Professional Documents
Culture Documents
4
lIfe
SPIES 4 LIFE
CONTENTS:
03 FREE HUGS
04 THE DUST.............................................................................AUDREY LANE COCKETT
05 WE ARE HAPPY...........................................................................................JACK ORION
06 BEING WOKEN...........................................................................................DEVI UNOON
07 IN CIRCLES..............................................................................................JENNY ELLEST
09 BELIEVE YOUR LOVER WHEN SHE TELLS YOU................................ANNA KAHN
10 DREAM PALACE: THE LIFE OF A POSTMAN..........................................EMMA A. P.
12 THE CAMERAMAN...................................................................................MARK SMITH
13 CANNIBAL HYMN...................................................................................................ANON
15 IM NOT HERE FOR YOU.....................................................................LOUISE GAROO
16 EIGHT WORDS........................................................................GEMMA WOOLGATHER
17 EXCERPT FROM FISHERMENS TALES.....................................PETER KENNEDY
18 SADISTOCRACY...................................................................................................J. SWIM
19 MONKEY BARS........................................................................CARMINA MASOLIVER
20 ON THE TRAIN.............................................................................BOUDICCA PALOMA
21 EMPTY HAIKU...................................................................................SEEG KRULLEBOI
22 MY BOYFRIEND IS A BOX..................................................OKTAWIA PETRONELLA
23 THREE BULLETS FOR................................................................VINCENT VAN GOGH
24 CLAVICEPS PURPUREA........................................................................HELEN ROWLE
25 RICHARD NIXONS DAUGHTER........................................................................C. LINE
26 JANUARY HAIKU...............................................................................CHARLIE OBEAH
27 AN ECOLOGY...........................................................................................STEVE PILLEY
28 FOR THE BANGLADESHI BLOGGERS..................................................JENA MILLER
29 LONELINESS.....................................................................................RICHARD BLANDS
30 DREAM AMERICA........................................................................................JADE OISM
31 LEPROSY ISLAND.........................................................................ENHEDDUANA LIPP
32 OUR SKY OF DIAMONDS?................................................................TOM SINCLAIR
33 WE JUST IGNORED IT BUT IT DIDNT GO AWAY.................................NEV SULLY
34 SHRUG.........................................................................................JOHNNY LIGHTNINGS
35 THE SNAKE-PIT....................................................................................JENNY CELESTE
36 UNTITLED....................................................................................CLAUDE WOLFGANG
37 VICTORY...............................................................................................FREYA DELYSID
38 GRANDFATHER WIND.......................................................AUDREY LANE COCKETT
40 ITS NICE WHEN EVERYONES NICE.......................................SINEAD COTTONON
FREE HUGS
I dont want Free Hugs,
I want the sort of hugs you have to work for.
THE DUST
Audrey Lane Cockett
I turn my pillow over to the cold side and remember
The dust
That stuck in the corners of my mouth
And embedded in the oily crevices of my nose
I remember the leaf hash
Uncovered from winters retreat
Swept up
Making its way from behind a cement wall
Spiraling hypnotic
Into the roaring urban passage
Like trance dancers
In the dust
WE ARE HAPPY
Jack Orion
Once a thing is seen it cant be unseen.
Weve totted up our profits and losses:
Now were happier than weve ever been.
Were well cared for in our economy:
The good young men have all got good bosses.
Once a thing is seen it cant be unseen.
I watched you watch us on a TV screen:
Fifteen minutes playing noughts and crosses.
Now were happier than weve ever been.
This flat is our castle, daybreaks our dream:
The good women have all got good bosses.
Once a thing is seen it cant be unseen.
The neighbours swoon for our patches of green:
Weve poisoned the poison weeds and mosses.
Now were happier than weve ever been.
Were in the group, the squad, were on the team:
Some good day we might get to be bosses.
Once a thing is seen it cant be unseen.
Now were happier than weve ever been.
