Equipment

Microphone Microphone Cable

AKG C4500 B-BC Vovox Microcable

AKG C414 XLII Vovox AES/EBU Preamp- Convertercable

Microphone Preamp Software

TC Konnekt Audacity

MindPrint Envoice MKII Cubase 5

RME Fireface UC USB Wavelab Essential 6

Focusrite ISA ONE Wavelab 6

UAD
Headphone
Powercore
AKG K 272 HD

AKG K 271 MKII Other Equipment

AKG K 702 The T. Akustik SA-P Pyramid Foam

The T.Akustik Pyramid Foam 5020

Converter
The T.Akustik Contact Clue
TC Konnekt
K&M Microphone Stand
MindPrint Envoice MKII
K&M Pop Filter
RME Fireface UC USB
Riedel March Fork Trumpet

Celestial Acoustics APP-S Absorber 8er Set

Celestial Acoustics

Peter Eder Verlag - Marker

The Studio - Recording Space

Audiobook Production - Questions and Answers

Workflow - „in extenso“ (in progress)

Tests – MP3 Player, Headphone

Inventory List – Peter Eder Verlag

Linkpartner – Audiobook Narrators, Sound Engineers, Editors, Publishers

( The latest innovation are only on the main page - 03.03.2010)

Microphone (first page)

"In the beginning was the Word ..."

The signal path starts at the microphone. This transforms sound waves into mechanical vibrations,
and later in electrical oscillations. For this feat it has a membrane - thin sheet of metal that is suitable
to transmit sound waves – the air movements of the mouth converts in waves. These mechanical
vibrations are converted with an amplifier in the micro into electrical oscillations.

The resulting waves are very weak and will need a preamplifier.

↓
AKG C4500 B-BC

AKG C 4500 B-BC broadcast large-diaphragm microphone. The C 4500 B-BC has been specifically
developed for use in advanced radio studios and production suites. It provides all the features
required of a high quality, professional announcer microphone. The body and sound entry have been
designed such that the microphone can be placed in front of the announcer's mouth without
obstructing their field of vision. The microphone is extremely rugged and provides a wide dynamic
range. In addition, the body is shielded against electrostatic and electromagnetic interference. The
output signal needs no external processing.

Conclusion

A first-class speech microphone! Unlike an ordinary studio microphone sits here the membrane in
the head of the unit. Thus the view of the text is more liberal than conventional microphones.

The AKG C4500 B-BC is more robust and shielded (for radio studios) set up as a highly sensitive studio
microphone. Thus it is also suitable for areas where there is a bit louder (notebook PC fan, electrical
noise), just for rooms that are not sealed perfectly sound.

Specially developed for speaker in the radio studio will also make it in the audio-book-studio using, a
very good figure.

Use: Studio (recording).

 Value for money - 9/10

 Audio quality - 10/10
 Features - 8/10
 Disposition - 10/10
 Overall - 9 /10

www.thomann.de - AKG C4500 B-BC

AKG C414 XLII

AKG C414B-XLII large diaphragm condenser mic - includes H100 shockmount, five polar response
patterns, 20Hz-20kHz, 6/12/18dB pad, 40/80/160Hz HP filter, CK12 capsule, transformerless FET XLR
out, includes CK12 mic head, H80 shockmount and wind shield.

For over 60 years, leading musicians and engineers have used legendary AKG microphones to capture
their sound so their audience hears every nuance. The C 414 family has been one of the world’s most
widely-used and respected studio and stage microphones in audio history. AKG has continually set
new useful features, improved technical specifications and ease of use to answer requests from ever-
demanding recording studios, broadcast stations and audio engineers.

The new models C 414 XLS and C 414 XLII offer nine pickup patterns which enable to choose the
perfect setting for every application. For live-sound applications and permanent installations all
controls can be disabled easily for trouble-free use. A Peak Hold LED displays even shortest overload
peaks.

The C 414 comes complete with carrying case, pop filter, windscreen, and spider-type shock mount.

Conclusion

The flagship of AKG in the execution especially for voice and singing. In 2005 it was awarded the
mipa - Award (Best Recording Microphone).

The AKG C414 XL-II contains a very sharp blade. He record so precise and delicate that even a well-
shielded recording space is required (see questions and answers). After the recording process, it
takes filters, equalizer, compressor and other plug-ins for professional editing. So nothing for
amateurs - this is a professional microphone, which must be treated as such.

Who takes this high end product that will hit the right choice.

Use: Studio (recording).

 Value for money - 8/10

 Audio quality - 10/10
 Features - 10/10
 Disposition - 10/10 www.thomann.de - AKG C414 XLII
 Overall - 9/10
Preamplifier (first page)

Microphone amplifiers (amps) are used to amplify the microphone signal. With them, the level (RMS
average level) is set, to be worked further on the computer. They also supply condenser microphones
using 48 V phantom power. Because this, work only with this 48V voltage.

They are available as individual components, as a preamp with converter or all in one as Channel
Strip (Amplifier, EQ, Compressor,Converter). Individual components are preferred for audio books.

A first-class pre-amp in combination with a good A / D converter and the work goes to the Comp ...
do not forget the cables!

