subito
Mirela Ivievi: The Choice is Yours - IV: Beastie Girl, Beastie Boy
Hit the keys with your spread palm to get raw-sounding clusters.
Starting point: highest octave. The pitches are arbitrary, but respect the
depicted general direction of the clusters as well as relations between them.
This last cluster should
contain the prepared
G2 (G).
Let ring.
21
Pno.
sfff
(While still leting it ring, do the glissando with nails of the right hand
Let it ring as long as it takes for sound to
completely vanish (surely a minute, or even longer) over the surface of the white keys.
This should not produce tones, just quiet noise.)
at least 32
24
at least 32
gliss.
Pno.