BEING WOKEN
Devi Unoon
Being woken by a woman screaming: wake UP up onto your feet, look around, youre in a room
youve never been in before, someones living-room, a woman youve never seen before is shouting,
a bloke appears: What the FUCK is going on? Youre like: Where am I where am I where am I?
WHAT THE FUCK ARE YOU DOING IN MY HOUSE? I dont know I dont know I dont
know, where am I oh god, the womans screaming something about the police, the mans gonna
KICK YOUR FUCKING HEAD IN, youre like: Im sorry Im sorry Im sorry Im sorry Im
sorry I hope this never happens to me.
THE CAMERAMAN
Mark Smith
I am the cameraman and I see you,
I see everything you do:
I see you all day, I see you all night,
And all things considered yeah youre alright.
If you look into the history of Writing you find that the earliest examples archaeologists have dug up
are shopping-lists, laundry-lists, that sort of thing, then theres this evolutionary leap and you start
getting laws being written down, moral precepts, you start getting imagery, metaphor and whatnot;
but the first instance of something containing narrative elements was The Pyramid Texts. This
was a private story, written on the inside of one of those big fuck-off tombs for one of those big fuckoff Egyptian rulers, the idea being that when this guy died and was resurrected he could read the
hieroglyphs around him and be reminded of who he was and what he was supposed to be doing.
The Pyramid Texts are really really really long, and theres a section in the middle which is itself
really really really long, the following is a drastically edited version of that segment. This is the
beginning of Literature; this is the story we started telling ourselves when we got to the point where
we were able to tell ourselves stories; this is:
SADISTOCRACY
J. Swim
Congratulations! The age-old dream has been attained, weve built machines to do all the work;
Any man or woman not in work will be whipped.
MONKEY BARS
Carmina Masoliver
I swing on monkey bars
and hang off primary coloured climbing frames,
where bare legs endure
no more than grazed knees.
They try to tie me into a skirt-suit,
paint on glossy black tights,
tell me to keep court heels tucked into my bag,
and wear trainers for the commute,
but I press my foot down,
push myself up to vertical,
hook my leg around a pole
and hang.
My body turned like an hourglass,
blood rushes to my head.
To let go as I hold on
comes as easily as breathing in and out.
My legs may be bare, may be bruised,
but they are strong, with this metal are one,
so dont watch waiting for me to fall,
petal, move along.
I may be grown up now,
but Im still upside-down
and holding on.
EMPTY HAIKU
Seeg Krulleboi
Cant think of a thing.
The spaces between the words
Are this evenings Art.
MY BOYFRIEND IS A BOX
Oktawia Petronella
My boyfriend is a box.
If youre in the box, its all great
Hell give you his entire self; his whole box.
The world is your box.
Once out of the box, there are no half measures.
Everything that surrounds the box is toxic.
If you come anywhere near it, it will shake and become unstable.
If you really push it, it might even fall apart.
You can only fully appreciate the box when youre inside it
It reveals itself to you in its full glory.
Otherwise on any terms it is
Closed, Cold and Rigid.
JANUARY HAIKU
Charlie Obeah
The snow falls upwards,
From the pavement to the clouds:
My kind of morning.
AN ECOLOGY
Steve Pilley
Leaned on March wind till it bore me
On nursery rhyme wing and no prayer and no care
Into the air
There at the dawn of my cosmos.
Upside down swoon in blue glory,
Reflexively swam never finned never winged
Who never sinned
Thinned out in Spring in my city.
High as a kite in the morning,
As high as a king a balloon or like noon
Sun late in June
Spoon-feeds the leaves of my forest.
Freed yet enthralled in euphoria
Im lost when the three oclock light silver light
Summers day light
Lights on the green of my meadow.
Strong in descent swooping soaring
When heightens each sense of the Fall when hearth calls
When ripe fruits fall
Tall grow the fruits of my family.
Old by the fireside with stories.