Volume Comparison - Music To Audiobook

TC Konnekt

TC Electronic Konnekt 24D - 24bit/192kHz FireWire audio interface with 14 I/O's, 2x mic/inst/line
inputs, 4x line inputs and 4x line outputs, 8x ADAT and 2x S/PDIF (optical and coaxial) inputs and
outputs, MIDI in/out, built-in real-time DSP effects, Fabrik R reverb and Fabrik C channel strip (based
on MINT), dual headphone outputs (one with auto speaker muting), powered via FireWire bus,
includes Cubase LE.

Konnekt 24D is a groundbreaking audio interface that integrates the world's known effects of TC in
an elegant form. The well-known from the PowerCore plug-ins, Fabrik C (a virtual strip) and Fabrik R
(reverb) are part of the Konnekt 24D and are also available when the device is in stand-alone
operating mode. The Konnekt 24D is designed for musicians in the studio as well as on the stage
value to create perfect sound quality.

Conclusion

Beginner interface that is used even after the phasing out yet. As an external sound module is it used
at the cutting and mastering. As external headphone port.

Use: recording, editing, monitoring.

 Value for money - 7/10

 Audio quality - 7/10
 Features - 8/10
 Disposition - 8/10
 Overall - 7/10

www.thomann.de - TC Konnekt
MindPrint Envoice MKII

Mindprint Envoice MkII Digital Edition - valve microphone preamp, compressor, EQ (semi-parametric
bass & treble, fully parametric mid), rackmountable (19"/1U), includes DI-MOD USB interface.

Recording medium, mixing console functions, effects and production tools are now united in the
computer. The excellent audio quality available to everyone who works with music software. In
professional productions, the full audio quality should be used! The difference lies in the processing
of the input signal. The En Voice MK II offers you the necessary tools for a high quality signal
processing before recording: ultra-low noise mic preamps, musical EQ, Compressor. The optional DI-
MOD converter modules to transfer your digital signals without loss to the computer.

The MindPrint Envoice MKII is the first channel strip that is a true match for laptops in terms of both
the sonic quality and mobility. Road-ready courtesy of its USB port and automatic switched-mode
power supply, it goes where you go, operating reliably when you get there. Though the USB interface
is now commonplace, unfortunately no USB interface to date has been able to render the same loss-
free sonic quality as the Envoice MKII.
A further stride toward total independence is the automatic switched-mode power supply, which
frees the Envoice MKII from the constraints of local mains voltage and protects it against fluctuating
current and power surges. The combination of a tube-driven preamp with an onboard
digital interface and a switched mode power supply transforms the Envoice MKII from a reliable tool
into a very personal instrument, totally independent of operating voltage and computer interface.
Wherever you go, it goes with you, giving your creativity. Everywhere, all the time - even on a trip
around the globe.
Interface setting - MindPrint En-Voice MKII Interface setting(tube) without EQ and
(Audiobook) compressor (Audiobook)

• Mic Gain - +30 to • Mic Gain - +30 to

+35 dB +35 dB
• 48V - ON • 48V - ON
• Low Cut - ON • Low Cut - ON
• LF Bass - +1 dB • LF Bass - OFF
at 200Hz • MF - OFF
• MF - +1 dB • HF - OFF
at 4,4 KHz, Q 1 to 2 • Tube Saturation - 25 to
• HF - +1 dB 50%
at 8 KHz • Treshold - +- 0 dB
• Tube Saturation - 25 to • Ratio - 1:1
50% • Filter - OFF
• Treshold - -16 to • Compression Mode - V1 or
-20dB V3
• Ratio - 1:1
• Filter - ON Interface setting for working with ext. Preamp
• Compression Mode - V1 or (Audiobook)
V3  Line Gain - 0 dB
Interface setting without EQ and compressor  48V phantom power - ON
(Audiobook)  Low Cut - ON
 All others - OFF
• Mic Gain - +42 to
+52 dB Interface setting (tube)for working with ext.
• 48V phantom power - ON Preamp (Audiobook)
• Low Cut - ON
 Line Gain - 0 dB
• All others - OFF
 48V Phantomspeisung - OFF
 Low Cut - ON
 LF Bass - OFF
 MF Mittenband - OFF
 HF Höhenband - OFF
 Tube Saturation - 25 bis
50%
 Treshold - +- 0
dB
 Ratio - 1:1
 Filter - OFF
 Compression Mode - V1 or
V3
Conclusion

The MindPrint Envoice-MKII is a transistor interface with optional tube circuitry, for superior voice.

Whether purely with transistor or recorded with tube circuitry is to let each flavor self (make several
test shots). For sound working it is equipped with EQ, compressor and LowCut filter. Thus, the audio
signal could be processed even when recording. But the trend goes in the direction of the computer-
based editing of audio material, and thus a pure, purist recording - but with the best possible
hardware. The A / D converter of the device (optional or Digital Edition) is equipped with a fast USB
2.0 computer connection. The MindPrint Envoice MKII does, however, even without EQ and
compressor, what it should: recording and converting.

Such a "channel strip" clearly belongs to a well-equipped recording studio.

Use: recording.

