Professional Documents
Culture Documents
afthe
Vol. 11 No.1
1995
FEATURES
The Journal ofthe American Viola Society is a peer-reviewed publication of that organization
and is produced at
Brigham Young University, 1985, ISSN 0898-5987.
JAVS welcomes let.ters and articles from its readers.
Editorial Office:
Department of Music
Harris Fine Arts Center
Brigham Young University
Provo, UT 84602
(801) 378-4953
Fax: (801) 378-5973
JAVS appears three times yearly. Deadlines for copy and artwork are March 1, July 1,
and November 1; submissions should be sent to the editorial office.
Ad rates: $100 full page, $65 half page, $50 one-third page, $35 one-fourth page.
Classifieds: $25 for 30 words including address; $40 for 31-60 words.
Advertisers will be billed after the ad has appeared.
Payment to "American Viola Society" should be remitted to the advertising office.
OFFICERS
Thomas Tatton
President
2705 Rutledge Way
Stockton, CA 95207
(209) 952-9367
Pamela Goldsmith
Vice-President
11640 Amanda Drive
Studio City, CA 91604
Donna Lively Clark
Secretary
4820 Buttonwood Crescent
Indianapolis, IN 46208
Mary I. Arlin
Treasurer
School of Music
Ithaca College
Ithaca, NY 14850
Alan de Veritch
Past President
School ofMusic
Indiana University
Bloomington, IN 47405
BOARD
Atar Arad
John Graham
Jeffery Irvine
Jerzy Kosmala
Patricia McCarty
Donald McInnes
Paul Neubauer
Dwight Pounds
Karen Ritscher
Pamela Ryan
William Schoen
Peter Slowik
EDITOR, fA VS
David Dalton
Brigham Young University
Provo, UT 84602
PAST PRESIDENTS
Myron Rosenblum (1971-81)
Maurice W. Riley (1981-86)
David Dalton (1986-1991)
-_._-- - - - - - - _ . - ----- - - - - - - -
HONORARY PRESIDENT
William Primrose (deceased)
Dear Friends:
I have just returned from a wonderful
five-day concert tolir with my forty
high school string students. The fax I
received the evening before we left
informed me that my "President's
Message" was due now. No problemlet me share an essay from one of my
third grade students. This will give
you a glimpse of the mystery and
magic in my world of sui:-:g teaching.
Thomas limon, AVS President
Kelsey is ?laying some viola now and ::emains fascinated w:th the magic of it all.
Perhaps we can ca?ture some of Kelsey's youthful vigor and exuberance by attending
the XXIII International Viola Congress at the Cniversity of Indiana. I am sure, with
Alan and Atar as organizers, the congress will be wonderful. I hope to see you there.
Let's share in the magic together.
ANNOUNCEMENTS
~'-E3-I
I-z;of:'*"
I .
BE A CONTRIBUTOR OR
BENEFACTOR OF THE AVS.
Your contributions are tax-deductible and
would be greatly appreciated.
SOLICITATION OF ARTICLES
JAVS is a peer-reviewed publication. For scholars, teachers,
:1111
Ui
I~
Applications and supporting materials were due to the AVS by April 15, 1995.
THE COMPETITION
FIRST ROUND
The first round is recorded and submitted on audio cassette tape, which will then be auditioned by
a jury. Candidates chosen from the taped round to compete in the final round on June 14, 1995,
in Bloomington will be notified by May 1, 1995.
In order to ensure anonymity, the applicant's name and address should appear only on the applicant's outer package. There should be no personal identification on the tape or its container. Tapes
will be coded before being sent to the adjudicating committee. Tapes will not be returned.
Applicants should understand that the quality of the recording may influence the judges; therefore,
a new tape of a high quality should be used.
Repertoire for the First Round
The cassette tape must include the applicant performing the following:
The first movement of a major concerto, or work with orchestra, of the technical difficulty of
those by Bartok, Walton, or Hindemith.
An example (about five minutes) of an unaccompanied work, such as those by Bach (Cello Suites
or the Partitas and Sonatas), Hindemith, or Reger.
An excerpt from a suite, sonata, or piece with accompaniment of the entrant's choice (about five
minutes).