Dark evenings its fine merriment time well spent
No heaven sent
Strength in the bones of my homestead.
Still on cold ground midnight hoary
These folded wings grizzled and tired
And expired
Dissolve in mire
Siring the whole of my future.
LONELINESS
Richard Blands
Yeah well there are worse things than loneliness, I said
To myself.
DREAM AMERICA
Jade OIsm
In Dream America you are first stunned by the skyscrapers,
You never knew the world could be this big.
In Dream America whatever food you like best is the food thats best for you.
Dream Chicago East Side custard-pie guns
Dream the bullies in bins covered with shit and your forgiveness
Dream action
In Dream America everythings got a soundtrack!
In Dream America were all about the pursuit of happiness!
We could go behind the scenes in Dream America!
In Dream America Coca-Cola won the war against Hitler
And old Bill Hicks advertises Coca-Cola cos fuck you
And Martin Luther King wasnt particularly special, he was just the
Fourteenth black President.
The Central Intelligence Agencys building an Octagon and
Everyones invited.
LEPROSY ISLAND
Enhedduana Lipp
On this side of the street are the pubs where youre allowed to hit women,
On the other side are the pubs where youre not.
We believe in equality.
On these streets you dump your lovers
By driving them to dump you.
Your parting words are always: In my imagination it was better.
In surgeries doctors eliminate bodies and
Leave the diseases behind.
Everyones waiting for an excuse to think the worst of you.
No-one wants to talk to me.
Ill talk to you!
Stop talking to me.
In pubs people get anxious if youre sitting writing,
They think youre writing about them but youre not.
Jukebox plays the Empty-Inbox DeadEnd Slit-Wrist Blues.
Its not as important that you like me
As it is that you click a button to say that you like me.
Rooms full of weak people are glad to keep you company.
They tell you theyre telling you a funny joke.
They make you choose: Would I rather be dead
Or be a bigot?
Were nice except when we forget to be.
They never realise when youve won the argument.
They wont necessarily lend a hand but listen to them saying sorry!
They tell you you were born a bigot.
They tell you youre dead.
[SHRUG]
Johnny Lightnings
I said, Do you want to see a magic-trick?
He said, Okay.
I said, Here, give me your hand for a minute.
He gave me his hand to hold:
I said, There, see, that was the trick.
He didnt remove his hand from mine but there was no tenderness in his fingers.
I said, I could take you to my favourite industrial-estate,
I could be your Tarot cards,
I could draw you on you,
I could name every hair on your head,
I could give you all the flowers,
I could buy the skeleton of the last great whale and build you a bedroom inside,
I could [shakeface gibber-gibber-gibber-gibber],
I could lick tears off your cheeks,
I could lick you in all the places youre not sure if you like being licked,
I could count every pore in your skin,
I could be Elastic Man and make love to you through every pore in your skin
Simultaneously,
He said,
Youre weird.
THE SNAKE-PIT
Jenny Celeste
Everyone wants to cuddle you in the snake-pit.
UNTITLED
Claude Wolfgang
Stigmatism skyline with rows of houses jutting out as if cut from a magazine and pasted onto a
construction site; steel cranes that stick up from behind like cloves on a pork roast set inches away
on the table. Pedestrian eyes are drooping in this unusual heat, foreheads are slippery and everyones
shoes feel tight at the same time. You sympathetically scratch your hand after walking past a kid
with ice cream between their fingers. Shes tangled in rows of pink plastic beads while burdened
with a melting cone, and its disgusting to watch. You can hardly believe the sunlight, as if winter
were a coffin and the lid had just been lifted. Someone has invited you to dinner, but your stomach is
full of beer and things youd rather not remember.
VICTORY
Freya Delysid
So anyway, to cut a long story short: we won.