 Value for money - 7/10

 Audio aquality - 8/10
 Features - 10/10
 Disposition - 7/10
 Overall - 8/10

www.thomann.de - MindPrint Envoice MKII

RME Fireface UC USB

RME Fireface UC, 36-Channel USB 2.0 Audio-Interface, 18 I/O´s useable at the same time, 24-Bit /
192 kHz AD/DA Converter, 2 Mic Preamps with digital controlled Gain, 48V Phantom Power
switchable per Mic Channel, 8 analog I/O´s, Instrument Input, ADAT I/O, SPDIF I/O, MIDI I/O, Word
Clock, Intelligent Clock Control, SyncCheck, SyncAlign, SteadyClock, DIGICheck and TotalMix, 9,5",
1HE

The compact Fireface UC has been uncompromisingly optimized for highest performance under
Windows and Mac OS. Based on a newly developed RME Hammerfall core the Fireface UC provides
revolutionary ultra-low latencies even with multiple channels. It uses two different firmware versions
with different transfer methods to remove current restrictions of typical USB audio interfaces. The
unit's operating mode Win or Mac can be changed directly at the unit at any time. Under Mac OS the
Fireface's MIDI ports are class compliant, the operating system therefore automatically uses the
included MIDI driver.

Under both Operating Systems the available latencies* are simply sensational. The smallest buffer
offered under Windows has 48 samples, under Mac OS X 14 samples. With this RME provides a
performance previously not available from USB audio interfaces.

Conclusion: (in progress)

www.thomann.de - RME Fireface UC USB

Focusrite ISA ONE

Focusrite ISA One - 1-channel preamp with mic/line/instrument input, insert, line/DI output,
switchable impedance, headphones output with level control, VU meter, hi-pass filter, 48V phantom
power, optional 192kHz A/D converter. Dimensions: 220 x 104 x 254-290mm (top to bottom)
(WxHxD). Weight: 3.9kg

The Focusrite ISA ONE is a compact microphone preamplifier. Microphones, instruments or line level
signals can be used. Microphone or line level sources to be connected to the back, while instruments
are connected directly to the front. At the front there are also controls for pre-amplification, and
other settings, such as phantom power and input impedance. There is also a traditional and an LED
VU level meter modulation, both with sliders to calibrate on the back for optimum adaptation.

Preamp setting (Audiobook)

 Gain Input - As described

adjust (see Questions and Answers)
 +48V - ON
 30-60 - 30 or 60
 HPF - ON
 Phase - OFF
 Insert - OFF
 Input - Mic
 Z In - ISA 110

Conclusion

Well-equipped, compact mic preamp for an audio channel. The original ISA110 amplifier circuit
formed the cornerstone of Focusrite's legendary Forte console.

Use: recording.

 Value for money - 8/10

 Features - 9/10
 Disposition - 9/10 www.thomann.de - Focusrite ISA ONE
 Overall - 9/10
Headphone (first page)

High-quality headphones is required if production comes to monitoring. In contrast to the production

of music - which is working almost with audio boxes - will be the voice-wave controlled with
headphones. And with various models, since each pair sounds different.

We distinguish between closed and open, supraaural and circumaural headphones:

• Closed shield the area between the ear and the outside world better and give the bass more,
louder
• The open shield the ear only a little, so that the outside world can be perceived, but they
have a natural sound and can be worn longer
• Circumaural listeners sit better, distribute pressure over a larger area of the head, but are
more expensive than the supraaural.

I use several high-end headphones in the workflow. Only this will ensure that the finished audio book
on every conceivable variant of audio hifi system runs very well.

Normal audio speakers (near field monitors)? I have in my equipment, but use they only as a random
sample.

Now you just have to find the correct working procedure, to master these complex equipment.

↓
AKG K 272 HD

AKG K-272 HD Studio - stereo closed back dynamic headphones, circumaural design, 55ohms rated
impedance, 200mW maximum input power, frequency range: 16Hz-28kHz, 104dB/V sensitivity, self-
adjusting headband, single side jack, Includes 3mtr cable with 3.5mm stereo mini-jack plug, incl. gold
plated 1/8" to 1/4" screw-on adapter, Weight: 240g (without cable)

Conclusion

Very easy and good to wear brand headphones, which can be used both in the studio or in the hifi
field.

Use: recording, editing, mastering, hifi.

 Value for money - 8/10

 Sound - 8/10
 User comfort - 10/10
 Disposition - 8/10
 Overall - 8/10

www.thomann.de - AKG K 272 HD

AKG K 271 MKII

AKG K-271 MKII Studio - stereo closed back dynamic headphones, circumaural design, 55ohms rated
impedance, 200mW maximum input power, frequency range: 16Hz-28kHz, 104dB/V sensitivity, self-
adjusting headband and auto-shut-off feature, single side jack, Includes 3mtr cable with 3.5mm
stereo mini-jack plug, 5mtr coiled cable with 3.5mm stereo mini-jack plug, 1 pair of velvet pads and
gold plated 1/8" to 1/4" screw-on adapter, Weight: 240g (without cable)

Conclusion

Studio classics from AKG. Very lightweight and easy to wear, balanced warm sound and excellent
bass characteristics. A true all-rounder, from listening to the recording on the cut and the mastering.