FINAL ROUND(S)
Each of the finalists will be asked to perform (from memory, unless noted)
The entire major concerto or piece with orchestra from the First Round
The entire unaccompanied work from the first round
The entire sonata, suite, or piece with accompaniment from the first round (need not be
memorized)
A complete virtuoso work selected by the finalist from the following list:
Bergsma: Fantastic Variations on a Theme from Tristan
Berio: Sequenza
Enesco: Concertpiece
Kreisler: Praeludium and Allegro
Paganini: Caprice No. 24 (with piano accompaniment)
Paganini: La Campanella
Zimbalist: Sarasatelana
Finalists will receive free lodging and a waiver of the registration fees during the Congress. An
accompanist will be provided if requested. The jury for the Final Round{s) will be selected from the
1995 Congress artists who do not have a student invited to the Final Round{s).
Geraldine Walther, prinCipal violist of the San Francisco Symphony, is former assistant principal of the
Pittsburgh Symphony and a participant in the Santa Fe
Chamber Music Festival. She stuclied at the Curtis
Instirute of Music with Y1ichael Tree and at the Manhattan
School of Music with Lillian Fuchs, and won first prize in
the William Primrose Viola Competition in 1979.
Srudems from around the world come to the San Francisco Conservatory of \1usic
for several reasons:
A srudenr-teacher ratio of 6 to I.
The opporrunity to smdy with an
exceptional faculry in one of the
\','odd's most diverse and exciting
cultural centers.
Offering the Master of Music Bache/or of Music, and Musil: Diploma Founded 1917.
Colin Murdoch, President Deborah Berman, Dean.
Affirmative Action. Equal OppoTIunity Employer
For more information conract the Office of Srudenr Services,
San Francisco Conservatory of Music, 1201 Onega Sueet, San francisco. CA 94122-4498
415;759-3431 Fax 415/759-3499
Francis Kuttner
Violinmaker
Award winning
violins, violas and
cellos made in the
classical Cremonese
tradition.
63 Douglass Street
San Francisco, California
94114
(415) 861-5535
10
Before May 15
After May 15
$130
65
$160
80
$45
25
$50
30
Atar Arad
David Baker
Sally Chisholm
David Dalton
Alan de Veritch
Roberto Diaz
James Dunham
Hank Dutt
Csaba Erdelyi
Ralph Fielding
Pamela Goldsmith
John Graham
Jerzy Kosmala
Jesse Levine
Patricia McCarty
Donald McInnes
Roger Myers
Paul Neubauer
David Neumeyer
Maria Newman
Gunter Ojstersek
Kathryn Plummer
Ellen Rose
Myron Rosenblum
Christine Rutledge
Yizhak Schotten
Ben Simon
Abraham Skernick
Peter Slowik
Robert Swan
Thomas Tatton
Marcus Thompson
Robert Verebes
11
*****
Housing
Both on-campus housing will be available in residence halls and off-campus in
commercial hotels. Residence hall prices will range from $23 per person per night for
a non-air-conditioned double room to $38 per night for an air-conditioned single.
Good commercial hotel rooms will typically run from $60 to $80 per night. Detailed
housing information and residence hall reservation forms will be part of the Congress
registration forms.
'0
Lawrence Furse,
9400 Emigration
phone:
STRING PERFORMANCE
IN RESIDENCE:
ARTS
MUSIC DIVISION
Bruce MacCombie
Dean, School for the Arts
Christopher Kendall
Director, Music Division
13
VIOLA PEDAGOGY
by Jeffrey Irvine
I am very pleased to have the opportunity to be the editor of this column on viola pedagogy,
both to contribute my own articles and to solicit articles from valued colleagues. Please don't hesitate
to send me your reactions to these columns; I welcome the opportunity to get different ideas about
teaching the viola.
It is in this spirit that I choose the subject for my first article for this column, teaching spiccato,
for I find it quite difficult to teach in some cases and would love to have input from others. Do check
out Ellen Rose's article "Teaching Spiccato" in American String Teacher, Summer 1992.