GRANDFATHER WIND
Audrey Lane Cockett
Old and tired blowing and sucking
Plucking dandelion seeds and dust particulates
Up and away in a whirlwind romance
I am not so skilled as to twist the wisdom of a windstorm into a wordstorm for the breeze to carry
with ease to your ears
But listen
To the walls creak
To the scuff of leaves across cement scars
Listen to the rattle of the flag halfway up the mast
The flickering shadows cast by trees dancing and twirling
You hardly notice
Hoping someone will notice you.
On those blustering bustling hustling afternoons
Listen
To the sideways raindrops
The snow being pushed from treetops
The silent scared crow above a sea of swaying corn crops
Listen to the bass drops
The way the icy air refreshes your strung out soul
In front of the flung open back door
Enticing you with fresh breath in your lungs
Exhales icing over and swirls of snow drifts
As you sift through inhibition and ambition
To find
You would rather leave all that behind
And sit
Harmonizing with the rough drafts that connect us all to the up drafts
That connect us all to it all
All the wind that blows and flows through the ages
Rages through cities and will one day chuckle
About the cretaceous tragedies and audacious age of the hominids
Yet
We shut our eyes and ears and subject ourselves to living in fear
Not embracing the face of what frightens us
See
I believe grandfather wind is sending tendrils to fires
Tying hurricanes around closed eyes
Cyclones uprooting homes we thought could weather anything
We have been ignoring whispers
So he drums up flurries of fury
Hoping some will be reminded that the wind is long lived
Wind has long been singing songs through the branches of trees
Whistling salty wind over white caps and tangled crab traps
Yes
This wind has long been caressing the tall mountaintops
Sending squalls against rocky bluffs
Puffs of wind have long been in sails
LAST WORDS
Selah Brown
His last words to me:
The days in which wed save each others life on a weekly basis
Are over, face it.
FOR JEZ
Anna Kahn
Youve got this blue smile-eye crinkle
small woodland animal shuffle way of
moving. When Im afraid, youll slow my
hearts rapid-beat panic because your
sweat is so familiar; Ill fill lungs with you.
You give me this grip-too-hard pressure
in my fingers. I know you like it when I bite,
leave scratch marks. I wish my arms were
stronger to hold you tighter. Maybe I dont
have to. Youre right here. I can find your mouth
blindfold, two fingers on the back of your neck
both a threat and a promise. I am not an easy
person to stay with but I could do this forever.
Something settled in me when I realised that
love was a word safe and right to use here.
Love was a word safe and right to use here.
Something settled in me when I realised that
I could do this forever: both a threat and a
promise. I am not an easy person to stay with
but I can find your mouth blindfold, two fingers
on the back of your neck. Maybe I dont
have to. Youre right here. I wish my arms
were stronger to hold you tighter; I know
you like it. When I bite, leave scratch marks,
grip-too-hard pressure in my fingers, Ill fill
lungs with you. You give me this rapid-beat
panic because your sweat is so familiar
when Im afraid youll slow my hearts way
of moving. Small woodland animal shuffle.
Blue smile-eye crinkle. Youve got this.
OH SEE DEE
Lisa Luxx
Only this year did I start being able to refer to myself
As OCD
Though I was diagnosed at 15
And knew when I was 7
And had to clean the whole universe in my dreams.
There are two types of parallel lines
The ones that are straight
And the ones that need to get the fuck out of my sight.
Blighted daily by the uncouth ticks of my own type
That dont look quite right.
Imagine trying to finish a poem when
you crossed the T in the wrong place
Imagine trying to finishing a poem when:
you crossed the T in the wrong place
Imagine trying to finishing a poem when:
you crossed the T in the wrong place
Imagine trying to finishing a poem when:
you crossed the T in the wrong place
Imagine trying to finishing a poem when:
you crossed the T in the right place!
Go back and make those other Ts look like that,
They look dead!
is constantly chattering in your head.
And it tickles down your veins and fills up your legs
Sped up with dread
Fed up of being wed
To a wicked witch that nags until your ears have bled
With sickness.