The AKG K 271 may be missing thus in no studio.

Use: recording, editing, mastering, hifi.

 Value for money - 10/10

 Sound - 10/10
 User comfort - 10/10
 Disposition - 10/10
 Overall - 10/10

www.thomann.de - AKG K 271 MKII

AKG K 702

AKG K702 High-End Reference Headphones - revolutionary flat wire voice coil technology, Varimotion
2-layer diaphragm, dynamic, open back design, 62ohm impedance, frequency range: 10Hz-39.8kHz,
200mW maximum input power, 3m cable with gold-plated 1/4” jack connector. Weight: 235g (not
including cable)

Conclusion

Expensive reference headphones from AKG.

He has completely different sound qualities than his brother (271 MKII): much less bass, but a
greater detail impression. Therefore, it is ideally suited for fine-tuning of a voice. It happens very well
that the K 702 is not a gigantic slicer, but a delicate small blade. Because there are small flaws: The
headband pressed after prolonged work.

In combination with a closed, strong bass headphones (K 271), a real power.

Use: recording, editing, mastering, hifi.

 Value for money - 8/10

 Sound - 10/10
 User comfort - 6/10
 Disposition - 9/10
 Overall - 8/10

www.thomann.de - AKG K 702

Converter (first page)

About audio interfaces (converter), the signals are routed to the computer. Thus, the computer that
can do, it needs a translator: the converter.

The converter hacked these analog signals into ones and zeros.: in very small distances (The smaller,
the more exactly[at a sampling frequency of 48 kHz] forty-eight thousand times per second). The
signal is cut off and placed in the form of many small data packets. In contrast to our three-
dimensional world, the computer knows no flowing transitions - he dissect them.

Is this data stream stored on the computer, it will be with professional software, bring back into
waveform.

Blueprint – Studio „Normal“

TC Konnekt

TC Electronic Konnekt 24D - 24bit/192kHz FireWire audio interface with 14 I/O's, 2x mic/inst/line
inputs, 4x line inputs and 4x line outputs, 8x ADAT and 2x S/PDIF (optical and coaxial) inputs and
outputs, MIDI in/out, built-in real-time DSP effects, Fabrik R reverb and Fabrik C channel strip (based
on MINT), dual headphone outputs (one with auto speaker muting), powered via FireWire bus,
includes Cubase LE.

Konnekt 24D is a groundbreaking audio interface that integrates the world's known effects of TC in
an elegant form. The well-known from the PowerCore plug-ins, Fabrik C (a virtual strip) and Fabrik R
(reverb) are part of the Konnekt 24D and are also available when the device is in stand-alone
operating mode. The Konnekt 24D is designed for musicians in the studio as well as on the stage
value to create perfect sound quality.

Conclusion

Beginner interface that is used even after the phasing out yet. As an external sound module is it used
at the cutting and mastering. As external headphone port.

Use: recording, editing, monitoring.

 Value for money - 7/10

 Audio quality - 7/10
 Features - 8/10
 Disposition - 8/10
 Overall - 7/10

www.thomann.de - TC Konnekt
MindPrint Envoice MKII

Mindprint Envoice MkII Digital Edition - valve microphone preamp, compressor, EQ (semi-parametric
bass & treble, fully parametric mid), rackmountable (19"/1U), includes DI-MOD USB interface.

Recording medium, mixing console functions, effects and production tools are now united in the
computer. The excellent audio quality available to everyone who works with music software. In
professional productions, the full audio quality should be used! The difference lies in the processing
of the input signal. The En Voice MK II offers you the necessary tools for a high quality signal
processing before recording: ultra-low noise mic preamps, musical EQ, Compressor. The optional DI-
MOD converter modules to transfer your digital signals without loss to the computer.

The MindPrint Envoice MKII is the first channel strip that is a true match for laptops in terms of both
the sonic quality and mobility. Road-ready courtesy of its USB port and automatic switched-mode
power supply, it goes where you go, operating reliably when you get there. Though the USB interface
is now commonplace, unfortunately no USB interface to date has been able to render the same loss-
free sonic quality as the Envoice MKII.
A further stride toward total independence is the automatic switched-mode power supply, which
frees the Envoice MKII from the constraints of local mains voltage and protects it against fluctuating
current and power surges. The combination of a tube-driven preamp with an onboard
digital interface and a switched mode power supply transforms the Envoice MKII from a reliable tool
into a very personal instrument, totally independent of operating voltage and computer interface.
Wherever you go, it goes with you, giving your creativity. Everywhere, all the time - even on a trip
around the globe.
Interface setting - MindPrint En-Voice MKII Interface setting(tube) without EQ and
(Audiobook) compressor (Audiobook)