GEOFFREY OVINGTON
MAKER OF VIOLINS,
VIOLAS AND CELLI
Instruments of Distinction
Played Internationally
GEOFFREY OVINGTON VIOLINS
STANTON ROAD
SHUSHAN,
NY 12873
U.S.A.
518-854-3648
BUFFALO PHILHARMONIC
OSLO PHILHARMONIC
DEUTSCHE KAMMERPHILHARMONIE
LAFAYETTE QUARTET
JOACHIM-KoECHERT QUARTET
GUTEBOR(; SYMPHONY
Excellent Selection of Fine Old Instruments Expert Repairs and Major Restoration
Instrument Rentals Strings and Accessories Instruments and Bows on approval
Extensive Library of String Music - Solo and Ensemble
"Solos for Young Violinists" Tapes "Suzuki" Tapes
Same Day Service on Mail Orders
1..(800) 284..6546 (505) 265..7697 3003 Monte Vista Blvd., NE Albuquerque, NM 87106
15
Developing Variety
Scherzo, commonly asked for in orchestra audi~ions. I've k~~wn some students who in prepar-
. . t.
.....:
~;~:
Single
....:
....
..:
'.'
=::
.....
2 Discs
$24.00
17
1986 Acquisitions
(continued)
18
Caix d'Hervelois, Louis de. La chambor (allemande); transcribed for viola and piano by
Gaston Marchet. New York: International
Music Co., 1948.
Chester music for viola; arranged and edited by
Watson Forbes. London: J. & W. Chester,
1956.
Curtin&Alf
1221 Prospect Street Ann Arbor, MI 48104 (313) 665-20]4 Call or write for a free color brochure
Carleen Mo Hutchins
DOYENNE OF AMERICAN VIOlLIN MAKERS
New York Times. June 14, 1994
~
I~
I .
~
~~
VIOLAS played in
th~
CRH
~ ~~ ~
V~~
COMMENTS:
"My Hutchins viola creates a sensation wherever I play it. People want to know how to get
that tone quality. At the Spoleto Festival they wouldn't believe it."
David Mankovitz, 1962, Kroll Quartet
"Thank you for my marvelous viola."
Simon Aspell, 1992, Vanbrugh Quartet
"Perhaps the most beautiful sounding viola I ever played. I would be proud to own it if I
needed one on a regular basis."
Paul Zukofsky, 1994, Concert Violinist
FAX: 201-744-9197
21
Locatelli, Pietro Antonio. Sonata in G Minor: for
viola and piano; op. 6, no. 12; [edited by] Paul
Doktor. Revised 1980 edition. New York:
International Music Co., 1953.
1959.
Maugtie, J. M. L. Allegre, lent et scherzo: pour alto
principal et orchestra; tres amicalement a
Maurice Vieux. Paris: Henry Lemoine, 1927.
Medil}s, Jekabs. Konsert = Concerto: for viola and
orchestra. Arr. for viola and piano. Leningrad:
Soviet Composer, 1985.
1963.
Schubert, Franz. Sonate arpeggione: pour alto et
piano; op. posth.; revision et annotations par
Etienne Ginot. Paris: Editions Jean Jobert,
1969.
The AVS is an association for the promotion of viola performance and research.
Our personal and financial support is appreciated. As a member, you receive the three annual issues
of JAVS, the Society's Journal, and The Viola, as it is published by the International Viola Society.
You will also receive the satisfaction of knowing that you are a member of a collegial group lvhich is
contributing to the furtherance of our instrument and its literature.
Pleas~ enroll me/my group as a member of A VS for one year. Begin my subscription to JA VS and
The Viola.
My check for one year's dues, ma:de payable to the American Viola Society, is enclosed as indicated
below:
Renewal Mem bership
( ) $30
New Membership
( ) $30
Student Membership
( ) $15
International Membership ( ) $35
( ) $50 to $100
AVS Contributor
AVS Benefactor
( ) $100 and above
( ) I wish to contribute to The Primrose Memorial Scholarship Fund in the amount of
$
----------
)
)
)
)
)
)
Individ ual
Amateur
Educational Organization
Music Business
Library
Other
Name
------------------------------------
Address
------------------------------------
- __
The AVS is an association for the promotion of viola performance and research.