Youre not ill, people say:
just meditate.
I do but I tell you something
It doesnt just go away.
But Im better than I was
Not for the medication they shove in my gob
But rather cos I quit my job
So I can stay up all night correcting Ts
And placing dots
In the spots that feel right.
EEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEE
Jon Persome
Everyones against me:
They dont stop me in the street
And say How are you? they dont care,
They are everywhere,
Cars, phones, jobs, moans,
All social-network no play, they
Have genitals for perhaps one hour each day
And I hear them breathing,
I hear them coughing,
Jeering, sneering,
I never hear them cry or come or sing
But I hear them lau(ha-ha)ghing every day,
I used to think that they
Were laughing at me but now I know theyre not
I would wwwwake you up! I would mmmmake you up! I would ttttake you up!
But you only let me
drown,
Everyone in this town
Talks to you, but
Only if they know you,
Nobody knows me,
Still they read my diary:
JANUARY:
One step up, eighteen steps down, ah but the view was nice.
FEBRUARY:
Valentines date with friend of friend: sat through twenty minutes of TV tactics then said
something regrettable, ah but the view was nice.
MARCH:
Fff.
APRIL:
Happy birthday to me, happy birthday to me, happy birthday happy birthday happy birthday to me!
MAY:
I No you may not.
JUNE:
Broke.
JULY:
Beat up brick that looked at me funny. Hurt my fingers.
AUGUST:
Fire hazard Fire hazard Fire hazard
SEPTEMBER:
Another war.
OCTOBER:
Hope that that voice screaming wasnt mine!
NOVEMBER:
Bang bang et cetera. Love is not the only thing thats blind.
DECEMBERRRRRRRRRR
ERRRRRRRRRRR
Coughing up blood in the morning,
By midday Im yawning,
Blear-headed, blear-cheeked, blear-eyed,
The afternoons a swamp in which to fossilise
And even my evenings keen to quit,
No sleep tonight its
Left to right to wrong me,
Find lies in my diary:
All the optimists slashed their wrists;
All the best futures wont exist;
All the happy children are sad today,
We made them healthy in our own sick way.
By dawn its dawning,
The promised early-warning
Came late,
Less destiny more fate,
Me I never had a mask,
I never knew what questions not to ask,
I, I only know how to say I, I, I, I, I, I, I, I only know
How to say I I I I I I I I only know how to say I I I I I I I I I I I I I I
CASSANDRA
Lin Hao
Youve cried your heart out to all the world,
All the world will eat you;
Still you laugh at their comedies, you emote for the shows.
I wipe from my cheeks the tears you havent cried yet:
Everythings going to break, is breaking, broke.
35p
Jason Pilley
In the little dogshit park outside the youth-club the kids are playing football:
My boss Kevin gives them half an hour then itll be back inside to play pool or help make fruitskewers or just talk
The football: one of these kids, Alex, a boy about fourteen or fifteen with cropped red hair and a
tough smiling face, plays pretty well, he runs, he shoots, he scores.
Hes got a phone or something attached to his belt: he scores then reaches down to the phone-thing,
checks it, and celebrates the goal.
Its a close match, Alex is good but so are a lot of them, he doesnt particularly stand out. But his
phone does:
Alex makes a run, he checks his phone.
Alex tries for a tackle, he checks his phone.
Alex gets another goal, he checks his phone.
Half an hour: then me and Emma shepherd the cool little fuckers back into our youth-club. Today is
the hottest day of a longhot summer, everyones exhausted. Alex checks his phone. Its not a phone.
?
Its something, he tells me, the hospital gave him. A little ECG screen, digital green numbers, the
hospital is monitoring his heart. I get palpitations, he tells me, I get pains in my chest;
occasionally I pass out.
I mutter Shit! or something equally profound.
Inside: a bunch of us sit at a table, small-talk: Those houses that got burned down got burned down
by Callum and the silly fucker got caught! No swearing! Yeah but he is a silly fucker.