• Mic Gain - +30 to • Mic Gain - +30 to

+35 dB +35 dB
• 48V - ON • 48V - ON
• Low Cut - ON • Low Cut - ON
• LF Bass - +1 dB • LF Bass - OFF
at 200Hz • MF - OFF
• MF - +1 dB • HF - OFF
at 4,4 KHz, Q 1 to 2 • Tube Saturation - 25 to
• HF - +1 dB 50%
at 8 KHz • Treshold - +- 0 dB
• Tube Saturation - 25 to • Ratio - 1:1
50% • Filter - OFF
• Treshold - -16 to • Compression Mode - V1 or
-20dB V3
• Ratio - 1:1
• Filter - ON Interface setting for working with ext. Preamp
• Compression Mode - V1 or (Audiobook)
V3  Line Gain - 0 dB
Interface setting without EQ and compressor  48V phantom power - ON
(Audiobook)  Low Cut - ON
 All others - OFF
• Mic Gain - +42 to
+52 dB Interface setting (tube)for working with ext.
• 48V phantom power - ON Preamp (Audiobook)
• Low Cut - ON
 Line Gain - 0 dB
• All others - OFF
 48V Phantomspeisung - OFF
 Low Cut - ON
 LF Bass - OFF
 MF Mittenband - OFF
 HF Höhenband - OFF
 Tube Saturation - 25 bis
50%
 Treshold - +- 0
dB
 Ratio - 1:1
 Filter - OFF
 Compression Mode - V1 or
V3
Conclusion

The MindPrint Envoice-MKII is a transistor interface with optional tube circuitry, for superior voice.

Whether purely with transistor or recorded with tube circuitry is to let each flavor self (make several
test shots). For sound working it is equipped with EQ, compressor and LowCut filter. Thus, the audio
signal could be processed even when recording. But the trend goes in the direction of the computer-
based editing of audio material, and thus a pure, purist recording - but with the best possible
hardware. The A / D converter of the device (optional or Digital Edition) is equipped with a fast USB
2.0 computer connection. The MindPrint Envoice MKII does, however, even without EQ and
compressor, what it should: recording and converting.

Such a "channel strip" clearly belongs to a well-equipped recording studio.

Use: recording.

 Value for money - 7/10

 Audio aquality - 8/10
 Features - 10/10
 Disposition - 7/10
 Overall - 8/10

www.thomann.de - MindPrint Envoice MKII

RME Fireface UC USB

RME Fireface UC, 36-Channel USB 2.0 Audio-Interface, 18 I/O´s useable at the same time, 24-Bit /
192 kHz AD/DA Converter, 2 Mic Preamps with digital controlled Gain, 48V Phantom Power
switchable per Mic Channel, 8 analog I/O´s, Instrument Input, ADAT I/O, SPDIF I/O, MIDI I/O, Word
Clock, Intelligent Clock Control, SyncCheck, SyncAlign, SteadyClock, DIGICheck and TotalMix, 9,5",
1HE

The compact Fireface UC has been uncompromisingly optimized for highest performance under
Windows and Mac OS. Based on a newly developed RME Hammerfall core the Fireface UC provides
revolutionary ultra-low latencies even with multiple channels. It uses two different firmware versions
with different transfer methods to remove current restrictions of typical USB audio interfaces. The
unit's operating mode Win or Mac can be changed directly at the unit at any time. Under Mac OS the
Fireface's MIDI ports are class compliant, the operating system therefore automatically uses the
included MIDI driver.

Under both Operating Systems the available latencies* are simply sensational. The smallest buffer
offered under Windows has 48 samples, under Mac OS X 14 samples. With this RME provides a
performance previously not available from USB audio interfaces.

Conclusion: (in progress)

www.thomann.de - RME Fireface UC USB

Microphone Cables (first page)

At the microphone and converter cables, it is important, as long as the routes analog run, take only
the best. And in the compact audio studio, with a single signal channel (micro), and an immediate A /
D conversion, is this no big deal. Two short cables usually suffice.

Microphone - Microphone Cable - Preamp - Converter Cable – Converter

Once the signal is digital, so any cable can be used. Whether the USB Firewire cable is good or bad is
not important - ones and zeros are not superficial.

Blueprint – „Record“
Vovox Mikrokabel

Vovox protect S200, XLR female/XLR male 2m, high-end balanced sound conductor with an
extraordinary sound quality (shielded), for microphones or balanced line-interconnects, silver-plated
solid-core conductors, covered with two layers of high-tech polymers, gold-plated XLR plugs.

Conclusion

Top class!

Vovox AES/EBU Preamp- Wandlerkabel

Vovox link direct SD AES/EBU 110 Ohm cable, XLR female/XLR male, length 1m.

Conclusion

Top class!

www.thomann.de - Vovox Mikrokabel

www.thomann.de - Vovox AES/EBU

Software (first page)

The software is divided into three groups: first, the sequencers, secondly, the editors and thirdly, the
plug-ins.

Many manufacturers have developed computer-controlled audio editing software. They invented all
sorts of tools with the most amazing properties. And although at first consequence for television and
music industries; but that does not mean that it can not be utilized for voice (audiobook) - in fact,
from this technical groundwork, can be the greatest benefits are drawn.

Sequenzer

With the sequencers, especially in the audio book production, only recorded. You control the volume
(RMS average level), format (32-bit float), and add effects. It is advisable to produce no audio edit
actions in the recording; because they can not repaired later. The audio editing is best done with an
editor software!