Our personal and financial support is appreciated. As a member, you receive the three annual issues
of JAVS, the Society's Journal, and The VIola, as it is published by the International Viola Society.
You will also receive the satisfaction of knowing that you are a member of a collegial group lvhich is
contributing to the furtherance of our instrument and its literature.
Pleas~ enroll me/my group as a member of A VS for one year. Begin my subscription to JA VS and
The Viola.
My check for one year's dues, made payable to the American Viola Society, is enclosed as indicated
below:
Renewal Membership
( ) $30
New Membership
( ) $30
Student Membership
( ) $15
International Membership ( ) $35
AVS Contributor
( ) $50 to $100
( ) $100 and above
AVS Benefactor
( ) I wish to contribute to The Primrose Memorial Scholarship Fund in the amount of
$
---------
)
)
)
)
)
)
Individual
Amateur
Educational Organization
Music Business
Library
Other
Name
----------------------------------
Address
---------------------------------
24
Schubert, Franz. Sonatina no. 1 in D Major: for
viola and piano; Ope 137. Melville, N.Y.:
Belwin Mills, [198-?].
Schubert, Franz. Sonata movement for viola and
piano; arr. by Watson Forbes. London: Stainer
& Bell, 1960.
Schubert, Joseph. Konzert, C-Dur: flir Viola und
Orchester; hrsg. von Karlheinz Schultz-Hauser.
Mainz: B. Schott's Sohne; New York: Schott
Music Corp., 1967.
Scriabin, Aleksandr Nikolayevich. Prelude in C-sharp
Minor; Ope 9, no. 1; transcribed for viola and
piano by V. Borissovsky. New York: International Music Co., [1946].
Solos for festival and fUn; by Albert Stoutamire and
2S
Viola and piano: a collection of 43 famous compositions arranged for viola with piano accompaniment; with stories and illustrated
biographical sketches; [arr.] by HerfurthdeVeritch. Cincinnati, Oh.: Willis Music
Company, 1960.
Viotti, Giovanni Battista. XXIle concerto pour vioIon e piano: 10 solo; transcrit et arrange pour
alto et piano par Etienne Ginot. Paris: J.
Jobert, 1961.
Viotti, Giovanni Battista. XXIXeme concerto pour
violon et piano; transcrit et arrange pour alto et
piano par Etienne Ginot. Paris: Editions Jean
Jobert, 1960.
Weber, Carl Maria von. Variazioni per l'alto viola e
orchestra = Thema und Variationen fUr Viola
und Orchester; Ausgabe fUr Viola und Klavier;
hrsg. von Ulrich DrUner. ZUrich; New York:
Eulenburg, 1976.
Taneev, Sergei Ivanovich. Trio in D Major: for violin, viola and cello. N ew York: International
Music Co., 1973.
Villa-Lobos, Heitor. Trio pour violon, alto et violoncelle. Paris: M. Eschig, [1956].
26
Bach, Johann Sebastian. Two preludes and fugues
for violin, viola, and cello; [edited by the]
Pasquier Trio. New York: International Music
Co., 1955.
Drei Violen
Hiraishi, Hirokazu. Wings: for 3 violas. Tokyo:
Tokyo Art Service, 1982.
GEOFFREY SEITZ,
Jl Violinmaker
~I Fine New 6- Used Violins,
353-1312
dampite
Pat No 3 407
roo
the sensational
humidifier for
VIOLIN. VIOLA. CELLO. BASS
GUARNERI QUARTET
Violin
$8.95 Viola $9.50
Little Violin $7.95 Cello $11.50
Bass
$12.50
AVOID FAKES, AVOID MISTAKES.
A genuine Damprt has the Dampit name on the black top.
AIr
In USA
Box'"
usc
School of Music
Inside California:
(213) 743-2741
Appraisals
Mamaroneck
NY 10543
914-381-4616
29
1960.
Jolas, Betsy. Points d'aube: pour alto et 13 instruments a vent; reduction pour alto et piano [par
Jean Koerner]. Paris: Heugel, 1973, 1969.
Schmidt, Hartmut. 3 Stticke ftir Viola und 5
Instrumente (1975): Klarinette in B, Posaune,
Klavier, Vibraphone-Marimbaphon, Gitarre.