Alex pulls a drink out of his pocket, a shimmerycan energy-drink with a -name like BEAST or
REVV or MOUNTAINTOP.
Wait, me and Emma simultaneously say, those things are banned from here. Our boss Kevin has
a Zero Tolerance policy on drugs including legal ones: no energy-drinks in the youth-club.
But Kevins in the kitchen making fruit-skewers: our other boss Barbara tells Alex, Go on then, just
this once.
Tss! He glugglugglugs but he wont escape from us lecture-free: Kevs right though, these things
are really bad for you.
Alex nods, he already knows this: Caffeines a stimulant, yeah.
Emma heads over from the pool-table where shes been keeping the peace: Its got loads of sideeffects. Go on the Internet and check out caffeines side-effects.
Barbara joins in: And not just physical ones, it affects your mind, it can make you anxious and
irritable and
Alex nods, he already knows this: It gives me heart-palpitations.
But Thats I gesture at the machine strapped to his waist.
He nods, he already knows this. I cant stop drinking the stuff.
Emma shakes her head: Its a drug, its an addictive stimulant drug.
Alex nods, he already knows this: We learned that at school, he glugs again. Our teacher told us
that quitting these is as hard as quitting cigarettes.
Have you tried?
Yeah, I was drinking a litre-bottle every morning for a while, I managed to cut down though, I
dont drink more than one of these cans a day now. I hated the taste the first time someone gave me
some, then I had some more and I still didnt like it. He pulls out a second can from his pocket, tss!
But then I tried again and it was alright, he glugs. And it was really cheap so why not?
They sell it cheap starts Emma but Alex finishes the sentence for her:
They sell it cheap to get you hooked.
I gesture mutely at the can in his hand. He nods, he knows.
LEGS
Jenny C.
The first time I shaved my legs
It took longer than I thought it would.
UNTITLED
Claude Wolfgang
Time has stopped existing this week. Hes crashed the car and theres broken glass in your lap. The
vicious yelling is white noise now and youve forgotten who you are; but you are not dead. Your
ears ring and you lose visual focus. If you dont get out of the fucking car, Ill knock your teeth so
far down your throat He takes you to your smallest place, determines what means most to you,
and uses it to humiliate you. Your feet keep scratching against the inside of your shoes and the
grease in your hair makes it stick to your head, because he wouldnt let you bathe or put on enough
clothes. There are two bottles of water but no food because he wouldnt let you pack anything. The
adrenaline rush accompanied with the overwhelming desire to stab him in the chest is stunted by
your conscience, a quality of humanity which he doesnt seem to possess. For now the image of his
jowly red face is troubling you, but you know that eventually youll forget it like everything else.
The apathy that he has cultivated through sleep deprivation and starvation has left you completely
numb, only akin to an opiate high in a bizarre twist of irony. You should be treating me like a hero
he shouts I want an apology for your disloyalty he demands. You should be proud of me. He
never says sorry.
SLEEPING DOGS
Shelly McSane
Shes having a party!
Oddly-gendered jugglers from countries youve always wanted to visit
Will be bringing all the drugs youve ever wanted to try!
That great mate you havent seen for seven years will be there,
And has he ever been places!
Passers-by wont quite be able to tell whether its fancy-dress or not!
Well make music make us,
Well paint things no-ones ever thought to paint! Someones
Gonna get coloured in!
We can do what we want then want some more! Poker
Isnt the only game you can affix strip- to!
Theres no such thing as not dancing!
Therell be illegal cake!
Well film it and the film will be Art!
(Shes not having a party really.)
POETRY
Rob Wellinton
These twats shouldve known:
Stabbing me in the back just
Propels me forwards.
oooopen them up
and lick your finger
mmmm, lick it long
show me mucous!
Open your legs
and show me
SLIME!!