Editorsoftware

The editor software is the main tool in computer-based production process. The method, which,
after the recording process, the data again shown in wave form and processed.Briefly, there is the
working field: a wave from left to right, in a plus and minus oscillation on the time line, runs forward.
Using different tools can now be intervened in manifold ways. If one looks at the waves in a very
small area, so even the individual steps (bits) are visible. An experienced mastering editor changed
the audio material through complex steps, from a initial lukewarm quality to a great final product.

PlugIns

The plug-ins support the first two helpful. They produce by the recording or mastering, digital
intervention or effects.

For audio books that are excellent:

 DeNoiser - remove possible noise.

 Equalizer - works at different points in the frequenz band (strengthen or weaken).
 Compressor - compress the wave sausage to make it louder at the end.
 exciter and enhancer - adds overtones (firstly, lost tones in the working process / and
secondly, virtual tones).
 DeEsser - edited problematic frequency ranges (Pop-lute, S-lute).
 Loudness Maximizer - adjusted and regulated the final volume.
 DitherPlugIn - adds a soft, not well audible, but constant noise.

A look back, and in the future

In earlier, the analog days, this intervention still had to be done with expensive hardware. Equalizer,
compressor and effects device has been connected after the preamplifier, each associated with the
best, expensive cables. Some of these devices were so expensive (20000, 30000 thousand dollars,
and more), that could be done only in very few centralized studios. Today, however, anyone can
take this standard. And the development is progressing!

There are several software forges, the constantly throwing new programs or revised successor to the
market. - It can not only today but also in the future, to expensive hardware-process devices be
waived - except mic, preamp and converter!

Some of these processes are computer controlled and run totally automatically, but the correct
parameters must be set by an experienced engineer. In any case, the most work has the mastering
editor.

For the editor it is extremely important that he can listen the audio signals with the best monitors.

↓
Audacity

Audacity is free, open source software for recording and editing sounds. It is available for Mac OS X,
Microsoft Windows, GNU/Linux, and other operating systems.

You can use Audacity to:

 Record live audio.

 Convert tapes and records into digital recordings or CDs.
 Edit Ogg Vorbis, MP3, WAV or AIFF sound files.
 Cut, copy, splice or mix sounds together.
 Change the speed or pitch of a recording.
 And more! See the complete list of features.

Conclusion

Audacity is a free recording software in a class. Comparing audacity (pure hardware comparison,
without plug-ins) with more expensive branded software, so there is no difference. In the final result,
the purchased software is a little bit better.

Use: recording.

 Value for money - 10/10

 Audio quality - 10/10
 User comfort - 10/10
 Features - 7/10
 PC crash - 4/10
 Disposition - 8/10
 Overall - 8/10

www.audacity.de
Cubase 5

Steinberg Cubase 5 (English Version) - sequencer/hard disc recording/editing/mixing software (audio

& MIDI) for PC & Mac. New functions: sound frame manager, control room section, LoopMash,
Groove Agent ONE and Beat Designer, vocal editing and pitch correction, Reverb REVerence. For Win
XP/Vista, Mac OS X Universal Binary (Intel Mac compatible).

Cubase 5 comes with fully integrated new tools for working with loops, beats and vocals, such as
LoopMash and VariAudio, combining with new composition features and the first VST3 convolution
reverb to take musical creativity to new heights. With stunning innovations and additional
enhancements that boost productivity and performance, Cubase 5 represents the absolute cutting
edge in digital audio workstations.

Conclusion

Professional secquencer from Steinberg. With cubase be only recording the voice, but only for this,
it´s too bad. Cubase is commonly utilized for music production. It highly desirable if Steinberg, or
another, would develop a professional sequencer just for the record.

In contrast to "Audacity" is cubase a crashproof software. Controlling during and after the recording
is in progress in an orderly, familiar Wavelab orbits. The statistic tool (RMS average level) controlled
the volume, to pass then only the best level to the editor.

If one looks over the price and has worked properly, so there is nothing to criticize.

P.S. Cubase Essential? This I have not considered, since, the essential statistical tool (RMS average
level) does not exist on this version.

Use: recording, mix.

 Value for money - 9/10

 Audio quality - 10/10
 User comfort - 8/10
 Features - 10/10
 PC crash - 10/10
 Disposition - 10/10
 Overall - 10/10

www.thomann.de - Cubase 5
Wavelab Essential 6

Steinberg Wavelab 6 Essential - suite of audio editing tools tailored to the needs of musicians, smaller
recording environments and podcast authors. Provides a full complement of streamlined editing and
CD/DVD burning capabilities. The integrated podcast tools combine professional editing, restoration
and mastering capabilities with full internet audio publishing features, creating a unique one-stop
application for recording, editing, CD burning right through to online publication via podcast.
WaveLab Essential 6 is also an ideal addition to both Sequel and Cubase. Compatible with Windows
XP/Vista (32bit).

Conclusion

Attenuated version of Wavelab. In order to familiarize themselves - working with complicated

professional software - can be at the begin, the attenuated Wavelab version be used. Not everyone
will like to spend right away five hundred euros for the full version.

Wavelab Essential can be used as a sound meter (average RMS level) for the recording computer. The
main software is enabled via included USB Flash Drives; wavelab essential operated without an
additional USB stick.