[S.l.: s.n., 194-?].
30
a cordes; Ope
111.
Verschiedene Besetzungen
Schneider, Friedrich. Sestetto notturno in G: for
oboe, clarinet, horn, two violas, bassoon, cello,
bass; edited by T. Donley Thomas. Urtext,
premiere publication. Bellingham, Wash.:
Medici Music Press, 1983.
Campagnoli, Bartolomeo. 41 caprices: pour l'altoviola; Ope 22; revus et doigtes par Hans Sitt.
Leipzig: C. F. Peters, [194-?].
Campagnoli, Bartolomeo. 41 caprices: pour l'altoviola; Ope 22; Nouvelle edition par Carl Herrmann. London; New York: Edition Peters,
[196-?] .
,...
IRA B.
KRAEMER &
New Publications
CO.
Est. 1967
A
selection of Violas for the well
advanced student and professional
player. Hand made from the finest
matierials and expertly adjusted in our
shop.
Viola Power
100% pre-shrunk cotton; white shirt with
teal or navy image of Brandenburg 6: $12.50
THE VIOLA
AT
BRIGHAM YOUNG UNIVERSITY
CLYN BARRUS is a graduate of the Curtis Institute, the Vienna Academy,
and the University ofMichigan where he earned his doctorate in viola. He was
principal of the Vienna Symphony and for thirteen years occupied that same
position in the Minnesota Orchestra. He has been heard frequently as asoloist
and recording artist, and is now director of orchestras at BYU.
The Primrose International Viola Archive, the largest repository of materials related to the viola, is housed in the BYU Library. BYU graduates find themselves
in professional orchcsLras and as teachers at institutes of higher learning. B.M., B.A., and M.M. degrees in perfonnance-pedagogy are offered viola students.
cp~
(~~~)
In addition to gifts,
or in place of gifts,
Address
Address
City
State
Zip
City
Address
Address
City
State
Zip
City
State
Zip
State
Zip
We will send a card to you acknowledging your gift plus a letter to each recipient informing
them of your thoughtfulness. Many thanks.
33
Chailley, Marie Therese. Exercices divertissants et
pieces breves avec accompagnement de piano =
Amusing exercises and short pieces, with piano
accompaniment. Paris: Alphonse Leduc, 1974.
Fiorillo, Federigo. 31 studies for viola solo; [edited
by Joseph] Vieland. New York: International
Music Co., 1965.
Forbes, Watson. Exercises for viola players. London:
Associated Board of Royal Schools of Music,
[196-?].
Forbes, Watson. A second book of scales & arpeggios for viola players. London: Oxford
University Press, 1951.
Forbes, Watson. A third book of scales & arpeggios
for viola players. London: Oxford University
Press, 1954.
Hoffmeister, Franz Anton. Etuden: ftir Viola;
revidiert und mit Fingerstaz versehen von Carl
Herrmann. Frankfurt; New York: C. F. Peters,
1952.
Mayseder, Joseph. Six studies; op. 29: for viola solo;
[transcribed by Ludwig] Pagels. New York:
International Music Co., [197-?].
Palaschko, Johannes. 10 studies; op. 49: for viola.
New York: International Music, [1974?].
Palaschko, Johannes. Vingt-quartre etudes melodiques: pour alto (op. 77) = 24 melodische
Ettiden: ftir Viola (Alto) = 24 melodic studies:
for viola (alto). Paris: A. Leduc, 1927.
-.....-
~~
J:
------------
- -.~
-.........- -
==-~
--:==
---a:=
~-
-==.
!----
==--..
. .....-
THOMASTIK
DOMINANT
THE NEW STANDARD OF EXCELLENCE
HEN great artists like Pinchas Zukerman, Itzhak Perlman and
the Fine Arts Quartet choose their strings, they choose the
best. That's why they use 'Dominant' strings for violin, viola,
and cello. They have a rich powerful tone, unmatched response and they
stay in tune unlike old-fashioned gut strings. They last far longer and are
the closest thing to a perfect string ever made.
----------------:#?'----------------Now available in Full, 3/4, 1/2, 1/4, 1/8 and 1/16 sizes.