QUEERIOUS
Sam Dodd
Shes as woman as a breeze to untrained ears
One line of electricity
Her iconic masculinity
The room stops. She has a different vibration to the rest, it scatters off her skin like
broken headlights on the motorway.
Femininity
is examined not as our own anymore
But, as salt water that smells like the sea sliding
A man in a dress.
A shining light in the ever-moving, seething shitpit that is the human race. I feel I could
blow him out like a flame.
Skin from tip to toe, mouth shaped like an O.
We all hang from a cliff face,
Construct and parade.
WATCHING IT DIE
Ellie War
Its spasms, its screams and yelps;
The way it tells itself itll be okay, itll be okay, itll be okay,
As its red insides spew out turning grey
And seem to stain the ground but
Itll all soon fade.
Its cries, its occasional cries.
Its feeble scratchings.
The senselessness of its last gasps.
Im not pleased to say this,
Not proud to say this,
Nor do I expect this to make me any friends
But Im not going to lie to myself:
Deep down,
I like watching it die.
VIRUS
Maya Morris
The virus, the virus,
The virus is getting out of hand:
It turns my friends into my enemies,
It makes you make love to my enemies,
It makes us forget theres anything wrong.
The virus, the virus,
It makes him hate her for not being him,
Makes her hate her for not being him,
Makes us whining babies,
Makes us deserve this.
The virus,
No-ones ever there when you need them.
The virus,
Nights used to be better.
The virus
The virus the virus the virus
UNTITLED
Claude Wolfgang
Its approaching hour twenty-two and one of the many men in the room sets down a cake onto the
table. The icing is white with navy blue letters and trim; it looks like campaign confectionery.
Whats written on it is not immediately intelligible. I ask telepathically what Cake Man is doing as
he, a paunchy fifty-five year old landlord, begins adorning himself in tight white lace trousers from
Sprymart.
She gave them to me he doesnt look me in the eyes when he says this and the girl in question is
not in the room, but I know of her. Everyone understands what he means and waits for the scene to
start. The cake mocks its guests, reminding many of their diabetes. Why was it even there? I lean in
closer to establish what the icing says. It reads: We Are Not Responsible For Any Injuries Incurred
During The Next Century. People mumble amongst themselves, dressed in dull shades of brown or
grey. The walls look like they are lined with camel fur but I dont want to investigate.
I start a conversation with a barely conscious individual. They ask me if I know how I got here, and I
refuse to answer. You dont seem to have a lot of information they slur and drool. I feel sick but
also very hungry, although everything, especially the cake, seems inedible. There are biscuits and
crackers from the mid-90s, and cheese from several days previous to the gathering. I rub the
tablecloth between my fingers, temporarily fascinated by the plastic texture to distract me from the
boiled chicken. Nobody seems especially talkative, although many are huddled together.
A nervous looking man next to me whispers in my ear when do you think theyll get here? and I
assess the exits, only to feel confused. There is no door, and no windows. I turn to him and say Im
not sure what to tell you.
CONTRIBUTORS:
AUDREY LANE COCKETT is, she just is!
JANINE BOOTH is a loudmouthed Marxist feminist trade unionist, who was a ranting poet in the
1980s, took a break for a quarter of a century and returned to rhyming in 2014. Check her out at
www.janinebooth.com
FRANCIS BYRNE runs two London poetry nights, Frogs & Jays and Y Tuesday, and is editing the
250-page annual publication of 100 writers, London Spoken Word Anthology. Francis is saying yes
to: unsettling, unnerving, silly-serious ideas; repulsive, enormous ignorable truths; deep and awful
human beauty. He is a member of DNA Poets and is soon to publish Science Foetus Foetus Science,
a collection of science poetry in collaboration with the Polish scientist Serafina Palic. He teaches
creative writing to children. Contact him at frogsandjays@gmail.com
SAM DODD falls in love with most people she meets, usually immediately, and likes to re-tell their
stories. She runs a small East London open-mic night called Mouths Wide Shut and is the
seventeenth cousin four times removed of Ken Dodd.