But in the longer term as the main editor program is not suitable.

Use: cut, mastering.

 Value for money - 9/10

 Audio quality - 10/10
 User comfort - 8/10
 Features - 8/10
 PC crash - 8/10
 Disposition - 9/10
 Overall - 9/10

www.thomann.de - Wavelab Essential 6

Wavelab 6

WaveLab 6 is the all-in-one solution for professional mastering, high resolution multi-channel audio
editing, audio restoration, sample design and radio broadcast work right through to complete
CD/DVD-A production. Already a standard application for digital audio editing and processing due to
its outstanding flexibility and pristine audio quality, WaveLab is used worldwide by top professionals
and audio enthusiasts alike.

Steinberg WaveLab 6.0 - with german manual, audio editing, DVD-Audio authoring and mastering
software for PC, over 120 new features, DIRAC timestretching and pitchshifting, 32-bit floating point
processing up to 192kHz. Redbook audio CD, DVD-Audio & sampler support.

Conclusion

The main working field of the editor. In this professional software, all threads come together and are
blended together.

UAD and Powercore plug-ins are be adjusted and controlled via Wavelab, and used. The entire digital
workflow process runs over them. The three different volume Points (recording, audio editing and
finish volumes) are with the Wavelabanalyse monitored, recorded and adjusted.
With Wavelab tools (Pegel Correction + / -, Parametric Equalizer + / -, Time Correction + / -) will
occasionally worked. The rendering window provides a smooth control of the various in-house and
DSP plug-ins.

WaveLab 6 is a complex but very good software; because most of the tools can also be used. This
software is developed since 1995 - there will certainly be developed further, and is absolutly future
proof. There are other editors (Pro Tools), which are also praised in glowing terms - I bought
Wavelab 6, and never regretted that decision.

With Wavelab be their artistic visions into reality!

Use: cut, mastering.

 Value for money - 10/10

 Audio quality - 10/10
 User comfort - 8/10
 Features - 10/10
 PC crash - 10/10
 Disposition - 10/10
 Overall - 10/10

www.thomann.de - Wavelab 6
UAD

Universal Audio UAD-2 Solo PCIe DSP Card - 2.5x the power of the UAD-1, LiveTrack low-latency live
monitoring/tracking mode, use up to 4x UAD-2 and 4x UAD-1 cards in one system. Includes Mix
Essentials II (1176SE Limiting Amplifier Emulation, RealVerb Pro, CS-1 Channel Strip, Pultec EQP-1A
EQ Emulation). Includes $50 voucher for the UAD shop. Supports AU and VST platforms. Compatible
with Mac OS X (Tiger & Leopard) and Windows (XP & Vista).

PCIe DSP card with effect plugin bundle for integration into existing DAW systems. The UAD powered
plugins platform offers the world´s most authentic analog hardware emulations plugins for Mac an
PC. Whether tracking, mixing or mastering in Pro Tools, Logic, Cubase, Nuendo and more. Uad
Powered plugins provide dead-on emulations of classic equipment from Neve, Roland, Boss,
Empirical Labs, EMT, Fairchild, Harrison, Helios, Little Labs, Pultec, SPL, Teletronix, Trident, and more.
These plugins can be freely auditioned in a fourteen das demo mode, and then purchased via online
store.

Conclusion

Indispensable utensil for the mastering. With the compressor LN1176, the equalizers Cambridge and
Pultec Pro have you so good plugins in your reservoir, so it would with them alone sufficient. The
plugins can be tested 14 days.

Buy recommendation for this DSP card. The smallest card (power) is enough!

Use: recording, editing, mastering. (in conjunction with Cubase, Wavelab, etc.)

 Value for money - 10/10

 Audio quality - 10/10
 User comfort - 10/10
 Features - 8/10
 PC crash - 10/10
 Disposition - 10/10
 Overall - 10/10

www.thomann.de - Universal Audio UAD-2 Solo Flexi

Powercore

TC Electronic Powercore X8 DSP system - FireWire connection, 8x 150MHz DSP processors, includes
14x plug-ins, Compatible with Windows XP and Mac OSX. Supports VST and AU. Includes a plug-in
voucher worth $500, which you can redeem at the TC online store for optional PowerCore plug-ins.
Dimensions: 19" x 1U.

PowerCore is a superior range of high-end plug-ins that run on tailor-made hardware. The range
covers any need that you might have, and in a quality that you’ve probably not been used to with
other VST and AU compatible plug-ins. From basic tools like reverbs, EQs, compressor/expanders,
chorus/delays, over plug-ins that are dedicated to the voice, sporting pitch correction and Voice
Modeling™, to some of the very best tools on the market, like the Restoration Suite and the “System
6000 for PowerCore” plug-ins. PowerCore combines the best features from the world of hardware
with ultimate processing from the world of software. With PowerCore you get the superior sound of
hardware and the total integration that software has to offer – you might say that PowerCore is the
sound of hardware perfectly integrated with any VST or AU environment. On top of that you get
exclusive access to the best tools in the business, not only from TC Electronic, but also from a
growing number of 3rd party developers. With 5 different flavors to choose from, we’ve given you
the ultimate freedom to pick and tailor your setup to your needs.