Sold in Better Music Stores
Russell L. Cae
RBP is pleased to announce a unique new line of
exceptional arrangements for viola, transCribed and edited
by ROBERT BRIDGES This collection has been thoughtfully
crafted to fully exploit the speCIal strengths and sonorities of
the viola We're confident these arrangements will be
effective and useful additions to any violiSt'S recital library
1001
1002
1003
1004
1005
1006
1007
$ 5.75
$ 9 25
$14 25
$10 75
$ 6 75
$2800
$25 00
Maker of fine
violins, violas, and cellos.
Affordable instruments
played around the world.
3800 East 300 South
Albion, Indiana 4670 1
35
FORUM
:::::
.::::
<
m~
I
Daniel Barenboim. Music making on a high
level.
And what of, or for, violists? With four
major symphony orchestras in town and
numerous chamber orchestras, not to mention small ensembles, violists are everywhere-on the streets, in the Underground,
and in their seats, of course, where they
belong. Andrew Davis, the conductor, with
different orchestras and soloists was mainly
responsible for producing a Hindemith
centenary celebration in January, which
featured works written mainly in the 1920s,
Hindemith's enfant terrible period. One got to
hear works usually read about but not often
heard, such as a concert version of the Opera
Nuschi-Nuschi. Four of the Kammermusik
concertos were performed, including the viola
concerto with Paul Silverthorne, principal of
the LSO, as soloist.
Lars Anders Tomter, the Norwegian
violist and winner of the 1986 Vieux Competition in Lille, played impressively at
Wigmore Hall. He is a violist I have heard
about but not heard personally, and I was
impressed by his ample and luxuriant sound.
He possesses a Gaspar instrument which
reseITLbles that played by Don McInnes, and,
in my memory at least, sounds similar.
Another violist I have been very curious
about, but again whom I have not heard, is
the highly regarded Tabes Zimmermann. For
the American Viola Society, she and Yuri
Bashmet seem to have been two of the elusive
violists when trying to engage performers
for a North American viola congress. She presented herself in Wigmore together with two
colleagues, Thomas Zehetmaier, violinist, and
Heinrich Schiff: cellist. (She plays on a viola
by E. Vatelot.) No doubt, there will be more
violists to come this London season.
For one day in February I was able to
take advantage of Royal Academy of Music
professor John White's annual three-day viola
festival. The venue is a former church converted into a civic centre in John's town, Old
36
Harlow, Essex, an hour or so northeast of
London. In the programming, Hindemith, of
course, was given notice, but also the late
Gordon Jacob, who shares the same centenary
of birth with Hindemith. Jacob, like
Hindemith and Bloch, had a particular fondness for the viola and violists and left a considerable repertoire for us. The evening's all-Jacob
program closed with the marvelous Suite
for Eight Violas. Mrs. Gordon Jacob and
Mrs. Lillian Tertis (Lionel Tertis's widow)
were both in attendance.
It is a tribute to John White as a teacher
that no fewer than 16 of his current and former
students prepared for, and brought their collaborating colleagues to, this event, the proceeds
of which go to the benefit of the next Tertis
Competition.
-David Dalton
Name - - - - - - - - - - - - - - - -
Tel - - - - - - - - - - - - - - - - - -
Address - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - City
State
Zip
MISSING:
VIOLA, BOW, & CASE
VIOLA: Made by Franz Sandner, 1986. 16 1/2"
KENNETH
STEIN
VIOLINS
Expert Repairs &
Restorations
Large selection offine
Violins, Violas, Cellos
and Bows
708/491-9550
1320 Sherman Avenue
Evanston, IL
&
!Fein
STRINGED INSTRUMENTS
Makers, 9{estorers and f})ea{ers of
o/iofins, o/iofas, Ce{fos andtJ30ws
We offer a fine selection of handmade instruments
and bows in a wide range of prices, including master-crafted instruments from several European
countries and eras, and restored instruments from
some of the finer ateliers of France and Germany.
Students - we offer instruments from Karl Bauer,
Schroetter, and Wm. Lewis and Son -with excellent
shop set-ups and trade in policies to ensure that the
instrument will grow with the student.