JENNY ELLEST was minus-eight weeks old when she traced her first poem on the inside of her
mothers womb: these days she mostly uses paper, and her poems have been published in Solar
Poetry, Brat Magic One, Rockland Lit, Dirty Palace, A Fractal Dying, the Don Quixote Is
Dead journal, turn, The London Spoken Word Anthology 2016, and others. Shes a member of
the Dressed For Winter On A Spring Day collective.
ANNA KAHN is a queer, big-hearted, cheeky grumpy fireball. Shes a member of the Barbican
Young Poets Programme 2015-16 by night and a civil servant by day. She beat Scroobius Pip in a
golden gun contest once, but that might have been because the judge had questionable taste.
Imagine the Brothers Grimm were not two 19th century German siblings, but one middle-aged man
from a North East fishing village. A man who trawled the seas, combed the beaches and crafted a
collection of dark fables, from sea coal and driftwood and bullshit. Fishermens Tales is the selfpublished debut novel from PETER KENNEDY. Deep in the shadowed past a village is beset by
plague. Amidst the invidious creep of distrust, disease and death, a mysterious stranger breaks
quarantine and the tight-knit community begins to unravel. Fishermens Tales explores the nexus
where rumour, myth and apocrypha meet in a metaphysical, metafictional whodunit.
www.fishermenstales.com
LISA LUXX www.prowlhouse.com
CARMINA MASOLIVER is a poet and organiser of feminist arts night She Grrrowls. But she
doesnt like boxes (except cardboard ones, which can provide hours of amusement). That said, she is
an INFJ, a pacifist and a Taurus. She writes and performs in hope to connect with others, and enjoys
playing with different forms. She lies all the time, except in her poetry. The poems featured here can
also be found in her intro book by Nasty Little Press (2014).
BOUDICCA PALOMA www.boudiccapaloma.com
OKTAWIA PETRONELLA is a singer and violinist and graduated in Music with Italian from
Sussex University in 2010. Since graduating Oktawia has been involved in a number of creative
collaborations with dancers, poets and musicians of various styles. Some highlights include
performing at the Edinburgh Fringe Festival and singing with the London Symphony Chorus. In her
spare time, Oktawia likes to carve sculptures from raw fruits and vegetables and display photographs
of them.
Before JASON PILLEY was banned from every single poetry-event in England for aggressively
heckling himself, his one-man show T.R.I.P. left everyone who saw it blind, bald and puking and
was eventually shut down by the International Atomic Energy Agency. In 2015 Glastonbury Festival
was cancelled and replaced with a one-time-only performance of the follow-up, Sooner Or
Soonerer; next summer The Invention Of Opera (& Other Stories) will be guerrilla-gigged in
Buckingham Palace. He hopes The Poetry Years makes a great chapter in the books theyll have to
write about him.
STEVE PILLEY www.stevepilley.com
TOM SINCLAIR is the kind of inconsiderate incompetent man who has taken to writing seemingly
honest poetry, he has self-published two anthologies and has had his debut solo poetry collection I
am a whole load of nothing published by International Work Bank/BaxterDanielInkPress.
CLAUDE WOLFGANG has been writing since he was seven. He rarely goes out in public. His style
varies between manic and illiterate.
EDITED BY
JENNY P SOPHIA ELLEST
FEATURING CONTRIBUTIONS
FROM
JANINE BOOTH*FRANCIS
BYRNE*AUDREY LANE
COCKETT*SAM DODD*ANNA
KAHN*PETER KENNEDY*LISA
LUXX*CARMINA MASOLIVER*
BOUDICCA PALOMA*OKTAWIA
PETRONELLA*JASON PILLEY*
STEVE PILLEY*TOM SINCLAIR*
CLAUDE WOLFGANG