Conclusion

PowerCore is another DSP unit for plug-ins. Also here are some tools available that can be tested
before they were acquired (TC software purchases are best when it is lowered [one or two times a
year, there is -50% on all plug-ins]). Helpful is the EQSat equalizer, the Dynamic EQ and the MD3
mastering processor.

Necessary utensil to supplement the UAD card. The smallest unit (power) is enough!

Use: recording, editing, mastering. (in conjunction with Cubase, Wavelab, etc.)

 Value for money - 9/10

 Audio quality - 10/10
 User comfort - 8/10
 Features - 8/10 www.thomann.de - Powercore PCI Express
 PC crash - 9/10
 Disposition - 9/10 www.thomann.de - Powercore x8
 Overall - 9/10
Other Equipment (first page)

The T.Akustik SA-P Pyramid Foam

the t.akustik SA-P pyramid foam - 1m x 1m, 8cm height. Order code for glue: 177265, with Flame
Protection - but easily inflammable material

Conclusion

Absorbs sound waves. Excellent behind the microphone.

www.thomann.de - The T.Akustik SA-P Pyramidenschaum

The T.Akustik Pyramidenschaum 5020 2ER SET

The T.Akustik Pyramid Foam 5020 / 50mm x 20cm pyramids, pack of 2 / Dimensions: 1 x 1m (7cm
depth) / Colour: Grey / Order code for glue: 177265.

Conclusion

Absorbs sound waves. Excellent behind the microphone.

www.thomann.de - The T.Akustik Pyramidenschaum 5020 2ER Set

The T.Akustik Contact Clue

the t.akustik contact glue for t.acoustic elements - 310ml tube. One tube cover approximately 4 -10
square meters depending on the condition of the wall.

Conclusion

Strong adhesive for the music equipment affixing to the walls.

www.thomann.de - The T.Akustik Kontaktkleber

K&M Microphone Stand

K&M 26020 microphone stand - heavy 250mm round stand with rubber insert to absorb handling
noise, adjustable boom from 420 to 720mm, adjustable height from 860 to 1550mm. Weight: 6.4kg.
Colour: Black.

Conclusion

For the microphone and the text.

www.thomann.de - K&M Mikrofonständer

K&M Pop Filter

K&M Pop Filter, professional pop filter with nylon screen, quality product, made in Germany.
Attaches to mic stand, Diameter of the Screen: 130 mm, gooseneck Length: 330 mm, weight: 0,18 kg,
useable with mic stands up to 23 mm Diameter, colour: black

Conclusion

No audio voice without popfilter!

www.thomann.de - K&M Popkiller

Riedel March Fork Trumpet

Riedl 203 N brass march fork for trumpet - screw fixing at cup. Nickel plated.

Conclusion

Misused small music equipment. Working on a microphone stand (to down ), serves it as text pult.

www.thomann.de - Riedel Marschgabel für Trompete

Celestial Acoustics APP-S Absorber 8er Set

Celestial Acoustics APP-S small absorption polyester panels - Absorber set with 8 pieces / Designed
to absorb intermediate and high frequency sound waves for acoustic room treatment / Dimensions:
30 x 30 x 2.2cm / Colour: Beige

Conclusion

This absorber is used for a special design: as a filter. For this purpose, a flexible foam is cut and
attached to the surface of the absorber. Subsequently, this self-design filter is attached on a mic
stand (K & M 26020) and positioned directly behind the microphone.

This filter is modeled venal filters and is specifically designed for audiobook studios. The
commercially available filters are usually mounted on a vertical stand, but I need a horizontal
hanging, attached to a mic stand (with swivel arm). For a good visibility of the text - a foot that fit
perfectly!

www.thomann.de - Celestial Acoustics

Celestial Acoustics

Celestial Acoustics APP-L Large Polyester Absorption Panels - 4-piece absorber set for room
treatment. Dimensions: 60 x 60 x 2.2cm. Colour: Beige

Conclusion

Suitable for affixing on the ceiling. Improves the room acoustics.

www.thomann.de - Celestial Acoustics

Workflow (first page)

1. Script writing - numbering, sentence separation, a sense of separation, the main

emphasis, minor emphasis,information.

2. Recording - voice warm-up, short session, 32-bit format.

3. Cut – provisionally (distance from waste material), cut (cut-vote / AKG-K271MKII –

AKG-K702), 32-bit format.

4. Backup - original cut CD and external hard drive.

5. Rendering (audio-editing) – appropriate plugin-vote (fine-tuning with all available

headphones), rendering, 32-bit format.

6. Mastering – harmony 1 (AKG-K271MKII), 32-bit format.

7. Backup - original master CD or external hard drive.

8. Rendering (volume) - brickwall limiter (or a similar plug-in), 32-bit format.

9. Mastering – harmony 2 (UV22 HR / AKG-K702MKII), 32-bit format.

10. Backup - original master CD and external hard drive.

11. Rendering (CompactDiscNorm) – dithering, 16-bit format, 44100 Hz.

12. MP3 conversion - >>I use the switch sound file converter.<<

13. End - Original CD

(first page)