Advancing Students need high quality instruments with excellent projection and a warm, clear
tone. Miller & Fein presents an outstanding selection in the $1,000 to $4,000 price range.
Our Hours: Monday, Wednesday and Friday 10-6
Tuesday and Thursday 10-8
Saturdays 10-4; Closed Sunday
612/228-0783 800/347-9172
39
ABOUT VIOLISTS
::..
::-::
:::::
:. :::<:::::
<::
::
:::
:::
.
.>:.
:;:::.:
':::>
(I
13
40
- Thomas Hall
Chapman University
Extensive Sales
Repairs
Accessories Department
Student or Professional Requirement
42
NEW WORKS
~~~I~I~~~II~I{I~~~~i*~~~~il~~~~~~;~~I~~I~~~~i~i~UI~rl
43
data and placing the work within the context
of Hindemith's total output. The appendix is a
facsimile of a manuscript copy of the Sonata
made by Heinrich Burkard, to whom the work
is dedicated. This copy has some bowings,
fingerings, and other markings in Hindemith's
own hand. The edition has no bowings or fingerings, as is normal with "complete editions,"
so the performer will have some heavy editing
and other decisions to make before practical
performance is possible. Not the least of these
decisions will probably be how to get the pages
turned.
The 1937 Sonata is a less ambitious
piece, 16 minutes long, again in three movements, using the fast, slow, moderate pattern.
The slow movement has a faster middle section, all in pizzicato, which is quite extensive
and effective. This sonata is reflective of
Hindemith's notion that music should be practical, useful, and not a means of emotional selfexpression.!
A wonderful two-disc CD set of Kim
Kashkashian playing all the unaccompanied
viola sonatas and the three viola and piano
sonatas with pianist Robert Levin was released
in 1988. 2 This recording sets the standard for
Hindemith performance and is an elegant
representative of recording technology. You
don't hear viola playing much better than this.
Miss Kashkashian used photocopies of the
manuscripts of Opus 31/4 and 1937, as these
sonatas were unpublished in 1985-86 when
the recordings were done. 3 In 1995, as we
observe the hundredth anniversary of Paul
BIBLIOGRAPHY
Noss, Luther. Paul Hindemith in the United
States. Urbana and Chicago: University of
Illinois Press, 1989.
Rosner, Helmut, ed. Die ~rke Paul Hindemith.
Frankfurt am Main: Stadtische Musikbibliothek, 1970.
Sadie, Stanley, ed. The New Grove Dictionary of
Music and Musicians. London: Macmillan,
1980.
(Backgroundfor this article also came from conversations with the late Hans Rudas, who studied
under Hindemith at Yale.)
- Thomas Hall
Chapman University
'@
::A&w wor/& sfwu{d be submittedto tlie editor by
composers andpub{isliers for possib{e reviews in J.9Lo/S
and deposit in P Io/.9L
INDEX TO ADVERTISERS
Boston University
Brigham Young University
Eric Chapman Violins, Inc
Clarion Associates, Inc
Russell L. Coe, Violinmaker
John M. Connolly & Co., Inc
Curtin & Alf
D'Addario
Dampit
Lawrence Furse
Mark Anton Hollinger
Carleen M. Hutchins
Milton Katims
Samuel Kolsten & Son, Ltd
Ira B. Kraemer & Co
Francis Kuttner, Violinmaker
Latham Music Enterprises
Manhattan School of Music
Miller & Fein
Moes & Moes
Geoffrey Ovington
Dr. Maurice Riley
Robertson & Sons
RPB Music Publishers
San Francisco Conservatory of Music
Geoffrey Seitz, Violinmaker
Shar Products Company
Kenneth Stein Violins
Super Sensitive Musical String Co
University of Southern California
12
31
28
23
34
34
19
9
37
12
9
20
16
41
31
9
31
2
38
44
14
12
14
34
8
27
41
37
37
27
MOES&MOES
VIOLIN MAKERS
I...
...
_.
, , .
-i/' ---~
. \t
~'I
",...~
'1l)t:' .;
New Instrulnents
Made by
Peter & Wendela Moes
Also
Gasparo DaSalo Viola
New Address: